INSOMNIO - HISTORIAS REALES DE LUGARES MALDITOS. “ESTUVE EN UN AIRBNB EMBRUJADO” | Julián Núñez

Episode Date: May 22, 2025

¿Listo para adentrarte en lo desconocido? 😱 Acompañados por Julián Núñez, te contamos historias reales de lugares malditos: relatos enviados por la comunidad que ocurrieron en edificios, subestaciones y departamentos donde lo cotidiano se vuelve aterrador. Cada historia te pondrá los pelos de punta... y te hará dudar de tu propia realidad. 👁️‍🗨️💀 👻 Insomnio, donde lo real supera a la ficción. 👁‍🗨 Disponible en YouTube, Spotify, Apple Podcasts y más. Host:  / fepomx   https://x.com/fepomx 🔗 Redes Sociales de Julián Núñez:  / juliannunez_mx   Síguenos en redes sociales para más contenido:  / podcast.insomnio    / paranormal.insomnio    / podcast.insomnio   👻 Comparte Historias, Memes y Evidencias Paranormales 📝Cuéntanos tus historias: https://podcastinsomnio.com/ [e-mail] ✨Grupo oficial de Facebook:  / 548487930178860   💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx 🛒Compra Merch Exclusiva aquí👇🏼 store.podcastparanormal.com/tienda/ 📧Consultas empresariales: [e-mail] #HistoriasReales #LugaresMalditos #Paranormal #RelatosDeTerror #PodcastParanormal #FenómenosParanormales#terrorreal #TerrorReal #RelatosDeLaComunidad #MisteriosSinResolver #CasasEmbrujadas #ExperienciasParanormales #JuliánNúñez 

Very good days, tardes or noches. Beenvenous to a new new chapter of insomnia. In where we're to narrate the more terrorifices experiences real of the audience,

so that's if you're trying. In this occasion, I want to confess that, that, that's the stories that you've made

on, and the most of that's about 40 stories about this time. And we've been to an

invitation super special. It's is a showmno. Our Thank you. Thank you.

Julianne. How are you? Very well, the truth is that's an emotioned. And I'm really

much that this thing, of some kind of some experience or something that I'm very that I'm

that I'm so I'm I'm sure the first that's the first you've got to be

with a little bit that's literal. Yes, it's of those things well,

no see if for the area in the we've we've lived or that there are

many many places that we have taken for experiences laboralels or for the pure osse

of that let us let me go-nors to the house abandoned. In some moment it you did

in pre-pa or something looking obviously in the experience and in some of

those moments if it did it was something even in my case

at my living in a house very Antigua. I think it was

a little in the sensation and other things that maybe I'm more than I tell you want to be

expand it a little more in that. Today I do you do I'm also I'm sorry

but, but hey, before tell us this, please, tell me a what you do you

do you do you docks, websites, platforms, for far, because apart

to start us for the public this community that not

do you know, well, this, well, well, well, so I'm a way to do you know,

for so I'm going with lends. But, but, let me know, is Julian Mews, I'm an

actor, and also do I'm content for social, I'm a podcast now that's

called Uvovob Revoltos, and in general, well, then I'm going to with things

artistic and also I'm a master of the theater and master of different, very well,

Very well, because, this will be the first chapter in another idiom. And, d'all. Let's see. Let's go. Oh, hallo.

We'll, we'll implement it to the next. Let's contemes in English. Oh, I'm thinking, in voice out of it. If I'm occurred to something, but then I'll just have you, you know,

you know, has some acercament with a place maldito? The first that I took in where is a place, that, even you've been

to analyze and all, that is the clinic in where desivian the babyes. The clinic of the interruption

of the embarazzo. Exactly. That's here in the city of Merida, that is

where we've where we've, well, it was like a place taboo. A little taboo,

that you had been heard of I've been a little my contractan some

some children of a university to do a short-metragy student. These these

these guys, I was I'm with one of them of them for what they're in the

invitation. So, I mean, they said, we said, we made the gion, I said that

it was a clinic. But, never I imagined that was in the clinic. So,

when me they're saying, I'm like, how, is in serious? To me it

It's what happens that, obviously, this was an story, it was a quarter-metrage of... Psychotriller, more or less or less. So, I was the kid that had to go for my friends and, and to, and, to end-lety-and-for-ke-you-all-per-per-you-all-a-law.

Well, in first place, were at last 11th of the morning. Uh-huh. But, you're going to be able to, and we're talking to that here, a one at the

11 of the morning that not has no air condition

that not it's not it's like it's a

thing that the other of the other of things that

if if I'm to get to a question it

has but you we're in what we're in the places

that obviously enter and there sometimes of some

moeca of some in some places all pintarrageated vidios,

spejo totally destroyed. So, then what is concentrate because you're to work

and all the sensation of, they're on the doors of the third piece,

they're to be to start and all, and always was the solas? So,

so you could be to look an explanation but solas? The

explanation was that was like there a cub of light,

but yeah enter the air and for that's so that so you're so, the sensation

is, the sensation is a poterarse to be to be to start and for

example, in one of the scenes that that I have to have to

I'm going to get to get to get having to the doors that

were those those are the apartments of the so

then then is to limbering with a, with a with a lantern and to have the cameraographer here atras.

You know, that was, no, no, no, it was always nothing, but it was a sensation that,

have been said, this, this thing, because, because, it was a thing,

that I, and I, and I, and I, and I, and I'm to be to be

allumbrer. And then, so, all this, so, No. I'd say, for

suerte, a person of the place of the place where they were in the procession,

that's a quarter serrado. And only was the cameraographer and one person and

I was and was for the not us passed nothing specific

there. But if I can say that I can't a before

and a before of that I said, I mean, that all of those experiences

that I've had been to visit places to do, has been with this contact of that that's

me subbed much on a murder, me started to appear sombras in the department where

I lived, so, I don't if I have a connection, no see if I'm some

a relation, but it was very very certain at the time, now now,

out of my Counts of that I visit the place and that and that start to

and that they're going to get to I'm in my department well I think it I think

I'm I think that I'm not that that's not that you're maybe

but yeah not an entity not an entity conscientious that it's

not the energy of the the people not only just

for a process super difficult because was when this practice

was that was illegal so so So, it was

not with the good with the good that's not with the sure, and a course.

And a very, existia suffering, you have to desacement, you have to desacere,

of the material, no see how to say it not, I mean, what I'm really what I'm that

attention, that never me had made conscious, is that one of

the things that I heard in the department where I'm was was,

it was a RISas in the Manches. I mean, I was, I don't know if I'm to get to tell you, that

11 of the night, me started bystander, and I was gonna'n't a rizade of a little bit. Yes, it's true. So, then, no, I was gonna, I, of,

where, and always it, was, it, with a question that, the house, no, is a

house an house, of the colony in where, they were to pass, things, that even in this

house, I think it's been the most intense that that's been that's a little that I'm

that I'm that I'm remember that I'm a success that I'm that I'm but I'm

many years that I didn't be presentable but in this house, for example,

it was of those cases that are that they're that of the room that were in

the kids, they're they're in department. So, then

was like defasada in questions of entras a passio a quarter a quarter a little

to the kitchen and at the world there was a body a bodega with

a a cardado and had a a trank so a me what I'm

a lot that was in theory only I had a job in my department

what was Passable much is that one a year of the house me pitiot and quit the candor. And a part of that that's, that's,

but when he pitted to do you, it was, he, he was solicit. So, so, then, then, I was, of the work, and the

door of that the, of that bodyga, I was able. I'd try to give an explanation,

of, in reality, if they're in, yeah, and they're in, and they're,

and they're, So I I'd put the Trancor I'd put it to And I don't see

At the two days Another again the door Yeah no Tiener And it's

So it's the place The house The That's the That's The So, the

That's So, The So, So, to get to The A What's

The Mager So, but yeah Me It's all the days

Yeah, me It's a pass and a friend

and a friend of me he said and he question he question to

what he question he is when in my dreams or in the situation

I when I go and I go and I ask and he

I'm when he I'm the I'm the person to

this when you when you see something bluereed totally dark

and no I said nothing just it's so he's and he

go but to this enfrontation they're wow so it so it

was like of those things in which I don't see if there's some

I've made I've I've I'm I'm I'm I

go to the carter Progress the the Senda the of my

Miss Nevalam, the Polo Fantasco. So, so, no see if it's question of that, or the house if I had carried much energy and all? Because one of the first, when I asked the lady to the house, me said that, some inquiliners, before us, well,

they're going to be the blacks in the corners. Well, I think it's a summa of all the things. Yeah. Yeah. Yeah. Before, when, once, just before I started the podcast

and when we had started the other podcast for normal, the people me comment about much and it's something that is something like,

familiarly, it's a lot. Look, you're there at the Raggedy Doll this, that is the naval original,

no? The navelle original. And the people, it has this idea of that the objects

difficult can't like the cars, of an energy or of entities. And I think is all the contrary, because

every time the stories me demestrands more that. We're in a place. I don't know where, because I mean, I do not say, because I'm very curious. In this place, there were a zone

where I was to sitar, and there were, for the most eight spaces for a centers. Okay. Okay. It was a big thing.

No, like 10. No, I don't know, a mess very great of a commed how's

the same, 12, I'm 10, 10, 10 is a lot of, so much so, grandisim.

