INSOMNIO - NO ES UNA LEYENDA: LOS TESTIMONIOS REALES DE QUIENES SOBREVIVIERON A LA LLORONA

Episode Date: June 4, 2026

¿Sabes lo que se esconde detrás del lamento más aterrador y famoso de la historia? En Insomnio, Fepo, Christopher Guiot y Fermex nos comparten historias de terror sobre "La llorona", casos paranormales que los testigos desearían no haber presenciado.  En este episodio, nos adentramos en la oscuridad para explorar las terribles consecuencias de escuchar estos lamentos en la madrugada. Estas historias de miedo revelan quejidos asfixiantes que resuenan en túneles subterráneos, figuras monstruosas que acechan a los recién nacidos en medio de la nada, y tragedias escalofriantes donde el agua termina siendo el conector que la dama de blanco usa para reclamar a los más inocentes.  Escucha con nosotros estos relatos de la noche que no te dejarán conciliar el sueño, suscríbete a nuestro canal de YouTube y cuéntanos tus historias que tengas sobre La llorona. 👇 #insomnio #podcastdeterror #relatosdeterror #lallorona #historiasdeterror 😈 Redes de Fepo:  https://www.instagram.com/fepomx   https://x.com/fepomx   🔮Christopher Guiot:  https://www.instagram.com/christopherguiot   💀Redes de Fermex:  https://www.instagram.com/fermex22?ig%E2%80%A6   🫡 Síguenos en redes sociales para más contenido: https://www.tiktok.com/ https://www.facebook.com/paranormal.insomnio https://www.instagram.com/podcast.insomnio   👻 Comparte Historias, Memes y Evidencias Paranormales 📝Cuéntanos tus historias: https://podcastinsomnio.com/   [e-mail] ✨Grupo oficial de Facebook:   / https://www.facebook.com/groups/548487930178860   💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx   📧 Consultas empresariales: [e-mail]

Very good days, tardes, or no nights, be welcome to a new chapter of insomnia, in where we're to narrate the most terrorificate

experiences reales of the audience. So, listen them. If you're atreven. And for this night special,

that, as you have seen the title, is, is, maybe the thing more said,

and that's a lot of stories, muchism thanks. I've been the honor to present

them, and apart to be Estrenaud, to our great-Christopher Jod. How are you? How are you?

Very well, Fepo, content to be with you two, two grandes, two grand, the truth and great, and, and,

then, so, and, so, these stories impressive and I was really, of how the

audience, the audience, the audience, can, live with those stories, without the moment that

the time that the express no, they're, I think that is important that part. Yes, like there's a liberation. Yes, and the story, one of the stories that I have I think,

I think he'll help this person to that liberation. Very well, very well. And also is with us also, a master of the terror, our greatissimo Fermex. How are you? Very well, my, amygo, amygo,

how are you very happy to be here with you. And the fact is that, as well, we know, as we're saying Christopher, today we have some of the stories really, very, very very fertes. It's one of the

the things more of the ones that most there's stories of people that have been heard of or I've been

to literally to the Yorone. So there are stories very good, very, very good. My, my jizgo,

I'm going to be to be a good. You know, it's not to start, you can't

do your social and platforms? Sure that's yeah, Instagram, Christopher Giot,

so is how me can't even in Facebook. Very very very well. And,

and my, to your social? I mean, I'm an email to find them to find out of

Instagram and I'm much to put to put on a tachal one to make a whole to a channel

to get them and then you know they on social and criminally in YouTube. Very well much much

thanks. I'm I'm very thank so to subscribe to this channel

and if not you have done to also to also where now is

living the greatissimo Puls that is Puls Paranormal now is Puls

no human, but of a bit when it's a time when it's a pulse paranormal in expedient

in human. Very well. We're going to start. I mean, if me let me like it would

be in this occasion to put a bar a very high with a story cruenta is

the word and that me it's even extraordinary that this person not had paid

the anonymat and he's a number complete. So, it's a story

really, very, very impressionant that I would like much to tellselas.

This story the man to our friend Gabriel Alexander Avinna

Ayala and it has titled The Maldad Not is only human

Okay Wow He knows he this history that experimented

directly he was there was there of the years

2000s You'll remember, many people that from other countries that's the other countries, maybe only no, they've been to

the other in the questions politics, there were, a, a, a, a time of

decisions, that basically did they did that the country if it was violent, much more

violent, and then then of we're to see the maldade human in our

in our countries, in our He says that in that moment, he was living in a little in a little town of Halisco, that preferring not

to say, because, well, simply not want that the people, family, friends, friends,

etc., that they're living in this place, then they're like, in that city, in this,

in this city, and the house, and the house, because, obviously, of various people,

there, a royo, a rio, a rio, a rio, and it was very little

and the families acudian to this place very very

very and the kids they had they were like a

picnic normal but it starts this in the place

and he it and he was a certain groups

of people that was an good good for

to that previously had, in some form, they had rebuted the life with much violence, during much time, to do you

to work that they're saying, I said that really the first time that was that one person had been

been found out and said, well, of that he was, he was, he was to be visited

for the families, but then he was to be visited even for any type of person. you'd hear you

that there was a person that had encountered that had the deads that had been

redded that had encountered a person that had separated parts of the

body of all of all so things things feas and of front

so to come to that's it was like maybe maybe a

mission was very fea, no, because maybe the curiosity or something you're about you what you're at a

lo-lejole, to be a little to do you know, and I'm probably it was a but with

this that came to occurrire that they were there in the the the

the the people he was to get a a person

and that that not not they're not they're not

Well, if this has been because of there's a point, there's a lot of not

not that's not the and he knew the way, the most ancians, the persons

more great, you know, that when the malddad human grew, also,

then, creas the maldard that not is humana. And they said to the people

that they were not to be night. He was simply in his house a day, in the night, without

because basically it was like a time that was the same people had decided, when he started, when he started to hear something. He said that at the beginning, his head immediately tried to give him a response to

that sound, a perro, a cabo, a But that sound But that was very very low No, the

wind between the arbores that was that was from the arroyo

and it's a sound that many people have heard that says the

jorona no says there is only a lament agued

antinatur very very feo and he I started to hear that and he

costed much a time to get to the window to come the

cartina and for the end I thought for favor, for favor, for

favor, that no there's that there did that she assumed

no, no he was he was to be to get a to

the window much fear, because that thing, that was,

the lament and then he was and every was it was

more more very much and more so that he was he was deto

and he he had so he was that he made a

in the in his camera and he he got he was when he

got the he had and he's there and he he's a corner of

what had happened of the so he was he went and

he was and he there were two two and there two and one

of them he asked to him you too you did he he

just he just he just he went to this

place and he said the really for the for

the there no there only we had heard

we had heard and And they thought that maybe they're

three they've seen that's they're they're in a real real good but

when they're in the day-a-day the day, the same people of that day

that day was about that they did it they're and they they're and then

there there was no certainly it was it uh some

he's a perro that was a but those that

they're they're that They said, no, that was another other thing. And as a there was a rare.

Then, at the few days, when you were to go to get a dream,

the sound was going, it was that it was the roojo, but now it was

more more clear. That was a lot, a lament of a woman. It was

that that was not human. That was not He litre,

the of a repent he was he said and he did They said, is that is normal.

It's always when there's she. She's always is near the water. For that's in the

arroo. And there a woman, a woman anciana of 80 years, Doane Aurelia, that's

listening the conversation, I was sitting at her cell out of her house. She was

to put with much care to sitar and they said, no, no,

no, no, no, no, it's she not the Jorona So they're

like what what what's and he he said I'm I'm I'm

I'm I'm a Yorone in other people the Jorona Jora

Jora for Culp the Jorona for the cause of what he

did so that's all that nobody did the Yorona awog

to his children in a rollo and the Yorona Pied for

those. Us He's looking. This not is looking. He's cassering.

