INSOMNIO - HISTORIAS REALOS DE TERROR EN EL METRO | Julián Huergos

Episode Date: June 19, 2025

Historias paranormales reales del metro: ¿Te atreves a escuchar? En este episodio de Insomnio, junto con Julián Huergo, exploramos experiencias escalofriantes vividas en el metro. Desde apariciones misteriosas y entidades extrañas hasta voces inexplicables y bucles temporales, estas son las historias de terror que te harán dudar antes de subir al tren. Prepárate para un viaje lleno de misterio y fenómenos inexplicables. 🔔 ¡Suscríbete a Insomnio y activa todas las notificaciones para no perderte más relatos de terror y misterio! ¡Únete a nuestra comunidad! 🔗Host:  / fepomx   https://x.com/fepomx 🔗 Redes Sociales de Julián Huergo: https://www.instagram.com/julian_huer...    / @julianhuergo   Síguenos en redes sociales para más contenido:  / podcast.insomnio    / paranormal.insomnio    / podcast.insomnio   👻 Comparte Historias, Memes y Evidencias Paranormales 📝 Cuéntanos tus historias: https://podcastinsomnio.com/ [e-mail] ✨Grupo oficial de Facebook:  / 548487930178860   💬 Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx 🛒 Compra Merch Exclusiva aquí👇🏼 store.podcastparanormal.com/tienda/ 📧 Consultas empresariales: [e-mail] #Insomnio #JulianHuergo #Fepo #paranormal #MisteriosDelMetro #MetroCDMX #EstacionesFantasmas #HistoriasParanormales#ParanormalEnMéxico #FenómenosParanormales #TerrorUrbano #RelatosDeTerror #MisteriosReales #VocesDelMásAllá #SombrasEnElMetro #LeyendasUrbanasCDMX #ExtraterrestresCDMX #SeresDeOtraDimensión #TerrorEnElMetro #EstacionesSecretas #YouTubeParanormal #RelatosParanormales #TúnelesSecretos #CosasExtrañasCDMX #MisteriosSinResolver #TerrorMexicano #MiedoReal

Very good days, tards, or noches. Beenvenous to a new new chapter of insomnia, in where we're

to narrate the most terrorifices experiences reales of the audience. So, listen them, if you're atrebe.

In this occasion, we've been an invitation very special that's that's out of this

out of the show, Julian Gwergo, how you know, my man, thank you, thank you

to be here, with much guys to hear stories of terror, to tell stories of terror and to

share experiences and to share all these cases that not don't have they're in a question.

They're not interesting. Oh, and before we know, I know that many people, well,

obviously, you're going to recognize. Even even even in the voice, yes. Yes, I'm

Julia. But, this, we can say a little to you're doing what are your

social? Yes, Yeah, I, sure that is my Reeds Social, what I'm most I use Instagram, which is aroba Julian Guergo, and in ex I'm like Julianne WERgo.

In what? In ex. Ah, yeah, sure. Ex-Twitre. Yes, I'm sorry. And, nothing, are the redes social that I use,

I'm an actor, I'm a conductor, and my ultimate project that never I've ever in the life, but the casualties and causalities

of the life you're putting in certain circumstances and places, and I did a reality show of supervivency. And I'm

Yeah, me, I went four months to the jungle. I was there. Passed on things supernatural. There, if I could tell you something of Survivor. Ah, yeah? That's it. That's not quite.

Okay. Before that we did we, then, the theme to the people, do you? You know, do you? Do you know, what, what is that like

so strange or terrorific? Well, yeah, of entry, to be in a jungle abandoned or in a jungle, without a jungle, it's all,

a reserve natural that's protected and not can enter to nobody, you just to be a little, you have

like with a sense of a little, when you're in the night, when you're not just a more than you

do that's that's a sensation, that you're someone who's someone that's a great, and the

magnitude and the sea and the self and all the place. There's no years

you can't do you, and you're just to do you, to the incoodication of the little bit of

the little bit not to do you to be to be comfortable. But, I mean

me came various times of the tribe and in the ultimate in the last campment, in the

last refugue that's there were things raras, if it was a energy

and the nights, so I had all all the night of the time, I

remember the time that I was, I'm all I'm all all right because

do you know, because there's a h'n't a room a little a

little bit and, you know, and then you and I'm and I'm sure that's about the time

we're doing the hour because no you know you're not way to know the time. So, they're going to

move the ramas at the ladito of the campament and so you think you're that an animal could be being moving

for there that's coming because it's that there's refuging of the jubes or maybe, but not they're

animals. So, Also, also you know when a when a sound when a sound move a

little the eyes, the pisadas that are a little tenues, but you can't know that's a

animal. Here definitely we've moved all the campment and if when we did we

that's going to what's there's there's in the people, that's that's

that's you're going to because you're doing those we're in the team the people, and no

there no no there no there no no no there's no explanation of that

that had made to a scarce 40 centimeters of your head or your

head or your food. The food was mordisked and trossed also

we'd to put it to look not a sariwea not we've been not

not not for so. The people of the zone

that not are people people is people but that has more

more more they're they're the can the can't

you can't no, two rebanadas or baguettes that you guardes that's

in a lot of down to be in a bit of a distance one of the other. Like if literally? Yes,

like doing morusas and eventandolas all around like if you did it an circle around the campament.

You say a kangrejo he'll get in the same place. Sure, it's not

the petacito. Or it or it does it like a circle perfect. Sure. Of morusas.

Of morusas. So that that was like the first the first time that we said it's a little rarrow

that's that's things in the night. And when I felt a real a day

something, I was when me pared to the morning, it was normal. No, you know,

you're not, you're not be a time to the time here to go to go to go to

and I remember just that I was doing the the bathroom. I started

the environment and I heard the very much like he was going and you

know, you're in the bad you're what? Nobody. And as more you get you

more obscurity you see. And the light of the light of the luna not as

enough to know what is what is what is what is I'm clearito

how someone was about in the jungle, vying to see him

and I'm observing me and I'm and I'm I'm I'm going to do what I'm to do you

know, I'm going to and I'm so much of my time and no, I'm going to feel that

sensation in that campament specific. Wow, you to what you do you there's there's no

there's no I'm a final, I'm a person that is that's there's a that we're

that we're not we're some we're not And if I I'm like a paranormal,

something that we can't maybe be, but that we can't be because there people that we're not,

we're not, you know, for example, I'm a person sensitive and not I like to be a person

that I'm like, I don't, I don't know to be doing this. So, if in that moment, if I was

that not was not a not even a person or not, and nobody, that if there things raras

that were that were an explanation. So, if it's so, it's always a lot of

you know, it's a lot of you know, there's a moment in those your, your night and your son't happen

and so. Yeah, and the man. And locochon. Jolol, is that, also,

I think, I'm also, I'm, you know, you know, you know, you know, better me go.

Pido, a, car, and I'm going to this place, you're in a place, you're in a

place, really, you're in a naturalness. You're exposed totally. And not you have a interrupter, no,

that's not, that's about what's going to, what I'm going to what I'm going to I'm going to. As you know, at expense

of all what that's going to in the moment. Fuf, what's a baderality. And, look at how,

many things that attribu us to a sudden to the phenomena paranormales, in reality is that the

phenomena are the phenomena are things, are the thing we are the body is, our,

our biology is designed to enter in alert. Because justly, for the intelligence of human, you say, no, me is observing a kangrejo, no me is to

an animalito of the cell. I mean, no, I can't see, but there's a thing that's active, that I'm saying, take much careful, because something that's not, something that can be dangerous,

maybe, you're, you're observing in this moment. It's something that is something, no? Yeah. And that's not in your hands, nothing of control.

Nothing. Yeah, that's what that's what in that sensation of alert constant. Oh,

oh yeah, you're just you're from the city of Mexico? No, I'm no, I'm not,

I'm in a Puebla. Oh, I'm in the city of Mexico the same years that I've been in

Pueblo. So, yeah, so you're half of half. Okay. See.