And so, I'm could siter in any of those and I know why. I said,

I said, I, I, I'm sent me, in this place, is a house very

old, very, very, very, very antigo, and so we're just we're

so, the other people, the other people were, And we started to and I, I was a little

I felt that there was a person parada at me, of this side of the like,

like, no see, like a, like a mecero that's that's that you, so,

so, so, so, so, and then, it was so I said, no,

man, is who's, and I'm, and I'm, and then I'm nobody, no? So,

so I stayed and I'm and again, and again behind to be, it's, and

would be, and And there was nobody. And of the person that was front of me, me said, what do you say, what's the past? And I said, is that I'm sitting in this

place, you know, I'm I'm sure that I'm saying that's something. And he said, yeah, and part is someone grandotete, you know? It's a personia very, very, very imponent. No, it's not

to pass to that'spercivita. And me says, is that there's there's, I'm going, to what? I said, what, I said, Figuette,

there's there there's there I'm totally. Julian. If there

had someone behind me. But no complete and no I'm able.

You can take as you want to that's that's not that's a no

complete, no? Yeah, but there was a part of someone. No, I don't know

to say it other way that not that's that it's not

that's the things that they're that's the but part of your body of the

body. Yeah, you know you? Yeah, and literal was there I'm there

I'm going to tell you and it's that's very so, me know, to get to

a lot a little a relicia or something for not to say but I only

I don't know I'll take a photographia Yeah, I'm a photographia That's, this is I'm I'm going to No,

never I'm sure Wow Yeah, yeah Yeah, is that Imagineate all what

that can't have to I think I'm I'm practically I consider that this energy

me was persiguing from one a house to but like

was a time in the I'm establishia and of a and then I'd

pass them the same things the sombre in the window the the presence

when you're doing the you're the you're the the

the most the most the I think I'm curiously that I'm

that I'm to get to rent in this department I

I get the the house of the house that I was, I don't see,

to come in front and a balladito, no? And, then, well, it's the essence or that's in the same. And now in the

house in the I've lived, that no, I've been passed, not? Until, ago,

not? Until, ago, that was what, what I, did I, know, I said,

in the nothing, I'm, I'm, I'm going, to see, the presence of this

entity, but with this entity, when I I don't ask what I want to when I

say passive in where I'm I'm really is a day in

the day in the I'm I'm I'm I'm I'm let

I say this I'm say I'm say I'm because I'm doing to do you

when of I'm I'm I'm they're to push to the

and I start to push the but not it's one it's

it and I start the air and I am I'm

so and I am I am I'm so I do but

all was totally totally so so so so

so so I always do I'm don't so what I

do you do the but in lampra, Prendo the camera and they're

to form those quadrits. Like if were in cars. Like if were in the light,

and no the light, and no there's absolutely nothing. So this this,

I mean, me, I quit a lot of my day a day. It was a question

to, he, he, he, he'd do it of what whatever

so not to do not do that you're to be an

invitation to you go to a place to a place

and more than a person that a little that

I'm going and this person me me say that

you don't me des details because I can't

perceive and I well I with you more or He's a...

...and me I'm going to let's let's you listen to start

everything so normal and he's to get to and me say

it's see the eyes not you know you and he

and how to confront to something to something

to something and and it that's that's that's

that's that's that to do that to do and he and he he's

obviously to to give the support to that he liberer

this I'm I'm I'm I'm I I'm I'm

I'm I'm I'm I'm I'm because when when of

I tookable like my was inclin So inclinable. And it was in the other

side, to the other side, to go, and in the stomach. In that me says, he's going, she's going, and he says,

and he says, open the eyes, what you sent this? I don't know to explain because it's of those things

that you say, no see so I've seen in the movies or something like, and I'm said,

I don't see I said I said you know I think I'm I'm put you I'm put

I'm never I'm never I'm the object was a cross and never

me let put so the but it but a cross is like a cross

is like a crossifio that he had and me said I think I think

I think that in where is or where they were it was a travel because when

you know I'm in the stomach there's there's there's been something. That's said that

they're done to eat to eat to eat to give you have done to give a thing you're

I'm doing this I'm doing the I'd say to where it's where it comes. But there's but there's

But I'm exactly. And he said, I'm going to do a one, one,

a session more, a little more more and you want you? Yeah.

Cere my eyes. And in this it's a other to talk but

he's a but he's to be and I'm to see normally to the

point but this every it's a point me in the front.

In the front, but I felt like it's calentable this part and how

it's when when you have pressure of the heart to get and I

started and I had the eyes and I started like if were

strobos in the endrobo like if something was saturating

not he he he to me to be in peace. The

case is that after that I think I think I did a talk

and he said, and he said, you know, you can see, you know, but this

this time when opened the I had I was a feeling I something of

something, but like, with an alivio. Wow. And

yeah what he said me said, I don't I'm sure that you know,

it's possible that's in your house. Wow. And me gave the sal

exorcised. Uh-huh. Me gave some other recommendations and things that I've been

doing. A part of that I 've done this no I want to know but I

tryquished Wow. Wow, well, well, so you know, so it's Yeah, and, of actually, what

most me the attention is that when I said when I did it, and I understand that, me said, no, I just accept a target, no? I said,

it's for PayPal, chau. Me, he said, I don't you know I'm not, because the don't that I have

is a gift, and I have to give to give. But at least you invited or to eat, or something?

Well, obviously, well, it was like that, like, I don't, I would have the confidence that I said,

we said, we said, I'm going to be able to do that session. But, but I've never had been the, I don't want to say it

but not have had been done the animo to return to and that me and that they're saying that still, yeah.

Sure. Yeah, well, I'm, so I'm, that I'm so, so if it's

something super lebe, that no, that not you that's just that's that's susts. What?

Oh, I know that there were stories of... Of the... ...of... What you're going to be... ...we're going to start. Now, now, yeah, we're going to start. Now, yeah, we're doing our perambolo of the places.

Is that there's a lot. You know what's been... 30,000 stories. Sure. Do you want to start with the story? Or you want to come yes? Well, if you want to one. You're all.

For what... For that... For that... Yeah, yeah, yeah, yeah, yeah, that I'm calented... ...contant... ...what... ...what...

We're taking pure tequila, man. Yeah, yeah, we're so much. Well, well, you're going to tell a story. That we'll share a... Okay. Tanya us, we, you know,

the story, for that we'll tell us. And it's of those stories in those I think that, we're in a we're not part of,

or we're not that's not that's what most me It's called the attention because, even, I've an experience that could have been similar, because even rented

a department. Tanya knows that they plan on a voyage to the city of Mexico. Rented a department of those that you see for application.

Okay. And, then they're the plan perfect of, the plan of places touristic, visit places, is,

fun, and get it's super very good. When they're to get a department

that's near the all the whole and one of the people that he

was a company said that he had a invite nobody he said

well well that come the the invite and yeah

and this person that was her was a person that was a

And apparently, all flew-o. All was very well. They were all, the copas, the color of the diversion. When,

of a repent, all of their plans about their next, one of the chikas was going to go to the

basilica, another I thought, in going to go to socalo, like they were to do,

no? And those who were to go to say, they say that they're in the plan to go to

that they're a little yeah this people that's right exactly of the people that

is when the novia of the invited uh uh can be a

little to her and and then he says he's that she is a

devote of the Santa Munt and all and all they took

a risa but she not I was saying it a way It was a not a

Bromah Not was that they were Insegues Or that Tewerner Or that's On the

contrary With a One of the She said I'm I'm a Bota And I

I'm I'm I'm They're not They're They're They're They're

They're They're What's What's What's They're They're They're

They're They're They're And they They're again And then the

And then the The chica changed But yeah more Seria And he said,

I recommend That's I'm That's Make that When you're When you

You know It's You know, it's tensioned The Amient Sheenioned

And Yeah To get's The next. The The chick that I had

thought to go to the basilica she went the the pariah to go

the and the other did you know another when they're

they're they're they're they're to share all everything it was

perfect they're in the best in the bestying and people

and the people that have been done they've they

said they're a limpia. Oh. So they're saying there. And the chava that was a devote of

the Santa Mewarty she put more more than and they said, I'm

that they didn't have to open doors. So, it was they took

to the lagera and that night yeah that's all to do

the the little, the she was, that was, that was

that was the was In his court, he starts that can't

moned money, cae monedas, I'll see, there's there

and then and then he's to get to get to the door

three times. She a open, and no there's and there

and it and it and it and it and it comes a fire

that the and it And not let's And then And then He's

And he He's And he's And he's And he's And he And he's To start

And then So, I'm going But it Irving But it But it Ander

There Yeah And In What your Your Your

And to get to to be the chick she's despera but

prefer preferre and do not in the other quarter the

the the they had had been to they're they start

to kids young young you are you are

you're about that are two or three of the

morning for the man for the there there there

there there is going. Zero, I'd say I. Exactly. And,

and they're to hear the the door. And they're to

see some some some of the presence and they start the questions that were

going to end up and they're and they're doing and the day the

reunion was yeah was to get to for Yeah, all They were tensed

And they were Don't Don't Dormid And the She was Devote And the

She said How did? How did? With a on a So, all of those

that no No, and she said, I've I've seen I'm I'm

I'm You're sometimes were you were And her court.

