INSOMNIO - LA LLORONA| Invitada: ISABEL PINO - INSOMNIO #10

Episode Date: March 1, 2024

⚠️ ADVERTENCIA: NO SE RECOMIENDA PARA NIÑOS O PERSONAS IMPRESIONABLES ⚠️ En este espeluznante capítulo te sumergirás en las más terroríficas historias reales de pactos con seres malignos. ¿Estás listo para desafiar tus miedos y enfrentarte a lo desconocido? Nuestra invitada especial, la enigmática bruja Liz Cerón, nos guiará a través de un escalofriante viaje por los rincones más oscuros de la realidad. Desde antiguos pactos sellados con sangre hasta encuentros escalofriantes con entidades demoníacas, cada relato te dejará con la piel de gallina y el corazón acelerado. ¿Qué precio se paga por invocar fuerzas más allá de nuestra comprensión? Acompáñanos mientras exploramos los límites entre lo humano y lo infernal, entre la luz y la oscuridad. Adéntrate en un mundo donde las palabras "terror", "suspenso" e "intriga" cobran vida propia. ¿Te atreves a enfrentar los secretos más oscuros en esta noche de INSOMNIO? 👁‍🗨 Si te gusta el terror, este canal es para ti. Dale like si quieres más contenido escalofriante y prepárate para no poder dormir esta noche... Nos vemos en tus pesadillas. 🕸️💀 Recuerda seguirnos en nuestras redes sociales: ► TIKTOK: https://www.tiktok.com/@podcast.insomnio ► FACEBOOK: https://www.facebook.com/paranormal.insomnio ► INSTAGRAM: https://www.instagram.com/podcast.insomnio 💀 Acompáñame al interior de la mente de asesinos seriales en CRIMINALMENTE 💀 https://www.youtube.com/@podcast.criminalmente RRSS: https://lnk.bio/criminalmente 👽 Escucha Podcast Paranormal 👽 https://www.youtube.com/@podcastparanormal GRUPOS PARA COMPARTIR HISTORIAS, MEMES Y EVIDENCIAS Grupo oficial de Facebook: ► https://www.facebook.com/groups/548487930178860 Grupo oficial de Telegram: ► https://t.me/+vFdn13cseD0zZWUx Todos los enlaces para ver y escuchar el podcast: https://podcastparanormal.com Envía tus evidencias a: [e-mail] ► Consultas empresariales: [e-mail] #insomnio #paranormal #terror #Fepo #PactosConElMaligno #HistoriasDeTerror #Brujería #Sobrenatural #LeyendasUrbanas #Misterios #Demonios #Suspenso #Horror #Intriga #RelatosTerroríficos #Oscuridad #EntidadesSobrenaturales #ExperienciasParanormales #SeresMalignos #TerrorNocturno #Miedo #CriaturasInfernales #CanalDeTerror #AventurasTerroríficas #YouTubeTerror #NocheDeTerror #SectasMalignas #FenómenosParanormales #PactosSiniestros #Pesadillas #SusurrosDelInframundo #SecretosOscuros Send in a voice message: https://podcasters.spotify.com/pod/show/insomnioparanormal/message

Very good nights to all. Welcome to a new a new chapter of insomnia. In where

we narramos, we're the experiences most aterradoras of the audience, experiences

reales. And you tryvance to hear it. This night is with us our

friend, our greatissue Amos, how you know, how is you're very

very very emotionated. Estrenate. Ah, yeah, it's first every other way that I'm in

an insomio I'm super emotional and so on all the this ben me, me comment the

chism and I've seen the that's this insomio is about overasando places,

is getting places in Spotify Felicities inorabina good, good, thank you.

Much thanks. A people people like a lot. So, I think

for the formato it's like very very good it's like it's a dark

and it's a Who's going to be able to be. Exactly. Because you're managing, right? Sure, clear. Oh, before that we're

for the people that not you know, that's a little more than more than you consume in insomnia, and this is the

first time that you're the you're going to do you and over all very important your social. Okay.

Well, I am I'm so I'm already in this moment I'm dedicated to the letter of

cards, to give a course about tarot. My formation professional is another

but, well, this, the life is the life, no. And,

this, I'm in, in post to be to open to open my cafeteria. That's so.

And, uh, my, so my social are Isabel Pino-Flores and

Instagram, as in Facebook and also in TikTok. Isabel Pino Flores. Pino Flores. So,

so you can find, so, with all in my and all. Oh, fiatte, there, there,

there, a, one a co-sia that we're, I remember, if you're listening this, here appears the courier, the mail to

you can't sender your experiences. I'll, I'll ask, for favor, that be very, very,

claros in the redaction of those stories. Tommens to your time for that the story, what we

know, so, that go to go direct to the history, and that also, not you

don't be to add those details that are important. of the repent in the stories, I'm just,

this, for that, for that you take them as a example, of a sudden we're going to a girl and

he said some things important times, but no they're what they're what things. And I think that

very important, valga the rebusnancy, I think it would be very important for the history. Obviously,

changing certain data and things to protect their identity, if they can't

their name or the Correo is the we're going to take for the history. If you want that the

story be an anonymous, for favor at the first of the Correo us this is my

story and for favor that's anonym with that we're not to say your name

or let's inventing one. Ditcho this, the Correo is Fepo

Ropopopopopanormal com Okay, now now so now so now see. Ficate that

we Well, we're this of that one a story, a story, a story. And I'm

like a an anecdote or an anecdote or an story that this whole whole of the

audience, in this occasion, we're going to do it for a reason different.

The person that's to give to make to make these stories, because

at a sometimes is in disorder and we have to make

to be that they are that can countables, trying, obviously, to not alter

the history, is that person that is, that is like the heart in a good of the insomnia paranormal, is

Fermex, our friend Fermex. That's that's too. Firmix today is, Firmix, today,

I did actually, he'll be to give, to the message, well, we're doing in the future when he

said, see this, but Fermex, all the team, all the community, we're very much many, much felicitities,

much felicitities. Felic, Vultal Sal, pardon. Felis Fultal cell, yes. Oye, just when

he was when he was reading these stories to have come to talk today, he was to

this, this, this is not to serve on this, this is a story real, but

But, so inspired Fermix in these stories, and write the next, which is with the we're going to be able. But, but I'm a question for you, Sabel. Yes. Do you, have ever seen, has heard a lot of yorona? Never has heard.

Or, yeah, in some moment, I think you get to tell, of when, until I did the sound, no, of when I heard something, you know, I don't know, I know, so I'm saying, the Yorona, because the really is that

I know is a legend of here, of this part of the country, not it's like, because it's like, because,

it's a bit of a river, and here no, and all, this, but, but, it's always

me have occasioned many scalofryos the stories of the Yorona, no, and I, and I,

and I, like, so, like, the ente, like, so, has moved to the

area, but specifically when it when the the water has been to be in the

water, a new, so it's so it's, but the really is that I'm unfortunately

I think I never I've never I've seen a I've seen I'm sure well, you know,

well, you know there's a video where we're going we're getting grotersers because we're much fear

with Alex Mike Myers and Mau RG1 but fagate This night we're going to talk to the Yorona and I want to tell you this

story that I'd like very much too, that presentar much attention because it's very interesting the way in the myth or the legend to the stories

have an an issue in common have various factors that are different stories and the history and not

only from Mexico but also in in Latin America, maybe with other names, but still still being the same.