See, we did we a, a chapter but for a night for a normal justly of

this theme. And there there many people that were to have to have to

with the metro of the city of Mexico. But not only only of the city of Mexico,

but you know you know there other systems of the landers in other parts of the

world or even in the part external. I'm you're going to once, saying that is the

time. Of the the cell we're going to the other sea to the self of the

exact. You have been you've done some type of experience of a

kind of paranormal or in the metro? In the metro? Fiatette that I'm

in first man, no, but I've heard of I'm in a friend

that's that's that's what you're that's because yeah, it's a place that

during the day has a lot of a fluency of people very great, so there

an energy like for the prisa, for the people that out of the people who

go to something always there always an energy very very but in

the night when you that that energy that is that's that's

that's that's perlubre, no? So, and just the story so, me told a story of one

that you're going to start the metro and I'm and I'm, and I'm experiences with family,

and with people in the nights in the city of Mexico, in the so. So,

so I'm told a story of a familiar, so. Do you those can't

get? Yes, yeah, yeah, yeah, well. Well, this chabob,

just we were that was that was that said that's the He's accorded

a story of the metro because me you're the with what you was going to when he's when he's

going to be the thing, he's going to and then I'm talking the story of a parent of him that he

worked on the intendent in the metro. So who better than someone who has been

a lot of that's super hours to be in the metro? I said I remember me, I'm was a man

he was a time, I He was in the horaries just. He was closed, he was sentraved the car, he had a limpecies of all the spaces public, banos, boys, banos, and thenes, and so,

so, so, so, so, go to his house, and all right, ten hours, of work. And, of a time, he goes to a normal, he'll, he has his things, go to the locker, his robes, his mochila, blah,

so he can be, aghra, all, he goes, all. go to the baby and the little all normal soo

whatever something of the days and he's out of the man of the

women's that he was he's the and he and he's novedades normal but he

said when he was about to get to about cubicle that the

the last cubicle was was so because it's because it's

now like if was so it So he did very rare and said,

to see, to be a bit to be able to go to be a soundarious a reasonably. Toca, intent to open,

it's aftarer, well, to talk a little more more than, so he isom it and in the moment that

he'll get to be to down, of those feet, desnudos. So, then he's

to be right and not on those of the feet normal, of a person adult. In those feet a little more small. So, there's still you put more alert, no?

Could be still something more complicated, a little, a little, a new, a man. Who will be there? Well, then, grab the tools with that they have to open those banos because they're

secure of the other side, open, open the door, nobody. So, so, so, he's a lot,

I mean, I'm not I'm imagining things, I just, I just I've I'm a little

Yeah No, no? Yeah Yeah And he And then He'll be the Curve the

Curbts for if if he's Enderza if he had changed to cubicle

Nobody Yeah Yeah No No No No No

So, So, And when He's When he And when He

He He's The Refle of A No a little

about seven eight years approximately without the his

feet socius like his camiseta black a black

the pantaloncitos and he not he can't see see well to find

a little to how how is the man and he looks

to be to be actually is so sure but there something is a lot

much to the attention and are the eyes that's not he a pupilla not he

he was like the color of the eye he was he was he

he said and he he's like it was a cataratas like a person with

a person major that's he's he's gris gris the eye

piring black frio he put when he was when he was

he was that was a little that was a He said he said he's quite passmado

and he know, so the first is like so so he's so I'm so I'm

know this not so I've been working a lot of years, a lot of time and

yeah well still he's lavando all the time all the

and it doesn't he never to happen so then it so he's

he's he did it's like it's like it's like it's like it after the

time the same he's still he's still and then he said he

now now I'm now I'm now I'm now I'm so I'm

something something a or not he's or not he said now he's

now I'm he's I'm so this incerted man can't be in my and I

feel I'm I'm he had worked to pass. So, he's at the

same door and without a single, no, nothing, nothing, it's,

it's all a little. Yeah, his head was going to be like, I'm, I'm

imagine, things, yeah, I'm, I, what, yeah, what's,

yeah, he's going, he's well, he'd be the world, and when he was,

he was in the door, the door of the door, the door,

the The same little man. Parado blockading the door. So there

is he, the other so there now he was a real he was a man, the

same little un-ascalo pantaloncitos plurperator blanca, sucia and he also too of the

face of the eyes, there's all being to be it by not not be

a reflex by saying if I'm not I'm the entire the entire the environment

also the He was He said He said, he's free or if pesado. He said, he said, he's not, when you're just rigid, he, no? When you're just very tense, that you just to look because how he was to have

to have to be to be a job. And yeah for that he's he had

to be to be a story to the family the family the family in the

part of the they they're they're they're well but the job

preoccupated for the question economic and all they're they're

to come and then he he's he and then he he's

with a he had a many a person major that was

also working many years and he he said I'm I'm

this I'm this, I see the other and then then there's

the other person said he said in this station he's appears

a little but has a reason the story

says that in a manifestation that the people that

went to the person was very very about

of people and a woman I went with his and that he was in that moment

between a lot he said the story said that the she was she was

she and that never he never he he and that after the

time the but with signos not of no of violence but like he

he had been in the multitude and he had had

he was the face lastimated he the was the

cooieto, was a lastimed, the eyes were also

were in the and that's that's in the back in the back. And that

always was was looking to the mom. What this sir said that

never heard, something of the little but the person major

said that he was and that he was not grittable but when

when someone he was he I'm saying, I'm

I'm my mom. And that was the only that I said.

So the explanation to this was that was, that there was a spirit of the little of the

little to get to his mom that he had had been Oh, what, what anecdote?

How you're going to your house with that that's that's that's that's

that's poor-e and the and the daughter the perdida and

seeate how there a lot of stories that are like similar is in the metro of the city of Mexico

because it's certain, there's a lot of people, and a lot of the people that occur in accidents. Yes. I mean, I told to Mar, Mara Riyaga, of a little, that's when you're, you're like, you're like, you're like, to the station, he says,

me can, I can, me can't, my starrar my aguettas, and, well, is a ninaita, You say, yeah,

and when you aghachas no he's so you're so it's like, it's like

that's like the little to solicit help of but that's like in a a buckle. Like in a

bookle so they're like they're and repit and repeat and repit and they

they're going to go to get to the and he can't get to get to

the she trapped. What? What? What's that's completely.

Oh, I have, this, well, if you do you think you could be

with the stories of the public and I know, but you're going to say

something, there's there's that they have made that they not is paranormal.

Okay. But, or, so, so, so, but no is.

But it's very, very interesting. So, all, from all of the point of physical. Okay. Because I'm

sure that the people who have lived here have been some of the lights very strange in Tabasco and they say

that's an news a terremoto. So, then the people, me, I'm saying,

me, we're very nervous, you think you think that I'm going to come? At the 6

the morning. And I say, and I'm about, 7 of the morning, pardon.

Me they're to make the notice and I'm put it like to revisit, no, that that

that's that it's a problem. And then the psychosis collective. The

thinking that the city of Mexico, I don't temble. I don't tell it. But that

he could to be able to be to be we're just we're just we're so we're

so. So, this history not is of those that I want to

tell but but I'd like like let's as the,

as the Correo Electronico because I think it's very interesting. You know, and after this we'll start with

the stories, this story, this story I'm going to put to a name Barcelona and we'll send our friend

Jenny Diaz and us and us say, hello, Fepo, my name is Jenny Dias. I'm

Salvadoran but since a few years, I've been in Barcelona with my little

my son, but this not suen like a story paranormal, but you I'm sure

that what I've that I'm an experience aterrador and you know, you know, and you

get them and you're going to be in the first of the day. I went in the metro, when the

train was just resolutely between two stations. The lights parpadeer

one and then they were all they're the first information that we

did it was that there was a failure elicic a cable to

be able and we had to we're to it was repaired. It was something a demora

of routine. After some minutes, the reds mobile also they were to function. Without signal, without

data, no application cargabba. The messages not were not yet could do or receive

calls. That was what really started to put us nervous. Passed 20

minutes, and then 30. The wagon was still completely obscura ,

a penest illuminated by the tenue the light of the cellars. The air started to feel to becied. Some were trying to calm

the animus, but it was evident that the majority was entering in panic. I was I don't breathe.

