INSOMNIO - MACABRA NAVIDAD Invitada: NELLY APONTE- #52

Episode Date: December 26, 2024

⚠️ ADVERTENCIA: NO SE RECOMIENDA PARA NIÑOS O PERSONAS IMPRESIONABLES ⚠️¿Te imaginas que la noche más mágica diera un giro de 180 grados y se convirtiera en la noche más escalofriante?No te pierdas este episodio junto a Nelly Aponte , quien nos relatará escalofriantes historias de esta época tan especial para algunos de nosotros pero para otros se convirtió en una noche terrorífica. Contacto invitada: ►Correo: [e-mail] seguirnos en nuestras redes sociales:► TIKTOK:   / podcast.insomnio  ► FACEBOOK:   / paranormal.insomnio  ► INSTAGRAM:   / podcast.insomnio  💀 Acompáñame al interior de la mente de asesinos seriales en CRIMINALMENTE 💀   / @podcast.criminalmente  RRSS: https://lnk.bio/criminalmente👽 Escucha Podcast Paranormal 👽   / @podcastparanormal   GRUPOS PARA COMPARTIR HISTORIAS, MEMES Y EVIDENCIASGrupo oficial de Facebook:►   / 548487930178860  Grupo oficial de Telegram:► https://t.me/+vFdn13cseD0zZWUxTodos los enlaces para ver y escuchar el podcast:https://podcastparanormal.comEnvía tus evidencias a: [e-mail]► Consultas empresariales: [e-mail]#paranormal #terror #navidad #insomnio #navidad #navidadterror #nochesdeinsomnio #macabra #miedo #Navidad #EspecialNavidad #HistoriasDeMiedo #RelatosDeTerror #MisteriosNavideños #HistoriasDeNavidad #PodcastDeTerror #CuentosDeNavidad #TerrorNavideño #RelatosInexplicables

Very good Nice Fiestas We're in a Capitual in the Fece of Navidate and also

it's the Cumple-Ans of the person that's with us this night to enterarn us with these

incredible experiences reales of the audience that have invited to your program

Insomio in this Capitual of this my senior mother, Nellie,

Aponte. How are you? Very very. Many thanks. And much thanks to the audience.

We're going to give us a navid terrifica with these stories that they're and that

are really macabras. So, is that this 25 with those stories. Oh,

my mom, felice Cumple-A thanks. The people, I don't have because

never a but you're on 25 of December what means that that's part of your

year of your 25 of December that that's that's that's that what is

the Navidate depends of the religions but the most diffunded

in Mexico in our country is the nativity or the the

the birth of Jesus the the of other are

they're other things Is it, right? Well, it depends. For example, Europe,

no, not a presteakably. They're not they're not. They're not. That's important to celebrate.

Sure, for them. Okay. You know, you know, is that it's very interesting to the

Navi-Nabite, that they're going more stories that in those feches occur in

events extraordinary, terrorifices. It's terrifices? Well, that occur in these the other things that cause

a need of and that are very interesting. So, today we're on a special. Of course we put it put a marianita

portillo, arbolitos, duendes that are Gremlins and of all them, lookalons,

there's, look at them I'm much more. I'm going to get an astronaut Yeah,

it's great. There are things very chides. No, but, before we let's

say to what you do you do you etc. Sure. I have my Correo

Nellie and Latina Nellie Aponte 4 4 so rau

gmail.com Okay N E L and Latina Aponte 4 the number 4

arra gmail dot com You did you dedicated to? Well I'm

to I'm to write I'm just scribing because it's my, let me, let me, the most hermoso.

And, and, also, for the cartes, helping a of the people that

require, well, it's, well, help. Mom, tell me one,

tell me a thing, what prefer you, come to or, to start these

stories of Navidate? Me. Mejor comience. Perfect. Perfect. Well, Adelante,

commenced with the first story. Well, in this Navidad of Terror, we have a festival

in the house of the middle. It's the name very suggest. Yes, the festivities.

And the manda, our great friend and that we made a favor of

making his story of Karime Mikan Rios. And it and it and it

says the story, she has her called Gabriel he had a well,

it has a a finca in Vianncio Columbia is a house, a new great, very

great, with much terrain in where they were three houses. The

in the middle a house a beautiful and that she had a lot

attention and that curiosity for much time was because being

the house more one when and the house of the al-ado, yes.

They're the those people, those that were there, but the in-medio, no. Okay. So,

in a fact, in a Navidate, that were all to there, they were many,

the family augment, et cetera, and no there was a way to to put a all-a-

so. So, is that a father, his mother, his brothers, and to her and

her, she got in the house in the house a house very

very beautiful, so much Amplia, hermosa. So, she's she's in the part of the

cell, the kitchen, so what would be the studio, no? She's

she got there, to do to do you, the first days, the first three days,

marvellous to do, the day 24, let's talk to prepare a part of

the dinner, because they're to do their part in the family.

They've worked much much that day. Diss she did she were

cancatsidimus. Her mom she went even to do with and she still still she went and

like the two and a half of the morning she went she she's a person that is

a person that is difficult to doorma if not do it doesn't a little conciliate

the so she she she has she and she and when finally

she gets to get dormied in that moment in the you you just

you're you you're in that moment, he's to hear

a sound a room that was a good and the room

was a little when they were the same sound and she

and he starts that she and then immediately he said

that my mom so to get to some

some of some things for the something for

the but that he went to try to

get to to sleep. The hour it was almost at least the

morning and in this moment when I was about to do get

to be the car for the sound so that sound

the sound the kitchen and said well she kept

so and she still the so she she

she she she she So, when it's up to see what's going to be what's going to be a lot of the door,

and in automatic the sound disappears. But the cocina was completely obscura's. And no there was

that that she has kind of like what's what was all the things and

all the ideas he cruxed but she gets very inquietta Vell the hour, almost four of the morning,

she regress, he costs. Much, much a much work, dorm, so she, she has

that problem. He's to try to conciliate the the dream, because if

is doing, when other once starts to hear in the kitchen. But this

this was like moving cubirtos in manner violent. So,

he's well, a She was waiting And the sound And the sound And they were And they were

They're doing Rewid In the So he's Hevante Another way But he's But he

He's got With a Precaution With a Cerectus She was So Mando Hurted

Because all It was Obscura No There Nothing No

There Nothing When When Pend The C Cora

Allacena Allis Allis Allis She She's She's What

What? And, and however, he put to accommodate to not, not,

it's not it's a rebeza for a dream. Finally, he's doorme.

And at the day next, 24, pardon, that yeah, yeah, for them,

for them, it's the 25, because this passed the 24, the 25, after that

they're not, they're all they're so, how they are, they're,

they're, they're different form to have the Naviida

So, that day after having been been been very

content, she went there to the house where they're

and they're to come the for the little for the

children and it's the moment in that they're getting to

come to make all all all what you have

to all they do all and they're accommodated in the

cell. He's going to do with and all the and all but

in the badrugat and it's because he's a sound

not in the kitchen now in the room like they're like they're

putting those and then she she so she's soprend

because it's all more the people came to

get to get to the He, he's up not with certain temor, and he

direct to the cell. But it doesn't, that no doesn't no matter. No,

there's what is the gifts are not of the place, then they then they

do it, so it is to be to be to be to be 25. The day

26 she, she, she, after after all, and to

all this family that They're presteakening the Navidate, et cetera. Yeah, in the night, she's retina. She's going to,

to be there. And in the madrugar she's because you're set. So, then she

he's and can't, and she go to the kitchen. And when she gets to the

kitchen, she serves his glass of the and he and it has to go to

the cell, he's with his water, and in this moment he

was, a A man Alto, the skin grisacia, mirandol

profoundly. He was desnued with a taparabos. No manches. Mirandola profoundly.