I'm in the Sierra of Veracruz where the night can get to be insupportable. No, I'd say

that in this region, always, always, it's a cold, but in some places,

like in this, in the nights, the humidity and the free, are so

insuppable so, so, in the the dead of the hands. This was a night of these. It was a

frio, terrible. And I, well, yeah, I felt that the hands were being said to be congelingling, and I had been to working, had been much, much

a new, much soo'emone, and yeah, I'd like to be my camera, tap with my cobiah. They were at about the 11th of the night, when I

had made the I came to house. In that moment I was to look a transport

but in this area, for the hour, then I had to have to

come in that free a free a free a car and it was the way to

when the I was I heard the gritty the

great immediately in the I'm in direction to

where had heard that had because possibly was a woman that needed a help. And I commenced to

hear. I was the yantos, the quejillo, and I'd, and I'd, and I'd, were more or less or less five quadras

when I came to the place, of which I thought that I'd the sound of something. As much me more

me was I'd get to the place the one of the sony more lex was heard

the yantto of this woman. So in that moment, I detupe, me kept thinking in this strange situation, and then I decided to go to my house.

And so I did. I got to my house, and as I had much a dream, enter my room, I'd open to the door, me met me down of the covichas, and me prepared for to

to be. When, of a repent, I heard the same a little great I was coming to the and I was and then

when I was and then when the the street I wascuh I recorded the words of my abuel when the yant of the jornah

she's heard she's a lex she's close and when she's She's a close. In that's

a moment, I went to get quickly to my camera, and I put to hear with attention,

that yenton, that's quechid. In effect, it was heard very very

and he started to make much fear. And even it was I was I

I felt like a wind elado recorri to my back. I'm

in the obscurity in my room and I began to observe all and the

door of my room was in never was in there was

there and there there was a woman a woman that

me was I was the eyes but there was

there was a face I'm being fission and

suddenly she moved and the impression, me gave an infarthe. It was the last

that I remember in that moment. Until that after after I was, I was in the room of an hospital,

recuperating me of this fatal encounter. I hope that all all, it has been

my imagination. In that room, in that room, the sound the hospital, when of

I mean, I'll hear a little a little a great aterrador of a woman. So,

so it was a night. Oh, what? That's, that it was, that's,

that's, that's, oh, that's, that's, oh, I've heard, you know,

you've been to hear that's a good, and if the school's that's a yeah, also,

also, so, so, you know, I can't I'm a chistorete. Yes, sure.

It's that here there are some people that are in some people. Of, the margues of a

woman, that I think no, I'm going to say the mark, no? But I,

I always you know, those, those who are the lot of the Yorona of here to

Merida, because when those you're not those hear you're that's so they're

so they're so much, because never, never those alcans to the mucres

tamales. Yes, Yeah, right. Okay. Okay. Okay. Okay. The

The next story is called Jorona, so, so, of our friend Isabel Navarro, Mitokaya.

Okay, okay. This, well, she commented that that's two years. She and her

family, her mom, here, us about she and she and she and her, a house that was

constructed in 1945, a little a little before the middle of the year of the

year so she said she said she said the house was about management

not we talked about of a last years he felt much maintenance

and the house was technically she said in ruins no

so and and that she and that his court was

in the second piece was and they had a balcony. The

doors of the windows were doors of the house of those houses

of those that were the windows were portitas and that and that when

it was a much cold only they were just they were a curtain and they

were to get a car the the escalers also were

there were much much a made her in the house. One night

she was not doing and of a repented the sound

the crugied the front of the doorgid because it was going very,

very very very very she had never she was

and when she when she She gets, he gets rapidly to start the windows, all the

windows, and just in that moment in the she gets to start the doors and the windows,

it's all the light in the place, okay, in all the colony, and they're completely

out of those. She's she's never to start as can get to the new to

the camera. And in that, when she She's the wind

soplar and tootar the windows behind of the sound

of the water that's the there's a lament very

very very clear so like but but but

collars in the sound of she she she

she a He has stusts much and he's envueled, no, in the in the camera and every

every he's more more more clear at the time. And in

that, of a open the door of the door to and she and she

see that her mom. Be that her mom, with a bell, and he

says, she, she has a susts and she that you're here, that well, is that I'm really, I say,

Tranquilla, I'm sure, she's, please. Ben, he's got with me to do to do with

the room to be and the and he has and the take of the hand and he's a

man and was a very free like if he had taken from a balled

with yellow so. Isabel imagined that also that maybe the mom

the more had a fear and for that was a no I know

and he he he's he after after that they're

to get to the house and in that he says let's let's

we're we're a with the air and the wind and the

and open the door of the house and in that

she he he he's she he he said

she she she so she and she when I

see a mom in the foot of the escalator and when I went to see who was a side,

see a a sombra like a silhouette cadaverica with a eyes with a

smile and the hands were like the hands were and she she's

her mom and he and he has a mother and she's her mom, her mom,

her mom, never saw, the ender that was she was, the mom only was seeing that

she was going to her own to the door. No manches. And that is the story.

Bibi, yeah. I know, no, and you know, you know, so you know, this side.

Yeah. That's, that, oh, I'm, I'm, don't me can't hear of

irisar, it's, this is of those that They say, it's the Yorona, no, because it's the Lamentos, but are these entities that

are imitators, right? Toman the form of what you recognize. Yes, there are, there. There are, there are to gain your confidence. Yeah, sure. So, the Yorona, I'd hear a little

and took her the form of the moma to be able to get her. What, what? What, what? Yeah, no, it's

he did a bit of that had been a agarada because it had been the light. Sure. Oh, no, no, no, no, no. Oh,

I got her to the man. It's a very, no? It's a part of with your

with your question. This story is called Helpame me. We'll

let us our friend Stephanie Cabrera. Fiatte that this story

is related well, the experimented her mom and she in that

then was a little eight years and his brother had six or at the other

or at the question was in that they're in that this time of when this

experience because it was because it was it was she was she was

she was she was so they're little she little she she't

the the little to get to be to help the hair the

and they're to begin to And they're going to be like to turn into, the kids, they're going to belear. And he says that his mom had a technique to calm them. In when it was, one thing is that they were discussing, but in-cant-so-in-cant-cantz-sevian

when they were to start-de-man. Empeasers, hallears, the or what-the-saidate. Inmediately, for, so, short, that energy, let's... Sure. The mom, what I did, listen. Apagabed all the glasses of the house.

I had the Cabeo the mama She was And I'm gonna He was He was He was a

And he was a time to be a Spectro in the obscuridate Andras I'm My

My My My My My My My My

And obviously You know You know You know You know You know You're And you're

You know Yeah Momah Yeah And he's Well Yeah But

But let's belear. Calmed, for favor. Also, it's a time. So, you're

to have you have to prepare to do this. Okay. Dehars to play, they're

to discusses their pajamas and they were in and they had been been much,

eh, that night of the New So, so they were in the energies

and rapidly said that they're profoundly profoundly dormants. So, then the

mom, well, was, was, was, was, she I was like intranquilla.

