INSOMNIO - LA ATROPELLÉ Y ME DEJÓ PARALÍTICO | RELATOS de TERROR
Episode Date: September 4, 2026En este episodio de Insomnio, Fepo, Carlos "Toro del Cielo" y Saúl Hernández "Chato", te cuentan historias de terror en carreteras, vividas por conductores que transitaban por caminos solitarios y p...eligrosos de México. Estos relatos de terror exponen las experiencias reales de nuestra audiencia con entidades demoníacas, criaturas extrañas, apariciones de víctimas trágicas y fenómenos que alteran el tiempo y el espacio, conocidas como abducciones extraterrestres. Cada testimonio de estos encuentros paranormales destaca porque los horrores vividos no se limitaron a simples sustos, debido a que persiguieron a las víctimas y les dejaron graves secuelas físicas, psicológicas o materiales.Suscríbete a este podcast de terror, activa la campanita y acompáñame a escuchar estas historias de miedo y los más siniestros relatos de la noche.#insomnio #experienciasreales #relatosdeterror #historiasdeterror #carreteras😈 Redes de Fepo: https://www.instagram.com/fepomx https://x.com/fepomx 🔮Toro del cielo: https://www.instagram.com/toro.del.cielo/ 💀Redes de Saúl Hernández: https://www.instagram.com/sahb_syd 🫡 Síguenos en redes sociales para más contenido:https://www.tiktok.com/ https://www.facebook.com/paranormal.insomniohttps://www.instagram.com/podcast.insomnio 👻 Comparte Historias, Memes y Evidencias Paranormales📝Cuéntanos tus historias: https://podcastinsomnio.com/redesfepo@podcastparanormal.com ✨Grupo oficial de Facebook: / https://www.facebook.com/groups/548487930178860 💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx 🛒Compra Merch Exclusiva aquí👇🏼 https://store.podcastparanormal.com/tienda/ 📧 Consultas empresariales: negocios@podcastparanormal.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Transcript
Discussion (0)
Jose Sanchis
I've been two
months working
as a
trailer in
those carreteras
they've been
said that
he had been
to deteners
for
no reason
but that
night the
neblina
was very
dense and
was looking
with the
fronos
when
of the
long,
he saw a
figure
very little
clearly
it was
clearly it
was a
he was
so he
there just really there,
he was just a
he was just to
and he
he was
he
the
man,
the
the
he went to
the right and
he only
he said
no
welcome
to
a new
a new capitur
in where we
going to
let us
the more
the other
so that's
and I'm
so that
two inviteos, two inviteos special.
And I'm going to
to start with who
today, with
us here,
estrennating in insomnia,
our great-simmed-
our great-som-
our great-som-
our cell.
Super content.
And, well,
I'm,
I'm, you know,
I'm,
I'm really
these stories
when I'm
when I'm
so I'm
going to
get with
with a
sensation very
tetic this
night,
this night.
That good.
Very good.
Oh, yeah, my God, thank you.
This is the first time
that's with us with us, right?
In insomnia, yes.
In insomnia, yes.
And I know that the people
have paid me
have paid much.
So, it's been
saying, the media socials and platforms?
Sure, that's it.
A me can't
on YouTube as Toro DelCele
and in Instagram
and TikTok
as totoe-toro.
com.
Very good.
Muchismas.
Thank you.
Also,
Chico, Marabella,
I'll say now
because you've been
working much
much thanks.
Our great-same
Saul Hernandez, Chato, how
you're here,
you're ready to
go to get a year to
go to all the
carteries,
and as you know
to transit to a
carreterer oscura
if nobody
with who can
you can't
abrassartes.
Oh, I know
it's much that
no you know
it, but I
think it's the
moment,
you know,
you're going to
start, I think we're
to start
so, because
just we're going to
talk of that
the encounters.
You can't
decide your
social and
platforms?
As you guys
me can't
like
ZapSip and
and apart
and I'm
I'm,
I'm going to
those two,
we're going to
go to
get to the
channel of
an human.
There are some
investigations,
there are some
some capitulis
and the
evidence that
is presenting
here, our
companyor
Carlos and
Fepo,
have to
go to that
channel,
have to
subscribe
and they have
to be
all the
capitals
that we're
that are
greatios.
You know,
you know,
the, I
the episode
of the
Popocatepetlan
has a
group
of evidences
brutal,
brutal,
I mean,
our friend
Marko,
we've been
some things
that I'm
really,
very,
very appantallied.
So,
everyone
saw, in
all the
moment,
this video,
the opni
that's
that's
the
op of the
popo,
and I,
I said,
yeah,
yeah,
yeah,
is very
famous the video,
I,
what,
I mean,
I never
ever seen,
I've been
amazing,
it's,
it's,
it's,
fantastic. And apart of
some stories tremendous. I'm going to
make a super mega-spoiler.
Just to go
to go to
Carlos and
me told two,
in two capitals,
but one,
I know a part of the
story and the other
that I
know it,
sumamely
surprised.
If you
like the
life extraterrestrester,
the phenomenon
human,
for favor,
pass to
a little
to give a
world to
another
while this.
Now,
I have
a question,
I want to
ask,
I want
if one of
you have
some of
you have an
Or that someone
very,
very,
very circano
has had
told.
Yes, I see.
Yes.
A-
Well,
in Chappas
there was a
conductor
that was
a secretary
of education
and it was
a man who
was very
black,
black,
black,
and he had the
little bit of
a rogo
very intense.
So,
his appellate
was a
free man,
but it
was a
chapanecco
in all the
regular.
Ah,
crael.
Sin embargo,
he was
he was
a lot of
those people
that were
of the
people were
really, because
they'd be in Chiapas,
as like in Merida,
there are many
stories of
encounters in certain
places, no,
of entities,
of seres,
of bruchos,
of mountains,
of carterers,
of tunnels,
but he was
he was a
person a
very centered in
his work,
I'm dedicated
to do you,
I'm dedicated
to get to
people,
and he's
done.
And a
day, he
sincere with
my papas,
and they
he was
he was a
a functionary that he said,
Oye,
well, I need
to do a
town, but
it's a little
long, some
about a seven
hours of
and other seven
of the
return so we're
not going to
get to
you get to
there?
And he
he said,
no, no,
no,
no,
no, the
really, no,
I'm
to be
to be sure,
I'm a
night,
so I
don't have
no, I'm
no,
no,
for favor,
k,
keep-se,
keep-e-
total, that
they're in
a tunnel
very long,
and they
They got to the people and
all those who
were there
and they said,
oh, yeah,
why not he
not, we're
we're doing
his hospedage,
we'll buy him
and he said,
oh, I mean,
no, no,
no, no,
I'm going to
get to get,
my family.
Total,
that he,
he put on
sio and
he said,
and he said,
and he
just,
no,
no,
when I'm
he said,
oh,
this people,
no,
with his
stories,
He passed that he was managing
by this tunnel,
and,
of this time,
he went to look at
these caminets
that have various
hilers of
ascentos,
and in one of
the last
saw a woman
with the
black,
that he was
that was like
that was
that he
didn't,
to be a
to see,
to see,
his age,
he just,
he just saw
a woman,
the
he was
the pillow that
he covered
partially
the car,
and
he's
spanted
so that the
only that
was to
do you
was,
to give a
hand-aso
to the
retrovisor
to see to
and he
he's
to do it
until the
tunnel
because it was
so that
so there
was not
to get
to get to
the tunnel
and it
he'll
the
the coach
and
he's
set
so it
was like a
hour
and
without
control
so I
just
of the world,
he went to
he went
he was there
no way to
he went to
but he was
without a
retrovisory
and obviously
very
very rapid
to go to
and he
fell he
he was
two months
very bad
and the
woman
he said that
you did a
so that
that thing
you spant
and what you
know is
a
thing is a
thing
you know
you're
not you
then the
sir the
then the
sir
then the
no he
was not
he was he was really credul.
I said, he'd like,
he'd like, the man,
that's here, the chaman,
that's here, the
brother, and he
no, he no,
he was all
he'd know,
he'd be a little
more of respect
for the stories.
And if they'd
say, no
you're going to
do you, not
this, not
this,
to do that's
a case, wow.
It's very
interesting.
The most
more is,
after having to
have been
to continue
to continue,
that's,
that's,
for me,
for sure.
Apart,
I think there are elements that accompany
These stories, that's
that's dark,
a bit of course,
fiatte, when
they're in the
libramingingos of
Perote,
to go to
a Puebla,
there's a part
of that carreterer
that they inaugurances
diary and diary and
all reportable
that they'd
in the carretera,
a lot of
at least at the
night, or in the
madugada, and it was
a spesa,
that you're
that's spesa, that
you're trying
to be
people who passed
on a, a, one side to other in the
carreterer, or persons
piddling help or something, and, de
a repent, they'd disappearce.
There were many reports of this, and when
they'd get to the caseta, yeah, for
to get a perote,
then they'd say, there
to the people that were trying, oh, is that
there's something, see, that's
to say, no, my, man, is that,
that's of all the days,
here has been people, that's
people, that's put on, and said,
oh, where is, this, for example,
that's, no, for there,
come in a tantit, and disappearce.
And, and so, and so,
and that of the neblin.
Ultimately,
yeah,
backer on the reports
and the accidents,
not see if they did
something, but
it was a dayer.
Recien had
inaugurated that
fragment, that
piece of the
carretera.
All the time
there were there
accidents, and
they said that
they'd be there
people,
and they were
that over
that's a
never interesting.
Of course,
has inspired
novels,
movies,
relats,
because it's
certain,
no,
there's like
a change
in the
environment,
that in
these places
that are
very
are very
abirtos
that they're
one
one
other
anecdot
very
very rapidly
in Chappas
in Chappas
all
it's
carretta
not
for
unier
the
little
the
city
of the
tuxla
then
we have
to
take
trams
that
are
frankly
car
and
there
a
there
a
city
a
mountain
and
to
get
one
to
get a
one
and
the
people
it
and
it
not
it's
a
where
there
ch
some
of these cuevas of the
diablo.
