INSOMNIO - Historias REALES de VIDAS PASADAS “SOÑÉ con mi MUERTE… en OTRA VIDA” 🥶 | con ‪JAVIER SAMPAYO‬

Episode Date: March 6, 2025

¿Alguna vez has sentido que no encajas aquí, como si tu alma perteneciera a otro tiempo, a otra vida? 🌑 Acompáñame, junto a Javier Sampayo, mientras nos sumergimos en las inquietantes historias de aquellos que aseguran haber vivido más de una vez, y no necesariamente en nuestro planeta, sintiendo que no pertenecen a este momento en el tiempo. ¿Te atreves a explorar lo que se esconde detrás de estas vidas olvidadas? 🖤Redes del invitado:   / javier_sampayo     / @javier.sampayo  Recuerda seguirnos en nuestras redes sociales:► TIKTOK:   / podcast.insomnio  ► FACEBOOK:   / paranormal.insomnio  ► INSTAGRAM:   / podcast.insomnio  💀 Acompáñame al interior de la mente de asesinos seriales en CRIMINALMENTE 💀   / @podcast.criminalmente  RRSS: https://lnk.bio/criminalmente👽 Escucha Podcast Paranormal 👽   / @podcastparanormal   GRUPOS PARA COMPARTIR HISTORIAS, MEMES Y EVIDENCIASGrupo oficial de Facebook:►   / 548487930178860  Grupo oficial de Telegram:► https://t.me/+vFdn13cseD0zZWUxTodos los enlaces para ver y escuchar el podcast:https://podcastparanormal.comEnvía tus evidencias a: [e-mail]► Consultas empresariales: [e-mail]#insomnio #paranormal #vidaspasadas #pasado #futuro #vida #terror #historiasdemiedo #historiasescalofriantes #scarystories #históriasdeterror #fepo #historias #stories #pactos #kármicos #brujería

There are stories that robes the and others that rebuttain the sunno. You do the welcome to Insomnia. In this occasion, is with us with us, our friend, Javier Sampayo. How are you?

Very well, thanks to God. Thanks, Fep, for, for invite me. In this occasion, now to insomnia, you know, I'm very much,

and, we'll see, to see, to see, let's see that the life, we said many

times here in this channel that we have to do a way to do a way

in specific. Of a repent, I selected the question the invite of

the invited, dot about, she was a kind of that there was a

person with the stories that they were that they were and I

think that in a way that the thing and the invite

they've been to be interlasasasas and this occasion me

I'd like us very much that you did you did you're doing, what are your social, platforms, because this chapter is

Vidas Passed, second part. Count us a little, a little, my God. Thank you.

I, I'm what I do you do do this therapy is to amnosis solistic,

and in the which we attend us to people who have traumas, traumas, fears, fears,

experiences that need to have been to be treated, but also we only we're not only

we're we're we're the mind, but we're the part emotional and also the part

spiritual in the person. So, the people can make to be conscious of

experiences and of the records and not only for record those, but to sanarles.

To sanar the past and if is, it's good to know our experiences of

pastas because when you know, you know, you know because you you're

here, and you know, to where you can you, you can to do you're

to go to after where you're going to go after you're but if you know your past then we're to repeat a

fracaso after another. For so to say it's obligatory but if there is something that's

impeding to you're going to find you and you need to know to know and you're exactly.

Very good very well my friends social and platforms me can can't you can't

you can't have Javier Santayo the website to the Academy Academy of Amnosius Holistic of

Deserretero Transpersonal and in the podcast The Despertae of the Matrix in where you you're the padrino of the podcast I'm very much for your time

and then Instagram on Facebook me going to find out of Javier Sampayao official very well very well many, much

thanks thanks Javier well here here there there is like a responsibility very great the person

that or the person that is the story's, you want to start or start the stories?

I'd would be to start is a good question. Uh-huh. And it's a responsibility

very great. Yes. I'd would start it. Very well. Very well. So,

then I'm going to tell the first story. Yeah. Yeah. This story is a Arrastrada

for the past and he to be our friend Belem Ramirez. Belem

Ramirez. She us and we're to start for we have a one idea

very clear of this not is a story that has occurred to her but it's

a story that's a family because he's a first to her

woman of this prime all the soceses when Rosa has 17 years of age.

He'd with her mother and his two brothers. It was a house very

little and she had a bit of there. Obviously the papas

were in another room and in the second room was she was

Rosa with one of his brother, the one in

that in that in that the room there front to a

a room a roperer an of the of the that even it's even

that even all are inbruched all all crugent when change the climate

and are very so they're very are very these this mobile old

was there was when she when she she was when she was was this

roperer an old that was that had been in the generation

had been been like, you know, like, no, the story

of who had been the duke, the duke the owner, the object. Uh, where he was

a little. One night, no, she, not she, not a rosa, but to his brother

that was there, he was there was there in his camita, I'm, he was

he'd he'd he'd an eyes and he gave the attention that

that that was the room provenia of the was a rhythmical, not as if it was crudging the madera,

but it sounded like if a person with a unas was there were in the ropero, but more than to start it, arraining, like an animal, was making the sound classical of... Okay.

First, I think that it was a raton. So, he was he was a circle, had like a mixla of a new and curiosity because I

knew he could do not not be a little animalito he took the door and opened the door

and opened that point that point and a little of the little of the ropero what he

he was he he was atonito in the room in the room in the

room in the There was a body, an skeleton human, but

not was in a position antinatural. It was like doubled and even

so, he was still this skeleton, this body human

was was to have been because in the Cuenca's of the eyes,

there was like a luminescence roja that when he opened and the light

and the light, he was when this this is the man, observe

this terrible and spantoso immediately suddenly he's running and

and he's a mom and he says that that

that that there something horrible there. Well, obviously the mom

was there's a man, well, there's a man, to the room,

in effect, there was the door of the roperer abirta, rosas, yeah,

he had been asperated, and it was like, and it was a

thing, and the little he said, there's there, is there is a

room, the mom is there is a soma, and the only that was

the thing was, was the normal, normal. No, there was other other thing. Rosa thought that

well, his brother had had had been a pesadilla or fever or something. But,

but he discovered that not was that the night next, in the morning,

Rosa was a because he was made a murmur. That murmuro provened

of the roper. That murmur said, Rosa. When he gave a time

that he was not he was a I'm he was he was he left

he was much a lot of no he said he was he did he

he was very valiant no yeah simply he just he took the

tabed the the head the he was he was he got

dormido but the nights were pears. Because what it was like, a more

was a one of a one of a one of the other one. That murmur that was that was

a murmur regresso. He went there, and he was called to hear to hear.

But something had changed. She said that he was he was

and in the obscurity no he didn't agree the eyes. Not

that other that that He was still with the eyes and he he was called but no

provenia of the ropero. Yeah was in the room. Okay. And he

was about of her. He said that the terror was paralyzed and it was more

closer. And one night he was never and he was the murmuy

but he felt something I felt like if a person was sitting

on her pecho aplastan with her and then she wanted to give to give

a mother but he had what we know we know as a paralysis

of the pain to not not to be to be so only

simply seeing that so that he decided to

a skeleton. No. She saw a a man of of an old. The rostro was like a

opo, like no could distinguish well the factions. But he said that when I

repeated his name, his allient was fettid and frio. When

he was after he said, he said, So he So, so is the

someris some dents chuecos and a sonrisa a quite

inquietante and for fin he could recover the control of his and

he gritt to all pulmon with the eyes his his father his other

brother and his brother and his brother and the brother when

they were when they were They were going to the room. Abriar the

door and they were in the door, temlanding, she said what I've said,

what I've said, that he's he said, that he had a many nights entering to

his room, susurandol but also they didn't, they're thinking, that's

that's that's a thing, that was a thing, she said, to doorme

to do his brother he had a fear of she

had a fear and in some they're trying to try

but that's no function one a night he

he he he opened the eyes and a

act so he sent he he felt that

those don't the they took the And he did

a tiron. Obviously, when she felt this, he said, he said,

he was pataleo, but the grito no, he was not, not

was from the whole because he was totally aterrada. Tomo to his

man, he was a little and he he was he'd, the

little the eyes and he, he was he, After that she

He gets How her Hermoney She goes He goes She's With a car With a car

Rosa, in an act incredible that now is dispego any doubt. Rosa was floating.

The feet were more altos than the rest of the body, like if someone

had to the tubyos and he had taken with that the only that was to

talk the piece were the hands and the hands and the of Rosa

trying of not to not be taken to be the ropero. When

obviously see this the mama, the only that is to get

to say no Rosa and in that moment as if it

had canceled to boom Rosa fell the soil

obviously obviously all they were all they said

that all the eyes I was disorbitated of the terror.

Nobody was in that quarter. That night that night, for the morning next,

they were to look a other. Sacredotes, nobody was there nobody was

a person. But, someone said that was a woman, a

woman of much know of a much know of she could help them.

Well, rapidly the mom he was a Rosa to see a

woman when entered to the house of this woman and

a woman common and a common and and they

came and she a she sheco she he

told what she he he listened atent she

he he got the we we we going

to and and was until that this information

he said this entity not is an entity is an person

is someone is a person is a man of an 40

years of which you you you and you and

you were together but he He, he with a

ferbore infirmiso. He thinks that you he pertainces. You're his

wife. And the murder he was and the he wasco. And at

end, he's encountered you know he doesn't to go and

he's to get with him. Obviously Rosa and his mom and

they're like Like, like, what? She, the only that could do is to build a amuletto

for that she had and with that could be to be able to but the horror no,

it was there. One night, this spirit as the room, the ropero, the

desperto, saying her name. She opened the eyes, the halla of the tubyos,

She was Nobody could do Nothing The doors They were And they were The door The door

The door The house And it was And it was The carna The carna The The family

Those They were And then And then This thing And then this Was it Was there was

Desperated It was She was I was, I'm not I didn't I'm and went to

see a a other again for favor help us he's

he was so he he decided to confront to this sir

he went to the room where was the roper he

did his ritual and he he he he wrote Rosa

not is your husband not in this life you You know, you'll just leave her in peace.

In that moment, we're going to some passes for the passillo. Boom, boom, boom. And the door principal of the house boom, it wasoto.

