INSOMNIO - LA HORA DEL DIABLO: Relatos macabros que te van a destrozar

Episode Date: May 21, 2026

Relatos de terror a las 3:33 de la madrugada, la hora del diablo. 😱 ¿Por qué la madrugada despierta nuestros peores miedos? En este escalofriante episodio de Insomnio, Fepo, Mariana Maus y Anna Zayas nos sumergen en los aterradores misterios que pasan exactamente a las 3:33. Prepárate para escuchar relatos perturbadores y hasta conmovedores como el de una suegra descubierta haciendo brujería negra con su propio hijo; el de un amor que volvió de la muerte para despedirse de ella; hasta la espeluznante visita de de un ente que se manifestaba como un macabro arlequín. Suscríbete y cuéntanos las historias que tengas a las 3 de la mañana en los comentarios 👇 😈 Redes de Fepo: https://www.instagram.com/fepomx https://x.com/fepomx 🔮Anna Zayas: https://www.youtube.com/@annazayas https://www.instagram.com/anna_zayass 💀Redes de Mariana Maus: https://www.instagram.com/darthmaus66 🫡 Síguenos en redes sociales para más contenido: https://www.tiktok.com/ https://www.facebook.com/paranormal.insomnio https://www.instagram.com/podcast.insomnio 👻 Comparte Historias, Memes y Evidencias Paranormales 📝Cuéntanos tus historias: https://podcastinsomnio.com/   [e-mail] ✨Grupo oficial de Facebook:   / https://www.facebook.com/groups/548487930178860 💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx 🛒Compra Merch Exclusiva aquí👇🏼 https://store.podcastparanormal.com/tienda/ 📧 Consultas empresariales: [e-mail] #RelatosDeTerror #RelatosParanormales #HistoriasDeTerror #InsomnioPodcast #333AM #LaHoraDelDiablo #Terror #Fantasmas #MarianaMaus #AnnaZayas #Brujeria #Entidades #ActividadParanormal

Very good days, tards or noches. Be welcome to a new capitual of insomnia, in where we're to narrate the most terrorifices experiences reales

of the audience. So, listen them as if they're trying. If you're listening this in the

night, I'll retort to do something that maybe perhaps a rare in this moment,

but when finalize the stories, observe the reloge, and you think in the the orario exact in the

the time in the program. Because today we're going to talk of stories that occur in a designate like the

hour maldita. The 3. 30 or the 3.33 of the madrugada. And for that's

with us two great friends, Maestras of Terror, and that made much so I'm

going to start with our invitation, that's with us my great-

my queridism Anna Sallas. How are you? Very well, very content to be here with you. What great. Comparty with the public and with all, total, the audience,

these incredible stories that we're going to to talk to the day of today. Muchismas for to be with us. Oh, yeah, before that present here to the Maester of Terror, me can't say,

for favor, what are your social and platforms? Yes, me can find like Anna Sayas, Anna with DoeN, in YouTube,

Instagram, and in Spotify, too, all the related with the mystery and the terror, there you can't find. The fact, I want to say this a recommendation. Another, that has some

some capitals impressive. Because Anna is a person that makes investigation. And, really, is an investigation very profound. And there are some things interesting. There are a chapter very recent, where about the Gateway Process.

Exactly. That's basically basically, they're to explode, to the and it's a so. So, so it's so it. So, so it's a recommend a lot. And is

with us also. Myelis a great-maest-at-the-terror, Marianna Maus, how you're gonna, super content. I'm particularly content because Anna, well, I have much got to grab with Anna and do something. The people,

at the moment, no know, but we're, we're good, but we're doing, and we're a click much-chidot. So, I'm very content to be starting to be able to be able to be much-gust, because, look, because, look, yeah, it's and I hope that's many

many collaborations. Yes. Maus, is, I mean, yeah, to start on the other social and platforms?

Well, me me they're in my name and I'm sure in all the platforms of insomni and also you're

doing other project that's for going to talk about that's occultas that is to learn of burghery.

Super, super well. And, well, I'm just remember, that there's a new

that you can send them can be their experiences reales. Well, are various, but I'm

to be a an anusiness two. One of you know you know that is the Fepo

a robababab Pottcast Paranormal com but also there's Fepo Ropop

podcastinsomio com and if you can in the issue we'll you know

is the history the experience real that lived so so

we can more rapidly agrupal and able to put these

these many these things now I want to

ask this of the 333 I I know that many people, so,

that are these captures of the camera, with these numbers aspego, in a horaries

specific. I was even, this, not only only only is septico, but it

was obvious if you're being a time, you're looking, hours of

space, in some however, I'm to understand to understand it's a place, is a little

because it's where it's where it's where it's where it's directly, any creencia or argument scientific,

logical, that, that is invalided against an evidence that's very very rare,

no? When I was in Spain, this I want to tell us so I'm in Spain,

I, I've the opportunity to have in my man, what is known as a

stone as a other the people, but some Vares,

is an investigation that He, J.J. Benitez, also my great friend, Juan Jesus Vallejo. And, well, this rock had, like, many things particular.

Principally, I felt something very special to sustain one of these rocks in the hand, but it had a symbol that, of that, to be a great investigation, because it's like a palito, a point, and a palito. Addentrantly

in all the long of the years, I've discovered that these entities are that that that's palito is basically the person,

one person, the whole, the other person, that in the whole, when you're when you're

when you're doing with a form of life, you're you form part of the other

person or being a person or a part of that and me I found to something

we've used in the podcast in the manner conscientious, an orario to activate a

process energetic of a positive to change the world. And we selections

the 11, 11, of the morning. And if see, they're

a palito, just double. Two palitos, two points, two palitos.

And me impacted very very very because not it for that reason.

It's like the duplicity of the message extraterrestrester. Two palitos,

two two palitos, but if cancel them to those that are duplicates, one.1, or raya, point, raya. It seems very impressive. You know, why it's the 3.30 or the 3.33 is the hour of the diablo?

It's because the hour, is supposedly the hour in the year that fellacy Christ, no? It's the contrary of the hour Santa, according to what I've understand I. Correct. Exactly that's.

And also, I've understood that there are creencers that in that in that orario, the velo between the world of the lives and the mortals

is a reducing. Yes, also they call the hour a brawka. Because that

for the brugheria is a great moment to for this point, for so you

do it's a final, in the whole night, a time, the point of the

luna, there's many things, because, well, it's also, and it's

said that also, and it's went to the reign, and the bough of the world of to get to encounter

with the devil. Wow. And so? Yeah, sure. Ah, so?

Arrivo, I'm a question so, I'm a question, so I'm would be a very much much

to say, and I want to make this order to be in this order, but you

have a experience or that you have been to have been with this orario specific,

333? Fiatte that there's a story of my brother, so super,

super, brief, I'm going to talk. We've used in a

place in a place, well, yeah, in Sonora. And the house, that's

always, I've told you Feppo, of that has a really really

really a very pesed, and we know we not we know from

the first moment in the we we've to be there. Well,

each one had a court. The my was the right

the of my the of the center and the of my father's

on the side of the all of the whole up with the thing. So my

brother he's to have certain some pesidias specifically at this

hour. The pesadias that he started to first were

like things very things that I very very

very but the most the most that he was to get

that in the sun make to make a closet of

a the walled, so. So, so his roomita was like, and the closet was here.