One of those
many of those
many people
say that they're
going to do
do their rituals,
that are going to
dogeries,
and when
one goes,
because a me
get over there,
when one
goes to the
cave of
the diablo,
it's covered
of the
yearb,
then so the
way in the
one is it
is that
the other
side of
there's a
old side,
there's
there's
there
because the
people
always
always
always
I was a
man.
I know
a man
So he
I mean
He had this
This one way
like this o'clock, I'm going to get to Mexico, to a little bit of a little bit. And the people there is very superstitious. So, he said, I'll be able to make it in Texas. I mean, I'm going to work in the United. I'm going to be able to make sure. And he was on the regress of the university in the night, in his camionetta. He was subbing the mountaine
to his
house and he
said that
of the
firets
allumrable
a way
that he
was going
going to
the coveveh
the
fireos
are going
to make
that he
gotrando
the
and he
said that
the first
he
saw
was
a person
very
very
very
very
and he
he said
this
he's
he
a
maybe a
person
in a
situation
of
a
but what
what is
doing
in a
a
little
even
even
even
is
part
of the carretara
to rumbo
the
Pueblit
and
also
not try
a plier
not try
he's
nothing
he's
he's
he had a
little
but when
he was
he had
some
a
pats like
was
was in the
wosos
and he
had
some
spats
sputos
of
black
and when
he
he was
a
man
a messal
and
because
it was
like
a
very
very bey
very
very
very
deformed
like
a
a
perro. So he saw that
and also he said
he said that he said he
did he said he said he
spanned much. He paced
to the front and he got to the house. He went to
a minute of a nerve and he said, the
mama he said, he didn't even
talk to him. He didn't even talk to the
mom and he just said, well,
well, well, yeah, yeah, past. Tranquil.
You're still in the school. And
he went to my effected and his friends
they said, what you
say,
and he didn't
want to tell
he was
he was still
too much
and he said
yeah,
tell us,
what,
what you have
what you're
and he said
he was
he was going
and he said,
and his
people said,
that's a
war,
that's a
thing,
that's
things don't
exist,
so one of
you,
he's,
and one of
the first
images
that roger
to gogul
he says
this,
this is an
woman,
he said,
he went
I'm going and
and I'm in the
salon of classes
because he said
that's what
I saw what I
said,
I know how
I know
because, but
he latinast
that's a
person,
like an
car completely
deformed
but completely
ergued and
see
me
in the
carterter
and very
very high
so when I
he was
when I was
a person
in general
very,
very,
how's
very, how
she says?
Very bonachona,
very
amable,
all the time
is
sonriending, but I made
that he discomposed the
car, that me was gonna be
very grave, like if I'm
telling, evidently
something something, something
this is a story
between Naguiles and history
of the carreterer, and
it's the same of the
javlo that there in our
country. Wow!
That's good story.
It's what great history,
eh?
And what, how strong, no?
I mean, the
the,
the,
the,
of
contact
visual
with that
in that
place?
Yes,
in the,
yeah,
there's
many
stories in
that
the people
get,
the people
encounter
caverns
with the
river
subterranes,
of the
people,
the
people,
the
world,
those
things
tremendous.
Wow,
no,
man,
no,
I remember,
another
other
other
one that
was,
there
up,
up,
up,
of the
three
like lobo,
that
entered to the
house of
a person
that they were
that they're
doing.
What?
What?
He was
he was like,
well,
is that they're
constructing
of what
is of the
perote,
yeah
almost
for the
fallas.
And a
night he
had been
got to
just a
guardia,
no?
Because they
were building
part of
his house.
He said
that they're
three
creatures,
like loboes,
but like
they're like
they're
and they're
and he
started
to do you
get to do
one,
he made a
one,
baguero, like, so
they were, but so much
right, for what you describe,
it was what he said,
he'd seen.
And he said,
how he said,
like, gruniedos,
so, but he also,
but he also said,
is that no put in
much more than,
I'd know,
they'd be afraid of,
or they'd be there.
That's,
altos, so,
altos, and so,
like,
those,
these,
were a per r,
uh,
and I've heard
much of that,
so, I've heard of those
parts, no,
of the montaaares,
the question.
Even so it
It sounds that is what in
some moment
could have
confused with
these animals,
I mean,
these
beings,
like,
Lyrotropos,
no?
No,
more I'm
referred to
like,
yeah,
but I
refer to,
but I'm
referred to,
but I'm
a,
how's the
name,
this,
how it's
his
churnitas
of cabra?
It was the
faununum.
Ah,
the faunun,
just.
Just, no,
for the
thing of the
partas
and the
human,
ohle,
listen,
let's see
we're,
let's see
we're
stories?
I'm
I mean,
to comment
or more
more than
to relate to
this story,
I want to
give to
give you to
the audience,
to you
also.
It's very
easy to
say, you
know,
to be a
person,
for
supposed.
But
that person
who's
person who's
this
story
solicit
some
some things.
Solicit
some
some
some
something
and
he
is what
he
is what
He wants,
while
he's
his
story,
is of
some
is to
a
person.
Okay?
He's
like
liberate's
a
piece,
and I
feel that
has been
very
honest,
even the
manner
to narrar
these
things.
For
the
story,
is an
anonymous,
for
supposed,
and
it's
titula
the
atropel
the
what I
solicit
is that,
for
favor,
did he'll listen
and enterens in the
story and we're
going to
let's go
the jury for
other day
for
this
this occurred
in the year
or commenced
the story
in the
2009
this
this
chico
us
he said
well it
not is a
much chit
but in
that
then he was
he was
more or less
he had 23 years
well more than
he had 23
years
was the year
2009
and
And we
know
that he
from the
family
where he was
he was a
his own
but he was
he was
those who are
like
primos
etc
his papas
blah blah
blah blah
lamentably
yeah
it was
this
that many
people
say
there
there's
there
that's
the fact
of a
person
of the
abuel
but not
only
the
money, the power,
power political,
power economic, etc.
And then,
basically,
they're basically,
they're
on a way,
especially being
young,
impune,
among other
things.
Is that
there's a
party in that
other side,
I'm a
dog,
I'm going,
I'm,
I'm,
I'm,
I'm,
blah, blah,
blah,
and then
I'm
so simply
no,
it's just
no, if
me detain
a,
a,
a,
a,
patruia,
and
me put a ticket for excess of
velocity,
well,
there's a
card of credit and that
someone will pay.
So, no,
so no,
no, so no
doesn't pay
that's a
carder of credit.
If they get,
they're getting to
the separas,
at the hour,
there's a
person to get
and pay it
and you say,
but how much
you're going to
get to be 24
hours,
but Mexico,
if there's
there,
you're saying,
and no care
to register
of that you
there,
point.
He was a
man,
he was a
that form. Descontrolled.
And if I,
I don't have,
um,
we know,
this of that
he'd take a
little and I say,
oh,
my coach,
well,
I'm going to
put up, blah, blah,
or no,
no, no,
he didn't
he had a
problem very
of alcohol.
At the 23 years,
I was an
alcoholical.
And I went
a fiesta and
I was a
hogado of
a barracho.
And this
this was not
was distinct.
It was
a festival
to Kautla Morelos
and then
just simply
yeah,
he wanted
to go ahead,
listening music
and just in the
carreterer
to the city
to Mexico,
for those
who,
who don't
know they can,
there's
there's
a rumbo that's
very famous
that's
known as
a lot
where many
are just where
many people
are people
because
there are
places
of kisadels
and blah
blah
but it's
very famous
this
place,
three marias.
He
he was
going
past
more than at least of the night.
Oh,
imagineate to what
when he goes,
he started to
talk,
that at the
night,
he wanted to
get to go to
the house,
because he sent
to come out.
He comes to
the music
super-alt,
very obscure,
the carreterer,
very obscure,
when,
of a pront,
not a
mother
that a travis,
is,
that's cruised
on the
carterter,
but obviously
you can't
par.
And if
he's,
but
But it's a
Taurus
that the only
that's
to get to
get to
the ballant
and the
point the
impact
the revient
the parabrisas
and this
woman
then
muer
the impact
was super
super
very
super
very
this
no
the
the
the
the
and
he's
where he
where he
did
he was
the
only that
the
other
was that
the
parted
was
painted
of color rojo.
So,
so he
was just
he was
a bit of
a bit of
the patrues
get all
the services
and all
and they're
they're
they're
they're
they're
they're
they're
and blah
blah blah
and
they're
and they're
people
so say
they said
no I
don't
immediately
passed
various
days
but
I'm
and my
register
we
don't
live
Limpio.
And so honestly, when
I got to my
house,
I'm going to
the day
next to
I'm
I remember
that they
got on
my coach
that still
was,
well,
was he
was a
and still
was with
the liquid
hematic of
this woman
and that
he saw
and that
he thought
I have
to repair
my coach
that
He no sentio
nothing.
No,
he didn't
nothing for
this woman.
In fact,
he never
he had
been of
her family,
that had
been seen of
her
and he
was he
was going to
get a
money to
the
he made
to repair
the
the coach
and when
he
he got
he decided
to go
and
they're
going to
pass
a couple
of
months
and
so is
that
because from
the
day
two
to
he,
he didn't
he was going
to go
and going
to go and
going to
this life
of the
life of
and excesses
and in
a moment
then
he was,
he was
to take
that same
route
for the
because
he was
a
night
and he
was
transit
for this
but
that
yeah
he never
he never
to
even
he was
now
now
now
he was
going to
music
and
he was
very
rapid
when
he's going
over this
one or
and I'm
a little
very strong
but over
the vehicle
like if
something like he
had been
so that's
so what he
thought he
went to be
to be the
retrovisor
is that
a trailer
he had
been in the
part of
the back
of the
vehicle
because
he sent you
so
the
he was
to be
to be
to be
and he
there was
nothing
the
the carter
was
absolutely
basically
was
so
he
he kind of
like,
what,
what happened?
No?