She was aterr and, solted the restruend his father and he

back to see what and he he's got to himnotisada, aterrata after. After

that he calmo, because was of that shock, of fear, of terror, he told what he had

passed. So he said, that's a secret of the family. Effectively, what you

did you was a phantasm of people that's people. So, then he

said the story, that when the brother of his father, his

tio, they were building his houses, when that that that was,

that that that was the house, the The of the middle. When they were

constructing, in the moment in that they're to start the, to start, yeah,

to get a entire, they were, they were with a waka, a sepulcro that in

that was a quarter great, to two meters, to two meters of two meters of

a different, to be the person depending of their supertenances, the duke, the duke,

the deionion, they were, So, so, they were with with their with their and their and their

and their animals to avoid that the Spaniolers, that the people were their

or, so they were their their their their they were they were

they were asphyxied before that they those torturated to to get

to their information to where their and they

were in the court? Yes, they were tapable and

morian animals and persons or people or persons with the famous that is an guacca

is a a sepulc where they're with their their pertenances

very common this type of of rituals that they can

consider it do do do do in America of

South America Central and and so these people

were indigens and they were and if he was gris, it's supposed

that it's it's that the thing is that's that's the waka and he's and he's

with the gold and there there's a maldiction who whoca and that

and that get there to destroy what with what with a lot sacrifice a life

a person to protect it and someone that abre that is a sepulcro

and abusa of what is there the poverty the poverty those will get used. He's having that

house so he's his old. For that abandoned. For that nobody wanted to

enter because they had that that was indigenas could present those

phantasmas and she was the she was the wow no said this of

the wakas interesting interesting. No, yes. When she said, when she was a beautiful, very aggrandable, I'm like, well, a gradable, terrorific.

But when I said, well, Karim, let me put to investigate that's an awaka. And it's for that's that's a subcrow where interrable to the person with all and his

pertenances and here even with animals. Wow. Like the Mr. Burns that's in-tire with Smithers. Yeah.

Wow. What story, right? Marivisional, marvellousa. And terrifically. Imagineate. Terrificate,

terrible, as you want to say, or terrorifica. Wow. Oh, yes. The house of Metio. No,

I, I, I, I, I, I, I, I,

I, I, I, I was, I, a, I'm, I'm not

a need a, so, I, so, I, because, but I think

there levels of fear. So, if if I'm so I'm like, and I'm like, some, like, some,

well, cabesotas, but of the, uh, no me impression so, not me invade the

terror. Me, it's like, like, like, oh, what is that that's an alien,

that's an alien, no? And if it is, then, well, well, chevere. But when

me has passed, you've, is in vivo with Alain. Now I was, I was, I was looking the shorts, and I said,

what barbaro, what, what, I wasosted I was. I was so, I was too. I was looking,

and I said, oops, if you're you're doing, I'm sorry, I'm not, I'm, if I'm,

there's a house, and of a person, a man, I'm, I'm, so me,

so me, oh, no, the surprise. Yeah, the surprise. She, she,

she, she, Plano, so So, this story I'm going to This story, I know this

that I'm going to call the Camilla 4. And it's our friend, Sylvia, cruz. This story is a shortita, but it's

very interesting. Because, apart, we know, some things that we know of when one

does, when one in a hospital, doctors, doctors, doctors, residentes,

et cetera, is very and it's a work in that's a very rare a occasion in that you

don't have patients, always are patients. So, no, do you're and when

you're doing, you're you're you're to do you to do this to put rapidly

to be to be and then she says that this story comes when when

comes to work to a hospital in specific and was

very entusized I had much Ganas to work especially in this hospital.

She is a and she's a place, in this hospital in that's

a hospital in the area of the area of urgencies in a area where are the

receptionist and she went as like turning but when no there people

then they were to be just in the area of reception. So if someone would be immediately

they'd and they'd get up. But if they're 20 minutes to do you, well,

and the reason for that you do they're to the right, is because one,

no, not they would not they're a person, and two, because in the

part of the right, the doors are like very pesated and above are parts

of crystal. So, even if if they're profoundly dorms that never happened

but in case of that they're profoundly dorms you're you're

and you they're and then you're and you get a and you and well

that that day in specific no there no there not there

people literally not no noos patients then then

then then they decide to to That night was a

night was a night of the night of the night was doing

guard in the Navi and well we know imagine this

hospital this part of where we we have

a little a night that we put us we

put us with with some lus some some adorn

what no normal no there are patients are

and are very, and say, you know, let's see, let's go to do. He's a coesta

in a camilla, the receptionist in other. And he said that still before to get us

probably because it very rapid, he still he was to look to see the door, and

be the light the light of the color of the color in the techo. And so

so it's he's He was, and, inmediate, he entered in a dream profound in the time in that he was a pesadilla.

She was a man. He was a moribundo, according to his description, cubiards in the

skin. This man was was a front of her, as he was that in

the dream, she could inspectsionar. It's an a new Inmediately,

even in the I'm in the when it is a first, it immediately observe the body.

Acto this man, after that she has the person, he's

with the and with the fingers, to the skin, it's to get to get to

the piece, and the and of this man, he's he's

not parted. She is it is being from the right, he is

He's been atosted. And the sabauna that's that's behind of him, on what is to get to get to the same of this person

that's that's rancating the the person. She she gets seeing to

this person that, that even that, she not in his gestures, that's

having an agony, a, a dolor, an feeling, to look to look

to look to her fiftame, to the to be a way to you know that's in

a dream but he can't and not only not only not

he's not he's a affixia horrible no can

and he is a and it's like this man doing this he can not

can not can't and he he's and he he's to give the

help to San Miguel. When he starts to help the And then, boom,

I'll open the eyes. Despired. He's suading free. But there is a little

rare. As she was being to the man, like, from the over.

She, standing back to back down, well, then he and then

the camilla. Yeah. It's so and no can move. So,

it's, it's, like to think what's going to be back down and with the eyes, that is he can move, he begins to try to observe of the reoho, what is what is

what is happening. And he's a point of that the only that can't be the light of the arbolito of Navidat. And something has the attention

between the light. There is a sombra that's move. Like if was going to her. And in that

moment, now so when they're when they're going to and the light of

the arbolito anuncern to this that's she's going to turn the head to turn

to be to see but it can't see that his body is totally

rigid like when when it's the so she's so

so so he and then he's to get much much fear

much and he he he's the silhouette the

He knows that is there in the room but she can't move. And it now

is the real terror. Sient how someone with the hands

very frias, very durs, very great, commencing to to make the

the of the topiels. Wow. Sient how this person the

time the top of the topos and it very very very and

he's to have to and she's going and she

is a person she is the and the and his

the hands they're in the air while this person

she she not she she she is she

is she is and and she I'm that

I would get a because I get a

to go to the rostro contra the soil. And I began to feel a terror absolute. Dentro of his

head was he was trying to give a help but he was he said, but his

garganta simply not functioned only hemia a little and so with the

nervous and so he said the father and he started the

father to be his father and he's said Michael help me San Miguel

help me and of And then, when he grita more further into his head, San Miguel, help me! Siente how this person

the swelta, and then his piernas caen, boom, over the camilla. And in that moment, when, it's a

body, your body, so he can move. He's not know how, but it was so the

fear that in that position rare in that was she was she, she went to the

camilla. And then when when brinked and it's immediately he grita the receptionist. Despier. And the receptionist, her friend, desperta, like, what is passing? No.

No. No. No. He says, for favor. Be for the vigilante. And the receptionist is a, he goes. and she still didn't even even even didn't even

that was the but I'm going to but I'm going to give a little he said no more than a minute because the

receptionist went to the vigilante and he went to with the vigilante so obviously

he went to this official with the receptionist she still still still in shock there

and he said what happened and she started and she was to albucear. He, he wants,

but he does know, in his head to the head of his head and he's

not so how to do it, and is with much nervous, and he has much

and he can. So, while he is he is trying to say, the official

me did hear, and obviously he does a point of that she is that she

is a He said, Look, look, I said a little I heard that someone

was going and I'm very feo, and I came. The door

was open. I'm and I saw me and I saw you to be a receptionist

that also that also I was there had been imagined no there

and I'm and I went. And then the receptionist of her were very very assustated because they

were sure that when they were in the door. And he said that was open. So, she said she

no he said more but the official not had terminated. And he he said,

it's that these things are common that are commones that are here. And obviously

she, in that moment, she felt you like intrigue, like this is common. And, before that she could be able to ask

to the official, it's a musicita Navidea. And the three were to see the entry,

where was the arbolito of the night. Nobody said in this hospital that the

lusecas had music, because never they've been arcyonado.

It had literally almost a the arbolito pussed, never had sonned

the light but in that moment they're, they're, they're, and so, they're

so they're so much with the sound, and the thing you know, a pern't, they're going to

get a little, they were doing the volume, they were doing the they were

going to what's going, and they're going to, and of what's the a reprinted, abruptly,

he cajou. So, the vigilante was to her own and he said, you know, a somber?