So, he said, he used like recinable in the door to the closet, and when

he was in dormido, desperate, because still not know well, that's in what

he said, he said, he said, so, and then he did so, and then he was a

three times, and when he got to the hour, it was precisely the hour, it was precisely,

the last three, 13-33. Then, in one occasion, I was listening, he said, he'd bellowed a lot playing videojewos and other and he said that in the madrugada he's called, "'Iho, he-oh!'

And he said that he wrote, "'What, so ma? And so he was made to start "'Despirted at the madrugada, no?' "'Then says that in that "'voteed and he saw that "'and saw the door. "'That enfadosa, Mama,

"'no me sires the door "'because never he liked to be "'to be able to start "'to be able to start. he said that he said he said he obviously

opened so and mom was the most dormia of the world and said then what was that was that he called

and that still even he said that that's that's that's that's yeah

for your mom yeah yeah yeah also that many so many

so many so that they're that that they're so sometimes

when you when you when you when you when you sometimes you you hear

voices before and before it's because just you're about to get to

get to get to this type of things. But also you can receive certain messages,

even in the burghiria that you do you try to control that so, as you

control the paralysis of soo to be certain messages. But also

there's also there's many people there and that you're that someone

you that's that's there there but you, you're

to do you know, you know, you know, you're not a question of your imagination or something,

but really there's a someone who, a mom, or a family, and they're and they're to perturbate your

soo. No, manches. Yeah. Well, just, just for you can't start with the

stories that we're to, the people, before, the, of, the person

that's a person who works here, we said, oh, is that I have an anecdote of what that's what I

happened in that time. Of the time it's at the 3.30 and he he said, I mean,

I'm going to tell me. I was in his house was driving only, he had a perrita

chiquita and a cat a cat, a cat, a cat, a cat, a cat,

a, but I'm, then I'm doing, and it was like very because he that he

did he that he was like that he's He got her. So, what's the same? What, what, and I feel like, oh, if I'm going to see him going to be the

Muerto. What on, no? And he went to the right. He had, after this experience, yeah, no, a reloge of these desperator, that has the numbers rogues, that, in one of my stories. And he wrote 3.30.

Oh, no. The morning. So, he did it do a bit rarro, but what he thought is, surely it had a personia that no record, me going to go back to dream. So then, so I was

so on the and he seemed he he said, and you know that's, and when you know, it's like,

when you know, but he didn't get the little more pesed. So, then I'm to see to

where I'm to where the cat on his feet, but not was a a cabra baby.

What? Between the obscurity and he thought, no, I think me I'm

think I'm think I'm think my cat but he'd comeinando to where I'm

and then he said with the little he's my cat so that's he he's

he he came and he he saw that's he went coming coming and he

went on the door he was thinking so that that that

that's no that that's he was he was he was he was he

was the cabra he was to get up to get her to get in two

patas but but while he was he was and he

was a black a cabra adult black totally of the and she

he he said he said he sent you so that what first

he was this not I'm not not I'm don't don't

I and he and when she she when she

she she I'll have the relo 3.33 and in that moment

a man he took to a one of a little and he he'll take to the

camera. And he said no happened no more but was one of

the moments most aterrower to all my life. It's it's

it's just, no, what you also because even the theme of

the veal and these things can can the medianoche, that too many bruchas do use at the medianoche. But if you want,

you can't, you can't find, like, those entities, like, even even even even like diabolical, for so say, that's the hour. And so, and so,

various, um, entities of this type, of that way. Of course, I'll have a story similar to that. Right. Right.

We'll be able. Okay. Now, now, now, so, let's see, this story is called Amor Infermo

and no my friend our friend our friend is my friend Sandra Cruz

and I think he he's a title literally perfect love

she she was living in that then with his

husband his three his children in the house

of their family they are in Micho in

Micho in Michigan in Michigan obviously she had had

much time to know the Suegra you have three three three children

but the mother the first to start to come to make to get

in these situations of relations well be a good on and but they say

that if you want to you know so one one was a was

being the know and get and she get to when

you get to they are to be to live to the

mother three three my kids. And, she started to not things,

not bad, but but, so obviously this woman, the suhue, I wanted

to make, let's the leadership, no, of that is my house, and here

are my regals. And, and so, this, he started to have frictions

with her, and then, until a day the plan, he said,

I don't support. I mean, I'm always I'm afraid to be in fact that I'm in front of I'm not even

even if you're not even though I'm going to be so I'm so I'm so I'moja so I'm gonna

go-nors for favor let me come let me my papas live in Posa Rica Veracruz

we're going to go to my parents and they're going to get a

a I'm I don't want to have a bad a relation with your

and the for so he said, if my mom is very difficult. Let me get here.

The truth is that's all the I don't know how you know how a colchon that they immediately decided that in

that in that they were to do not the children those three his three kids and they were

to come to apart the husband he was a taxist so many times he was

he was a madrugada and he had a cellular that he got when

they got to get to Posarika Veracru this cellul no no

nobody more than his her Sposa, Sandra, that we send to the story. Why?

Because that telephone, this telephone cellular, he used to communicate with his clients. It was the telephone where

the clientes and not he wanted to find out the telephone familiar. They're in this place and

he said that the first no past nothing. They're in October. But in December,

some months after, he was the pesadilla. Specifically one of

his his kids, Edgar, a part of December, the 1stine, he started all the nights exactly

at the 3.33 at the madrugat. No, minute more, nor a minute less. Despertable

and and he said, as a mother, many people will be to understand.

You can see a person that has a man, a adult, but

When you see to your son the most little that's that you're not is for a lot

no is for a it's for fear when you can't say the words

the word is tremendously angustient and the the little he said

a one he said mom yeah there are the

people there there are the people mom my mom

help me come and come and you walk to the

the corner. Evidentiment no had nothing. He said, I've had a piece of a pesadilla, no, ma'am. And he's got to tap the eyes there. He said, no, I, no, he doesn't, no, it's a little,

no, he's, no, 3.33, the grito. Mom, the men, the men are men, are men, are men, for favor, calmate. It was so

recurrent, that she decided to ask her, because his his evidently he said to

change to start and then he's going to get to and he

he said he's who are these people are you are like people

people that have much time without they are they're

they're they're the skin to the skin horrible and they're

all this manchado of black can't and they're vomiting a liquid spes

and never no you don't you it's a a pesadilla and all this will be not

mom they're they're they're they're there that the mom

said that the husband was she was she was she prefer not

to not to do not to to know what was to 3.30, 3.33. And just when they were at 3.30 of the morning,

he started a sound a noise that he put all the hair of the end. Because

it was it was in the room in the dark the pathos

umed of two people like if were They were walking descalsalsed. No. And he observed.