It's like
if something
had been
from the
sky,
and he
had been
impacted
directly
against my
coche.
No,
he did
importance,
and he
went to
and then
minutes
after,
he begins
to feel
much
a very,
like he
started
to get
much the
temperature
and
he's,
he's,
he to put
the,
the califaction
into
of his
because it
was a
nonudito,
so,
it was
so,
it's like
so,
he
sub to
the temperature
and he
does a
question,
this is
done a lot of
times,
when you're
doing to do
your coach
or to
let's make
the volume
like to
you know,
and he did
that he did
that he did
that he
was doing
to put a
camera
the temperature
in the
vehicle and
he's
in the
part of
the back
something
what he
he's
some
are like
uh,
uh,
arenananana
the tapets
the part
of the
tapets of the
Like, like, like, what on? And, and he says, ah, yeah,
the gulp that's heard, is that,
is that there's, there's, there's an animal
here in my coach, and it's had to be like, like,
like, gulpeated against something, and
right he's trying to get, a rat, or Beto, to
know, and he's to hear what, no? And he's
is he's just, no, that's there, these
unas, these unias, so it's kind of, what?
So,
back the volume
almost totally
of the music,
preends the
light
to try to
illuminate this
part of
the light
central,
and while
it's going
and it
is like,
like,
trying to
to be
to be
and so much.
And in
that moment
I began
to hear
a
sound
a different.
Clearly
was a
woman,
lamenting
so.
And then
So, he says that now
so he's
rarestim.
Baja totally
the volume
and he's
that
respiration
agitated.
He's
that's arm
of valor,
he went to
for the
retrovisor,
he went to
back,
he said,
no, no,
this no
this no
can't be.
He's
subed the
volume,
but so
so he
did,
he,
he subio,
he subio,
he's,
he went to
the
Fiesta,
he stopped,
he alcolyso,
and he left
this day
as if
no,
it was
going to
not.
Passed
some,
some days
more,
of the
many days
more,
exactly
one month,
when I
was in
that same
carterter,
but in
a zone
more
ahead,
that is
a part
that is
a
very
inclinated.
So,
he
was there
was
there
when,
when
the
Pronto, in this part inclinable,
he's going to be
back and there's
some curves,
he's going to
start to see
that free
intense.
Another way,
he'll get a
man,
he'll be to
get the
califaction,
continue to
manage him,
but the
free competia
with this,
and he
he's kept like
like,
no,
no,
no,
it can't be,
so,
so how
it can't
do it
so,
so true,
and then
then he
He said,
and he
a
music.
And then
he starts
to hear
again,
and then
decide to
turn to
again to
retrovisor,
thinking that
no,
there's
nothing.
And when
it,
in the
part of
the
back,
sentada,
the
woman,
vending
to the
eyes.
Destrosusususated.
A
image
espantosa.
And he, when
when he sees the
this,
he's the
front,
and he's
a door.
No,
he's,
he's,
he's,
and he's
back on these
curves,
and he's
he starts,
he's,
he starts,
he starts
to gopire the
front of
trying to
let's
while the
coach
starts to
get more
velocity,
more
velocity,
more velocity,
more velocity,
and
and of
And,
of
the
current the
curbs
the
vehicle
and he's
not can
control the
boom.
He's
stray.
He's
he's
the next.
Evidentement
I've
I've
I've
so I
can't
send this
story.
No
I've
never to
take
a one
one
a lot of
alcohol.
And
maybe this
not
sufficient
to
say
how I
feel
what
I'm
for being
a
child
irresponsible
but
I'm going
to tell
something.
I'm going to
feel that the
question.
No,
no,
I'm just
not,
Totally.
Well, as
you know,
the,
the,
the jury
yeah,
yeah,
pay it,
for
to say it
in a
way,
with his
liquid
vital.
Yes.
We know
the expression
colloquial,
no,
yeah
paid with,
and
it was,
paid with
many
interests,
no,
because,
like,
it's
there are
things worse than,
the
death
23 years,
2009
when it
was this,
and he was
paralytic.
Also
it's a
story of
it's
a
enter into the
fantasmas
vengative
no?
Totally.
Totally.
So,
that's
true,
no?
And what
you
do you?
That's
frio
characteristic
I think
that
all those
who have
been in
the presence
a
a phantasm
a
a demon
and a
being a
human and
a person
that's
but
where you
don't?
It's
a
is a
really
Like if,
like if,
of a
my
body
will be
a time
every
not a
really,
it's not
a
really,
no, no,
no, no,
no, no.
So,
it's a
pretty
all the
body,
the whole,
the
whole,
all the
whole,
has passed in
some
some of
places that we
have been
that's
so,
uh,
frio,
like,
as a little
a little,
uh,
yeah,
yeah,
so,
yeah,
if,
if we've
passed,
yeah,
have passed,
there,
many,
and other
stabilizes the temperature.
I think, as
like, as
says Carlos,
that's
the moment
in the time
in the way
you have to
pause.
No is
something good.
When you
go back
the temperature,
it's something
malo.
Demonios,
spirits,
vengative,
beings of
the barho
astral,
always that
when you
know, it's a
way in the
way, I know,
so, I know
that's a
wayja digital
of this
type of entities,
and more
bet.
Yes.
Yes,
the,
the,
the obscurity, the frio, the
tristence, like all those
things that we associate with
something umed,
encirrised,
little,
all that's, no,
for different
sides,
they're saying,
pump,
pump, pump,
the nibla,
the fault of
visibility,
is a form of
saying,
we're trying,
we're doing the
reality,
we're doing
that all
we're doing that
all is very
strange,
how the
can't,
as the
same ever,
there's been,
there,
there's
stories of,
of,
uh,
of,
uh,
don't
they're
when they're in
carretta,
when they're
in a
carnet,
not they're
in this
bosque,
Cuyato
with a
cañada,
Cue
with all
point,
Ciddle
uh,
I'm
I'm quite,
my abuel
to play baseball
and we've
to go to
various,
and in many,
you're
pastas,
some,
you know,
uh,
the time of
the revolution,
all that
that was,
I mean,
I remember
that one of
them had
commented that
not
happened,
we don't know we don't know because it's
a person
a man who's
carriages that
he went to
the bicycle
not he gets to
get to be
well it
he's a
and it's a
way to get there
a little of the
same energy that
has the
flow of that
they're saying
that they're
they've seen
that the
little
when he's
going to happen
to happen
or something
that
they're not
that they're
that has to
have to be
that has
been
that he's
I'm not
I remember
well the
world but
there's a
a lot of
legendas
when I
went to
go to
go to
the time
the night
the
part of the
partied of
but I'm
he was a
time that you
know what I'm
doing this
point in these
points.
There's
other
that I think
was of a
woman that
also
that was
because something
it was
because something
you know
if it's
to be a
good you're
to have
to be able to
because it
was going to
be able to
be
but it's
put these
peter
with
a river. I was to pass over
this corrente of water. That is another
no? Or so, they're,
there's, well, the presences in the
carreterer that see
are in, like you say,
provokinces, and stricken the conductor,
but also are those
who are crossing for
that there's, there's a video
of a type that is manhanging
and there's much
neblinah and, of
a lot of course, so he
he's a, so he's, he can't
and when he prena,
he does a count
that the mass has
taped by the neblina,
there's a socavon in the
Camino
Wow, wow
No, no
I know
I saw of this video
Yeah,
but it's
like an animalito
that's like
a crosser
So it's a
So it's the type
frenes and
he's like
Yeah no
there's
he's a
He can't
run out of
One of this
I'm
I'm justed
I'm
I'm justed much
It was
It's something
It's not
to be
But of
I was
Mannehaling
And I
I was with a friend,
we'd go to one of the carretelite,
in a carretelita
to go to a carotota
where was a fiesta.
And I'd
that were things
that were in
those are very
very circling
to us.
I said, bro.
And in my mind
was like that
there was like
and I said,
I said,
you know,
that's gonna
there's movement
between the arborals?
Yeah, I know,
I was, I know,
what is that?
It was,
was there,
were some,
that's there
and those
tarantulas,
they're
to come up
they're doing
so, they're
doing so,
so,
so,
then when it's
about it,
and they're
so I'm
a movement and in
the other
and in the
dark,
so I'm
just,
what is that?
What is that?
They're
a chorro
of tarantulas,
but chorros
of tarantulas.
No,
man, mouse
there's
that's malleated,
eh?
That's-
that I'm
that I'm
that I'm
that in that
um,
um,
um,
he was
and then we're
fumando, even with the frio, and then
it was like, oh, I see the lidro!
Because it was a fear that they were going to
get into. You imagine?
I mean, I mean, I didn't even know
too much to be, but in Tabasco, the
people had much careful because, at least,
the serpients, they metian to
the cars. So, there were
various, so, conductors, that a
a repeteer were managing,
they'd get the front or something, no
could, and I'd say to the serpent
of that part of the auto.
And that there were various, when
they'd say, when I'd say, when I'd
revisable there.
I was going to
manage.
Yes.
No, no, no.
Oh,
let's see,
that you
have you
have a
microphone,
you know,
talk to tell us
in the story.
Well,
well,
about the neblina,
of the
things and
all the
story,
it's called
the man
of the
nyebla.
We're
let's
man,
Jonathan,
during.
I think
that in
some moment
we've been
going to
we've been
we've got
the carneter,
and we're
to make
let's get
a velocity,
no?
Yeah,
We know
the curbs,
we know how
that's
that's
we're in
we're quite
but much
times that
the
the
placeage
all completely
in calm
but of
there are
fragments of
this
carretera
that's
a bit of
a nebina
that's
you're
you're taking
the change
of the
light and
they're
they're
they're
they're
they're
they're
they're
they're
you
know you
know
you know
the
carter
you know
you're
you guys
you're
to
get to
you guys
you're
you guys
the
velocity is
constant.
But between the neblina,
it's been
something that's
moving.
Like something
orange,
brillioso.
Like,
it reflects the
light of the
auto.
What is?
I'm going
a little
to the
velocity.
