INSOMNIO - ¡NUNCA le ROBES a un MUERTO! HISTORIAS REALES de TERROR con SANTIAGO SEGOVIA

Episode Date: November 6, 2025

Santiago Segovia, un gran investigador de fenómenos paranormales, nos acompaña en Insomnio para contarnos historias impactantes que nunca antes había revelado sobre el Día de Muertos: relatos escalofriantes que ocurrieron en la vida real.Casos impactantes, como el de una familia en Taxco, que cada año siente la presencia de los niños del más allá compartiendo en su mesa. También hablaremos de personas que aseguran haber conversado con los difuntos, como la historia de una joven que, tras la muerte de su novio, comenzó a recibir señales de que su conexión seguía viva desde el otro lado.Relatos donde los espíritus regresan para reclamar lo que les pertenece, mostrando cómo el Día de Muertos puede convertirse en una noche de miedo, y donde las ofrendas pueden abrir algo más que los recuerdos.🎃 Historias reales y paranormales que te harán mirar los altares con otros ojos.👇🏻 No te pierdas este capítulo, suscríbete, activa la campanita 🔔 y cuéntanos si tú también has sentido una presencia cerca de tu altar.👻Host: Fepo https://www.instagram.com/fepomx https://x.com/fepomx👻 Redes de los invitados:https://www.instagram.com/santiagosegoviamhttps://youtube.com/@relatosconsantiagosegoviahttps://www.tiktok.com/@relatossantiagosegoviaSíguenos en redes sociales para más contenido: https://www.tiktok.com/@podcast.insomnio https://www.facebook.com/paranormal.insomnio https://www.instagram.com/podcast.insomnio👻 Comparte Historias, Memes y Evidencias Paranormales📝Cuéntanos tus historias: https://podcastinsomnio.com/ [e-mail]✨Grupo oficial de Facebook: https://www.facebook.com/groups/548487930178860💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx🛒Compra Merch Exclusiva aquí👇🏼 http://store.podcastparanormal.com/tienda/📧 Consultas empresariales: [e-mail]#DíaDeMuertos #Insomnio #Fepo #SantiagoSegovia #Relatos #Paranormal #insomniopodcast #podcast #EspecialDe #RelatosDeTerror #Historias #LeyendasMexicanas #HistoriasReales #HistoriasDeTerror #RelatosParanormales #ExperienciasParanormales #Fantasmas #Espíritus #demonios #PodcastDeTerror #TerrorMexicano #Rituales #DisfracesMalditos #CosasParanormales #TerrorLatino #México #Ofrenda #Cempasúchil #Espíritus #AlmasEnPena #InsomnioPodcast

In Mexico, the velo that divide the world of the lives and of the mortals is more delgado than never, in a fecha in specific. Two days, one and two of November, the day of Mertus. And today, we have a chapter special, with one of the voices more recognized, that we're going to terracquencers with these experiences real, that you, the audience that no Dweb,

have been have been to your program Insomnia. You do the good-in-venida. Santiago

Segovia. How is this, Amigo? Much more for a great honor to be here with you. Thank you.

Thank you. Thank you. Thank you. Thank you. I'm a lot. And since one have some stories fantastic. Amid

a community that, that's in a good measure distinct to that we have in podcast paranormal.

So, I'd like very much so I'm know that the people know who can't start with

this custom of this custom of where you can commenter your projects, networks, and that

people also that's getting to know that's getting to subscribe to your work.

Perfect. Very very. I'm They're in all the platforms Pepo,

pardon, as Relatos for Santiago Segovia. In all the platforms, I'm

invite to that's subscribe to there. Relatos for Santiago Segovia. And, well,

I think the content. We have a few two years just in this project. I think

to the people he has liked. Yes. He has gotten the form

to narrar and all this type of many. Much thanks thank

How many time, you've been in radio? Still still still. Still, I'm in radio. How do you have been in radio?

I've been 35 years. I'm I've been done to be in a chapter earlier. I said to

Santiago Segovia. 35. 35 years. 16. With the the program in radio.

16 years that's that's through the lunas to the Wednesday to to 1

to the morning. Three hours continuous without. Wow. Wow. About.

Wow. Wow. Super well. That incredible. That's incredible. Much of the great of us. Oh, no, no.

