INSOMNIO - LIBERÓ UN DEMONIO | 6 HISTORIAS DE PACTOS INFERNALES

Episode Date: August 21, 2025

Esta noche nos acompaña Saúl Hernández para adentrarnos en los Pactos Infernais, un viaje hacia tratos que jamás debieron hacerse. Historias donde un niño ofrece riquezas a cambio de miseria eterna, un abuelo es perseguido por aquello que invocó en su juventud y una criatura argentina que se alimentaba de oscuras ofrendas ahora deambula en libertad. Conocerás también el caso de un ritual que liberó algo imposible de contener, el tormento de un hombre perseguido en sus propios sueños, y la condena de un joven que aceptó dinero marcado con un precio oculto.Estas no son simples historias, son advertencias que llegan desde lo más profundo de la oscuridad. ¿Te atreverías a escuchar lo que otros callan?Dale “Me gusta”, comparte y suscríbete a INSOMNIO para descubrir lo que no te dejará dormir.👻Host: Fepohttps://www.instagram.com/fepomxhttps://x.com/fepomx👻 Redes del invitado:https://www.instagram.com/sahb_sydSíguenos en redes sociales para más contenido:https://www.tiktok.com/@podcast.insomniohttps://www.facebook.com/paranormal.insomniohttps://www.instagram.com/podcast.insomnio👻 Comparte Historias, Memes y Evidencias Paranormales📝Cuéntanos tus historias: https://podcastinsomnio.com/ [e-mail]✨Grupo oficial de Facebook: https://www.facebook.com/groups/548487930178860💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx🛒Compra Merch Exclusiva aquí👇🏼 http://store.podcastparanormal.com/tienda/📧 Consultas empresariales: [e-mail]#TratosInfernales #PactosConElDemonio #PactosOscuros #Fepo #creepy #paranormalactivity #spooky #horror #viral #horror #creepy #podcastparanormal #terror #historiasdeterror #paranormalstories #spooky #hechosreales #misterio #scary #paranormalpodcast #horrorcommunity #historiasdeterror #paranormal #terrorreal #HistoriasIn#TratosInfernales #PactosConElDemonio #PactosOscuros

Very good days, tardes or noches. Beeman to a new chapter of insomnia, in where we going to narrate

the most terrorifices experiences real of the audience. So, listen them if they're so I'm

my friend Fepo, and in this occasion us a other friend, Saole

Hernandez, how you are you? Very well Fepo and I thank again

to be here here the people now that we're in the people,

now that those gritos, no, Care enchato. Thanks to for your support and for start seeing the

chatto never is going to forget. I know. I know. Hey, you know, you know,

we know, wow. It's a very hard. We're, we're going to start. Of course,

I decided to start with this text as a form of avertency that what you're going

to hear in this chapter will be supermating so that too careful. And repit

are that you're that's so. So, so, so. So,

my time, so you know, like, here, I'm ready to talk to these stories. I'm doing

my repaso. I feel like more than one will be able to be able to this night. Yeah, they're,

they're like bad, and forth in the stories. Yeah. Oh, and before that we're

you can't say, we can't say, my red social, although is that impossible,

yeah a little there the people are encounter the Instagram well you know you know

it's SAP SH-H-B there's me found in Instagram I'm thinking to be able

to talk stories or or something because is the people and then what's

what's what I'm what I know that that's the other things that I'm not I'm a

maybe I'm going to go over and I'm going to because there's there's

here in maybe you know you know some other talking to another time about the

of a pacto, also, so, so they're very good. Oh, yeah, this,

well, I have a question to make a question, like you, you know, you know,

and I think, you've heard that's done a time, but the

question is, uh, more than what you've heard of that you know,

in some moment, in some moment, someone of a woman, someone of very

very very the person has made a person has been a facto extra in a pacto? I don't know, but if you were so many people, his family has dedicated much to the camp. So, they're going to beaugh, they're going to

by the carreterers and all of that, and I said that there was a bit of a corner, there were a cur of the devil. Much of accidents, and there were people that were like sombers, of a sudden, things very strange, and the common was that all the time there were chockes there in that curve.

He says that a man of him go for this and of a sudden, it's decompone his camionettes, those camionettes that agarran for the camp, yeah a little-vuehies, He's He said, no, well,

I'm agarro here the night But he said Like where was the The road He started He said to be

Like a little Distellito Yeah, he He'd He'd have There's There's Cuevas

So, So, at Maybe there There's I'll be The curiosity He said He's

That's He's He's He's He's He's He's He's

he said, well, there's something, he's he's a he's still met with his tio,

I said that when he went he said, he's not he said, he's like in the movies,

monedas of gold, like lingotes and things like covered and that, but all of the order.

And much things like, we're like, and the sir, he said, well,

well, well, so, so, so, he's, he's, to get us to

but I said that at moment of start, and he was he was going to he presented, he said that not was, but that was,

but that was like a person with rassos very long, and the eyes of a black profound.

Like, like if the pupila and the iris were of the same color and it was very profound and

that he said he could get the things. The sir, as being of

I was also, there, also, his machete, and that he said, is that no you're going to be able to do anything. Simply, no, you can't get the things. But is that I'm going to be, no, no, you don't you can't get anything. You do you get those things,

but a change of something. Like in all those pactors. Your soul, if no, you can't get anything, and if you intends to get something, it's going to be to carbon, you're going to

make a carbon, you're going to make a car a lot. Like the sir no he did not a important he said he said

he's like he went he said he said he's a he's a matter of a mareo

a mareo and he to get to and the other day then then you remember that was in the

night he was where he was where he went to the carnet there in the

carnet and he said that all buskars in the there no the carbom when you ablastas so is what

it was what you was the entry. So, he said that this he went

with his family, and he he went back on those places, and never more

never again never accepted to have a pacto. The most strange is that

as you, as he said, he passed to his tio, so there many

legends, of various coves, for example, in Halapa, the the co-

of the Quida, the co-a- of the people who have been seen

things, they've tried to take, but the interchamio or the pacto is, Alma, for, for things that I'm going to do. So, there are, there's a lot of you, I mean, yeah, when it's repiten two or three people, and yeah, there are also legends, you know, you?

Yeah, you're, to think that not simply a story more, no? Sure, that I would do the Bart Simpson, no? What would be? What would you? The alma, no, can't sell. So, too, is it. No, no, is it.

And at a rata, there's the troters. The middle of the community Millionaire, no? You imagine. Of actually, there's even registro. I'm just

I'm reading that there's a painter of 17 that Freud did a studio of these pictures where

he has a trot with an entity to be a person to put a his his son. So he

starts a series of visions and this is it's to play in some some

in some the Santa Inquisition there a register of a young that also,

as a fact, and they're in the register where comes to do and a symbol that he was a

symbol that's he in the person, he's a process to do a sort of sort of

going to the thing, he had done, and this, according there comes, that's

in registros, so this as the story, and a piece of a contract.

A see, just that, the trot, what we about to talk

about the contract. The contract. For so even, although not it's in paper.

That's in paper. You're I'm going to and I'm to the community. We're going to

say that no, no, not to be your alma. No, they're going to

pay your own, because that's not you can't sender. Cirt? So, but the

question will divide in two parts. The first, independently of what they'd

cobrate and not they're not they're not. And not it's a kind of

like that everyone see that's good. I would I'm a good I'm a

good for my family. No. What would what you would you would be that's a

desire that's a other so I don't me important those just I

want to say something to be something something to do something that I

know I know I can't because if you want I want I

want to want to That's, because that's you can't get to and you need to

pay nothing. Now, now I'm to be in a new interchamio of an

only, think it's for a moment. If this this would be you could

and the second, that would that's the first question, honestly, what I'd

what would you? And the second, of that you've to be that you would be

that you're disposed to give. Look, I think for the, the situation, to have a

day more with my father. I mean, I think to be able to be to talk to

another day more than him. Because I think there were many more to be

before he he said, I mean, I'm I'm not that I know, I know,

now that he fellesio, that they're to be about the anecdotes

and things so, very good, very good, so, And to pay is that, uh,

all, at, all, I'm gonna, I'm gonna put to put it. It's very complicated. No,

is, you, you know, um, this, um, this, um,

this, this, you know, journalists, chikos, chikas, appuntel. And if they're

and they're a story and it's a good, the, the, something, something, we do, the,

something, we put to, we put them, we're, If you're a story is a good

well well done in we're not in sinister oh-o- with this a bit, a

see, a demonio, a entity, a being, we know, we know what is, no,

even they're a name. You know, hypothetically to you, Saul, but could be to

any person that has been to a person. I'm to do a day more

with that person a change of a day your. You don't

you're going to go to I'm going to I'm going to I'm going to to get a to you.

That day is my. Like I am I'm that I'm that I'm going to get a day

and you you're going to have a day more with that family accept? You know?

You know could be the trot to say to say well all what you

you can do you do you do you do you do you do Could be

To say, the He's doing, the one that's going the way I'm going to but it's that's not

because in Shrek that's a so, with Rupelsk imagine that they're in the day in the

last you know, imagineate that you get in the day more that you

imagine that you get a day that's where you don't know you're

you're not you don't know you can be and the day that you did in the

day that you pay well that you would be so you'd like caradaradrish.

But, but, yeah, it's a very good for an story, a premisa.

Could you get something something. You know, yeah, you know, you know, they're

they're they're doing, and they're and they're a more, we're to be a story

arro-sinistro point TV. Oh, there's to put it. Existier at that the correau?

Let's say that exist. In the case of commentaries. Look, the five

good stories independently that we'll go to selects a lot of the same

long, eh, well the five those five good stories, I,

you, I'm no, I'm important in where they're they're going,

if you don't you do you make a great, because they've been in,

no see, Australia, the really that we're that we let us let us

let us we're a service of a service of streaming that you

want, a service that you know that you know that's that's going to like that's we're in

the five the three stories for that's so they're different stories, for that's three more the first of

the gift of the we're gonna we're gonna the pacto yeah is done the facto the trot the final is

the realised. The truth is. We'll do a tarantle. We'll start a fraternal. Yeah, the people ask you the gritty. Well, let's start. Well, we'll start this story that's title,

what he invoked. This no, it's made, Jose Enrique Arau. We're going to transport us to Culeacan, Sinaloa.