Like, she had much energy and what do, what I do? I said, I'm going to go to be to be in a water so

kind of little and I'm a coffee or something to relax me, a coffee to relaxer me and yeah

me to do not. So, so I'm to get to the mom and when he's there

in the regadera and he he's he's like it like a voice

a voice of a woman that provenia of the cell of her this

voice she called her name Sophia Sophia Sophia And then

she thought to be my my my my I'm

I'm I'm the of the lot of that she for they

go and I'm in the back I'm my my daughter, you're doing a

brahma. So, no, he gave a important to be to be in

back to be a little bit of the same, he said, he's like, he's like turvante in the

head and he said, and he got to that coffee. He was to the kitchen,

no, there was to be a house in complete silence, but she felt like

someone not only only just were not only but in that in that way to the

kitchen, while she came down, as she what was that was that was she was

doing. She went to the kitchen, she started to prepare the coffee when

when they were to turn to the door to the entrance. So she

was with much care, she was, he was the door

and the other side was a woman A woman More or More

But had certain characteristics that she had She was She was She was totally

of black Totally of Yeah You know You know So even Even the neck

Totally Yeah It was very palida He had Sheen She

You know clearly You know This woman Not Dormido in Semannes

the Piel Although, I'll repite It was a A lot You'd say you're A manila Because the

Piel was Dementia More than what You'd You'd be a Pendrias Aragutisima Hadn't

The eyes Negros Negros And It was It was like If you Not had

Expression in the Rostro and you listen very well this like if no

there expression in your rostro but the woman is yorando

with desperation to open the door see this woman and

and burreating grittando but like she the expression no

they were wrugated awerosa palida and she she obviously

she he's when when when see when this person

that he's what I can in that can help help. And this

woman, between his yant, he says, I'm looking a call you know where is this this call?

He does the name the she's a she's going to know where it's heard of this car and you say that I'm

saying I'm looking to my family. Help me. You know, I think the the street is more

the end. I said, you know, I'm going for this avenue and I that's

that's that's a that's a that question and the and the woman

and she and I'm trying to I'm I'm need to my

family I'm I'm I'm sure I'm maybe I'm

that I'm and I'm there and I'm there so I'm so I'm

so with the I'm quite un- quite because

she was the door in the car. Cere the door and he kept there a momentit

oh, I think that I mean very bad a onda. This person needs help and I

here I see the door not in the car. No, no, no. He'll help.

Abre the door. Yeah no, there's nobody. It's

two or three seconds. Only what his the thought he made and he made and he

he said he was no, he was he wasomed no no he said

there's like if if it's going to have gone to disappear by the

door and then he started thinking what is this what is this what

he passed and I sentia that that that a mind like

if someone was and observing. And she was thinking, no, no, no, no. And if you're going to do my kids? What I do?

What was this? And in that that I was coming and then to be thinking in this, passed for the cell,

he went to the window and the other side, to the side of an tree, was this

woman, parada observantly her fithement. And she she saw that he was he said he

was going to but the I mean simply observing her simply he's not a man you know

so I'm sure it's a person who needs a person who needs to the telephone I'm going to the police. He he

he went to get to this woman and with the man he was

to get to get her the armament and when he was he was

up she was the woman that was so observant she she

and he he he was he and he he he and he

and not coming not not floating to her

and the of the nerves he called the telephone he's got to grab he was to make him

but the hands he didn't he temblas he tremblain, he temblas and this thing was coming and thencecating and then't

and then't he was he left the telephone and he went and he was in shock he was quite grittable

he was in shock the only that was for his mind I have to to protect to my children

and I'm he entered in the room and he and his and his his and a

profoundly dormied, tranquillus and she was, what I do? Those

I'm to get, to where me those I'm going to be that is going to spantar

what what's and he started to to be to be no no no no no no

no no no this is my imagination no this is my he He closed the

door for that they were doing and he started to come to the

cell and he was like observing the window the window there

in the room when of a little he started to

he started to get a force no it's and it

was he's arm to the door and and

there was a his husband, that had regressed to the because she'll

have been the and when she was that was her she was a woman palida

tremlorosa immediately she did know that something that something and he he said

she said she's okay, you're you're you're not even she didn't

even talk and she's me Oh, They've got my Chavez.

Where is the woman that was with you? And when I was called this, he separated

a little of him, what woman? And his husband he said, well, I was,

I was I was coming to the house, you're you're on the window,

and the phone. And behind you, there was a woman anciana that was

that came and when he said, it's smear. Termina the Correau

saying us the next. From that night, the theme of

the Yorona never to talk in my house. No manches. How is?

Poor woman. That horrible. Oh, no. She's my imagination, my imagination,

and I get to the husband and he said was, I'm back to he,

but is that the, the canion is that she in that in that same moment

she's she she she's she's oh yeah no manches no manches I can't

I can't even not even but what you tell you and what you know is that's the thing is the

that even I could have able to talk to the police there there's a there's

there's that they're they're not to hear nobody or that and that they're

that chacken to He's a can-higo, too. I mean, to be in that position. A poor woman. Pover-mugure. This, of really, me,

I'm, I'm encanted this story. I'm encant. It's a good, thank you. Yes, yes, yes. No, I, no. No, no. No, no.

No, no. No, no. No, no. No, but, yeah, with the, with the, with the news, it's major.

Yeah, I think I'm sure, you know, never, never, never said, this. No, so, but, but thanks for

We can't tell us. Yes. No, manches, that's it's a good. In that

story, she's she's okay. But I think the mom no,

not going to see this chapter because when I see the I'm saying pass.

Passo. I'm saying. Sure. So, without. So, so. It's

tough. You talk. You're good. Well, this story is

It's It I'm I'm And we're Our friend Our friend Jose Cruz Gaitan

Okay Has a much time when he had Around of 13 years He He

He Passed much time with his Primus What the PAS is that

his Tios and his family were very United and they were

Cases in the same Coney in the same Barrio Okay

Comprarer And they started to Construing, so when they they were, when they were, and so, and in that moment,

he, his father, of Jose, no, no, they were, they were, still,

still, they were, so, so one of those Tios, that no was,

he was there, or that, he, he had terminated, to live there, while,

while they were, while they had, and, and that was, he'd

still more So, and he was at home of other primas, no, and of other primos. So he liked much,

he'd enjoy much, this, to go to his tios, because he was to go to his primos

and all that. Okay? So, okay? Well, like, all the nights,

he'd like, there at the eight, eight and the night, okay? Well,

yeah, yeah, he had to get to to be to the next, the school,

and all, okay? And that night It was a night of And it was a night of And it was a lot of light Okay So, no, there was very

little alumbraudable public But not It was too necessary Because the lunar He alumbrava perfectly He was He was coming To his house

And, and And of a And he says To see, or so it's I You know, you know,

but there's there's there's own nocturns and of all right and a difference

I think that the the perros were like as a loggos like, like,

like there in quiet there in quietude in the quietut. Okay. And in

that he he began to hear in the air, a lament very levy, very tenue,

lehano, but very clear. And he can't do his house, to where was his mom. And he

starts the door like desperated, because he was very very astounded. And so, that's,

he, he, la braze and he put in behind her to the car, he says,

no, nothing, nothing. Just the only the brother's just the put

after her like saying oh yeah yeah yeah I'm

yeah I'm yeah I'm in my house no that that

that night he was he was cost much to

concili the sure and and of he was

he was and for a he he and like he

between the two and the three of the

he he he and he and he And he's like

that something he's something he around of your room

and he like a presence that's that's looking he's not

he doesn't identify like where could be and of

he he concentra and he he's he and

he's that I'm that but very very very very

very this this time he was more more than

when I was in the and in that so of a kind of that

can move and and discover that had a

paralysis of what now now is a paralysis

of so so so what curious is that

was was was very conscious of all that.