We came down the cabin of the conductor. We found we're trying we're doing, he said, he was

that it was a level of the Union European. That we would be that would

get to get to the operators to to escort us by the way to the

station more near the but the and the voice and he didn't know

I'm sure that that was going to but I'm that it was a moment

that something that was not a not a not a pagon and if

was it was a attack and if something was that was that was

not there there there was there my he would

be to No could move me, I felt trapped. Every time that someone had been a sounder like a lot of

like I'm trying. I was to know how much. I was trying to try and tried to calm me but I was I was gonna

hear that I'm almost a hour after someone gritted that the people had had gotten got on

in the field for the tunnels with lanterns in the hands we're we're in silence like if we were coming

of a cave, one behind of others. Some of them in arms, others resable. Nobody had, when for fin we came to be

to the street, what we've been more disconcertant. Chaos total. In the the street, the air

olia a humo. There were people who were very assustated. A woman was the names of

his children between the multitude. No, there were some There were some autos inconductors

in the avenues the news had the curtains had the was like the entire

had been had been the reason I'm I'm going to get to my house

was about was being but nothing me prepared for what

I found the door of my house the door

principal was was Nobody responded. In the kitchen, the plato the almsuels

were on the table. One of them had the stop at a middle terminal. All right

said they were a form repentina, like they had been to be to think,

me invading the hysteria, I revised every room, I'm I'm by the

windows, I'm again, I'm never, the cellars not, and

hours after, when I had been I heard of the point principal. It was my

family. They'd get them and they're being in a lot of I'm just I'm just

I'm sure I'm had to be attended by the services of emergency me said they're

I'm a collapse nervous for stress agued from that's that I

don't have put to put a on the metro only just imaginear

it's not cause a sensation immediate that the air is but the worst not

the night's I'm sudden I'm convinced that I'm there about,

I'm I'm in I'm in those and I'm in the bad I'm always think I'm always a

illusion and then all the all of the always I'm thinking that was a simple failure electric but

but it what happened that the day had a griette in my mind, a grietta

for where every time would be to coelars the terror and the

psychosis. In the 2007 there was a apon was a Apagone of Barcelona, but not

the only. 2007, 2011, 2021. They've been like seven apagones grandisimus.

Always has said that it's due to failures of light tension that's that they can't,

but in this occasion, what she had an station electric had

had stalled. And the people in the chaos, that is one of the major

terrors that's there. No, there's no, there's a signal telephonic.

The lack of communication, no? And you are in a place where, for example,

here, any movement a termo. Yes. But there atentados. Imagine

to be to your family and you don't have to contact those. You know,

you're in your house, the door the door. Now, Now, now, so,

like, like a little, no? Like a movie. And what is

generated in your head in your mind. Because you keep in uncommunicated, no

you know, you don't get to your house, you know, you know, it's a

thing, I mean, it's paranormal. No, but it has a suspense and

really a history psychological that that you generate that psychosis and that

attack of anxiety of severe. I'm, I'm I'm I'm

trying in anxiety when it was No, no manches. I don't want to think what I'm going to do is, too. Totally.

That's right. Totally. Totally. Julianne, you talk, you know, to open the stories. This story is called, extrano, passage. Okay. Is anonymous?

No, no, no, we're going to sender, now, so, the name, but, well, it's a story. It's a word. It's a good. is a chab, we're a that was a from the 6, 7 of the

hours, or areas that in the city of Mexico are in the city of in the metro at the 6 of the morning or at 6 of the time and you're going to

get to people because they're because they're going to their houses of regress so there's people always there's movement in this story that went

that in the line an orange. No if you know you know you. The that's

the barranca of the Merto to the Rosario and that the city

and that's he made that's that hour not there not there never there's

well he said well he was a matter and he got to

get a a lot and I get in the point in the we're so

that I'm soertudo I'm the day of my the good entered

the metro, because no, there was one or two people in the anden, nothing more. He gets the metro and he's up. Tampocoe there was a

little. He was there. And what you normally is when you get to the metro because no you have much to do you know,

you put to observe to the people, no? You know, to be you know, you want to be because you're insured

to be sure to be sure, you're in what you distraes maybe. Yes. So, so he put to see, and no he saw a little bit,

and a woman with her other people more at the front, but there was something that's something that's been that's normal to see,

ambulantage in the metro, or of a point people in situation of the street in the metro, that's

they're that's he's he's a person, sent out of the person, vestido normal

but sat down in the front of the signor and the man and said this person no I don't

I don't think that's indigent because not she was without without without so like

like it was like that was so he he called much the attention

and he's put put attention in all the aspect physical

of this person he starts the metro and and

and then he's not things rare the sack disheeing

and it's a normal but he was done but he and the

pantalone as as unarrugated arugated and sopats soci

and so he was up looking the the pantalone

the sack and then he was the man he was a man

a man a with a barb, much, much, much barb. And an expression very strange, like, for certain moments,

like if it was like if it was a little bit of the eye rare, and I saw the little, and then so it

was incomod. And yeah, he put to see the little, and the little, and the little didn't see to see

to see a man, he had a man, then he was to looked and he would be a reuco,

and the the senior's he kept up being more like he he was going to like he'll

like he'll tell you to do you know, then you know you can't you can't you can't

do you know, so you know so you you're making you make some you know so much

a lot so he's and the man he's more incomodo and then

then right, tranquill. No, no, I was the cellular. So,

no, he was there was a single and the man, so he was so, so,

yeah, a little more, so yeah, is a little, is a man, so it's a

man, so I'm so he's getting to and I see, and so he's desper,

the signora after the after the says, is that I'm saying, is that is that I'm that's

that me makes car, is is that me is that, mom, mom, that you're

that you You'll be, and let's, apart the cellar. And yeah, he'll be the boy, yeah, molesta. Calamate, yeah, we're going to get. Well, the boy, reagania.

This chab, no. No, no, to know, he said, well, he's, well, because no, I don't defend anything, and, well, I'm going to, even,

I'm going to say, that I'm going to say, that I'm going to say, that I'm going, that, that, what, that, still, while, So,

while I was the time or was over in what they were in the

other stations, this chabwe describe the the ambient yeah with

aromas too. That's that was a aroma like, like, like,

like the basura, when the carmend of the and it would be

like a margot and and it and it intensified more and then

I was not said, I'm was the little the boy he was

made for the a little bit of the regano for the whole. I was but it was very

very fettied that's old. So, yeah was also part of that kind of the

panorama and it's an time. They're to get to go to go to

the man, the man the man, let me go, he's

he'll he's he's and then this man, he's he's

he's he's not y' but yeah with a semblance regaining surprised,

and spanted and he felt that the man he was in it's he's not the end.

The sir was a little, he's a hallones, he's The signora no did not,

then it's like to get in and he says, he's, he's, he's, the new, he's,

the new he's, it's, it's, a thing, that's only the child and I,

we've seen, no, there was nothing. So, so he goes to his place and when he's sent,

again, again, he's, sent him in front, in the piece, but now

he's, but now, he's, he's, he's, he's, he's, he's,

he's, he's a second, here. he he looks and he's going to be how, well,

if the car was a had been a little like a like a sort of a certain paralysis

facial, choico. So, and as he when it's incoomod, no. And so

he's going to start the man, lento, and to come to him. He's said that in

that moment frio, the chab the child who is telling the story that he he was

he was he was he was he'd be to be a and the and the and the

odor of the of the fervid and the and the

more he was it more olie it less soported

the the moment it was so so I saw so

I'm to but it nobody more I saw

the people that people that there nobody react

there was that was very the the odor was

insupportable and then with much fear only he kept impacted and he he gets a

hand the arm and he he's and he he's like trying like

and car and and there I see a calamber from the talon

of the foot the crown and a and si and si and it and

the cold, free, free, all the calamber and only he's he's a person

and he says the word altisonant I don't say not I'm going to say the words

altisone because with you're saying that's manso reaction this this chab to try

to try to try to never never knew that was what was what

he lived in that that the line naran only only the only the

and he could they were they were they sentil no the woman that

was in front and nobody nothing. God. God. But even, I mean,

I mean even they're still, that you see that you know, that's so? You know,

I'm like, but I'm to put a little bit to get a so far as I'm really, when you

started the story when I thought the thought that we've been to me, they're to give them to you?