Like if someone had been, said the Bruch. From that night, the presence

did appear in the house. And the years passed. And it was like an anecdote. Rosa

grew, formed a family and embegeccio. Yeah, nobody record about this. It was something of the past, past,

past, but in this beheous, it was so mal, Rosa, and was very great,

and was there in a quarter of hospital. His familyaries had that were their

those days, and his brother the one of the person, the he had

experimented with her this situation, that he was a man of a third age,

he had to be to be to be in the hospital. She yeah

yeah he was not he was he said, but when he did a hand,

and he's he's he's sat down to her and she he was he was

and as he could not to be very. He he he

he he and she he was a little of a little

the hospital he said he said he him him tell me what you

see and this man now this man he he

went the the view the the the the

the the But of a repent, noto something that I had seen when was a little.

Two Cuenks that were in that were and in that moment, Rosa

was a arqueed in a spasm violent. Obviously, the brother was a lot of

so stoke and then came to the camera. And he said the brother

that the last words of Rosa the which was a

little before before before. Very interesting the story

of this person and that after that after that that had

had been that had been that I've been a old

she had been a young and that in the more in his

other in the they were they were that they were

there that he was there I had been the opportunity of this entity, a person

to have not not liberated probably but so, but if he's

the place or the place in the place that I'm going to be a

final of he's he's a way to start to her. He was obsessedionable

no? Yeah. So imagine to to be you to be so obsessioned with a person that you you're still

a life to be able to her but not in a good onda. So, no. It's an

obsession infirmisa. And, without a body physical. So, she,

she, she, she, she, surely in that experience of life pasted,

she could do sort- those emotions, could tracendend and, well, to be

to re-encarna. But this person for his state vibrator he got

to order evident evidently reigated to this a this plan

to this plan 3D or 4D and his obsession

that not she confunded with love but not it's

obsession it she was to have to to have to

to be to to her to she not she

not it was in a bad so so

so so is that D'Uro, no? Povercita. Pobresita. Povercita.

But, but, yeah, I mean I'm so it's to say, oh,

and it's that it was a story of terror, more than of the pastas, but

then they are, they're going, they're so, yeah, so,

after that this woman, you're saying, you're saying, he's, he's,

and he's a question, I'm a doubt, because this entity, it said

Rosa, Or so it's like if in other life, it's like in this life it was that was that she was a rose but

certainly in other also maybe it's not it's not probably probably he would be it probably should be it

should be and the and the of the coencas of the eyes also a situation

curious is that me me I'm something I mean I was I'm a

ropero, yes, yes, and also they were in my name.

Javier. The of the roperer I remember perfectly and that said your name. Yeah.

Of course me really this story. I said, I said, if I found at

the end of the final, because, for what you me contes? Uh, yeah, is that

there's a much, there's a roperer old, that the maybe he can move to one to one

to the type roperer who is the type of roperer who is in the mark of the cemento, no,

the house. cerditas, they're like these serditas of the madderitas and then

if you you'd get back you know I'm so you get you and from

you're in you're you're so you and then simply you're you're just

you're and precisely that was what you was you when you when you when you

didn't be to never always when you never when that's that is

that is that's that's that two Cuenca as, like, like,

as they were so, they were in two big fokos red, as if someone

was in looking out of the out of that's that's that's so that

was in a occasion. And, was the same and so no maches Cah

what you yeah, that yeah, so yeah, it's a yeah, and a

me too, and I'm also, and I'm just in different occasions paralysis

of also not so intense to get me from the camera. But I remember that in

some occasion my rodillas just were out of the camera. It's like if I

had been hauled and my, and my, and my, my, my, my,

my, the, so the little, so, so, so, for that I

only only only only me, Iroped to be around, but the the feet,

the, I was, the they were being abackititit, so, but,

but that not that's me should be that's the to be the they're going to get to that's a

not a lot of because I'm that's going to get in my they're going to get to be a lot of my never,

I don't tell you don't I'm to tell you but a but a she said that they're

the dweens here in Merida okay and one one one of they're

to the door to the door of the car of the camera and continue

to hauling to the hallown to have to be able to the door of the camera. And, and he said that day

he sent you much, much more a lot. And, even, that's, even,

he said, no manches, me, they've been to the door of the door of, I'm gonna.

I'm gonna so, I don't see the doends docks. No, I think. I think they're like

like men little, no. I know, no, no, no, no,

no, no, so, so, don't see it's just like an entity of this

type, no? Yeah, so, yeah, something. Something something.

Something, it has to have to have much force to be to get a matter and to get a

person to get to that to do that to do that. So, yeah, very interesting. Well,

well, let's see. This story that now me to talk to you, it's called Bidas

intercruis cruised Bidusat and decrucied and it's anonym Okay. This person that

this person that is from here of Campeche and the history is about she not she has been

a series of a series of a series of dreams recurrentes in this series of dreams

have been experiences that have been four that have identified that in

these four dreams have experienced of record experiences of of the vows thanks to

those dreams and that not only it's like it's like if it's like it was like

were a, like if were a series and is soigning constantly that's a dream,

that's a dream, that soo soo, this soon, even there's a series and then

then I would be going to the other dream. And then it It has,

various experiences, various dreams, and like, are understanding various things, so that has a series, and then he

a new year, also, and then each one of those dreams, passed in different stages of your

life, and it was evolutioning, evidently, each one of them. The first that this

chick, or a, I don't know, no, it was a woman, was a woman. It was

identified as as a woman, because in the experiences, she perceived of different ways.

So, so is how we can't identify that was a woman. She was

simply had a very repairer, had a facility to have this type

of of the dreams lucid, and there is where she was where she was

where she was a common a same, it was very specific

these things. The first that she was It's when it's curious, because it's very specific, violent, and it was when you had five or six years of age.

Okay. When you have five or six years of age, that many things, I mean, you'd have to be caricatures in the television. No, no, it would be said that the person was suggested by seeing things violentas, or no, I don't know. So, this person's suede. that is in a a zone

but like a kind of a place of a city of night and standing in this place she's like

she's like she is like to see to see to all dark so dark

and a mebulous but what he'll to hear to be a long is a

woman that is a person that's being saying then then

So, identify where comes in those grits and see that a lo long is

a woman in the piece being being being a man, more

corpulent, more grand, evidently more, more more more

being being arrasrata and she was a one

a Auxilia. Nobody more help. Nobody more does. Like if just were

she was she seeing that scene and this woman being violented by this man, corpulent

and this man, and other time, that not there was there was a morning

for her while she was that I didn't. So, so you to you

until you got to five, six years is a a dream very...

I'm very specific and very violent too. Yeah, it's like if it were a series

of policeies, no? I mean, I don't know that a little bit of six years to make

even a time of that time. And so then the the, she could identify

that that that was there was there was a man that was a woman

delgated she, it was a woman that a the more, not a lot of the

more, about about a 50 kilos, 60 kilos, of the of the hair ruby, of the

being being going to and being getting until the end, until the end,

after that she has to get to a, like, this, as, as,

he's, I'm, I'm to do you to do, I'm, do, take the

decision to want to to want to go to help her. But in that moment

a frio he can't and it's paralysa and not can't do you start static

and it and when it goes to open and when she's she doesn't see her

or you know this scene of another or of a third person because it was I was

being to them to all the two and and now

now in first person and see the first person seeing a person, and being a she's

now she, he, the, he's, the, he's, that she doesn't

move, he, and she saw, the hands ensangentated. When

the hands when the hands ensangentated, and she gets a, and he gets a

out of that a piece of that the And then so he was

a mom. Mom, I've this a past I'm a

dream. Well, what curious a but no no

no of the first that she had she took. Result

that she did a conscious now that she

was that that was that was that was

the time. He had five six years passed

on five years more between 10 and years. And that

that's a year. So, he was going on different occasions, of different

forms, that even even just not only see a or yeah not saw a

first person to this chica ruby, but for his hands ensangentated passed

chicas morennas, castaias, and of different forms. Yeah, not only

only was a one woman. Or she, she, she had this perennie recurrent, but that

violented to different women, being she a woman. So, I'll go, I'm, I'm,

I'm, I'm, I'm having this type of I'm not probably the mom, I don't know, also,

she paniqueed, he did a fear, simply he's, discarded, it's a thing, it's a thing,

is a, you know, just, he, , And this Swayneau to pass

for that at the 10 years, 11 years, ah, conformed going to those

dreams, also the figure of the man, he was, when it was the way the way,

it was that was that much if it was going to the time. Like if the man

was more, more older, more anciano. But even she, she sentia

that ira and that violence in contra of those women Deja to pass this dream because now the

dream that is that she's a same with another a sister a woman not

not she is not she be as a woman and her and that they're going

because there are something there's something that is what is her is

doing and she what can identify is like it's like is like a little

a little a little a little they're going going like if they're like they're

like a kind of a kind of a kind of a scale of a ladder. In that

escalera in that they're they're going to be to see that's to be

to be to pursue and she she's she's she's also that I

had the rugs mordid mordid morettones sub the escalator

in where she can get that's not, they're there's the

little they're they're they're they're to get to some of the chosas

and they're in some rinkon in some rinkon and she comment that

that he was that she was that even retumabing the pardes

the awed could be that said that were that the walled

and that there was that they were being being persecuted. Stating there in this house,

it was something because act he followed after the out of the out of being, standing in

that a corner, from a one is an one of a little and he and he

and he's a woman a woman, a, a, an oldie she. She was

a risa, but no she was that she were rinders. Simply was

the reason. And she was congelated for the need, also for

the free that was and for sent to get and that the

person, and now for an image of a person that's

a person, that's she that's a little she

doesn't to see to her other person with

she and she and And when she was directly the eyes with much maldade,

like with much, I know, I identified, and very enoged. And he said to her to visit

you're, males-pagal a femaste. Of that that's all right. And he was a so I'm a

lot of that's old times that said that she said that she never but I

didn't obviously because no I don't the day of where that poesy or

rhyme or what is that she was what he did until that one night

she was abusated by her and he he was to encas probably the pieces

and understand that what she had said that she was that she

was to suffer for things that she had had

So, but yeah not was a Yeah, no, yeah, now it's a right,

sorry, I'm atore. Yeah, or so, really, so, really, she's,

her after the two, 13 years, he started to use of her of this, of this

woman. She, she, she was a that's a that's a thing that was a

thing, that was what was what I had to do you, with, with

the time, passed, vivied this experience of violence and at the 22 years has this

third dream in where she was she was she was going to go to

other country to change of intercham of student and

see a his father in other life or well

be a his papa and her and her very happy, but she was with

much fear, with much anxiety, maybe for the interchamble cultural, or for being in other country, or for to be a year, or for a voyage. That's a voyage had to be in

an avion. The Papa was it was a that if if it wasier, but she knew, like that something was bad and that she

not, no, not, they'd to, to, go to, to go to one more recurrent, she was,

Yeah, as she Mism, he had had terminated the and he

was in the airport, all was perfect, all felices and all despidient to the

and then and then being a middle while, resulta that one of the motors

explode a one of the salas of the plane and then the thing is more than

is more than it's been she and she perceive even how the the

Hume, it's to enter in the cabin how is that the hume and it

is that the mind, they're to get to get to get in the

air, they're to asphyxia before to the, before

to collisoner. And it's obviously, yeah with the shock, and

she, she's a shudada, and there also she understand why she was that she

was that she was to to fly to the altrues to get to

get to then those pieces at the 25 has a other a

dream recurrent a in the she she know a

a little a attention I felt that I'm

that I'm like he was I know he was like they

were like if they were known before, no? That, that's

he said, I know to know to other life, yeah, she was she was

and that I'm that I'm that I'm in the that's how to do do you know she's,

she did it and she did, but I do it, with the intention to know,

with the intention to and she says that does that all the wrong, although

me seems that's that's She's entero of things that to be

a bit that's that's she's she a she's she's

she's but now in a one in a one a

one era more more than the in where

she she she she she she she she

we we'll we'll another another but it was a one of a

great one she said my novio me set in this coveba in this

place accompany and he he said and he says scondate here so

that not you see to be to be my novio there don't know

I'm to I'm don't know I'm he was he was he was

he was he was and then she she's to hear that

between the two start to and they get to that that's

more more more more more than that they're that they're that he he says

is that I'm to love to you am a my my my

the her was she was she she she was she

she she didn't she she not she not she not she not

she not So, not you're going to just to but you, you know, no, no,

I don't I'm to be to be to be in there. No, no, I'm going to permit.