And he's a way cynical. I said that no

opened those are all all they're all and then the

time all they're they're to their and they're

and the person that the person that's the

person the do the doion of the department and he said

Hello I wanted I'm he said and he he said obviously me intending

that all had been and she he said well what what is that

after that you have I got I had I had other inquiners

those which me have abandoned the place before that

they're to Because they've seen a a woman of in the passios and have seen and

have seen and I've heard things to you what? What? This person

decided to say that no that had been that's been and so

contact to his friends and one of them confies that had seen

that that the inviteada, the novi, that was a devote of the Santa Morty, in her court had put a altarcito and that was put putting something that

at the final of the countas no, it was not able to be in a altarcito. Then, then, the day next,

the lady next, the lady that was the owner, he was to mark, he no contested and receive a

message of voice that he says desperately, tell me what they're in my house, because they've been passing many things. They've been marking the telephone of the department and in the department no

there's nobody. I'm and in the telephone only I just I'm a respiration Something that only is that's that I contested.

But no anybody. I'm in the cameras and never nobody enter. But no

they're to mark me of the department. What did you? He decided blocker

a signor? And in that's his companyers and he's one of

one of you, contact to the invited. Better better said,

the novi of the invitation. Yeah. And she was that she

said, that after of the day that she had disappeared. And never

more they never more. A devote of the death? Yeah, no,

they're to be. And a part of the moment, they said that in this department

was a man of a man of the man. Exactly. Wow, no manch, me

I said I'm sure, and for something, you know, you know, you know, it's not

the advertency was, no? Oh, but you to pay a fort's

history, no? Yeah, I, when the I, the, I,

it was, it was, like, me to be un- un- I've

been, because I had been many times, but I'm had done that

But is that literal, even the symbolism. No, they're not the doors and you what you were to open

doors and and you're and call someone no? Yeah, Anna, was the person

of my novia. And it was to be that quite, you know, and apart of you know, to get to

that's energy. So, oh, no, they're not those ports. And how you say

to the person this, no, well, I don't I'm, no? And is that, for example,

a friend of a week, me told that she made a limpia, of actually, casuallyly,

me told me something that's that's a limpia in the city of Mexico, and that these people,

they detected, or so, her novia, they said, you have a daughter here, and if they

were like very emphatic in, in, things that don't tend to know to know,

so they were, real, but what I'm going to I'm going to to remember to do that I'm going to

tell you and then you tell you go back back on let's be well much people

know much cocillas. This type of cocias that I don't because

I don't say, this maldito or so, but man, if you say,

you want to get to go to the devil, then I'm so I'm so. Acto

a thing, you want you, I'm so, I'm, so,

I'm, I'm, I'm, like I'm that there somebody to see, there something

there's, so, there's, there's a, and for that every certain time I go

some I'm to protect me and to avoid that type of things that's that's

like they're like they're like they're saying they're they're checking and he says to tell Jadino to Pepo

has to get to the brugery it was very evident no okay then

then he said then put here me parre front to him and I And I,

I was I was in the hands and he was like, passing the hands, so on the

head, by the shoulders, for the spalda, and then like, like,

I was, I'm, when, when, when, of a repented, he's

over the shoulders, and I started, I, I, I, just,

so, like, so, so, and the sensation was like was,

like, was, like, Like if if I was looking something and the

real and the whole like you have got a something and he was to go out

out of so I'm I'm I'm desmoy I'm sent I'm I'm

saw big big of this a pain a a

thing so so but but so so I'm

so I don't so I'm I'm I had a

I've got a with the man, so fack, he's like,

so, like, so, and I, the people that were seeing the eyes

and I'm going to see that I'm going to get to and I'm going to me moveia,

me, and then I went to and then and he and he he's, he's,

and I and I opened the eyes, my husband, and I did you can't

get and I say, yonder. The, fudda. I was I'm trying

of the pain of the thing I have been and it's like very impressive. So,

how, how can do you know, I'm understand? I mean, I'm, I think,

you know, but I know, I don't know that was what I'm that's a point,

because, for example, I'd tryveria to say that, suggestion. More

than that, for example, I'm just I'm a little more, but no I don't want to call it incredulo, but I always try to

look at the explication, no? That was what you said. And when I go to this liberation, the same, the sensation of the gulpeteo, of the, of the, of the, that begins, and you're, you know, you know what you're going to cry, that no knows how to explain it. Exactly.

I know how to explain it, because, of the really, he, he said, and he was he said, and he said, and he said, no, you know, you know, I didn't have to say nothing. I don't know. So, it's something that I know that if I'm going to say, oh, no, I mean, no, I mean, but it's something that,

if you're going to, because, maybe not the same, like, and it's the same type of or something, but if it's something that when you

seeer the eyes, it's going to get into something something very caon. That's, exact, exactly. That's,

that's how to explain it, because it's something that's one the other way that that's been in the sense, pardon. And not is something

that you could be a other form for you can put a example of... Exactly, because no,

there's a part of the that you know, in my case, that's that's up, and me says the

that's the thing is that you know, you think it's that's um a certain of the, like if

something that something that something, so that's that I'm saying, and I'm I think, it's something that

I'm quite but it's very different. A me never me have extracted clavos of the shoulders so I don't know

how it's until that I'm wow, so it's a strong, well, this story that I'm going to

tell you, the department humid. Okay. It's, well, the person asked that

his name is anonym, is anonym, is anonym. This chick I mean an experience where there something where

there'd be something but it's something something that's that's that's

a new a new in the city of that he had been much more more

because he'd because he'd in other in other state or in a

population different but this department he was a place where

I was to study engineering chemistry. So, super well. And,

and also, because it's an notation. It was a department little. She was

a student of university, and at end, I'd to live out of the house of

the father, and so, and so, well, obviously, not had more

money to rent a place very very very very car, and it and it

It's termina renting a department that says that this department was a department very humid. It was humid. But, well, no he important. From the day one, they're going to be going to

to be things rare. And this, that is, also very common in this type of stories, are passing so, so,

a little, that when you commentas what you occurred in the day 40, is a thing a local. But as you know you know,

you know, you know you're not you know what you're just like a moment, yeah, yeah, it's not there normalizes, no? The normalizes,

exactly. So, she, the first night, obviously is to change all those things,

order to order the little that had, no, the little things that he had, order to

do it, and he, he, and he, and, and in the night, but regressa

and is content, no, because it's the first night in her department she's

only. And what she does know, is that the department, yes, is a

department, umed, wwele a earth mohada. And this like, I'm going

to get to get a one. Then the day two, in the night, it's

and he doesn't, it's a thing, it's is that is it's What is that?

Literally, the paredes suddable water. So, of a thing she

thought she was going to be a little a little of a water that was goteating

and it was and it was through the path. And he said,

well, no, no. The first lunas that he's now

yeah I've maybe a half a the first Monday at the

235 of the madugada and this that I explain is a sensation that is

different when you're only than when you live with with someone more when you

you have this information in your head that you you're in a room and

the door not does where there's where there But, but it

no should be a bit and when you hear you and when you're

you know, it's a sensation a very terrorificed. And he says that he gets

and he gets a door, and she goes so no, if she son,

no, that even he's so he sent to like to know, so

to be to be to be to be that that that that

that that silence total. In that moment that he was there, I think that a morsel

that's a question, I thought that there was there was a in the that was he was doing,

but he thought, no, this is a really, something is a thing, that's a more,

the humed the matter was in chino, and trone. He, to go to to do this. At the

day next, that we'd say, when she was to the school and all this, when when he goes,

when he goes to very very similar to what you see, she observe, she observe that there are

things of the little that they're that are changed of the place. Some

things super subtiles. Some monet that they're on the other

skinnita of the other screenita of the window that's a little abired.

The The those that were on the right, now are the left left of

little. Cossita little. But obviously this all makes feel a little more

more inquietta no. Then, he was kind of thinking in this situation.

I said, no, I think that no, I think a few days, he gets

to his house and discover that the people had been

because she yeah she had accustomed to the odor to the air humida

she had accustomed to that's not, and the and the the odor yeah

it's been in pernated in their robes so his his robes to the water

humida and he chispas well well he was he was he

he said of where this this water no no he's

he he's The next, other way, it's very very

very time, and when he goes, he's he's all his roba.

In the sillon mohada. But impapada. And obviously there, I,

yeah, yeah, it's like, like, so, no, and feo.

Invasive. Invasive. So, he's, to enter to the ban. The

The bathroom extremely humid, so that the the space of

the bathroom were totally empaired. And she did know that

that since she came to the the bathroom was what it

was that was that's that was to be panning but in this

occasion that the rope was mohada was much not,

it was much. The fourth This time, you know, I think that I think the

things are going to get to be a little, and it's a madrugat. She was empaped.

She was in the camera, the sabanas, the couvichas the colchon goteable. It was

totally a thing of the locus. And then she was she

of where I've been Culled water? Yeah, this level, no? And how can't

I'm I'm that I'm know that I'm not that you're going to and he's

a lot of the night I'm I'm a noise that in the mail

it's that's too difficult to mention how was that that's

sony but imagineate as static of television but if you

you were under the water and you would be in you're listening okay

one of a little very rare that she she kept in silence and she he's

he's the fact the the way the way and it because also

it's been occurring in the department but out of the

apartment and then and then I'm to listen literally

water like like like a like a and

then passes coming on the piece mojado but apart

were like salpick and the and the and the and the the door.