With a family conformed by the father, the mom and three children. One of them is a woman. Well, well,

here we start that she name Susanna, then to enter to the university and

then they knows a little. They're they're they're going to like you know the

coqueteos and give the cartit and all this until that she accept to be

a new of this young but from from one of one of

the brothers muto something because a lot he was he was

he Like the ambient is a rarro. Like, it's like of those people that you see,

you know, and you say, I'm saying, I see, something, something. Conformer was passing the

time, she was talking a little more with his brothers of how was the

relationship with this young. And he was going to tell a something,

but I want to say to me my He likes much

all the theme of the esoterism all the things so all the

things like they're I'm I'm think he is he's he's

but not I'm sure this one of his men he

made a attention now for they're a thing

because as we know in the relato they they're

they're they so so you know so those

those for them are medium prohibits, no, no, not they're

so they're continued this relation and comment our friend, that one day came to the

her man and he said, I'm saying, what happened? I said, look, I'm, I'm just

I'm I'm but I'm think I think I'm rather.

It's because, is more revisame here in this part because

I'm know kind of extrano. In the head. Yeah, here in the case, here in the case. He said that he put his hands, he started to revise, moved to the

and move her the and he found it like a irritation in the skin, but like if they'd have taken the mechon of the cabello and they'd have been arraggled from the race. He's that, is that, hey,

you know, you know, mechon of cabello? In serious? He said, but I don't have done it. He said, right that you mention you, like I have a

vaguerre of something that happened with my I don't know, I remember if it wasatored, if it was but I don't remember who more was there

and I don't remember why I don't know I don't know. He said that he's still revising but then,

fiatte that this then, after was like the little signal of what he was

going to say that posteriorly, he started a time a dream and he

was a way of a little, I think that something, I said that saw, I'd be a

sombras in the house, and I had the feeling the little very,

it was very rara. So, they were passing days and days, and she

was, she, he was the moment, he's he's that's

I'm, of the pront. I'm doing. I'm doing. I'm into. I'm open the eyes. No. I see if it's a dream. No. I see. And I see a sombra. Alargada. That's a lot. He goes. He's paring. He starts front of the camera. Me mir.

And it looks like to another side and it's vanse. There are times that I'm recosted, well, being my cellular, and, de pronto, I hear it. I'm like sombers that are going to the

unas I'm and I'm there I'm I'm about I'm I'm

think they're ratones but yeah I'm just that I'm too

there there I'm there I'm there sometimes that I'm

I feel that's I'm I'm I'm I'm so I'm

in the dark I'm I'm sometimes like sometimes Have you not you tried to read the Bible

before to doorme? I have to say something. The brazo for to do not but even

I'm not. This is he preoccuped a lot said, a little maybe it could be a

question medical. It's they've given to do an analysis and they've

with a psychiatrist and in all those evaluations was normal.

No had indicios of some a tristorn or of

something that he did her imagine things. He said that's going to

days and the problem the and the pastes were more

more and not only in the night some some things

she was and the day that this was

that one of his brothers and we said that

he seemed that that he he he has

a little a little a And he is dedicated to to study

all the energy, also the satirism, all these questions and sanation. He said,

Oye, we need we need we want to be because really what is going to be the

has passed too the limit. No, he can get to get to the night

and he says that he's somebrass and she see very very

really all the nights gritando you can't you can He said, he said, okay, I

go. She was, and he said, is that no it's not it's all all the what's what's

what's what you did you do you're I'm doing and your energy is dark

so it's something like if you're involved all all all they

all this night he said he said Let's do the next I need to that we're

a ritual to start your energy and what who who has done

has been expulsed and you not you see

affecting he he he he he got some

some some quars he did the little he

put some some some she said she was

a a kind of a quamazone and like sensations rare in the in some points that

he took all. Everything was normal when she said that he said that he

started a lot very very so the bells started to tronar

the he's this brother he said it's that that is that

that's not normal here I feel that there something

more It's more Fuerte. He started a little more

the orations he was doing and he was able to what he

is to say what is that who he can he was they

and p. p.ce to a practice religious this

this did all what they've had been done

to some part of the time to start

the stallied, Salian alfiliers Negro. He said that she from the boca

he started to clean because she was a special of babilla and he had a

little that he had to in the parts where she felt the

he put the hand a hand a he he

was he was to the and he he was he he tronable

like he put poulbora all in the house were impressedionados

for what was going to what was not really he was he was he was he looked

and he he'd how he had to he had been that he was

that he was he he I'd he'd he'd he said

he'd he'd that's himpia so so they'd they started to do.

And he said he went a moment in the he was he was made the word of her, to the

mouth of her and he said, tell me what is what you see, tell me

what is what you she said. She he started to say but he said that

all those who were there were not they were like a allbus that

only his he could decifra I. and he was that

cabron I was I was that I was I knew that something He was

He said He was the He did he He did He He was He was He said

That was Not that he Washe That was That was Isolara to be He's

He's not He said He said He said He said He said He was He was

He was He was He He was He photo of him and you you're imprimas. We're going to

have to do something to let meleast. Terminarily and she, for that night, could be able to start tranquil. That night she had justcansed. As well, the

brother got the photo, he was made of a profile of Facebook, and then her brother he put a triangle in the rostro. La to with

a hilo and he put a pieter. It was into a frasco, he put

water and he said for no reason it's not a nobody

he he's to get to the refrigerator so it was

it he was so with this we think

that all normal but not so so Susanna

had more visiones like so something in this

ritual had had been some of the sombras, be it things strange as

like the luses in their but always all trying a tone grisaceo

black even he said he he said he felt how something something was around

the camera when the eyes he said he was that

a mirror but that that sphere was like was like

was a I was I was I was I'm I was going to be able to be able to be

observing and I was just going to be his hands for me, some hands elated. This now started to alerted to all. She said she that in some moment

he went to see a ex-nobio parado in the cell of his house and he said "'Perdone me "'Perdone me "'no, I don't what I

"'ciss to do.' She said, No, I'll be pardoner. Casse you make me mwera. Why do you? I don't you want to

see. And as if it was a dream, she desvanecy before she went to her. This

he went with his brothers. And all they didn't what was going to go to

the other refrigerator. We're the limpies. She's three nights

there's no way to be going to pass nothing. But who who's

manned the story says that he he's to do you

and that he's he's a sound. A sound a

great, a she said, he said a man, he's Susanna

is Susanna come he he's he's out of his abitation

and she was she in the water, in the furrow, respiration like agitada. The frasco.

When they try to calm and you say, the frasco, the frasco. The frasco, in that moment for the agitation

not I was what he was what he said. She said, is that he had a dream horrible. Soneed?

That I was just about in the kitchen. Me I was to the nevera, and at the moment of to want to open the door, something was out of impact.

The gulfed, me took, and like me wasabasable, and no me could move. It was a little bit of course, and me said, You are my and you're going to. But it was a voice and a personia that made that almost, almost I me incarra. This to all those

he caused a lot of surprise and he's he's he's that not was a

he said he with the his and he was coming to the kitchen

in his his words of her don't and they were and

and and and and look at the the refrigerator

and and in the part of the congelator open the

door he pored saliva and no could think that that frasco was revented and the

most particular of this is that the photo not was there had exploded

well had been there was a photo and not was all that was

all that when he he's he he starts the narration saying in this

moment we know we know we know we can't pass and we know if that that's going to

go to get to go back to cover what they offered you know wow, I started

super really. It's that this story is that freensisima I mean it's horrible

no? But what what is so I'm ohle bro is that

I'm I put on the the man that you imagine you can't you can't

a dream you You, you know, and you know, it's a

no, no, when I was going to I'm going to tell you I'm going to feel like a

spoloffrey in the spalda, me it was very good, goodyce I'm, thank that's,

that's, what good narration you've got to say, man, thank you, me

you know, you're, this, it's is that the story is very good. Yeah,

no, no, I'm, I'm I'm so, what going to what

pass now. And it's those stories that the final gets open. I think many that have been read, you know, I know what going to say,

it's going to this, but we know we know, we know, more along, what is like, so, like, so, like,

they're, that's, that's, so, for this, it's important, this, of, when

they're doing a job, the, that you know, the, you know, you know, because in

this case, like, like, it's, like, it, congelarer, Sure

From From the other Yeah, he gave And he went of what was going to And he

He was He was He said He was He said But he But he said No, no

No, no To be I don't See, But they They're To have something

And then We're To get a And then So, It's Like a Yeah

And And never He And that That's No That's not That

No No This story that I'm going to tell you, it's one of those stories, to you're going to to be in Chappas. But there are places here in

Latin America, in Mexico, in the southeastern, in other cities. All the city has their legends, his mythos, and more, but there are some of those that are very impactant. Never had

heard I've heard of this legend, this story, and, evidently I'm not to tell with a legend, I'll tell the facts real real

that were to give them and are really and they're important. This story is called the new

of the centenaries. The man our friend Daniel Alias. Well, Daniel Dan, knowns as Dan,

us said that this history he has known not because he has occurred to

him, although his family has passed for a a lot of experiences paranormal of all

type, but this that he experimented is the reason of the why.

The history is her mother. In that all then this occurred when her

mom was very young and she lived in a ranchito and

a the city magical. They're very little. And, he never

in the people, but he was a little bit of a lot. It was like a

place. Well, this story, he said that he has that he's

a family, especially to the mother, to her mom, that not

always the easy is the correct. Of all the contrary. His

mother elige the way the The The Honestead

And he says That even She has He has He gave that the mal He never

Has been many years In that So, the mom, was, she's looking a

better life even, and he decided to move to the city

in a new a new a new job or a new to this in Chiapas

rent a little quartito because no, no, he can pay something.

And this is very important. No, is a department, not it's a caring a little

quartit, so that's a little little. Of two two. Of two. Two,

is what has what has to pay, no? It's a and she's a co-coder and he's more little and he begins to

work. A day, after to say the job, I repeat, is very young, he's a way to runbo to his house, his quartito, when, of a little, he'll come to a little.

This is very morinito, very morinito, has his car very redondita, is like rechonchito. You've seen those Munecoes of porcelana. Yeah, so, so

they're like, un-chettos. More or less so, this man. Three years, so, a little,

so, a little, and he says, first he he's, and she'll be the little,

no? And he said, you, you know, you know, then, then he's

very one, no? You're very Well, he does like a risa, no, the littleito that's there. And he says, And you, where do you, where is, because you're

here only? Well, it's a boy of three years, no? He says, no, no, I'm not there's my mom. She's vending chicharrones. She'll work.