No. You know, I'm a story. No, no, no, so I'm a story of a story of a person

in the line of an orange. Okay. It's exactly exactly equal, but it's other

thing. And, or maybe is the same. Or, maybe it's the same. But,

but, so, I'm, I'm, I'm, I'm, so, and I'm,

what, and I'm , wow. Very well. I'm dismayed. I mean, no, no, I'm,

because if the reaction is, you know, you'd say, you'd smalier? Oh, is that's true, no, that's the debate

internal, so that's being that's being, that's going to, do you know, does something, but when you just you're,

but when you're, no, and that's, that's, what you're saying, what you're, you know, you're doing,

you know, so, no, no, no, no, no, no, no, no,

no, no, so, instantane, disappears because you know because he

says you're a person no that's yeah it's yeah

look this history this story is the last time this is another this is another this is another

the last the last the last part okay the manned our my

Claudia Serrano uh I'm I'm like much those

like like the stories that have like a I was a very, very potent when

we revisit the Correo, no? Okay. And he said, at the first of

the Correau, hello, Fepo, my name is Claudia Serrano, tal. The second has a

pedid, we'll not put it because it was a much information. Much doxio. I'm

28 years. I'm a work in this is a experimenter is real. Okay. She was in this,

in this his job of a Justly that day he had had been after

very time because he had to many things and I'm to get to get to get to

a time to get to get to go and so so that so I'm so much so I'm

so much I'm I'm going to get and the metro so it put to

up up until the top and you get to work and they and the

really that's so like it's super clavada I'd, I'd, I'd,

and he's, and he goes totally the thing of the hour. When you know,

it's super time, super tard, so it's a computer, agra, his stuff, with much

stress, he's going and he can't get to get to the metro. Literally says that

he's, he calcula for the or the time, that was the first to be

to the car to the observatory. Mm-hmm. So, and then, but yeah

there's nobody. Yeah, there's a person at one side, a other person of one side,

in the train in the that's, and simply, then, then, so, and it's and you

can't breathe, so, fh, I'm, I'm going to get to my house,

this, he'll do you, not, no, not? No, no?

And he's And he said He said He's just The stress The course The start Working,

that he had That's Canceada At the That's That's Dought in what She got a

Dormida Mm-hmm She gets Dormida And I know if T has That's

You've You're You're So, like Yeah With the Pondient

No For the Pendient Yeah She She was super super

Dormida the eyes and what mal a suitor? No, she didn't hear the last

station. And she assume that, well, obviously opened the doors, announced that

were the last time, and that was the last time, and that nobody could

get to out of but she was there was she was and she was

she was there. It's said that was all the vagon oscuro.

No. It was all the a wagon of a dark and that he gave much a fear, but no he did a fear that the wagon is to be a dark. He gave a fear that

no, I know how to confront her own own, your own own verguyen, to say, to say, what I go? I'm going to get herald the palanquita, this, I'm going to say, I'm trying to open the door. And, of actually, the idea that was made the most prudent

was trying to open the door, to come in and look at a solid. It was what was the most prudent for not

to be able to not molest to get a person. So, he's par, harras

his and he comes to see the how it can be and he could have

in that a moment a really bit a that said that he

was a that was in the backon and a

sound like what you described as a moment that someone

you're observing but but not it's an animalito it's something

something something intelligent so so he a new a new

fear it's supposed that was there and he and he

that the other side of the wagon sent in

one in one of the one of the there there there

a and And he thinks, wow, that I'm the only person that's the only person that's here. Then she

he's a girl that's like trying to get that's and like that's much work,

much effort, and trunna. That's what I was like madera, well, he said

that was like the waycitos of the woman. So, from the

dark he says in the obscurity he he says he's well he's and the

she's there and then trying to put her and then he's he's

he's to be the ascent to the the piece in the place

there's very rare and this this this she's this

she needs and the she's a gattas to to be to be to be to be to be in the soil. And she's been observing in the obscurity.

How no can't be? This, no. I think that I'm just thinking. And the senior? And the senior, I'm going to be like, every bit more rapid. But you can't be her

a woman anciana, his hands wrugateditas, his deados. Senora, Senora, I need a help. No, he contested. He's advancing.

And, and, and, and she's he's very close. And he said, and he gave a much,

much, much, and he was, and also, was in a point where, well, for the vidre,

was a little of the man was, like, immobile, with the head to

back, and he could be the rostro, only the face, when, when,

of a first, he went to the he said that he said, he gave

two steps back, in a way, was incontrolated, that he did so

that with his same tacon she were, the legs, the

feet, and they were spaghetti, per die totally the force,

and the only that could repeat in his was, God,

God my, God my, I'm I'm going to think. He said

that she that she that's when he went to the view, he had

the eyes dark grisaceous without and in the other and the nose and

the and he had a big a black and very long.

He said that like if were specifically a Navy, a quix,

or a class of insect. When she saw, it was a much impactant

and it tropee to be to the old, and the old anciana that was

about, she saw and when it was he advanced rapidly to her. He said

that she no, he was not even that was the only he was to make,

but no, no, he put the hands, no, he went to defend her, not protect, protect her,

like serrars. No, gritts. Simply, simply, he said, how she the balancor,

how she got to the and it and it was very very and then he was

a lot impressionant above of the clavicle his right. He said

that the The dolor was like if they'd enthrered a navajah super dolorous. And he said that no's dismayed for the fear, that only heard a

sound like a matter that crugia and something that absorbed and the sound of that something that something was absorbed, and

of the all of it. And, de the whole was a negative. When I opened the eyes, there were in other people

there. It was a group of medics, policies, and persons that are there in the

metro of the city of the they were attending. He said that when I opened the

eyes, now she gritow, he said he said, he said that he had

had been that had been been had been attacked. He said

that was super devil. Because in the floor there was a little

nothing more of the liquid ematical, but very a little. And I yeah,

he had a lot here, the be the back the left. And he had an

herida? He had a that the medical saider that they had realized

with a, not with a cuchillo but with a pica

yel. It was a delgado, redondo, and very profound. What they were in

them, is that she was that was very very because who who he

he robbed part of the blood. And, well, there was no other person

when came to to see her at her in the station, no

had nothing in cameras of the police he

had seen to say to be to anybody, that when they were they were they're and they're

not there other people, no, there were any of any of no,

there's no, there's no, there's only, so, so,

so, so, and that he's, and that psychologically because physically

because, physically, only, he robe a little of the same, and yeah.

Dice that says that Because then, no it's

no it's because it's being honest I need I need

to use the system of the system for economy

but yeah no there's there I'm on the

car I'm too yeah is too yeah no yeah no

it is that just as you just you just

you there there not there no there no

there is herida. But she's herrida. No, I mean, the raven the of the question,

you know, she's the she's but she knows perfectly that she did. Fuf.

You what you think that can do that? Yeah, I mean, I think had been

an encounter paranormal. Yeah, with something we can't we can't because is what

I'm saying, no, so it's very easy to say, in the sense

to say, no, well, you're lastimed and he's and he smear

I I know a a pardon that you interrompa

but a little that that has that has that

that so so that so so many that

that that concuer that can that not not

not think in that he had so there

many many many many not only only not

only in the metro, of what mal-yramed and not me refer to the women of the knowledge of occultos.

No, I'm referring to that entity that's that robes in the people, that, he's, he's,

that type of things, and that then then he'll bring a sack, she'll get a form, that's, that the

body, that the body is, that the body is, that Exactly. Exactly. But there in the metro of the city of Mexico. If you're in a place that concurried, can't, but, well, it's like to live, it, he went to, like, as to the last,

as to, as to, as a place where's station the metro. Is that even, I'd say, imagineate, when she enter, there's other people. She's kept adorned and not so, I don't see if someone has to be taken to be in the, in the ultimate, ultimate station. If I've been backed before,

So, that's the ultimate. I mean, but no, I'm to talk about after that. I mean, so, but it's to make a sound like a bit.

Yeah, like, and get it. Depiartate. And so they're the voices and all this for that you

goy's to get there. And she, I don't know that's a can't, blah, blah, blah. But,

that's a entity that could take the form of an animal that, that's a little bit of a realer

form, maybe, he did something to do something, so, too, so,

also, he did it moment, no? Yes. Because he said that there people and he was

his last remember, before before was that's, so if he no, he put a attention

but, but there someone. But there people. Yeah. That's so.