I'm going
passing on
a
side and
it was a
person
with an
uniform
like those
people
that can
do
do
work
in the
carterter
a
maybe
are
they're
on
some
I'm
putting
a
I think I'm exceeding a
But no
I'm not
machinery
And not
There's
more
People are
advancing
a little
more
Nothing
pure
no neblin
Another
again
So far
That's
That's
that
The light
not
It's
I
I'm
I
know
I know
I'm
I'm
I'm
I'm
I'm
going to
I
I'm
What does
other
other
this is a
man
in the
middle of the
carreterra
because
it's there
no
I think
that he
had
so I'm
I'm
I'm going to
I'm going to
because
he's
there
but no
there's
no more
I'm
I'm
I'm
I'm
to get to
get to
get to
I'm
just not
I'm
still
I'm
still
I'm
I'm
I'm
I
get
and
that
never
that neblin
but
hour is more
spesa
it's
too,
I don't
see that
that's
right ahead
of me
I'm
a little
little
the velocity
look
to see
there's
another
other auto
that I
want to
I'm
I'm
go on
a
go and I
go and
I'm
going to
my
lights
I'm
my
light
I think
I'm
I'm
I'm
I'm
I'm
I'm
to get
yeah
I'm
to
confi
I
know
I
know
I'm going to
get her with
all.
Of course.
I'm
another
back a
way a
nebina
can't be
that the nebina
that's
that figure
another
with her
chelco
parado
in the
carretera
it
is that
it's
that's
I'm
that's
that's
that I'm
just
that I'm
trying
I'm
I'm
so it's
more
very rare
to be
more
people
no
no
What does
pass at the 2 of the
madrugada
to make
a media
carreterer
I'm going to
get to
go to
go to
accelerate
I'm with
I'm with
all the
150
and subient
the velocity
I'm
acelerando
I'm
so
this figure
I'm
a little
I'm
like if
it
put it
a
side
in this
moment
all is
like
if if they were in camera
lenta,
but lentissim.
The neblin
reflect a light
to the
way to make
a little
where is the
person and I
start to be
how he
is vanecing
a little
and not
see in the
hand.
In that
moment,
I want
I'm
I'm
and I
don't see
detain the
auto.
The
the goha
the
still
more
more velocity.
The
accelerator
it's a little independent
to my foot,
fah!
It's going to
the car.
The auto
is out of
control.
I'm sojected
with force
to the volent
and I'm
to try to
move it
but it
has a
life right.
The figure
kept atras
but the
auto
still going
I don't
do you
don't
get.
The
the
the fronto,
the
the fronto
I'm not
I'm
going to
the
eyes
I'm
so I'm
know
that's
I'm
I'm trying to
to close the
eyes and think
that no
there's nothing,
no there's
nothing,
the ballante is
I'm
I'm
I'm
I'm
I'm
sure
I'm
I'm
sure
I'm
there's a
my cellular
I'm a
start to make
to make a
assurator
pass an
hours
for that
I'm
to get
two lights
I'm
there's a
carter
is the
carterer
is the
carcating
they're
they're coming
they're
they're
they're
they're
I'm
I'm
I'm
something
all I'm
all
all
all the
all the
all of
all
Yeah,
my
head
starts a
little
to clear to
it,
it's like
it's like
if the
auto's
like the
car is a
little bit
and I'm
to be able to
get me in
the auto.
If no,
I think
I would have
I
had you
have been
that I'm
not something
with these
one of the
and I'm
like a
so I'm
started to
get a
data.
I said,
you know,
you know,
you know,
you
know, is
that,
I don't
see if
it's
to be
we're going
we're
talking and
we're
a mean
we've
a person
with a
chelko
a
orange.
It was
a
middle
no,
my
company
almost
we
we're
because
volanteo
to
and
when I
went
back
back
I'm
there
was that
we
got to
there
much.
It was here
atrasito.
I don't
let's
to tell
nothing.
I just
I just
I'm going to
the car.
Now,
once that
I got in
my
house,
the curiosity,
me moved
to get to
internet.
I'm going
to check
there,
that zone.
I think
that this
scalofrio
never
had
seen.
There
a record,
a note
of a
period
that
before
some
years
when
they were
doing
maintaining
of
this
part
of the
car
There was a person excess of velocity,
as I like to conduct.
And, lamentablement to one of the
workers, he was a lot of the workers,
it was a impact direct to the
piernas.
It was going to
to learn this.
I think it was a way that
me said, I had I
to have more caretas.
And, yeah, now
I'm going to work to manage,
but I think it's
do I do with more
careful
than
you know,
you know,
the fact
that he's
that he's not
he had
impacted there,
because if
a detail that
is,
if you know,
so,
if you mean
they say,
that the
not sure,
I've
seen the
I've seen
the
but in the
great majority
of the
case,
it's
certain,
no
they're not
they're
because you're
they're
like it's
like symbolic.
Yes.
Because it's
the chaleco
and no
there's,
no there
PIRNAS
And I
And I'm
And so
Again,
This is
He'd
Tohirtal
Because if
If he'd
Hasusted
The conductor
If he would
Have been
Had been
Backed
But it was
It was
Avertence
Ackle
Oh yeah
So again
Again
Again
Even if it's
Even if it
had been
A person
Normal
Passer to
A velocity
That
A
One human
And in
Mesh And
Mubino
And in
Mubina
You have you.
Yes, yes,
I mean,
I mean,
any person
would say,
I'm going to
I'm a point
to provoke a
accident and I'm
going to be a
but the fact
the year and he
would be able to,
it's what we
say we're
those that
are the
they're saying
you're not
you're going
to go to
go to
go and you?
And I
even got to
think that
he had
occasioned
but then the
second
lecture,
I said no,
at the
caro,
yeah,
I try you
a failure,
and what he
said,
you, Carlos, that
that's detubier
because he was
to have the accident
for the fall
of the mechanic
of the auto.
I said,
no,
a more if it's
like a
entity
vengative,
that he was
going to
have a
accident, but no.
But that
that's what
is the
same,
that's the same
that's the
carlos.
It's an
advertency
because you
going to
have a
failure in
the coach
and not you
to be
to be
the armory
and he
and not
it's,
but it's
are
because it's
are
You take the life
rapidissimo.
Very
very,
very strong.
But,
it was a story
so I think,
I think in a
moment
we're always
we're going
when we're
going to have
much care.
Much more
good.
Carlos,
tell us a
story,
for favor.
Very well.
This story
is called
the new
of the ropon
and us
she was
she was
called Claudia,
Susana
Rosas.
Now,
you know,
you know,
is this
ropeon?
Yes.
It's this
ropeita
that they put
to the
children during
his
baptism,
etc.
And in
the way it's
a
lot of
the infants
when they're
to get to
an
church,
it's a
ropa
a
thing.
There was
there was
something that
had no
that's
and that
was
a
costume.
This
story
was a
Claudia
Susanna
she
was a
young
and
that
had been
the
dinner
new
had
had been
to
a
house of
a
little
apartada.
So,
to get
there,
there was
to take
a carretter
that's
a way to
a lot
because the
carretera
was all
because the
lot of
accidents of
fatals
for the
people that
had
had
had
before the
time
there.
So,
there was
there
had to
other.
He was
going to
his papa,
his
mom
went in the
asient
of the copilot,
and she
Claudia,
he was
to her
brother
in the
assent
tracer.
So the
carreterer
was completely
solo because
it was
a year new
nobody
was going to
and there
absolutely
nobody.
No,
they were
not they
were
a single
a cross
that was
a two
people,
but it was
a cross
a little
feo,
it was
a cruce
a tetric
and
the
light
and the
car,
and the
he took
the car
because
he said
that
there's a
carmion,
or it's
a
carmobile
an automobile
excess of
and that
is there
is a
way that's
not we're
not there
no,
no, I
want to
provoke
an accident.
So,
does a
alto total.
But in
that moment
Claudia,
she is
a room
and he
does a
kind of a
little
that's
that he's
that he
is the
first of
the dark
is that the
night is that
the
little bit of
a
robon. And the
little bit
to make the
car in the crystal
just where she
comes and is the
only that is
the only that is
her mother
and his
parents are
looking to
and it's
and it's
and it's
that the
henito
is a
window,
it's a
ventilas
in this
moment a
an olor
a
a web
podrido
and the
no
has no
he has
no
had runcated with a
Couchara, you know, like if you had
been victim of an attack.
It has the skin very, very, very
palida.
And the little, he gets
to be able to beckonrearer.
But he begins to
make a lot, that's
a form a car.
It's a sonrisa that
a person normal
not would beplicated,
and it extends
to the mehillas,
and he starts
the head,
also in an
angle so antinatural
that it seems
that it's
disloca the
coo because his orrecha
is to talk about
his own
and Susanna
no can't
be any gritty
not put in
put in
to get to
give to
get to get in
the
garganta
that's
that the
heart will
get to let
to letir
to that
you're
she's
but
full of
panic
because
another
perceive
the
the
other
see
this
this
and the
little
he's
also
he's
he's
and it
to be to be smayer,
Sient it's like
if he was
rebutting
the energy
vital,
because the
Papa in
really,
no frened
for an
alto
this
he did
do it
a little
time.
So,
he'll
run back
and she
says,
well,
yeah,
for fin
the little
the
little bit
they're in
the distance
and of
the point
the
little
he's
he's
and he
he's
that the
the
not
the human
are
some of
some
some pesuinas at final.
And the little bit
to accompany
to come to
the automobile
but he's
a little
a little
a little
around the
carmobile
like seeing it
and he's
being it's
with the
eyes or the
clencas
oculares
clavados
in Susanna
and she
see how
the little
he starts
to be
the book
until
that the
point
he's
disloca
the mandibula
and he
There's a abyss more
here,
gigantesco,
completely atinatural.
And when Susanna
sees a gritty,
Papa, he's going to
get to be, Papa,
Pisa, Papa!