And, well, literally no, literally no, is a little bit of three years that's there in middle of the nada, no? of this this

this man to get his hand to the ball has

something and he and he and he's he says

look then then she she and this man

he open his hands and there there there

two centenaries of the when she when she those

see Well, So, you know That's immediately that In the rancheria Where I lived, his papa

He had had some, that in that was common that your those are that you So, de

a certainerer of or of but generally it was the of the because the gold because the

world of three years with two centenarios of the hand. And she

kind of like, oh yeah you guard Your mom is going to ennojure

And the And the He's No, he's No, because These are Tewos

Tommalos When you You're You're You're You're You're You're

You're And when This woman He says What's What's What's What's

How's I'm To You know I'm A You know You're

She's No, no No, no I I don't I don't I don't I don't

I don't want that. Yes. Tomalos. When you get, you're going to have a bottle in your quartito. And then

this woman begins to do a pass to get a question that that's a is like a adult a

little, but he three years is a little, he does know that that that's not a normal

and it and he does the world and he starts to gore

and the A little, I'll still he to get to get to you.

I'm not I'm to be and you know, she gets to her house

obviously no there no, there's with centenaries but but like

she kept thinking I have an explanation this

I don't know a a a little a next

he's to doerer and when he's to his work, he

will be to find the only that on this occasion not he not is

a foot but the the man is a but he I'm

what I say he's a man, he's a man and is a bike

on a bicycle for adults what he said she she, she

she said she's that he That was inquietante. It was like desagradable because it was impossible that it was

to get to be. To start, his feet not can't get to the pedals. And, and, but the pedal were the

and the little was the bike was and the people that was there nobody nobody

nobody no, like if no, like if only only she only she only she

only was able to. And this new went to and I was saying, Vendopan Vendopan!

And obviously the bicycle not brought pan. It was a form of to call your attention

and she she was like that he was like that I had seen, I had noticed,

the I'd be saying that she'd coming down like trying to to do

that's that's that no he. And she continued coming until

to get to his work. Siggio she in that

while he was thinking because there was a very strange. She was sure that that was a little

a little a little because that the not he was he was he was was very

styrated to take the mannubri of the bicycle and when she had

not observar it there was something that that was that for more that he

he had even if he had even to be a reojo with a mannubrio

with a mannob because in the other I'd he had the centenarios

I wanted she she'd she'd I'm he'd I'm

well she's he went some some days in that he

not he was there this little, and she thought that simply was one of these anecdotes rarer that's weird that's in the life. I know some people, evidently

in the city, and was a festival. In this feast, was, it wasposed to all overshundated to this, and yet in the night, and after, he's back to his

house. He's comingando, when of a pronto he'll turn, and he'll be nobody. Continue to I was going to go to the

right over and was the little sat in a a house and a house and he was

the same I think it's unnecessary to say that how he was a little a three years and he

was there then the young he was and had his manita and had his hands and

obviously there was the centenaries. And she he looked to see to see a moment and deserperated,

arta, of the little, he grita. Let me in peace. A me no me

don't want the money socio. I prefer to gain me working.

And the little he said to he said, he he said, for that

just you to be to you, because not ambitious.

To the those amicos those don't they're they're And she

she kept and he responded with with firmness. And not I want to see never.

So, the little, he was a sonriending changed his smile. And she

put so serious. He said with a voice gruesa, gutural of adult

then she'll be a mother of her. She she was

a palida and she said another again she I saw the lady.

I go to his house, I blew the door, it's got literally above of the cubies,

he taped, he was so he was a sustadissima a sustadissima to the day the next

he's quiet to go to his job he's observing all, nothing

no, no, no, no no, all the normal He gets to his work,

does his labors, the way to the room, the he said, well,

the quartito, he said that was like to be to be the child. He gets to his

house, enter to a quartito and a and an old askeros. All

revueled. The paredes, his things, the camera, and

to the techo, they're embarrados of screment. When she saw, he gave

asco, fear, molestia, a rarrow the little that he was inbarra he

gave the light of back. He went to another city. No he wanted

to pass with his papas, he gave a verguenza that not they'd

that had failed that had He went to go to the other city. No, he had money,

no he had almost any things. And he went to a bank in a park.

He was going and he was going to get to do this. The day the next he was

he was he was to do. And then he said, I'm going to pay a work,

I'm going to do you, well? Well, he was very bad. He said he's

he was there during in a bank of a park. When of a woman,

an that had a restaurant, well, the avion, no? And he said, oh, yeah, you know, imagine this. He had 15 years.

He was very young. He said, what's what you and, and, well, she said, and, he said,

that, that, he, he had a job, that he had a house, that had

been in other city, that he was super bad, and, that there was a

that there was that he had offered some centenaries of the and that she not was that he

did the life impossible and this this woman when he says calm I'm I'm going to

do a work in my restaurant I'm going to you because you are a person honest

I know I know because you saw because you saw the you know

those took me One thing, that, how those you offer you? Four? Six?

Always I offer always. That's a parreys like. Sucio, cabello

chinito, with the hands serradas, and when those open, centenarios

of gold that are that they're brilliant, brilliant, right? When I

was a young, the the The husband of the panadero? Nobody was So, nobody until that was her

his daughter. Pover a little. She never she was, not year and I could be,

only mirable in the corner where her mother guard the money. One

night, we we'd hear that that little, very very

feo, and we sawi in the people that something was what was going to be.

When they'd have been a animal, but he'd have been that a little, so we're we're trying to the door. Because nobody

responded. We've seen a scene horrible. The woman or what that was in the

tina. It was dispecheated. From the cooel to the right

his skin was cullgating with clavos of the The

little bit, but I had the manned but he was when we found we're the end of the end of

the feet attached with alamber. He was in the panadery. It was a lot of

the end up a marrano just he was allwe and knowkecated and repeat during three days

that was the time that's the time that's he was then too and then he was the only

that said was the the of the centenaries. It was the little of the centenaries.

No, you know, he was to accept to that's a little. And, well,

she started to work with this woman, she was she was not the

little to be the little to be the time, he was his

life, he's he's, he's moved to a a little where

he was a house, he a, a, a a man,

he he was very good, he was to create animals. All

it started to advance in positive, in positive. He was to form a family with a house,

with animals and of a family that came in a carionette like a new,

a family like of much of money that were that were frequently to buy

them and then she she was she'd the she'd was

was very Well, one day, the man of that family, after they'd come around the animals and all, when they had all over the

carmionette, that's to go. He's got to her and he says, Oye, I want to talk to you

a momentit just in private. Can? Yeah, clear. They're they're not

some and he said, look, I want, I'm going to pay because me

do a favor. you're going to with a boat a lot of centenari. The only

that you will be going to give to you a syrio and you you're going to

do you don't you have to permit that you that is that you take the

soil and if you do you do you are going to come two monjas and

they're to give a boat full of centenarios And she kept thinking

and he said he said he went to the sky and he said oh,

God if that is bad he's manned me a signal and in

that moment in that precise moment there there was an there

was that there had a where a sometimes they

were when maybe the She he occurred to tallars and he got her toaddle and then he halla the mantel and he caved a and she gave a bit of a minute

he said no. This is a signal of God that is saying no acceptes and he said no thank you. No, thanks. No, I want that money. And the man he kept seeing, sonryo and then with despiseal he said

you, think you're going to be. You're going to be a murder as a matter as a She said she said a year. She's

She said, you know, it's a little. It's a little. It's a little. It's a lot. It's a lot. It's a lot. It's not, you know, that's the idea. It's a lot. It's He separated the papa. The animals were so, they were so they were alive, you know,

they were to be able to and they're to beproducing. He said who this story, Dan,

us says that he he records to pass years of the very, of a

necessity extreme. Absurd. After of many, much, much many, many,

many years, apeness have done literally to get a little bit. They've

with many carencies. But the mom says Dan, who's man's

the story of her there's there's there's never we'll we're

even a price very high you never never

you never you never that's good. That's good

is good it's good And it's how they're how they're the moment where you're

more in the necessity? So, if you do you know, almost

those these stories is if they're a family and they don't they're

they're they're they're things that they get to get to they're

that you know you never know how you're to you're

but now I'm I'm a question a I mean

I don't I'm a demon. No. It's like another thing, no? Like a duend malignant, like a entity of that type. A me son-o-

Like, like, so, like, duendecito, not so like a... That can alterer the reality. Yeah, and you know that they, for the regular, they're related with botees of gold, and questions, more the monedas. Like, these I'm... Yeah. That's...

Yeah, you know, they're just that they're just, you know, they're... Yeah, and this is a new... ...of-the-three years. Oh, so, so, So, so they'll be in first. That you say, look, when you said that, I imagine the manitats and like,

like, when my little, he's pegged, the little bit of the, but it was, but it was, so, if not accept, you know,

and if you accept, then, then you're, then you're just, it's, it's complicated, is that, how you desaces

of him? It's malvado. Simply is malo, it's a entity negative, for, no see, it,

so, I see, it's, No, I don't know. Retando. But it's mal. Of actually, I don't

think he has done a lot of the other. But it provok it you do you do you know, he'll be

with the periscia, that type of things. It's that they're they're to get a

situation but not they they execute but this is I mean I'm imagineate

to see is a little in a bicycle like, and that he's

tentating and that he's up up to the and he says, hey, pst, no?

And he he'll change the voice so to say, to do a morata of a

man, so, how do you and then then it all to do you know, and then

you know, you know, but apart, not you're all the people for the people,

oh, is that in things, feos, grand, Ojo-rojo, when of a when you see,

when that's a that's, that's, that's what, no? That's what, I'm going. I'm going.

Well, this story is called the pacto. We'll call it called Carlos Romero.

This story, the truth, the truth, the truth, the fact, I was going to do that my mind

because, conformate you're talking it's like if you were being of those stories of

a movie. So, really, not you think, and you put to think in

how the things that you do you do, in this life, they can go on contiguous, they're on you.