Uff. You know. You know. This story that comes is very interesting because has a

little this sensation of, well, because of fantasy or of something or of something

too, because not it's like a story of a need of not is of something that

but is of something that has to do and that you generate in the head in the head

to think if you are you don't, or if you're so you're so you

can't get to, to you have passed a time, you know, or

doing some activity daily that you're that's so clavowed in something you know you

do you know you're doing a time you know, or that's distance and then when you're to get to a point in

you know, you know, I'm going to and I'm really quite? Exactly, yeah. It's very

loco. A me has been so, I'm going to how I'm how I'm able to get to get to

here? And no I'm not I'm concerned to be there I'm, you know, you know,

it's like the pilot automatic of the Conscience and everything. Exactly. And like that sensation of time, space, is rarestim.

Yes. Well, this story is more or less of something. The manned justly, Edward O'Fera and it's called

the station Polanco. Casually it's the same line that I told about the rata. Yeah. It's the same line.

Well, well, so there you go. Edward is a chabob that's a job and we do you know

I'm a work in a time a time a time a lot of a lot of more specific

the palaces of the palaces so we're so now there's a commercial so then then

then he's a day that he took to work a sabb I had to get to chambiard

he was he took in his house he came he was he went to

for the time of the then the time, then you know, you know, you know, I know, you know, these chas mal, you desks quite,

and then you're like, no, then, it's like, no, but it's like, two minutes, plus three hours less. So, then I was pressionable with getting too. So, it's all overreying.

The line of naranja, as a rata, it's a rata of Maranca del Murt. Then, then I'm sorry, maybe be my Coak, then

San Pedro of Pinos, went in various stations. He's subio in San Pedro of the Pinos. For the station Polanco are like four or five

stations, the one of the same. As well, as she went to the door, I'll go to the time, they're going to

to get to, they're going to get to get to come, to the metro. So, then revisa for the

people that not is from the back of the the wagons is it's like the mapita of the stations

that are so going to so it went to so it was to be in the sense correct to

because then then you go in the avion. And no, I know, I that's the way he was to

go to the thing that's to do you. So, I'm there's one, I'm there's a four stations approximately.

Well, I mean pendent, but he said that day was very the time of the velocity of

the metro. That's like no, not barable, no, not back to get a other,

that would get to one to get a other, and then was that was rare because the operators

has, no, like a code to see, a Certain velocities, for security, protocols, and all what to do you have to continue.

So this idea is he did rare, he said, well, this operator, or no, it's his single sense, or it's, or he'll try a prism. Or, who, who, who, who, who, kind of, but, well, like, it was so, it's been extrano. As he did that recorried, continually, more or less,

had medied or calculated the time between stations, and, of soon, it's, he was to be a lot It's more long between stations between the the velocity of of the wagon

or the metro and the time to get like not we were quite quite but we're talking about

more than this is this so it's so like no I'm like it all right it's all

it's it's all it's so it's yeah yeah it's yeah yeah

yeah yeah and then see see to to get to get to

a one it was He's like to prepare And then so, well, yeah is the next. So, you know, he's the

car, he's waiting, and the velocity constant that was very strange. And if you you've got subbed in that line,

those stations just have many tunnels in those there are much light and then then you're a tunnel, and then you

also, too, also, you're also, it's also because it was so rapid that it was much light,

obscurity, light, obscurity, light, light, obscurididate. and that when when I'm going to to get to

get to go to the job and everything to do you get to be the first and see that there's an

station after the that he was the I was I was I was I was I was

I was I was I was I was I was parpade or like and right

and I was so it was so it was so it was so sure that it was so that it was

And I mean, I'm going to go to get later. Well, then it's going to get the world, to do the

whole the recorried, and he got the train of the but it's so we and not

something very rare. Tampo it's strange for those that we've here. Many

these maps are or are or are not puttos or they're then they're so they're

so when when it's so when it's up just not just just not just like just be just that's socio

that's the pegament of much time and that see the stuff that's the same the same

but he's a little bit it's a station, it's a know I'm know I'm here

I'm in memory almost and yeah, he's got to go to and he does it again,

rapid, rapid, light, obscurity, light, obscurity, light, light,

the velocity, he's par the metro. And it's back, another station an adelaunt again

not the he'll go to the other way this other way this is not this is possible no you

know what's I'm going to go two two months and I'm when I'm attentive because I'm going to

because I'm I'm just my chambas all the days no no no he's not he's

not he doesn't so he he back and he and he's a person that's

there's in the metro of those who are yeah excuse because the

metro is past the station Polanco He said that the sensation that he was

a eye to this person was rarestim. I was a person, he was not so much about,

but that he he was he saw, and when he felt he, he said, he said, he said,

that's station? Yeah, the station Polanco here, to go back to those cases,

he's, he, no, no, I don't, if it's Horace, Omar,

one of this, where it's just the station, that this that this sir

he said, that's that's that's that's that's not the not he

not came to he in the he never he never he no he never he said to say it

he said not he no he said and he by up up because this

or me are making a I'm something so it's so it's so it's

so he said he said he's he he went to over to his

company this this success and that nobody does credit. That's everyone

said he was, I was he was that he was that he was he

he didn't know but he he said, he said, is that I know what I'm

I was pending that that station in that time space me

and they didn't for suppose and it's what I do you to remont

with the before the before the how times not times not you

something and so and so you can't be able to the things. But is because you

distracts or because you're very very you or you do you

doorme in that something and you don't you know you

know you know I wow I I I

consider it is possible that in some moment

for a circumstance a other to we we

can like a kind of that so some so

and they empal they can And only if for some reason

in that other reality, there's a different very notory that for you could be evident,

you'd be able to you know, that in this reality, that station no exists. So the

metro is transcurring his trajectory normal in that reality. When

it's out of the station, then it's in other reality. The same Mara Riega me told

that she is sure that was in other reality. Yeah, it's... And the same he was going to

to make a a bit of, and he was in the moment when you're going to say the you're in a camera

because there's a lot of that's a good story, yeah? It's a locoe, incredible.

But, but if it's a sensation that's a part of some people, sometimes when you get

to see a to do you do you're to do you to do a concentration or a concentration

that's a thing to be that's a sensation time to space. Look, there When we

When we started The podcast I think we've got The other podcast The podcast Paranormal We've got Like eight months,

maybe, and it was a person that we said a Panda and us told me a story of a

person. This, pardon to start at the this person in a moment he was

going to and he was to go to his his or his or he was to

get to get to the and just he that happened of that

you know, that you start to manage and the way you like mechanically it's done it's done

many times times, so you do you know that you're just the moment in the point, no?

Mm-hmm. So, that's changed something. She's did kind of

that he had been automatic because he was in other place. But when

he said the time had transcurried a minute. Wow. But, but it was more

to 8 kilometers of distance. No. In his coach. Oh, how you explain

that's that distance in that time? I mean, so, so, so, so,

did so, so, so did so did so, no, so, so, yeah,

who knows, what's that's so, but I remember much of that story,

because I was because I knew a little there's there, there,

there there, an explanation more, be doing to do. Oh, And so, and it's interesting the story. in a Meet and Grid, he came, I remember, I remember, this, a, a cloutistone, like, like, a redonda.

Like, so, like, wow. So, so, that's it, okay. So, exactly. So, okay. Okay. Now now, so I'm going to to tell you

to go to see the line a little. A bit, the naran. See, today, today,

the orange was a staria. So, right, me go in the line of the seven. You know,

you'd be super spectacular? Let's I'll ask a because there people that's a podcast,

for example, in YouTube Premium or in Spotify, that's a it's it's and then

when it's in this trajectory of the metro it's if you you're in

that person that's you're in this moment in the line 7 the the

the the metro of the city of the city of the pastada

but put in the comments what you that you felt you

that you didn't while while while while you know

super important if you're have been lived also some experience referring to

the metro, I'm in the comments. Leave me in the comments. This person that we made this

story, the sign us gave all of the name complete. There's braul

Alejandro Albarran Flores, thank and it called the line orange.