And so, acto so I'm he starts strangula. It's to press the

cooel, that the and the her manna standing occulted and she's

that's He's listening to that, but no knows what does. No, doesn't know if to go, no says if he's no says if he's got, no, simply he's kept there patrified.

And he said, I did what I'm said what you did. Now, so, we're going to be And as you and I, and as a first dream, in where she saw all

in a third person, of a repent, be all in first person, he gets and she,

put a rected, ergida, and says, if it's, we'll logamos. And then she did count,

there's she does know that she does a matter that she made to to do to her

herman. She she he he said to this child because

also he wanted to him. That he would to be to the life.

To be to the two. And result that she there then is

where she does that that all these experiences of

life that that's being repit that is because

is because is that all this karma that she

had had was up for a lastime in this occasion and for that in that

that that was that was that was trying trying to remendar or repair

those experiences in that she had had had had

had had had and so it's how it

it's down that that that is that experiences.

Wow, bro, how karma! Yeah. What suffering and what's a good. A,

one, a decision and how how many lives so? Very probably a

one, a man well, I'm going to say a but retorsida no.

We'll to the same of that not love, but obsession

for something, for or for someone, or for, I see of

how think, in the assassins. Oh, I'm going to a person with you know, I'm a person

with you know, obviously in this life, or not you say in this life, but you say, she's,

she gets with you, and he says, you know, I've been this terrible, yeah, I visited

psychologists, no me I can't get to on the number I did this when I

did this when I was a guy, and I've to know to know to know to do

help me and you in that moment, boom, you know, you've got to you've been that's a criminal

that's, that was that was that's, that's, you know, in other past,

so it's a plane, and she's, she's like to get to the kemann the pulmones and you

see that a life anterior, uh, well, he's put to do to quit

to the life to a life to a new to be a person, to be a man

man. Or so, how, how, in what moment, it's defined or so, it's that the karma has been been equilbrated? In this case, we're going to understand that

a level physical or at level terranal, there are leas. You do do you do, do you're doing, or you'd, or you'd, to receive, a moment, a castigo, or, a reaganio, something,

and try to emendar what you do this. There are many people that are in doing and not

do you know, impunas. Yes, impunas. No, no, no, no, those castiguan

and not, no, no, there's spirituales. That of that's, nobody we know,

we'll salvage absolutely nobody. That's that you do you quitas to the

universe, that you going to have to have to have to then then

so, so, so, so, they call the law the law of the

carma, no? Yeah, the law of the talion. The law of the talion is ojo

for ojo dintry and me la you're you're you know, yeah, but the

thing you do you. Ah ha but is that really is that there's something

that's that so so that probably probably his papa something had to

have to be with those experiences of the pastas that now the father is

the he came to lastim and he and he came to

try to end that So, so we, we're notherst, when the people, come, and live in this

type of experiences, what we're we're doing, is that the person is that the problem. And really I don't know what is the

the root of your problem. Yeah, because at the more there's there's a know, she's not to be

part of his mind or of his heart, probably he'll have to be halaw to a experience of

life pasted. Or at the more from the pancita of some there are people

that record experiences in the panse to her mom and from the and from preggna a trauma, a new year, or something

that are people who have been about experiences of the years past. Oh, and there's and there's

to repair. O'A. Cañon. Canyonsissimo. Oh, who, you know, I'm going to

tell a story that is, this, this, I'm, I'm going to talk to this story.

I'm going, me go a little rapid. I consider and as I've said a lot,

that the first error is in, although it's not that has a in the

disconocimient of the form in that's in the things. I consider that certain

plantas, hongos, and substances to do according to what the people in the past

determined not are not are of use ludic not are the use general.

The and the sacerdotis that had more of 50 years of the

time, a part of that moment with a solicit an acceptation etc. consummian

this. Because I think if if they're simply you're in the

coach of Formula 1 and you are to and without and play to be

and you're going to and you're going to and you're going to start to get to not you're going to not even said that's going

I'm saying not saying that's saying that I'm to have to have much conscience much care and much preparation much preparation

mucher muchissue this occurred the 2 of August of 2013 recently recently basically basically has

a year and this person Oh, pardon. This story is called MIRTE and Resurrection. And we'll

send to our friend Jessica Cruz. Figgins. We said that in this moment, he was out

with a person that for for, for the history, it's called Mark. Okay?

And, he's coming with this person, our friend Jessica, and the 2 August of

the year 23 were, they're for an experience with what

is known as as a little the rena of the fungus and that

they have a substance specific that you get to the other reality or you

welle or you are us not you know we know well well

then then then then he's he goes he he has

a a rop a She's going to first that night in the day

the next very very time. He's going to run to run with a friend of

his name Jesus, the which, she never never he has never,

he has got to the energy of this person and you know, these people, but there

there are something that there's a person that's a person who says, I don't know, it's a

person, she's, she, she, or so with who can't get their kids in this

two days, we're going to be out of a fine of a week for that they're in good,

for you all, everything everything. All right, all he has a perfection, no.

She has a very good with her and with her and so then then obviously he wants

that they're being and she go. And so she's going. She goes. She's

that night to the day she said that they have much you have got to eat because he

got to eat. I mean, you know, you know, you know, you know, you know,

because as the first that you go to do do you do this form, the effect will be

much more. Perfect. Okay. No, they're they're not they're this quate

Jesus and they go. They're in this place, that is, they're

they're they're to Tepatitlan of Mores there stationing the coach,

pass them to some tiendas says that they're they're in some they're

and in these things that they they're they're or well she she's

but she's they're they're mermelad more more than Jesus I'merer

but says that she she she's that she's okay okay

well would be a mermelade special or or They pass,

after having come to have come these water, four liters of water for the three,

and they're in a sub in a cerro, I'm to get to crosser this serr

and they're on various ranches, sienvers of Magay says that in all the

moment Marko he was indicating the she she not she

not of this place, and for the person Jesus.

De repent they're they're with a locatorio of this zone,

you're all, if all, so passen and cross their terrain, pass them

for a council, that's a other, obviously are not they, they're

not really, and they will have to come to get to the coveita. This coveita

is located in a place that is like a little a tank of

a little a little, a little, a a stank

of a tank of and there is where they are

to do this experience. As you've done you've done nobody has done the gongos. They're going

to this place and they're going to look at the past fresh, as well. And then

they're recollecting these elements of the fact he said there were various

things, not even to get they're they're they're they're they're

perfect for the three they're they're being under the

of a arbor and they're they're they're each one everyone

he's she's she's the dosis recommended for me it's the first

that I'm the first I'm and I'm he said only I'm going to go to

me going to go to two and if me more I'm one or three

no no the the children sants are in parages two

okay that he's not very feo so they're in the marmelada those they're

and they're they're okay Jesus so so so so

so so so he's he came he was 13

13 with with the pretext that is that I'm so I'm

so I'm very so I'm I'm He's come you 13. Well, after that

those they were, they're after, of the repent Jesus said,

if anyone want, I'm trying this substance. That's the of the three letters that start in the

E, in the end of an D. Okay. Okay. And she obviously

like that kind of that's kind of that's not he he liked and

evidently he felt that something he was doing these some gongos for what

to bring this substance well well like no he no

he was this situation marco like like so like he was

he was he he he said I was I go to

that that the sombra, I have to meditate in what the effect.

That's like 20 minutes, something like what he was like, okay. So,

so there's going to get to the arbor and he starts to meditate. He said

immediately when he starts the eyes, he was what was like a

chain of ADN but with the colors of the chakras was like

a radioscopic super interesting no. And in his words,

it's I'm in my meditation active my Kundalini subbing the energy

from my chakra and it was advancing until to get to the chakra of the

heart but when he got there was blocker okay so it was

no put more because in that moment yeah they were doing

effect the the children so so so so

then so he did I was in the things that never

before I've ever ever ever I'm going to see to the plants.

He said that the wind felt like that was a saludable that in

general all the ecosystem of the world was communicating with

she was like coming in harmony with the naturally

she obviously she at this harmony with the natural

was was the a moment he the movement of the pasto that's

like energy that's the world and I'm like the sky and be like the

like it's like it like a kind of a video like like all

no and and between those quadros and figures

geometrical that was he was observing he saw out of

more more more more record something she she

had been but if they're she record she she was the

first that's the first but that memory was a very clear it was

I'm like a like a I'm I'm I've been I'm I'm

actually now that I'm now that I'm exactly I'm I'm

she she's like thinking when when I'm when I'm I'm

I'm to hear some I'm He said that these Rises were quite as

were inquietants and they were like Rises humanas were like of the children but

very macabras very raras so she she's she'll try to make to make but

they interrup the rises other but she does that that Rises provinen

of Mark and Jesus only that sonnabar as like a big so

so So she is seeing she's going to get to get to

come to them and in that a voice sound between the past

and he he says no you know you know they want

they're they're she no he no nobody to

no nobody there but he he was so

it was like something something was something of those, that's

that's what he said. Okay. So, she thought that he had

had been a woman was a woman, or something, because I was in connection

with the natural that he had had been that but, but,

so he was in your thought, for those rises demoniacas. Otter

again. So, then he to turn to Marco and Jesus that's

he'd and again the voice. No, my a little,

no you're to you're to do you want to get to go and

and she she's he's he's going to happen and he's

and he went to he's he went and they're there sitting

but immediately when he's he he's he sent you a

energy dense horrible and and said a fear

he invadio. And he sent you in that moment that the garganta was a second. And he said for favor,

den me water. They signaled where they were in the bottles. It was four litters.