Thank you. We're doing this special because the people know, so, outside of Mexico they know, we're this a sercania

with the mortals, with those families transcendidos, and we're received one a year, those we're

in Mexico, and it probably for some other cultures, that is a, a form

to record those, but in part, is a tradition for recordarles but we're because literally

they're going to present to us and that's a lot of stories tremendous I'm going to you in some time, maybe

not in that but there any anecdote like that you tell you that's a moment that he made

that has to be with these visits of those defunters that you can't

see see fiat that I'm I'm I'm because I'm

here the cradias. Much of students of ontology those they'd or they'd before those don't

to learn about at the university and they'd they'd like to check all the dentadour

and all this well figgate that in one occasion was I was I was

I was I was I was a control remote in a police stateal and they're

who is Santiago Segovia? Well, I said, well, what what did? What I did?

What I did? What I did? This, he's done the commandant. He said, Santiago, I'm going

looking from yesterday. No, I could enter to the building where you transmit.

I don't find the entry, no, no, I didn't to look to do you

listen to and I'm going to do you see. Look, my my,

my, my child university. She, has a little time, has

a woman and a woman and a man, totally discarned.

The tormenting in the night. They're that's a maldita that

they're to get and he said, ah caray, but what did

she she? Shegou some some ritual, went to

is studying your daughter. He said odontology. He said he gave a cranium.

He said, he gave two. I said, well, where are the cranios? Those

I'm to try. Where does? No. I said. I said, I said, investigate.

Investige with the person that he was to find us and have to get to their

place where they're they're they're what they are asking is that

that, to be that in that cemetery. But she clearly those was like

a woman and a man. Fidate. It was a was an experience a

more for his that's a that's that's they're saying, me,

they're they're they're very feos. The muchach not don't know.

Yeah I had to get to do to do

but but it's this, he there to look those

have to give to where they they're going to they're they're and then

I'm know never he he's he's he's he's he's

but there there's some there with the of the

people there there was a man he's when he was

you know when he was chavo well when you're one you're

you're you're a I'm a senior. When one was a whole, everything,

it was a what you know, what's a lot, I'm chav man. No, no,

you know, you know, you know, you know, you know, you know, you're doing, you know,

I was, I was there was a trepado, how did this? It's a recapacit. Well,

this person is a cemetery, San Antonio, of the Salasanas in the Sierra of

Arteaga, in Saltillo. There there's a museum of mummies of a family of a family anuncio

they're they're in they're in them they're doing they're doing these these mummies

that are in capsuladas and they have nitrogen for the nitrogeno dissipate the oxygen

uh for that no there's not there no exist a bit there

but you see Ppo those those these these cadabes

and you do the impression of that right he's impression well

this this this this man he was with a

man he no I know he did a a

car a so that not the people you

know that you know there the malice more than

30 centimeters the the malice so he was he

he was he he was rastra so that the

people not the He was not, it's not very great. He was he went to

the coach and he was to go to his house. And then you went to the house and there's

a famous Zawan. And at one there's a quarter of the host Tiliches. He said

there's a key. He had a ballse and I'll goarded. A those two

days, they started to do things in the house. But not to hear rumors,

not to see sombras, but they're attacking to his mom his mom so he's

to feel bad, the repent his, his father his father his his friend

he says, oh yeah, is what is what's what's the house in the house? He's the

same, he's going to me, here in the house. He's, no, it's a

casuality. All all of that's happened to this person creaner. Because

that her mom yeah, well, he was very bad of the medical, he was a

not, he was he was a doctor particular, no he had been that he was that he

said, he said, he's, he's going to do that I'm going to do it, the assuant

a thing, and he, he was, he was, he was, he was a carretera, a carretela

torione, he, he said, the other friend, he's, the things are

imporando. He said also in my house, yeah is my father, too, yeah,

yeah, they're in internaed in the security. He's, where you're the cranium? He said,

he's, he's, he's to regressal to the tomb. There's to say,

well, I'm, I'm, I'm, I'm, I'm, I'm, there's,

there's not many there many many many times, there there's there in

Saltillo. It's he He never even though he never even though he He gave to San Antonio of the Salasana's from where he was so easily, the craneo no entrava.

No manches. No, manch. No, until he did pardon. Pied disculpas, that no would be to do, that he would have to pardoner, but that

his papas, you know, were not even, he said, he said, he'd be a pardon, no will be a

to succeed. Help me, for favor. I'm desperated. The crane entered.

Uff. And as for art of magic, to the day next, his father and

the other young, well, well, for that for so they say, no,

you know, there's the respect to the people, there, there, there,

there, there, if, if you want, if you want to a co- thing,

and you tell, C, C, so, I'm I did that my mother, and me many people, there's a lot of

respect to respect to the mortals. And I thought that they're referring, for example, to the fact that of the way to say, I'm going to

doorme and, I want to talk with a family transcendid, and have to respect us, let them.