And the Papa
is spanta, and he says,
what isha, what
isha, what isa,
accelerate,
and he starts
and I'm
not even say what
is there being,
no,
can't say to
the Papa
what's going,
and the
mother says,
parate,
parate,
something,
and he says,
no, no,
so parr
the papa
and he starts
and she
a som, and be like the
little bit more
more than the automobile,
and he's aeler,
accelerate,
no you paris.
And the papa
and the mom
and the mom says,
sithe,
so continue it.
So, continue
to the house.
And the rest of
the way, the
little bit of
the child,
and the
papas,
neither can
help usher.
The papa
not can't
go look to
because he
can't do
and the mom,
then can't do
not be able to
and not even
the need
the girl is
what is
what is
what is what
She just has been
not
you can't
say what is
what
has been
that's
it's the
that's
a little
a couple
of hours
in what
super
the state
of shock
she's
she's
she's
and they
ask and
they're
and they
ask
and they
can't
start
to tell
you
then
then
they're
a
little
and the
she
can't
say
to
the
little
that he
had the
he was
the
eyes
had the
the
in casoculars
vacuas
and that
he had
a abysm
when
he disloca
the mandibula
and he's
a little
with a
robin
and with
some rupon and
with a
little
and the
they're
trying
to make
and then
there no
there no
there's
nothing
that can
calm
because
not they
don't
say
you know
you
don't
you
you can't
you
know
she
she's
a part
of that
she
Sana,
it's a few
several
several
months in
and with
fever.
Very,
very,
very, very
mal.
No,
he's able to
get
like with
delirio,
because
does
do you know
and it
and he
gets in
the night
and it
and it
and it's
to get
to be
and
again.
It's
got
very
very
that's
and the
mom
says,
well,
we're
we're
to
get to
get to
because we
understand
because you
get a
because you
have you
the
doctors
they
do
they're
they're revisited
all the
body and no
they're
they're
they're
and they're
and they're
not
we're not
we're
a attack
of a
little
and when
the mom
repas
all the
characteristics
of this
young
the
the
skin palid
the
the
odor of
the
family
the mom
says
I think
you need
you need
you
need to
you
need to
you're
then
they're
they're
they
they're
they
they're
they're
and in
when
to the despatch of this
woman,
she's a
little bit
and he said,
that you
did in the
carterer
not a
different,
it was a
demonio,
and you
quit your
energies,
you quit your
vitality?
It's going
to be a
little
that we
get us
to get us
to get us
to get us
a lot
and not
bacted
one.
They've
had to
return
to continue them
to
keeping
passing the rams of herbs,
passingle wreaths,
passing wreaths,
incisens,
all, and finally
he's recupered.
Finally,
he was he
had to have fiefres,
dejo to
have stusts
nocturns,
and he
began to
to get over
his life,
but this is
the fecha
in that she
not can
be a carterterer.
Every that
we have to
do it,
every that
take to
take a
way,
she prefer
not
to not somers
for the
ventanas
and it's
antivua
many
times because
she's
not want to
see
to see
the
real
yeah,
yeah,
totally
totally
understand
it's
an image
tremendously
aterrador
yeah
tremendously
aterrador
it
durer
it's
too
time
yeah
I don't
I don't
see if
after
something
could
be able
in
carter
yeah
yeah
also,
bestied
like for a
baptism,
no?
It's this
that are
in some
different
things that
are in
their own
they're in
your
family,
they're
disfrasan
of a
new,
like they
can't
they're
they're
and the
unoscent
and it
and they
can't
they're
the
sanctity
of the
world.
For example
the
ositos
of peluche
the
jugets
for the
people
like
they're
they're
a
aspect
tethric
the
mucing
as
enbrujada, those muycos, that are
jugets for children, are
jugues for that the kids
play with innocence, and
of that through that,
appears a thing
supermement obscure.
That's what you
said, literal, that
you've got to say, is one of the things
that I'm more bizarre, no,
of the way in that they're present, because
they're exactly in where
talk to you, for that you de
much more fear. I think all those
the beings human, always
we're trying to a, a
a little, a little,
then even
it's like these
animals,
no,
that have a
like a pecesito
of the loose
that you're
and then
you're all right
the fauses
gigantesques,
terrible.
It's also
in the literature.
And I remember
a story
that,
of each,
the entire
those stories
were the
first that
were the first
that they were
the other
format that
I was
that I'm
just about
the stories
just
and I
remember
of this
because
wow,
me left so marked-asim,
no record very well
the story,
but this chico
in his
house,
that was very,
very, very
big, very
big,
of a point,
he began to
feel that
had some
on the part of
the top.
The first
the
stairs,
it was
that was
the door,
that was
where it
had been the
house of
the
abel, and
it was a
space,
so that's
a group
to give,
to 45
grados,
and you
could be
from the
passillo,
you could
be
So he
He was up and he'd
He was up
And when he
was subing
He does
He does a
He's got a
He's a
My Abuelo
But,
I mean,
In a
Ceyron
Inro of the
Abelian
He was
He was
He was
He was
He was a
He was
He was
He was
He'd
He'd be a
He'd
He'd be
He'd be
Because he
He'd
He'd
So he'd
This description, for me is a
thing terrible,
says that obviously
no reconnocee to these personitas.
No, they're not reconnoceo.
When he's up and he's
and he's going to be
in this temblar to
get to run,
it's a lot.
There's a man,
that's like to his
abelow,
that's sat sat down in the
sillon,
observing to the
camera,
where there two
little
little
who no
have two
feet
and the
munion
just
brinkando
over the
camera.
Like if
they're
playing.
And this
man is
there
but
only is
it is
the
brother and he
when
he when
he says
he gets
congelated
and he
got the
back the
and he
goes
to come
to be
to be
to
the
house
there
the
The people that
go,
immediately
they say,
that's what you
know to
your boy?
And not are your
little bit of
that's a demon.
That's a
demon.
It's the
innocence.
I think
that's a
tap of the
human,
like for them
is very attractive
and it's
like the
and it's like
a burl.
It's the
really,
I'm
I'm a
I'm not
I'm a
I'm
a baby but I'm
I'm
manches.
And at the
symbolism
of the
baptism of
because the propone is for that question of
baptize, it's like, desafiars.
Yes.
They're just like,
so, no,
to defyar the things
like that they're,
the blasphemy, yeah.
And also,
it was very brief the
encounter,
or so,
is in what he's
that's parrower,
the papar,
to be that
don't want to
get a few seconds,
will be to rank
and in that
instant, this entity
is a person
to be a,
and not let's
let's get
limp,
trance,
after
and then it's, how to
how do you know,
he took a much work
to do that'serner, desacers, de-sacetyd, in a penise,
those seconds, bra, that's it went, and so he's
he'll encrusted, so much sabandeeha, and yet,
I'll end up a suburbation.
This story, is the persecution,
and then we'd
our
friend
Vanessa
Sanchez.
What are you
do you
do you
know if a
night
going to
make you
and they're
doing
and they're
doing
that they're
being
being seen
by ovnis.
I'm
I know
very well
the
place where
this.
I know
the
good
to be
the
thing
this
this
story that
this
this story that
not
Vanessa
not
not
she
did
to her
to her
brother Martin,
who is who is
who is
who is the
automobile,
so we can
forget,
Martin,
brother of
Vanessa,
and his
father.
But that
day,
they were
in carterer
with a
son-o.
The
sobrino
was a
more
more young,
then he
was a
actually,
it was
Martin
the
he had
been
the copilot
and the
father is
the
he had
been
been
made
because because
this
experience
was the
first
that
Martin
man
he
was
in carreter.
All right
I'll
go to
talk.
All this
occurred
the
on the
next.
Vanessa
us
commenta
that
all of
their family
live in
Mexicali
but
there
a reunion
family
in Tijuana.
This
more or
when they
after the
reunion,
being a
domino
that's
a time
that's
time
they're
to come
to the
night.
Now,
during the
reunion
the
father
he started to
and to
and to take and
he had
taken and he
he had been
and he was
he was able to
manage and
never had managed on
carretera
he was then
to get
the automobile
for that
we understand
this in the
automobile
he was martin
to the
his papa
dormido
that he was
the side of
copilot
and in the
ascented
that at
his
son
they're
they're
they're
they're
And as Martin is so nervous,
because of that is the first
that's the first
that's the first
that's a message
to your mom.
And he said,
oh, Mom,
you can't mark?
Yeah,
what's going to
make?
What's he said,
he,
well,
is that he
got to do
a copilot.
He's got to
go to get a
car to get a
car to
but we're going to
get me
a little bit
and I'm
saying,
and I'm saying,
so,
yeah,
just try to
not to go
very rapid.
So,
okay,
for you can
have control
and all you
know,
you know,
you know,
so you know,
so you're
going to be
going to be
going to advance
every 10 minutes,
10, 15
minutes,
the mom
the mark,
how you go
and then,
all right,
we're going,
we're going,
15 minutes
after this
time,
15 minutes after,
just they're
passing,
yeah,
at the 8
of the night
and at
the night,
they were
passing by
this area
that's
like the
hong,
it's
because there
some
the
pietras
enormous
that
are some
those are
those are
those little
about the
area,
no?
It's very
very
very much
all
normal.
When
of the
time,
to the
few minutes
to have
called to
the
mom,
that he
said,
I'm
he said,
I'm
with the
mom,
and in
that moment
he
was
going to
he
does
do
know
that
the
bellito
of
his
arm
are
they're
part
as
like
Spider-Man
So,
so,
hegytos
parades.
Erisados.
Ah, ha.
And then the radio,
he's called the music,
a sobecite,
that's going to start-a-courtier,
because, for sure,
no, there's no-coaches
and the way-adent or not
and he's
and after
I said,
I've got
a lot of,
so,
they're
down to
the
pavement,
over the
road,
there's like
a tenue
light
blue.