Yeah. Abri- a bottle of two-lit- and he started to bevel-pl-p-l-p-l-p-p- was.

It was so-e and so he started to and then he said, and She was a shock, between

them and that he made think, and she put some to get to the

water? Then then they left. He was he had cut out of the

tennis to feel like the the the he. He said he

he got his suet his cellar, his cellular, he he was so,

and then while she was doing this, they were that were

under the effects, they were talking one one, like

little like Edito like if she she could hear of and he said,

oh yeah, the mermelada not saw it a sapito transustance the

that's the end the end and the final and that he's he's

he's so he's because she had had come

that mermelada and and of Marko he he said he

No, you know, and she, and she, with that and she said, no, no, I'm sorry. I'm going to

go to go to something. And, and inmediato, Marko, Marko was in a foot.

And she had like a memory where Marko and Jesus were they do you

do that in that, like a memory that of the He was a

Dejabu another again. It was like like they're they've

put a accord. And then Jesus he said, look, there's a big,

there's a can't you can't you can't there. But she didn't think.

Because remember that before that had had been had been Jesus he commented to Mark

in the when they went for the ser. He said, I'm sure that I'm going to

find the the the the the the the the

and obviously all in it was so foco rogo, foco rogo foco rogo foco rogo.

Volto to see the I've got to be much fear but he set the valentia

and he He said, no, I'm going to go to the Tienda, I'm going to buy something.

Jesus he went to see to Markos and he said, give it you. And Mark

responded. Only you know you know the way in the I, the really, I would

I'm I'd and I don't want to go. Mechard you know

you said Marko. And she immediately Interrupted and responded No, you can't I'm going

So I'mmoredic the way Marko Pus a mirrored He said a weird And he He said Where we're

You know And she said Yeah, he said Yeah Very Well, ten Cuelled And of

And so He went And he He began He said He was I was walking and that

something in her I said take care, don't you metas to get to

the maisales there something. Well, she was connected. She was there.

She was to come to walk, to come to and he got to a

wall of a wall not he he had seen in the way

to the way and he and he started and

going to this a part of a and of the

point, I'm to hear of the usurros that proven

of the plantas. But this this were like voices

that they were not they could understand and they were more

more fertes were chylons were like of the

people and they're when he when he he

he he we come we Like, like they were

guying. Yes, yeah, yeah, yeah, yeah, yeah, yeah,

yeah, yeah, and she was like, I'm gonna go to this, I'm gonna

no, uh, and he said, he said, to be to get up,

and he did to know of the sun was in the cen, and

and he was a power barbara, sent you another that that

sequed in the garganta, the sun, needed a sombra, I need a refuge, needed to take

water. And, and then, other I know this, I recognize this terrain. I have

been here. And as if it was a goal, regress, the memory. He was

to revivir a life pastada. In that life pasted she

was she was a very for so I'm he's he's

he in this terrain in that she was she was a she was

she was a mark the mark of another life a

life had had had had had had and

she was she was a family enormous They were other times very antivus

but of but of a repent discovered that Mark he had had triedionated

with another woman a woman that she also that she also that now he had

invited to have been married and was that that woman and hehol

he said that she sent you another that's that he rompia

in that memory he revived he and he he he

he's a horrible horrible because he because he

about he Mark he took a his woman

that that he was he was he was

in a cell of in that in that this

life too He said that it's like a car for what he has pursued to Mark for what he and he

he de he desmorone and he he was made when his telephone when his telephone he was

he asked he was Mark and he said where you don't you please tell where you

know where you're responded and she responded and here I'm here I'm

because Why don't me did you nothing of your son? Why never me did you?

Responded Mark. I don't have nothing in contra of that we're not

to have him put it to be he's got confused to the telephone

what you you're saying he said, he said he said and she he said he said

he said let what you're doing do the and he goes and regress

to where we're others. For favor, no know

where you know, we're back. Okay. And I called. But she

could cut to get to the sentiment of a heart roto, no

could. And in the other to go to walk, there was a

little a little part of the and she and she and

she, he, and he'd these aspects of that life past

of every one of his children, all, and he went to a

little, because now he said, where there, where there was a

arbor frondos, and he went to and he was sent in a peter

and in that moment he was on the telephone and he said and it

was his his his child, he said, when she said, Mommy, what you

have you? I'm going. But she said that that's the pain, he was to grow,

to grow, to grow, to be that that's a feeling of a heart,

literally. He was to dole to the skin. Sentia a sensation horrible.

And only the connection with his children in this present

he gave a little of a little of a he said he was he was he was

he called immediately after again he was he was he was he was

he said but he he was nervous enojado he grittable where you're

I'm I'm I'm you're back back back but

but she was desperated with much of the of the boy,

go, he's he's he's he's a trap like between

a world of the past and the present fluctu he

dole the and all and he was who I

am who I need I need I see

a I see a there he he came

and there in that there there a bottle with

two lit of water Okay. Simply I knew that they were in.

Abro the bottle, he was to take water, she mojo the rostro, he was to feel to

feel that that was but the pain, but the pain, and then the body was to be a

reder. I don't know if this was for the substance, why, what was

going, what was going, but I was justperated, I, I think

to the really that that someone is going to find his

life in a year yeah or so I'm he record

to his his his a he's he's he made a message

to his his and the help the he

responded immediately mom is a mom is a problem

in text no and he he made the the

the location. So, then it was very bad. The telephone soned, but she never

could answer. With the eyes with the eyes, he said, he said,

he said, things that was that was a spasmo of the thought, I was a moment

very with his kids. And that calmable a little. And the calmed a little.

He said she was she was that she was a problem. What he

preoccupied, was to his children disamparated. Basically, in that moment that

was there after the sun of the after having took that the bottle of

the what he was, was a a a a passe

for the life. Sinted how his body was he

was, he was separate to a way a

Sinted Agonia, pain, pain, and that's terrible. He's

that she says that is to die with a with a pain,

with a manner terrible like someone never should that

he did this plan in the life past without without their

but they're to to do have the effects. And in that

moment, he's he was here, because he was going to be with Mark,

that were those voices that were and the things changed. Dice

that this experience for her was not only the record of a life

pasted but the thank the the of what the experience

of being the experience of because if one no, if one doesn't, if one connect,

will have to experimenter an horrible, horrible murder, and repeat until that in that

experience of life understand the real reason for the that you are here.

and she she has she and she she's she with a with a

fear, with a trauma and recording her life but it's but it's it was

it was it was for that for who not for that I've got to the history is that

I have I'm an impression of something I think she she gave

a that's that that's Yeah, and that Jesus never he took

confidence because certainly was a figure terrible of the past I'm not

I'm not I think they they're doing they're doing. I think simply what they said

he said he said echo of the pasto and under the substance

well so he paniqueed because I'm felt the vibrate the

world where he he the he was he was where,

well, lamentably he was a post around a chair of a chair of a chair in my 14

kids, I said, with my 14 and he was but he no, he went to her.

And he parted the hearted the and who know? Who knows what did in that

that's a life past? Also. And then then, more well, I think

because he was not he was grittando for, no I'm that

I just you were grittantly for being I'm a more than I think he's he spanted

yeah no he's he's not he says he says and he's he's and you

know you know you know where the she got you get to get to

get to I know I'm he invading the fear

yeah yeah can be and I can I

I would I would that if a no nobio,

you invite, or who that's, that you invite there to take a substance, at the

more you know, at the more you know, we want to let's, we know, I'm not,

I'd suggest I'm that you're also that's a person of your only, with a

woman, or with various men, know? Mm-hmm. That's, because,

because, because, because, because, because, because you know You know, you know,

you can put one of them or various or even the same nobio, no? So, independently of the history,

that's like a, kind of, like, they're, because this type of things, if,

so, so, so, so, so, and you can put to put something there

that you don't know to do, so. How they did with the marmelada?

Yes, yeah, I, I, I thought, the mermelada magic, but,

it was a It was a turbo-magic. It was a... It was a whole a mix of, and if, as you said, could be that

were echoes of that experience of the past that were with the medicine or with that substance and that

that's a substance and that it started, it was it was a paniqueada or that they

were to try to help her, and related one something with the other

experience and at the more in this life, no I'd have to

do you know, but probably it was related to it's a thing, but I'm

like, it's like quite, no, so to be so, yeah, because

it would have to happen to do it but if you're going to get to

get to the same to be to be to be so, then

so, so then you know, that's what you know, so

all the all you're not repitas the cycle. I think that it

was a or no, it's only it was to just to make to make a message, no.

Oh, no. For that's that's not so, that's like that a liegeer.

Exactly. Not that the leger. So, are experiences that can pass and in

in conjunction with experiences of the pastas that's that's that's

that is, so, interesting, interesting. Allent, my Well, well,

After your history, which was very interesting, also, we have this story that they're

that they're that they call the Lapida of the destiny. Oh, that's,

that's, and Lola and Lola is a one of your followers, from your

people to say, and to Lola. And to Lola. And to Lola.

she has a empathy for Mexico Okay Siente a empathy since many years

for Mexico even she has been in different occasions here has visited different

places for different circumstances of the life of the life of the destiny he

accommodated the having to come in different occasions for here to to Mexico

and experimented different things that even she has a

daughter adopted Mexican. She beautiful. She not she percibe

as her like a person who percied like Lola. So,

something to do you even she not she not he know it, or not

he gets certain experiences that she see that they're that they're

that they're in the time. That necessity or that that

cosquiggita to why me It doesn't really really really I'm

also I'm also a daughter I'm really a good a city,

your people, so I feel much empathy. And then she is there where

decided to start to start to more and start to experiment about

the of the of the lives pastas to to put to

that that experience that there there something that me

It's really the attention. Thanks to that is that she starts to

through the dreams and experiences and meditations she she

begins to revivir or record experiences in Mexico

that is like it's like they they are a a

more to when took a experience very and

this was like two years says, that is when her mom.

Fayeal she was a person great, and that that's a experience, that experience

to be to let's people, they recommended that in a diary to start to start

to get to tohage to get to all the and the stress

that she had felt for the falle of the father.