Before that he gave the paralysis the he had

been completely with the cobi for the fear for the

fear and he he was when he was when he

was a a a and he could be

to move but he he he he had

he had he and he see they and

he was he was was he was saying A lot

And, and the Covey and then the he saw the cobiha corria from his

front, his nose, like he was going and he was looking to the back the

the techo and when the cobiha he'd be a car be, he'd something,

I know, I know to say, maybe to his mom to his family, to someone,

no? But But, nothing, just I saw the techo. And that was what was just trying more, because no I'd alcansable to vislumbrate, what was what was

what was carrying the cobiha. In some moment, he thought, that, well, they were his feet, that was maybe was moving his feet, but no

he feltia. But, between that were, in those those pensations, between those

laments, he was a voice of his side in his ear in his

ear that he said I'm to get but he was he was

very very very very so and other again he

and he he he felt that still he was

he gave a terror and he he he he

he felt he he he was that was he

was not he had no he didn't And the bus said,

I'll go, to get to get to get. And of a moment he caught like

a very profound, like the energy back much and he

the body and the part of the part of he's he's

to get when he he's when he he gets he he's

very very so very very very bad, her mom he's very

very very and he he gave to the doctor and he gave a diagnostic

he did with diabetes premature or infantile in a grader very, very advanced

of the night to the night at one to a moment for

another so his life changed for completely his

routine his his his alimentation, his health is

a committed constantly constantly is visiting hospitals during

five years has been so he has been

still that that that his story could be

told I was I know that a day, a day like

to hear his story told in this podcast.

What barbarity. Oh, dear. I'm going to I'm going to I'm going to I'm going to. How's how it?

Jose Cruz. Jose Cruz Gaitan. Jose Cruz Gaitan. I, Jolle, I, I'm, I'm a very a very much

a brother. Thank you for telling us your story. It's a tremendous. Mm-hmm. Yeah.

I mean right at all right. I'm I'm going to have been a voice because no mancheed a little he's a new he's

he changed he's he thinks that he he says he he thinks that he can be a

entity or or something but that the yorona he's doing the promise

because he he's he's he's man we man we man we we're

a lot of the and the truth is that I'm that's

I'm very that, that's had been to tell the story, what happened, the most

we're, we're, not, not some, not some things, this, I know,

I know, I know, I know, but, no, does a permission, so,

so, no, no, because there are people that are living, things

things, so, so, and, and how you, and how you You explain that

the night a morning a man a a man a a man of a year of a year with a

normal, he's a no. Apartte that's that was that was that

that presence then there will be that there's there's to talk to talk

the respect I'm I'm going to have been your history has been

an honor to have been having it has related I think you

I got you that you I talked very okay okay

This Pardon No, it's fine, it's fine I'm going to tell us A story That's important For favor Although in a moment

You know, that's what has to be with the story CREAN me All right It's very simple It's very interesting I need to

I'm much attention For favor The history is called Enquenchro with the Yorona La Jorona La Manda

our friend Angel Osvaldo Ortiz Pioquinto Pioquinto so is his name

his name Piochino never ever never this is very good this

this when Angel in that he was 14 years is important

the next we're he was in acapulco in acapul Colonia

called Icacos that is a arroo where corren waters

water and the context is this place and he he has he's

he was a very time the night in the night in the

life this experience rara not not he's sure exactly

of what he was he he's he he's that

between the two and three of the madru

he He's Because He's A woman That's Soyosan First,

he thinks that is product of his imagination When you know, in the obscurity at the

night at two or three of the morning, no there no good, it's, and then

listen you that is soyos of a woman, is more more and now is a

lament full of angusty and dolor. He He does a lot of curiosity this that's what you're listening,

so he's up, so he does know that this quejid is that is the arroyo of the

arrooes nearer to his house. He said was a very bad idea the having to

have been to be this window to understand where this

this quijid because he found the origin of

that the When I was looking in direction to the arroo, I saw a woman very high, vestida totally of black. This woman, says that he had a particular. His vestido,

of a one single piece, it was like he wasdraggard and he was to be the topos. The woman, lently, is going to where he was

because the woman Noted his presence in the window and then he he was

to get to get to get to see this he was he was he was observing

the hectoring and he'd and but the woman that

was going to he was going to he of

he to something that was that rather for

saying so the woman not was He didn't He was

He was He was Flotting To his Ventana When he He did count of this

What obvious is that You want to Goreepart To be To be Or whatever Or what

Yeah But yeah I don't Because his eyes And the eyes of the

Muger Yeah had He had Chon And the woman advanced and

while he was he said he'd and he he had not so he could

move yeah no could not not even parpade he was like

in a kind of a paralysis of but by seeing

observing how this woman that was he was

he was he said in a moment he was

so so close that could have his enormous eyes blacked in the those shoes in that

moment he was the press and he was terrorized and he was trying with all his

forces of and not he was so the fear when she was she was

very that her she no resisted more and

he dismayo in in that literally to be

to be to the soil he Alcansu to be Alcans to be something

before to get totally dismayed. What he was the rostro of his

abuelita. What? What? What? No, you know, he's not he does

do you? I'm said that he's he's he's calculated that

like he called the hour when he broke the eyes and

and, and, also, he was a other time. Abre the eyes,

I'm at the window, the window was able as far when he was so-and-

all the thing, he was a lot of a year, and that was the night,

he was only to to protect him of that obscure ser, to all that all

all that all you know your those those my old those

don't manches that's so I don't I don't I don't I don't

know that not I know that not sure well well well it's

one of the things that is you know that is you know you know that

she says she said she she she she she she she in the river

to his children and he's repentio and then they said that's to look to

the car the kids is very common in those those there's there

there's there was a disaparations of the people they're adjudic

to oh that oh no that there there there's

that is that that is the that that I that that I cause

much a that that he's not in the that has

a that What you said, no, that that's always that's near the water for this

situation, and here it was a arroyo of the water's that's not. It's

that's that's that's it. So, or the other way, the arroyo originally not of

they were in the waters that's, so it's, that's, in effect. Yeah.

Well, well, then, well, this story is the name, the moñeca.

Okay. And, and us the account our friend Maria

Meneses okay Maria he had 12 years and this occurred

in the 2009 okay okay okay after after the school

Maria she reune with his and in the conversation

with the conversation and they started to talk

about about things of things of And, well, eventually, they got to

tell stories of the Yorona. And Maria, very embalentonated, I said, I, I, I don't believe in the Yonra. I, if I get in the car, I'm going to

read in your car. Ah, so? Asy, very embalentonata, like, like, no, oh, yeah, no, I don't,

not, no, he dabb'd not, no, I, no, I, no, I'm, no, I'm, no, I'm,

no, I'm, no, I'm, I don't know I don't I don't I'm I'm

I'm I'm rio I'm in my Rew in my Rory And so all they're And so

they're all right So I'm So I'm So I'm So I'm So I'm So I'm So then

So yeah So yeah So I'm And every Yeah And every She goes to

And in that She doesn't She doesn't How is the Quartto Mas

She Dorme In a Carto very ample that had two camas

individual individual, yeah, there were small, one was the one was the one was the

other was her and that was a time, that night his father that night

his dad and the mom had been with her and her and her

mother was in the camera that was a one

but the But, and however, the her mother dorms with a one of

a little of her. Okay? Uh-huh. And a Maria always he gave

a need, or always he caused a na-na-a that muneka. No?