He wants that the people so are a little more. We're not come

to know and they're to get to the but the sound

continued and continued and continued and and and

we tell our friend that he had a a he had

a very well Ramiro was the name of this he was a man,

he was a man, very very very very very of those

that the is that has been has been much a much

muscular much musculature very very very he was a man

and he said an man he It's the loco. The people is the bianco. It's the

wind, is an animal. This is this people mal. That's not only they've been there the bodies, but that they're they're living. And there

they're just we're going to. For so we're we're just we're the gritty. And this has to be able to. And a night, especially that night,

commenced those lamentos, but they were more fertes than never, or rippilants. Our friend said that he had much fear. No, he was going to

come up to the ventana. The residents were aterrados, but Ramiro he said to his woman, you know, this was a lot.

And he said, no, my more, no, not you, not you not, you don't get,

no. If someone is, is doing this the noise, is of the and the

and the I'm a ball of these like those, like,

do you are in a bat with the door, he said, he said, now I

go, no, my love, no, my love, and he

went, and he's going to the road, but no he went,

and to the morning the next, well, obviously the woman said that

Ramiro had said and not had been and the people well, he said

to know and they went to the rioo but no there nobody no

there was there was Ramiro and and of someone someone started

and said he said he had encountered a Ramiro for fin

but he was behind of the capilla. And when they got on, what our friend observed,

with the people, he made to take the decision to let'ser from there. Because there is a little more than the

malddad human. Ramiro was incaed, but was dead. The

medical said that had been a infartto. But before to die, Ramiro,

he was his own so on so he when the people the people

he was with his eyes in the hands lincado and he he said I live

very close of the I'm going and that day he took the decision he went

and until the fact no I'm I'm I'm I'm

can't imagine the terror that you can to get to get a

to get a incad. So, what I'm what I can't is that person to get in that position

the last time, the last of the eyes was to start to ask, to start to because he was incated.

Or, maybe he's was asking clemency. I feel that what was being I'd

to get to see, and in his lookura he ranco the eyes. But if so,

but if he's, he's, incated. For this was in the

capilla. At last. Wow. I think he was to what he went and he was

the head of the what he who did? Who knows what he he was?

And he was he was he was he was totally to the mind.

I'm really, I'm and the fact you have you have been to

talk on podcast paranormal but you have a criminal with

our our dearer friend Alberto of the Arco

that we Um, the pass of diatlob. Ah, yeah. Let's say, like,

like, forense, no, I imagine, no? So, perito, you're

what's what's here? So, so, languages, or rippo. What's what?

Yeah. What's? What's, and me it's like is something to this. So,

what he saw, what he saw, and what he was to tormentor, it was to do you

to do to do it. But is that Nobody, nobody to do you do think

that the same the same the same you know, and you can't the eyes.

But you know you're not you're conscious. Imagineate what's how much it's

what you do you see what you're to be so that's that's like you

you're like you don't want to want to I'm to let's

let's let's let's not have because and let's imagine

that he he's he's I was thinking, it was doing, arachnation the eyes. If there are

people that when they're much sorrow, so, not only only they're not only they're doing, but they

do not, so they're so they, for that the Cerever is enfoke in that, in other

type of other type of that can resisting more, so you say, and you you can't

do you can do you to do to be to be to do, a lot, a load

of the head. Imagine it. Like, how well, you know, what was what I didn't want to see, that even with the eyes in the eyes and decided to

get to the eyes. No. Well. What, what? Amidgo. You know, the to talk to tell your story.

And in the next story, the really, I, I, did I put those nerves of punta,

because no, he, no, he, Netto Garcia. He, he, of the tunnels.

In Leone Guenajuato, as much know, those that know, there are some tunnels

subterranios. Before those tunnels served for that the river were, but in

some moment changed the cause of the river and the tunnels

and the public to do you do those. Netto they're

in a quadrilla to clean those tunnels. But obviously they're

they're they're they when it That night was Toio and Luis accompanying those

backer to clean the tunnels and heavable a toio a rastrillo of fire that is with what they had

all the of the alcanteries are some of the carteries are very because there there's

those tunnels oles oles to the oil to the air no circulate is an air

dense those who have I've been in these places, in a place

or in a place in a lot of a lot of a lot of the all the stuff, the rastrillo is of acero.

In this moment, we we're going to listen to the tunnel as if something was rastra for the

water. But no it's like a load what there there there about. We

all For that we we'll watch we'll we'll wait and we and he's he

there's a there's talking about down the tunnel pardon the alcanterilla obviously we were

we're a sound very rare so he was being and just when was down the

alcanteria cessed the sonio when he asked if there was someone there

he began to hear a a wind frio to feel to but with

an an olor a humed and an olor a

pored just when we're we're we're we're we're we're

a lament but not it was a really strange because it was

when someone was a oh and he said oh my

my children but not it was it to what I said. In that moment,

we're just more than we're seeing terror, but just when it's a phrase, explota the water and the

load of the alcanteria and it's up the alcanteria that's very pesable. Obviously,

the impact us has retroceder and from if they were a woman. But no no,

but we'd see us his rost because the the cabillo he tapable the car.

It was like some it's like a little a little to be able to the rostro and he

had a man first, and the hands had like the those were the not

they were like they were the normal, it was like it was like

it were all we didn't go so he's

he to try and he came to down

and this woman started to advance to an way of a way extra, sacando

every more the but I think it was like it was a, like if

was a man who had been an human the form in that the form in

that was when he saw the light the lampars and

he alumra the car and it was when we saw

the the eyes were black but opacos the skin of the

head of the head was a piece of but destroyed like if it was all a potrida and you

could you could be how when it was the little and I feel that

the word the really that was really that was the those those

were on the blood all the the body to be to

and he was and going and in this moment for

instinct we we we we we we The woman,

I'd have a really strange because it was like all inloaded and pegged to be able to the

whole, we'll we're back back. We're going to do you and we're all the

equipment and all the equipment and we're doing we're doing we're we're saying oh my

my little oh my my little with an echo impressionant it. We'd

we'd like if it was directly in our ears like if they were just

they're just usurrantly. The truth is that we were looking the

light of the lamps, the and the people, Tony, renunciable to the

other day. He no he was about about the thing, he

said, he said, he said, a quadrilla to clean

the parts of the right, the not subterranias. I,

I, I'm tried to convince that what had seen was a

vagabund or or someone that had in the alkanterias or I lived in the

fact, I thought, it was not human but I prefer to not think. Passed

only a couple of days when a night in my house and

I'm I'm at the three of the morning because I

heard a got and and it so I made to

I'm to all the of my house and all were in the and I said

this is very strange. I've to have my don't know I've done with

without my and I'm doing the hand to my car and I started to hear of

a echo that was a sound very strange and I started to

get to a really and I'm I'm my my kids.

With this same I'm thinking I'm much case. I was aterraged to do not

but I'm the other day I dreamed like if the tunnel should have been in the load

and this woman would be arraught for the loo? Like if could be

to me, arrastrances with the cabos and the pieces of the piece of

and me I'd trypar this night I'm all

so and I went to and I went to laver me the lavabo that there water

and there and for instinct he to go to the regadera because I was like if

it was the water but in the alcanteria there was like a cabello

with load I don't I don't talk to that but what what

what was what he made to convince me to tell this

story the night the night The next was before to

be in the space and when he went back to me I'm seeing

this person and I'm physically with those eyes no way there was there was a lot of

in the lavoursing all the lot of during the day I saw your I had a

area that had mojado for For example, if someone trapefrable the piece, I would have his reflex. Not directly, like if it was a sombra, could have her

cabo carrying for his car. If there were a charco of lodo, also would be it his reflexe. I was terrified and concerned, and convinced to tell my story. The last night, I'm dispirred, because

no cessed, to hear of, I'm going to the water, and I'm to the rinkerer was the loo, like if the alcanteria, had out of someone, arrastrances, see how the loo,

arastrances, for all the baio? I could not believe what I'd. And the poor is that those gotas that were, not were in my house, and they were in my mind,

all the time, the gotas, tak, tak. No manches. I'm I'm just imagining the part where the

woman is the alkantarilla. But is that is that there is a thing

of the water, of the lot of of that and the yoruna just

I was really was thinking that yeah so. So, for what I

in this in all the in all the in all the things is that

the water is the is the the conductor of all these stories.