They're going to the next. So, well, here this story, he knows that he has that's a

time, and that he's a moment, he, well, has a partner, and they're going to be,

ah, you know, live together together. He is this, this student of medicine, and in that lapso that with his parche, well, you know,

then they're going to be, all the question of that practice and all the other. Not all what implicates, not? All right. But what he says? That's the repent, he had a sonos. Of course, as well, first, very leves, no?

Desperter. I, I, I'm feo, no? Like, like, like, like, someone leased something. But all the, we, we, we'd say, not it was like the

motive for that he started alarm. But he said that conform he was passing the

time and it was saying that what was going to what then then this pesadias started to

escalar. And of a repent not only were pesadillas of that

as part like as part of the colita of the suno of that if a sombra,

of that if he was seen a sound of a real of the reality. That's

he was a little more extra. Until that one said that he's

he's prepared to do to do to get to and all to his

and he's he's so he and he and he he's

to get a a so he he's in

a of the dark. The of he's he's like in a house

a place where he doesn't know he starts to

walk by the quarters until that he gets to the

kitchen he in the kitchen see some some people

with fear in his rostro but It was like this Sueyo

with moments like he was to for other parts of the house says that he said that

between those recorriedos he saw a lot a person that was in a recamara looking

to the the silhoueta and parts of the factions that was that was something

like if it was a family like when you say that is a is, it's my

T-it-it-a, even, even, even, even, even, it's, he's, he's, but no

he'd he'd be a-of-k but he was, but when I'm a little more,

this image, he said, he's, he said, he was, something, like, like,

a figure, a silhouette black, of the eyes profound, rogos, as if

he was he was trying, he was in the I'm in the other part and in the

passio see to a symbol he says that when he starts to talk the symbol

I'm a hardor but a ardor but a ardor like of fire that he

makes and get to get to let move to his pair

he he's to move but I'm I'm I'm I'm

I'm I'm I'm I'm in this reality and was trapped

because for more that he had been she was she was she was she was

that ardor and that desperation and he was saying and I'm so I'm I can't

no I don't not after that she calmable sentia that she was that

was the effect of the so her his partner was what

was that was she was a was a fea, saw a person

with a entity very rare and I know, a house that I know,

things very but I could I don't know you're so I'm not you're

not even you're like you not I'm not I don't I'm

I mean simply all this that you just you're saying I don't know

I'm he's that all this was between the three of the morning

and three 10 of the time always it at

that that hour. That hour. It's now that we know to what it's all the thing.

So, that's that's it happened, passed more days, and that he, then started to look to be

a little more comfortable. Because he also, he also, like, attributed a place where they're living.

It's in that they're there's a second of the metro, squadron, 201, another

living. But he had to cover and had to cover, and he had to

cover guardies very pesas. He said, no, well, I was in the guard. So,

my partner was in a whole of all the mudance and all this. Until that I don't know the house.

She said, yeah, look, yeah, it's all great, and what you can't? We can't

have a mascot. He's he's a mother, so he's, that's what most me

liked. Because I did, I could have, I'm, no, I'm, a catito, or something,

or something, or something that he said that he he's, he's, he's, Yeah.

Salle He's excited for getting to the house. When he put the

first foot a scalofrio in his spalda and he says what you're what you do you know

we're going to come to come to come he said to be to be he said

for this passillo a right is one of the one of the bany

is one of a ragader rota all the like the that's

the right? No, wait, wait, the calentator is in

the kitchen right? He's impressioned how you know? You have

been you've been no it's more to say the color that's the

cell some some the house it seems much

the so they're those both impressed and when

that that house, it's that it was it was a little

more vivid. Of a repent that that was that was that was

that he saw in the dream, she was the way in the passages, to the

and he observed, and a very, and a very good. Ideas not very

good. And more when I was doing with her a partia, and

like he had to do a kind of to do something he was he

was a stress of the work until that he said that he's

that he's doing the hospital, he's doing the and he

he felt like a scalof he he he started

to calm because he thought he was he was he

desmayo. All his companions, were, oh, how you know, how are you have you have?

They're animated. He said, I'm know, I'm really really, I see a

really and I'm another way I'm like a symbol. That's symbol,

it was like it was they're in his mind. He said

he he's attributed to a stress, a nervous and he said, look,

if you there's the possibility to have a mascot, I'm going to

look to He, he's encamined to these refugues where you can't adopt. He said that he was with the idea

of the catito of those amarigititos, those that are you see in Instagram, not? Doing many curiosities. But that

strangelyly, since he entered, the eyes of a catit of those gattit desaliniated, with the pelos,

paredos, me did feyyo, as he said he, he kept looking and he sent him

he had a connection with him he said this this he was he

he's got he and he he put the tiger well I think for how he describes

all desaliened well he was he went to the tiger to the house but

from he he got he no to the the in the the

way he was he was restregable and very and so

but But when getting to the house, like, the a little he saw a ballita.

He encoged the gato. Like, he would he would he he said, well,

as a new, I imagine that for that he is the he's so,

but he starts to pass things more extra that. He's that in

some moment and remember very well this data, I'm

was coming with her and he They're in a crystal. You've seen a crystal. You've seen. I think it was in the

piece of the other. But no there's been the gato? Voltean and they're going to go ahead.

Incomying, and in the patio is the window of the commandoor and see the patio and see a crystal

caer. Oh, this yeah not normal. Suben rapidly, there were

cristo there were but if we saw a we came to we didn't we know

what happened. He says that So, that's going passing things really

especially when a night he's prepared for a to do sleep

he's a and is and he and the the house

was it was like it was like it was like those

you know that's your time so so so

like if was in a person that not he said he came he was but he

sent him a lot of an ennojo a fury something he went and he went to the

kitchen and in that moment he saw he he was he separated of that

figure and as he was he still coming the other person

the other person He was in the corner and in the merrink. He saw a smear

a sombra very oscura and this person looking to the manojada

in a mirada a look at a little of a little of he started the

he started a woman there in the piece was very curious that he that

that he immediately he said that he, all ver this, he attempted to move and try to and try to

and it was like if in that moment he could see what he was going to see a his partner

and the gattito were all he was he was he was between the

reality and that pesadilla he said that in that he caught

another again and see how this person signale the spouse. At signal her in the

piece, this sombra never advances. He says that's it's a kind of

a kind of it's to get and notice how the the body of

it's like to like if it's just it's

it he's he's that he's he he's he

He was just saw through the mirro of the little that was a little he was surprised

he was how the figure of his mom was to make to make

the he was he was he looked with courage he

are they are they are too he's he

he's he's he the time he's the time he he's

he he as he he he he he was

he was very like those children that no they're not a little the little

and he he's he goes in that moment he's he said he

he he says he's he's he he's this sombre

involved his her man and he took the same final

than the mom but she wanted to get to get to get to

go to the second and he saw a window I think there I'm to go

to get to get he got with a gattito he opened and in

that moment because for the adrenaline no me did the risk and

he brinked for the window but in that moment a

a little before in a little instant he seemed like if

something he had to make that he was that he would

be able and when he gets the he he's his

so his and that in that instant that that

that was on the manches bro and he he

he said he he he he started to he Pireha, and nothing,

nor the gatito he was to do that's in that desperation as he could, he was to get to get to

And what you What do you What do you Is that you What's What's What's I can't

think what what was what did? Someone offered to his family and now

I'm I'm understand because that symbol I have that's

I was that I to help you and not respond you. It's that I don't

hear of I'm completely dormied. He said that her mother had a

little of the about esoterism and some questions of brugheria he

acudio to her and he talked what he had said, she

he said we can we can do we what was what was

but for what you can be there there is there is there

she did some protections and he started a kind of like a curation and that even

the first story he said that he was he started something something his

her mother heard how crugia the muscles and he started to come

a ball of a with a black he he was he took

and his her manna surprised because he said that in any moment I had seen something. He said that he he was to and to get to and he was

a fear what he was seeing that in some moment he was like the veins of him in the she continued

and he said what is that what is that he not he was going to do. He helped he did

in that moment that in one of the dreams While he He was He was He was

He was He was He was his He was his He was Where he carisar He was Like if he

Acaricier something But not He was a A man A cat It was With a

With a Cautubberance In the Cous And with The Pell Like

Babosa Like If it It was A Spece Brea He

He was He was He He was He said that he said that They said I said I think

For what you You know And what you can't Is that you are part of that family The father Is a pact To get

to do what he Necessed He offered to his His wife and his His children But he was A little

That was you now he could consume the pact you know you can

let's the protections to one side no you can let's because

in some moment pese that he he can come for you and reclam

what in some moment he offered God your your stories are

are a some so some some a final with a

other It's. Other time at that are the those are the those are the most inquietto

me they're in because there's a question, and as far you know, they're not

they're a little with the presence and all, he also to get a little

more with his partner because you just they're starting to have problems he's not

he's not he's he's not he's that he's that that's that's

that's even the catito so maybe a little more the galtes

no man in those pactos demoniacos oh, you know but imagine how even it's reconstructed all

because the little because the little they're a mascot and they're a cat

and he inconsientemently he also also that's no and the crystal

were were visions to other reality that's what is so yeah

all all they're visions to a a a

a past where so you and you to you

have happened that you or other person, have a

pesadilla, intends or you intend to start or you do you know do you do the inception

of the or to start and you think you have been a dream, it's horrible. It's that

me, I mean, I was, I was, I was, I was I was born, and the person that other day

me talked about, and I was that I'm started to move and I'm never to see that I'm

thinking things me days me days and I'm I remember, more than the dream, but I said, it's that I'm saying, I mean, I said, I said,

and I got to say, and I was gonna say to talk, because, p, so, so, I was, so, I was, I was, I was, I was, I was, I was,

so, I'm, like, for so, I'm, I, I, said, I, , and, I, know, I, know, I,

know, I, so, that moment of that, is, that, is, that, is, that, is, that, is, that, is,

is, I, , I, the, , I, , I, the dream, I'm a little little,

and I'm a little bit of and I'm a little no, no, I'm even for me it's very difficult

that they just to you're thinking, to you do you know, to do you don't know you can't

start to to know to be that I'm that I'm that's so that's what I say.