So, then he did much much fear. He was to

go to and with the sabana mojada and all, so it was to

the head and when So it's tap-a-a-the-cableness, I mean, the pickaporte of the door. Then,

that pushed it in the door, it was able and then- that was that was that was that was

it was going to be arrasrasrasn by the the piece in-paped. He was to where

she was to her, and first was the respiration. He gave much, much fear. He pelted the

eyes with much much force. And it was a voice, like if you were the mouth

full of water, while you know, and he said, I want to say,

well, she didn't open the eyes, simply she was there, with much

fear, and no know if the fear was so that with the eyes

that's desmayed or if she got dormied with the time. Because the camera was mojahed.

But, well, the next night was worse. Also, of all the what he

had to do you to do your the next night was because that night

was going and it was a year being, but it was a year and, well,

she was, the ventana, they were takat, tak, tak, the gotas, the got,

and I, , And he'd like, no see, like inquietude the department humid,

the jubb all the water. Everything was all the water. Yeah, it was water. All right. Yeah,

and she wanted to do that the ventana that was there and the tuk, and the and of

I started jadeos. First, he said that were soaps, and then were agonical.

a thing that she she's she's she knows what and then again

out of your room no it's not it can't not be not can't the sabana

thinking me lo I'm imagining this not is certain and of the other is the

door and it's to be to be and she was she was she

not wanted she didn't know I don't know I'm didn't know

I'm And this that was arrastrava said he said that's a

really with the garganta like if if he was expulsing water

and he was trying to and if they were having and

you know and this thing was and again again again

and he he was to get to her and

she was yeah almost to to cry, of the of the

other this other this like, this silence, yeah he's

and they they're they're to make of the to be the they're

they're they're and gritted yeah in that he's he's

to be to the terror of the horror let me let me

all it only the only the just the sabana no

there nobody, only to the obscurity. Prended the light,

there was water, and over all, he had the form of the hands,

that someone had had had put out of the and the toes

were those were that the person that had been the hands

mojated. And she said, I don't I'm more. Literally all this

that I've to talk was in a lap of three months. She was

she was that these things were and they're and they're and he said,

I'm I'm not more. I'm going to make a department, but

remember a student without time, without money, no is a

what you can't do you know the night of the first that was

living solo I don't want to to ask help of those

fathers? Yes, it's that we have been said, no, that they're

that they're they're they're so they they're they're they're they're

they're so they're so so they so he proposed to look rapidly

a place to move to do it's that he's that

he's a new place that he's he he's he

could the money and etc to to But in that summer,

well, obviously, every night to get to get a a she.

She was a dream. And what he was that he was that he was going to get to

literally to be to be to be a dream to know. Because no I wanted to

get to look at the time. So, I'm with a little. And that something was horrible. Because what she had was with a woman

young, that the hair was like, it was like if stood up under the water. This woman young, she was looking

fission. His eyes were in cargated like of a, odio, no I said

nothing. And she had a fear and I felt that the woman was going

to be she was that she was that she was going that that that that was

in the tina of her of that that that the department when

when she was when she was the the piece was mojado

and And one thing that is super rare. So, your skin, super seca, so that the labos they sangrava.

To her. That's time, was the repetition and the repetition and the repetition of that

the woman with the hair that undula, when she, she a little

she has, with the eyes and the eyes in the tina of her

and the time. for finally it came. When he's

then the department to the house that's getting the

the things that the things are all right all correct, much

thanks here you these the and this she when she

the she does take a moment in his hand

and he he said with a little like a Ah,

I, the house was in carna to be to be able to start She said a lot of She said,

Fiatte very what I'm going to say, That's not I'm going to say, And he said, No, I'm going to care With that spinita He went, and there a little

she had a other she had she said he was, he took and he he said

he could talk about and he he said he said he said he said what he said

what was what was what you don't me you know you know that you what was

there and he he said look and he said a time not much but

has a time I had another resident. That department was abitated by other child. And I don't

know the if that she has a relation with the houseer, the doane of the department no I

know that I can't I'm sure what I can't say is that that chick is that

was that was a person the police said that she took

the decision to keep and the and the and the inner

but I know that she has taken the decision to quit the life.

I think that someone did. Because a little she got she found with

the unias what that that's that means. She she says well,

that I'm that I go to this is horrible and it's and it's And he's

And he's mudd. Pasa a time. Tantto, not a time, but it's like this

at a time of being a student and et cetera. This has some years that's

that's that we our friend, was he was listening insomnia

he was like the stories were very interesting not he said

to sendia to send to his but he of the window of

listen to benaw, he's he's I'm going to and say he's a place that

he's at the side of the camera in the new department a paper and that

that paper little was written a man and he said yeah

it's the the problem is that in the department in the apartment in the

now there is there For that I decided to sender this story. That's the ultimate was, I mean, so, if she was, yeah. No manches. Is that no manches. I mean, I mean, I mean, I mean, I think to that I'm referring when,

when, when, maybe, not know that, you know, that's, it was, you know, that's, that's, that's, that it's been, it's like an like an up, that's like a loop, no, that's repitending, and they're participate,

there's, there's, there's, there's, because, maybe the chick of the latina was, she'd, or,

or you know, I, like, how to explain it, but, but, there's a person there?

And, you know, what's what is what's so, really, because, because,

well, it, no manches, I mean, I kept the I'm going to, I mean,

so, she decided she decided she to her to pass to other world. But is

that's the thing, no? So, how, I go, what,

and if it's a chism? So, is how would be that way, no?

Yeah. Or, or, or, I'm maybe, I'm understand?

But the decision she took she, you know, I know, I know, there's

and that you, and what's what I'm going to blah, but you're a student. Yes, sure. You're going? And, apart,

what most me intrigue is the the conocimient of the casera. So, the connociment of the casera

and that also, and that she was that she. I mean, because not that she

was, that she was, that she was the carer, and the carer had the the conciement that there

was a passable something and that yeah they've been in carineed with her. Like, so it's

no, the thing's like those things that you like you're like, like, oh, my,

so you're putting in, yeah, so I'm putting in, well, well, so I'm gonna let me

a lot, one that we're one of the sub-estation. Today, we're still we're doing

to the parts darks in the city of Mexico. ZAS! Okay.

These are a group of technicians that they'd work in the airport international

of the city of Mexico and they did the workes that normally they're

in madrugated the those the work those these parts we're we're

talking in the years 2020 okay or recent recent so not

one of those one of those things that not of those and

in these substations obviously in the 2020 like the pauses a

little the question of the dynamic of the thing. But

you know you know, the stations, the airports, the subestations

are places that they don't a one that they never

they're because there's there's a certain movement but he

he's he he's a hour of all all

all all only and it's something so that's the working there

had to work there had to make the work more so then then after

his recorried after to do their workes they're they're

in a form of relaxes to desension so so they

they're they're they're one of the children was working

with him decide to start to see to be stories of terror

so like if if it was a movie not they're to

start to the stories they're they're they're they're then they're

they're they're they're like so nothing that has

in one of the the he he's the he's

they're there they're they're they they're they And yeah,

all to the normality. When, when, of a repent, they're

that they go and that they're to be what they've been in the photographs.

Resulta that in the photographs that's that's in a reflexe of one

of one of the objects of metal, uh, so human but

not a cranio that not an illusion optica not was that

not so for the luses could be a brain it was clearly

the cranium and he had the dead that was a in the

mouth making like so so they they so

of Yes, what I mean. And it's a, what, what, because in this place where they've been been in this place, then they're talking those stories or

to hear those stories, it's a piece silence. This. To the next days, they're going to do some of the work of excavations

and do the jobs civil, the normales, and they're with that, that, when, escarvary,

they are the rest humans. And these restos were them

were in a time, and it's decreted that these restos are like restos

not are recent. The curious is that some of the those the restos

or the restos that they were not of adults. No me

do you. Not of adults, they were of people more people more

so they're so they're like with practically where we're

where we were where they're the rest the decretes that are part of

rest historic no doesn't happen and it's the case

but for them they're they're more questions So, they're

They're going, looking a response of why they've been encountered with this cranium that they'd ask you. Regressing

with some lanterns, they're putting to graber and apparently everything, all was normal. No,

no, no, it was present it, so, manner that you could presentia

or that your eyes they're they're to find when they're

to get to get back all the all they're so they're quite they're to hear

voices and advertens a voice that was let's be

there manches there there there there these like this

like like these like that they said, Larger, see. In that, they're listening.

And, to one of the technics, he's a lot of a lampra on the head.

No, man. He'll he, he's, he's, he's, he's,

unfortunately, not was so, but if they had to do, at minimum, one of

two puttades. Oh, when, when, when, when, when,

regress and he can and he can't tell, you know and can

tell what what he said, well, he says that, before that he

had said, the lighter to the he said, and he said to be and in

that's the lampra. Obviously, all of all of trying to try to avoid

to this substation until that in one of those decided to return to the

subestation and one of the chiefs decided to to start

to make to do an oration and before that could

start to formulate the oration, see the the piece

and he's to convulsionar and he and he's to move the labios

like intentando to say something, but it was totally free, practically like if

were more so. Regressa and he says, no us want here.

And from the and they're going to get gusans.