And I think that this netto he was using the water as a

car but then it was a torment physical and it was more psychological because

even he he was he was he was he was physically

outside or was in his and that was the tormentor. I mean but

if has to have the water yeah Sure, that has At least one of my two

stories, there's a water and it has to be. Of course, this that's in Leone, right?

The Leone, Guanojato. Theon, the Nahuato. It's that, I'm going to tell a thing that's super-per-

brevissima. One person me told that a man, a man, a man, well, live,

well, he, in Leon, Wanahua, just, literally, just me described the Alcantarias. They're very

great. So, just what you were the obviously the part of the part of the part of

the other part of the other having a new thing. So, generally generally, I mean,

I was, there was another of those other of the new that I was, and that

he was a stacionable. So, then I'm and then the night in the time,

when I was when I was coming to the car, and he, but I'm thinking

in, in things, so, things of these that's that then you're going to to become

super obscures so, of this yeah I'm going to me, they're going

to go to gore, I think my my wife doesn't, I mean, I'm going to

all those things. And, and while he was going to, he always was going to he always

passed a day, but that time in that one specific, in the back in the

day he had said, I've said it was coming down and he was like he stopped in this thought he

he said that he said to he said he said he said he said and he did know that there a lot of humedad

and putrefaction super rare and he went so who who's who who who who went and he's

so rapidly to go to to his to goch to do and he's passed some some days

another again again other things, it's a car and then he was thinking

but I said he was more more strong in all this and it was a time that he was a other way

and he said he said he he said but he said I don't recognize that voice, a voice of

a woman so what on no? And she he sent you so very to give to give

to give to give another back to the water the putrefaction the past some

some some years and Yeah, during the day. That, of course, he passed for there day, he took a little bit of a few, how's called,

a baby, and like, and like, no, no, they'd get these intrusives to him,

but that day, from the morning, from the day, from his house, from that's staccioned, came, no, he never passed for the

baby, the pensations were there, they were, they were, atormentand-o, atorment-a-tortment-l-tortment-l-toment-l-toment-dent-tom-dent-dent-tom-dent-dent-tall, ,

All the day, all the day, all the day, all the day. And, he went so he went so on the

caroling, he was up his coach and he went. Yeah, I never had a fear.

And he went to his house, he was the door to his door, and he

he was the techo, opened a caron, he got two cinturons. No. Those

enlazzed one on the in the in the chapa in the perilla he passed for the

over over he said he said so so he did so he put and he

he said a voice papa was his he was his what I'm he's doing he took

rapidly he went he went he was he was he was his his

his his his his good nights and see he did

a little a good to that's that I'm that from there the

alkanerias in Leone Guantajato was the was the woman and it was that

that a chisis of a word only said his name but

so that those thoughts those those those uncurus crecied

because what he was that he was that he would be that he to

consume your energy She's He pego the alcanteria for the that's it's

he's a going to get the voluntary then you're going to and what is what is what he's what he's

what he's yeah, it's interesting and it's just when passed by that he was a place

it's a it's a place a very beautiful yeah the yeah the tourist

yeah to the yeah to the tourists they're but these stories are we're going to

do you No, if you know if you're in Lion, Guantajato. We're going to do it. Oh, that's good.

Oh, that's a good. We're going to do. We're doing it. Yeah, that's a little. We're going to do. We're going to see the place. And we're going to

go to Huanahua and we're going to There's many there. Much of life. And I think when we're going to we're going to

be there. The person that's a lot of this is a beautiful. It's a beautiful. It's a lot of us can't

let's be going to be going to be I'll just have a little bit, so like Open Mic, no? So, so it would be a microphone abirted. Yes. So, for that you're good. Yes.

Amigo. Quent. Wys. Yeah, I was, this, clavado with the stories of you. Is that a lot. Yes, is it a lot. Yes. Now, fiefense, around the,

the world, so, they're going to stories of the Yorona. For suppose, in different places, and, even, there are many versions of the Yorona. I don't know what is the version acerted or the more closer to the reality. What you say is that exists.

What I know is what is the version more more circana. Of fact, from the era of the conquest, you know, it was aughtopemented but atormentada but tormented by the tradition.

Okay. This woman was Malitin. More ahead, known as the Malinche. It's said that this woman perdi the life of a way that no,

no, no, no, no, there are with certainty or the historians not get a conclusion exact of how the malinche pierre the life. What if is that was that's tormentada.

Imagine if you're how not you'd be a tormented if you know in your hands, in your spalded was the piece of that

an empire was a little some said that there were my children but not only for some children that would

not even grottable but he'd about his children, for the Mexicas for the Aztecas for ver an empire

cailed. And that is a maldiction that percied during decades and decades, years and years. And, even, not is that she could ever

was that she was a woman supermante intelligent. It was an interpreter of Cortez, of the

fact. Obligately. Uh-huh. But, even as he over his arms had the

power of having collaborated or involuntarily to be involuntarily, to the carida to the

country, of the imagine, the person you the that's the time of the conquest, we started to talk

of the presence of this woman in the new Spain and he was so to be known now as a malit, not as the Malinche, but he was

to be known as the Yorona because during the nights, she was heard a grito, his yantto agonical in

the streets of the central historical or in that same that new Spain. Dicho this, what I wanted

to comment to is that in different places is that he knows to a way different

to the Yorona. This story, let's say who we'll send us called. We'll call Claudia Alba. Claudio Alba,

no me clear of where is. What I am very clear is that no is here in Mexico. He's

only of a place that he's called Casa Grande. He said that when when I was very little

he'd stories of phantasas told about her her tia Eloina. Justamente

in Casa Grande. He's that in this site of Casagrand there were

there many stories and the tia always always he said always he said a little bit a story in particular that is the that he was the question to share with us

that caused a much fear this story I'm trying to tell her with much respect because the final is it was horrible horrible,

of the very and is that the Tia Loina had a a friend who was the person that was really really this

history and the Tia, before to start the story, always said that in these people

and this me so so it's very interesting many houses, they had a big barra of that was a barra

that was up to have seen the door. The Tia Eloina said that the barra no was for security because the same security you

proportioned a tronco or a madera that the barra. The barra was put a proposito because they said that the yearro impedia

that entities malignas or obscuras are through your Puerra. And I asked for the yearro and

conformed the Tia Eloina the yearro is the same material that's used in the clavos of Jesus and it's for that in some places it's a lot of protection to put a barra of yearro or some element of yearro

is important for not permit the pass of this type of this type of phantasmas wow this is very important in the history so that in the year of 1970 was to be a lot of Casa Grande about the

presence of the abugado or the yoron. For that I said mention I

that in different cultures is seen or this way. This story of

the haugado or the Joron in Casa Grande was very was

and it was a person when a person die of a person or for an

accident, a sometimes it can't be back but sometimes

the legends of Casa Grande said that if a person per die a life in contact with the water, the

water had the quality or the characteristic of trapar the and to and leave her in this

plan. So there a legend that says that one person saw go in the

pressa or in the rios of Casa long, many years, many decades and

this person when per the life, kept atormentated in this plan

And was always, or it's that says, that's always, a reemplas. Someone that is a life in the same place or in circumstances

like it, like he's to take his place and this entity could transcend to the light or the obscurity,

no see, the case. It's so when someone who gets the life, the, the press,

or something, then the yoron, take a place, well, can't be the place. So,

knowing this legend of Casa Grande, well, much people had much respect. It was the

years 70s. In that the time, the amiga a Tia was a woman, they were two

children, they were a baby of and they were a little a little a year,

a year, a man, he was a little bit a car a lot of, so it's a lot,

so it's a spant. In that same, in a He went, this man, a house of his and he went to be very altered and he said, hey, have to have much care.