She, pardon, observe the abitation, but no there were nothing, but it was very clear that they were there. And then he started

like the and they said, no, no, can't be. I'm still I'm imagining this.

When of his his son grita, there are there again again, again

another way, and he was inked in the colchon, signaled. And she

turned to the corner to and she'll do it and he's a corner.

Degener in peace. No me important who are who are let me

in peace. And the little he was in silence and he

he said he he said he he's he he no

doesn't he said he said he he didn't

One the arraughtrava the other he had mechonze and

she had and she saw her and she saw her and the and the shoulders

were they were and she grittable no no and I and I

and I and I felt like he I'm calient and spesa and of a

sudden they were they were so and, Arrancando the Cabeo

and forsege and when they were in the when they're and he she was like,

like they were inceive of her totally submitted and she she felt like one of these entities that

never saw his ear to get to get to get a maldita and they they're

they're they're in the house and obviously his papas heard the

and they're They got, what happened? What happened? And they saw, what happened? And they saw, with the roadillas

despedasasasasas, with the eyes and the cabellos made chenicos, the three children

yorking, there's something. But it's that he never has never passed nothing

bad. A the morning next, his mom he said, you know, there's

a man that I know, They say that is a curandero And maybe he can't help Because he not you go to him Well, it was the first He did, he went to there

He went to, a senior normal He said that's like a type of a capricino So, no, he said, No, there were images of nothing, no have been belas Only a Quadro of a Christ

A house, normal Hello, how you You're, you're that person? Yes. Necited to me help you.

It's your Sueg What? How? Look. Your Suega thinks that you

you did you and she wants to you know you're that's your

your Sueg Pacted with the Diablo That I'm

there I can so So, so that those entities

that you're attacking are enviedas by your your sueger you

said it did you the night she was she was she was there not she was

I'm what I'm going to go to go to I'm my my

husband is my spouse and before that were at the 3 33 son of

her phone was his and he said my love you know you did my number

to work to my mom my mom me he said and me he said he wants

I'm going to the house he goes he said no but is that I'm

I'm I'm you know you you know you're you're right

my mother no is good my mother is a 33 so on the telephone

is she she'll and the mom and the mom he said I'm very well the next

next no only you're you're gonna get a peregrasamel perr I'd

I'd say this this story that this story was with a final but no

Ganned the Sueger. No. Sandra, her and his children and their

and they went to her. Until that she understood something, he was

he was, so he left. She separated, she divorced and she to get to his three

children. That that's super very, that's, now, now, now,

now, now, now, now, now, so, the, the

a senior that a life, to her daughter, I do a his, to her

uh, that's what he says, what he says, pass me a bottle of a water and he

and when she's when he he's when he he's he's he's God

but it's a pattern that is a very constant yeah it seems it's like something

something like an obsession no, so but yeah to get

so so long to pacted with a little to be in the he's not

so much super, super super very in some moment. We're also we're

a marre and the marre had been to the mom for his son for that

she'd to get to me and I'm not, so I'm that's a pesadilla yeah

yeah and not I'm so for so for so I said that I think

the title he gave very Yes, for So, for So, sure.

It's a love totally so farmiss because she, the mom she thinks

that she has a reason, that he he's he's God, oh,

oh, oh, that's that's me, me, I mean, I also

I think was that was too that's a moment in the that

was in the moment that's you, you, you can do you

do another. But, but But she's brutal. Yeah. Yeah.

I'm scared. I was scared. I'm alter a lottero I'm evenoge all to do no?

Um, um, well, I have another story and this is called Bucle Infernal.

This are, are some of those stories that and like the typical anecdotes

that are the three 30 of the morning. But, well, this story, Lamanda, our great-simma friend, Sallu, no put more, no-s-s-one-s. No-ssehs,

but, well, Sanyu us says that she's, this, the Texas, and that sometimes, there mviernows, very, very, very, very, very, very, very, very so when this happens, normally, it's a person, that's preparer with food and, and, but that's not to have to go to their houses.

So, so it's So she was prepared and she was in her house that's she said that I'd

feel like because he's a little was a coffeecito I'd and he was having

quite quite and he she said that she went she went she was

super tranquil with a little a little a tapadita and in

that in that she's the light the day open

his eyes and see a know that it's the light that she had they had

and she never they were in rojo but that day they were totally

rogas she was rar and of she felt like she felt like and

he was and in the end of the corner there there was a

first was like a person a person of color black, and she started to

her and she began to see more more rascos of this being and he

saw the know that it was like it was a new and the skin

had like scams and it was a 100% black and he was

and he was and he he was that he was he was he

and was like to buffer She was And she was And I had That had to

The pomellus Super Grandes The barbilla Super marked And so It was Acercando

To her And is where She does She does She did And it And it So it's

Sob Sob to And it's The Pessor Brutal of this thing

That was up She was To be She was To She was And it

She said, and he's a language. And she, without her knew to know that would be a carbon

her his boca. And I started to scurrier saliv. The saliv was a

spesa. And of a language. For more that she wanted,

how to be the box, no could move the

eyes. And he met the the language. When he

the language, she this movement so. He was a language apicida. When he had in the garganta and she was

ahoging, literally, he's just a bit. And so, well, Voltae to his around, and again, he'd see, a count, the lights red, oh, so, well, now,

so, now, I'm just, I'm gonna move me a little. And he'll be, and there's still he. No, man. And he's a little, I was at the hour and at the 3.5 of the morning. And she started to start, and his own

and his own and his own he got, what is, respira, and it was more and other ever again,

he was circling, and his gritty and his gritty and the other light, and this ser, and this ser,

And so, every time that she would have and despera, the hour not advanced. She kept like the

three, 30. And this says that she felt that was that was hours.

And in a moment, it was so many I have to move me to come from here.

So, of the so the fear, he was, he was going to

and he went to the And standing in the cell, desperto. Now, she gets

a tranquilly, and he is a som to his court and he does a count that that's

that's that night, that night she never, that night, she went, and the that she went,

and the that she did you, and the , simply, decided not to

not to go to the question. She said, she was, to go to

another, to that night, there in his room. And she did know that could have been some of these

creatures that should be manifesters in the time of the time of every every year, said that never

never is a house, that's going to the house of his father, never knew that it was,

but he said that it did it and that's the three 30 of the morning. It's an

anecdote of a night, but, God, me. No, with that I have

for all my life, no? But is what then you're confunded with demons, no? Yes, yeah, sure. But literally is a ser interdimensional? Totally.