But that's horrible. When you you're just because you you're just you're still and you

you're a second and third every other you're not convinced of that you just

you're because it's a because it has been to occur not, it's rare

that's that's a imagine you know you're you and you

need to you need to you and need to be a new inception no yeah

oh yeah a very I'm a well this this

story that this story that I'm to talk you talk about

these entities, that's that's convicts but are reales and this

is of other place, but this is the northwest Argentino. There are many

things that are very rare as that's so I go to get to a bit of

some details. What is that in this history have to present

much attention to something specifically it. It's is

it's Very interesting. Like a loop? No. Right you're going to to know why. Oh, you'll know why.

Even if I'll say, oh, to this. Oh, to this. Okay. Figate. This story is called the

familyar. The manned our friend Pablo Veroldo. He knows he says that this story,

this, this occurs in Argentina, but the familyar is of the northeastern of Argentina.

especially of Tukuman, Salta, and Juju. It's a place where the cannaverales is

in that mar verdos and then there is where it's where it's this legend oscura

of the family the cannaverales are these are these plantios of cania

of sugar natural or not natural but there a lot of a ton of sugar that is

the caniberal So, obviously, in the places where there are caena verales, what is the fount of the water?

In those places, Tucuman, Salte, and Jujui is where exists the family. And,

and for many, it's simply a, a legend that's in those, in these

places, that is where are the ingenious asucarerers, that extraen to the cana of

sugar. But not is so. And he us He tells one history

that is super interesting the family is a name very

for refer to an entity the family is something

is like a like a demonio a an an an

rar malvado cruento to more no power that

he like in the obscurity nobody know really how is

the family can adopt different forms a a

person a big a time he's a also

to see a a certain a gigantesque. Others

other times it's half human half bestia. In

some occasions is a sombra very high. A sometimes is

a entity deform that you can you can't you

know, but what is that is terrible not is an

entity any any the sameissimo emissario of the diablo. And it's very powerful,

very powerful. You and I, Saul, we're with Alex and the Brujo Major of Catamago

in a place where they said that the devil and it was made and

and when the people he went to pay the trot that they they had,

Cove with all. The fact are the rest of the machinaries? Yes, are the

rest of the machinaries. Okay. In this place in the ingenious asucererers, the

patrons, the doones, the of the people, they have to the family

because when the family are it's or pactas because it terrible. And a

change of that pacto, he will permit that you work and

be a exitoso your ingenue a succor what is what

the family offerings and human for so a

pact of the and have to eat the family

it is a legend a a creature that

many sure that maintains that the the the

the of the land but that's to give to give to get that he

want to do. Well, every certain time, and this is real

in these zones, the repent, the patron or for

some reason, it's said that they're not paid to more

to and that that incine a sugarer and he

had to disappear. The people had had desporida.

But always always always the people said no no no we're going to we're going to

we're going to we're not we're we're going to we're going to and we're but even as if still has been a legend one of these

legends is in one of these ingenious ascers where where you not he wanted you know

the pacto with the familyar and the people disappeared, all, they went

and they were without to make a but when they're there, the history

that's that's that there was that had the money, how you pay you

a entity that you not has seen, that you know, you know, you know,

in this In this Ingenia his carero specifically in this the familyar

they'd And they'd give like the time. A lot of the food. A bit of a sotano. And then, it was called, like if the It was heard how arrainawa. With an assid, the familyarra's, the family are asking. So, the dukeye of this ingenue of a succorero,

he was, he said, that man is new. He no-sabe. Or this, with the I'm having problems. Simply, and say,

Hey, go to the sotano and try to some costals. there was the there was the and when he was

boom he had the door and they were the door of the sotano never never

never they'd never they were they said that the people that the people that was

was to hear that those rugidos those garras and when you were

that the door of the sotabababab us assotable, the crugir of the madera, segued of a silence

spese, without a ungrit, it was horrible. It was horrible. And you had to continue

working. And, and you had to ask you, what was, if you had you

had a thought of that someone and to start to I'm it,

I'm there, you know, because you know, because you know is the

the next? You? Cudaddle. To go to to the policeia. Cudaddle. Because then you're going to be the next. And then obviously the

fear that's was a terrible, terrible. So, all if you're a peon. And, well, some of

some of the nights in the cannaveral he was to see that figure, that sombra, without a

rostro, but with dents there the family. Aseurabant that's the passos

crugient as if revented the little his gruniedos and when was

amrient the people that were in the ingenue of sugar and they were

to know and they said that's that was the poor because

the people that soni were with the family to one

of them the night in the night in the that they had he was the

he was the one of his he was the new food and that is the

he was the he was going to get a carerer that he they were to be to the

sotano well one one one in this in this incine

sugarero of the sotano had disappeared you know, yet many

people and the rumors were many, and the family and the

way to see it so that the people one day decided yeah

not go, and the ingenio he broke. There in that ingenue

they found a carderno. The content is aterrador but that

goes more more a way. During years the

legend was considered an invento, like you said, in 1996, after a

lot of years, that were many ingenios were abandoned, and there

were a series of reforms structural okay? So, so, various of

the ingenues that still were still were and they were to do the group of

the workers to dismanting the ingeons the They were in the

Afuras of Concepcion and that had been abandoned since for many times. For legends

and superstitions. In one of these, in 1996, they were an aliasco scalo-friante. Resulta

that in that place they found a libretta. But they did know that

there was like a trap of a madera podrida. It was a

a a soton that had a part the back of this ingent

so they're up there were on the stairs

and there there a door of metal and

they and there was a camera subterran they

said the the the the noise that's noz

abund as askeros so these oberer They're with lanterns

covering the car, the boca, the nose to not oler that

putrid aske that's that's that's thinking that they could

find maybe objects of things of but what they

were very different was something was a so

But, oh, with this, not even they were in disorder. No, they were tumbas. It was

like if someone, or something, they would have accommodated in a manner perversa, hilers of

cranios apilados under a mur of laddrill the soil had marcas

profound. Like if an animal very grand with garras would have a

draught disperably that the place before there was a oh-go

this that I say it's very important a a one a

oxidada partida in one of the walls was there was

encrusted to that that was not for a person was like

for an elephant and at final he had this thing that a car

like a like a a cooia or a cat of an elephant that was a ragged

but not was reventada but it literally the metal in the part gross was revented

when they when they were this well obviously thought in the family. What is this

that? That's that they're incered in the sotano that clearly he was able to these men. That was intelligent. That he

put those cranes. That was apil. And that one day he romped the

and he escaped. What is this? The same the workers that did the

the Mayasco, renunciated. Because they know what means to be a family. Renunciated.

Tapioed the entry. Well, they said that in that place after they

opened the door of metal and the of the sotano, in that region,

in those people that are to disappear the animals. It was there was something

that came between the coseches. It I heard something that

was that don't they're down the people, some some of

people, some of the last of the legend of the family

regress because someone he did to get to and that

that that that is a man and the people is

going to uh uh uh other places because it

they're there that he has said, see while they're while they're

doing in the night something something about of the form of

inhuman that's that's there and that's ambrient remember. Recurates

that you found a uh okay for a

for a much that that they're that they're that

the family one of one of those one of this

this this libretta. And he says the next. No, me I'm Martin. It's that

no important how me call me just I want to you can't complete, and then

it's quite it's quite it. I worked in the ingenue a succorer until

that they was sure I was there when we opened that the door

what was that was under the tram a the emasance of bagasse. We're thinking in that the

the olor provenia of some cano oxidative, but what we found there was horrible.

It was a matadero human, cussos, some mordidos, others with marks

of in unias, a cadena revented and the sound, a grunido a grunido

long, profound, No we've seen nothing but I if I saw something that night

was the last time that I'm the last first were in the pesadillas I was like

a sombra I had a air mojada with blood me

I'm but not with words but in that moment I was

I knew I'm I have a hunger. It's high, encorvado, he has the skin black like a

carbon. No, it's only a way of the dents. Before to start,

I observe, and now so, pronouncese words. It was very clear. Me

he said, No, was sufficient. Never is sufficient. I want one more, and then

other. or you I'll get a boss. After after came to the worst. The news

of those that we're there, of those that we were there we're first Ramirez

he called in his car with a cinturon and he he wrote that the family

that the family had had probably he had more then Velasquez

appeared in a sanja in the mountain with the head partied by the middle

and with the foot and the foot and then Silva disappeared and it's

no a so he was his perro but now

I know I'm the family is the family man

oh that I'm so I'm this I know I don't

no of these two entities is, that or what it is. Is that, is that

when I'm, you know, I'll talk to talk to go to go to an place where there are a morsehagos.

Ah. There's a coveh. You're a one. No, this is for another,

another. And it's was with some, and how are the murcials in the arrester and

all the and the and there was a , to be Cal and a mark a very known.

And that and that they had that they're that they're they're in those these,

those mursiolos and the and much people would say, no, is that's the entry of

the part of the mursiologos well of the the beings that are that they're

that you and right you're that you're that part that's conted at the

final, me I said, I said, at a most various places where they're sitting, move in things that don't have to

move and they're to give some to give chance to be there. Just that. Just that. There is a elemental or

the same, but a being a that you're that's occupying those that's destroying everything,

that's changing the ecosystem, you say, okay, but me does to eat to eat to eat.

you me offrendas until that I get a point in that they're not they're

and and the people not are going to have to work in the embraries of cana

they're they're they're these serpients, the anauyacas or so they're they're

that are great for that they're that can't that I'm so I'm

so I'm so I'm like I'm could be I'm I'm I'm a

there there's a tradition Oh, yeah, but, I mean, here in the sureste, to the Aluches, they're just they're going to build puberty or they destroy the, you know, you know, that there's

one going to Cancun, that is a famous, that was the famous, that's the... The first, the Pente of the Salushes. So, so they're called. And the legend of the serpent that's the anote. Also. Also.

Oh, what on? And you, you know, you know, you know, that's? And you, you know, that's... Yeah. What's the what's what's

what's what's what's it's you know, it's you know, you know,

I mean, what I do you know, what I'm what I'm ask for the people, now if

they're to find a lot of things and going to start to connect them and say,

I'm saying, I think, I think yeah, I think so, I'm, I'm saying, Saul.

You, you're producer of inquietante. Imagineate. We're we're a

Argentina. You think, imagine what impressive that would be able

to be a ingenue a succor abandoned and to find a a catena rota.