What? And they're to to be brotar gusanos a lot of the whole of the

world to one's he wants in the o'clock others they're

in the body and it and it and it's a sound

a feeling for the they prefer they're to be

no to alhars but in the environment was a

and the feeling It was humid. And all was like if there was like

a thing there there was a some there was a

attempt to to rest was to call to a

something that they're they're they're they're they're to

allhy all they're they of work, avoid, to be at

all the cost to be in that place. But it's

that if you you you do you do the

subestation they start the gusannes the ambient starts

to get free the the and the sound

the voices susurrando Larkens I want to I want to know What is for not

For you You think that's what you You think that's Because they were Nusamentas Antigua It was

Like Mictecasigat Or the Santa Morte Of the Stecas Ah

Well you Could be Yeah Yeah Yeah And apart It's The

Calavera And also This part When They When they They're

This is this is a bit of Wow How? How? That's that's a

fear is that apart how the connection of the I don't see what

have been you know this I asked and a man I was many

many many exorcism and things and me I mean

I'm said that when you have you can't you

can't you can do things. Tal-bees the stories or the things that

were the things that were there something. Because it could be that before it

had been it. But they found the those amends, it's that's

that's just after the stories. Yeah, yeah? No, me

make a bad publicity Julian. Yeah. Oh, o'er. Okay.

A you, you'd like the movie Inception? Yes, this story is something about

an episode. You're going to see. A little. A little. Okay. And it's a story

very, wow, how are the that's that me like. It's called the Cementer of the

non-nacidos. And the Amanda Joel G. Hernandez. Figate. There are some

some of when they're inmediately you trap something, but so

very rapid. You know what said the courer at the first

I don't know why accept this job. So, so, wait,

you know, you're you work? So, like, when you did you

did you do? I'm the person, I'm to the and this

and the a repent, uh, but what is your call him

he's a he's a topograph. A topograph. A topograph, I know know the things that

is measure terrain, mark the limits, digs, et cetera, et cetera, no? And well,

he says that he there's in the place in the where he's not really exactly in what state,

but we says that is a state to the north of the Republic

Mexican. Of the the new the government, he offers

well, uh, uh, work, no? And they're like they're

like, and they're like so, but there one that he used much,

because that work was a time, and in text sonable like a

thing was that was that was that I'm that's that I'm that's

he's money he's he's money, and we're going to do.

What he had to do it was to the perimeter of a bush

that had been abandoned how's abandoned a well the the explanation is this in this

place the the people was more more more so much

time decided they're moving the people okay abandoned they're

abandoning the but but he said he said he said he's like money easy

I go to get and he's that these people that live in there, that not is

a little a little that's a little bit of a little work to find out a place, that at

the final was a house for that he was to be to get while he said his

work and he's that those those people were like a little silencios

serrados but normal so so so he says that what is this the day

that for And then, then, and then start to start your work very much in the morning. When he's

in the way, it's very notory for the mochila, the pantarone, etc. that is a person that

pertainsca to the people and that's a little. He was going to very quiet because

was close relatively, and a senior of the people she was he kept being

as rare. So, he, he, and he did a gesture with the hand, like saludandola, although she was

very close, and she said, "'Joveen, no enter there? Pardon? There's a where he was? No,

enter. The truth is that he said, look, the people superstitious, I'm sure as the

bush that's there's maybe creepy, yeah, no, or so, is the boss that maldito,

no? He said, and he's, he metio. And he He started to do his work. He said,

a bosque normal, speso, humid, with animals, and things, no? Like,

so, nothing. So, I was there a rato working, was there was there

were in the other than, bees, insects, the crugied of the plantas with his botas, the zumbido

of his GPS, et cetera, no? And, and, like if something

like if he, hey, he, he, He lookeda and there a sender that said

that were like 800 meters and at the end of the sender he saw like a like there

was a little of the end up and he didn't know why but this he caused

like curiosity so he's a pause of his time and he he started to record

this sender when when he he gets at the final of the

sender discover what he he thought in that moment that was the cemetery an old was this kind of a little clear

but no there were lapidas no there were only there were cruces very austere

of madera clavadas in the soil but there was a thing that immediately it was just like,

he gave a bad spina. You, what would you you're in the

cruces of a cemetery, where no lapidas? You're you? Is it?

Sure. The names, the feches, of the people that were

there, and the he's so, and he is so, he's like,

so he's like, none, no, a cross, No, no cross had a

feach but is not a something. The crosses had symbols graved.

For example, it said that some they were like a circle with a cross

on a and it's notable that the same person had

made that symbol because for example it was that that symbol

it had done with a with a Cucillo, with the point of the

Cuchillo, I'm that they they're a circle with a cross. And in another,

that was like a side-at- was, there was another cross that also that also.

But others had, for example, a spiral. And not saw that had been been made

that had been made for the same person, but it was clearly another person

that had much delicacy in mark the spiral. But

apart, there other that was a ojo and it's very, no,

like if with the unya he had done, the eye, no? And he

did a place of a number were symbols. And it he did rarro.

But, well, things of the people, no, there, when you

do a recorididitit rapid, so, like, see these things, and then,

you, I have to go to go to go to to go to to go to

to go to to He regress, and when he goes caminando, he gets a little in the piece, and you know,

the earth was very removed. Like if someone would exhumated there. It's been

very removed. And he did, like, and then simply, he went, and he went,

and he went to do much importance. He went to this quartito that they rented.

Salado to the person's to be there. He's to go to and he and he's he said

he said he was one of the last few nights of his because in his dreams

first he gave a point that he was in a a pesadilla because when he he wasperto

and he could record perfectly well because the initial we he remember

of the son of the sono were that were children were that were

the sound of the sonyed and he like he was like, he, so, no,

so nervous to hear of the and he tried to look them, and then

he was, but not were babies. They were children, were in three and four

years, but they were many. Those children were behind of a

part of in his dream, we'd we could see the part, and as

the part were a little and could be what was the other side of

the but the children not the people, those those are doing,

they were and they're desperated and they're trying even with the unias to romper

that part and they're the dead those desensensensensensens and he's hemped

and he's no what is what is this? What is this?

But, but well a I was a new to carry his equipment

and I did you do you and he went to work and he was there he was

he was and a rather roteable the and he and he and he and he

I was because I feel so I'm he started to come to come in the

and when he was getting to the cemetery he he he sent you

like oh I I don't be here he did a little

a return, he he went to work. That night was the night

he's he's he's to see other times to see to be the other times

the same the same the same the same and he just he's like no manch

that's with this pesadilla and he does he does he he's

he's he he's and he thought maybe kids here in the

in the house at a side. But he was super nervous. So,

to the morning the next that has to go to work, it's well,

what on? No? Yeah, no, I don't want to be to go to

go to to work. And it was a decision, when of a moment

I feel a look. The woman that had said, no

he and he and then he The lady said, no, no, Sirra, pardon. I'll pay a

excuse me, I'm trying in this place. You said, me said, you know, and the

and the signora? And the she was the why? Why, me said, why me said, well,

well, well, you're not so you're there in this box, is where is where

is the cemetery of the non-nacid there, there no is that my but is that I'm not

I'm not here I go well but no but not he's well I'm this

this this year this year he came to tell the story for so

I'm a little like a conception because he he he's he said

the story of that the cemetery of the nonacidos before when the people

was more more to the area is to the

back before before so you know you know that in many

places, in many regions existia like a form of casicasco and that generally was

like represented by the sacerote. It was like the chief of the people. The people acutia

to him and not to the authorities corresponding but he he, he was

he was in that in that town was not a different there

there was this sacerdote and the the but result that

a this sacerdote is the he's his and he he can simply

like to get her with the doctors because the sacerdote has a

lot of and the sacerdote not doesn't have children but the

sacerdote has a but not only only only has a her. He has

more and it I'm going to to be very careful with my words. This

sacerdote he'd much to his his kids with different women

but the most the most little was a man but that he

not he he was so. So his his his mother

was her primogenita is a infirm. and he that's

the people what many you know the secret to and he tried to look help the

the end of that's unutterable intratable the his will not sure not you know

what was what he did this man that's a sacerdote but as the night to the

night to the morning for art of magic this this chick well very

yeah I'm not he was a miracle and the sacerdote he

so he's he said because he's not it's he said that the he could

pay the favor to God because he had failed because he he was

he said to the last you know the the inombrable And this, well,

he said that not is like simply so, and you're going to help, you know, but the

sacerdote said that so he was prepared. Salve my and I take to this the

way no me interest. And the bestino on the other said, okay,

okay, and then, when The sastardote, he saw know that in effect to be able to his son

more small, the pacto was sealed. And he gave a fear because he was his and then

he went to the church and he and he to complete the pact. A part of that

moment, they said that came he came the the people.

And the when were when they were they were like if an animal

from the animal and it was and what they were the fetus was the fetus

without very very perjudicated and they they were they were they're they're

then they they're in the cemetery they they they

they were another other they they they they like no

they're and they're and not they're to carry to a man to

a little them they were with a symbol that was a family the

people the people even even even a a a something

fuf if yeah yeah no that were the people who

not were the many of those who not were but they were

they were and they and the and to the death of the the people

the people and they they're and after that moment

that zone of the area they're saying that it's

maldita because there there is super super macabro

You know, that I said that it was that the earth was just removed? Resulta that the people that enter to that are

with a purpose, to get the rest of a non-nacid of the cemetery in the Bosque Maldito to use

it as a And the gift of the devil in magic black. For so the earth is removed and those that are

so much is so so negative what there that's that's that you don't you

don't you don't you know, for so he he, not you don't enter there.