Totally. That that also is this, no? That we have this idea of the portals and that we're just like, they're just to visit it in the Epoca oscura, which is just the

winter, but no, is a literal, a portal, 3.30, can visitartes any, and, of each, they can derive much things

legends that being being being of these creatures of the winter, because of

all the protections that are, that if you put the lights, the lights not are not because

the night. They're coming because they're they're going to these

those are those to get to the family, to provoke to make

and they put them the light of the house to the inside to the

the house and that never that's the time. So, it's

to protecter's of these of the obscurity. Wow. Yeah me don't

the obscurity? Yeah. Wow. Yeah. I was that I was

narrando and in my head was like this reptileoid Yeah, so.

Oh, so but very demoniac the the and the and

the language. Yeah, wow. Oh, it's all good good-y-oh,

again, going to a little to the things of the little. Uh,

a little. This history us has the little that's

a little and he put in name Lily, that we're

we're that we're so that this this does that

was his matrimon totally normal he was a

couple and all so all so he did

so so it lived in first man to his company

of the wife. His his husband, he gave to codar

to this entity we're to put a time that

says that for those we live in Mexico

the chancas is like say a a form

burlona satan and the devil and all this

that that he was that but what what

resal much this story is that his husband,

you had passed to some events, some phenomena over-natural, but

never was always was like, I'm really, and I'm just that

all, so that one day, he had a malysis of

the dream. He said the he was he was a

same on the camera. The curious of this story is

that the person was trying to move so like

I'm a paralis and me want move. But when I tried to move

the arm, he dolea horrible, like if they were like, he said,

okay, he's not, he's not, it was like if it was like they not that

they'd that they would be and any that he did he dolea profoundly

in the middle of all that sensation that he he

he was to feel something he described after that

he was that he I knew that something not was not bad in him.

There's a description very strange of this story because it's a example,

when one has this type of this type of the pain, many times you have

a more, not, it's a more, but a difference of the

other people, to the other he was to give a Verguenza,

Miedo and some angustia. Very curious that he gave a very we're going to see that

he's going to be some things into the head that they began to change.

For example he said he was a person completely happy, he was a father

amoros or a person but of a repent it was that something changed

after that paralysis of the a new he's going to

get a negative of the other a bit of a bit a

but a a day he's a manned and it and that all the time and

these these these these things they were with

with reactions with reactions very with the very

very times in the time in the time a situation completely normal, that the

He gritted in front of all. You're a inutil. I don't know why you do you. I don't know. So,

generally, he was in this ambient laboral. And he was taken like, okay, well, it's part of

day-a-day. It was to minimize and, to let it to go to but a difference of other

occasions, in this part, when the chief he was, sent you a tension and a

courage to be a chief, but a manner, so, he started to have intrusives of he'll go to

the way to the stairs, he want to keep the life, I'm that he

suffer. You know, he's to have a feeling a feeling a negative

to the chief. And all that energy was was part was forming something

something something into he, that still still still, we know

we know we're but when all and he started to come to come in the

transcurs of the history that he started to translate those those pensions negative

this odio to his his wife and I'm going to with a anger, when

when at the part was a part he was a man a man he said

that I was he was he was something like was like he

was like it was like it was a presence He said that his body

began to tremble voluntarily that sentia that he had a lot of the hand to the heart

and the heart was to accelerate and he had a lot of sentiments profoundly

negative like if were something that was something that was with the time

and I seeing a little that this was this was completely

bad because I was that was he was the he was a

this, not was a not a sense that was a normal for him, well, he was to give a lot because he

knew a not he was able to get to get him to do it. He said, he said, he had been

kind of that I'm like he said, like it was over-natural, that he had been that's

that's a very curious. So, in one of those paralices that were that were every

days, recurro to a figure that for him was a good, her papa.

And he says that in the night he gritted, Papa, help me. No, I want to be able to me.

He said, he'spirted so he a gulf, super-sudated, all tendoros, agitado, respirating

and obviously to her sposa she got with this great. He said that the

first he was, he was to ask if it was not, but,

no, is that he's he can be to be but I know what

is, I don't you know you know you knowces. He said that

he was like he was he was trying to consoled him and he said that the

two went to see the and were exactly the three with 33 but in

that they were conscious of the hour something something changed

totally in the room he said that the he's he's

this like if was had had had so, and that

he rolled the head like that the corner of the room, and in the

corner was the little she was the little was there. She was

there. This this was a characteristic very special for all of all of

the little the toye favorite of his but

before was going all this of the paralysis and

the paralysis, the the sposo he confessed that always that he had these

his own I'm a moke and with the voice very very intercourt to the

he's every every I I'm to dream to know a sometimes

he's at the camera a sometimes it's at my feet

other sometimes in the ciggita or a sometimes is a

part of a another occasion. He was a dormitist of the brainericies of the son. When I opened the moose, the muke was

like, you know, so, so, a little of the camera. Well, this muke, they got a

new completely. It's just, no it was not an antiqued, no they had acquired of some basar

for that that would have an energy extrana or something. But the day that

was this, like was conscious of that the muke's always always started

to change but not for a good, but not another thing completely different.

He said that the events strange still were occurring only to his

spos. That's very curious. To the the mother, no, not more

to the husband. And the character began to change, now so,

you know, a count, a world of 3-60, and and he started to comportarse when,

well, then the family was another thing completely different. And, ante this situation, she was

a little desperated because no, I didn't what did, I had a his wife, that had to have to

care, and now her husband, she was in a person, they were to work all the mornings. The suegra

and she used to to care of the and also she was to get a little to be in the case of the house and

all that she said she's she's she said she did she was a little bit too for the traffic and

all this and I go a time for surprise of nobody his jeffey her reganing horrible

and he said no you're going to go to you're going to you're going to get to Obviously, she had been super

really super-enohed, because, oh, yeah, I'm so much too, I'm so much to take the transport of

and all this, then you know, and take the transport to get to back to his house. Is this

so I was going to go to my wife to the school. Meanwhile, I'm going a little

a time to here in the house. He said he went to the house and obviously,

like the little the one the only person that had in that house was her

Suega. Dice, he said, to open the door, Despacito, Sore, Suhra, where is that?

He said that he said that he said very rare, because she always was like, she was doing

what I'm, but he said that he said that he went and, coming, caminando,

coming, and soire, where is he? And no he said, and he went to the

door so, despot, despot, despot. The first that she was that her suegra

was that was sent out in the commedor but there was another thing

completely different. In the the table had two bells black, what

was to a moneco with her and a black that she

identified she identified that was a woman and the suera

was talking like between mormoo so, so she was like if it was

like to be saying, but not I'd understand what it was, he said he said,

he said, do me other once, do me other and she did she,

what's what's saying, what is saying, what's saying, why is that

he's saying that's she said, he said, the suhya no she was not so

listen me, because is doing that so, and then so,

and then, so to see, to be to Why did he say so So, with a sonrises,

she? He said that in that moment gritted so the terror, of what is doing? What's going?