And you just kept like, and he was thinking, and he had been started,

she saw, that's that was the light of the abolito, and just he

just went to the case. In that moment, the receptionist that just just said,

and what had to pass, he says that he's abasable to be a same

with much fear of and this vigilante he's to talk

to say to the next he's last a few a

man a man came he went to exactly in

this time exactly in this day the day of the

day of nobody. Nobody it was very grave She He was

He said He was He was He was In that Camilla And he He said

The Camilla In the She was She was This The Camilla Number 4 I don't

Why not They said Nobody It's Nobody says Because horrible. So, so his

body was congeled. Of pronto, when he finished to tell this story, the camilla,

he started a sound a grudier, like when you're up you're up to the camilla.

Come, the resort to sound and all, and all, all, they were

looking to the camilla in silence, like not cregending what was going

what was going to the precise moment. In the colchon that was a limpio. Peor.

He was a formarce a mancha of the same. With the form of a person.

Wow. Ante the eyes of these people. They were seeing how it was formable.

Yeah not was not so the fear, but the confusion of something of something

and when it's terminate to form a mancha of

the same it's a hemid horrible, with much much a

cold. So, that immediately the light the the

light, they're they're in complete obscurity. The receptionist solto

a grito but not long, but the terror of that they have been

have been the light of and she he, he was he was he was

he was he he said that the he's he said he and in

a repent that was that's my camera was so the when

he felt that he put to the receptionist and he he

got he he went and he torpeas and

he after after she was he was running to the

receptionist and the He said that he's trying to trying to comprehend the things, de-vered, in the

night of Navi-Nabye. That same day, while he was there, the receptionist and the vigilante, they were down of the hospital, they were, that she was out of there.

And they started to hear a her She noticed that there was not because it was because they

in the other to see her to be to turn to turn to be back.

The door was open and someone from was they were

putting the camille to that was the last that

he renuncio yeah no he's he he's saying

the next I'm I still being a Afermer. But, since I've

accepted guardias noturnas in Navidate. What horror. Imagine a, no,

no, no. What horror. She was out of her camille. Of your camera.

He was was a man. But how he paralyzed now? Now, she

that she not, she's the He, the MIRTO. To her, the

Miredo. But what's how in the I'm trying like, I'm trying, she was,

I'm trying. It's, I'm terrified. Yeah. And the fact of that he said,

this is my camera, so, oh, no, this is, it's terrible. No.

Yeah. It's a real fair to, no, yeah, yeah, yeah.

Spelusnante, I I'm, I'm I'm And not only In the Naviad,

not going to be guardies nocturnas. This story me, this story me

did much fear. Because I think the the place, no, this part

of urgencies this, this, that I think many people for one or other reason,

we've, oh, oh, I'm, I'm, I can say something, I think

I'm should be in camera. If you You're You're going And if is something

It's something We'll put them on the social So it's There's There's

There's Mm-hmm To see This is This is This is Parado Mm-hmm

I'm I'm just Fugate How's Ferey Ferey Yeah, you See,

The Tue You're You're You're But I But I Posed Parado

Yeah Like the I I'm I'm Ponce He's just the story. But if you had

Caided? No, but he's sat down very comodamently. Yes. Hello. He loved the story.

That's chistoso. I just I just got to know what I'm what's sitting. What's the what? Who says,

I hope. I'm going to the video. Oh, ohhala. Oh, oh, and I can't

see there's a movement. Oh, I'm spantado, Alex. Wow, so, so rare,

no? It's what rare. Yeah, we'll do let me see. To tell you

talk to tell you tell you know. Well, this history the

envia Edward Ortega and it called The Uncencia of

the Abuela He says that for tradition his

family always ever to visit the house of

the mother for this time and all they

were in the house of the abuela. So,

but you know, vacations, to the house of the little. In that

when this happened, he, well, it's a young still. Well, it's the

very young right, but he was more young. And so

they've had been there to that time to be the time. He

wanted a his woman. Well, result, that the

she had been He's going to He's going to And in his dream

He's a He's a I'm going to I'm going to This house was a house And then he saw in the corral, in the

door, like, brilliaba, like that was like, like, he came to attention, and in him, he went to there. He got to open the door, and there's a cadaveric. Completely cadaverica. Of great ojeras, o'gues, profound. And he says,

I am the phantasm of this house and I don't want to

nobody more no you'll you go to go to your

amuel and I'm and you you you you

will see you how it's apage for the

fact of have me seen. Boom, he he's a

very he's a sustated but no he's a see a because he he was

in his his in his his so he because he saw he saw

it's like it was like she was she was she she said

she he said she present who was well but no

he did so there but there passed the

years and and a good house of their house with his

parents. He had been, for X reason, he's there's there's

where he is where the prophecy. He's the question. He's

says that never will forget that that's he's going to

the head and they got to the hospital, they

they're and to and that his abuel went

in a last of agonia So, a little, she went

apagant as well she was the woman. No manches. After no, it was,

after the fallisiming of her old, still still they're still being to

recordarla and to not romper that the family were unied. And they were

to pass the Naviida? These days they went to of the house of the

mother. In that occasion, he was a son with his family,

but there music of Villanci and he heard how he took the door.

Nobody heard heard and he heard of so he went to

open. And when he opened the door, he enter an air,

the loud, the and he be in the door of the

corral see to that that same woman that's but she was he was he said and she said

and he said and now who will care to care when she when she

he said when she he's he's he's because it's because it's the same that

she's she knew and the same that was that was He's been from

So, he he's he's he's he's back and he's

back and he's a door he's he gets with his family nobody

he he said he did and he he said he, he,

he, he, he, he said, he said, what what was

with my abuel, that a dream prophetic and the having he's

I've made to get to all the navities because that's always will

come to me. Because that I know that I'm going to be to see that

that my way. Look. Oh, look. Oh, hey,

but I have a question. Oh, that's a story, yeah.

I like the stories that don't they don't terminate because they're experiences real and that

one knows that is the last time that will be going to happen or something for that's going to say that's the thing he's going to

know what? You know, I've got a I've got a doubt but what is? Because I'm the

phantasm of this house. But that what does what does that does that does? I'm a ex-dueya

and that all of them and that they were not? No, no, I think

no, I used the invasion, no. And also he was he's

he saw, and he detected, the for that he's he present

yeah, yeah, dispirtito, but completely despired. Wow. That

impressive. Yeah. So, I'll to tell something that rare,

it's very, it's not rare, me, it's kind of the

fact of the fact of the Let's, let's, let's, these, these stories are they're going, and no important of what part of the world, can't. Cerect, like, it's not, that we're saying, that's real.

That's not, these people don't know-se, but it's a bit. This story, is a bit. This story, is the woman of the spheres. The man, our friend Maria Eugenia Gomez-Heredia. Our friend Eugenia, Eugenia Gomez, us of Veracruz. Actualmente,

has 56 years, but this story occurred in December of 1995 when I had 27 years. We'll mention something that is important in this story. He says that his family, some

decide like then then train what they're what you

know they're like they're like but are things that are things they're

they're so they're so sometimes sometimes some some people

of their family that have that they're they're simply

not train a little. I say, I pose one of these faculties that are in

the part of my mother and my family and yeah. So, simply it's like that

there's a what is what is what is a day, in this December of 1995

will be a friend a friend a house. This am I live

a so- when he to get to the I need to do something, resulta is that the

mega is armando his Arbolito of the Navi-Nabit. And he says,

if you want to do you, he's he said, he said, he said, he's that in

this house, obviously in the part of the cell, that's where they

going to put the the little down, where they want to

put the arbolito of Navit you, you can't you can

the commed, a door, a the entrance to the that this is very important.

The doors for the kitchen is like if if it were only the mark, are of these abatibles. And this this amiga, to be able to

and going and and going to the doors, the door's, then you can't enter and start and get to start and

they're going to put the a, a cajah a car to put the the arbolit on the

more than the first what they do they do is, after the little the little

a little to make a idea, Eugenia, to get a chair, to start to put the

guide of the lights to be up to when it's doing this re-ojo not that

is that is that look to see that can't be these parts abatible, the and it's

when I'm so she's she knows that just has that just in the part of the above of the arbor, and she's kept in a moment

immobile, seeing how something is moving, and let's make much the attention, voltotea, to see what is that that's going to.