Yeah, because if no, he was going to go to go to Only for having entered in those

few occasions he was were pursuing in dreams and so is how he's he's

the cemetery of the non-nacid Wow that's bad yeah and apart

he he he he was different so he not he not

he was to look the the fruit or the product but

but but but so he was he took the

the And that is that Part Many times The people When someone When someone When somebody

To be When someone It's for For something To me To be Because it's like Like the final

Like that And at the final It's a Partio the baby No Yeah And so And so

So, it's only It was that It was the But the History that The story That's So, so

So, it's Movey The Puebue The Sure, it's what, the final to count's, you know,

when you're when you're a, when you're a house, when you're to go to one of

these places, if you see the, the, the, well, all the, well,

the, I think, well, the place, the, the, the, the,

the, exactly, for that, for this, I'm, I'm, that's, and the

story that that you of the place this, the, the, the, Yeah.

I'm going to... Yeah, I'm going to... Yeah, I think so... Yeah, I see. ...aer connection. Yeah. Oh, Oh, a bit, it's time.

Well, I'll tell you one that they're sent down from the San Diego of China. Mm-hmm. It's a... A person that prefer that not say,

no, name. It's an... Someone inonym. And, and he... ...and he had four years,

and they're a house. Okay? This house was this house was up the

house was which was a lot of quite convenient because as his papas

were so they had the opportunity that if the parents had

the the abuel he could care or was this situation that

was that was more they decided mud and

and since that they mud, it's something a

thing is a thing that the house, a person, a that was a had a

an aura, a tension in something. Apart that, in the department

so they were in the the the past the the

and it when when something when something that is all

with manches, and it's very much. So, they optan for renovated for

to renovate, no? So, so we're talking about that the first days, the first

what they do they're painting, paint the parades, but what it is that

when they're the wall the the wall the wall is a but it's a

sudder gotas and the air is and it's to perceive socio it's

a kind of kind of kind of all and all and all desagradable

they're that it was an thing extremely disagradable like if the

house was putrida wow okay that that's that

exact well This is like the aperture of other things paranormal

and disagradables that start to to be practically like if had been the

welcome to the house a part of that they're to hear to hear

in the doors in the places like as they're like

they're they're to hear zumbed, as if there were many moscas in the place.

But all are perceptions and all being being being being part of this aura desagradable

and of this liquid of the and spes that had in the paredes. There was

no way to explain it, so as as, as it in

that our Our protagonist, us We're going to He was he was very little,

but he said that his father told that he was in his

court yeah to let us the night that they were

there when he's to hear some some some

little little little but not Rises as good as as a lot of those that

are some maledulas in some from. He starts to look at where are these rices and

discover that they'd come from the closet. So, then the Papa says that

that's that's that and see some little little little

some little with malformations in the car like if they were pieces of and the pieces of

the and the beings and they're and when they're they're that they

see in the way in the or to be the right

they're and they're and they're more but this this this time they're

in silence only only with the a smile. We're trying. What a show of

history, what a barbarity? And you see. Well, well, as a

part of this, the papas decide, not because they're not because they're

peace in the place in the place, they're to go to a sacerdote.

Uh-huh. So, the sacerdote goes with the intention to bendic the

house. Well, although they're not religiousos what they were there were,

there were there were many indications of that there were something in the

place. When the sacerdote begins to bendic and says that he

to say to and he and he starts a sensation that no had

to explain to explain to appear moscas in the house.

But the Mosques full and it's sentia and it and it

was the zumbied but the moscas those moscas that were

all were all all over of the little as as

were the only the the other was more propens

to not not to not so So, there is when the mom Intentat Reza a Father

Nusre. And, all Kereer, and then, the mama also Kare. And it's like, the mom

was a tessa and no could to rest. No, they'd continue. And they're to spesars

more the moscas, but they're more more black and more more in their world

the powerdrumbe is extended for all the the paders with the liquid

dark the air pesed and the and the moment the father

he he's and he says that this not normal that he never

had presential something. And it's like if the house was

discomponing or like if the house had putrida from from the

so they're they decide they're they're with all with all

they're they're even even even even even even even even

even even but they're they when you You're

you're a house you can feel the and it's to hear the sunbid

of the moscas God my you imagine the monsters I I'm

I'm so I know I know that they were to go out of it was infestated

of mald that is that here here here we we're we're

we're we're we're this is not so that's not like lusches. Because in those al-lushes,

well, I think I'm here, no, of the area where my people who are that shabby. What?

Shabby is, they're like a dundecito, a luchito that's that's a lot, let's,

it's a, a, all the area where they live and, even a decina, has told

that a day that's that was, because, the plan, he was he was the,

In the, he was and he was going to do tawazos for all because it's not like if

were a a certain shabby is a duend so he put my papa. Your father my papa

he put shabby because he's, the repent they're looking the reference my papa is always

that you do you, you're, you're, you're, or maha, yeah, of the

mark maha. So, So, my mom had one. That's like color Color rojo, Carmen. Color rojo and are great.

So, are some some things that how's how it's no, no, it's so it's so much.

So, my mom, cagotio to the world. Because, because, because, exactly,

because here, because here, it's not appeared to talker. No, didn't appear, no, didn't appear,

no, it, not appeared, until that at the two days will be in the same place. And so there are things that have

moved or that are conversing between the and the other the other vecina they go to the other they're doing

things but never has been a negative like these are these are just just a juggetone

a duend of a traviso shabby yeah I have a friend that in his house,

it's a case, they're a little, you go to have a rata, and he's

he's a kind of if this were to the cell, and here is the arreate, and there's

a houseita maya in where they're their friends. There's they're going. Because

he said that he was he did cause, he'd they'd they'd nothing

agressive, but he says the reality is that I came to live to his

house. Wow. Oh my God I'm I'm going to I'm going to pay I'm going to say my friend

my friend I'm going to I'm going to the casita I thought of I'm going to you say that I'm going to

do you know it's good enough oh yeah I'm talking my ultimate story my ultimate

story let's intense let's intense let's go I'm so I'm I'm

I'm this story. It's yeah 13 of September okay and is anonym

This This chick That she says That's That's That's She's like She's thinking

Firte Before to Orchus Maybe not It's said She says She says She's going

To do She's Yeah But, but, but, but not is what she

She's So, I'm So, I'm I'm I'm He said, He says

That's every 13th of September, she encired in your abitation and yore. Every 13th of September. For other part,

she's working doing other things, but she studied for to be a master of pre-schooler. So,

he studied, he graduated, and us comment, as you know, the theme of the plazasas is very

complex, are very poked and are the plas the place that the government right?

Some even they're so they're so well he said she said

she was the moment that was because the fact she's she's much studying,

he he got that they got they're they was really

he said in August they they were to to cover a

interinat in a school a certain to her and in the capital of the state in where she is. Well, the thing is that in

this state, I mean, I see, but this state is very great in which she is this place in the place in the place in the way to be in there are in in in in in in in in his papas. So,

then, well, she has been, and she does a count of that the places, very beautiful, a simple view, because it's a ex-asienda

that now is a kind of where there there's, and there's, and in the part of the back of

a primary. So, so are muros of adobe, teches altis, the

walls, the walls, very big, and you see when you when you get as generally

in these ascentas, not in all, but in these ascent, you

you get in the part principal, there are like some escalars to be up and then

the piece. But above of that there's there there's like,

kind of sort of sort of something, something. And he's well, well,

there's there's there's there's there are the salons, but

so the place, is umed is oscuro and when she went, they said

they were quite to be there because for the zone and the place

that's very he's there's plaga of rats and alacranes and in that area the

salacranes are so they're to be very atentos so because they're going to work to work with

children and she said she went and that the enthusiasm but the embargo he got to

finish to study and there's this place and he's he did

know that the people that the people that they're the intendents

were amables but but they were very sick as her. From the first day

one of she said he had been tramed the classes yeah no have been any

and they're doing a little the intendentent and he to clean the

saluda and still doing the so you do you and in a repent

the intendent he and he said he he don't

you don't you don't you classes, I mean, it's dangerous.

And she thought, well, I'm a little bit of a little bit of to be dangerous to get from here in the dark. Or the school.

But, but never you're never, they explained the why. One day was she in the

hour, but just the children and the little guys not were there, the other maestra

was I had a part the part of the patricito they were doing some she was

she had to get a moment there alone in the aola and the and of a and he said

he said like if in the person someone someone was talking so so he called

the attention because that's that can hear of a little but this was

like very human like him. Then she turned to back and then I was going to

he was going to and he was like the and he was looking to when of the when a little a

little he he said and when he said that he said that the fact that's spanto tantito

because I was very clavated because he said the the master of the

before said that in the piece there is that in the person Well, she didn't know what he said to be great, because they're

little little, simply wow, what, what, that's so bad that I'm a kid, no? The maestra of the last said that in the piece there are people that when you're not alive. She thought that,

or maybe it was a little bit of a game or something, simply didn't want to say nothing and more. The 13thineb she, you know, you know, you know, you're

to be to be only months here? Yeah. Well, the 13th when it was just it's just like a month, they assigns a place in a community

rural. And then, so, so, it's been with care of the other people, of the children,

of the children, but, well, but, you know, something, a lot of, a more

interesting. Yeah, more, no? Yeah, but I knew, that the

worst, I was going to talk to, I've got to me asked, I asked, Why does tell us

this if the story is going to start? I think that I'm going to go

to be able to go to be attention. Attention. If there's something there's a new school

that he took, he said that was that's very near the limit of the

state. So, was in a town where nobody of his family

knew that they had known in that they're not, and they had a

money because where I was doing the interinat until after

the three months they they paid but as she was going

in that moment well, there was no, there. And the question was this. Accepts?