After that, she went rapidly. The so- was like, like, he entered now in

a conscience of what was doing, and he intended to keep all the veils, all the

muke, all, all, and she did know that was doing that was doing the

brugheria to his own his own after she had she had not could understand

that was what had had had to process and he he was he

he said he said something I'm going to what what you see

that you my was doing that was doing that

oh No, you know, I'm a little a mulek had a manned

he was involved in the head and I'm in you're not, no, no, not you're saying

things, are the not, my mom, never does that we never did that. She's,

he's enoched so, because I'm looking the face of the mano, he's not that,

that no he was saying was saying was a thing was something something doing a

thing, bringing portals and all this, you know, you know, this matrimonio no can continue. She says that

took a her daughter, she separated of her but you know what happened with her and with him?

He's he went to live to the house of his mom and said that they're a relation

very strange like like so like if were a and a part of that moment

he no he no he was to absolutely nothing of his husband,

he no he's not to never to not to not to get to even to

even for his wife. Oh, God. What? What's what? I'm

know he much, me spanted. I, me, me, me, me,

he's, when he did he he was to say a thing, and he said,

why did so, why did so, I'm, I'm spanned much and I

I thought I was to say, I'm sorry, exactly, exactly, just right, but no,

it's like, heirmed the head and he said, why did you get out of so much? And it

and he was like a smile like, like, like, like, with a

something, no, I mean, so, so, I know, she had been that he

was, that's, that's, it's horrible. Yeah, it's horrible, it's horrible. Oh,

and it's super- that, is that you imagine other things, During all the history,

like you want to decifers what's what is what you're going to, and I just thought, to say,

I'm just thinking, we're going to the spouse. No, that's brutal. Yes. Well, if I,

if me, oh, when it's when it's the figure of the suhra, like I understand

many many things, but the muke, Lily, was like I was like,

I was using like a way, to get to him, right? Exactly.

That's is. It was a form. So, a link- Uh-huh, like a kind of a

kind of a kind of a kind of a because always that had this paralice and was there, the muke

this. And it was very curious because, it was, it was, they said, not it was,

like, like, like, they had given on an bar or something. Probably

he met you something, no. Probably, so if they were in the moeca, probably

they'd probably they were something, you'd have been abired like, and that, some monitos

like, an marre that's that's a moment in the moment in the in the

time they're to turn to turn to be the time, so I'm I'm not, so I'm not so,

what on and when you see, that's over to have to that's over the moke there's a

man, that's the I'm, I'm more my mind is that when he's when he

was when it's like the filo of the camera so, oh, oh,

I know. Well, my ultimate story of this second of this chapter.

Fience. That story is called the Rosa Roja and the manned

our friend Mariana Bautista. This story we not

did directly to her and it was a mother when was

very young they are Sinaloa and in that time the mom had 20

years of age. It was super super, super, super-joveen. He said that was

in the house in that was the mom that was that was evidently with his

papas. It was a house very very, very great, that had various

quarters of these houses very old, that the the techo is

very very and that generally generally it's there's there's but she

has this very in clear. That house if it could be the scenario perfect

for a story of phantasmas if could do it in reality in

that never had never never there was a story of a phantasm

of a something of something that was nothing they were super

tranquillas was there in Soamaka and of he was he wasperted because he waschoo a

view he was his eyes and that the noise was super clear

is this so so so he back and he he observed that that relog

that these these reloges that immediately we're to understand which is

of They were like of plastic but for there were a foquet of a color

rogo. That in the night illuminated the numbers and he observe that are

the 3.33 of the madrugada. It's super rare but that that was

that was that was a white no provenia of their room

there had a contiguous that in these abitations very great

and just but he lived with his papas, they used that abitation like a space of a body of

a new a new a little we're going to go and then they're going to and they're there.

She's going to the room and go to the room and he does know that that's the noise

black provine of that the room and it's in complete obscurity

but it's does it is what is what is what is what is what is

what is the sound. At the front over a mes

there a radio of the antivus that they're in the grandotas or

you can't connect to the light. But the first that is that the

cable not is that connected to the time and the

radio is incendida and is like in a station

that has no and has the volume high. Think that's rare. Who he put

batteries? So, he gets he gets and he he makes, and when he makes,

he does know that he doesn't even the tap and he he let's he,

he's right and he he's, and he's that's rare maybe is it's

he's chatted to get a back to go out of because yeah is to

the front of this and in the end there there is a

there is a silhouette super oscura more more than she

she is she's and she move very and

he starts to to come to she to her, little

and he he said the and he says he said that the and he said

that at the fear, like it's full of curiosity but he felt

something something very profound in your fear a a

a really a really and of and he

he he he was he was a person that clearly

was in the gyrusousous as as if had various days of having felled

pegged putrefact the eyes to the and the hair spantoso vestido

with a shirt with a black that was that was that was reduced his

body. That a blue was full and he had a

moan rojo perfect here and it had the dark

and it were dark and she was looking fichament

she she felt so that she congel and

this entity was put very very And she and she

and in the hand he had a rose roja. And he he was to

get her and he made with the mouth abirta while they were

and the and the and like he he said but

only there a real and he he disappeared

but he said that he's that it's that it's like

if did do a partade to other, simply just didn't

be there. He went and he went to a sabbana even though it was involved,

and she was in the maca. At the day next to his father,

no idea. Someone felles here, the of the other. Nothing.

You imagine you. But this image he was he went,

and the days, said that he I was in gustied with the

idea of that maybe I would go back to hear to hear that the time

a little a little he went and they were days, months years,

years this event never to repeat so so so that

I'll I'm moved another house continued their life

and the time one He'd ever know a man, Arturo. Spectacular. Very wapo,

well, well. She'd know that this man really he loved. And she he,

he, he was, and a day he said, he said, you want to kiss with me?

And he was super felice. Pied the man, she casted a house,

another, and they went to live that house. Passed some years. And one day,

he was working, she also, it was her anniversary, 14 of August of 1990.

And the and he said, Oye, I'm to say a little more

time you know in the house and we're we're in the anniversary you're do you

also I'm going to pay a time okay she'll be in the house so she

she got she made the permission of the job and she he said she said

that was her anniversary of bode that she said and they said and he

went rapidly to a pastelary and bought a and

he came when he when he went to the a coach of

his marino but the the lights the house were in the way

he said me made a surprise so so he there's and no no there

was a whole in silence arthur arthur umor if at the more

if at the more he's still he's still he started and he started to come

to the house and he was to come a all

the end in the in the was a man a vesty

with a shirt with a moan rogo no is true

with a rose in the man but not was he was

he was against the corner the with the eyes

and he was he had prepared a surprise

and he he pared the carousand and she he said he said that

that's that there has been the way to be to be her again.