Correm. What? Well, if you see what you see what what you those,

those, those like Tunes where were in part of the machinery

no, no, no, it's and you know that's very so

that very so that You see, you know, you're as well, many factories, no, is that the water and

all these things, like, they're there certain, let's, we're in many, things,

are very impressive. It's very impressive. Yes, but, we're, we're,

we're, we're, we're, we're, it's like, when the, when the history doesn't be

that's so, and it's a little bit more real. It's that, is that, is what I mean, to say, is more,

look, I'll say to say to say for that a a little a little

to happen this and it was a person the person that's a person

and he and then be de well it's termina with the number

4 aroba Gmail com a a sometimes the

stories are so that are that I know to I'm

to Polette and he is real this story? Yes I've I'm a

I'm yeah I'm yeah yeah yeah yeah yeah yeah

we're I don't I can how it's like it's a

a like a a a it's very rare and you

you you know the of the the photographer that that

that's that he so that so so I'm

I did this why why not a a movie and he said, it's real, it's real, this is real. This, sectas. In the chapter of sects, it's, and me said, and he said, a bit, passame the

Correau. Me said, here's, and I said, what? I mean, someone experimented this. Well, in the of the Amigos Imaginaries. No manches. I mean, I, I, you to do you know, that the story that's the way, the way, the way that's the way, the man. It's true. It's a... It's a... It's a... You know, this is it is a good

we're doing this. O'ygan, do you know, a favor. Coloken there about apart of the questions, in the

comments, that story that's a whole not some reason, at the more not they've been

you know, and I know, know, know, all the history, but

let us in the comments what you know, you know on the those on

those things after let him there, and let's to do this for you are

in the media social. Acorns we're in a insomnia or insomio

or podcast and podcast insomni as if all the last of you're

going to find the the eye that not has been not

very time. We want to on the things that that

would that would be good we let's we

have the stories that more they have done of

any episode or we put the that more fear that's got.

Yes. We're going to do a concourse of that. What, not you know, and the time? Like, Kiniela,

oh yeah. The first of, yeah, and we'll be what on. It's so many things. It's that we

love, me, I mean, it's the duendies and all, I mean, the,

the, the, the, he was put up and the and the he was, the,

that was the then he then after that's that's that's that's that's

that's that too that what? What? The he said that they'd He's, and is that Right, well, here in Yucatana,

there's many of that, there's been many notes. There was, there was a woman who said there was a girl that said, yeah, a senior guy, that's very recent.

The other, now that's, we're going to include, that there was a person that disappeared in a rio, and by a middle of a bell, with a table,

while, when they were, they could, and the water, and so, and things so, where is, where is the

where is the where, is true. Yes, things that I mean, well, we're going to

let's have let's go with the story that's anonym really it's called Condena Infernal

Well, well, we're going to transport us to the state of Mexico. We'll

tell or well the story is of a person of a young that

says that was that was passing in that moment for a rach

complicated in In his house no there was his father his father

he was abandoned and he was he was he was he had to

get to get to help in constructions cargando mandados to

go to get to make costals all these questions that are

pesas physically but but all with the objective to

help to but get to the point to the not

having the things, the way how the other can buy something

something that they like, do you other things, I'd start a start a

little. It was a feeling that would be because I don't

have I sometimes I'd I'd be a time to come an

other, to come my mom, to be my time that I'm I'm intent, no

I'll do that objective. So this mal-start it gives to get to

as as the occultism, to practices that could facilitate a little

the things. He started to have some book, some

publication in internet and he started he was his

own rituals. And he said, I was too, but without a little. No,

it was no, I saw that my situation changed, and the necessity

was going to. There was to pay services, food, there a other times

that was to go to the stomach and one of those nights something,

something was a different. A man He was He appeared in his

He's a black moreno of the black, a figure imponent but no

he was not a important only as he described he said that this

figure he said he said I I can I can do what you

need he in the son but you who who

who are Who are you? I can't How is this? I see in the Cerro, in which you I'm going to

go to go toctu-as to go to at the morning. At the 3 of the morning? There you will see and there and there

I'll help to get to get to you. Then he he, it was a dream,

no? It was a real. No, it took a important He said that he started to

continue his mandates and all that but all the transcurs of the day was with

that's the thing my my life I'm going to see what what is what he

was there there was a little there was a car he used to he's he gotras

he's he he gotr he got he went and he's he's coming

and he's that to internar for the Cerro, but, well, I don't see anything. He said, let me get me of a pendejo, this. No, no, no one was

no one of nobody. It's all too all the school. He said that in the moment that he gave the world, he said, "'Acus,

"'not you want to "'are you "'what I'm "'what you "'sinted, "'so, like a "'ascalofrio, "'se did the

"'vetyetypick, "'that figure "'that had "'saughts' "'He was front of him. He said, It's that I don't have I'm tired of this situation

I'm tired of not to have nothing to savorial me the things and not to be able to do what you need. What do you do?

This is a lot of very attractive to pay deudas to come to get to my mom to

buy some some of the house but, wait, wait, wait, wait,

wait, I'm going to just to do just say? All has a price. My price is reasonable. It's an alma.

A bit, I don't to give the alma of my mom, nor I'm going to give my alma. Because, if not, I'm not going to be your own time. Recurred you,

you know, you know, a little, that's a child? No manches. Dicel? Yes, I, she,

I remember. It was a, so, so, so, so, so. Ah, yeah, I see, who is.

Oh, but she Yeah, she has He died You can You can't He's He's He's

Look, Let's Let's Let's Let's go You make The name of her During

10 years I cancels What you need In my problem He's He said

He said He said He's The Alma The Alma That's He's

No I'm going to have a problem That's I've done. CERro the

trato. He said, okay. Then he said that he did the world and regressive to his house.

He said that they did he not know nothing out of the common. He went

working normal. Of a repent he paid some moned for help and

he didn't see what? He said me says that in a moment He said, I'm going to get a money

for doing some pavos. Then you have been deposited there for a other work that's over

he's doing a work to do you get to the card. Digit a $1 million of pesos

a million of pesos the the algris the he gotro the money

mom vistete because we going to go to go to go to come to

and he to be to get to get to get that's to get to It's more,

even he'scoughed a ex-novia to try to reconquistarly. Oh, look, me'stah my time. You've got to

to buy a motor. You're not to go to go to to do you to do? I'm saying,

I'm going with an with someone that I want to get to get to get to

but this woman when this she said no. So, yeah, but

look, I'm my motor. No, I don't I don't want to do you. Well, he's

he's he's he's he's he a lot of the money. He went

he's to go to his house and he said that he's in the cell,

not? He was dormitando front of him reappe the little

that was to her to the school he he said for

why you did why me me me? He He's He was

He was He was He said And he didn't And he said And he said Why did you? Why did you?

And he disappeared He He gotro He, He tallyed the eyes He thought

He had been An hallucination And that And that Mimatic He was Hecusts to Dormir

Dissue He said He's He's In the Sway, I saw her.

But he was in a place like a dark like a cavern and

they were salons grandisimous and he he was something or someone

or some some things there were they were torturand her

and then they were they were they're they're they're they're

they're they're they're they're they're and they and they and they were

and they were to see them and they're and she a sustada he looked at he said he'd

he'd he'd he'd he was was paralyzed and so only it was like if

was a testigo of that suffering without he could do he he record

that that that that thing or entity or not we know that was with the

with the same he was to be to be to be some of some

I'm going to this one minute here equivalent this he he started

to he said he said he said he he said he he's

he he no he was he was he he was he got to get to

get to he was he was his mom but the day

no he had with all what he had had there had a common

a little his life but he was a little he was to take

to take to take all the more of this way I'm

anestestier a what I feel this this this I'm

that I'm that not all all the nights

at three of the morning was when was

a Calvario. Soigned with her, how they were and they were

passing the nights until he he was he was he thought

in some time on take another but he said

no my my mom I can let I can do I have

to have record all the rituals that he realized and he was he was going to invoke to know.

At the first he got those the quaderns where he had all his written and he was

he went to and he saying to him what you don't you don't you know what you're

what you're the money not you're not you're getting the good

to get the love you need more things you you need to

He's he, with a courage that he sent him in that moment, a person, I don't want more nothing. I want to let her stay there's life and not just what is what is happening. Justice, we can't arregglars. We can do something for that she's going. And you can't continue, we'll, we'll do another treat. He, of a sudden, he was going to be a little bit. How they castigabom, how they were.

how they tortured I said, I accepto but no I'm going to to give to my mom and I'm

to give a other person to take to my mien you can you can't she'll

she'll get to that you have to not that you have not so that

he took a little but he's he's he grotto and he

he's he's he's that he's he's he's but I'm

that That that has been all. He said that they've been to pass the days. All normal.

And one day he gotro his card to get her money and buy more

alcohol. In Ceros? Are you are in Ceros? And my money? Oh yeah mom

you don't you know my time? Is that my money what we're going to do?

Of course nobody he'd never he'd never And, of a

feeling of soledad like the amistances all that that was he was he was

disappearing slowly, length and he said that he said that he was I was

like something that something that something he had a mark of fire he thought he was

but at there were arraknasos he said that a little he was a bird black that he was going to

he said that's he said he he said he he went to to be a little he was how

he was how he they were but that the things are bad that he he now

he has got to do that he's not the life no he He doesn't know

He doesn't He has problems Economic, and he He puts all the nights to think

that's the best of a decision, he's he's that he said, that that's

that he took to be there yeah, if the devil is the master of the

man. And it seems he he'll he he to accelerate

the process for that? Well, no has nothing

to to perth. So, the devil if he decides

to make that decision or no, he does it will be a possess. So,

so it has the more. He's over. He sober. I, I'm, I'm,

I'm, I'm, I'm a respect. If this is real, this that

God can do, liberate that pact and all because you have librived so.

So, it's your decision. And so the master of the enganyo because he no could

have been not ever ever the the only he he made

and he was he was that he was so socio and he said to

take me a perfect brother so for a million of less a

million of less a million of he was he said yeah when, well, it's in the history.