And the B, is out of the kitchen. As you described as, is a woman. It has a vestido large

of color black that's not immediately that is very old. But it's

like if were of some some stella, like vaporosas transparentos

the the woman and the the the little transparent. The

coo of the vestido is alto and serratito of

those that have like much detail you know you

know that's it's so so it's very but what really he

really he really to be to be to be to be to be a person

that apart of the fact of that was that was that was that

was that was not coming was floating and and it and it

was that he he he was he's he he was more

more to about 30 40 centimeters of the So she was

And then she was And then Like, like inspectioningla with much Well, a little of a

But was curious When of her friend Like that's Like that's Acerra and says

that they're the eyes Abirons to par She said, She'll look to be a Amiga and the

She said What I'm And she And she He said Why? Why me Purtain

if I something. He said, because I was and he went to his brazo and he was erisado. So, when she was,

she was not the woman. And the amiga, it was like to be a lot of terror. And he said, no, no, no, no. No, no, no, no. No, no, no, no, no. No, for favor. What was what you did? What I saw. It wasnti. He said, he horrible. He said,

No, you don't you worry. For favor, if I'm to say, but tranquillize so he's

trying to try to tranquilize her, trying to tranquillizing and he commento a little of

that I've seen. So, in the way to to decorate the arbor,

that just were starting, the am I, the am I did much fear.

So, although yeah he was tranquillized when he told,

that Flotting. He was getting me. He said, no, manch, I, I, I, I, I live here, I'm here, let me, let's see that I'm going to,

I'm going to, I'm going to, he's not, yeah no, it's not, let's go, let's, for favor.

Well, if they're they're all, and they're all, and they're, and, then, then, and, then,

they're, and they're, they're doing to do, and they're, and just, a little. And yeah,

so he's old-all- the issue of the woman and blah, blah, blah, blah.

Yeah, we're going to go ands to the house, open the door, and when they're

a surprise. The arbolito yeah was put. All, the spheres, the

luses, all, was perfectly armed to the little. And then the

amiga he said no. no, no, no, you can't leave alone. Kratte to do not here,

oh, but is that, he's that no, he's going to go, and he's going to be

to do this. And so, and so, then the day the next he said, no, no,

she's going to her house, and the she's like like, like, so, so,

so, just, so, just, just, When he received the call of her and he was

there maybe in shock. What what is that she said that she was with this idea of the arbolito

and of he was not he was that one of the spheres was like very big to another

and there was a that had kind of a little and he gave you know the talk

so that oh no can't to be kind of so he quit the sphere

and the and he he's he's he's a man of the sphere that's

these spheres that are of the crystal that you see reflect a little

more and he kept seeing his real the kind of

something that something something that she and she kept

being the little the and the way and

there was the was the And, of a sudden, he started to start, and I'll go back and grita. And he was so, but

very nervous. He said, he said, Eugenia, I mean, I'm sorry, I'm sorry, I'm sorry, I'm sorry, that no doesn't happen. Well, there's a way to return to the house. And he gets, and he's

and he's talking, and he's talking, and he's He's going to all these things, no. He said,

look, not going to not not to do you know, is that it's that

it's much. Well, let me, wait, let's see, let me

let me go to go to go to yeah, yeah, yeah, yeah,

go to so she she then she she's passing, coming, and the

tower. And the other way, you're back, and there was the woman,

but no she was not just a she was a parted and the

little the little the spheres he said that she was she was

like trying to what is that is that what is that

was that I was and I thought in the end of the side of

that this woman and then then she was she was

there so, like, no is possible that he didn't he's

he's he's he's he said, and he said, he said, he said,

she always doesn't, he doesn't look, and so he said, and then

something, so something so, so, he felt like much intranquility, she

was very that was that was that was that was a So, I gotro his Amiga, that

Yeah, the Amiga, yeah, I saw that there was there, the woman, only was her head her head, she was to go, he was to see back, in the passio, they went to the

part of the final of the passio, entraned to the what we're to do, tranquilla. All right. All right,

when you've got the arbor. They were a rato, He went, he wasom, he was going to he said,

he said, he said, he said, we'll go to do the world and the spheres and all. Because she came with the

arboring a a car and they went on all the spheres, all the lusesitas all,

guarded the arbalit of the Navitit it, they put it in a car

completely, all, it disarm and they were they were and they they were and they

To the basurero. She kept her. She kept to to sleep that night with her other. Yeah,

no passed nothing. A the morning next, as it was not there

was a energy, yeah, he had had gone, he said, I'm going to my

house. When he's he does get a question of a thing

particular. The caja they had had And less the arbor. The arbolito. And it's her corrobor diciennors.

He was. He was in his house. The arbor and the caja had disappeared. Segurably, someone was recogued? Mm-hmm. Sin know that not only they'd have an arbor of Navi-Nabye,

also, to that extrana woman. Felices Fiestas. Wow. What on, no? Yeah, and surely that somebody She'll do it. But she was

with a little and a packet. Well, is that you see a new new, with spheres, you're saying,

oh, why they're to throw in the basura, no? Well, you know, to do you have to

have been to say. I've been sure. I'm sure. You know, you know, that's history? That's

this phantasm that's another epoch, but of other epoch, but of the element of the little

the abelite that's phantasm. That he seems that's that he

is a way to be a way to a little in a other end of the other

or at a not the sphere? Maybe maybe this maybe this a pop of a

hao but no. I think I think I think it was being

so or at the maybe she was so maybe she

and I said because I me I'm no so

for that you are in the what the phantasm is a bit of

it's a little bit but it's another but it's another because there I think you know I'm not

a phantasm if it's something that yeah no but also that's like it is a

reality because in reality the fact is that you can't know if what

did this person of your was was coming in a way

for that you can't because it they can't it classical phantasm. Sure.

You're talking of a person. Sure, in a future. Because that's there's people that's the people that's

people, all the past or the future. Or even in the present you'll probably you'll be you know,

wow, if it's certain, for that's the more, he's like I'm going to, no?

A little what I'd were in the lightesitas and in their time there was this woman, when

this woman, when regrece of his voyage or being is a dream, I've

a dream very rare. He said. Sure, for this not that's she's just that

just there just there being. Yes, no, they're not. Wow.

Wow, so is certain. I mean, it's so, it's so,

so it's some positions finally. For that you'd to ask to ask you think you

don't, you're to be that reality. Well, then it's a talk about.

Well, this story that's a never Navi-Nabind, the

man, Rafael Moreno, is a story that he he used many years

in 1997 98, he said that he's not exactly

he he had in that he had in that he

and that that day, that that night She, well,

after being with his family, he's he's got with his friends, a group of friends, he

to his 17 was he and one him were the more, the other, they were more than

than they're more than they're they're, they're they're so they got on the

bused to an adventure. This is the city of Pachuka. Ah,

look. And when I see this story, I'm trying to look at how was Pachuka

in that time of 1997, uh, although I took much time after that

this person platica. And he said that were to the pantheon in the book

of basically adventure. But not not so not, not, but in

a costado of the pan of the pantheon and that they were taking

their service. Yeah. Felices there all we're talking, when, the moment,

those that were they were in copilot, they're they're to get to gritos,

and they start to say, let's, let's, let's, let's get to get to, to him,

let me, let's, but yeah, grittant. What's, what's, what's, what,

he's, he, he, he, he, he, he, he, he, but they're in panics,

for the , that's in the automobile, the wheel, the ballant, he's trying to to go to the automobile

and not prete. That's mortifices more because he said, Bammons, go-n-n- and I'm, and say,

no, it's not it, it's that yeah, it's, it's that yeah, he's, and he's to look what they said, and

he can't see a woman, when is to the way that's that's that's

He was, and he was a little a woman vestida of a black, and he says,

ah, no, it's a person, calmens, it's a person that comes to come back. And then however,

he was looking and the other no, the other, no, the other, no, the car. In that,

it's a light, or so, because there's some lightcettes there, mortecina, pass this

figure, and when he's a when he's a the woman

that's a black with a little with a but he he's

a lot and then he does he does much a lot much and he

also all all they all he he took

at the time to calm those also he got

in panic and he all put into they're in the car

the car no arranca and the woman still crossing. So,

so it is the lot of the area, and it's, it's in a solar,

in a place, if there was a little, but there was a

magey very great, and he and he is there, and they're looking those,

look, and he and he, but his sonrisa is macabra because

he retire the be the and one a thing horrible, a

with eyes profound, and sojournalists, transparent, and the sonrisa mirandolus. The other arranca

and in that the woman let me pass, and in that they they're and when

he says in, but he he he's a and he he'll be and the

woman, the where was that When he goes to where the coffre of the car and of a manazzo, he'llpe a, the car, because a raeasos, soe, it's a raeasos, soeathe in the metal,

the araknasos, all are in panic, ...brinka as if were an animal, and he's kept like, vying them, observantilos, and the car no hauled. All was in shock.

looking what they were doing. This woman of moment is and starts and begins

to come to come back to the Maggi and in that moment they've that ran

that the car. Saliered they're rechinando yandas rechinando yantas

and juror never more never to go back to return to

a Cemetery. And much less. Uh-huh. No respect to those mortals. In Navid. In Navid.