Or you do you do you do you? No, without money, with the need,

and well, it's, we know? And the mom, well, all the family,

the polla, they're they're they're they've been to this place, he's,

he's, he's, and she they're to be, they're to know to know

to know you have to start classes where you are going to get to then they're they're going to

they're and they're not going to the same the people because they're not they're in the

conditions for that they they're not they're not even to her then they're they're just

they're and he he said to the directora a a woman very

very d' but like good on no he went to almost

yorento, that not could not able to do the classes because not had

found a place that's a little bit this woman. This

this place, you know, it's a lot. and I'm going to be a lot. patio, ample, terroso, and and a-scuro, some escalars in aplanar, of pure block. But at final,

then a department little, that had his pastes recined, a-a- two little little

abitations, and was in that department-it- one of the abitations was closed with the

yabbe, the yabesita normal, and what was the department with a a room and a

a little the other room was in a room and there's like this, mobeles or something.

And this, all it was very much one thing. In the the end of the cell,

there was a a cross of palm no see you're but it's neverced like if

it's like it's like it's and also it's like it had over

that would have so it It was like that did her with the palm

ennegraced and they're being made and she was a marrata with something she was a

that was something. This place he costed 800 pesos a month so

so he said uh of here I'm and he he gets very

very happy to do classes he says that despid his family,

I'm all the night because imagineate to be able to live a little, but well, it was what she

was what she wanted. When she when she gets to this school, in the that she

took a depression because was more austere than she was more austere than she said that the children was

she had the more possible in this kinder of these children of these school. And this, puf,

he got exhausted to his house, passable, he'd go to come something to come. He'd

to comeia and derichito he was to go to do, no? Dice the place,

it was it was very very well, I put all the the seurros and all the things.

And of the first nights, she noticed, she noticed something was a kind of

there was a frio very very very very in the department that

not concordable with the department. It was a department

very very night he was to tap with two cobihas because

was so the really, it was also it was a raffa of

a wind of there and yeah and he was

just he got and he said he heard and he

heard of and it but not so I'm like oh yeah I'm

super dispirte so it's like that's that's that's that's that's

really and so so then from the door to the door of and the

back the and she she she he says that he says that

he saw that he saw that he was the the door the

and was she was opening for she was Vento, et cetera,

but the question is this. She, she had to because I don't know the place, literally. Seguro, but from out.

So, that reja had a sure that she put her. And so she was moving.

So, she kept seeing this as like, so, so it's being to get to

get into my house and to have the door to have to be a

carlo is to move and and it And he'll be a sombra black, out,

literally and movings in the passio. But not his court, but not to the other. He gets

like in that door that is there there enormous and simply she kept there as a way, she

observing and of a repented like she started to move. Like to enter to

that the room. He said that she was that she paralyzed of all the

that's all the only that's all because he's he was up the more of the he was he was was to do you

was to start the eyes and repeat to see one and another once in the this is a this is a this is a

thing this is this is a going to be this is a way to after that's the morning next,

I was like what was this what was this what was this he was this so it was put in in

a he's on and in effect that that that's that's that's

a rojo was there was an he said not it's not it's this this

occurred uh the first day three days after let's let's

let's go and he's his work do you do you do you're you get's in sierra

yeah you're in sierra ppp pom put the and all, and of a sudden,

and then she's another again the metal. Wulve to the eyes, but now see, now, see,

yeah, now see, that's, and he's moving, and he says, he's going to be that

that sombra, and he also over the passio, and so, and so, and it's repita the

same, but no, in that moment, no, it doesn't, that's but he

he's in the into of his house he said he was long

desgarrador and he he was to tremble he said the hour 3.5 of the

morning and as he was to do you and he started and he started

and he and he was there was the frio was and he

was But Yeah, like, like, like, and I'm he found

that the rest of not he was not, he got the two cobihas that had because,

I said a lot, so it was up to the head, and after the

next. No, is a surprise for nobody, the door

was over another again, this reja was over

but, but, there was a little that no he He used to, there were whewas

humidas of the lot of his house, in their apartment, that were to get to

his abatation. And he he said, no, it was obviously, she has a pressura

because she has to, go, to go, to do to do class when

he went, when he was the way going, like the day earlier,

when the load, well, yeah was so he got and she'd know that she'd be

a little little bit of the load, and I think that all that was she'd have been there

was a little, but she and it's when she in this she'll be able to

get to and he's she'll be to get a get to a gotter and she and you

think she chin yeah gotera for a much year then you're

rapidly starts to look at where it's in the bathroom to be in

the water, no there's nothing, move the the door, does the silence,

no, no, no, gotterer, a more me I'm I'm

to my court and when he's going to go to the

door, he got to the door of the house

she she's she always they're always they're like

that's kind of a bad spina, but you know, I see, I don't see a little. So, so it's to start a car. And he's just like, within the room, there's a lot of moving things, and think, someone's going to be able to my

house. Someone has meted to my apartment. Someone's here. But, well, I don't have nobody to come to do, so I do. And fast, Abre the door, the door,

to go nothing, nothing a movement all in obscurity. This he was

like a very rare and then he gets to the schoolita and he says to

a other master he said you, you know, you're no, well I

live in other municipality to no because and he he

he's to tell all what he had said

and he he says you don't you you

you are you No. I'm I'm going to If you don't you You can't

To get to To live With me In the same Kempete Kedathe You're going to To be so

Lejos To get to To get to Meco And at I'm I'm going to To be

To be To be To be And it's Because The A Manara

Well And it's To be And so And so From Well, No,

No, but the Cause So the Cousous The reja that The loo The loo

And he said No, I don't I want Much thanks But I'm Go back And so you

No manches What's what Is it's What's going She's She's back She's She's

She's She's She's She's Pines and Pience And this And

When And when It's And It's And it's And it's for a parkcettico.

In that parkesito, and at more with this you, you're going to know where it, there's, there's a statue. In a place, there's a statue. It's a figure of a person agretada,

very biga, like a silhouette. And he'll call the attention because, who is? So, it's,

and the plaque says the next. Omenage to the Yorona. In this the place, she

heard her yon't her first. She obviously thinks in what

I'm doing. It's what is what is what is going in my house. It's

a little of time and occurs and something that we're a lot of the pandemic. And so

then she obviously she obviously change to give to give classes in line, which

was a little, but she and he says that it's like it was during a day of

vaccination that he he took time and he he's to tell to tell to the

story of what has lived that has used to he's used to see he does

he does he's he's imagine he's he's he's he's

being so really and she he's oh yeah see and a cross in the wall.

The cross of Palma. And she said, and she said, and that's paled to the maestra. And he said, my prima lived there and

she went without to be said, that there was a woman that was that waser always. She didn't want to return.

She, obviously, she said, of the first night that saw that's that's

that's he's like that's so I'm so that's like it they're talking about

other things and when when it that session one of the one of the

maestras that were there was a message and he said oh yeah

I'm that me let me let me I'm can do

something I see he he he made a a

inlaces, where there's notices. And he says, Fidate very in this. She'll have the inlaces, he does that

click. I'm going to permit to the next. Informe of disappearitions in communities rural.

Caso Loma of Piedra. The notice said, words more, words less

because the long that's the one of one hundred one hundred hundred and one hundred hundred

hundred and disappeared at least nine nine nine nine school

rural rural the school in the she was working the

majority of the reportes were ignored by the authorities

or classified as as a fugue of her she

observed this of his school and he thinks, that rarro. It's the school in

that I'm what I'm going to be with my house. What he congeled the

blood was this the second thing. The school in that she now is

working was built in the year of 1988 with the

ancient San Agustin where she did classes in the interinatio.

and in the Antigua Ascena of San Agustin the act mentioned that during the demolition partial to recover the other school

the other school the workers allowed rest of osseous in the cameras subterranias She did know

that that that they were they were to come these places the

Yorona, The Asienda, the Asienda, the disappearations of the children. And she thought that had some relation. Because what was said in this

place of the Yorona is, Cuita to your children. Because the Yorona is they love. Because, acuaredes that the Yorona

is looking to his children. Imagineate that in this school in that she is studying disappeared at least nine of these children

he said what he did he was that he was that he was thinking in this noticing and he lando in his

head when of a when of a real the metal he kept waiting the

sombra he detient has something and he and he's She's almost, she's He was like, she'd have been in the light of the news,

seeing this sombering this sombregantestka and I think, You're the Yorona? You're looking to your children? And in that moment like if of all the pages

and I said that that's so not it was so so it all the

thing and the thing and the day the next was direct

to the direction of the plantel firmo his renunci he

asked the reason she she only she said

it's 13 September and nobody the of you how you see

I'm eris to that part of that how you're to confront to

something that you that you you know you but that now has

you name yeah it has but it was like they're

all the places and and with with with with

with story and apart the we we We're going to where we're going to

that energy that a can't get, and maybe you'll go back and maybe you'll get that energy and it's a energy and it and how he went to the quarter,

to that, that's, that's, that's, that's, I mean, I, I,

I, what I, I, I'd want to, to the community that no, do you know, is, you know,

what relation has all this the effect. It's a sometimes there's a lot

that I know a example. One one came to and you let you

go to let me and I'm and I'm and I'm I'm you're you can

you can investigate rapidly if in this place occurred this

actually no and and of actually no could have

not in any because blah blah blah blah blah blah ah

much thanks that was that was it was invented because we've many

movies. Yeah. And in the United this is a question, but it's a total of the

fact, it's a thing you can be able to but in Mexico no. So I said no.