Okay. Okay. Well, he, like much users of the metro here

in the city of Mexico, well, a bit he took a time, a bit

more And so, and all of what you have you mentioned, the same, no? That all those who have been many times in the metro of the city of Mexico, so that we

use we use and you know, the initials and like you, like you, you know, he, used a all the

days, the line seven, the one of the Rosario to Barranca of the Murt. There, there, for example,

that is certain, and he us comment, the story of the vampire of the Marranca

of the Murto. No, I see, but I've heard. It's very good. So,

it's a bit a vampire. No, but this is another story. But,

well, he's like very interesting, no? Tantas stories, but the you have you

have to tell, and this that I'm that I'm that's that's that's

it's a nine of April. Never never said to be to I went to the wagon,

he was a can't have done. All the like that in many of the stories that we've talked to,

he also, he was done in the wagon and he he thought that, I said, I was not

not being any other occasions had been he had been dormido, and when he was made to get a

dormit and you get you, you're getting to your station, not to the last

station, to your station. So, like there's something that's, yeah, yeah, calcule the time, no? That other conscience that was contend to the stations. And he thought that's going to

happen. So, then, the repent, he's the movement, open the eyes, and he's done of that's all in the obscurity.

So, the first thing is, no, no, no, I don't, no, I don't, I don't get to be dormied to get to get to the last

station. Surely, the train he also, he went to a lot and he was going to

go to go to have to go back because when when you get to get to you guys like a

kind of a open with a line and he's not he was he was there in the obscurity of

the tunnel was in the dark of the tunnel but the wagon was totally and

it was and they started the minutes and they started to pass the

minutes and he said no if I'm here atorado. I mean, I observe. I can't open the door, but I can observe the

next train, and very at all the way to observe the next train. No, there's nobody. I'm totally only. To the other side, there's nobody. I'm... I'm sorry.

I'm sorry. I'm sorry. So, so, he was kind of a moment thinking in what was what could be to be able to

this situation, when of the point, he started to move the train. Yeah, no, in the direction

to the that he knows what is the direction, because the ascento that has it, but the ascent. But he was going to go to the other side. He, well, he,

he says, observe at the time, and get to the last station, the Rosario. But, no, it's not a

dark, literally, the station is a dark, and it's still to the second station, and to the

next station, and to the the next station and so not go very rapid but it's going to pass and he he's kept

thinking about chispas me I'm getting dormied and he got to no way there no way

no and automatically the train so it is a first station and literally literally

he was to the first station he went to baranka of the Murto

and yeah when he when he gets it it's it's they open the

door the experience and He's back corriending. So,

he's that the fact is that he, no, he's not able to

do not, simply he back, he went, he waske a form of a car, took a

taxi, and he to go to his house. When he to get to his

house, he said he took a night a night really, because

conform he was going to go in the metro, in the stations,

not you know if it for the tension, but he he started to

do a agudo a load of the so it so it he was in he had to

get to get to be the head and he was a good night a morning a morning

the next and for his surprise the the dolor the and it the

and it he had to go to work to go to not to nothing to nothing

because simply was an anecdote that was an little

he was He'll be to get to after when when of when they're

they're going to get to get to his people, he's he's

working on a little, he's going to just about a little when

of a when of a little I'm and he the door

the the pickaporte is doing this like if someone like if someone

that's he's kept observing that when of So, it's open totally

and then the door is pushed. So let's in the pickaporte and he

he's kept thinking that he could have done the and in that moment it was

they'll go back. Hour to go to the house. Aar the things

and he goes. He's simply for him this was the moment that

was the moment in that something is a thing is present for first

first he's a little and he's a dream in his his own in his

his own he's getting to the station Barran of the Murt

where the train he he opened the he he's

he's he's getting to he's there's a little dark and he

see a person a man that's part at final

of the station, at the border, looking to the way, in silence. And he commenced to

get to and this man is there in the obscurity. No, I look to see to be, simply

is there and he starts this roydito that who who have been in the metro

of the city of Mexico recognize, as he can be coming as asercing,

yeah he's being a and he has done, and he has a

desire to do something. And he he wants to detenely. He wants to carry to this person, but it's like if not could have been to advance rapidly. And he wants to and he's a voice. And in that moment, the train passes to the

and the person brinked. And despirta when he'll hear the impact. And open the eyes. He's, is a suddening,

a vision horrible. So I would have to be to sleep. When he's going to

get in the little to be on the stairs, he's a man, he's the man looking over the

pastile. And he he wants and he want to and he and he move

if he can't, and again the he's he'll be a brinkar and

he will be to start. And he is that What's what's going to? What's the What's the going to be a glass with water?

He'll get to the bathroom. It's not it. Decide not to doorme. So, at 3.5 the morning

no, no, want to experiment that that's a thought of that day the next

is the day of that's with that his job, he's a time, he's a

day, he's a cornerer, He's a house is a agotidic is he

is made he's to do to do him to get to be down the

stairs the station barranca of the Morton there's there's that he's

observing the way in silence and he's he's he's he's

he's he's he's he's he's he'll get to the train

will be a occasion, no they'll get. The train continues and he's

going. He's going to the end up to he's over and he he's

terrible. And of and he and he move. And he doesn't want to

get to get to get to he, he's a lot of coffee. The dour

of the heart of the is spantosos to get to his job

a A Gornada complete Sale Yeah no It's not He can't more Yeah no He can more

But he's He's not He's trying To see a movie To think is what he can do

He's super nervous And he's He's He's He's And he's And he

To get At the Station Barranca of the Murt And there That's

He He's a He'll He'll He'll Govv to Geter

the train The The man, Brinka, the train is going, he,

and he begins to move to get to get to start the arms, and when he

says the first way to say the way of the first thing and he's a lot of the world

but he's he doesn't he's got to and he's doesn't and this man, he's

put in a way, he, he he, he begins to

come to him. And he now he's not he's unmovil.

And this man he's and when he, he, he, but no

he has he has a morning he's all the morning, is

he's He's He's He's He's He has his work

to say that's he's he's he's very He's very

He's Some of people that there there maybe can

help but inmediate he He He's he He's

and he says that well that will to that he's

that the In the middle of my say the suyo. Cere the eyes, he he takes the hand.

And, and then he starts to get to get a very. It's a lotorid,

assusted and he's like, what's what's what's and he and the

he's you know, you've you've got you, the places where there

has been much a lot a sometimes there people that need

something that need to He's a light and they they're like like insects

to a foco and you you you're you're I'm I'm

in the metro a man in the station Aranja was

I'm very very I'm a decision but you he's

he he he's he what I do what I do

I'm I'm I'm I'm I'm I'm you tell

that all going to be good. And so they're he's the first

time he's the first time with this world. This subject did his

ritual. He he talked to that he's going to be good.

And well, never never he was to present never never he was

totally but he said that never will never will

to forget the nights of insomnia. No, but no. And that this is real. Uh,

and as much it's like, like, like, no, so, like, and he was sort of more

information, a little to a little, the first you know, and well, yeah. But the

second, a little more, and a little more, and a little more, and a little more, and a

before. It was with someone that he could do direction, no, movement

energetic and something it's a thing because it's to be to be able to get to

like, that's a lot like that's too so you're so you don't you're

you're you're and I think the those are sometimes so vivid that if

you're just you're still you know, so the head is so hard and all the

thing your body and the brain is so that's so

it's that it's that it's that I'll Or when you You know, and you're and you're

and you're extrana to something or a person that's that's really if the mind is very powerful These situations

are rare Oh, Julianne we've got to get to the final, we're in the ultimate

stories and I and I I'm the I'm the not the better not the

not the but the I'm not the it's curious because that,

because, for those who are doing this, I don't know there's a question, in the stories

that's the way we're doing, we're going we're going, conforme we're seeing the program,

conforme we're doing that we're going to be going to and it's very for the same, to what they're

what you're going to, and the history that I'm going to have, it's very similar to the that you

know, it's very chitoso, we've at the grade of saying it was my I'm I'm confused

I'm I'm going to I'm sorry yeah yeah it's it's super it's super loco

let's it's chistos because this that you have this is name and name and

all the names and all the names and yeah so not all the world a sometimes

to to tell and this that comes is an is anonym is anonym is anonym

is the last the lastn't that what we what we've talked

that's in the stories that, that a past of not having

an order, this chapter has made that's going to emplom

a little how they're what has been or what has been very similar. Let's the first,

then the that's the next to the time. The other is very interesting that they

have like elements in common. Exactly. It's has that the stories, so the

experiences that the people, of the you know, I'm going to because nobody

me will be to be able to but you know that you know, many, many stories that the people have

decided to start to start who have those elements in common. So, so that not only

you know, but other people, also, and that is chistos and father at the

way, because it has got to get to know what you do you do you

do you do you do you know, so the stories, the things,

the point, things that are blockadas or or oldidavis, when you when you're

when you're a little bit of a little, so, I'm going to tell you, I'm going to want to be

so it's been that's been that's been inylated this way. This story is is also an anonymous.