What was what you saw what you could have been a representation of the murder, could have been a phantasm but of that he was

a lot? Of that he gave a lesson, tremendous. Tremenda. A me said that was like

like a representation of the murder. that they went to put a state quiet. So, not you can't

in this fecha. To be there go to go ahead. No, but no, it was going to

do that's after that after that after that after that never, no, he was going to

get a for that never Christmas, no? So, that's, I've

never seen a person that flot so, it's been good. No? No.

So, I've seen a, I've seen, I, jol. You're It's a sust.

No. I've seen that they're rare. And the movement is strange. Like

with an animation chaff. Because if they're but like they're they're

like in part, until that they're so that is very that's the other

the other have been and they have been they're they're they and they

go. But those rareos that float those not, not is not so you

know, you know, you know, fear. Yes. The others no, but that is

you can fear. Oh, and that of going to go to the panteau.

Yeah, one we've went to the pantheon. In a, no, it was

a night. Uh, what were? Well, we went with a newio

of a amica, uh, we've had been invited to a, uh,

a session a baronery, uh, in serious? Yes. Ah, oh,

oh, oh, oh, oh, was the grand master that that he was a

friend of your old old. So I always always I always I always to see a

other and see a there's there's a there's there's a black where they

could be invited to us so we're and we went to Estella his

his nobio and you if you you can't you have lived many many of

many because then we we've about to things of, I don't know because

they're the phantasas and he says, hey, but you're in

phantasmas and he he's just to use a car and we're going to get to get to

the house but he was to the cemetery but also he met

the cemetery he made the car in remers or so to be

so he put to so he put so to all to the

avenue to the way to the way he had had been

the car. And it was all a two blue like three light of the seat. Because so see the

door, the entrance principal, all the door. And I said you know no

a lot. This is always was very meodos. Much, very meados. So,

he says, well, you know, well, you know, we've been and let go,

let me, let me, let me, it's, it was, it's an car very

very old, of those old, and it, as the cars were the we were the

three ahead. Like, of corridos, not? So, grandotas. That are like, like, like lanchotas, no, of grandes. And want to runcar and just,

and nothing, nothing. The same, and nothing. And, he says, no, it's, and in that's,

it's put in the lights. Like if had been on the front? Like if had been, and Stella

is enoja, he says, he says, he says, he says, he says, no, I don't know I'm talking. He's so he's up here,

so she's up for that weirn, and no he was talking. And the light extraer were to so on,

so we're all in, what's going, and here we're doing, and here we're so, but yeah

ranco the car, and we're there's, never more, I think they've been there.

But if that's, but if that kind of can get to see to get to so

yeah, that you, that's that I, in the 24 hours. And, well, you know, you know, when I opened the brugheria. Ah, yeah, yeah, yeah.

In the carreterer, ah, de fact, there's Alex. And he'll not be able to let me be meant here. Of course, I was just, because I just wanted to go. And yeah, when we went, and we went, and we went to the carreterer, that's line rect. And I, of a redoubt, very strong, and I said, no, not you'll be that put a nervous. Tranquillo.

Like, what, what on? And I said, look, I had quited literally, I had retired totally the

foot of the acceleratorer, and she was trying only. Right? Yeah. You know,

I'm sure. Wow. And I was, so, I said, I said, I mean, to be

super, super, super, uh, afilados in this moment. Sure.

No, I'm going to put a nervouso and I was, I was to look to,

press, to control, to control the velocity? Yeah. No, imagineate.

The good is that it was pure recta, but the acelerator solito so he was pressioning and he

kept a torado about. And I was like to to put a to get to the front of and then

he was so much but I'm going to talk about my story. Well, this story as I'm the other

this story is called Felices Fiestas and and we'll have our friend Jessica Cabrera Rodriguez. She's,

she's called, well, this is she called Jessica, but they say Jesse and live in Durango. This story

happened in a lapse of time that has to have to be with these festas desembrines.

From the the Navid, and the year new and a little more.

So, is all of that time. All of the time. When she very

young, is a mother solterra. And, of a moment, she has her life and is her

life and is focused on to work to get a to get a little to his son. But,

but I know to this young, she enamored very very quick, that is actually,

is her husband. They're they're they're going to get to know,

so they know that's the person that she He also and they're to live

together so they're so they're to start this new step of your life to start

as well she'd be apart and he'll go to a new house and to

do that and do there's a like a new and so they're in a

living they're in a house that's a exactly that's

they're to be there she was living in a but he he had a house

he was a he was a posseer a house a house an old that was in the

center of the city but they said let us let all all all

all right all that he gets the month of June the year 2013 there is

when I'm when it's the story and that one at

nine of the morning she was because he was a struend

it. It was like something was it was going to the

very very very very very very very it was

like so boom boom so horrible so he

so he and and with the heart in the

garganta discovered something his house was being Kempano.

Desperto a sposo, so, but rapidissimo. Yeah had

another other, other a baby, his his son, the little

and the four were going. All what they had, all what they had

constructed in in seconds in they're not nothing. And they were

super very and they're all. It's reduced to senises, all. Ropa,

casa, all, all, all. And then then, then they were not

other alternative. They went to the house of the old house that in the center.

And that house is five minutes of the hospital maternal infantil.

A house house a one of these that's that

they're that like they're like they're like if they're

And the and the doors are, and the doors are, and all sounds, it's a house big, but well,

out of these things, they have to continue with their life. So, so they're for that

house, they, they're, that's, that's, that's, that's, that's,

that's a new house, and she she's she's to get a to the morning,

because they have to get to his little to the pre-scolar and

to the baby to the guarder. She She's His husband So,

imagineate this is what has to pass the the day anterior and, well,

is there is there is there and he is there the children and he prepares

and he he goes and he he goes to his house after to have

to have the door to the his room I

encounter to his person that's kind of You're just to be You're doing?

And he He said, It's that The kids They're They're They're They're

And then They're They're They're They're When When? As a

moment No, impossible I I'm I've I'm I'm

I'm I'm nine No The kids they were here. Entran

to the room. Me took them the feet and they were running.

Nope. The really that no. The children not. And it's

kind of what? What? She said that she really kind of she no

he really was that he thought that he was for all that

had been something something something before that his

his his his his his house when of the

right when of a voice but not their they

were they were they're they're and the and the

house not not occupied and what there there

there there is a house it is a

a a It was of Noche What he Was the voice The boy of a A boy

That was She was She was She was Moma Moma So she She said

This sound He has to Comeer to the Coney Well So it And no No

No No No No He came To come To Come

Mom Man You Uh I was from the house but I could

define to where he was to find out of his sonned and he passed on some days

and that voicecet and then they were other days and the repented the

husband he said me they've I've got to the back the

he's your his he did go she she one

She one day He said that He said that was there In the house Solara The kids They were in the Guardary

In the Kinder When of a Repent I heard He went He went He was He was

He was He was A crossio A little The silhouette A little No, you It was

And he He was And there No been No There But it was so subtle and so that's always that

he was used to become to have the silhouette of the silhouette of the little bit, to hear. To hear, that in a lot, in a little place, I'ma. But his husband, says that

he'd like things more strange. The child, he took to the feet and he'd but one day he said, is that there's something that's something that's not here. because you see a

boy and I've I've seen but is I see a I'm

I'm a woman this vesty a black this

part of your his and he he he he's with

noho no I know just just he he

that that that's that that she He said that when he said he said he

He said that He said he was going to go ahead. And one night, his husband he said he had to gore It was in madrugat It was very tard

And he went To go to one That's called The Park Guadiana And she He went to She went to

go to go to go to And he He said, I'll go I'll continue Dumbian

He was He was there Dormida When de When you've had been the

husband, he's a little bit of a little a little a little to the feet.