The other night she and she and is a because he's a

lo-lejo some laments. Very to the So, they were so much, she said, She said, the Yorona!

And I was just about burlating of her, no? So, like, and, so, like, effectively, contrary to what she had said,

he felt a fear. But what more fear was, was that when I went to

see to the camera of her mother, he like a silhouette a little,

like of a little, if it was going the only that's a little and it's

to be and get to your camera and it starts and it's to do you

but what what you see with with clarity between the the obscurity is the

manita with four dedito and and unitas afilas

and see like as a With a reprimatur in a question of

seconds, like, below of his camera, like, a somable a man, and a

head of a little and she would be to get. No, manches. And in that she

grita and she, it's, and she get to his mom and he says,

what you say, he says, nothing. And, and of a repent, I'll

see, it's what, and it's It was preen the light and was alterated and was

like like nervous and they know that the moñecca was in

middle of the court but no manches but not they they

didn't give the the the she didn't not a

her mom and a her mother but that that they

got to get to the the mom had not

that that that Um, and a hodieros and,

like, he's preoccupied, I'm going to get to get to the doctor. No.

And when she go to the school, when Maria, when Maria to do the

school, let's tell to his people, and his people, and his

people are, no, well, you have to do that's to do that's

because not to be to do not don't do do

but the moñeca not of her her mother, how he was

how he was a question of his father. And passed the

nights and he could be to be a time she always

was un-tank until that he was more and one of those

then then then then then after the school

to his house with a another he he

and because because he can't don't because he she's

Sient mal and the friend he says, no, I know, and so,

I know, and so the people they're they're a little she's a little

and she can't what's what's the person, and the brother about with

the family and they say, no, they're to disasar of the

moke something something not not, because she had been she

had the But no appeared and I be a new year the and I'm going to change the place

and things so that nobody he was so much that they did it that's

that's desiciered of the muke then the mother said no I'm going

to deser to her or she was like to be to be to the

she was she no for more that they didn't convince

the her no I don't I didn't they were

but what is that is that she does is that he's that in the closet okay

he's in the closet and you know he's back there was a

all the all was a relatively more so he gets

she after she to the house he he got to

her no there nobody so he to get to

his room and on her demuada, the camera of

she, of Maria, be a muke, with the with a badmure, sussia,

and obviously she's a terrorisa, she's and out and it and it

is going to the house, to get to the house, to get a

family, because I was only got to get to nobody. And when

when she the woman, he says, very beautiful your bromom

he said, no? and the her manna, that's and she's to

say, yeah I think you I'm to be to be to ask to

he he he's to he's to be and he when he he said

he and he and the and the and the her and the her

and he he says I don't I'm he he's that he he's that

he not he never but one day the her one day

the man that the move the brazo and a only and because

this this thing terrorificed that the eyes were like the look to see,

like if you're like you to observe always, and that was what to be

that maria the inquietto the woman did, that's move the back, and say,

oh, no, are you don't, it's a moore, and met a moonieca in a

box and the to get a the basura. And that he's one or

two days before that was in the camera and they were in the ropero.

All they thought that was in the ropero and so they're to tell

to the mom and the mom says no they're a so furious to the

mom and the mohka and let in a ball the

the she and the she and what you remember Maria

is that that was that was the last night that that

he said you're to yorra a y' yeah yeah

the the muke imitaba to terror to terror to

maria oh oh oh sure sure wow it was

a a muke maldita very very no with with

all respect my no you don't you no

you it's all they're well, yeah they're yeah, they're but well

it's not it's they're not you know, that's you know, that's you know,

you know, I'm gonna you know, that's in this place, there are three

objects and one is a muke no, and there right, in their

cajita oh, no, my chus my Now, duend, is... No, spentered, but neither are a

dweendee. Oh, Hey. Prepareate. Okay. Preparedate. Because this story that

comes is extremely, extremely, extremely terrorific. My... It's these that's

that are to go out much too. Mm-hmm. Tell the I'll story is a

night fatal. Jose Elpidio Dominges Andrade. Have you heard this

name Elpidio? No. Well, one one. One of the name

a little common, is a name a little common, but this,

very good very good. Fyate. We're going to another again,

and I would that we would be that we're we're all, while

we're this story, imagine in the environment, because then they're to understand

what you what you did he's when he experimented the next. This experience was more

or less in the year 2010. So, no, he's not time. In the

year, in the time, he was studying, was in the university, but

in a sabatina. And, and a week's I was a constructor that was in a

project of governmental in zones rural of the state of Guajaca. Oaxaca. All right.

All over in Guajaka. All in that occasion, he, he, and he,

to the Sierra Miche, specifically to a a town that is a three hours of

the Carretera Federal. To get this people, not like like, you know,

you're going to take a bus and get us rapidly. It's a couple that's a three hours of the

carterer federal, there's a way, and then you're you're going to get to the poor. Okay?

It was difficult. When he's this place, he, he, he,

he's called a little, and they're two to this people because they had to things to

to, for to start these constructions governmental. He said that

his friend he was he was in the part logistic of the job, while

that Jose had all the part of the part of the tasks. So it was like the

first part that gets the logistics to the tax administrative for that the

government construct. So, then they're in this place and for the

place, et cetera, and what they're they're they're immediately and

they're until the authorities locales. They present them and they're about all the work, blah, blah, blah, blah.

And, also, they're asking a help to find a place in that those days that are in

the people, then they can get to be to get to dream. Because, how you can't be able in context,

no, there are hotels, no, there are cases in rent. No, there's a, so,

no is a touristic, for nothing. It's a Pueblito there in the Sierra Miche. So, well, there's so,

the people is super amable, super-ospitalary. And there's a family, a family, very amable, that they're that's offrece

a little house that they're in disoccupated. And they're that casita, that's disoccupated,

it's very little, but if they want, then, now in what you're going to be you're doing,

we're we're we're we're there's there's many, much

thanks. And they're to this place, they're going to see the house and basically

basically, it was a house, because in reality it was like a quarterit of five

meters for three of the front. There was, no, there was a lot of a construction

quadratita of five meters for three of the fund and there there was a catre

that because it has different names in different parts the al-ispan, but basically is this

camera, that is of metal, that you doblas, that has resorts, and you know what. Yeah, you know what? And, and you know, you see, yeah, yeah, yeah. So, there was a catre, of these resorts and metal. That's how suen when you... That's how to...

That's how it's gonna. And a maca. Because, obviously, because, obviously, because, obviously, because, no point in time, the size of the place, but, well, only it's for a dormer. So, so, yes, you're saying, no, but, well, much thanks. And Nico

he says, we're going to we're going to a ballad because I don't want to be the amca. The amaca,

for the people that know that I think so, but are these that have been made very famous

as to Homer or Simpson in some in a macka between two arboles that is this

is this is this is this that's like a like a bowlso where it

where you get one and there you can you can you can't be done in this

region is very common. So, he said, I don't want to do not quite I'm going to

do this I'm going to go to go to be a little, we're going to the camera. I'm so

prefer fere, and to be to get a maca, no? Tira in the volado and he

gana nico. So, Nico, in the catre and he, Jose, in the maca.