Uh-huh. No, he put the name complete, but simply. It's called, The Spectro of the Metro. Okay. So, so they're titul.

The Spectro of the Metro. Alex, we'll just to leave it, he says that he's able to use the Metro from very small, no, that has been an

user of the Metro from the 9 years and then so it's the story when he had 9 years. That was the first time that was the

number. They were with some parientes, the city of Mexico is very great. So, then a lot of your family, because you know, you have to cross a whole of the city, or because you do a lot of time, so it's very common

that you'd be in an old group, no, in a point of middle. So, so she'd go with her tia, his mom got with her to see her, to be able to go to dinner. So, as being the first time that he was up to get to the metro, was he was very emotional, no? Yeah, it was

He'd have the mom of the man of the man of and thence I'm going to

the staculars the spectacularies that are in the metro like it was very very important. It was very

observable. This occurred in the line of the metro in the reddes in university that's like

the bird olive. Yes. Indios and not to that other point I don't see

university and indians and indians and those are the point are the extreme.

He said that I was very emosionado that was to using to use the metro,

her mom, was the transport that used to all the time, then was very normal he'd, he'd, and he was,

and he was going to get to get to the end and then, he'd be to all the people, and he, is all right,

he's doing, to all, to all the families that go to to get to get to be getting,

maybe someone, and he was being coming, so I'm, so-brendid, but, but, but,

so, his mom, so, to observe to continue to keep attention, to discover

to discover that was the metro. And in the other and in front, then we had also,

and he was to the person tapada, pantalone blue's obscura and a rebos. But the

rebosso he'd tapable, no? It was was just, so it was made

so he was he kept doing. So, he started with the And the She said that

no, he said to be there in her on the on the hand, coming to

all the end end being to down, looking to the rebrande to be so direct and

not she topable with nobody and then she was the bea the bea the bea

and and all getting at the end see that he's that

he's that she see then then then you

you surprised you limit of where you can't get. And that's he's he's

explained to his mom no, that you don't you can't get to get a

more than because it is a little bit and then I see to hear the sound of

the metro, the chiggido like the when he is going to come to that's that's

so that he's a thing, he's soprenn and in the instant in the way

going to pass the the without being never very very

to the bus. Pass the metro. So, so her reaction was to gritty. Your mom, well, obviously,

went to see it, what's obviously, And no there's a rastro of the signora. He says that observe and that's there's there's a thing,

the body, something of the person there. Nothing. So, it's disvanice simply. So,

that in his impulse was to go to and that's when her mother he was

he was when he he was for hegner to get so the because it

was pretty because it was a person. of that he no knew if he

did a little, because he was a little, he'd be a person, and he was to make a

little bit of a little more important and he passed. Passed the years. Yeah, he's able to

use the metro, and he was, he was, he was, not he was a general, the

sounds, the suns, the sombras that's been in the light, the

because many the game of the lightas, and the reflexes, you're some, you're,

you're some, you're, then, but yeah not nothing anything

but the but the what chistos that he is that never he never he could see the

he was always he was so, never, never, never, never, never,

never, never, he could be the the way, yeah, to be

to go to all, it's normal, explain just in the story that,

that's he doesn't in the tunnels, the the a game of luses,

with sombers and all imagine to evoked maybe those records, like, like,

so it's a little the adrenaline, the emotion, he put a bit of those ,

those people, and it's, and it he said, in one of the years he's

on the last, the the last also, he took the line bird,

volverly to get her again. So, then, then, then,

then, he, didn't, when things, no, yeah, it's like, ah, well, a, well, I'm a couple, but, well, I'm sure, but very, but very, for encemita. He said that in the night,

he's up to the metro, that was, that was, then, that was, that was, that was, that was, that's because, I'm going to be the city of Mexico, no, because no, so, because no, so, it was, he was alert. And that then, came in the cellular, and

be it, like, to reoho, how no, so moved a people, separate one, they'd one, they were to get to be,

and they'd be in the , they'd all, the suns, all, the whole, they'd be like a

person, and he's a little place, and it goes, and it's a little and he'll

the view, and he's the view, and see, and I'm, and be a signora, the same

vestiment, pantalon, the blus, and the rebosso And then it's impression I said, how many years

have to past for that that's a that in the moment no took that's

and that's you know, and that's a man who says, a chameco, no inventes things. So,

it's a six, he's got to elado so, again, and you know the, look the

look that he's up, and be and he's he's a little, with the mirada

to be the car, he was he was because I wanted to recognize that no he

could have the car nothing, nothing, and when he gets like a two

wagons he's up the car and it's there's there a bit

what he has what he he was to see to be big

and dishe a car as like if had

had been an accident a not that he had

passed but like it had had had had had

had revented all the car and he he had disfigurated and then he's what he

he's the he's the he's he's like they're the door's across

the umbral of the door and when it and when it is just he to see

to see to see that was a so it was a portal of

a portal of there disappeared and he disappeared More

ahead, he he begins to tell the story because now is a lot of after the years, he said,

well, no, I'm not I'm not so I'm a lot, so it was something real. And the

stories are, that one a woman in that line, in the time of the 90, took an

accident and they know if it was that was a or if took an accident that

was so that was a area and he pego the metro and the desvibed.

He's that he's that he's never never ever and he's going to be

the same. With the face, because what you know, because when you're a lot of

you're doing so you're so you're so you but it's he will be the life to give that

that but has all the time in, not all those the years, not all those days, but that is recurrent, that's a year, for having seen for having seen that that's never

to have seen that Rostro. Saz. You may be you that's one thing? Maybe the experience of that,

well, that, that, that, that had an accident, that took an accident, that's a very far away

to the horizon, when to him, maybe that was the moment in the that's active normally. So,

the tulpa and regress because he was going to get a bit of the area. Yes.

For vera. But at final, it has a handoncito of the mom of the mother of

the... It's a sense. It's a way, because, that could be interesting, no?

So, also, also, also, also, also, if it's, in a,

like, in a point more philosophical beautiful. The advertency. Well, it's a

good. With an impression fea of something that's not in this plan,

but he was trying to use the metro. Yes. So, so, so,

so they're also they're also to know, to be, wow. Uff. Uff.

Ah, a bit, now, I'll talk to have to I'll have to have to have to have to have done to start I hope

that's that story that's another that's another that's called loop

eternal and the person that the person that is or was an an operatary

of the metropolitan of the city of a a train a metro and that

they're a lot of experiences no of actually that's

that is the form in the in that he he, he's going to this

story, me he says that for favor, for favor, that no

is necessary to mention his name, and not is because he has that

that I'm going to get a job, because he he's not he has

there and he and no plan to never, never, never, but

what he says is that he he's he's he's he's kind of

that's, so, he he no, he could that in that he has

experimented, well, and other people, that exist panico. And that also,

he wants, he wants, yeah. And, to, to, to cover, because the

suffering, the the pain, the, all, was a impactant.

Demacient for him. So, well, he said, no you can't say my name

and I'm going to say, what is the station in the what is the station in the question.