And resulta that she started to be very good writing. Very good writing.

So, so that he began to write poetry, that even he finished

two books of poetry. Wow. He was published. Very very. Publiced

two books of two books. But resulta that these books and many of

the of the scriptures that she did So, so much in

that she perceivia or sentia that even in some occasions not she was she

was the she was like if was a person who was doing or he was doing

the dictating the poetry that even she was she was in

occasions that percivian that is like my creativity not

not for that but but me is out incredible and in one

of those experiences when she was she was a little a story that was an

place she she perceive as something she was like

she and she she that that that that like

she not she not was that experience of being

saying that there was something that there no,

there was nobody, I'd keep up but he'd know that the relato and it

was to know that a way more more easy, more simple, but it

was like she a she they were susurrando now the words,

like to her like she they were dictating what he had to be

and he was practically like if was the place in the

that was in the that was And all the scenario was plasmoding on the piece, how was doquin

the the wall, the architecture of the place, things that she not knew but that's

like she had been there had in that place that in Guano not had known.

And result that she she has to get to that's like she had been having

contact with other people that had had had been

contact physically but while she was his story like a novel

resulta that I felt that I'm that she was she was making

like she really she she was not inventing a

story but like she he was not like that's she's like to be able to be in, the So that so

he was fascinated, and he was fascinating, as farcinning, as well, obviously, he was

because he knew where he could come to so, a sensation of empathy and these

stories that she, she was she was she was she was having had been

about this story, decided to go with a medium to that

to be plasmar a more, to be where would And it's And it's

That Medium, when you're there's there she he's

seeing the medium and you say, you know, you have something and it

is a thing, what you are that you're doing, of you

you've in that region in Mexico and you luchasted against the

Spanish Oh, In that Epoena In that time of the conquest you

you luched in against you and you not you're

how you're now in that other you a

man and a man who was in the man

and the air in the heart in the very probably

because was a a people that was being invaded and that was

being he was a kind of a kind of he had to defend a poor. Even

she makes memory of a dream of a dream a current that she

was he in that in that in that he was he was

for the malice with a kind of this arm that

that sustained the Aztecas that was that was

like a kind of bat with obsidian a travesado and while he was going

and he was chaskeating and he was sparseing because she had had done to someone

she she she was that's that's that's so so that

he said he made he made he said he made without she

had not not he had not he the necessity to be there

result that his obsession with Mexico went more that only

that's because what what he said the evident now

you know you now has you have to redem

what you have to see the story from

the other other last you you like now, I need to be there.

I am, and I want to return to my people. And for her, every word that said the evidente he had to the perfection

and I was and I had a, and that necessity of to, to, to be,

to be, to be, to be here in Mexico. And one of the words that the words that the medium

was that she would know his story, about to record, about their

experience, you're going to find the tomb of your other life.

In one of your years, in Mexico, in one of those

peoples, in some moment, you're to find the tomb

that has to have to be to your story. And

there is where much your life, of your

experiences of the records of experiences of the vadas pastas they're going to

stoper you're going to see a lapida in a little little

little and when lapis something will be to start she said

she she said she was okay okay no I don't know

that that if so if he had experimented that never had

passed something that And, until the Fecha, she even has

found that lapid, even has never has been in different occasions

trying to encounter that where she could to her to be she

same and that he said the media, it's going to stop

all that experience and to do dislokear his past yeah

wow well Lola always always in Mexico. And I think that story will have

in some moment, second part. Exactly. Yeah. We'll do you know. Sure,

because if you you're going to find out of the way you think you're in the way fortuita will be there.

Mm-hmm. What interesting story, eh? Yeah. Yeah. That necessary story.

As a like, as you, as you, as you that you that you that you

you're to to go to regress. And now it's living from

other experience. The equilibrium. Exactly. Exactly. These, look,

me, me got much this thing. I imagine many things of what

what was in my life past, no? What things good

did? What is the karma that I'm, not paying, but I

can't not equilering in this life, what I will be

in the same, how these experiences to who I've known, et cetera, no?

And, there's a certain things that me are super interesting. Super interesting because at the moment we can't

more than we or not we're going to understand. These stories that I'm going to continue these

these two that are are shortas, but I think that you want to I think to I think to the

people they're going to can't you'll I'm doing much to think this

this first this is a don't want I'm the person that we send a

this chica is and it's it's in the anonymat this

this story is very short and very very

interesting and it's and it's also in many of these phenomena or situations

very, very essential, is very important. All, all, it's a basis of an event

chaotic, of a moment of much of a lot, desperation, and there, fom, so,

so, so, chaos. Chaos. She, she, had three years,

He was he knew a man and she's marrededly for her the man perfect the

the felicity not was a major was a was

a for that was a very was a very

he he said we're we we're to move to the

play we mudmons to the play let's he he

I'm going to And so he He opposed To that He's a great Amor

Hejo His house His life His His life, his His life, and it was

the utopia of the soul. The emotion The Getsue, The fracos Allo It's For you

Because Because In 21 days, all his illusions and made a lot of and she was destroyed.

Without money, without work, without a home, she was his papa,

a old sofa in a rinkon. The nights were long, free, and, jenas

of the thoughts of course. It was a bit wasia. Well, yeah.

He asked was it worth to continue living what she she thought he was to give

the he was he was he was a realte a great he said that he

passed the days and his his his sofa

he he not he not he not he

he and when he he he was his own his only

he was he I don't despirete until that he was in that way

it's in Monterey said that it's a water and the frio was insuppable

even with all that that that's a stress well the your

your body you say so she she's involved the most that

did it she got in the sofa no how much time

He was a little but of a open the eyes and something was a bad. No, he could be

to move only the eyes. He had what we know we like paralysis of the

she. She, the fact, she, what she thought, at the moment of not to

be able to be the dead. It was the first. And then then he started

to hear like a murmur It was like a symphonia of voices that were talking to the

longia and they were that they could not could distinguish to not. No could distinguish to any

one. I don't understand the words, they were all mixed and they were there.

And of a so he started something something that now

so he didn't want many, many many hands frias

to Tocondola, for all the parts. The car, the brasos, the pecho, the pyrna, manitas,

togandala. She said that those hands were frias and the and she obviously,

no he was not, that they were doing, he was trying, he said, but no

it could. No, he could do to do that. And in that was the one more.

A man distinct appeared. The which so that the little and

little and the apart were. This man was a great and a energy

unusual. Okay. This man, although not it could have could

feel it, she was on part of her and her face. She

not was moving and she knew how that man he started to

and to assume in the sofa. And she heard how rechinaba while she was suming and

I felt like even the naris, the tabike, the eye, how it was pressionable over the

orbit for the piece of this man that was that was undying, he was

summiened. And she wanted and she could think I don't want to No I want to

And this man He was He was a press With much Much force And it was So the It was so

Firt That even in So in his Mente Yeah no could I hilae well-you-

It said It was like Balbocear in his Caves No I want No I'm

No I'm No I'm And And it And it was That I'm That's

that in at some moment, the cranium was to get to the eye and the pressure and

he took a little a steyer. A person with a peter on his rostro.

Okay. A record fugas of a life past. And in

that moment when it was the goal, opened the eyes, and

the second. The The piece, and he sent it and he said,

really was assumed. Really, it was assumed. How she was exulso with that great,

so, yeah, he was able to get to go and said that he said, he said, that the

heart was a point to start, and I felt the car with that pressure that was

on the head, and he was just he was a point to get,

I said, no, no, no, I don't get me here in this sillon, because I'm going to do. I have to do. And I'm going to

it changed in that moment. A those few days, he got a job. Salued from the country, he recovered,

he commenced to do, I'm going to do you know, maybe not enomorarse, but he started to do things

personal. And the time passed. She's an no. Has it a year

regressed to Monterey. Obviously like all in the life, has had his alt and the

has been has been his dreams and he's got a job stable doing

something that she has a lot. You are much the children. then

he's a child now is around about of the children

of his voices of their and their and also of those

those comments that are those comments that for her is

very because they know that the kids when are

they're they they're they they have with other

lives with other reality what for they is normal.

The adults are your imagination. But she know that no. She knows that they are connected

and they like. One day was playing with a little. We're going to say that

was a name was a little she was playing with her and then they were and they

were they took the hands and she wrote. Okay. She was feeling and then,

and the little, the little, the little, the little, and that that's a

smile, his face, so, his face, so, was, serious, totally.

Uh-huh. He's that this little has the eyes and that he was

directly to the eyes. And in a voice adult, he said, do you

do you do you? She she She just something but no

he's going to go to go to go to and he he's Adreana

Okay, okay no said the little you know you don't you

you I'm I'm I'm I'm she horrible but

but he he's so that he's and he said to to have to be

And he He said No, no, no No, no I don't I'm I'm sure

And he he's he's he's he called to Adrianita he

he and he went and he and he and he he he started

in this and and and of and he he he

he he he a minutes after and Adriana

she I was to see and then then she she asked to the need.

Why me uplasted the head? She was to see her

and she he's she she's she no she she's

and he no could to do you to be to be the

little the little the night in that she

had had between commies, sonned that they had aplastated

the head in the sillon and that they had been a thing,

I'm a head had had passed a many

years. That day is the day of the day of

Aderanita. No has no doesn't only it's a

detail curious how it's to is. Yeah, yeah,

is, yeah, is a little curious. So, Adrianaita nace

the day in that he passed this experience of a or a

idea. It's like the life and he that's that person.

Yeah. That in the past, in a life you to get

the life. And now is a mania. That's no. Because I

could we could think that of Adrianita this this entity to communicate

that's a of the life to be yeah, or more well he used like a medium

like a conduct, like a telephone to say, here I'm here's but it

has a relation that she has experimented that I'm the

that was the day of the the not there no there

no there's an a hivocond for here There's a story

very important of the vadas of a little bit of 2009, at the eight years, he said to the

mom, that's very because he was not able to his friend when all when all was that came

and he fell the building. And the the little he said, what was

his name, what was the name of his name of his name of his name

of this new, 9th of the September. 11th of September of 2001. Ah, no man. The new

the new nace and when the papas investigate in effect was a bomber of

New York that was that was there and that's that was a fact, it's

really, that's really that's a case, it's interesting so interesting. For so

when here she, she she discover that Adrianaita Nacian

The day In the She suffered This event But for example In this case The Bombero Is a person

Normal or A hero Because he was a Bombero Like All the All the Servidaries

Public Honrados Honestos And And And Recurda As a

That That That was That In In the Fatidic Day

But in this case not it was an not, it's an not, not,

and it's very, no, and it's a little but the the soul incarnated in

this a man, was a man, he's a assassin, no? Yes,

yeah. Sure. Yeah. And, and, and, look, how she

she, she would have been had been had had that visit? Well,

yeah. sure. Because that was a was a defunate like to make a change in your

life and and start to start that depression for the she had had been so it

also also was a part of so so so so so

so so much not not not I'm I'm fascin

these stories because one can see things that

people in this life in other other lives and but

but how at final all the way so perfect. Yeah. Between and lives

and vizas. Yes, yeah, yeah, in bona. In bona. Wow. To the point

to not to know to not to know what is good and bad. Yeah, exactly.