But the communicars to go, I know, I don't, I don't, I'm for a caprico,

well, is something irrespectuoso, but that you just to tell you to tell you, is the

example of the that not is to respect to the mortals. And for so they're

and they're doing they're doing the it's like, I'm in a place,

in the north. No, no, I'll say exactly in where

because, if no, look. And some, and some, good on a super good

really super good on, in a point, we're to talk and

dinner and a matter, to count like this a little more a

so, so I was I was I was I and we're to this

house, were three persons that were there, a house very great, very beautiful,

and of a we're going to sit to be to be in a so I'm, I'm sitting, so we're you,

and I'm, there were in the three people, and Alex was more a less out of this side.

And while we're doing, I'm sure, I was like when when he gets a mecero and he's

he's behind to see, and see, and you see, the you see,

the sit there. And I I felt like that I'd get a and I'm a new because I'm

like I'm so I'm going to say I'm going to I'm going to and I'm and I'm I'm gonna I'm gonna

continue we continue we're and a time again again again so pretty yeah pegatito

pegatito yeah yeah I'm yeah I'm so I'm so I'm so I'm so I'm

so I'm and I and I was and I'm I said, one of these people, what's you know,

and they said, they're going to say, yeah, as FEPO of a podcast paranormal, I said invent a

no, the fact, I'm a little incomodo because I'm like there's a like there's like I

was a little an little incoomod. And me is that you is that you and I'm and me

and I'm and I don't know and he I'm like what you're dethrase of you, I said, nah, me

are playing a brahma. Voltao, no, no, no, no, there's nobody. Sure, that's he, he says, I mean, I, I'm, I'm paro, just behind me, there was a mule, a cranium,

no, tepah, he goes, is real? I said, sure, that's real? It's the person that was the person that was behind of you. I said, I said, I.

gole. Fuf, I sent me I'm a lot of my life. I think it was the first time in my life that

I was a carno human that's very impone. Yes, impone impone much. And what is

the case that you was to comment? Look, and as your family, right?

Respectal the dead. Respectal of the people. When you go to a cemetery you have to

get with with respect. Yes. This is the This is the case of A sepulturero A Pantion in Saltillo

Of the most antivos The first stumbas Imagineate Of that the cemetery Pantion Santiago He says Oe, he will be the exhumation

of a group For that going to do that Exumation It's of a senior That was there I had

Like 60 years Entirada The Sienna And I No, I don't know Why he would have

to change to other cemetery. Okay. This this person

is a person who's he's he's he's he's a family of the

person who they're to the sonnietto tatar nietto no see he

said but he's he he was he said let us let's let's

a let's a lot and he he's a he's got a

and he met he the lottes and it and it and it and it

three centenarios and A collier of a I mean I've got to

the inventory of what the lady have you know, you know, you know, you know,

they're a crucifio here's, a crucifio, here's, yeah, they've been caught,

and he's he had a inventory of the joys that were there. Uh, and he starts,

no, you know, you're all. What he is, put them to put them in a postal,

a bolster, no, know, to get them to another cemetery, to the Osirio of the other tomb, of

another cemetery, what this person not had. Imagineate the humidity. It was an atoubd of the madera.

So, he said, if I go, I'm going to go in the atouut for all the lot of the

technique that they've done in the sun, that's seeke well the so that's and then see,

and say, and say, four days, he said, I said, the attaute is completely sec.

He said, well, what that is the atou for you you get to you get us. It's

good. This man, and when it he gets a a new, with a little,

the sir, he's got a old, the man, I think that at the maybe this

not was in the inventory. He, no, he's not to value a fortune,

no, No, I'm going to Vender. He lo tomah, he'll He'll and he's his wife.

Chispas. And he says, Hey, this, I'm and I'm a barachito that back to the panteon me he'll

$300 Pesos. Oh, but it's good, he said, he said, I imagine

that's he. He never he told the story. Sure. The first night, they were

in the madugado the husband ispired. Well, he has started because the sir was

because the year's got to when you're like you're like you're so you know so the man he's

he's the guy he's what you're like I'm sorry I'm a man chaparita in the feet of my

camera the classic senaste much you know you know you know you're just

you're saying so you're well don't do you're me to you're you're

you're you he repeated night after night. But at the third

night, the woman the girl and he like, oh, and get

to get to robar. He said that she saw that he never saw that he never

saw that he saw that he said, he said, he said, well, he was

the an manoe. He was he was the an manio. he he's

he's he's the sepulturero most of this cemetery he said he's

he's he's he's he's he's he's he's he's

he said because the he said he was of he's he's he's

he's he's he's he's I'm I'm he he's

he he's he he he's he he's you know

you know what prigone, he'd have a real. You know, you know, like, like, you know, but as he

he had said, he's been to a vizd a man, he'd have been to get to the anil, but why is?