Codo. That's what they've paid. Also, he quited literally all. It's that

how the necessity and the desperation to be able to get to a point? It's what I said at

the first. I said, yeah, yeah, yeah, yeah, yeah, that's,

yeah, yeah, yeah, yeah, for you, for you, for you. It's that

you're, well, you know, you know, I'm, well, I'm, I'm a

I'm I'm trying I'm I mean I know I see that a sometimes the situation

is very complicated I say and I've had been people who have said I don't know

I know what I'm I don't know I'm the feet feos no if I have photos of

my I can't but but I think in some sometimes I'm

sometimes I also I sometimes I'm also when you don't say all all

and not you know, you know, like I feel like there's a point that they're cuttant tantito to, for that you get to get us the on- Yeah, because there's like, like, you know, after sobribe

Look, to him He can't pay, look, he's sitting in, there's a lot of monies to, really? Yeah, yeah, yeah,

to say, I don't know, the money, no? No, no, no, no, they're pivian, eh? No,

there's not, no, you know, you're going to you're, you imagine, you'd just say, and you'd sell to the moneta.

No, no. With all what has been here in the studio, Pepo, have passed many things. No,

because then they'll, then I, I do, I do, I do, I do, I'm a pactus

with all. I'm not, I'm not, so, I'm not, I'm in ruby, no.

I don't, I don't do pactos with nothing, but if want to do you want to subscribe,

subscribe, subscribe, and so, It's the The best pacto that can be And that's

And that's And then I'm To make The story Asht Right, Let's

How? Yeah, well, so send your story to my history to

Cinistro point TV And is And you And so And so And so

But But first Thank me Thank much Thanks Thank you

I I'm So that partis Because it's Padded And

And you know, that, I mean, is anonymous. So, so, it's the moment in the you're going to

you're going to do you do your time, you're going to you know, and we're to know the history of

the pacto of the Abuelo Jose. A see. Okay. Although is anonym,

recalco this story, according who he's made the story, it's completely real. not he

not occurred to our protagonist but he occurred to the abel okay

to the abel to do actually it's his abel this

story to the mother she experimented this story deprimed

so test person present when he was I'm only

I'm only 12 years of age okay well

the protagonist is the Abolio of the mom, vice-a-vuelo of who's manned story. Actually,

his mom has a 20 years. It's saying that this occurred after 38

years. It's of those events that you mark the life for always, you know,

not you don't you want to describe, although she had a two years, there were

other adults there. And all said that this was so this is a

thing. This is an for that you are you want to people are

people people think that some people think that the that's

that's that's you can save of the pactos like the devil

like what we said I differ I result that in

his father the father of the father of the mother of the

person that was this person was this type of this type of much

that like no, like no, like no connected very very with all. He was

very solitario, very intelligent, very intelligent, curious, but he

was like to be in silence and more well this, this part of being

a lot of the lecture. It was very calli no

caused problems. And nobody had had And I'm saying the I'm saying the

I'm going to And this is And this is To be To get a A little Another and then And then he

And then he And thenterer of things Of the world, of the science, novels, etc. Where

he does know of there are things marvellousas of those that can not be

there but exist And obviously the term of burglary, magic

and more, he begins to get to him at through the different novels and he's

really. It's real. Of really, one can do do the things that

are the in legends, in books, in mythos, it's real.

Because he's about this so, and it's, and, well, he's,

he's, to look to certain books. certain books Prohibited and

he's in silence without to say nothing to say one one then

another then and when he does a count is a person

that is a not in practice but at no in the in

the most of the being a a adolescent, never really he said to the

family, and to how he had obtained that's the book

special. A book different. A book very old.

Because he he he told to his family, that

is the book. He said that different of all the books

that had read before these things and grimorios,

well, I I don't even say the numbers because then the people they'll ask. And,

and then when he gets to his hands this book, he he felt that in

a way, he was he was he was a lot of that was that this occurred.

This book, he said that was written a man. It was a text

very an text that had in his eyes amarigientas illustrations

grotesques grotesque that accompanied the text and the pages

olian a putrefaction human olian a oxido he thinks that probably this

book his illustrations and the text were composed of

a tint that provien of the venas in that when he

was young and he was with this no there's no way there's

there was a there's a there's a he was a little and it was because for there

the people in the day came about and then and well obviously when it

was a night when there was very very obscure and the people

and the people not out of the one of those nights in one of the

Jose, I'd he said to move to the serro. Fiatte, he said

that he he said, he was he was going was very dangerous and that nobody

had to see that that was what was he was in the nights

when all the whole was resguarded in house for

that that's put simply for the fact there

there was there did that he was a there

was a in the he had the he was disentterrava the book

and he was a little a lamp a and he he was and he learned and

he was and he he was he was he was then he he went to his house

and he was a so much very solitario the people was

that was not bad and he not he didn't he

not something specifically described with the knowledge that had of the books and especially in

that book. So, so he subed the Cerro, he did a fogata and he started to

do the ritual. First, he was with some can't that was doing

the way correct, but, as well as the book, no, I said

really nothing. It was a sonar horrible. Then, after to do

these can't make a lot of the soil by the sure, with their own own

his own the same he was to paint some symbols and to make some

the he said in that he said that there there was that there was

that was that was observing but really he no, he didn't he continued

with his ritual what was the meta of this ritual invoking a demonio for supposed

because that that demonio you could do you could be you didn't

do something to attention for so that one was that one

had to he was he was a metaphor. Although never he had done, never had

seen to nobody that he was convinced that he had had seen, he was that was

so it was so far possible. So, even if he thought that he observed,

although it was only implicar to lastimars and to do

these things of locus, he continued and he continued, and he

started all this that And, also, for sure, he said that he's during a time preparing.

Never he said really to his family what was what he did he's during

those times for the time. My spirit and my my body for the

ritual. Prend the fire, commis with his cantico does the symbols with

the samebrose a circle with carbon around they're in

a bolz that previously that previously he had obtained of animals, those put in a position specific and,

and, de-pronto, terminate the rituals, and he's detain, and he's kept observing the fogata. And that foggata started to chis-poreotear. Poco,

every more and more more strong, but not only only that, but he did know that, the foggata, the fire, as if they were two corrients of

air, they started to do that was a a rimolino. A remolino. First, first it was

a little, but then that remolino began to to get a force. And the carbon, the

little the pieces that were in the rojo with this chisporoteo and that

was going to, they started to launch for the air, that were they were

like insects of the light that were around of the fog. And this

fire to He started to be more grand and in that moment he said because

so he was described in the book that was the moment to do make the last

the last a figure talled with a rostro human with torso and

patas of cabra to putto in the foggata He He had

Tulled previously This figure Humana That ojo Attention to the description Only the CREAS No, the

Cormo Sin corpse, without And Patas of Crabra A Cosa She

She took Sheerer The Fuego And Repitue The Word In Boss Baja

of the book He kept observing the fire, that giried, shesported and it wasporettia. It was. Until that he started to feel more color in the car.

And that fire, until that he went, to more than two meters of altitude. A remolino of fire of those two meters of altitude. And he was emocionated and alucinado seeing this.

And, of prontoomino So, it was more gruesome of some parts and more delgado of others. And he started to take a form humanoid. He was notable. He said that it was something solid

that was there in the fire. That had the legs alongedas. The brasos were crossed but back. Like if they were

rotos. And he had some cures that, in where in the way to go to up, like picos, they were like of carnero. They were like to turn around as if they were to touch the car. To the thing that was there.

The patas large, that's so, they were of cabra. And a case very great. More or less, like the figure that he had tallyed. And this thing that was there, in the middle of the fire, of the remolino,

he said, he said to first he did it until that he was more he said and he said Jose

Jose you're ready and he felt that every respiration kept while this thing was front of him

in the fire was like an air a air heavy spese that that was

he could not he was and I felt how the fire was

there Firt Yeah, no I could even think And of And of And then

A patta This is like Cabra But cubietta But it It was He seter And he

He did a Pazo And He said How the Pied Like, Like

that was Like he He was And then He sent How the Tierra The

Tere It's Stubber And then, And And then this thing, he's got the other patta.

Larga, temblable. And he he, he was not to breathe and he fell of the roadies

front of the fogata. He said that it's he was the cold and his body

and his body was, and he could have the set with the paths to come in

after after to be to start front-a-front with him. And that man extrana, that's like

from the Cuello, he was he was to go to the head. And he was of the

fire. I felt the cold, but no he was you're ready, Jose.

I was he was he said. And he then, while he saw the pastas

the cabra of fire and he andormes and I'm And I felt like he was

acaricying I took a think about I'm not I've ever done this no I've ever

he's just the only that's the he's with the man he went to the earth

and he went to the he started to be to pay and this thing he went

back back and he he hadrava the he'd and he this cause

gritable what what's what's what's what's And he started to to put her to

and when he saw he was just apading the fire he was he took to gettear

trying to trying to get that I was felt like he was he was he grittable

and he he wasa and he he'd and he he was he was he put

as he he was he was he was he was he was that the

The yamas were and they were backas. And there was the thing. Only so there

were to be there. And he he got the the earth he got to and he

he was to he was to take totally the fugata he was a he was

he started the the symbolos the carbon the circle of

the the Cues, he's to doze all, he's all over,

he's he's just he's he's going to do you know, the most profound that

was the lastimed the end of the dead, no matter with with

with the with profound, it had to be profound, very profound.

And yeah, you know that had made a old a

lot so he that was that this book. For a

that someone he went and he went to be there. And he had said he grew

he grew, form a family, he was he took to her his first

he had had been but the past no he's he was

he was was very chica and was super bad not

I could respond I felt like the air the air and he had to

the and he he and he and his wife Ophelia he

had been had been a help the and not

I'm not but nothing nothing no medicine no

treatment nothing nothing and one and a day, his husband, Ophelia,

was with the heart rot. And he also didn't know what did. They were to have

to get a his first his first he was, and then he says, what his has had,

no, he has cure with medicine. She has something a bad a maldition.

Leveren for favor to the temple. Ophelia, get to your wife to

your God God can help. And then they were to the

temple and when came to don't John Jose he said no no I no I can't

go no I can't no I'm reused no I'm I'm

I'm what you what you what's what he's no I'm

that was that I was the that they're being they're He took two Biblias He said,

and he said, He said, he said, he was a raro, he was in the pecho, and he took? And now what? Abrela and reza.

Dondt's ever, abrela, and he commenced to rest. Leem me what says there. And Don Jose opened, and the Bible

was totally in blank. And all of He kept atonitous, the Becina and her husband, Felia, with her daughter, that was super-mal, and he knew why. He knew why.