Cerect. Yeah, I mean, to pass. And loco. That's good. It's too. It's been

good. It's a chiquita, but I'm just much. Yeah, it's a bad. Well, well,

here we here another experience that also, as you what you

the comment this, the I'm the this side, because

it's because it also is a little, and the the case

also is a little that little, but it's a good sanna

and this also. And this also is very interesting. And, of actually, the

pacto of the 23 lives. Imagineate. Valgame the title. Imagineate 23. So,

and this no, she's wrote Betty. So, she's written Betty, see?

And Betty wrote from Guantuato. What casuality or what is the decidencia? No,

I mean, the other the other story also because she had connected with Guany with Guantua.

And here, Betty is of Guantua, 27 years in Guanajwato in Commonwealth. And

she has had been situations or necessity to record experiences

of the pastas because at it she she, now

one that she she has a she has had encountered

more or less or the hill conductor and so

so so All this commences when she had 14 years, 14 years,

in a in Guanyahuato, a little, and in that the world and he knows a a man

a man, so, and so they're so they're so much and this relationship

during about seven years. This relation, like all the relations, well, has some

good, his malas, his or the more, or the way

in a manner intense they've experiences bonitas but the life was going

was going and they was because even they were

many experiences they always they're to never nobody

not that's nobody not the typical of your ex no

but well and more toxic than your ex or things but we're decided we

and get to get to get to get to and then that necessity to start with that

person she was she was very intense and he also then they then

they were and they were back and they went to a side and to the other

until the life was both both was they're

going and was going to he decided to work

to US United, she no decide to go and she

should be going to here. And there is where the two the two

separate. She separated. She she has a family married

with she's very very beautiful. She did the the

pista of him simply went to to work and passed

the years and she she starts to have

like a a new those or even even

she's she's to have a she and he he

he he starts to he and he and

result that it seems it's like like like

he was like like he was like it or

like if it manifesting those, no? So, yes. Manifestando or intuying to something that was close. Ah, okay.

Right. And, and precisely, manifesto that. Because it's that it has passed the years, and she's entera of that

her ex-pareja regress for the country and that's there and that's she had been They've been

loved and she had she had very happy for him because he had been to develop

there and all this and as it's a little little a little they're all they're

all they know well yeah let me let me and they're they were and they're

visited but there there was a messland of even of

emotions of a reenquent or she always he was a very

respectful but but she with a good but but also that's

a sensation that something that there was a but that not was so positive

okay that was like it was that even even they got

to see to see and she said that after after

he was she she was She was She felt bad or she She felt a POR or

That even the day The She said Like, like Drenada or like

if she had had had been been with him But never he said

He said Only they've They've been, have been in some

occasions and she she felt like if there something

in her inside of her her body, that It was I don't say,

something that not makes a she's not a right, even

she's sincere with her he says, I'm saying, I'm,

I'm saying, I think, I think that very probably is because because, because

never we're never we never ever probably I'm that's

effecting. I mean, I'm to be to be to be to be with me

with my kids, but I'm because something I'm affecting.

Probably probably I have to take a therapy or something. I have to have to be sure. Super-entendible

clear. Total, he says, I'm going to talk to talk about you because I have to

talk about now if something that's going, and he said, and he said the experience

that he's even he even he he says to me that me also I also I

also I also I also something like with something with something

that, that, well, at being, that in instead of to feel me

better, or feel me, I'm so I'm sure, I'm too I'm

so, I'm, I'm, I'm, I'm, I'm, my, all start,

at being, at the and it not just just a kind of a kind of,

it's like, it's like, it's like, if, if I had the need to to be

going to be evidently we're we're we feel like I'm

no no no I don't I'm not I'm so they put in so they're

they're they're to make to get and try to be because they're

not a one not a cause clinical or a illogic

but it was a aspect probably emotionally emotional so

she she she she she she she to

with a kind of a type of a polystica that

he's a with the angels and with the penderl the other she's

she's that I'm that's the I'm going to I'm so I'm so I'm always I'm

all to my husband and all she she's this this

therapist he he revela something she she has she she

her He said the novio, the ex-novio, the ex-novio, he said, even, and this he's told her,

to the therapist, two months before that you were you, I was I was

constantly. I didn't why, but in those years, you, you were and when

I knew that you had been brought, for many things were to make a time.

And so, that's so so he also to a

therapist and what he he, the act and what she says,

what you is, what you is that life, it's a laces carmick

one that you have been been has been I've been from

years. Not it's, they're together together together since the pyramids

since that they started to build the pyramids you were together,

and one one a life after another began

to find to him has had three three

lives in 23 of they have been together as a one have been on

some no he has been your your master or your

father or a friend always in the one one

one of one of those they did they're a pact

a marre that you was more than the time.

And that forced and reinforced the that would have to be together

once and other and for that's that actually if you are not are

not, they're feeling more, so that's precisely for

that pacto that you had done in that in that

then so and there was a sensation of connection

that not was let's say it not to not they didn't to be

simply think and they're and they attract and so well

she okay and now how I'm I'm I want I want

I want to let this therapist he says without problems

we we're to see another occasion and we we're

if you now definitively, I think, want to to break that contract, that pact, we're going to let's run,

no? Well, well, that I want. She's, she's been, she's going, she's a species

of orations, saca incinso, saca pendolo, and it's to do a kind of a special, in what

it seems was a, a ritual to romper the pactus. It's started all these

these, these ceremony and she and she's to feel to get to get a

little and in the moment in the moment in the whole this ritual terminate

with a grand ceremony with a ritual of music and boom

it's it's your lace your pacto is that rote

is now now you're now you're right and from

and from That day, she says that she's different, says that she's that she's so tired. And that

since then now, evidently, thanks to this experience, she she,

she, he's, that what you promise in this life, can get to

transcendent all the lives, not necessarily in this. And then she takes a conscience

and decide that this is going to be doing promises with other

people or promises that not that's that's that is so conscientient

of this and there is where it where it it's to not

to make to commit in the murder and I'm to

let let to for to to to I'm going to recommend

three films. One is the same than the other but just like Lola of the

story pasted that is a Spanish. It's a movie that's a very the

Aver in the Ours of Alexander Amenabar Okay that's I'm going to say a

spoiler but please beanla for this story that we just to tell Javier

Sanpallo Okay that's anonym right? No, Tere. It's the

history of Betty Tibetti. Okay. There's a version of Hollywood that's called Vanil Sky with Tom Cruise. Also with Penelope Cruz

in the other paper. And this and also, I mean, me more, I'm gonna' I'm gonna'em sky. To me. But,

the two are fabulouses. And there are other movie that's called the Atlas of the sky. Netta Be'all if they're just. This, this this time of the days pastas. When a person, obviously not of

a word, but of really, I'm going to be with you there's many. There's like, there's like, there's like,

contractos and, right? Sure. So, and what she did, the therapist is to,

that's, that, that, that, contract, energetic. Yeah. To liberate

in this and in the next. The, the detail is that have to have to have

much with this type of things because someone has to pay that contract.

So, for example, when we do we're when we're when there people who have made

a pact with other entities, I have to guide a person to that is the person

that that he made with that he said. I don't put that contract. Because if

I do I'm going to carry it. So, So I know what method has used this therapist,

but it seems to work. But there to have much care. There are much there's a

protocol to do it. And there have to take it so, so, so,

so, and the fact, the, the, the, the, one boda,

the casamient for the church, is a contract. It's a contract.

It's a register civil and has your contract legal, like if were a

company that you're doing a company, a society between two people. That's, for that

that is. For that is. And when you do a boda for the church,

you're you're at a level spiritual, with that other person. So, awutas,

ojito with that. Although, even it says the sacerdote, until that the

murder if there There's a decree there. There's a there. Like to say, up to keep, in this

life is a cab. Exactly. Until that the murder it's apart. See? The contract has,

it's, it's pre-sabled to that that clasula to do. Exactly. So, so.

Exactly. In all the lives, no? Exactly. Yeah, just there have to have to have

to be careful that you can sometimes you can let's be to let's get them. It's just that's all.

It's all. it'ser to say you're that contract for vadas, how it's a

past 20-tantas and the best you let's let's get you know you're

what you're to learn with her and you not let's you know you're

not you don't go back your ex for favor attention attention

community attention Javier I think I'm I'm I'm I'm

not I'm I'm when when finalize this my

story, no I'm going to indagate much. I mean, I'm really these

things, and more when they're to be with other things. I'm going to think

much. I don't see, I think that this is the best that is the

story that's but for me, is, if not the best, is the

most I'm the other episodes that have been of insomeneo, this history

no me he was he was he impacted the night. I'm impact much okay

so he made an interrogate gigantesca and me it's fear and to try to you're

to be to be I'm sure I'm to put to that that's that's

you're a fascinar okay okay thanks for the preamble fichens this

this this story is anonymous and it's the maldition of the rebaio. If we know one

the name of the protagonist the fact he's very in clear that no in any

form it's to give to say to give the kind of

the question of it's a more or more or more or

more or common that not said his name, he has changed the

name of your name of your and there. This is the story of Sophia. Sophia

really is this person very normal that is she like the phenomena and the omnis

but not not so not so not to sit to talk to a little a little

I've heard some I've and in their majority, so about

about the phenomena in the majority, those discartes for improbables. One of

the things that she definitely thought that they not, not they were real

not is the fact of that the lives pastas are a reality or are possible.

But the fact of your life that's where she said that

and no. No. No, I don't think. That's no I think. But has a friend that in this

occasion we're going to say Laura, and she is convinced that the that the

lives pastas are real. Because Laura, in some moment, could record

some of those of those pastas and then with a person that's

that's to do other things, to make regressions for that the

people could record those lives pastas like dislokear

that that that's a barrera and you can remember your your

years your last of the last then you had experimented in a

a dream a reality so then he had talked much

much to about of the wonderful of the incredible of the

experience to record a life past and Sophia

well no he had much septicism a one

Laura, he said, Amiga, this time will be to be

here in the city, this hypnotherap that can help to

record to your life. As he did with me. And you

did a little. And I'm to be saying, I'm saying,

oh, let's let's, no? What can pass? What can malir sal, how does it?