Another again y' I'm sorry oh that's pretty it's

poor poor poors poorie I keep thinking so much that

that that that that type like of messages of people

that not are here how curiously there exist some some

some they're they're they're they're very very sad that's very

I don't see imagine after all what I'm like that's

like to encounter a person and and then and apart hilar

but the thing of how it's when when is our. He

he he found a moment a little. Although it was it

but I wanted, but I wanted to do you're sad that's sad

because no he got to get his rose and I first

I think that the history was because he was a spirit

wanted to a spirit was a actually also a video recent,

no see that's that's going to a man that's a lot of

and he he's he's he's he's he's he's and he

and he he's and he there's there's and he and then he's

he goes to and he he says to the and he's that you hear that a car

me peter a question so so that so he he goes to he

floricita because she did know that the house was abandoned God my oh,

oh, is that even this, this man Arturo gille is that he

he was he was he found a manner perfect yeah the moment

just for that for so actioned the radio uh uh uh

he he chose that she was that she was she was there was

there was the the When the tissue is more than to be it. When the texed, the way to say, the The same is the one. The one, because I mean, because I mean,

because I'm a moment and I said, I'm going to review and I'm going to, I'm going to, because no is his papa. Who, who's made the story, and we're told the story of his mom

but not is her father. Arturo not is her father. not is her father, that's a clear, it was her first

love. Oh, oh, no. Oh, that's a little. You're santo.

Well, I was going to tell a story that this is a concertant but no is a

very, to get to get to be to get to this. This

story is called Venge for what most amas and she was Lundin.

This story to this chick when she has been 16 years. She said that she'd be in a house that was like of these cases like,

you know, the musicas, the stasas because of the matter, et cetera. She had an her manita that was a

baby. And then her mother, as her selfterer, she had she had really with this

little So, then she was She was in her very normal. And there were some time in those that her mom

was her because she had to go out of she had to her baby and she had to and she had and she had

to get to her to her to work to her so she could be so

a day she kept and she keep doing to the she'd get a almost the pacito

like those super despacito of like, that's like, to come to nobody,

Abre the door, enter, and, well, yeah, I know that they were

to get to the baby. And he said, passame the baby. And she kind of

that, oh, that's the , that's, and, and he said, passam

the baby. And she kind of me, I go and I know the eyes

and he does, and it's that no no no light

and that's very that's a really a time to get a because it was a

big of the because it's a dark and it's he's he's he's

again and I'm to see my baby but he had a kind of

like no I'm like this callid the voice of the voice of

my mom pass me to the baby and And he'll

and see his mom observarondal like so without the back me to pass me to

and he hasusts and he wants to get to get to know that no

and see how the mom and he starts the man and he starts to the

baby and she not so she could move and she could be to be

and he was and the only that was the only that was to be

to see to see a hermanita, and the hermanita was seeing to the mom, but while she was like,

like, it's like he was all the air, but no could be to get more and she started morada, morada, and she

desperated, and he was saying, pass me to the baby, passam to the baby, and he started to modify the voice. And as a

bit of She was in a desperate, and began to look at a look at a look at a mirgan. And she was a little and he gets to read. This, she does that she does know that

of the nerves no, she'd never even to read, and he was going to help to the virgin. And in that, Virgin,

help me, help me, help me, help me, help me, I was, he could move. Abre the eyes,

and there no no, no, no, no, to her, to her, a,

her, and like he could he could to breathe and he he was to get to get to

and he's to get to the relo and at at the 3.33 of the morning

and he he was to look to his mom then he was to be

that what that he was that he went and he he entered to the

room to the mom was to her and the mom

when he she She was she was with the lights apagas. He was front of the room

of her mom. She was quiet, so palida of the Mieter

and she was in the she was in the she was parted to the

other and just she was she was she she she'll

she she she and she she the other that

was that was she was she was being and he was going to

and he's going to get to the court. He's all the mom, she's

sure you've another other thing, I'm let me the baby and she tried to

calm her and it passed the time and in the night she was super

scared every every every that she was her she

she was you my am I'm my mom so my mom is my

a calide's, say, is my mama, is my mom, is my mom. Passed those years. This

chick grew and she's she's her she's her life, she

has a she has a baby, everything, and then she said that one night,

she was she was a little bit to be and she started to get to feel

to get a, so I was a little of that night. And I I'll hear the door to his husband.

He's the pathos. He's he says, and he says, pass me to the baby. But with

the voice of his but without this calide and he wanted, and he could move. And he

only could be the feet. And they were the feet of his but as if she would be

he had had been a I'm the baby I'm at the look at the mind

and just he he'd he'd get over being passam the baby he was

so his own and he saw his own his own the he was

to get to put morado and he was and he he wasco and he

and he and he he was with the mind he did know

that his His husband was at her He was in his while while

he was he was a man that he his his he's not to be

the baby he said he said he said he said he was he said no he

did a he said all his all of his forces and he was

he he was he said he was his he went to his he was

he was he were at three 30 of the morning

Oh, what Desperation! What desperation, and, not know what is, what are their intentions, nothing,

no, no says, no, no, this of the musicators, is this, super,

super-furted. So, how, so, they're mimetize, no, with a certain,

you have a, you have to, and, like, and, and also, the phrases

that they use, no, the PASAM the baby. Oh, no. Because, apart,

That's included like a acceptation, no? Exactly. To entergar. Yes. Yes. If you have to

enter it in the arms. Uh-huh. Not that's that's going to do you know. I have two questions.

The first is the most important. Because I know that's obviously in that in that in that

belo where so, so entities good as this man that he talked about

Arturo, that was the form to give to the Rosa, her and

for example, also, these entities imitators that obviously

those are indefensos puros and they want. How someone can

avoid that this occur? How can protect a his or a

his question? That's my first question. It's that first,

who is that's that is that is because even it

that, we let's let's think it's a way, I'm going the

little bit to the baby and it's going to bebe and it's that's then they're going to

the famous murder of Kuna, that then can be for for other things of respirator

or for a vomit and etc. But it was when the people that were the people

and for those babies and for so they were so they're so they always it

was that were there were people from And a lot. Siglismos to be

back, sigils and they're like some certain protections for them. In the

moment, it was to say it's saying much that was when Lillith when Lillith starts

to have a relianceia, they're they're like, as sigilos of protection

because if they're not they're going to get to the babies. But this is a thing

of the world of all the religions, et cetera, always has said, that they're

that they're that's been for the babies and always that they have done they're

like if they've got like they've shuped the heart baptize those are you

have been they've been done they're saying but I'm but I'm bautisado

to my a, and my mom I think has shoted three

times in the but this but I think there's many other

protections there there many of there depending on your there

there has there has it has you have to you think it

protections to the babies. That heavy. Yeah. And then, for example, in the

in the people, too, many people doormen with the windows so they're

so, they're saying that when you're that you to put the cune front to

the ventana, nor don't know to do not to do you because there is when they're

when they're these brucas that much we're represented like in balls

of fow, all these videos that are super, super virals that they're back in the serro and

that's and that's they're in the little or that they they're in the aliento, and then

it's also it's it's a true of people's, in where the houses has found

been found ventanas chuecas that were to confunding to the and not put them

get to there. There's there's a castillo in Bruchado in England

where literally made to build to the family that's He said,

we're going to remodelar because we don't we're going to get to be a battle,

there's a little bit of a woman, and was in cadenar the body of a thing, so things that not,