I mean, he's got much, and he said, he's got that he got to he was

to the police no, he said, no, he's not, but that's the, but I'm,

I'm, I'm, so, I'm, you don't you're, you don't you don't you,

then, then I'm, then I'm, the an Now, where was interra da, she was in there. I was in a chamber of the cemetery. Yeah, they had in chameeneration.

Imagine to look at all the stumbas. Well, yeah, the oldieft. I said, I'll do. I go with the secretary. That's her, that was recent. He said, oh, you know, you? You know, you know, do you know, I'm sorry?

To do you, I'm sorry. To do you're transladar? No, well, to the Santa Christ. And no, you know, That's, what it is. See? At the first are pure

streets. There's a call the soldier is known, the old old is the number of

the number of the number of the number of the man when he was, he said, he said,

and it's, and it's fresh, still the cemento that they put to that tomb

of marmol. He, he said Santiago, I just only, did a posto

so, very profound, or nothing, to the anil and I said, SORDENEME, for favor, pardon me.

Yeah, no, us a lot of her was her and she was a woman, he said, but for

favor, yeah, not see, in the house. So, they've made the

the manifestations. I kept thinking, what, what is, what is the people, that do you

do this, one and other time, they're, they're in the time, and they're all over

the time, if they're For a Anillo could pass something? Imagine

No, no, man. Well, it's supposed that for that's

prohibit for the saltis to do stupers. Yes. That

many, who were infartated and were because they were abutes

of the clavos. So, at the hour to go to get

the he was the pantalon this, this, the ratero said,

I'm he said, and the impression they were infarred Of the MEDA Of the

MEDA There are There are things that are incredible Fepo that much Vita

in Arteaga Coahuila there's a cemetery There was a man that said in the gringo

In Arteaga all are weros Those are reds Allors this Fos

was a exaltante So I Rovba a ganado a cabo or what were

precisely in San Antonio of the Salasanas where I saw this family anuncio very rich of the region I think he was

he was they've been they've been they've they've got on a burrow he puts a cross

he pegged to get a burrow and the russ he went to do how many how many

it's time to get to get to to get to when he when he's when he's

when he's when you gringo. He said in the gringo because they had the eyes and they're a gringo.

It's the gringo. It's a manned. No, well, there's to have to

enderrard and the society that was offended for all what was he had robbed. He said,

oh, in the panteo, no. Here no. Here, no. He said the father, is that

is a creature of God. There's to enterer it. Well, you're

so they They were like with the maximum authority of that of that's the place. And he says, yeah we're going to enterer. And it's in the door of the cemetery. For that never descansar. For that the people passer,

entrava and he was. I'm sorry. How is? That's great. There are many things. So, so many things in serious that you,

you say, how is possible? Well, yes, the world of the mortals and how they're going to think is one of the things

more of the things more that has made to this, because in a form or other, all we get to have in

a point, an experience, not of all paranormal, or not always paranormal, but but an experience that

has to be with the life and the death and the so that's that's so I'm

that's sombroso. Santiago, you know, if we're going to we're going to start or if you commenced you know?

Adelante, okay. Ah, well, okay. Because I'm agarro and I'm going to see. No, it's fine,

it's fine. If you want to another, and then you're that, I'm going to get it. Fibate

that this is an story that I, I'm put it at the final, but I want to

to tell the first of because me seems a little aterator but very interesting.