What can malir sal. They got to the this person he said. This person, he said, because not he immediately the

skepticism of Sophia. And he made a it's very important that you do the

acceptation, that you accept is like an actual, because if no, no

it's going to be to it. It's very important. Okay She She was

This emotion In the car Of your And she kept Thinking And if Is real Well,

I'd Would be My life My life And I'm He's To be To be

The possibility Adelante He said And he He said He said He said He's

He's He's He He said And And that rapidly he got that she

entered in a state of a state of a first that was the first

that was he was the time and he made it and it made it he felt

how his consciousness flotable as between the reality and

the soo there was and there And, of and of a

real he was he didn't know he didn't he's not he

didn't he was that he was in that he was he was in a place

and was a little a upestable to humidity he went to move

and he intended to put in the but his body not responded because

his body not he not he didn't I didn't the same

the same form the the the I sentia a

personal that that he was that was the Cuello and the Column.

Two crannios. Two men. Front to her, there were a group of Ovejas Deforms. Some, with an ojo

of mass, others, with extremities, in places impossible. The sound of the valides of these obejas

was almost human. but they were like a lament. And she, with all the fear that was feeling, with what he was presential,

he attempted to getar. But what escaped from his garganta was a valid doble. And then

the records they got with brutality. She was one of these obejas, one special. One obeja

with two I was there. And I was there and you could feel what was his destiny.

He was a sustada. The repent, appeared some figures humanas encapuched

and they were some torches and formed a circle. These figures had

amarrated in the cintura what was a a Cucillo.

It took, the and they were in contra of their

water on an altar of a little and she felt a land

that that the and these people were recit

a letan in an a other that she simply not he was

he said that he said much, much of the so when one

of these people was he was with the cuchio in the hand

and he felt that that that through that got

his his knee and he was on the

body I felt the the same the The odor insupportable.

For dentro, she knew that the two consciences gritts but one, the other, the other, the other, conciencia

more obscure, grittable of pleasure, of emotion. And between those grits, that moment terrible

between the multitude of figures encapuched a woman had this tunica but was this woman under the tunica

was a disnuda the capucha the top of the rostro she she sentia

that the life was to the life was conformed the blood was out of

the but she was she said that this woman was with a

connocibility and his sonrisa was a a sonrisa of someone that has

got got he got to her to her with a with a hand and he

he said to the head. And then he sent you how that that was the crotchable the carousand.

Sophia had and he started from gritty. He said that the garganta

he ardia and that still there had the metal in the in the in the

back. The the same the same Laura had

a a mirro of panic and he said to Sophia God my, what was that? And she said that was jadeing, and capable

to process her thoughts. He said that he was like the little bit of the texture of the

pain, of the body, of the body that not that was a new therapist was I'd try to calm her. But she was even violent.

She pared. Corrieed to the bathroom. He had many to vomit. And when went to the and he

looked at the mirror to for a second he was he was that he had two his head.

Omit was very very very he had to be a bad. He was

was very bad. And the only that was to go to go to

that night he tried to tranquilize but it's just that the the

he said that he didn't not even conciliate the memory was very

vivid the the sentiment of not a human but a one

a be a and that every night was a poor

obviously she said that was that was deteriorating for not to notary. For those

terrors nocturns. He says that at that time, Laura yeah no is, my God. Every time that he starts the eyes, I hear a valid

in his cranium. He says that recall those voices in a idioma a disconocid like

calling it, reclamandola. One night, with much insomnia, well, I've got to be able to get dormita. No, record what I'm a dream? Recurred to

start, sud-dando, jade-and-a-terrorized. She desperto, and he started to doerate. He went to the no,

no, preended the light, and he was in the mirror in the a spejo. In his reflex, the sombra of a second head,

out of his cooey. But not the sombra of an obeha. It was the sombra of a woman that she

recognized. The sacerdotiza of that that life passed and and he he's his correo

saying, Maybe the reincarnation Not always is a cycle Maybe a basis Is a condena And I One way, one One way more,

Formed part of the Rebaio Ocuro Wow This, um, This, I'm It seems here That there,

And between this experience of life past then

we'll these these these these these pactos with this

other woman and even could be to not a

not a reincarnation but like an coplam of this

this energy of this this and that could be also

also like a kind of a kind of possession. Right. Yes.

It's curious, I go, as you have you have been in that you've

seen, you've seen as a gabiota, in this case, well, it's

a be a be a be a beha curious that are that are mutants.

More me, I think selects like you like like different.

I well, so, so yes. and And, no I do,

it's, has been data of that's type of things, and that's used for

this type of, the rituals very specific for their offers, and for they're

extravagant, because are extravagant, because are different, and that she, that she

that she recuperate to this experience or that I remember, it's curious

and not necessarily has to keep experimenting that terror or that fear or that

trauma. Because, obviously, if that that's that's that's that's

probably is that it has been that's that's probably that's that's

that's something that I'm that I know the patient grite, yore,

patale, you you know is not you don't you need to repair it

because you know it because if the person it's it's said that no there's

in the in the in the in really not but a but a not quite

is dangerous always when it's the way and it depends

who it can't can save lives or can

keep quit them. So, the technique of the hypnosis

can help to help to help a in the knowledge

with an expert or a person that know that know

that if there a person who not have to

get to last and have been some there in

this case I feel that I know that

person how to how to confront us what's that's going. It's very probable because

not the stuff things. I mean, the people that are the people who do they're

more everything from a perspective clinical. The hypnosis Ericksonian

that's cool, it's well, or it was too. It's used very

those hypnotherapas clinical, the psychologists, psychiatrars, doctors, professionals of the

health. But when you top with this type of things, they don't

know what or they're or they're that this type of experience simply is

an hallucination or a or a or a a a thing that's

not and there have to have to have much good. It's that you

know, what I made me thinking much, much, because it's certain,

to these animals that have these deformities, et cetera, or is super-perceado

for certain practices magic and I always me I asked, why?

Only for the extravagant? No? I feel that in this case is that not that has that

had two consciences in that this person, this sacerdotisa, this person of knowledge

was a was buying a space in other life. I can I can I can

possess that because that is prepared to contain two consciences. It's

here. And then you can use it when when it interesting. An interesting. And it's an interesting

and it's a interesting and it's very, yeah, I'd, I'd, I'd something, because if I could

transferlad my conscience in in other body that could have the capacity of contend me. Conteners,

so, because I was prepared for that you're like you you're could

romper that contract, right? Because it was obligated to affirm it, definitive. Yes,

that would be the next step. This is this is very rare, but we're to do it.

Yes, yeah, we're not. Recordem that there are contracts that are conscious,

and there are contracts that are inconsient. So, if you did you did you

do a manner inconsient because you did you said, look, I'm,

I'm, I'm, the the senior of the corner of the skin that's a little

she's in the way she did you do you do this you know you're not a

but you know you did you probably did a contract for necessity a

fact so there there don't it's very extravagant this

story right? Yeah to me for that I'm just much I'm

yeah imagine you you're imagine you you're a but of

two that is no no it's a Oveja normal. Yes, yeah.

And I me, me, me, me, me, me, me, me,

me, I'm a about the experience that I'm to remember to be a gabiotta. Exactly.

And, and see the salas, sent the plume, and, more simple than the

we have we we have been, and when I could see my deados, no, I could put in feet, because

you can't put you in feet, because you're a quadruped. Yeah, I'm all the

experience. The, the, the, the, The that I the land

the the the the the the incomodidid in the

head so I said no is that is that is because and I

and I and I said a Picasso in the skin yeah well

well so this is the last story that is that I take

for this night that was very interesting and so

and this story when it called Karen Garza and it's titula Always

We're This Karen Resulted that she Or this is curious because

not only there's experiences of lives pastas that you're you

can how is that it enter in the theme

but also there there a species of attacks at a level spiritual, not only experiences of the vadas

or records of pastas, that's very interesting, but also that also are living experiences of attacks spiritual.

This, all begins to pass when she's a woman she's a second his second his.

After that Karen is a person, he's a experience of paralysis of a swoion

that before not had past and now they're to pass her way more

recurrent. Noche with noche to her they're to pass this type of experiences

and in that moment in the she's passing for that experience of a

parysis of the sun of not more than to be more than

the eyes and being being conscious that is being

she she or perceive that there something in the obscurity

but over all of the one of the one of the one of the form or the

silhouette but distinguish perceive that there there there is a

time the time and these paralysis of the so

intensificing this sensation of that something that something

is to perceive the more grand or even to start to distinguish it now is only a a sensation

but you just to see a silhouette that is in the corner of that

that that's the time they're they're in different houses but

the sensation of nocturna of to be to be observed. From one of the end of the

room, never, uh, when when they're living in a house different, as it's all

new, well, well, well, all is all all the is all that's all the

time and that they're living there, that experience of paralysis of a suicide, of a

time, and that sensation of, to, to, the, of,

to, to, to, to, to, for something in the corner that's

always there even when they're on the vacation and are in a quart

of hotel imagine the the plains of here in the here of

the place of the hotel perceives that that the

feeling in the court of hotel or so not

not even could not be not the vacations.