There was an accident. And he said, what, so it's all you, that the presser is a series and it's open constantly. One of the workers, he, he, began the press, not they were the preser, they didn't know that was there. Abriero, the press, and this man,

muriel awogado. The we've got, we did we can't we're some rest, but obviously yeah no

had a life. And you know what you know what is about when a person

in the prison, the what is the year old the hogado does a change

with this person but this person that that person that never never never

ever always he's always to have something you do you

do you know I'm I'm to do you do you and something that I'm going to to put in

your guys, you're going to you're going to cross the barra of yerro she said okay he's he went to

a brother to a brother to her husband he gave a a kiss to his baby and he gave a little bit of

the husband he saw and put the bar of yerro for not going to go back he was

he was confiated to work during the night was a temporary of winter,

where it was a lot of a lot of little bit of little bit of little bit of because they were

a special to come to get a during the night's she said, and she did a

point of something to do know, no, there was a lot of the one of the night and he said,

no, what I'm going to do you're going to the free, the little the little,

I have so I'm so, so even we're not we're just we're together,

don't just they need we need we need we need to we need to put to make to make

to make to get a little bit of five and six years. I'm quite the barra of yerro

opened the door, I'll see to be the baby and he said no me talk

evidently when she there no there no there no again there didn't

with the little and they started to come to the buske that was

to be a to get to recoger, well, leonia. In a moment of the night of

being a little he's got a lot, this gritty no said, there's my kids,

my children, no, didn't know, simply it was a gritty, it was a great,

it was a great, that all the animals that were on the people,

or the grills doing this sonidito that they did, oh, wow,

silence total. No, nothing was She was moved. She was She was paralyzed. No, it was the gritty of a woman.

It was the gritty agonical of a man. It was not a, not it was a gritty that I'd be sure

it waspantar. It was like if it was a little or to someone. But she was just, lejos,

and so, and he was. He started to goge rapidly all the tronquitos that I was to get

to do the fogata in your house, to the, the, the, the, the, the, the, the, the, the, the, the, the, the the world, the question, the moment, and the fact, the, the world, and the with the eyes, and with the ones caithes. Something very particular in this

man is that he scurried, water. And he was, he was scurrying of water, so he was She was She was She did the Impression Many people In the stories She said

No, I'm She's a I'm going to She's She's She said She's like She'll

Her face To see her Her head of Heretic She She'd Mesh No

Mace Those Those Those Yeah Those She's They're

They're They're Literally in the Campo So So So When

That's That's When When's When you're When It's Because

It's Because of Marneth was the day was the one he started and because

someone he was my love my love my love my love my love she opened the eyes

the little the new the little in when when when opened the eyes and she started to get to the fear

of the fear that she was the first of the person saying my mom what happened what's

what you what are you they're they're heldas elated the colds the frio was firtis

and it was very much reaction no, the first that he said was the baby and the he was told what he

he passed he went to gorearer to the carrieing he went and he said I said

I said that you didn't when they said that he said he he

he was he not he was no what he was

some some some with some there had had

had had He had disappeared. The husband evidently entered in panic and said, where is my his son? And she said,

pardon me, I'm, I'm dismayed and passed this that I've got to tell you. I said that you're not

you're where's my he immediately went to look to the baby. He advised to the community and said,

for favor helpen me. All the community, clear, he started to help you. He said,

we're going to do, we we're going to go, after there. Stave.

He was floating in the river in a kind of a little it was like it was like a

camita of ramitas interlasas you know it was madera for the supposed

flotava and on this camita of the room was the baby was

when he saw the he saw he was he went to he was he vented to

the water he he went under his and all the vicine us,

if you were seeing the scene, no they were in the scene, he was in he was a

little, and he was to grow, but he was to be and he was when he went to

the water, he was his wife he said, my little, and he he was

the person that were in the people, they said that were to be he,

he was palid, palido, palido almost morado, No. No.

It's that not it was that the frio was that the free was not, you know, was a bit of breathes, this family was,

was, he took the decision in some moment of a moment of to move to be

disappeared the the pain, no there was no, there's

a story, no there's a no there's no

there's no way, it's the only that the story is the lesson in Casa

Grand that, that that today say, said that some people,

although today has changed the architecture of the houses,

many people simply cruised, not for security, but they're a bar

of the door to after the door when they're to do this family disappeared and

never more he knew that's so-de- what what what that

what horrible oh, no I know I think when a

story involucra infantic is of the most Triste, really. This story

the matter. This story, the story, I'm would be a question,

if Claudio is a question, we're a message and say, where is? Because

only I'm the reference of Casa Grande. I know in what part. I know

that's in Mexico, for the reference of the haugado or the yoron,

but if I would be that we would be that part of Latin America

is or the Central America. You know, something that was what you did you about the

year to trancating the doors. When I was a little we were a time with my abel

in Veracruz in Guatepec and the doors in the houses antivas were very great and

made that but they were cars of year and you and you had been literally the

door with a well a block of a but with yearro

that yeah of So it was It was a lot of We know we're We're the My abuel is the one of the

He could be able to And if we should We should come It was obvious And it was sure For that the New York not But the yearro

To get to If the matter In see I would have Exactly Exactly And it was It was for

It would be If you have been a Reagate that Crencia And you're You're convinced You know You're in

You're In your Because here in Casas What's The family As far to

I repeat The architecture of the house has changed to the day of

the and you and you have the and you're not things

they're in a bar of year and they're that that any kind of

that might be to get to get to crosser. Wow. Well,

look, it's like, it's like I'd I'd obviously the

fact of that that's that's that's kind of that's that's

that that's Forma, also, in the door, a cross. Sure, because form a cross

in the form a cross. If it's true, and in the story that I'm going to talk, occur to

something similar. With all what he's has been a very interesting. Of course,

I'm here, this is an an announcement. I'm to say Fermex,

I'm I'm very, I'm very, so, of many, but this

chapter I'm very very very about we're in podcast for normal. It's called, as it, like, the Yorona. And it's, this, with Ramon Valdez. Because he's a writer. Expert. And it's about the Yorona. Well, in a lot of, of retientes, no? These different masks that are you using. And how they mention them, of other forms? But that has to be the water, that has been the lament, the yant, that probably, In Mexico or in the region Mexican,

it's referring to what I'm from that's, like, like, all the doleur

took the form of a force and is represented by a woman. Mm-hmm. The fact us talked

of the first that, that's that's a time in in that yeah of the

Yorona. And what they've been, and what is, it's like super-interesting and,

and, and, is tremendously aterrador. There we have this chapter. That's

going to leave in the video. If not you have been to get a there a marathon

too, but now so I never, never I've ever had heard of

this this yorona, never I've heard of she and me

probably aterrador this this story no they they're our friend

and Andres Rivera and it's called the Turumama

of Colombia. The Turumama. Figgins. He, obviously, us he says,

his name is Andres, is of Colombia specifically in a place where it's a place. Okay.

The Tukerres, Colombia, is a mountainousa, where, well, he's a very beautiful,

and obviously there's those times, where the night and the silence of the camp, and,

with the free, it's put very interesting for to tell stories of terror but that he honestly, has three years was a person

agen of this type of phenomena because never had experimented nothing. I mean, never, never had passed to

this and in fact, when he told them some things, the people, his abelita, simply

it was just like stories for that the and the mom, the brother, the thing is that the woman, the first is that

was a urgency hospitalary because she started to feel bad, he was going and was very bad of the

respiration, but, obviously, he was to be to be to be his son he said,

oh yeah, he said, come, for favor, get to get to Samuel, I have to

go to get to get to get to I'm really really to the medical, to the hospital, and when

they're revisited, they say, you have to get here. Because they have pneumonia. So, then imagineate. I mean, you know, you know, you can't, you. You're still there. And, well, she has put very nervous.