This story is the photo of the altar and is the person that's

the person that's he's he's so he's he's Mexicans a family

with much traditions and they're in these feches in the house

of the house of the which in this this in this this

a man major but but with much vitality so

they were they familyaries and celebrate they'd say that an offrenda but super great because the vis-avula not only were like the

children and the kids of the kids and the children of the children were obviously the people that in this arbor genealogical had transcended, but also that also, as he used a much the tradition of the Day of Murtos, of

the pronto then they'd this offrenda and they'd say, you know, You know, what? Said the vis-a-vula. Falleceo the the bestino

from here. I'm here I have a photo of the sir. And I was that I'd also,

he said, that felle the, the the, the, the, the ex-novia of my

nieto, well, yeah, that's the altar, put it. Yeah, yeah, that's the altar,

put it, I said, the, the dead the dead are going to be and imagine

Think, what feo, that in your house, not have the tradition, no they put a photo, no they put a cell, no they put a food. We're going to we're going to

put a lot of the people that want to visit, no? So, that day says that they're that they're going to arm, the 31, they're, they're

the altar. And they're there, well, belas, pan, that they put, flowers, the retratos, and a cross of salt. Terminan with all this, and, of course, she noticed that the abuela and he'll go and he'll go to a photo of a young,

and he says, and he's, and he's, ah, well, it's a, a young, a young, this country, that's recently, recently, but, well, there he'll do you, because it's a bit of a bit of it. Okay, put it And then the And then

They're gonna, Platican, and they're So, so, like, So, let me get, to be,

At the 12 in point of the night, is to be, in the first minutes of the 1 of November,

of the day of Murtos, he said that she was there, uh, well, uh,

when, the pront, he's it's because exactly that hour the

perros of the colony of the barrio yeah of they're to lader

to allure but so like very very alterated so so she kind of

she's like she's like she and she and she and after to start

from the the room in the she said she's he's he's

he's he's he he's really not not it to do it,

not but it's much a few. So he gotro he got a little a chalecito or something

he was he took he was there someone that was there's a more of the person who

the same of the perors because he was the tracts of the kitchen like those

they were like they like someone that's like someone that's so that so he's

so he started to come in the dark and the altar, the bells were very alterated, titillando very

very fast, no, very rapid and all. No, there in the kitchen, I got her a chair,

I got a and put it to see, and she sent to see the altar, no, what's going to

when, the part, the area where was the the photo of

this young, of the base of the altar, as Something that was

more that was a little bit that's so that's that's the that's so

and then a little a silhouette a little a little so so that's so

and it and he he does the stas what is that is that that she's that she

that she she no she's she and when he does know when he

does that she's that she's being he grita, I'm

I'm I'm and I'm and he he's so impactant that you know

is it was for the impression or what he but he not put to move and he

couldn't move and he was he kept there and act so that this man

he's in the man that's that's that he's without

that would see that he like the the He started literally to

kemard. And he grittable and he made those muecas of the but a thing

spantosa the hair achicharrandos the the skin was never to negrecier

the eyes stallia in liquid and she simply simply not was she could be

to get to start to go to be to Condenada to see that Imagine Terrible and

the and of the pastile to a phone a voice that not was that was a

super very grave profound that said The Conddenados no

Comen She She didn't She didn't see anything And so I saw it And then

the bells of the Altar started to And to be apagarse. Like if someone

was with the and when they were to do you see it's like a human

extra, apart of the of the bellas, of the pavilo like a humo like that

was a that was chicharado very very strong. And of he'd get to

get to that's in the he was there was the muchach and then

the bivoula the bifel and he says, what's going? And she was a sustadishima and he said, there was someone

here, there was someone here? I said, I was called to get it. But no me could move. No me

to move. I was, I was in my camera like he was the dead. And I

heard that was a spantoso like if was a kind of and the lights.

The rest of the familyaries was like had have been entered in a soonio

no one he's the people when they're the vis-aubuela

grita and then now so the families get what's what's

the photography was achichar but not only that there

there a mancha like if that that was

impacted counter the and he made ennegraced the the there.

But not was a totally quivered the photographia was chicharada of the orillas

like you had you had to the photograph a little and you have you had been

to be you and it was but it was a retrato the rostro

of the man the missabuela she spant much

he got the photo he went the and it

went out he he said the pastor the cur of the poor of

and he was the hisabwelle and he said he he said the cur he went

to the house where they were in the people and he said a what was

what was the mancha be that he's like the the altar that's

like the but but who who was the person and I said the

visabuela I is that I'm let's have, Tratelah. Well, she's a vis-a-a- and he's

there's a there's a there to be in the patio, he's, he's this. So, the A.

B, the sacerdote, and he said, oh, what they're what? Why?