It was. She always she sent she she had she she she's

she independently of this experience the which not

he did when his his his his years

had two years of the baby when he

began to communicate to with mom he he

started to comment of the records or things

that that had passed, but the woman, the mom, no, the mom, no

he's what he's he's saying, is that mom, mom, my,

and I, but I don't you do do you, I don't you know, no, mom,

me mat, mom, me, to what, she, she, not,

she, not, I, didn't, he was to be to and it

and result that that, the boy and he's a

start also terror to be to be to get to to be

in the night even in one of those nights she the

the the the the person that they were for him

that they were they were they were to get us to

places oscuros, and that evidently he not wanted to that he wanted to be with her

mom and she wanted to her she's to try to understand all this

in where she's living these paralysis of the the little the

little he starts to tell the he was assassinated for by

her his mother and she she and one of the

books that is the book of Brian Wise to try to understand the experiences of the years

of the pastas, many lives, many of those great books, is one of the great books that you're upture in

all these things of experiences of pastas. A past that, to be a perturars and

start to know of this world, the experiences still are going to but in a

night of Halloween curious but not so because in those nights there are much energy there's

there's much energy dense during that one of those paralysis of the

she she says that she does not only only that

experience of a problem but that she disrende

of her and he to the room where are his and they're and they're

all right, all, all, and she starts to like, like, he's going

to get to get to and he gets a she, she perceive that no there was

no any that moment until she's to get a, a

little more and a more, and it's like if it could them

to be to be to fear, terror, to help us to help, and not

to be that's like incapacity of able to do that this

sensation she was to trap and she was a dark in a dark

in something in something in where it was to know

the eyes the vision and as as Like if an

obscurity it consumed her act she she's she

she like if something if something the little

her and and the trajera directly to her

back her his soul because he had lived

this devolament boom came in her in the body

and she's all a sustada for the had been seen that's a bit of a problem

and she's not really but this type of experiences not has had known and I

feltia that was more physical or more other type of experiences and so that

that fear still more and those paralysis of the brain so many

they're intensified now more that not more was now

to see a that thing in the corner, but that that thing in the corner

not was in the corner necessarily. Poco a little, he went

and and they were going to the same, conforme going to the life,

that that she could see, mididably, she was more more

more powerful, she had been able to counter-rested that, this, this

situation still passing. As well, I don't only just

I'm not only just I'm not only that was a place in

the room like there was there. And the

and and also as she probably probably even

even even even even even I didn't because

he had made to get some some frias, lareas,

that were and that were and that were and that that sensation yeah had passed, of only to

just to see that sensation now, a sensation physical. In middle of

all those paralysis, I heard voices that were that were that were to be

of their same children, of their children, that were like susurros

between to be not, but they were also distortioned. Like if

not were them who were they really were really she felt desperated because not said,

if they were they were what they were doing, what is what was going? They're going to pass

Portergais in the house, they're to be to putterse lights, upgars,

move, objects. The things, evidentement they're to pass a

a And even, even you've changed to a house that had

had been had been a house and she was very very because

they're in a house fica and they had to be changing but

also in that house they're to pass the experiences fertes

and then in one of those days the the

little had passed I had had had some six years, He said,

Moma, and you know about the time of the life pasted? And she he's

like, like, like, like, no, but why? Because

you're what you know, what you know, or tell me you?

To tell me, to what the little he said, that he's that

he's he's to comment to, he starts, that he

that when we're we're going to but then we're we're we're

always we're here that when the last last time was when he had been two three

years of age yeah not not of that type of experiences

or nothing no had interacted with the child and the little

then he then he's to start to that Tell me more because how is that you're getting.

Why? What? What? What? What? What? What. And then, the boy, very aterrathered, he commenced, he begins to to tell a record that he has.

And he says, Mom, when I was a cardiologist, and I said, what? Cardiologist? I was, I operating a little. a

heart abirto but that he was to give to give the

news to his family but the father very

enoged me he matto me uncuchio mama me acuchio

in different parts of my body and I I'm

and I'm that I'm was that I'm a poinelad me acuchio

for all the other even his name you want to

you know she how it's how it he says he says that he says

Adam he says Adam what caricature has this name

the name for example and she he starts and he starts how is that this

this this this he has this information and the

the the little he said, that's what the thing,

that's a lot of he's a doctor, and I'm a yeah,

I'm and then the mom, so the little could know this

how the kid knows this how is that the is that is, is,

that, of this or so that specific that he's that he

a cuchillo in different parts of the and then then

she Okay, and what more You can't You can't You can't And the As far as The boy

The boy To start Like, In the Placique And I'm To tell To tell a

My mom When she He makes This question He He changes The He says

I'm I'm Cicire Contart You But I'm They're

They're They They're They? Who? is that they don't they're

they're they're they're they're I'm or that I think I'm about

my my and they're going to go to me and they're she she's

not, he's about the little but I'm the last mom

is the last because no me I'm I'm want to I'm

to be I'm don't I'm don't they don't they're

they're know, they're talking, and he he said, that when he was a

little, he said, in other life, in other life, that he was a bomber,

and he said that he had been been trapped in an edificio and trying to rescat

a person, he always he had rescat him and had rescated different

people, but in this occasion She was in the no in

the of this fire and well there was that he was he said

no no what I do my always I'm to die

and I'm and I go to go to

so it should be so but this is my

ultimate life he I'm my last. This is a last my ultimate

life The mom, the little the kid he says that you can't tell him

because she's they've been but she has been who has who has

who he's who he's to be to tell more she

even even even even he even he's thinking

who are they're because my his my my

my he has experiences of the years of because he doesn't this type of

mortes violentas because he was a cardiologist and that he was a cariologist

and what relation could have that my my son that my I'm

living paralysis of the sleep that me they

they're in the night and they they're they they're

so so this is it's kind as a conclusion, because this is happening now.

This is it that my my son is living these experiences with the end of that has been that's

giving an notice, we're not doing an aviso or not are not or is

something that no has an explanation. So, so it has to be to do?

I can help to my my I can't help and how

I can help me can it's a not a you, but more than the things

that he has has been it's experimented the experience to do to do to look

to do that the question is that that's after these experiences human,

that's that's right, so, and that's right, that's because,

also this is, is one of the things that I think are incredible, many people, other of the

lives pastas, the reencarnation, for so for a vivid future, the years pastas, no,

reincarnation. They're they, apart, as part, and that's that's a thing that's

like it totally, but, but, so, totally. Not, not

two the same thing. We've been in a simulation. No, it's a

made to be a computer or if specifically if we're doing, experimenting, the life,

in other reality where no, there's a physical and is a sombrose. And of

there's we're going to go to a person human to live these experiences as as a

cardiologist, and, well, oh, and then they don't keep in the life.

And if me they're my experience. And you If you decided that,

it's a this is a simulation. This is an event prepared. And if this is a

simulation, who is the simulation? For that's there are regals. If you are a

simulation and you know, you know, that this is a experience, not you don't you

do you do not. And so you know, but what evolution could be to be

there is doing a trap. Sure. You have to live the experience.

to take experience to learn. If you know, if you know, there's evolution. So, I can't play the videogues

and start to be able or I can't buy me a control that has pre-grabated the combos and all this.

And, sure, I'm a friegon. You don't know. You're not. What experience you've got? Exactly.

Yes. Yes. Yes. But in the real, zero. And you're to have to

have to repeat and repeat and repeat and repeat in the same the same even even in the

time. For that you know, I'm because it's my ultimate because it's my

interesting. Yeah, it's very interesting. And me it's not only only, and

as you also, and this simulation even probably apparently appear in the simulators those

are those that are the matrix and are those that you can't

to count more, those that detiening, no? Because it has to live the experience,

right? But also if we're in this simulation and we know we're in a simulation,

it has there's there in that we can be conscious because if we're not we're going

and we pass to other state or a other vibration, another level,

and we we're going to we're the conscience that we had been past for

to not commit the same errors, we're we're going to we're even even

to get a point. Because if you know you know and you do you know and

many people know, and he's certain, there are people who are people who are more

young, that we're that we're that's not to know that's so. So,

so so much people do you do you do this all right so that

are back they're they're they're they they're they So if we

We'll make us, hey, you know, you know, but silence. You have to have to them even their experience.

Exactly. You don't can't entorperse the experience of the other simply for the

fact that you want to you know, that's the reason for the mom that's the manna the

story, is experimenting this is about a a new, well, this moment is a child,

but will be a question, that has that's that's, Exactly. Necessito

the simulators, as you the constructors, I need to hey, every every time you're

to get to the information, why me said my hyalysis of the reality, you distract.

For that you vivas your experience of the life, let me that's the end the

one, the ultimate. No, no, not you do you do you have been

because when creske a little more, it's to forget of this information

and of that not should be it. It's probable because, of each, we're doing to live experiences

and to make individual, and to have to be individual. But if we come to live in a

society and to try to help to the people that also we can't help. We don't

just the people who are prepared and that are that are to help us

or evolutionar. of the fact, I think for example, some prophets they know

they're they're perfectly and for so those messages are like crypticos they're

encrypted, not you don't the information of all only only those those

those that stimulate your selfudery individual Exactly of that for that

is called information initiatica is for the initiates is

for not is for all, and not is because it's for that's for the person, but it's for who is to receive that

information. Sure. Wow. Oh, what, what, what's the way of these last time?

Yes. It's good. Well, yeah, you know, padrissim. More a little,

in the other in the other, in the other channel in paranormal, because you will we're, when you're not,

if you've said, there's going to be a of the things interesting with Javier Sampayo but we're going to have more ahead

another gravation for that we're specifically in this of the Bidasasas and we're parisim. And we're going to get to get to

what we're going to do what we're going to do things of other people as like these of the vadas but yeah very clearas

for that so Javier could be read them and then even even even in some cases

to be to the person to the person for that for that we to be about the vadas

in paranormal but with documents reales. Sure. It would be incredible. It would be

badger. Yeah, and apart there would be to be all the other things. That may

yeah, we'll say. Sure. Sure. That's a minute. Let's go platforms,

networks where the people can know your work, to get to you, I don't

to get to get to for an hypnosis, etc. You can do

for WhatsApp. Thank you. Can't ask them for the WhatsApp. [phone]-24-5. The WhatsApp, there will attend

my assistant and the assessors, and there, with all of gusto, we'll be atlend. In the page web, Javier-Sampayo.com, that's enlaced at the academy

at h-h-d-t.com, Academy of Dignosis Solistic of Sarroletranspersonal, and something, and something also I have results. My alumni

also also the same results than I. So, so is it's all

resolving much as much so, so, if you want to take a therapy,

yeah, so I'm with my team of some of my team of they can learn,

yeah. Javier Sampallo, in Instagram, on Facebook, in YouTube, the Desperta of the Matrix,

for for a favor see me in this new podcast, in where Padino, Padino.

I care Pepo. And, in those Lads. There's a lot. TikTok, also.

Not we're we're doing. Muchisive thanks. What I'm that I'm doing a TikTok, I think.

Oh, I'm a record that no I'm going to be there. I don't know. I'm going to do you know.

Oh, that's bad. Muchisimas thanks. We'll see the next time. I remember

that if you want to send them your experiences or evidences or evidences for favor,

make a Correo, Fepo, Rop, podcast, Paranormal.com. In the issue of the question,

they're that pertains vows pastas, duendes, chanekes, encounters with the Santa

Morte, et cetera, and super important, as the case of various of the stories

that we want them if you want to be anonim for favor, put them

onnim or anonym or anonim or anonim about, for favor at the first to say,

the first to say, if they're if they're anonymous, I want my story is an anonym,

for that we want to commit an error. For favor, much thanks to all and all. Thanks, Javier.

Much thanks, FAPU. We'll be the next time here in insomnia where we're to narrar the most terrorifices

experiences reales of the audience. So, listen them as if they tryven. Chau.