For if you're you're going to be the house seems that no has been

that's in the patio, in the exterior, a a little away from the

house, there's like in these constructions antivues. So if you want to like a

like a night, like a like a like a like a to get to the car, come to get us

to get to the bayon. So, well, he's, you know, because not she

didn't get to the mac, because if you get to the catre with the person doing the and you could

get to the carter can go more easily Yeah. ...that the that's in the Mac. And, well,

um, then, they're going to do their work, are in, in all this, and they're

in the first day, the first night that's the first night that's one, for the question, although in

that then there were, uh, telephones, like now, that could you know, that could be

internet and there was internet, if there had telephony cellular, in this people, no

the signal. So, so the telephone cell phone and then the telephone there's a

there's a television in this house and and also the people at the six of the

time, as like if it was a little that's the day,

there's there no there no there no there. The people

was in the house and there's there and very,

very, very very the time, the people just were at least it was in the sun, to be able to sleep. Apenas

is airing the sun, yeah, you're doing the sun, yeah, to be able to and he's he considers that for the

supposed it's because this type of people are arraigated to the work of camp, there to have to

have to be time, to get to get to the next day, you know, you know,

they're like this was so are so, at the six of the time, a silence

but absolute in the public. There's no nothing to do. So, then,

Nicko and Jose say, you know, we're going to do you. So, no there's

like we can't go to go to a little or a and we get to and we're

going. Good nights, good nights, they're to do all over.

He's to be and the Repent, it's that they're more or less

about the 3.30 of the night when something does that he's what he

is what he he says that he's a very and a profound quejid. That's the first

that I heard. I'm someone, clearly that was that was in this

quarter of this house, that was that was that was that was that's

that's that's And he, obviously, the first when he thinks, when he gets up, is that Nico, at a moment, he had a little

a peasantia or something, and he's saying, and he's so he's so he, then he, then, he, he, and he

he's, he's, he's, he's, he's, he's, he doesn't, he gets to

get it. It was a question of a lot, that clearly probably, but it came,

from, from the the room, not the exterior. He he's in the dark at the morning,

he's the tequila of the door and what he thinks immediately, seeing what he's that's going going to the

room, that's he maybe a one, he's he's not so that's so that's the amaker,

maybe he every, and he, and he he's, he's there in the catre dormidito.

And then he's Like, I'm like, I'm just I'm imagining, what is this? And that quechid of the dolor is a convert in a yant.

And it's a yantto, not so-savisito. You have a a lot of a woman in the room.

And now. And yeah, well, I'm still, he feltio much more fear, all of

To be down that there a third person that was that was a lot of

the room. And he had much fear. He was to look to the

sound of the sound. He was got much fear. And of he was to move

in the mac someone was meciending while he was he was

completely aterr he's that he wanted. He said that could. As in the other stories,

yeah he had in this moment attacked the paralysis of the dream. And he not could move to but they were

messing in the maca, while he was still this year old. He's that as he could,

in contra and almost of his volunted. The curiosity he got he wanted,

I wanted, who's mecing the maca and is he and as he was

heired the head and he wrote the eyes and he he was there was a woman

that was looking looking to the and with a man was messing the maca

oh what that that's that he was the thing that was the

thing that was the thing was there was there that terror that that was

that terror that was When, when she was vanquoiseia. And she was contagion of the the pain that was

experimenting this entity. And then he sentia in the nostalgia, a dolor, like if if extrana

to someone that would be invading a dolor so terrible. Sentie the heart roto as

if you had been a person horrible he had connected with this

entity his his his own he's he's he's that the

fear he's but the the and the that the

and the and the only that was to control that that

was to see the and he was he

and he he he he he he he

he and he and he he I said to God that, for favor

he was liberate of that vision horrible, decent, horrible that was

there. And, and he he felt that he was going to the normality.

The quejido, the yanto, he started, he thought that could another

move his body, and that they were messing the mac. Yeah only was

the movement natural of the mac. Sure. And in the moment in the moment in the

he felt that he had the control of the no he went to two times

he went to he came to the door and he was going and he was going

so so he so and the first he went when he went

when he were a people a couple of people that were people

that were coming on the car that that they saw

with his car to and And he asked directly. You

also you also? And in that moment he saw he did that he was a

dream what he had experimented. These people were calmer and they

did know that obviously he was of the people he said and they said

no so, no, no, no, no, no, no,

no, what you heard is the Yorona. Here in this people, a

sometimes, the Yorona yeah. Every that comes, he's he's to get to

someone. And he, all I heard of the God, that was no,

he, he was, he, he, he, he, got, to control the

time, he's made, to get, to get, to get, to to the

I'm an thank you these people, thank you that's going to be so,

but how but well, no, so, for the no, I know, I mean,

I mean, that was a problem, a paralysis of a a vision, much, much,

thank you you know, that's good, that's good, that's good, you know, well, I'm,

I'm going to go, let me want to go, no, he's, nico, nico,

pared, let me, let me, let us, letons, let us to get Here,

so, no? Nico. No. No, he was he was he was

taped to the head. No manches. And he he halla the cobiha. And what

he was the poor. Nico was he was a more

with the eyes of par and par and the book

that open in a mouca of terror horrible that night Nico

had suffered of a paro cariaco the forensic determined that the

paro was provoked for something that he saw, that overpassed the limits

to get to the murder abandoned the people and never I'm manches

that How very, I'm... Oh, so... Horrible. What horrible. That's horrible.

Yeah, because you say, ah, the alibi, no? All right. All right.

So, so, I've heard that, that's not, when a person that's in a state of...

So, to be a need to a state of a kind of a total, uh,

that the heart, to, and it, and it, and... Collasas and,

and, Well, in the three stories that I took the woman is the mother's she's

she's mary she smya here in this case Jose he he's got he he was able

to the two but she gave to Nicco and Angel he'll he's he he's

he and he Jose Cruz what he he was he was he's he's

he he's and he and no I don't me doesn't nothing

I mean not, I mean the science I can explain because when you when you

enter's in an state of an state of your body disparate insulin so that you

can't you can't you can't let you the insulin is the that the

says to the hey hey hey hey hey to pelar gallo to to be yeah yeah

yeah yeah because when we know we know we we had we need

to we have to we was it was what was the impulse of not the adrenaline but it's that the insulin

also that's why it's why it's so that's why it's so yeah so the insulin also has a function no the people with the person's

to get because all the time are so many people think that is that they're in their time and not necessarily

is that so when there when there much much production of when there

much stress. The body begins to segregate insulin because it needs to force to the organs to move. There's a moment in the moment in the the organs are so accustomed those organs are so much

normal, then the body begins to segregate more, you know, so it has been a whole the sense of the world that biologically there's an explanation well, the chemistry, in the biology,

explain the terror perfectly, no? And the and the is the heart is the that bombes the same. The reason

for the cause the cause is just for the heart is just to we can't move and defend us.