And he was he was and then he was like something like a little was coming

on the camera and the camera and the camera was when she wanted when she

took to see it and then he was the good that came to

So, like from the camera I would have been he's brinked and

when he he was he said the noise that he saw he he said he was going

so he was so what he was oh my oh my that was

I was there was there was he was that he and he and this

house she was he was from from the

window and and he from the the ventana, the window of the

kitchen. And there was. There was a little silhouette in the kitchen

to do you and it got a pampamp pamp pamp pamp he got

much because it was like very very obvious very physical but he

no I don't let say to say my husband and he was

to go to do Passed some days And of you know, I remember has in this

moment his baby and his his son that's a little more great.

He was was with the baby when of the when he heard to the

he was laughing and he ha ha ha ha and he's he's

he he's he he he's he was to see what

he's going to go to his of his when of when of

the quarter of his is going his he's he's he's

he's he's he's taken the hand his his

his his his he says he starts to

see to see a he he's in other room

in other room she she sent horrible and it was come. No, I'm

playing. Ben with me. And they're from the house. That's what, you know, that's going to to be, because not

a little, it was a sombra of a man. But his his son, he was very nervous.

And then there, there, where where he lives, well, more or more,

say, Serja, has a A becina, that's her and he went to that's

going to be this, he is a bad feo and he's put to play with my his son.

He said, I know a vident. This person is a man, a, a person,

I think he could help you. Well, well, present me. Yeah, contact them

with the vident, the vident says, I have to go to the house.

Well, to see to okay, get this sir and the first what is

at the first is all enter uff he says this this car has had

an energy very pesa and she is a house a house a

there there a man has the the hair

lacio black his mirror is very very so he

just to and he He started to say about this the new and he said, No,

deges that he's he's he's he's he's not not that does that

and what do you do you do you're baptize no man baptize those

but yeah okay and the Vident he said he said he said

he said he's but she kept thinking my amiga my amy my friend was so you're to get a

little bit of the baby lacy and that is the mirabing and that I'm not I'm

not new really really no me did nothing no I think no

I think in what he said that's that he that's that he want to

get the he's a little he's some this this I know

that many person has passed. The television was on the

television is on and they started to get the volume. Until that was

in the maximum. Yeah, they were so much this family that the

baby had in her in her cunna in his can't and his

his his he was with the wife so they were

all in an room when when the TV, they

sub in the volume, then she she gets she gets she and then obviously, for

the television that's there. And when when he there, there's four

people in the camera. So her her, her his son

and a little more abrass to his little. He did

so fear between the sound of the television that he stiro

the man and he he he he he and

he He opened the eyes and when she looked to see her, he saw her that there was a little by him, abrasant to his his son.

And the the child, or what that was that, he was up, brinked of the camera and he went

to goreying to the and the husband went to and he he was he wasomed,

he asked, the pass until that he went. What was what you the Dident? At the day the day

the day they were baptizing those children. For a time, nothing happened.

They were baptized the children still had finalized. But it was the Navidate.

Lowe the Navidate and all all they had been allude they're

they're on the they're they're they're they're to

get to a three of the morning I'm a little a

a a point that's a door that's that I'm the

eyes and the she was the woman of the woman

to his room was observant to her with

an she with a when she he gritted,

the husband so he was opened the eyes, the view,

and this woman, in a movement rarestim, he, and the husband,

yeah, no, he had a was courage. And he he was, and he was going

and he ran and she, he, he, he, and he went to

another again to another was, He was not only in his abitation, the major, was for him in the madrugada, and he

he was he was to go to his room. The husband had been out of course. She, she has to

his son, he goes to the house, the baby at the little, and is the bed at

the end up to the husband when of a when of a minute, she makes a his mehia

that's a carici. Moma! he said in the he said in the he said he was a he was

a part of a one a big a great in that she

turned the and he he came to do the we're we're

we he said to his he said his and the husband he said

this is my house to me nobody me will to get

to get they're they're they're not we're not let's

let's get the not totally and they're and they're to go to a

house of the next the day the and the he

said we we we're we we're we the

con it and they they're and the she

the she the not did do the evident,

well, I know, I know a brook. If what they're going is that they know a

brother. I can go to go to your house, do a ritual, limpia, et cetera,

and what that's the that's going, he's going. He said, that's what I want. That's what

we need. Well, they're to the bruce, the bride a yeah,

okay. Okay. Okay, let's to be to work. And He started there to kemark, copal.

Limpio, but even the little, he was done all that rollo. He said, TEN much care. Those phantasmas are still being to your energy.

They're still of the energy of but, but primarily of the Tuyah. And they're making fervantes. There are

to get those, but yeah. No, is Eugenia, to me, I don't me convince you It's that not. It's that you don't convince them

these things that say. But I don't want to be that's been passed on my house. I see the indications. And so he was. And so it was a lot of days. And all was very well. And it was 31 of December. A year new. Well,

sonarron in family. Obviously, the kids are going to be a little. She had a sonno. The husband said, I'm going to go to the the other Vecinus and

I'm a little I'm a a little bit of a little a little the baby yeah's

my boy in a moment you know you do and you do it and get a

midnight night I'm obviously watching the movie with the volume

super so much so that you don't get over when of the

p'p up up another once the the again the again and

he's movement in the kitchen. And, and then it's horrible. The first what I thought

was, they're in the refrigerator. He said that was a scandalos so the metal and

so, and he said no, yeah me they're the refrigerator ire, he-le,

he's par, to the kitchen nothing. When they're in the kitchen

I'm he starts a to her baby. He gets correding to the room.

The cuna of the baby was the baby was in the floor.

Yorando. And she was despero and he started to get to

and she was she was crying and the baby started. He was to get to and the

husband was he was he was he said to get to and And he went,

and he went to the house. And she was out of the court with the children. What? What?

He came to walk down to the wall. Until that he gets with she said that there in the saline

a comedor a dense nyebla like if there were a nubes contained in the space

He no He didn't That he That was That he He was He took And that the

Theolour That was That was That nubes was like Fetido Askeroso Venge

Letgan Those I was When the When of the Aemina

Gela He gets Corriending And he He said Eugenia The Brouca

That's That's He said That's He's 12 or you're going to you're going to your own?

Well, look, now no they're more. In that's the point the doors

and they were in the quarters and they started to open and they're and it went and

the family to do to sleep to the house of the friend and they they're

there what what's what is what what we what we do?

No, no no no this can't be possible. No it can be possible, no can be possible. Something we have to

do. It's a good. It's my house. He's my house. No,

they're not doing us done. They're all so totally so totally

tranquill. And they were to do not to do The time a

the timbre. She gets she's the hour 3.33 of the morning. Camina

they're talking the timbre of the door of the entrance. Sintio a sensation rara?

It's my idea. Abre the door and there's a woman and he says I'm Joanna

Lopes I'm for a advice he's my son of my son

and he's to disbandecer he's he's he's he's he's he said

he said he said his husband no me important in this moment we're

we're we're and abandoning the house the the

he was that he said that he said let's literally abandoned

the house the house is disavited the day of today of her her

friend, the friend of his husband, the bestine, they they're

that at the three three-three of the morning at

sometimes it starts the timbre of the house.

If you you see you can see a

silhouette of a little that I see sometimes he

says that from the house that that that

that Pidding for her mom. And nobody knows why. How is that a caon, right?

No, man. It's very difficult. Yes. They're are ragged there.