That's, that's, when he is going to write the when he's he says that he's

he's going to say, and he's so so much that's that he he'll he'll be

and he he'll be so, so I'm going to say what is the station. Well, he says

that he this, uh, it's, uh, some, like, like,

like, like, it's like, a button and this, uh, learn, then,

it's something, uh, complex. So, well, he's a, this,

this, this, this, all, this, all, he, then,

he's, he's, he's, he's, he's, and, well, previously,

I've been, he'd different, sectors, sectors of the metro So these

These people Obviously Commented They have to With the construction of the metro Where there were People were

Impregnated With these Injections of cement For the Pairs and And of a Christian

No, he was And he He gets And you There's There's There's

Yeah, So, you To move To be You You're You're You're

pulverized. And that sometimes that's what that's what it's but have passed

so many things because he he's comment something. There are those things that are

and we know because someone discover that he was for the reason that you

want the part of the things not is that the people not so they're

they're they're they're past so there's Literally, it's a transport that's used for millions of people

daily. Yeah, it's a lot of, and there are millions of stories. Milles of stories there. He knew a much of these stories. But when he gets, yeah,

to work and commences those first days, various of the operataries he says something that he thinks that is a broma. He said,

you're in that time. Yeah it's complete the

future. If ever you see a woman of the sweater beige,

that you're to be to be to get to they're to be to be

that's not not batata because of a of a moment, it's a person,

how is, how is that that's that's, the woman, and one of of those other people

he said, there's a woman, you're going to have you have been the head recogied,

he's that's normal, it's like a feldita and has a shirter beige. Of course,

it's like he's like and it's, but there many people, there's many people, but there

you'll you're going to recognize. You're going to you're going to and you're going to and if you have a bit of because you're

to be afraid to someone. He's like he'd just like something something like something like that's saying for,

that's that's not to doorma for that not he and so he was he was he

he was a and much of the stories that he said that not all are that are

not all those are there are stories that he says well, the program is of things paranormal

and fantasmas but the 90% of the stories of the metro are of things very feas that don't have nothing to

this. Very feas. So he had and obviously he was and he was getting to

get to her husband and he's a lot of a lot and you know so you know I don't

me countes for favor but he he was very interesting and he he had and he

He was told and he was literally that was that was his time to talk to get one of

those days that's that's that's that's that's he's not that

is that was that was that was like I'm not seeing the telephone or

something but not so but simply normal like we just he was

doing his work and to one station to other, and

it was like in a mode automatic. He had this preparation, but he

was like in a mode automatic. And of he was getting a station

and it was like in camera and it was a man. Between the

people, there was a woman with her with her suitercit

beige that he had got to here up with

the cabello, amarrated, recoged, here, with a ballita, and she

he was to be to him, directly to him, and he brinked. And he well,

you're going to get to you're going. If you're you're going you're and you're and he

said that he's he's horrible, but no, I don't hear

there, there's there the wagon so. But it's And he was

And he was And he was And he was in shock No, he didn't Anycue He was He was He was really

He was He was He was over the People Well, What was The people Etcett

No, it was So, but no PASu Nothing. No Nobody Nobody

Brinco If there Fora Nobody, No There was Nobody And no

No No, there was nobody. But he was very, very nervous. And of a moment, he did

a point of that he was getting him. Sure. All right. All right. Because he distrago. Well,

well, in this moment they're changing and other person is a train. He was very nervouso.

He was they're apart and they start. To be be good. He's They're

Curemberg, you know, the routine? Yeah, and he He said, no, of I really, I'm very I'm very well, this. It's that I'm going to

see a woman of Zooterbeche. Higle. Yeah, that's the year of the year, how that

that time of the year? The loop eternal. The woman that always she's

in that epoch specifically. In that specificly. And he said, tell me to what you

referes. Tend much No, you distracts. If you see, you're

a bit of he's he's he said he's he said he he said

he said he was he was super atent atent like never he was

getting on the station and it was too he was too

he was he he's he decided he's he didn't

know know, but he's he's called the whole, he was a vision,

and he was put and he kept impacted for the yeah, and he

said, the advertency real, the woman of the life

no, not is there to start to you, apparently to and if

you see, you see, someone will to get to

I never I was back to continue. Because I know the

woman that's arrojorn. It was my husband. No. That's too.

How do you how are to be in to be looking, you know, like, as you know,

like, what we say we're of these phantasas these spirits that are there to

say, and they're to say, and they're in this story and they're saying that

someone to be going to Although you tell what's and that's a time of and that's

never you're never you're never, you're not your spouse. It's that even imagineate,

it's very very rapid, the city is very rapid, is a people, it's a

universe there in the and all the information that he was made from his house

with his and his husband all the all that he'd She gave wiltas

also that information information and information she was to take that decision. No,

I've been thought. And she he said, no, you know, you know, you know,

you know, you know, or maybe a victim, no, or maybe also, or,

but what is some possibilities or probabilities that you to take that place that place in that

moment with that person? For so they're that this woman

advier. And who was that woman. Cabra. Who is that woman that advert?

And why advirte? And why Ableton? It's a event. Exactly. Imprescent.

It's impressive. It's impressive. Yeah. If there some stories there, even I've seen videos

of people that in the vaguons after the final and it's there's that there

there's when they're to grab there, there's like a casetita. No if you

have seen that is very, Well, I think it's very famous. There's like a casetita and it's someone. And it's like, no,

I mean, oh, is that I'm sure that I'm going to, no, no, no, but it's clear, stichito,

it's, no, what, impressiveant the metro, no? The quantity, as you,

you know, the country that recorre, what we said to the amount of energy that's accumulas, and to be

upriver, and energy too, because it's a that's a place that's a place that's

exactly so that's then so it is a little that's an energy that the vibra that all back

that the decibeles that's in other can't and all you'll add that energy

so uh there they're to turn to those they're they're all they're they're

there's there yeah yeah yeah there also there

there there there no no no no there no no

there there there there Yes, you have lost a lot of many, a lot of people.

Yeah, so, yeah, so, and like this operator, no, so what we

know, is the point of the iceberg, of what has passed and pass out of that you.

No, well, we need, let me get there's there's a commentaries, please.

Hey, so what I'm surprised, I'm surprised. I'm surprised, I'm,

so, so, so, but, what, what, what, what,

you for to tell the stories. My good. I'd like to do a little more to be a bit more to be more. With much

no, man. We're notherstress. I'm excited. I'm kind of. Yes. Thanks for the invitation. Thanks for the recitement.

For the opportunity. It's great experimenting things new, to talk with people of things that not you do all day to day.

So, thanks to you the past incredible and that these can continue. That's repitam. I'm happy too.

Yeah, I'll say. Yes, well, no, I don't do you go to yeah, yeah, yeah,

we're going to super, super, okay, so muchism muchs, muchismas to be really. Yeah,

my brother. This, I can't pay a favor sote? Yeah, I'm let you

to say to the people how to send us stories and you know, you know, the projects,

networks, places, where the people, you can't be able, so, well,

I'm, thank you all the final. I'll I remember that you can send evidence to

or without your FEPPORourable dot-parnormal.com in the assuant of the question you can put to your story and

for favor if you want to you're there are many reasons for those which one

want to want to you want to you want to come there I want to I want to

I'm that my story is anonim and if you can be the names to the

story us they say, yeah, I'm going to the name if you don't they

do you don't know the we're going to just to make them in a comment that's what they're in a commentio that's

what they're my story, but they're my name so it's that's anonym and blah blah blah blah and of a

and then and my mom me said and my mom me said, no, they're clobin in the story

and as you you say it's you're to be the end of some those data that not

they're like the question where was the station where that where's a woman and I'm like

but I'm but I'm going to say, no, no I'm going to but I'm doing it but also

you can do it in podcast insomio dot com there's a section of a tell me your story and

there's a too tutu too too rapid we can put your story now now so

so let us never so much thank you to all those thank you all those Instagram

Arroba Julian G-G-G-W-WERGO and in ex-T-T-T-E-N-W-G-E-R-G-O WERGO. And, and next

projects, I'm going to say something. This is a premisa. Spoiler, very well. Spoiler.

No, you're going to be there, but I'm invited to the last time of the

Survivor, I have to say I'm that I'm that I'm that I'm so-y-

I'm not this time but approximately not is podcast is a program of themes

abirtos of much and it's a lot of it's super interesting but in my my reddes

social I'll put when I'm going to be going to be a program to the so I'm

saying but yeah in the television or of platforms yeah of those it's

in platforms and also all the very very well It's that I can't say much because not going to be and it's been

a plasasas a little, but I'm sure that soon it's quite to get a lot of so much many people,

my Fepo, much thanks to you. We'll be approximately for here. Yes. I'm happy

and again thanks to all right to us. Now, yes, thank you thank you

do that's we're not dorm, we'll see the next these terrorifices experiences reales and you're saying let's

if they're try. Chau.