And he said, no, no, no, no, it's true. But, of a repent

there are some things that I'm that I say, and that the cross of Palma

Nega. Is what? Like? Like, how? Oh, that's okay. And apart

that came in that that's the enigma? I'm sure that there someone in the comments of the

community that no doverme, me I'm that, that's what on that's what

what I'm what you? What does? What does? She said she she that was that was

the yellow, no? But what it's for what it's for the and what

is for example? And what? And you yeah, well, you're you're rentable

you can't get it? The cross? Ah, yeah. So,

so could have quit He could have passed That's That's That's

That's the That's the That's It's like a It's like a It's like a It's like a Cress of

That's the Maybe it's the That's the Maybe Something that Was it Was it Yeah

It was a Could be It could Yeah It should It should Maybe It's a

Cemetery How you You know So No So, There's There

There's There's There There's There Yeah Yeah, we're

Yeah, yeah, it's calent. Look, what you mention that that part when if there when there's

where there can't be that maybe the people can't have that energy or that because the story with

the last I'd like to start, or the ultimate that I'm to tell you to be a

question because it's a place that all those that have been all the

people have been past for there. We've been been The Torito.

No, look, it's of a person that prefer that not say, the name.

The house? And, well, the house, is that even I, for curiosity, I,

entered to investigate, and there like the idea of that there there's the possibility

of that three houses abandoned in Chapeltepe are the, the,

the, the, the, the, the, the Tia Toña. Ah, yeah, yeah, yeah.

Okay. But as, well, according I'm investigating, no, there's the certain exact of what is the house.

Wow. Because are three houses that have the characteristics, houses very great, casas,

abandoned, then there's like the, the story of that some of that is, no, no,

no, no, the certainty exact. But, and our, our protagonist

of the story, that I'll say, Carlos. Carlos, when he was he knew the realtor of

his own his own that he took that opportunity but all it because

not was his idea. It was idea of his Primo. Paco us

he said Carlos that was a man of those that are irreverent

that are extrovert Divertied, travisos. And what more it was that energy and the energy and the joy that

for all. Always looking what to do, you're going to go to all the and always you

look to with some eyes emeralda what you did in the day? That was

like those those ojasos that was that was of an alegia that

irradiable no? in one of those and Carlos us he says let us go-nose to

Chapultepec and we going to enter to one of the casas the house to

they were the famous house of the Tia Toya that for the who not

know that that that was a house was of an anciana

the which adopted to many but that for some

strange reason he was he was he was he was and started to agred

to get an agression the Tia Toña those desvive and it's

and he he's he he then so he said that

every that someone has intended to enter to

get a a that's that was the alicient for

Paco to enter to see what was the house

the castle Carlos as as he was not

didn't say he no no just he did

he he went and they were they were

when Carlos obviously you're to enter to the the little

of the bush of Chappel and he sentia more more more

more imagine to your 11 years he he dese

not not not and Paco with that adventure

to we go to get to get to and

they and for so Suerte, said Carlos. The reja was with a

chain and a card. He said, no, we're not going to be and so I'm going to

look to look at Paco, with those eyes with an idea. He said, we're going

to be to bringer. And they're they're and at trying to open,

no open the door. Newly it was the opportunity that Carlos

said, let us here. But Paco he had all had

all and I run a window they enter a

through the and and Carlos us describe the

house as a place that we we we

we have not some things other and other and

those and but what most he was the

humidity and that sensation to the that there

in the place no know how describe but he

he felt that in that in that that was there

there was there there there there but what

most was a sensation a He He He said

Paco, let me but Paco wanted and he he said, and Paco

he said no, I want to know what is the room of the Tia

Tia. I want in where were the things and Carlos

he said no Paco let me let me let me but but

Paco in A paradeo, in what I heard a voice, he said, he was he,

he went to Paco, he gritted. Ben? And, Carlos, for a moment he was immobile.

That part that was not you go, to you know, in that parpadeo, when he

intends to look to him, Paco, Paco He was And he He, he

And he's To look To look For all And he He's to Grit Pach

Pacca He's And he's And And so And so And And he

Never He never He, He, intentando But he

He He He doesn't He He He's to go, but

he's with that sensation that's pachurrated your heart, with that fear and

you're trying but during all that he was, he grittable Paco! and no

could I could say Paco! Until that you can, he'll get

and he he's he'll he says to his family he advised to someone

is a expedition and never they never encountered a Paco nobody no

no was rastros of Paco no he he found for any

another for some reason when the years he he was he was

he was to talk he all they never in the

time. But, but Carlos always he'd always he'd a few

in the time in the time that Paco had disappeared. Talvez for the

nostalgia or for those of seeing again to be again to be

back. We're talking about that they pass more of 15 years

and Carlos yeah was a adult Carlos Carlos

yeah maybe not no, I don't have to pass for the

bush of Chapportepeg. Sin however, de a bese in a time,

in one of those days, of the nothing, he was a manna he's

he thought that was a vagabund a person with harapos totally damaged, damaged

she gets to ask to a money and when he he

he will give to look to look to look at the

eyes emeralda but this this but this not irradiable in

the eyes those those those those that he was

something that he could describe a a vacill, and he,

as he, connected with the eyes, and he said, susrondo, in that moment, the eyes

like, they're like, they're to see, and he was he and,

he said, no, I'm, I'm, don't, I'm, not, the tia,

the tia, the tia, the tia, she's to molestar. And he's going to go running. In what he he attempted to

get to get him, Paco disappeared in the bush again. A part of that, he says that never more never ever ever ever ever every time that

he's a house by the windows, can be some eyes red, Esmeralda

observant and piddient and piddling that they. Wow. How do you of that, man. It's incredible

the history but wow. What chido to hear of an actor so

are so some dialogues difficult, so so that that's that feo

but is that I did I did all I see so I felt horrible

what I had felt I I when I did I

put put in the of the We're in those Those are those Those are those Like Carlos

Yeah That was You know You know You know And then We're not We're

We're We're That's a Something You know You know You know Imagineate

To see Those Those Yes Yes And And And

I'm And I And And And And And You

Again that's been really, wow. That's a good. For that's the story. For that was the last Wow. It's very impactant. I think we've been

conversed many when they're talking about when they're when they're moving much. Yeah, that's, those,

those sensations of them. For that me, the cemetery of the non-nacidos that he'd be to the little-

so, so, no manches. So, are sensations very Firtes. What

chingon. Pardon for the word. But what good you it's wow, me clave

much. Orole. Oh, well, so yeah, good way of finalize

if you let me let's you know, I'd let's come you know, what are your

social, platforms, in where the people to see, all the people, I'm sure

thank you again. Every that I'm I'm a very very well. And this

format, it was something a little to what we've done in the other years

when we're when we're about the other things. And I like a lot of a movie of horror and

and all. And me can't continue as Julianne Nyes in all the platforms.

We're in YouTube, we're on YouTube, we're on Instagram, Facebook, for all

not? TikTok. TikTok and also in the podcast that we have

of Ubo Revolta, that also his channel of YouTube, has all the channels, there are

subing material exclusive of that podcast and all the thing is doing to do the check that

for those who are for those who are that is the revoltico that I do that

I'm in the actuation and content, that's my resources to Julian

Newer M. M. Very very. very thank. Oh,

I want to go to appreciate to to to thank you to the people

because, because, because, because, thanks to your stories, and,

and, you know, you're this, this program, and we're the community that's

not dorm, and me is a favor sote, a favor sote. Recoreen that we're recollecting

stories of militares. Then, the next episode, I'll say to you can't

do what you want to what you want to what you want, but if have to

have to have to have to do the the life military, of militaries, etc. mandel them them. Because we're going to do a special of militaries and then we're going to

do others. And I remember that the way more easy is a through the correlelectrinole. Fepo, aroused, pothas, pardop.com. In the issue of the general or what they think

that's a dweendez, chanek, where it's, places, etc. And if you want that they're anonym, for favor, no, you'll be to put it at the principle.

Hello, P, I want to my story is anonym. Very well. And take it. If you're all the couruels, those we're classificing

a little to so also if you want to do you want to do that the page internet podcast

insomnia.com much I'm very much. I'm don't your comment

because we're we're going to select a comment of the manner asarosa

is more I know how we we're going to do let me a number of

one to the 1 to 1,000. We'll censor. But it's a register of

that is that number. And the next time, I'll be after that this is there in this

episode, I'm going to and I'll and read and that number of the commentio to be

going to get to a right? Yes. Oh, go ahead. You said 14,

no? Muchisimous thanks. Julian, thanks, thank you. No, the contrary.

Thank you. Thank you. It's, I'll enjoy much. There's not. We'll go to the next for that we'll start these terrorificate

experiences real of the audience. I've been so you're encantate. And you, listen them as if they're treven. Chow.