For that all our muscles are full of blood, and you can't be able to be able to

that's not when they're going to pass from a state of adrenaline or that so,

you know, you know, you know, you know, they're they're going and they're they're very

very difficult. Although, that maybe not even have done much exercise or like,

or so, or so, so, I'mannes with a little terrible, no,

for the impact of the chemical. So, you get to get to those muscles of the

movements that are. So, so, so, so, so, imagineate how

has, to have said, that's, of the maca brinked, and it

was coming? Yes, for the impression, and, and, yeah, so,

so, so, so, so, so, for us, the person when they

they've shustos very very very very often. They're they're

diagnostics and things and things and they're in those cases. Because the person

because the body then that's all that the reaction natural was I

see at the I'm I'm but I'm there was there

there there situation and no I I'm I'm that all

that energy that so it's there so I there So for that the stress Genera problems

Also, of all type Of all type, of all type, I have to get the stress Yes, yeah,

the cortisol Uh, Uh, Uh, Uh, a bit, You know, To cover

With the I'm a Heterre Hire, oh, no, you're going to You're going to

You're going Is, if, if you're If you, if I'm If you, please,

uping the Luces, subal the volume, And if they're managing sub in the volume,

please much attention. Because I'm here with the audiphones and I'm so I'm much too. I'm addicted

to the terror so I'm so I'm much. Adelante, my God, for favor. This story

is called The vicinity The vicinity? Yes, the vicinity. And it's anonym

unanimy. Okay. We're going to say a little, okay, a person a,

a man that when when I was a new, I'd in a vicinity in the

city of Mexico. Okay. It was a construction a old old. And his

abuelos lived there from their youth or so her abuela and his

abelor and that in that since many years. Okay.

So, then, no, we could exactly if he I, when he was with his abelos,

or when he was to visit to be a his abel and his his abel, he was, uh,

well, there's much there and of a repent, then he was full of charkas, always

was always he was umed, and always had problems also with the time

of the tuberies and all this. But because the construction was a very, an old,

and there there were various houses in the bestinded that were there

were some in ruins so they were like various houses that were

like they were they were they were to get that they were to be dangerous

because there was a risk of derrume for the time of the

tuberies the water and the deterior but a

this he he he was much to get to

get to get to to get to to get to to play and

he metio to a house that was numbered like the four okay like

like about about and he he was armed he was with his

spada of plastic yeah I was to go to and in the

house in ruins no something I think was that was he was

he was and he was and before me going to the

his powerful spada of of a of a voice that he says

come with me in one of the quarters and he is he's

he was he was he was he was he was he was

and of that he was he he's he's he he's

he's he he's he's he's he's a moment but

he's he the out and when he opens, he's he's got a his abuela. And his abel

the braza and he says, what do what you pass? And he he says,

no, this, all, nothing, all, all, all, and the

bora he says, because you're, why you're, because you're there there

there, what you're there? And, and he he says, the abuela?

The abuela? The, the the little the little the

he said the she said the like if the boyla was like familiarized with what the

the the the he was they're they're they're they're

they're for dinner for dinner and for dinner and And, well, yeah, the

the boy is and, and, but it's like, he, he's,

and he gets, like, and it's like, to be, the time. And in that,

he's he's the people, they're to get to alterer, they're

to lader, they're, and they start, and to get, a looer, he's

He heard a grito long and prolonged to the way long. Like a person that was in an agony. But it was

what he commented in the story is that was a sound very long and a little. And then he thinks

that his heart to start with much force because he says what is what is

what is and the and the The door, the window of the window in where he was

doing, remember that was a house old, the window of the little,

it's to rechinar, and it and it and it's to open and to

get to get to the madera and and he oh yeah, he

rechina the the the window of the door. And

he did to know that, like, they had been in shock, like no he could move, but really had entered in a paralysis of a dream.

And, and, he, of a repent, like, it, like, parpadea, and he, there was a woman, of a cabello

long and that wascura, that he was, and he was fichament, and he said,

come me the woman was a window and he wanted to get to call

to her was he was desperate but not he could be and he sentia how the

gritty he was in his garganta and he was he could move

and he he was to hear that the voice he said

come come with me and how he was he was just to try the man.

And in that he he's he's like if he would be completely

the body of his body that's he's he he's

to try to try to not go and to get to and he started

to say something to make an sound that

could make a to those that were in the

person and deten and he see how he

he's He's to start his hand to the with this woman, palida, with ogeras, cabello,

while he says, come with me. And when he's a few centimeters to talk the

man of this woman, he's the light, and he he's

the voice of her his his name, he is out of the

trance and Grita terrorificantly and he, and he, his abrassa, his his, his abrata and his, his abrata, and his abrace, and he was, he was held, tembland, and the vula was to yore, to,

so y'allosar, too, all of jorah, and, and, and yeah, all right, despite of that night, no, it was to pass, years more tard, approximately, like, about, like,

20 years, or, no, When he Cumple 20 years Okay The Abuela for Alua for some

She Sienta with him And he He says he He says With he To say to He said to

That was That time To make That's a moment. But, you know, Because the abelialed. Because she she thought

that was a story similar the first that he

he he heard the he he said the

mother she she she when she was she had

a man and she she observed that one

night he entered for the window a woman

palid ogerosa of a cabo long, that he said to his brother,

come with me. And she no could do anything. The brother started to come to

that woman, and she he also to say, to say to her man,

no do you do you, not you do, but no he was, and the

man, he's tient to this woman, and in that is vanese in

the Suel. And there is when the little she got to get to

in your desperation, but she was she had had been urinated and she

had defecado on and when when came the and they

saw the scene of her and and that

and the his his his he was that

the without life. The bula had 10 years when that

was a woman and her mother had five. And she always she

was because he did nothing but the experience

of a way he he did to detect

the and to to help this person us

that he he no think that he doesn't

that he's a but it's a demon who is a demon who is for the nights and looking almas to capture them. It's so strong that

was anonym because no, well, at least what I read no name. You know, this, well,

it's anonim but concurred. Concordo with that idea that that is, not this

person, this woman that's who's who's looking his children with a

great a lot it's like the the fachada the in the first in the

first story the that the that the I think that she

is in that he's the listen the and he he

and he and he he and he that doesn't the

that you attract because immediately a woman that's a woman who's looking to his children

that's who's looking to her family you're going to help but the mom of Stephanie that's

the door and then then what he does it all the stories is other and not is

the spirit of a more and also not it's the spirit of a woman

so present in many places yeah yeah yeah I well

I think I'm an entity is an entity is an entity an entity of

demon, but is an entity of a astral that more than to cover almas like that's like that energy

of this energy of terror that generates. And it generates much fear. And it generates much me too.