So, he said, Don Jose, what he said, Don Jose, What he said. God, help me to understand this. Salva, for favor. I'll tell me to

I'll give you. And in that moment, moment, as a act of magic, it's to

get to get to the Bible. And the abicina he said, now, leel

read. Le. He he started to learn what was there and

started to go out of the temple. And of the little

the little started and he started to and opened

the eyes. I had I've comeenade Reaction Jose and Ophelia Entran

to the temple They're Commendarone to God but at maximum every all the days

to read the Bible and for supposed Don Jose he told to his Opelia

that that's that's his past the reason for the

reason for his he said and he he's he and did that the

book of the book but never the more said, religiously. Relentiously.

That little was called Miranda. And with the years he was four children.

Laura, Victoria, which is the mom of the person that this story, Raul and

Alfredo. But I'm. All they were together. I said that this

occurred when she was I was and I never had been born. Yes,

so, yeah. Here yeah Naccio. And this this, this a little bit a little, because

he had his four daughters. Well, in a then, now, so, Victoria had been a years and had been

made a party. So, it was a time in the time, you were the time, they were the most little,

but they're to do them to do them. And so they're the grandes. Don Jose, with his

Yerno, Carlos, he said, oh, let's get a, let's get, oh,

let's get, and, And they're there and the other and the other they say well, yeah we're

going to do not there they're up the lights all they're all they're and they're

and they're and they're they're they're they're saying that they're not even minutes

and after that's a great that was espantoso they're to say a

Ophelia, the the abuela the his abel that's that's that's

and helpen me for favor, help me, helpen me. And they're they're

they're going, but they're there's, and they're there's, Victoria, the D. D.

D. She's a. Miranda, the mom. And the jerno was spantado

and goren. A what's what you. Enquent a Jose,

parado on one of the shias but with the body encorvated and

and breathing with difficulty and when he said a man, hebeo, hebeo, then they were in this he was in

this that was encorbed like he no he had a car come, he got him to the hand, he back

to the chair and see, we're going to that you're to do to sleep

and he he's like and he He was going to his His husband, Felie, He was like, they're like, no, no, no. They're going to go ahead.

The second, and in that moment, it begins the terror. When it was in the camera, he begins to retorcer of a form irreal,

inhuman. It's that it was called how the gusosos in the cojontur they were, they were

to beckxed so, or ripilant. The respiration was rapid, agitada, profound. Of this man and the gargant said that, like, he was

that he was moved solo, and was heard, as his respiration, like grunied that were in the garganta, like of an animal. He was there,

so, all so, they were very so, they were so, they were They were out of the end uprored the and he said that it was able to that it was going to be

going to be able to gollanded and they were ex-pulsed to the wrencas and they were in the front as if they were carbons encendied, like a light roger, and of a

really that was like he, opened the breathed, he was breathing, and just the gargant was she moved and and he

was and he was all his family is all

all and me I go to get to

all and starting for the person of this

and and and and the panic and the

fear they they they they and then then

this was this The daughter, Laura, Corrie, he gotro the Bible of Don Jose, the that always leased. And he went to

and he said to front and he gritted, My family he pertains to God. And he was there, with the eyes at point to get to get to

he. Is Chris? And you're And he He was going to As he He put it He put

The Bible in the Peche And when So, the eyes Volterer Asi down And he

He said, Hemire And he made And again Heeming He said, Horrible. And then

the Miranda gritted the Ida, Reader! Pidamom to God All together,

Reces! They're scared, the Lord revocating with a Bible and all started.

Padre Nuestro that's in the Ciel sanctified, be your name, Padre

Nuestro! And so, without to be and this thing, and he was stymable,

no paren, no paren. All, Yerno, yes, a, nietas,

the of 12 years, too. Father that is in the God, and do you

and do you and do you and do you do you do and all right of the of 12 years

thought in his her manit he he got he he got an aseate

that used much the and hungio the front and the

palmitas of the hands of the babies with the and

he's he's he's he how time it was until

that he was a time in the he was he was he was

he and he he said to he said and he said my

my my my my and he he then to the

so they were there and they're there and

and after that Don Jose he he he he

he he he and they I'd all but this woman

the day of today has 50 years and this occurred when I

had I'm and he said to the kids I'm I'm

much fear for me for you for us for my

not because that night that night that madrogada when

Don Jose took the Bible and he He asked to God

that he would be that he was the first that he was and the

John Jose felles and he he was and he and he was and some days after the

house and the center of the cell was there was the

the body putrefact of Don Jose like like if

someone he had out from the tomb would had

exhumated that the body and he had had to roger. And he says, I don't know if a pacto with a demon

simply could be romperse. No, I know. But that demonio at the through the body of my abuel, Don Jose,

us observed. He rio of us and us said, all those are maldits. And the

The first that I'm going to get to this desgracial and I'm sorry. I mean, I'll hear that, I'm not, I'm a cajana,

no? No, is it's very, very, very very important. There are some there are some I'm really,

I'm sure that that that's a demonia that's a car with querns and patas, I've seen. Sego,

I'm sure, I'm sure that's sure that I still have a book, where is that I think

it's also like the of a movie. Surelyly because the movie it's not

some of the busks no see it's also it's also the case like a kind of

of a alce with querns and they get in the fatas this is like a

head human with with and they're in the I'm

sure I'm sure and because it is certain is one is a thing is

that you Well, it's your decision. So, at the final you took that decision with the repercussions that congeant. Now, a trato

like, a fratio, should have to have to have a petition of your part, right? I have

I said, I mean, that's a thing that's that I'm going to say. A be. Pardon

for the spoiler. It's a thing I'm to know. Oh, go to this. Oh, go to he, he,

no, can enter No, no He can't enter to the church, to the temple, no

can. And when he put in the Bible in the peach he says, he says,

Lord, help me to understand this, salvala and I I'll to me

to give to who he said. Yes, yes, God, God, he was he

he was he was this entity that did that did that he was

even he had a I'm like, well, I'm like, like, what happened in the last time I conted. Yeah. Here, here's, okay, here's the trot, no?

Yeah. But is that, how, also, it's going to be the story, the curiosity. And, to be, if it's true. Wow. That's, of a bit,

they're saying, oh, I mean, it's happened that, of a way, hey, is that I'm going to goar the wheeha, and now they're going to move in things and I know

how to parrard. Yeah, man. So, what he did. All right. So, all of what did, and that did so it did that thing

And the fire, I've to have to see, when we've when we're when we're

when we're going to do you know, here's here's in other the spoilers.

We're going to talk about the elit right. No, but I don't know personal

one time I took to grab a report about about a little,

I think that I saw you I'm sure I'm honest but when when I started

the forms so, so so, so, so not so, They'd get a, for example, it's a

sapo, and where was the person in the middle, it's like, like spirals. No manches. And it was

in a place of a place. I mean, it was, it was the person this was doing the

house, but it was an area like special, it's all teached. And there is where I'm

doing these things with the fire, the limpias, and there was there there's where there's

where is where it's where it's where it's that? Here. Some days, when the

when the people see this, yeah. Yeah, I think yeah, it's that there's that's it's a

yeah, yeah, yeah, it's yeah, well, of these convoyences. Yeah, you know, yeah,

yeah, it's like, oh, yeah, in serious, yeah, so, I'm, so,

so, so, so, so, so, in things, I'm, let's get,

to see, yeah, there, there, there, there, there, the day

of the en-vibib you, you, you know, the The cruceita that that that's that Cray-cuit, no, no.

Why, why no? Well, no. Then, I mean, I'm going to. Then I'm going to. The door. No, yeah. No, and that's, for that not think they're not, there's a fepo, and there's things.

Ah, no, if I'm not the same, that's attract. Yes, yeah, so. Yeah, well, I'm going to say, oh, no, no. No, I'm not. No, I don't know. I don't know. I don't know. Yeah, yeah.

Yeah, yeah. Yeah. Yeah, see, yeah. Muchismas. We're going to be a lot of, a little, um, a little, a final.

The trot is the next. Ah, for favor. Now, that, that finalize us, let us want to

that, that the, that the, that we can't talk their stories, manden, those

more experiences reales, to call Fepo, at podcast, paranormal. com. Also can

enter to the page podcastinsomnia.com and there's a section for that directly there manders their stories. Also can't send them to give-evidencies. It's a correo that we use

both for podcast for normal as ansonio. So, there can send out of those evidences and experiences reales.

Tommens to your time. For favor, scrivens with much and, and, if they're

that your story is anonym, no, don't forget to put it to principle.

Of the fact, I don't change the numbers of the people, not change the places, you're going to

them to be anonym, for that we know that we know that we're to be changed. And two, us do you

do they do you know, and the thing that's story? Of factos infernales, of duendes,

of chaneques, of brugheria, of marries. Pongenlo there, for that we can't talk. Man of

stories of transterrestraest or encounters with serents alieninous. I love. A little, much

thanks. Thank you for the invitation. And, well, I'm sorry there's more history to keep

and putting them a shust. Sure, that's a question. Oh, well, I'm going to

get to Mop. S-A-H-B of great. And yeah, to be there's a story of

here, that we'll talk about some of the people, well, me have been said,

is that we just like the questions and the it's just to start. I don't have been a list

to start. and the people also that's it. It's good a good issue. I, and thanks to you, thanks to all the people who,

you know, mann't good comments, that they're doing to do the work and all. And, well,

you know, that's not a drama, and much thanks for having us stories, I think

us are, now, so, a grand ensnance. In serious, I know, I know that

sometimes to be at the various and things like, how live without talent,

much and then there are in these stories where they're doing pacts

infernals and trats with the diablo etc and we say we're no

there's a there's a very interesting a minute here is an eternity that is imagine

no you can not you can not can't the time of the experience

human for a sum absurd of the whatever with all the

eternity with all the eternity definitive we have the power of not to not do

do you only with you can't you can't go to anything of whatever something

of what you in serious you can do you do you do a do a so you

do a not with someone more not with someone not with you don't

you're not you're not we're we're we're we're

we're So you can't experiment this life at the maximum without taratos with nobody, live, a lot of the other, the right,

of the left, or the left. You can't. You can't. You're able to, that's capable of that that's a minute, a year,

no, no, thanks to you. No, thanks to you. And then, we're ready to talk more stories. We're not the

next time here in Insomnia where we're to narrar more terrorifices experiences reales of the

audience. So, listen them if they're if they're they're trying.