Well, it's his, his son, very little, and he was called for telephone. Andres, for what you most you want, you guys, Cuita Samuel I've got to

have to get here in the hospital I have pneumonia No but hermana but but clear I don't you

don't you do you you know you you need to you pass to be no

you don't you don't you don't you don't you don't I'm sorry I need to

a favor a favor you need you you know you can put the tigeras

abirtas in form of cross, because she has said that there a recent and he and he,

by the telephone, he said perfectly to what he said to her mother, to the Urumama. And he said,

look, is that my abuela, that was that was that was that's stories,

well, I had metied ideas in the head. A me not affected but basically

what what they're that Turumama that she's told the abuela

is that is a woman that's her his his little

his and he got to and that that that that and when

there a young or a new or a little little babies

the Turumama commenced then to to to And to the Turumama,

also is close, evidently, of rivers, arrojos, lakes, et cetera, of water.

Dicen that this, this woman, has been cascos of mula, is that's a, and it's called

when it comes, it's called like if came to a mula, like, but are

their the pyrnas, they're, not only this, as a his father and he

he's got like this idea of that he had been made a mother and

his sons grew and they were long and he needs and he

necessarily like back that's that's going on his back

and they goteing leech agri that whew putrefac and

and so obviously when her her mother He says the Turumama

he he thinks he's like, how will be a an entity like a

and he says, no, don't you don't you do you put the thing

a dark and you do you're and we see we see we're going

and no put the tigera and no he was tigas or nothing

simply he he went to a his sobrinito that

was there in her camita, it's all and it and it and it's a little, the cold,

and it was a little, it was a very potent. So, he gotro, those troncos, and it was

he chero, that the fire, that, that's, that fire and it, and it

started, the coldsito, and it's, simply was, I, was, periding the time,

a little, the baby, Samuel, yeah, he had had been, it's that like like the 11th of the

night, more or less, like the 11 of the night. And I was there's there's

like about the when of the when I was he said a humito, agued,

and spantoso distortion, and natural but it was like, if you had you had taken

water and with the water still in the back, grittara a woman. And he said that

He put the Piel Chinita, the Sangrelada when I was because he was sure that hemied and that

yento to the long in the mountain Okay But there a thing that has

these entities like the Silvon the Yorona the Turumama if you listen

is because is because it's because you're He's He's very,

it's because he's very and when he heard of this

hemied antinatural that was he was he was he

totally erisado in a state of a panic and

fear absolutely so so then he he went to

to see he was molest, like that also the baby

sentia the presence of something of a negative that's a carrie a cocinea,

a tanger, a tanger, a trier, and he was to look to, and look, to look, to and then it

and was to get covered, all. And he found it a tigera a

biga of the yearro. Hecern, you know, like, to cut pollo, no

see. Enorms. Enorms. And, and he has a tigger and think how I'm

a tanger in form of a cross in the door. And see the mark of a big of the

and he a tanger and pung clava a point to make a place to then open

in form of the cross. The clava boom! And in this moment he's a lo

the casks of a mula but oh-o- but oh-one even even though he was

heard that the mountain it was that those casks of mula they were they were

on the the padras that were the house but that he was he was

he was he was he was he was even though he was he sentia how the

piece vibrava that was there was out and and he he was like in the

door thinking it's there out out and then so he he was

and then he'd and from the door he started a no

noceabund aske a putrefaction a leche agri water stankada leech

and and other the yantto and the and the the same

the same the same he was he was the the baby Samuel he

first said that was like to silvar like a agud the baby and then

he was to change and he was in the door It was like if the baby Stubirah

A Tarumama And he's And he was And he was And he said Callate my Amor For favor,

Calliate And in that moment I heard a And And I And I was To the door The

Passador With the With the Heerrava, Heirro, was Heard and he was recorreying

and he he's he was impacted with this he started to get to the

door and he saw this serratura of the tornillos were turning

and a little to so for that so that's

soltar totally and to get to the door back

back she the trank and see these tornill

that don't detiening the olor a putrefaction and of a sound a metal

like shillating and he turned to the tigger in form of cross was going and so

he then the only that he was he was he got and he he gotro and the

and this thing was was so he was so he so he so he

he was he and trying to that that's that thing was to be and this thing and he was

remaning the and the and I'm that's a liquid that was scurrying and he was

goteating over the the piece of the and he was looking and he said that was

like if an old, he was getting serran and he was

and he was and he was going to be to Samuel and Samuel he was

the baby and he said here here no there's here not for you

get to get to get to the of the putrefaction and the and the

and he he said he he was he was literally literally

yeah not at the door he had advanced and and in the

ventana that for the frio. It was in pawned she

was a man horrible. Only not was just not about a little

of the hair mojado putrefacta with the the the the

pain to get spantosas with barro with some furrugas

that like like like a like a a

and literally he was a pegged to the window where was the baby and he he said and be

damn it has a frio and in that moment that woman that was there was

he pego to the window and he gave a point of that he had eyes

the the wrencas were and he he and he luching with the tigera, he was to put a point,

a point of to lose the but not he wasulted. No, no he was made. He was almost,

almost serrada. But he thought in his his case, if that thing,

he's going to get to Samuel. And, thinking in his little Sobrino, with all

the and the blood and the same gotteating, he's an ultimate effort,

oh! And he opened the tigera and the and he was to the window.

And in that moment that was that was out of gritted, and the house

completely was he said, it's that's that the cintos. And when

he was he was there was like the wweas of the car and the

man that's had been in the window he's a little to be

a little with the tigera between his hands and he said it two

hours with the like with the tigeras in the hands he said

I don't let us let's let's I'm let's let's let's

that was the night most spantosa more spantosa of

his day the next well he said I'm my her mother

they're there's and a person of my family came to the night

and they were in the piece and he had been he's been

he's he carried so to the cargown with the

hands made a pedasos that now he he

took to to get to the he was

all with the tigeras with the tornillos semi-salidos a point of to enter that that thing, at point of that enter. And he said,

look, this for me was something terrible. Nobody me it was told I know that a one of a legend that

can't the people and the children, well, no, they're allege. But it's real.

It's real. The Turumama exists. And, if, is it, it's just, it's try to get to get to

the children. The good, that's, like I said Pepo, at the time, have passed three

years. And I can say, even I think that I'm that I'm a good,

that Samuel, my no, is a son, and a good, Wow.

Higoles, that's great. Fianne. Fianne. Fianne. That's these stories of the tigeras

came of much time back. You know, my abo'clock, no? No,

she put in, well, she put it in the door. Just when they were a new

she, she was in St. Peter, in Atisapan, passing to Tisapan, it's in Mexico, or when she had been a revolution,

and all this rollo. Well, they'd in a zone rural and said that just to the people that had a babyes, recently put in some they were in never said that

he said, or not only, some tigeras in form of a cross atras to the door to be she said that the bruchas

were to get to the children or in this case, the yorona. Right, that you said to go back

of the camera, I remember that there was a time in my 20s when I had many many

the pesadillas. And a amiga me said, put a tigeras in form of a cross above of your

camera. The fact I was that you know the I'm very sceptic in those things. But the

pesidias not and I said, well, I'm going to believe. Me said it, but do you

do it's going to work and I'm sure and it's even more more I'm more more fear

because I'm more like it's like to give my energy to something more

that was real. But the pesadias ceased. So you put this the tangerer and if

I'm I'm sure that for months the the tigeras still there.