Just I've been to the chapter with Martita and Jordi. Uh-huh. In where about

of the sacrifices that do you do in some religions with the animals, no,

that's that are that emanate those. that's also also with entities of

Bajoastral and other they're they're they're they're for that

in the story of the movie that was not not as the Yorona but imitaba

those because I sure heard that they were that they were that ever

that were that that to be to have that to have a

her manita that that that's you know that you To

To bendicing To beckos You know You just You just To blocker A new And the person

That's This story Anonymous Because I just I've seen I'm I'm

I'm I'm It's It's It's No manches You I'm

You know You I'm I'm With I'm With Mawr

With With Alex, with Alex Myers. In, let me say, I'll be very careful with what I'm

saying. The police us said when he was going to get to a place. Uh-huh. And he said,

it's a time. But as I'm doing this insomnia, but as his insomnia, what are going to

do you're doing there? No, no, we're just we're doing, but, well, I mean,

to say, the fact, because at the more we're going to to be to be sure, and

then then then we said, you know, you know, we're doing this, we're doing this content and we're going to be in and we know

where's the guardia for a little and that's what they're doing, and that's what, you know, you know, you know,

is that the guardia, no, but, but not you're not he said, for,

or because, more than, there's, there's, there's, there's, and I'm, and I'm,

and I'm, don't, well, don't, no, don't, no, he said,

pass things Fas Fas really. There's people if you know in what

we're in the state we're in the state that's he's not a lot of and then

we're getting because people like you get and and then and then they're

they're they're women that are there's those so they're so

they're so they come to we're going to see we're a woman there

there there there there there there Apart to what is

that's it's and it's a lot of the things and they're in so I'm so I'm going to

and we're so we're saying so, but we're very very much, we're going to we're going to

we're going to and we're going to be going to because it's very good anything that's

anything that we're we're going to we're we're going to and even we're so much

I'm I'm honestly I think that in the moment in that we we entered, we were going to get, and they

they were to get there. Decho, when we were they were in their time. I think we said,

we're going to we're doing, we're doing a minute about a minute a hour. Sure. So,

very dormit. So, we're we're we're not, we're not, and I'm never, and I said, it's

very great, and I said, well, obviously, no, it's not going to not have been

that. No, it doesn't, that's, that's, I'm I'm free and in a

moment when we when we're in the center of this place of the place of the area,

a part of the part of the construction a particular. Peculiar. For not to say another

word. That's quite when we were there a moment you know I'm going to put the audio

it's a question. Akehid a yantto horrible but it's heard it

and I really is that I'm like I like all that all that all we

so in silence and Alex he said is the yorona it's like cacky how the yorona oh so how to

how is it how you're gonna so I'm like no wait wait see if see I'll hear

she's gonna call so so we're gonna we're gonna we're we're gonna every

every every was that was so so they're in three cameras in three in three

we're in the three We came and I was like like, like, like, like,

like, like, no, your brain no, carbura. And in a a point

was so, the, of what we're doing, the, so more we can't lastiming

and we can pass to something, if we're going, let me, let's, let's,

let's, it, is the first that I've seen, it's the first time, it's, he's

so, I'm so, I'm, with a fear, tremendous, calmens let's,

let's, let's, Yeah, let's be, calmsen. It's that it's going to go over to pass. Another

again. What? What? No. No, no, no, no. It was a really terrible

aterrador. And now with this, with what they've done to even even as

listening it, I always that I hear the Yorana, I go the quoteation. No, it was the

Yorana, surely it was like the spirit of some of these women that are

that's this but that's moment to this, I'm a fear. Because,

before me not was real. And now it's sense. Yes? And, if you know,

a cotation, I can't remember that there's a data, no, that says that the

doctors, when they were, when they saw the the body of the child, they were related,

like, with a murder of the but the little had been a

kind of a Murted natural. I'm explethe. Dejo to live, point. Dejo to

have a respiratory, he was a little bit of his carcuitary, no? Uh,

pardon. Uh, so, he's, he's he'll be to be palpita to the

terror, no? So, imagineate the little, of five years,

being a woman that he's talking and that the little no has control

over his body. Because, although the little is a like a

little bit of this, a little bit of this questions, that of a way, like, because I'm going to be

moving, because I'm doing, but you know, to be a lot of her mother, a little so, I'm not

so people, so I'm not been a lot of something. Oh, I, and a more, too,

for the time that had passed because this he was his abuela when her his wife

had 10 years yeah and there no there maybe no there no way

to study more than also also it's like very very but

the what you did you do you did you do you're what you do

whatever person sensata is what is what I think when when you

when you see these videos that like, who I don't know that's what, that's, and they're

like, we're going to go to go to do this no, man, no, but it's

not, no, because the normal is to be to do it to do you know,

uh, uh, so, so, so, so, so, um,

so, uh, so, in this moment your, you know, so, like,

no, no, of the, no, of what we're, no, of what we're, but,

but is, is that's normal, it's a reaction genuine, you want to to get to get to the

place or to get to put in the way to be, in the way, for much that's

like you're in no, no. No, no. Well, I think it's the most that's the last that

year. That's the bad. No, well, it's that you, the real,

is that you, you know, you know, know, no, I know to do the entity,

so, well, now, now, now I'm know, and I'm, in that moment

my idea was we're, I mean, we're three there's we're in the lighters and all the

but in the obscurity, vidios, pires, alambres, someone at a more much as

could be to be so we're so we're we're just, we're just we're just we're just

we're going to get a person in a place, me know what's so it was

it was like, like also also, like too also, like too, we're like the three musketers, literally.

Yeah, trying to to conserve the calm for not. But it's fuma, yeah. Yeah, it's fuma. Yeah. Uff.

That's very very intense. They were very intense. For that when I told you, when I was like, I was like, it's like,

well, I'm going to learn me it's better. I'm going to start the app. I'm going to put caricatures. This chapter,

this chapter does, well, from my point of view, this chapter does much fear.

It's going to do you know. Yeah. Cuisen to his that they're listening. Because we

know we're that we're fans of the podcast but I think that this chapter those can suggestion much.

Principally because the majority of the people it's passed from your niece. Yeah.

So the majority of the stories are related with the in the nines, so we

care we're prudentes to let's, what to let's hear them listen it. Listen it. And if you

considering that your, your, your, your, your, you can't listen to you,

then, then, yeah, that's a good, to say, you know, to do you, but are prudentes?

Yes, si, are very prudent, because are, so, these these capitals.

It's that I mean I'm like this I'm going to think that no no me no me no

I'm afraid but but I'm and a woman is dying and me

she's mecing in the maca and he not even me is being

a mirabed so palid chadherica no no no no no no no no no no

no so I just so when we when we we're just we the lament I don't

I don't I don't I'm like so that's so so no When you When you're just

When you're When you're like When it's when It's when it's More well It's It's bad Yeah, it's

Perigorous Yeah, it's Peri Gros The pure MED Yeah, it's Peri- Yeah, we're

Let's be This text That's But I'm Good, but I Good Perfecto Recurden

That's In a little The Shierra Or even Inmere The Dormitory The Yorona be

present. If you're that's only a legend, you're in a grave error.

More than a myth, is a true reality that has cobrated the life of

people who had the bad that was the good of her. Much

thanks Isabel. You remember, for your social? I'm

on Instagram, in Facebook and TikTok like Isabel Pino

Flores. So, me can't see. Thank you. It was spectacular.

It was beautiful. Thanks for the invitation. No, my, thanks to you for coming. I'm going to say to finish.

For a podcast paranormal. It's not because we're going to to tell. If it's about a podcast paranormal.

Well, much thanks. Thank you. I'm a friend Fepo. And I recall that if they want to

send us experiences, evidences, dole to call it on the correo that's in PEOC

Paranormal.com. If nothing you're listening, I'm thank you. I'm today amnice us

in second in Spotify which I do much of the top five of all the podcasts of any

other than does that's that's my more most in the first five places

there are three podcasts and are of phanodas or of terror in first

in first there is relatoes of the night of

that is fantastic fantastic that has a narration impressive and it

and me it terror and they'll also also you know, a time to

know, a lot of the age of the age of our age of our age of and so many,

thank you my friend Fepo and we see the next time where we're

to narrar these and other experiences reales of the audience terrorifices terrorifices

histories reales of the audience and you listen them if it's

that they tryve if it's