And it's
what is
this,
no,
what's
what's
because
that
that light
no
has a
kind of a
point
of the
where
it
does
a
that martin
and what
does
is that
he back
the
video
and
he's
a somer to try to
see where it's the
and by inertia
volted to
right and they
in the serro
that's a
carretera is
a pegged
a hill and
on the other
other
there's a
in the
area in the
encamber
of orbes
enormous
of color
blue
that from
that
the light
gets to
the part
back and
he does
that even
is even
is illuminating
part
of the coach.
So,
it's spanta
of this,
he'll be to
his vidro
and he
he's up
a t'n't-
to the velocity.
Confront
to get a
speed,
the point,
that that
that light
like,
like,
it's vanes,
he thinks,
oh,
that's a
so, who
know,
who's able
that was,
but
you're
after,
when he
went to
to the
retrovisor,
he had
the
light of
that the
light,
but not
only
is the
light
illuminating
but
that
those orbes
are going
and
are going
and acercating
to the
vehicle
if it
gets super
terrorized
and he
think
I don't
I can
accelerate
much
it's the
first
time is
the first
I'm
they're
they're
getting
more and
the fact
the light of
the orbes
is
that is
that is
that is
illumina
in
the interior
of
the
In that moment, the papa that was,
he was,
because he was,
he was tomado,
of a sudden,
like,
he's moved,
he's,
he's,
he's got,
and he's,
and he's,
thinking that's
a conductor
in the part of
the back of
the retrovisor,
and the
papa,
he's,
oh,
so if
a prisa,
you know,
but if you're
a car,
but not,
it's a car,
it's a,
it's,
SIGG-al-the-z-z-h-h-z-h-h-hru, the zumbida,
and he commenced to pisaer the accelerator,
because these things are pegadas
behind behind the vehicle,
and he does much more fear,
much-mied.
So, when it's there,
that, he's a lot of fear,
that no, he does not know that his son-o-oh,
his prism, pardon,
he, he's like,
ah, ah,
of that's the light of there
and he,
and he,
and he,
for the
fear that
he's
a great,
ah,
ah,
what is that
that's
that's so?
And,
of a
point,
he gets
a callied.
Because
he does
know that
that there
there's
there.
At the
other,
in the
carterer,
they're,
says that
more
or
a little
more of
100
kilometers
per
hour.
There
an entity
extremely
delgated, humanoid,
biped,
very high,
that resplande
like an illumination,
like a lucerne,
like a lucerne,
like bioluminicent,
but that
also it's like
a gas.
This light
has like a gas.
Enorme,
a head
great,
delgado,
but they're
to 100 kilometers
per hour.
This thing
that says
that's like
like a movement
is like
of an
insecto
and he's
and he
in the
carreter
with a
with a
with a
patotas
and it
and it
and
a
time
but
so
that
rare
that
literally
he literally
is
to
he
a
the
the
time
and
he
when he
when
this
entity
with
that
this
agility
grotesque
yeah
can't
can't
even can
get it's
in that's
he's
so you're
like
goodado
because there's
a silhouette
a little
a curve
a
pretty
when it
when it was
hypnotized
being this
entity
that conform
advanced
he was
going to
that
was that
stuff
that
then after
that
was
back
and then
he's
the
curve
the curve
the
does
the
curve
the
these things
are
still
pegas
but when
it's
the entity
yeah
no is a
and for a
moment
uh
he's
like a
feeling like
even the
spheres
yeah
have been
going to
go over
the retrovisor
he does
know
that that
that's
encamp
of spheres
are
there
are
there
in this
moment
the
the radio
that was
like
with the
with the
zoombid
the
first
to be
the
music
but in a volume
and a lot.
And that's
kind of,
and the music,
and of a repent
to try's,
the sumbid
and the
and the crystals
start to vibrate.
And he said
that he retumbed
in the soides
and it was
so strong
the sumbid,
the volume,
the,
the,
the,
the,
the,
the law,
that the
father had
been made
that's about,
the papa
was, the
father,
and was there
was
Between this, that you just
to get you
just to
start,
you're talking,
and when
observe what
is going to
see what he
does that
he'd be
a lot of
a bit,
ah,
a,
he's to
start the
and he's
what I'm,
what I'm
and then
and then
he's the
thing,
that is
very strange.
He's
said that he
he'd be a
his father,
the light,
the sonido,
and of
the music
that's in
the radio
that was
a song
he started
to put
like a
and the
papa
that was
grow
like
like
as
all
all
so all
was putting
in camera
super
super
super
super
and
and he
every
every
that
I
felt
how
the
air
that
he
was
he came
the
pulmones
like
like
if
were
just
and
side of a fogata and the
light starts more, more
further, more, more
and of a point, and de
pronto, when
he, will be
to enter in
see, all
the carreterer,
totally oscura,
the serros
totally oscuros,
the radio
soning super
normal,
and his
father,
no,
he was a copilot.
So, he
He detain
Voltaire
Backer's
His son
And his
His son
And his
Papa
Dormido
With a
A cobiha
That
No man
That's
No,
didn't
Any idea
The Papa
He's
He's
Ate
Bollita, with
a
covica
that
not
Peptencea
His
Sobrino
as
I'd
and he
he
he
he
he
he
he
he's
he
starts
his
his cellar
his
mom
he
he said
and his
mom
he says
hello
he
how
they're
how are
what
how
they
how are
he
he
well
why
why
because
me
mark
because
you have
passed
15 minutes
15 minutes
yes
we're going to
make to mark
every 15 minutes
oh
sure
sure
are good
yes
mom
no
don't you
don't you
don't
go ahead
he'll be
to runca
where
we're
we're
we're
we're
not he knows
the
place
no
he doesn't
no idea
and
then
He commenced to observe,
see your
reloch,
8.15 of the night,
yes,
passed only
15 minutes,
but he does
know in that
moment,
that they're
totally in
other
place.
They're at
three hours
of distance
from where
they were
originally,
but only
had been
15 minutes.
No,
had an
explanation,
simply
took a rumbo
new
way
to
his
house
they
got to
the
midnight
night
they're
to
go to
get in
other
place
when
when they
got to
the
father,
the
and this
and
this,
no
know,
I don't
say.
The
only
person, the
only person
that was a
part of the
night,
obviously the
father's
very much
truly.
No, no.
Nobody has
been
to explain
to a way
or sensata
what demons
that's
that they're
that they're
in memory.
The only
that are
that are
that they're
a three hours
of a
cobiha
that no
they never
were to
they never
to know
that
you,
do you,
no,
did it
were they
were abduced
and all
those
the
signals that
that you
have changed
of the
place
that they
have gone
in other
place
that
you're
on
the
time
during
three hours
and
two
minutes
all
the
all the
all the
signals
of an
abduction
even
the element
of the
rarest
the
that
that
that
that
partas
large
there
and
that
they're
just
always
they're
always agregan
a
little
Like the
Mewyka.
As absurd.
As absurd.
Like,
that's absurd.
That's,
like,
for that when
you know,
that's what you
have to be.
But that's
the fact.
There's a
bigantecuitous
there,
there's a
lot of the
cobiha,
no?
The
to do you?
To analyze it.
Yeah.
Where's
that's,
that's,
that's,
not just,
not more
are not more
not more
not more
a person
during the
abduction.
Like,
I'm
much free
and the
are,
take this is
of the abducid
anterior.
Things of
that type
rarestimas.
And no,
is that I
want to go
to get
ahead.
So, then
passate
to the
seat of
back.
The
people don't
have
any time
the abduction
is so
conscientious,
then they're
doing a
place,
or of
so,
so,
pass,
more
things that
in the
moment they
know
they're doing,
but
rupt,
terminate
the experience
and
you know
they're
absolutely
nothing
of what
about
imagine
when they
when they're
to record
them
they're
going to record
they're
going to
they're
to recordal
I think
the papa
he's
not
because
yeah
was very
altered
yeah
it's
he
he's
they're
they're
they're
they
he's
he's
that's
2015
is of
2015?
is of the
exactly
exactly
yeah
four of
October
of
2015
well
I'm
I've
heard
for what I
have heard
between
the
10
and the
15
years
after a abduction, is more or
less, I mean, there are
some of the time that, you know,
and they're record them as to the 70 years,
but generally, I've
seen that between the 10 and the 15 years
start those dreams are strange,
it's the, but is that,
of who is this record?
No.
I don't know if it's-you-pastor-a-me,
then...
And, look,
here, this that said,
for example, of the co-bija,
me,
me, made the case
of Stan Romaneck,
that we have in an expedient
in human,
when, of a day,
that there's a photographia
that me
is a super
extra extrana
that has a
batita
of a
woman of
color rosa
and like
if they were
on pegated
in the
naris and
he took
his mother
in that
his wife
he took
a photographia
so he
like he
apparently
in the
patio of
his
a batte
of a
a woman
that no
know who
is
like five
years
after that
in a
congress
that they
they're
you
you know
you
I know
and he says,
yes,
we're
we're in the
same
navue.
Dechch
you've
my
and I
get to be
my robes,
when they're
they're
like they're
like hypnotized
so
he's put
the ropa
of her
and she
put the
of her.
Five
years
after
they were
very good
friends.
That photo
of the batita
was the
she was the
there.
There's
an abduction
of an
Argentino
that's
called Gerardo
Scharf
that when
when he
were
a
little
he
were
very,
very,
very
then in the
of calcetine
he put
bolsas
in the
pieces or
bolsas
of the stella,
no,
of the
of the
lander of the
and the
ground
and when
he's a
board of the
name,
the
the entities
they are
that they
get the
but they
they're very
very much
because when
they're saying
okay
well you
you can
and they're
they're
and the
question and the
the centuron
for what is
well
the centuron
was a
one and
the stucererer
and the
calciettes
for what are
and he
he's
explain
but he
He said, but I don't have
money to
buy a
a centuron
a redd,
a clasettes
of a
real set of
and he
goes to
pass her,
well, the
entities that
he's
he's
all the
full,
completely
blank,
great eyes
black,
no
they're
not you
know,
four
hands,
etc.