Incluso when I used the tiffany because I was I'm

just me and the scovable I'm and said here see the

these tieras they're there these two years that was the

time that in this house and until the last mudandom was

when the tigeras, I took it. But it was a case. So, it

was a time. All the time. Because no me storvababing. All contrary. And if

me functioned they'd let's do. But in the other house I don't let's go to put up

because I'm but I'm convinced that some of cross in form of the room, they were not

to have per pesedias. No, I know why. Corta with a other. I don't

know. I don't know in the chapter of the Bruchas, that so that the

bruched Oh, it's like to do you know, I'm now that

I'm that I'm that I'm there there's there's a really to get a

a baby to make a bad remember so I'm yeah, yeah, yeah,

and the abelita and let say, blah, blah, blah, blah, they're they're

they're on the walls, spejos in the um, so one vying to

one beingos to another, a Bible an in the Salmo 91 and a

and a, this, this, a, this, this, the thing of the thing.

Oh, yeah, so what you know, that's aftor that's aterrador to hear those casks like if it was a mula. Yes. But the most

feo is, a bit, I don't understand one thing, or so, so, so, so, she's,

so I'm coming to help to help you, because I said that had free, but more it was like a,

like a trick to get us. In your head's, think it's a idea of, the entity thinks that's

that's of it. It's a baby. It's a free. It's free. Me, I'm not to get to

think it. But what, what's the proper mother want to protect to his and he says, put some

some of the and he no, he's sure she had something, I've heard she

had seen, and he had heard about, and he had heard about, because it's I said, put in the tigeras, but no he wasntable. And when

I was in the hospital, sure he's accorded. And no, he asked if his brother would go to, no. More bien, he said, put the tigeras. And the one, well, perhaps, ecsticcicter, no, that's, that's not, that's not. Wow. What, that's all right? But it's not. But it's

so crows, with the senos to the throat. Oh, so. And so... And so the only, the only that will save to your sobriene. Is that's, that's in form of Cruz, with permission, how you know,

what you know, imagineate the impact of the mom when she entered of all that that's a point of the, well,

they're the cicatrices as it's like the way we're in the stories, is that I see, I've been

defined, and in different parts of Latin America I mean makes it incredible. I think I thought that

were an exclusive of Mexico because since I think I'm I hear stories of the Yorona. When I was a kid, we'd be able to say, Tequisa,

Jalisco. If someone is there, it was a place, it was a, it was a lot of, and it was a while, and I was really a lot of

because I knew that the Yorona was more when there were water that were in rivers or caudals,

and I mean I was much fear. Unfortunately, never, never, we never, we never heard

we never we were that the Yorona was there was a Much of fear. Yes, it's many

representations in different points of Latin America, Central America, here in Mexico, the Yorona. In the case of

Columbia, the Turmama. So, I think that only can be the name or the representation that's the

same entity. Wow. Uff. Yes, that's right. What, look, the next

story, me record much to the fact Fermex, because involve an infante.

and the really I did know after after the person that the person that

she was he's made the anonymato the reality not a not a

story aterrador is a story a story is a okay I'm

to put to put to this person to mention her

to that of that and Laura from from the little, I

had a sonnitorious. Why he said it's because in various

occasions what I was was a one of the

the occasions that most marked those those that was

a night was a night was a night

to his mom to them He saw that his house full of

a house a month after a month her mother she there no

he had a lot that those dreams those were in reality

were premonitores exact this history has 15 years

after was she was was she was in

a colony in San Luis Potos Laura was She was with her husband

in a night. The night was a humid, but friar, of that humed that cal at the gals. She,

she, she, and her room was, and her camera dave to a little the way to

the way. It was a little bit incoomodod, because I could do not to be

for the eight months of the and I'm to comeodars. And just when she kept a

dormida, desperate to come to the hour of with antoj, and the

incommodidid as that the untojo, and he said to his maris, oh,

if I'm to have umas. And he said, he's a pair of of the

refri. When she was coming ubs, and her wife was sitting down at the

bed of the car, vows, they were to get a little in the carie.

In that Colony of St. Louis, Potos St. So, is very

So, that's kind of those, of that form, start at at all the night,

in the call, not we're only about, but in that place, in that column specific,

she said, that nobody went to there was a person, there was people, there was

that was there, a night, there was a realifico, so it and then to that silence

was coming those hubas when, they'd they'd they'd they're

they're they're they're She was She's very very very

terrorifico a a lament like a the lament the lament she was a part

that she would be to see a and her and her and she had the tubs

atorated in the garganta because he no could not he

she she he said you he said he said he's he

he did he to go to somers at the the door window and he assomed but no

there's a little when I'm there's a there's a and he again and see another

in the the old way of the figure coming by the car the

wife the expression of the the person he's he gets and he

put in he's a man he's a man coming to at

the night in in the place in the frio imagineate there even bruma that

the bluress were those were some those light apackas for the bruma but a man who

a like a like a like a like a long as the part of a pyjama

and some lottits very peculiar her his his hair was lacy

with a with a and he he was and the person for instinct

he said he Sure is the, the, the child of a woman, and the wife, then, embarrassed,

took her pants, he got her and he'd the window, and he's gritty, he! a boy! And the young

no, he went to, he'd came down, like distant, but no he was a, so the, so the,

so the, he was, he was comingando, like if had a sonnobolo. Obviously, the husband, was,

was, he was worried, and he corrie. And the spouse, and the woman, he entered

the fear of the door. When the husband opened the door, Laura,

I could hear of how he quit the serrojo and the spouse even

gritted again. Seconds after the door and he was up he was

palid and he said Laura, what How? No, no, nobody. It was impossible. It was just a few seconds that it took a backer. Pudiered the dream,

a couple of hours after, because no could have to pass in her mind what they had to live. And it was obvious because she was embarrassed. At the other day, she went to do do a carnesty and was in the carnisserie, and

just going a pair of and he's a little a comment to the

of the carnceria oh, he's the last you the night and the

carnicerer doing his work and said yeah another again

this time they they're they're more more she she's

she No, he said nothing of the child. She was to her house, all concerned and only could imagine

to her baby, and then feeling the preoccupation and the consternation that he had a support

and it was a becena with the eyes disarmados that was going was a a family

because her had disappeared. Oh, no. When he he starts the description of his his son,

ah, he says, is that, is that I get a dormita, I'm very pretty much I'm very

pretty pretty much, but how's years has your son, my his son has four years, and he

he's a little age that was the age that he said, but how he was he was

he said, normally I'm normally I'm pendent, but this time I've a dream that

I'm a I'm a day to start I'm at the morning and when I'm not my

little he's a little like a like a like a little and it's

and he does it and he and I'm and try the hair the lacy is like

oh my manches Laura when when she did know that was a new

that not was a sono that she was a woman she know she's

she know it a much pain to say what they've been seen. He did

a pain to say that and her and the he and the he's a man who have been

called to get a question. Yeah, the colony you know the story this same

day, they were they were fourrials to lookal it. It's in the lot of

baldios in places where there there were constructions and the

busked so the that that was the night, because they were they found. But, but yeah not was with the little.

The little was floating in a like a cienega that was in the water's they were there.

She and her husband caliaron the truth, at least what they had been seen.

It was too too hard to to tell to know. At a two

his his son, and she did a side of that and she focused in the

aligree of to have a his son. But when his his was growing his his little

his own his wife and he said, he said that he said that he had said that I

had a sometimes in the soteas of the casas when she saw see

a sombrae and she thought not to have not to be with what I

lived before that he was before. The story she

was She was she, 16 years after, abrassing to her his son, he was

thank because his his his son, because his his son was good

and with life. But he lamented during 16 years and until the day

of day of that night when he came that

a little figureita to have had to a a little

wow what history so very I'm not I'm think I'm imagine

the remorting of the person but six years oh no see no see only

only just being in that situation is that you would be you

never I've asked I've asked a question the

she's my children my my kids my my children, but never

obtain a the child or a little that's the first that's the first that's we're not, let's,

well, the experience of this person, no, that his his son was a and they were

and they're in this kind of but we we're, we're we're what,

what's what we're, what's, how, how, how they're, how, a chiso.