no, violent them physically to the people, but they were to get a lot of, they were

pictures, they were in cars of the people, those things were really, and then

they were, they were there, there were things, and there there were nothing,

the windows that were going to an room, but not to be there, escalers that were

things like, remodeled them to do it to find out of the the mansion Winchester. That's like

said, the mansion Winchester. Yeah, that she was, of all this,

of the the rifles Winchester, that in some moment were very popular and they

were used in a lot of conflictos, then it had a certain malition

of that all the people that had had fallen had of a rifle

Winchester so they were in a lot of so it's a like it's a little bit of you're a

visiter to see a little in the first is a in the in the United No, they're in

States uh oh, yeah yeah yeah yeah but it's

yeah, but it's true, and only my question for that we pass to the

last to the end of this series that that we're that

we're that question how did you did you to

Uh-huh. I... I spanto much. Yes? And I... Is it? Yeah, what's

I'm saying? Yeah, what's going to? Oh, hello, baby. How did you? Oh, so. Oh, so, me... Oh, I don't see. I, me, I'm into...

Wow. Wow. I said, what I said, what happened? I mean, I was... I said, I think, a filter or something. Really?

Yeah. Yeah. So, I see. The distortion, so it's so... Very interesting. It's practiced during the time.

Yeah. Oh, You know, about of babies, about of babies, they're going to

a story. No. A story a story very, uff, it's a very

very strong, and this story is called Erlarlequin and the Amanda, pardon,

Yolanda Fuentes. Wow. All. All this starts here, near,

in Guant in Guantua, and it and it was, it was, I'm embassadazzed to

40 years. The doctors are said to, hey, you're a little great,

your your end of a lot of risk, so you have to have

some the period of gestation and all this. And she said that at beginning,

was obviously was always was very content and always had been very very content

with her and all that process but there was a point in

that she began to feel a she was that not

necessarily were the pataritas of the baby. It said that it was a sensation very strange like if there was another thing there was coming

to the baby. So, then it's that during the nights and all this, she tried to conciliate

the sunno a person to do that of all that, like, of a repent,

he had moments difficult and so, but he said that when was trying

so, so to get us dormida, dormita, I'm in the way a lot of some

those caskabels. First, like very very bigots, very very bigots but always

those heard of the cascabels, the vintra started, like to move to so much

and she was a movement anti-natural. Because with the pass of the end of

a partadita, that was that was this and that was the movement that had,

she was very strange. Well, past the time has a baby who's called Emiliano. Emiliano

started being a little normal, until he started to take a little more

of the and said Yolanda that he was he was he was that was

seeing looking to a rinko of the room of the room.

So, always that I was Emiliano, Emiliano, where is that? He said that no he said he was always like, or going to to be over or

to be able. When he was when it was very small, very, very, little, when he started to talk,

the thing changed completely. Because when he started to talk, just the was just about I was crying at the 3.33.

And, and he said, Mom, there's the Humber of Rojo. Mom, there's a woman of Rojo for me. And he said,

of what you have been? No, you're in a past nothing. You're not? Like, that's kind of

no, it's going to be going to the time as far more was growing Emiliano

he began to describe to this man of Rojo. He said that was

a like very high, Delgated, so with the extremities super, super large, that had a kind of

of a kind of a big to be very long, and that when it was the carterer, it said that the skin was

super, super-lank like, like, like if it was totally anti-natural, is a pegada, so pegged to the wesos and he'd have to be all the structure oce. He said that the labos

were rojo, but rojo profound. Imagine all the scene, the skin super-blanked to get to the wessos and the labios rogous. The most spelunant

of all the description is that the eyes were profoundly rogous also. When it passed the time, Emiliano,

always she'd always to three with three and three, Moma,

there's I'm don't want that me leave, no I'm want to get me

and I'm so the time and the things simply were and per

every the a visitments of what was to

this arlequin even and she she always she

she she even until he one he said

well He said, "'It'll be "'imagination "'of the "'of a "'moh, "'it's a

"'of a "'he's a "'he took "'ver, "'in one "'occ' "'in one "'he was

"'and he "'he was "'that "'and, "'of, "'of, "'Romping, "'that "'in'

"'in' "'in' "'When "'Vulted the "'in' "'Dice "'that "'He said,

"'that "'that was "'a' moving the head so and sonning the cascabels when

now now I'm sure you 100% the word of emiliano he said he intended

how consoled to get it with psychologists the more the more the things went much better

he was to get it with psychologists with and see what was but she

always took the same response of that you know your your

is your a process very severe of stress, that's anxiety, we're going to have a

medicament and it's he's going to but the things and they're and they're more

and they said, Moma, yeah came the woman rojo and is

like she's like she he's he's he's he's well

the history us even that that attacks of anxiety, much insomnia, no can't doorme, no put to dream.

Always is a lot of being a little more grand. De a fear that, maybe, much would consider us infantil, no? An arlequin. But what the most aterra to Emiliano, not is that alakein,

is how is physically. Desgracially, no less I have a good final for this. Because, us told Yolanda that

he took to internar in an hospital psychiatric because it was too.

All this with the medications to do all this and then that the

internment in the hospital he was to help to control all these

hallucinations but not it but not it was so until the

moment of the day of today Emiliano still interned in the

hospital psychiatric. But, curiously, in the house of Yolanda, still

they're still in the cascabels at the three with the morning. That's

of the entities that are that's like a really, I'm very very much

that's a manor me said, oh, an arlequin? And I, so, because

he said that an am a friend of him sonniam much with arlequines

much, much, much, that were in different situations of your life in the

life, or say, passing to a glass of the water, yeah, say,

saludan so, but always were arlequines, always. Even in

the experiment of the laser, the first entity that that's in that is an

umbral is an arlequin are the constructors the arlequin. But, that's

No, no, I don't want to, that's but how you make to your child, to do you know, a hospital psychiatric, if you do you know,

totally. Jolle. Is it more indefenzoing? Yes, of course. Talbess is the desperation that the most you feel

that as they're medicating it, they can control and contain it a little because I think because I get to the point of desperation of how you contend I, what I do? Yes, it's that super difficult. What, what do you do? Yeah.

The curious is that you have found out that from the beginning, when she is she's embarrassed. She's also the cascabelles and she has this in the vintre when she even though had been born and yet had been asked. So, it could be that from, from her, the most, no I see, that this entity

of the Arlequin is a like that's more than more than she more than he to be

not? I know because also because also there there there's some people

that there are like you can't you can't but this entity will be

to be but I don't know but always I've heard

because I'm super scofferentes so they're super maldits so

not it's like to I'm to be able to be to No,

you're going to destroy the life and I'm going to to be a bit of that's a kind of a human being and then we're

like a humanita decided to do a form juggetona but it's yeah existia and it's because it's

very rare that the people soen with that they're in that's umbral that to terrorize

people in a or area in specific it's an entity is a whole no has no has

no cerns but has a sombrero with cascabels. And also, that's of the color rojo. So, that's also, that's a point very important. Imagine the eyes, so,

the color rojo and all the characteristic that's, that makes, obviously, to have more than a pasadilla. And what? And that's there, that you can't see, and you can't. And listen. And the other, no. And it's aterrador.