And it was escalating a little to a little. Sure. I've a super

doubt. For so I went to see, I'm to be to hear

that that's that person, and he says, I'm Juan

Lopes, I'm for a counsel. She muri my

son of cancer and he's a reiss. It's a really. It's something very

really. It's a manor. That's a selection of the words. At least

he said what he didn't know. That that that's a man who was a

little noca. No. I don't know so maybe he did it or

so I even. She's Juanna Lopes. No I don't know. I could have been

many many many. But obviously yeah not in this

world, no. None of those both. But all over sure that

did it did it. Yes. A much time. Like the the

year. Yes. Then it's sparse but so, and so was a

Juanal Lopes? Sure you have all the reason. The child

who's Mewer Ganta Lopes is the mom The little is the mom But is a boy

And Juanna Lopes is the woman De Nego because is the lute And the energy

Vienes You know your energy And the of your And the of your

And the That's the Mieton Sure And so And so So Howe

Howe Howe Howe Howe Many Howe Many People

You Petrific You Petrify a person There are various cases in

In them Oof That's It's It's a Mood It's a Yeah

How it was Scalando It was scalando It was scalando To be At point To break Yeah

A lot of Energy To get it Yeah To make sure To materialize Yeah And talk

A timbre No manches Well So do Can't Can't Can't Increible

But can Many Many many cases of time of time

back. Yes. How they're how they're how they're when I'm

I'm quite I'm I remember of things when I had seven years in this

Pachuka for sure in that in that they were not so and so and

only it was so it was so where this person so

quit the so so it so it was horrible it was horrible

but so your your your brother like you we were

we're in a sombra and a she she first was the first

because I remember that when I I I was that I had a

bell that I always I'm I'm in the moment in the

I was and she was I was I was there was

there because I said mom my can come I'm

he'd I'm I'm yeah but but no me

I said why until that I'm and he he's you're doing

so no manch despot me said it's you're so yeah

but yeah it's when I when I when I and it was and there

had to be I'm I'm I'm I I I'm

I'm I I'm I when I moved things of

the stuff of the well well you did it was

she was all there. That's the I said, I said, no you know, I said,

no, I'm sure because he was a out of that he was a lot of, no,

no, no, no, no, no, no, no, no,

so I'm all, and then I had a perfume, mm, mm, that

a bathroom of a man, yeah, that's a lot of many things, many,

many, that story, that story, that I told, that I'm the first my

first time the first of a chapter of podcast paranormal, If you want to know that story very,

yeah, yeah, there's the first chapter of podcast Paranormal where it's, well, where I'm

a lot of a lot of stories, there's a story of that that's a big, no,

the story, no, no, just said, it's terrible. It's terrible. It's been pretty bad.

So, well, that. Yeah. Hey, you talk to tell the ultimate

story. I mean, I'll say, I'm going to tell the ultimate, ultimate, ultimate story, but the last

story that you know this night or the last story that this story us made our friend our

friend letty Mejia and the titula Possion Demoniac Oh,

this this is in a 24 December of 1987 in his Tia

Patti his Tia Patti her was doctora and various members of his family

were there were there were reunier more for his father

because he was a family, that was disancied for

questions of the motives religious so. So, so his family

had a little of all. He Catholic had

evangelists, de crey and not creyentes and they're in any

of these religions. The religion of their religion of because it was a

kind of kind of other type, but the father

I just wanted to unir to the family. So, so he did all the possible for that they were in the house of

the Tia Patti. So, this is this is going after the Cena of Navidate. One of

the Tios, the that was the Catholic, he was going to do his sermon, and he

started and to talk and some members of the family and they heard, she was

very young that was that was with his primos and the brothers, they were aburrying, because he said

that he had a voice hypnotic. For that they were in their mons, well, they were some

they were to be able. What the most wanted was that was that some had had been

gone, but what they called the attention is that his primas and some days

subian and they were and they were with much agitation. So, they were to be a

curiosity because no those they just They were They were to And they were to

They were to They were to They're They were to And from their wife To see a A subprima

Carla They're saying They're So they They were That was She was Baca

Above And that four of his familyaries of his Tios had been

Detenida each one of each other Carla a woman Robust Her first

She said that had a force indescriptive they could know about her time

she was she was she was and patty was going and I'm doing because

they were they're medics they're making that's commulcinable tremendously

and they could do you did not they they're and they're

so they and then they're and he said what's what's what's

her to come to something something something something something

something she She was a convulsionar and when her mom she came

her daughter of she said she said that she was he went on the he was

to work to have to not she not she not shegier lastimating intervened others

is when intervened the they're they they're they're but

they're they they're they're they're they're they're not what

What is this? No, no, no, they could. And, and the moment, someone he's going to get to,

yeah, he's a man, he came the man, the man, the man, he had been

to be able to talk about, he was a prime of the father. Okay. And the

Tio Pablo was the brother of the family. So, he gets the Tio Pablo,

a man a moreno, he gets, with alcohol and with and with fire. And he

said, where a basis of insults, he said, he grittable, where you're scondes? And conformed I was comingando, and he was doing figures with the alcohol, triangles, quadrads, and cruces,

and Ivented a fire. So, then I was to find out, because he wasulted, and he grittable, and he was going, and he was doing, and he was coming into, to be able to get

to the room, it was doing quadros, circles, triangles, and cruces.

And cruces. And, and the moment grita, yeah, I got, because the alcohol

started to chisporot and made, and said, I'm going to destroy, you're going to

end up with me, and he started. And he he was he went to be

to be to be to this the nina. Yeah no

they're they're presential they're not, they're seeing, but

she was battled with her much much time. And the little, and the

little, and nothing. De moment, they were there were

there, a rindica, the other room, for the front for the

front of one, and they're there and they're and

they're that they're He was quite her prima like dormita but that

they were they were they're all very very very for they're in her

and the time and the tias you know that they'd give you give you're giving to

give them but you're still and when they they're they're they're

no! Those are all still still still here

and And again the young the muchach she he's

he's incorporated and they they're they're they're they're they're

they're after that the little he said he no

she go this this so he still still

still and he he's he and she she

he of she he's he he didn't he

he he said he said that he said that

the prima Carla he did, I said, I mean, because

never he said, because he had had hugged the Uy a day's that he was

that he was going, but she had to that's eras. And yeah the was all. And then

that's that's so that's so I'm but how you said, Pablo,

no he's he still still here. His mother of

Carla, the Tia and her prima changed. They're they're

they're they're never never never never she's he's

and they're and they also the posse the posse to the

Pottie no to the mom to the mother of Carla to

the mother of the her the two and Rosio

was the was the was the was the she's the she was

the also also he's where they're they're there's and then

the Tio Pablo did all the he was he was he was he was he was

she not she was that she was that he was he passed in another year

he even he never could rescat so recat yes to the normality

not a Tia and a the prima, only Carla, to the that they were the

but the other two is the thing. Very a story. Very a story,

but, well, are of the things that a lot of people know what a lot of

a situation so. Although unfortunately now, as the things are the

things, they're not, but at a very difficult that no it's my difficult, that's

it's because no no, the way, no, the man can be superior

to the light. No. No, it's for much. And what is dangerous.

And it we can't see even in an eclipse. Even when so it can't be

there, there's, it's it's, it's time, I think it has to

do it think it's insistentes. Yes. No, not if it's, if it's,

it's, it's, it's, have to continue until that finally it's going to

when we about when we about some type of things that's not I'm not like to say those

names but are things are bichos are opportunists and I always always I'm saying

and I'm and then and then the fact is that are things that are out of

our reality of our control of our mind well well

fifted that you're to tell my story that I think you

, I think that's going to because this will be a last story. Now I'm going to be

to start. Well, I'm going to do you, you're going to like. You know, you know,

that the policeiers in Chile they're they're saying carabineros. Yes, like in

Italy, are the caravaneros. Very good. Because I'm going to mention a policeies

in a moment, but for the people of Chile, as the story narrated, are the carabineros.

Caravineros. So, it's for the people of other parts of Latin America, Spain, etc. Where don't they say in caravineros, we're referring to policies. This story is called Nochebuna and it's our

friend Fernando Janice. Janice. Fernando has actually 44 years. This story occurred before 40 years.

Wow. When he had In that In that then I was I'm mother

a mother solterer in house of his abuelos in a region

that's a newioa which is a a common of Santiago

of Chile there in that in that then he said that

even that his records obviously as a four

years many of some many those night Noche, Good.

The record but perfectly. It has tattooed in his memory. There are many

things that he, to that he had to get a four years. Sure. The

record, it was experimented, but not I was. It was very little.

In that case, when I had the four years and his mom, mother

solterer very young, the mom was in a moment in the moment in the he had a

quadro of depression very was a depression terrible and that that day

that night the part of the memory that he never I'll forget when the

mom that was that was that was to discuss with his abuelos

with his papas, the abelos of the father, and the

discussion was very very but was very very very very

grew he was insulted, she was was very so

she she took his he took a night

and was a night a Plen a dictator military in Chile. He said

that the city was adorned with the decorations like if were something but

there was something there was a fear. And he as a four

years that he had to see a his mom to with his

abelos had this sensation of inquietude they were

in the car they were going without run to

to to give a a a a a time,

and the time it's to start to do to start

to make to make to I'm I'm not no night

and they were in the night they said they said

they came to the station metro, the this is very important

this station is in alto And by the station cruiser a carreter

where the automobiles pass a very fast. I imagine that like the viaducto of the

city of the train is up and by the and it's exactly exactly

so but after 40 years and they are to get to that

to the Alameda that that's where is that's station of the

metro of the he he's he's he's he's he's

But no why. He was in the man of his mom he was to get a

very nervous. When they were to get to the right, he sat

in the cellar. His mother in silence and and he saw

his mom with anxiety and that something that something

that was in silence seeing the carterter how pass

the how they said that there was there

was that that he he'd he'd love the he lava the he lava

not quite but I'm much frio but I feel like the scalo frios

he recorrials they recorried in the the restance that he had

he he was on the his mother and he got he got

he he was he he he was he I was to start. He was not

what they were saying, but he was his rostros were very serious. His words were cortant.