Like the Lord. Like the Lord. Uh-huh. The sir that's he has,

see, see. But imagine the the sir, put to deteners when he said,

but if you're a new, how? Sure. No, well, at a

whole think he is that he's a man. But they wanted, I,

I think, the, I said, to help, what he did, what he was the

remorged the was, that never was the would have served of nothing.

I mean, the spouse is I go. I think for so you know,

I'm in the first of the question, no? The, uh, pardon,

the liberation. Mm-hmm. You know, manders the story, says that is that's an unanimo. Yeah.

No, I mean, I don't have done. I mean, I don't, any of us in a situation so,

uh, well, you know, you know, no, do you doads in the absolute,

but when you've seen that's that's serve? I mean, I could have helped him

I'm going to I'm going to a mom in this case to the person affected because you're just you're doing that

you've been you've been there, you didn't do you did you did you never a sense a

bad. I'm sure. Yeah. Look, I'm in the airport. Now that

we're going I'm with Saul and with Marianita. So, this, we're going to blah, blah, blah, blah. And we went to the

place where Thomas the bus. And it was like 40 minutes or something. So, then I said, a maranita, accompany to buy a a carpe.

We're going to come to the coffee. So, she was Saul? If it was Saul, or was the other no. This,

if, she, she, she, she, she, she, she,

she, Maranita and I I went to or something like I'm sorry I'm sorry it's that I don't know

I don't know what was but when we we're we're we're going to our of our coffee and all this

when of a family and I said and I I've said I'm okay is Fepo

so I so I wented and so me they're and I said oh yeah oh yes

you're you so they're so they're so A family, the really, like super

pretty very good. Mom, the papah, the papa, a, a baby here,

a little and, uh, yeah, no, I'm sorry, a photo, yeah,

the photo, and I said, I'm, I'm that I'm always, I'm

going to start things in my house. And how how, how, how,

they're, how, blah, blah, blah, blah, no? Me said,

this, since he came the baby. And I so, I mean, I said, I'm a Catholic, but I said, have baptized?

For instinct, you're saying? Yeah, because, because it's a person to pass and it's a crescent, and it's a baby? Sure. So I said, no,

no, this, this, no, no, no, okay, no, but yeah,

for the end of us to be baptized. Perfect. Meanwhile, so, for a favor, do you, do this,

and, this, no, but, but, but, but, but,

but, And I explained to the mom and the Papa, to protect him. I mean, I don't want to sound superstitious. But if in the region

in the area in the I live, they say the Yorona, or the TURUMMA, what that is I, I would

a tanger in form of a cross, literal. I would I, I would put there in the

door, like, I'm going, the more that I'm going to say, I'm going to say something bad. Yeah. Oh, but is true. Right.

That's mentioned to that, it's going to the mind. The mom of the new thing said that's not normal unusual. That's true. So,

that he was a pesadee that no he left to start. And it he was a normal unusual.

So, so there was an influence not only only in the infante, but in she to get to the infant.

And the difference is that the infante Yeah, I'm gonna a difference of the

Turumama? Yeah. That she was for they were very little chiquot not came about this time

this time yeah. He'd get a mom and she'll get the baby wow,

that's great. Amigua you're going to start, I'm to start with the last

story. I'm when I'm when I'm you're all you're you're saying

you is what you think this is a story of the Yorona for the supposed but it's totally

atypica of what we're not that I'm like the opinion of both for that me say

this story is anonym I'm I'm I'm a because it's anonim this person

that person who made the last a while the bellario of one of his tios his tio well,

you know, well, yeah, of great. But, mention a that his tuit

had a little bit a lot that's very said, that the man,

that the man was a person that was a family in the sense of

the violence. It was a person very grosser, was a person

that was when was a when he was great, was more

or more more more, more more, but he,

what so that so, the abutrauded much to the husband. I mean, it was to

whatever pretext to start a lot of the children, to his his kids, a

use, the, the abuse was constant was a violence. There was an occasion that he

was a person, for any detail, that, that said, he said, he,

he was, but he's, so, feo, so, feo, feo, so,

so, So it was a person that really not was a person who was a person because he was a person

that was a violent and pegged much. This situation dured much years, unfortunately until the

the tio little to for the age, was periding the impetu and the and then

he was he he was doing but not because he did it because simply the time he cobred

the factura and he started to get a effort and it was only the only way

in that he left in peace to his kids, to his and his

and a his wife. So, well, pass the time, this man,

he has the time, he said, during the belorio, he

were in some many very very many people said,

the really, the well, because the young not was

a good was a woman, the the this, wellar it and give uspultura, no?

But no, no, no there was yantos, no there was a trestice. No, not marked like when you a manned that really says, puttale, I'm

extra-n't. No, no, no. Simply, they did the, the, the, the,

the, the, that the religion marked, no, for to say it but the comments

not cessable in the belorio, of that had been a bad person, et cetera.

He was he was like the two, three of the morning and he said, I have a lot of sleep. I think that's, I'm going to, well, for respect to to get to the taud,

to despid me of the man, and I'm going to go to be a little bit to the car, to be to have the rest of his family there, no? So, he was

to the house, and he was the man, he was kept thinking for his adentros and he said, how can't

be able, after all, after all the what you did this? Why did that because he said that when

he said that when he was like he was going to a sonrisa you know, like with his eyes but

maldito like a smile he said he said how you can't get back but well that God you can't

you know he's going to go to the family and he said I'm going to go to let's get some

a rathito for just just to get to get him to the cemetery. I go to the car. He's,

he's a a little bit and the family said, yeah, he said, he's going to be

a little in the part of the right, reclined a second, and then I think a

all we put the cellar, and before to get to to get to to scroller,

in some a group on a social in the that he was, I'm was when

he was when he heard a question a light, oh,

so the Endereseed the Ascent and he kept so in alert and a

and a long he's distinguished a figure a little I'm referring to

the area he said he said he was the figure of a woman

vestida of black and it was like it was to be

at the and he saw that the great the gemido

came to this woman was going to so

a little, he a little he was impacted with with what he was going to

say that the intention to get the intention of not so no that's not. that the woman, she's full of

pavour he's running the car but not to the woman but he

not to gore gore to the funeral and when he went

he all they were like impacted like as like

if they had seen or had heard and he

he he's he he's he he's he he's

he he said the he said they they said no

to hear but then why are so the the wife the the child was in the

attooth and was I was so much like very amargamated and he was he was

he was all it was so all it was he got so he said

he said they're they're they're they're not what you're what you

have to happen something feel like and we know we're going to you know what you're

saying to say to be in the car I was was being the cellar my intention was doing I'm doing

the same I'm doing a woman and I don't know we not that's about you know what

you're going what happened what was what was what was and they they said well

the tia he's to get to the taud to disped to his sposo, to give him

like the ultimate to do you. Pretendia yeah to start the tap of the

the caja and then to just to let him and what you see that when the tia's

he came a gritty and it and all of what's they said, they're going to the atab

and what they were the cat was the car of the tio totally discompposed

like if had seen something that he was done of the eyes

those had opened and the a boca, abierta. Never emitied a sony,

never was a car, no there was a no, there no, there simply is like, oh,

he's kept so the man, never knew how. What what was the grito

of the tia when he was he was so much, he was he's to go to

get to to be a to get to he was with a thing, and now

that's he was with the eyes and the not They didn't

why he's he knew because because because evidentement

of the actually the story is called the debt evident this entity

came to cover he said all what the he did he said he was

he was they were being when he started to get a story

when the people and some some some some

that this entity, yeah, say the Yorona, or as they want to come, simply went for the soul because

the devia. And much of the family said, well, because she was there did.