But he
he commenced
during his
work
in the
granja
in the
months
posturial
he
has been
visited
not
a norg
bestido
as a
Pelo Largo Rubio, but
well, as a usance
of how's
the person
and this Nordico
he's a
regal to give a
food and he's
he gets a
handkeredadoes
and he says,
take some
some carsetines.
Obviously,
no he
gave a
armory a
complete, but
when he
told was that
I don't have
for some
calcitines,
here you have
some cletines,
here you have
some cinturon
things very
modest, but
even is like
the covija
is like,
ah,
you have felt
that's all
that's
okay,
take.
the papa,
in that
the night
said,
I'm
frio, and the series said, okay,
Toma a covija.
Here's what someone
did you know?
Yeah.
Is it the most chitoso,
that this,
to this chico,
surely,
he's been doing
these things,
and other adducied
and my
zapato, and my
, and my
calcettines.
Sure.
Yeah,
is that you
imagine,
what particles
that's a
particle that's
that you can't
that you can't
like that,
like that
if it's
of someone
where they
they're not,
or, you know, is that
it's that it's
interesting
to be
to analyze
it,
no?
And or,
this,
we've got we
have to
the mystery
of what
what's
in the
laparators?
Ah,
that's
the
pares that
and they're
no?
And an
opnia
and
there's
a
lot of
a
sound,
ah.
For
sure,
you know,
you know,
you know,
you know,
you know,
you know,
you know,
you know,
the first
stories
that we
are
many stories that
in the auto and now
I'm going to
about the
rumourosa
Yeah,
of all this.
This story
came to go
for that
yeah,
that has
the name
the
woman of
the coche
Negro.
We're
them and
there's
there two
years after
where it
the two years
in the
2017
pass the
story of them
a child
that with
her
and her
company,
come from
those
of those
courses
that are
in the
university
to be
other place
and take
those
they're
they're
are studying,
to do you're doing,
to do you,
but they're in
to beaja.
Some nights
after,
Stella,
was,
he was,
he was a series
of
strange,
many of
strange.
Yeah,
and all of
that,
he'd be it,
the
so,
in the
carter,
a lollows,
a
car,
balk,
and,
and the
first,
the first time
that's,
oh,
that's,
oh,
so,
that's,
oh,
so I'm,
he'll
to do
to do
and the
car,
like,
a,
a,
a,
a carmionetta, but
every way
more close.
And the
objects,
how
were going
to be able to
this carmionette?
Like,
he's
to get a
nervous,
because
yeah,
it was
a
little to
go to
get to
get to
get to
and the
night.
But it's the
same time.
But you know,
the
caronetta
so he's
like,
he's
a bit of
and say,
oh,
it's a
thing,
that's a
thing,
like,
an accident,
something,
something,
something's a
rare.
I said,
but I'm
going to
do you know
to do you
get to be
like a
question,
I'm not the
suggestions,
I'm not
more so
to be used,
to be
a bit more,
it's
a little bit,
she'll
get a
and it
doesn't,
it's
that it
seems that
the
thing
after the
thing,
it's
detain
the time,
advance
and it's
to be
so
so that
so,
to be
to the
So,
the way
two
luses of
an auto
that comes
like
she's
a little,
it's
like to
find the
figure,
or the
place,
and it
is a
car
a car
a
car, and
around
of 70
years,
of those
peinados
of salon
alto,
maquiat
and she
came
managing,
but
be that
he the
mirror
directly
to
the
eyes,
direct to
the
eye,
in the
I do you see
like a
scalofrue
and a
stancho
a stancho
very
because this
woman
not a
stop
she's a
direct
to be in
it's
that's
that's
that you
like in the
same
you know
it's
it's
it like
he
he's
no no
no no
you know
I think
I think
I'm
I'm
going to
go to
see
so
I'm
so
so that
is a
signal
that
possibly
possibly
not I
have
I
have to
I'm
I
me
I'm
your
friend's your
one's like
so you
yeah,
you know
we're going to
get the
money
we're going to
get a
no more
not a
more so
no
I'm not
I'm
not I'm
not I'm
quite
get to
things
arreate
your
all
you're
all
they're
they're
they're
they're
they're
they're
going
going to
music
music
and
and
all
content,
and all,
when,
the car
the car,
the car,
then the
starts,
tas,
does,
it's a
side of the
carretera,
and the
manna's
and the
minute that's,
and get to say,
and so,
sogettensse,
subjectens,
sogettence.
So,
they're all
so,
they're all,
a auto,
a auto,
a car,
that's,
that's,
he had
had done
like a
little of
claustrophobia,
and
they've
come,
the camionetta
rodent,
pa,
pa,
in the
carter
the
the
little, the
yantta,
all,
until
that's
almost in
front of
them,
and they're
to be able to
get them
and they're
all in
all the
people,
and she'd
get all,
and she
no,
no,
how you
think?
Sigggette,
no,
no,
no,
don't,
no,
no,
detent.
So,
a little
and it's
a bit of
the carterterterer,
because,
well,
pass many
many,
vehicles and
all the
more anyone
no
he's a
make more
the accident
those amygs
not they're
making
they're going
to reverse
and they're
they're
going to
go and it's
going to
a man
with the
with the
colds all
a turdido
she back on the
you know
you're doing
yeah
me're
kind of
so they're
so they're
so like
a experience
but
yeah
to her
this
he'd like an indice
that those
dreams
have some
they're a little
they're in
Mexico, but
they're going to
have to
get to get
these carretaries
that you
know the
the rumorosa
the long
to this part
no
so they're
they're going
their maletita
and all
they're going
to go
they're in
the night
a
sometimes
there are
there
there's
there's
there
there's
there
there's
And no can't
fall to
those trailers
of double
cabin
that went
lentissim,
that all
a whole
despern.
Well,
yeah,
the
she had
yeah,
they were
all the
time,
they were
having a
time to
and then
there was
a curve,
a
curve,
a
that's in
that
is a
very
known,
because
they're
to
get to
some
but they
he's
but he
was a
one
two,
some
two carriles,
of a
single,
well if you want to ventura
the smear,
and he says,
we'll have to
go back.
So,
in that moment,
he's going to
the directional,
volante to the
left,
will have to
rebasar the trailer
when,
of a lot
they're going
two faros
upunting
directly
to them.
She's
she accommoda
because he
to get to
keep
to be
care,
take care,
take care,
and take
with the
auto,
with the
all
all's
they're
to get
to get
they're
in
the
one of the
one
one of the
other
and the
other
other
like
the
little
there's
there's
the
car is
the
car is
and it
and
he
can't
see
and
so
it's
with
the
light
of the
light
the car
of the
woman
a
woman of
a
rostro
palid
like
70
years
peinado
al
and she'll
directly to
the eyes.
But she
not that this
woman
has a
semblante
frio
and he
doesn't
the
ballant.
It's like
only she
is sentada
mirandola.
She says
that all
are the
eyes
and they
are you
and they
they're
to be
so the
more
hard.
Yeah
are
passing
the
trailer
and
of
but
silence
no
It was not
it was
nothing.
Of the
the
the
cold,
a
pain
to the
crystals.
With
fear
they were
to be
the
eyes,
her
her
little
the
impact
imminent
but
this
never
came
only
it was
like
if
something
was
it
there
had
nothing
she
had
had
I
had
to
but
even
so
he
did
no
there
auto
never was that auto
negro
rebassar
the trailer
like if
nothing
had been
and they're
on the
way
they're in
one of
these casettes
and it
was so
it's
it's
it's
pertinent
to say
to the
person
disculpe
is that
we're
we're
in this
curve
we're
we've
we've
a
there
a person
in
a
contrary
and
we're
having
a
accident,
well,
if you can
go
be
about
or something
or they
can't
do you
know,
we're
not
the
carterer
no way
there's
not a
not
so it
but
it was
and
it was
put in
a
person
person
that
was
a
person
in the
sense
contrary
because
no
how
so how
he
to
get
in
a
way
not
no
no
was
an
car
was a
man
It was a young
advanced,
right?
Yes.
A auto
negro,
yeah
a little
contibu?
Yes.
No,
they're going to
espantar
because
still there
still there
was a
tram
of a
carretera,
but
there's
a
woman,
a
she didn't
want to
get
a lot
here.
It's
went
in
a
contrary.
But,
that
see
he
found
someone
that
came and
fallacy
in the
accident.
Yeah
are various
people
and they
do
it's
not the
but
no
doesn't
not be
not
they're
not
they're
not
they're
so
they're
that
he's
he
he
says
he
when
your
premonition
you
say
or
be
a
signals of
to
evite
a
the voyage, is
better to
make a
case.
Sure.
I mean,
he passed
literally like,
like,
like,
the retrata
this
movie, no,
these
films,
yeah,
yeah,
that one
goes,
that's,
no,
no,
the other
no,
the
movies,
the
of these
stories in
those
that,
literally,
they're,
they,
they're,
they,
or they,
they're,
they're,
they're,
they're,
they're,
they're
what they're
what,
to be,
that,
you know,
to,
something,
that,
that someone's
it's like
something,
like you have
a flash-as
so rapidism
in the
head,
you know,
you know,
that's about
something?
Yeah.
Like,
the repent
if it's
not a
fiction as
it's not.
No,
no, no.
No,
for nothing.
It's fiction.
Yeah.
Wow.
Yeah,
I mean,
I've,
some
some years
where I chocable
I'm very
feo.
You know,
some of the
time I'm
going to
go,
a lot of
things like
so horrible.
And me
started
to do
to do
to be
to
but
because I
said,
this was
I'm going to
these
those dreams
and it were
noce
after night
after night
but
eventually
well I'm
so I'm
a coquet at
those days
but it's
a shock
minimum.
I was
I was
I'm
I'm
I'm
and when I
did this
this
was going
going to
a over
that for
sure
recogio
to my
recogio
to my
because
they're
we're going to
we're
we're
we're
five seconds
about the
car and you
And, well,
it's
a fat and it's
a lot of
the defense
to the car.
You know,
I was so
super enojado
but I gave
the 20
of that that
that's a
little bit
a paratose or
nothing.