Wow. Well, well, to, let's, to, let's let me, who, who don't see, commentaries the people that have experiences

of the three 30 to 3.33 of the madugated. But even we're not even

we're going to the artiquein? Because they're very strong so, all the experiences that

I've heard of really, all the there's a video that no I never I never

I'm indagued in it. But I I remember that when I was I caused

something that was a rlequin that was a rome front of the car of a

child and the Carlequin's moving and said I would do with I'm going to

I'm going to be an noncealphrean. For if the people want to

see the this is much a lot of you, you're going to my story. I'm going to

do you want to a story of a country that that's a present to my tia. In that I was thinking.

Yes. And is what I said, Moma. I said, but, but what is? Uh-huh.

Because there were many comments, no? That's this this, it's this, with a certain thing. But I

just those put this form, as I'm that I'm don't know to say, what I'm

to say, how you get to an hospital psychiatric, but, but, in the

desperations, you're you're a solution, the that's a solution. What do you

when you when you do you can't you can't you can't you know, exactly

and it's the bruce or the person who's doing magic and you say, no,

man, put a bell and do a and do it and do it and turn to do it you say,

do you know, and you you're going to you get your and you do the and you're and it

and it and it and it doesn't even it's burrula no

you you You know, you're doings down to water, or you're doings down to air, or you're doing the incensed. And that's literally what he wants. And then, you know, what you said to the person, oh, yeah, what you said, no, it's not a peor? It's, oh, then you're saying, no, wait, you know.

So, I can't even ask. So, no, no, you can't play to that. No, no, you can't use to that. Because when you know you're just a lot of that these things are reales, no, no, no can't try to try to be to be what to happen. No, no. is that for a good

bruj is a good because you have to be the sufficiently humilde to understand that there is

something that you know that's that you can't manage the bruho that has a reason in something

or in all or in all or in all all. Of all. The fact it's this story

that I was the story that when he was a very this man who is super

normal that he said and he says you're your your is a pacto

with the I don't I can't do anything or regress you did he

did do you do do so no you don't he you

don't that I'm sorry but just yesterday we're we're talking

we we're the first great error of allester Crowley

that he said this is literally is a demon

of a great hierarchy and I, I, as I have much knowledge, I can dominate it. What?

And just I was to say, I think when the ego, he got a, the broujo, to the man, to, the practicant. It's the initial of the end of that brook. And it was still Lester Crowley,

first you have to have to dojew, and there you got the ego. Yes, well. It's that, the accept that you know you know

you know you know you know you're a question to do something totally human no we're

the response for all and in the case of the bruchos and of all this I think that what I said that's very

important because it's like a red flag you know if you get oh yeah I think that I'm a

little bit to do you know I'm to do you do you to do you to do you to

do you do you because there can't there are things that can't or that simply

not is in our understanding not in our understanding and we're with all the knowledge of

these things, no? Sure. For that I was asked, but what

can do? When at at 3.30 or 3.33? So, and I do it because

me it's a thing, that all the people are in so we're

in this always, we're without your religion, without your nothing, or

your race, nothing, nothing, you always you're always you're in a

more if you're to be in your or your child. But more. But more. So, for me, no?

Um, get me, but don't you leave me to my son. Yeah, so it's, let me have

repeated one and another other once, and when you know, you know, you know, that's great.

That's great. Yeah, what's that's yeah. I'm, I'll be at this

form. If you're to say to the virgin, well, resa to to the way. Sure, to what

you serve, to do you know, or to give help, to your father, your mom,

what you say. And what you, what you say, this is, this is this is this is

me, but, but do it. So, no, what you do you do you

do you do you do that you know, eliminate factors like, I don't know, I'm,

not, you know, or what is, without you do, so, so, so,

so, so, make it's a way more brutal, no? But, yeah.

It's super delicate. Wow, this was so was aterrador eh. What,

that's a sueger, the Ruebe the Ruebe. He, pass me to my bed. Oh, man,

no. This, o'gain, much thanks, thank good chapter the fact

that, what good I'm a a lot. And to start, to finalize, right, and platforms, for

forward. Yes, I can find like Anna Sallis in all the social, in all the platforms. If you're

like the mystery, the phenomenon uphological, and all the mysteries of the civilizations perdies and all that you

can't find perfectly. They're going to let's get a world for there. U.

Thank you to all the people that's kept to until the last, thanks to

the story one of these stories of terror to someone that someone that can't

do you know a question. If you have a question, for example for someone

that's coming to you know a chapter you, what would recommend you? The

ultimate, the Getway process. Because we about all these plans

of the strange if could connect to connect us a little with what we

here. Because of that that that investigation that I took to get

to make to English to the Spanish. Because no

there was not of Spanish in the or in the I'm in the I'm in

the I'm in it's a all over in English and pass in the but

they're about much about the about when we we're going we're

going to we're to get to get atas in what many we know

we're a lot of things there incredible incredible incredible you

know so there I'm there I'm I'm and

I'm and for I'm saying wow Oh, so, there are Like the Gateway Process Like the Gansfield

Like the Skoll experiment Like the Philip Experiment Like the... How is it called? The ghost cope? The, uh... Looking Glass No, the machine this That can't allow to talk with the mortals

A time? A la you sent you were the last time? Yeah. I think it was a night for normal, no? Yeah. How is it? Spiricum? And that

really I know so if a day it's a year to work

to make a new message between creyentes and invite to any of us

yeah yeah so it's that so take to I bandero with

information scientific and documentos classified of the CIA and fie

and fie we're we're just to abonar to that's a lot of that's

people at the people think, oh, the archives desclasificated

of the CIA can be like patrae but no. That

study, the of the gateway process has three seven

years of investigation and the day of the institute

that that that is a very that still they

didn't even in the disclassification illegally they found a

recovee to say oh but, but I'll have a page. The 46,

right? 25. 25. Yeah. Fault a page. Ah, car.

How's what? What's the page? Yeah, and since that page all the experiment

simply not function. Ah, caray. Who that's that? What's a

loco? Yeah. That's crazy platforms. This is this platform. I mean,

I'm like, I'm going to like every this red social. Obviously, I would appreciate if if they're seeing

in all the channels to insomnia. And also if want to learn to learn of there's a other than a

practice occultas. That's. Very good. I want to get it. Above the Brugheria. I'm so

my friend Fepo. If you learn in this, because the brusheria can be

seen from many points. Of course, if you do you do you have to give you the gateway

process or other things, I'm do you do I'm do so do you positive.

We're we're the next time to continue narrating these terrorifices

experiences reales that you see our own our own our effort.

We're doing the way more more rich so so listen

us if they try we're we see Bye.