And not he could go to that a sonrisa. Wow. The Tia, was kept

impacted. What he said, what he said, what he said, is, to call to the person

of the funeraria that prepare to the people, those that they're, and make, and they're,

and, to ask them the eyes and they're the box because they didn't they're in

that expression clear. He's like with much fear the people who prepared they were

opened, they're eyes, they're a tabo, and they they're not they've got to the

rumor that's that's justamated that the he was just he went so long. They're they're going

for him, they're for him and what so espantoso is what's he's

that even the body has been a little that's a little a reflexe post-mortem

but but be that impactante when this when this entity when he was that

he's he's a lament that's how does that's the that's

the that was the the woman when saw when he

saw the this entity he sonriot subtilment to this a,

to him that's a sonrisa like, like, I'm like, I'm

sure, because he said, he said, he said a little bit of that he had had

that's a diffuncer. The diffunto, like saying, the difunto, the difunto, as I'm going to get it.

Wow, so it's so, yeah, and part of, he gets, that was thinking that

was the grito that They were all. And no, they were impacted by what they were living

there. No, I had made a match with the doctor. I don't know I was not really. It's true.

It's true. It's like saying, this sonrisa is of the justice that's going to do that. Yeah, because

he's spanted because that's spantaria, for the supposed. But to him no he did and nobody

more he saw. Only he he was, and when went to nobody he said,

and when he he had he had he? He did? because he he did like that

match at the moment in the when when he's he's he's and still

still don't know so he he's so he he's so he so he

so so that this that he's to get to a smile

the that the he's the last he's he he may

he and he said you you're you said that's a story of

a cab but I'm What? The Yorona She lamented for his his children

Uh-huh Okay This sir Those maltrotable The children From the children Oh, Oh,

sure, Yeah, The Yorona Not even While the He was He was He was

He was To be To be He's a Mourier But he But he But he

That's Right That is Right That's There is To be fear.

It was to say, ven't to do do justice. But what you were to know, no, no, no,

but apart to be a need to be very feo because the people like this man have to

think that their acts terminate impunes and when they're simply, as you

said, you're you're not you're you're and not you don't you think they're

to be to be to be to be that's that you're going to for them.

Well, that's, that is the story. I mean, I don't know how to say it, but, to some way to make a sentiment distinct to the other stories. Yes. Because it makes reflection and say that maybe not all those

are not going without paying, no, those who most damage do you do. And this man has done his family during many, many years. And apart, not know you know who says to pay?

Wow. That's terrible. Wow, well, it was super super strong. It's super super and the stories of the

jorona are very are very impactant. I know like just that's that's

that's that they're not quite not quite in the panorama of what is the yorona

as a entity. Not that not that not that in certain places because

to the energy that's that that's kind of a cicatrice

and it's a tup or that that's a idea, uh, that's, for example,

as well you know, in life for what he present about, that type no, they were

important those but at the moment of his death, I'm you're going to

crosser, you know, so I do you want to make a so, because you

go, you're going with a one because that's what you think, that's,

you know, you're you're saying, oh, oh, no, no.

No. How this, the form in that's the form in the form in that that appears in the river or the lagoes that has to be with that the haugament, the of the tigeras,

the yerro, the cross. So, are many elements of a, of a one, of a class of entity, I'd say, I. But no important the geography where it's these cases, I feel that the common

denominator of these cases, I'm a message that's a that's a care to your kids.

Yeah, the parents. Well, yeah, well, to the parents. So,

yeah, to do you do you know, because I don't know because I'm there. The people

would be the person, the message is that. Acuartate that when he said, put the

things, she'd care to care to his kids, but if if no

existier this entity, so, then maybe that's the message.

So, when the Yorona is present, you have to take to care. Yes. Tal-bees the place, be a little bit

a little bit of your kids. Tal-be-as-the-law a person aggressive, and care of your children. I think that's the message of the Yerona.

What, that's, it was, it was, it was, it was, it was, it was, it was very, it's

really? The story's of the Yorona. There's a There's a lot. There's a lot. There's a

Or so, is that it was that It was a other history that also That's the You were also You know, You know, What is?

A lot of Oh, I'm Yeah, I'm Yeah, I'm gonna See, see, Fiatty that It's many

I'm to live to Where I'm I'm over Barranca of Murto. Okay. Of course

I was just Baranca and almost Peripherico Oh, yeah, I, yeah, yeah,

you know, you, do you? You, do you That's a Cater, during the nights is extremely

solo. It's very solo, no there's no she'll not, no she's And as I saw me,

I gave much more and I said, I don't want to go to and I'm going to no, I'm going to be in the mind of the

lot of the lot of the and the side of the window where was the there was a room where I'm a lot of a

mowelra when I when I'm when I'm the grito or the what has been a ladit

or a further I'm sure I heard I'm I'm sure I I'm just I'm the yant of a baby No me

I don't I mean I tap I'm a cobi I'm I'm going to I'm I'm going to I'm sure

I'm sure I'm going to I'm I'm sure that the people not they're and for

that it's that it was supposed because only I had access to that one of the

people didn't even they're not even they're not and apart first the

first was the grito I'm sure I'm for so I'm I just, I mean, I think I'm in these stories,

because I, I'm the I'm in the way to get a and then I'm the yant of a baby. I don't know the

I'm going to the relation, I mean, or so, well, no no, it's not more of there.

What I see is that that I was a very, very cargated of many, much stories, of,

desgracially much, much, much, much a, Barranke, the Murt, so,

it's know that in the era the revolution they were in they were and they're

they're in the rest of mortals of those people when it's what you're about the matter of course about that's

exactly and a few that's literally where I was literally where I was a one of the

castaneda of the manicomio the castaneda so the name so I'm me a man I'm a

a good of a good when I'm a bit of a person crossing a middle of the of energies,

denser. Fiatte that the gritty the gritty that's heard of and it was

in an age where we had a association very, very a lot of

and it was 11, 12 of the night, that of the gritty I pegged a brink

in my camera and my brother me had two I'd like 13

and I had a so I'm and I remember that we we when we

we're when we was a great, and we we echo in the in the

call it. But the like if they were like someone of like

and we're and we're and we're and we and we just come with a curiosity

and that that's and I'm to tell that I'm a date that I'm or to have

a minute or to get a man you but it and just being a lot of

and sacudient the door by the but after there no there no

there no nobody. So, we're going to cross, cruised, and I, he gave the world in the corner and we

were the second piece, and my brother and I like, all all those assustated, palidos, and we're

we're doing, we know we've seen what we're doing, we're doing in silence, I'm trembling, tap me,

and I'm saying, what happened my mom, but the gritty, but the gritty was aterrador. No manches.

So, so it would that you're that you're that you're trying, but I'm I remember, I said, well, it was a

muchachia because possibly someone was doing it. But nobody was trying to open doors. The gritty

was aterrador. Yeah. No, I imagine. Oh, oh, well, we're going to finalize.

I'm sorry I'm very I'm very I'm very to all and all for having accompanied to

this trio of my people in this capitual, I hope much much I'm sure

that if you want to send your experience with or without the correau Fepo aroused pastinsoomno

com in the asuntow in the word or two words of what they think that is a

dweens the yorona umres lobo no scantropia naguales brugery marres

etc they're they're more rapidly the that the team that leader our credissimo Fermex can find those

relats and we can't do a compendio to able to these grandism stories and experiences reales that you have lived and that's

very much times. And, said this, we can't repeat your social and platforms as a man. Thank you for

the invitation and to us for us my number of Christopher Guiot in the social and I thank you

to all those who have have been seen these these last few these last few times and then we're going to

thank you thank you thank you thank you many many me can't come from a romex 22

but I would like much to put a criminal to put a put a little bit of doing so

we're doing so much thanks thank you thank you so much thanks thank you so I'm

have been an anecdote that have to have to be with the yorona can't go to be there

in the comments and we we're what were what they were the thank

muchism thanks I'm thank you you're so subscribe in this

moment by there there there a button or also

also at through the platform like Spotify we

can continue for that you know that I'm

new episode much much thank thank and we

a great a great a great and we're going to the next where we're

to be able to tell the most terrorifices experiences reales of the audience and you're and you're,