What they were they were what they were doing there. His mother was, and he said to these carabineros

that only wanted to just can't a little and then they were to retire. They were

they were not. No, they were actually nothing bad. Simply, they said, good nights, and they were

they were not inquietos. He was going to go ahead. He still and was in comprehend. And he

was now so the free. And he felt for first a first time a very

feeling very very a whole. Like if he only, even if

there were there's his mother and the world sentio soled.

And regress other carabiners. But these were more insistent.

What are doing here? Retirens. But the mom was there

and said that he was that was a voice to and that to be

a mother with with these carabineros but being

insistent in to get to he did more

more was going the tone, the tone he was giving much fear.

And the carabineros no couldn't do more. They were not yet. It were

at the night. And of the time, of the nothing, he was

a young and I came coming and I had a mochila but in the

back it in the a term and and vassos of paper that were this young he was made directly

came to where he with his mom he said that's he said that his mirabre at the difference of the carabineros fission

his mother was like very amable very very tranquil the young he came never he

never to see to be to be directly with the mom and he he said

Hello, the apeteence a coffee calientito? The mom with this

rostro of a face he said, he said, I'm I don't have a

money. This young he said, and replied, no you don't you

don't you don't it's a car and she's he's he

he she kept in silence he took the coffee and the young continued you know

you know you know and you know and he neged with the head he said he said the

young and he as a little he kept seeing the face of this

man he said that there was something something something but

not I could define what it was was was distinct

to to all the people that I had seen before but

I know they were they were. They continued talking a moment and before to retire

the young said the he said he was tattooed in the memory. This

dialogue exactly occurred so. The young he said to the

moma I'm I'm some I will and I'm

for you because I see what you going to do the world and he's when the young when the young she went

the mom now I no could resister and he desmorno he started to cry to

to cry to cry to he brought and and tears and and

all silence and and I and I and he was and he was

there was there and he He was with all his forces. He said that he, he, he no, no, but, but,

and to see a mom, so, he was full of sentiment. And he said that he was about,

and he thought, I think, I want to my mom see, all the love that

I have, and then, they're just there, a little, the mom so, the to clean the

lachrymas. And he sentio that his mom was more quiet. And he

saw the young, he was he was back to go, he was and he

said, come on me come with me and they were and they started to come

to come and said that this young he was to a house

big and the fachada of this house had

a had a porton of madera disvencigado and the passio was very

dark but came around through that the passio came to get a

house that was a humile and had only a little

light that was that in the rincor of the room

there a abolito of a night very very

austere that And just had some lusesitas It was like Like if that

Abor It was a Bapor It was Opa but literally It said that literally

It was like It was It was rare There's There in That's Where this

Muchucho There was A man A woman A woman Very A woman had a

baby when those when the woman was received with a smile he said

when he he, he, he, he, he, he, he,

he, he was to know that that in that young there,

there had something of that that was a little that was

a very rar like not human something, something something

he gave the camera to his mom and the

mom said, no, no, no, no, how you're? Yes, you're in the camera. We're not we're going to the sofa. He's that

he's the coldness and the people, he not could be able to he was quite quite

the environment was very strange. In his mind of a new had

many questions. No conversed really much this young, the

young, the man, simply said some words for the Naviad the

manchino he said I'm so that's can't doormance all all be

all right and she has to be to do with his and he closed

the he was he was he was not he could doorme but

his mom she did do do do very

very to to the and they They were they were saying that they were They were

They'd be given and they were And they're back to the house of the Abelos The Abuelos are very contentous Although they've been discussed very feo Well, to be that He has returned his wife with her nephew and that

Stubirang And all right And all right And all right So they're done It's that all Reyesar to normality But in the appearance

Because that This night, I gave a he was a chakrifice a lot of when the second time of the night. They were to say that night, and the mother, he confessed to the truth. And then, and then the

And then the He said that the altitude is equivalent to four pieces more the coaches that were passing He said that was so deprimed

had so a lot that was the only that was her only way that was her own changed all

she changed all she was she was in that then he he was he was he was

he was very and when he went to the house. But no nobody. That house was totally vacill. No, there was a little bit of a newotid. No, there was a

camera, no there was sillon. The actual, the house had the windows and the door taped. Even thought that he was equivocated. And he asked to the residents, that house had

gone to years abandoned. Dush. He said that he when when he when he heard this of his mother

he went without his mother his his mom well he said

and he he he and he a story until today

I know what they are I don't think they

were people people were angels and never I

will forget what the young he said what

you you're going to do. Wow. Also, the carabineros. Because nobody will be sitting there.

But no, but they're not intervened. No. Because no, because no is doing

nothing. No. No. They could detener. How evit you something?

What they did? Yeah. And how how the history? Milagro of Navi-Nabue

Good. So, that's it was a good. And, and to his age

he well never never said I'll never I'm I'm a

question a question a so so if some an angel

is why some some some and there also there

also there something she's she didn't know that

not they not they're he he was a

he was an little the the the thing What's what an adult, no?

Exactly. Yeah, as an adult, no knows what he was that he was rare. Just remember that the bea rarer. Exactly. The children

see another other thing. He, he's like something a rarro. But the curious are

the representations here. No, he was he only. There was a woman more young

with a baby. Yes. What? What? No, manches. That you record? And I think

to many, yes, I've never to have recorded. Yes. Yeah. For the

Fecha, no? A miracle. That's a miracle. Yes, because he's many

representations. Sure. So, this man he said, he said, he said, and what they

saw when they were a woman with a baby. And that is celebrating? And you,

You're, a woman with a little That's hard You know I said that this story is so

Firt It's good That's What, You know You know, Uff Yeah,

Uff I said, I said, Oh, DeVes on the When you These stories, so

It's that It's like, The Basurero of Parras The History of the Trenes in Spain

and this and the The Bombero, uff. It's that are that you can't move really. They're

stories that just just about to imagine to a man. Yeah. I don't

think about in the woman. She was dishecha. But he to that is to

recordar? And that has this concept, no, know what does that doesn't,

no, just he's So it's Oof, that's when a when you're when Ibrac's a

up that's part is very very very yeah well,

yeah oh, oh, oh, I'm happy New New New all,

and enjoy much, it's it, and me, yeah. And, and so,

and so, and so so, and so that's, oh, my, Mom,

much thanks, Well, Happy Cumple-A-Nos, for a thank you.

Thank you. Thanks. What I can say? No, no, much, much,

thanks, much, my, um, before, before, before, we have to

get us because we have to be the night, and the new new, and your whole whole

electronic? Sure, that's, if you, do you know, so my name is is a

Nellie-L-Y-Griga, but here I Nelly and Latina Aponte together because I

know that many people get in a Nelia with I Latina but no

it's Nelly but is Nelly Aponte and Latina minusculas all Dau L 4

arroba gmail com It's all difficult but so so that's N EWL and

Aponte 4 the number 4 arbgmail com Oh, my mom, many, many,

many, many, thanks, much thanks, we're going to have to be. At the invitation.

Nothing more like I want to remember to the people, we're going in the next few times

and in podcast paranormal and in the in the envives and we're going to announce

what are the things of the we're things to make stories to do things like this

type that were this special Navidene that this capitio Macaro

Navid but we're going to be doing other thematic. So if they're thinking in mandar or not the history,

if the themeatic, if the thematic that put us a case to say, mander them

in that's them can't send it to call to Fepo Ropopopopop Pottcast paranormal.com

in the issue, the theme. The theme. It's other thing, manden it,

mandarin, mandarin, and they can make your story is anonomom for favor, not so

forget, because even if they say, I, well, I'm not a new a new

but I'm in the mail, I'm going to get a name of the name, and then they do you know,

anonym, anonym, or how they want to them to us do you, that's very much, and

just, thank you, my mom. All contrary, thanks to you, and to you,

my, thank you, thank you, thank you, community. We're we'll be the next week

to continue these terrifices experiences reales, so you if atrebe. Felice

Naviad. Look, see me it's me