I mean,
I was just
just was
just was
just
the manual
agarar
the velocity
of the
car,
the automatic,
pardon.
And so
with that
that you
let's the
front of,
pa,
with that
I'm
never had
chocked,
never had
had taken
a percance,
never had
had done a
ryan to the car.
Jamas,
never,
never,
never,
and I think that
you're going to
get a
little bit of a
way that's
where I'm
me and I'm
me and then
that's all about
four years,
I think.
O'ee,
and what I
have the attention
much is
that's a
little bit of
the auto
and me
to record,
you know,
what is a
story that
you've
a story that
took a
friend of
a friend of
her.
Ah,
yeah.
I mean,
still
not,
is that an
amiga
she was
going to
go to
the
carterter
and falles
but
they're
in
encountering
in
encounter
and my
brother
she
and I
know
my
manna
the
friend I
know
she
well
they
all
they
do that
they
do
all
the
the
process
but he
says
that he says
that he
has a
he
he says
what he
he
he
he
passed to
what he
happened
and what
she
did
didn't matter,
and it's
very far in
perote,
and then
it's probably
it's
for hypotermia.
So my
brother in the
story that
he's
part of Fepo
because
she's
a lot of
the nights
paranormal,
he said,
about this,
of this
situation.
Like,
that all
those
those
questions
climatologic
or ambient
in the
that they
are,
like they
they're
they're
in that moment,
where they're
like many
many,
many,
many,
when they're
when they're
when they're
they're
police, et cetera,
what they're
they're going to
describe these
sensations.
I'm a
a little bit of
a bosque,
there's
like water
that's
there's a
person in a
rachuel,
in a bush,
and literally
the little,
the
piernas
and they're
talking to the
water.
Yes,
that's
those
details.
Oye,
this,
I'mio,
you know,
I'm talking
to start.
So,
very well,
prepare
because to me
this story
me trastorn
much
a night
that was
I was
reading.
It's
called the
duende
of
Madera
and
us
he's
a
good
when they're
to be
to a
place
when they
report
events
paranormal
they're
much
care
and not
be
very
it's
very easy
but this
time of
there's
a lot
Rosa had
16 or 17
years.
She lived
or live in
Halisco
in a
little
and they
invited to
a new
town.
To get to
get to the
carreter
principal
and then
take the
time to make the
way to
her
she let's
they're
they're
they're
and the
caris
yeah,
get the
carionetta,
and also
they're preston
the caroena
because Rosa
is
going to
get
accompanied
of various
of
then they're going to be
all together,
they're going to
care about
and they're doing
and they're
not just to
get into a good
hour,
not they're
but the
the feast
is super
great and
they're
until the
time they're
so they're
so they're
so they're
and when you
see,
then we're
we're going to
get to do
we're going to
get to the
carterer
principal
and then
we'll
go back
to our
to our
people
and say
Rosa,
we're going
to take
the ataj
the atage
is a
way
of terracery
for the
which never
nobody
pass the day
and the
night
it's desolated
so long.
So,
then the
people are
all the
most are
talking,
they're
being
and they're
and in
this
the
road
very
very
old and
there
there
stories
of
all
type of
of
things
of
things
and
many
old
and
the
and
the
cristeros,
colgave
people.
So,
it's a
place
very, very,
very, very
carried.
And a
Rosa,
that's
easy to say to
his
amygias,
persignen's
that here
spantan,
but he
said of
a
problem,
but it's
a
time, the
friends,
ha,
ha,
they're
in the
toldo
of the
automobile,
and they
start to
get to
ask,
while
she's
to burlars
and the
and the nias
they're going to
what's that
what's that
and at the
little time
it's going to
move to
so you're
very, very
feo and
you know
that the
chips are
made to
all the
but it
does to
do this
to do that
and then
to the other
and then
it's a
super super
fe in the
car in the
point and
they're
going to
the
raskinous
while
there's
there's
there
but they're
some
some
burlona
that
are they
are
they're
very
are all
really
they're
going to
get to the
car and the car
and the carrow
is going to
get to get
to the
end up to the
end up to the
defilatero
and Rosa
pierre the
control,
pierde the
those stribos
no
know what
she has
she just
just doing
this and
her mind
to be
reactionar
and he
and he
hala the
the front of
the front of
and
they're
there just
in the
right of
the point
in this
moment
you know
not
you can
no,
we're going to see the
Rises.
And the
kids are
what was
that?
And Rosal
I don't know
let's see.
A bit,
let's see.
Descend
the carmionette.
They're
they're
to do you
and it
has nothing.
But when
they're
on the
part
tracerer,
there are
some little
like
of a
little
markedas
but
it's like
if these
manitas
have
had
had
a
a
black
or cal
they're
so
pegats and are much.
Not just a part of
hand,
they're just,
they've just
heard about some
that razzuomia
but now
they're there
parades at the
carmionette,
in the middle of
the night,
in the middle of
a new
that never
nobody transita
and they're
seeing these
little little
many, much,
many,
many pairs.
In that moment,
detrase
of them,
they're going
to hear,
they're
but not
the yantto
a baby?
It's the
sound of an adult
imitating the
yantant of a baby
like if
she's
still being
the little.
The
little bit
paralyzed there
this iscalofrio
that's
the spalachre
the
not just the
spalas
but the
and the
arms and
they're
being
a little
and they
see in
a
abust
that
that's
that's
that's
that's
moving
and so
and so
he's
still
listening
and the
and
the
lament,
it's
detient,
they're
the
open the
eyes
and they
are in
some
and they're
in the
little of the
little
the car
and they're
getting
to the
car
those
people are
so they
seeer
the four
securus
and
they're
rancate
arancate
but
rosa
mette
the
get the
the
run
to
to
to
get to
he
get to
the
place
and
check
check
check
And, again,
something
on the automobile,
and...
It's...
...theirrised...
...on the...
...of the figure humanoid
with the skin
very obscure,
but the skin is...
...are totally
pegas the muscles.
This is very delgada.
And his is so horrible,
so wrugated
that they're...
...that it's made to...
...that's made sure.
...and this ser...
...and there in the cofrey,
...las mir rapidly,
and...
...and...
as guine the parabrisas,
while all are desquisiated
and Rosa is,
he's trying,
but is trying to
do it, and he's trying to
make a march to
and he can't,
and he can't,
and he can't
be so, and he's
like, ha, ha, ha, ha,
while she's
and he gets to
read her, and then
he says, he's
and starts with
the sejas.
From the
up to back.
And the
nias are
disquisied,
you're trying,
no know what
a ser, no idea, the
cabinetta, no arranca, they're in
in the middle of the
nada, nobody has heard,
and this iser, when it's
when he's onreying,
brinked from the coffre,
and he's allege,
corriending,
he gets in the
night.
Arrancate,
arancate, and
they say,
and I, and
again,
ch'ch, ch'c,
again,
a carmionetta,
and they're all
velocity.
Rosa,
pass to leave to
his friends
first, because
it's her
to see, because she is the
of the camionetta.
And when
when he gets to
the house,
she does
know,
he's got a
other way to
see a
kind of a
little rascuions
but in the
door of
the pilot.
Is
that that
thing not
just ran
that really
not more
rasgued
the parabrisas.
Without
that she
did that
had a
also
also
too raskuny
here
trying to
get to
the
carionetta.
From
that's
from Rosa
no
could
go to
get a
night
without
persignarce
because
it's
very
aterrower
to get a
time
to work
to work
to work
to
he's
he's
a lot
he
took
several
he
took
he
and there
and
there
there
for
time
after
after
after
when
he
he
got
he
he
recuper
a
little
he
back
to
go
he
back
he
went
In this occasion,
you know,
no is no
a joke,
he said,
and he said,
and he said,
and she had
to manage her.
So,
he had to
the mind of the
head to the
head,
and he got a
curiosity,
and of reoho
he got to
see that
a sombra
of a person
was called
by a soga
of one of
one of the
ramas of
the arbor
while he
messia.
Yeah,
no,
he was
he didn't
know,
know if
was a person
or if it was a
perception
paranormal
but continued
and he
he didn't
he's not
he's not
she said
that in this
arbor
not just is the
dweend
of madera
in this
tree
all the
all the legends
that are
they're
all
are
what
what could
be
so they're
so
they're
so
the
PIRNAS.
Jolle.
That
relato
is a
tremendous
for,
I mean,
you know,
you're not
about
something,
not more
the way
at the
distance,
is something
that's a
carmobile
and that
you do
it's a
thing,
it's a
entity
material,
100%
but
what is,
no?
It's
that duend
it's
can,
no see,
it's a
super
aterrador.
So,
You know what they do.
I know,
know,
I know,
to the people,
know,
how we're doing,
know,
how to be trying
to produce an accident.
When no,
it's not
it's just,
it's present as
as well,
no,
so it's put
so far.
Yeah,
super-terrower.
Also,
she said that
when,
when he was
over the
cover of the
car and he
he gets to
run, and
he's
and they
She's
She's
She says,
She said,
No,
we know
if she's
about
she's
going to be
going,
like if
we're saying,
yeah,
tranquillas,
yeah,
me go.
So,
manches.
What kind of
things is
that?
Because,
because,
because,
it has this
type of
rasgos
like a
human,
no,
that can
communicate
for me
to a
way of a
question.
And,
and,
the
skin,
like
of the
made to
that's a
me,
I'm going to
a lot of
a
little,
no?
Totally.
And
something.
I don't
see
if it's
to be
to be
but also
that
she said,
the
bromita
that he
did
Rosa
to the
person,
and they're
like they
say,
look,
we're going
to
espantar
those.
Oh,
so there
is going to
get to
get to
get to
see,
yes,
and
oh,
we're
we're
we're
we're
spantos with a lot of
stories that
were the
truth of the
truth of
and there's
a lot of
anecdotes and
things,
the whole
is super,
super,
super,
well,
before we
to get us
we'd
like that I
would say,
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I'm
I'm just
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And I went
So I felt like
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Reb Socials and platforms
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Cousy
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