You know, you know, is he? Well, is the this that that's the man who's

he's not? No. So, but you because he did? And all the family

there? This young, the family discovered that had been his soul

to the devil this this young is part of a cult

satanical and you know you know a person to the people who

do this of rituals we don't we can put in the

altars those that are that are not are

not not not not the first or the no

the or never. If someone it's and they and they're the fire of the

fire of the fire the after that quem his record you're to take

this photograph you because you you you've got to go to you're going to you're going

to say to you're not to say a way you're going to you're going to enterer

that has to be to be about in where And the poor Missabuelita

she took to go very very long to ender the photographia of the poor manchacho for that

not those would be to tormentor and the and the that's not it's not interesting

Pepo fippo fifted that is that you you're going you're you're what you're

what we're what we're we're many times We're many times we're we're making things Yes I'm

I know the case of a man that's my my vicina they're

they're we're saying we're sent him and we we're going to we're to give us and then

and then two, three days oh yeah he's oh yeah with reason

me he said he's much I had years that no me

had been he said me he had he was something that he well

this this this a very very very very

young and also his husband was very young

she was this young was and she she was

and she and a day he said promise me

that I'm I'm I don't you go you're

you don't you always we always we're always

we that we're going to to dieh of we're going to and he's. No, no jure me that you're

to go back to get to go back and I'm saying I'm yeah so you're so you're

so you're that not even no but juremelo it's well

to do you I'm a three days he's a this young and he's

they're they're they're they're they're they're they're they're

they're they're She She took much time in casers, various

years, but it was very young, very beautiful, and re-hiss his life. She caste with a person

also, too, very very very much, that was so that's a day of the month of me

or nothing, no more the end of the time. He said Santiago, the the camion

of the transport, he had in the industry automotris, pass to a one

a quarter. So, the first day of labors, were recently casted, he said, he'd be the honche, get it,

and well, well, he said, he said, he said, he said, he's going to go to be doing

, so on five of the morning, he'll be able to, see, a man, that he has that braza

God, for the cintura. And she says, in that she reaction, says,

said, the car the carmion. No, I said nothing. More, it was I pre-table. I'm trying that if you

it passed the carmion. The pretable more to that person. In that she said, Cesar, I'm saying,

and she said, and she said, she said, the promise, the jurament that he said, that he would be to be

to be able to to say. Oh, but, but what did he did so, so,

she, she, she had some, some, some, some, some,

some, some, some, some, to , , veleduras to this

young, because they were very, very young in Santiago. We were 17, 18, 18 years.

Ihole. When we we're casements, hehole. He said, then he put to put to put her

bellars, mandarin to make to make a misas. And there's that's a dramatic.

If you want to be that's, and then then you, you tell me. You're here,

I'm here I'm here so, I'm here I'm here Fidate that the tradition of the Day of Muertus is a grand festivity.

They're saying that there's certain reglas for the day of Mewartes. That no you can't put the first year of that the person fellesio. Oh, no,

it's a fiesta. Imagineate your being a year that has fallen to have fallen. How you're going to go to be the altar?

Yorando. Triste. Because it's just to come up a year that not is with you. In

To change To say, You'll You'll go to put This, you You know, You know, How was the

Tio That's Aenecto That's a Alegue That's Alegue Because it's

For them For them This This story The Manda Gabriel Castrejohn

Martines It's Titulah The Citus There There's In these And

These This This is This So it Tasco Guerrero. He said he that the

abuelo was a brother recognized. Okay. It was a brother recognized

that fellio and his mom ered that'sed that that maybe that

that generated that that was to be to be to be to

this person says and we we we're we're we

don't put the 31 for the the day first for those

adults. He's and we do we're doing in the kitchen. It's a great.

Okay. And there we've put the mess. You know, where comes the

phrase, he met you to the kitchen? If you have seen, is that the

got to the got to the times, the times, the

saguant, the the door abirted, the patio central and the

the house, and the From the kitchen, the alma to the house,

dominable from the from. It was the the mere fond of and there did it.

You know, you know, you know, you know, to get to the kitchen. Muchissima confidence.

The visit was for the cell. But if they were to the kitchen, is that

you're a family, then you're very ha-y got to get to the kitchen.

Of that in that phrase. Wow, no I know. Well, there put you on the altar for the children. It's a mess grand. They're around

10 sills. Of 10 sillies in this city. They're accommodated as like in semi-sircule, in a media luna, it's accommodated. The tradition

of the abuela. Always the abelas these traditions. And all the world has to have to make the

case the because the abuela after the father is the father and it's not does it

and it's disintegrate to the family yeah no there's like you in the

north it's there's there all the everybody and all the situation

with the celebration with the celebration of the day of the people

they're for the oldita yeah had been preparing all but

not not for the the children of the family. It was for the children that could get. It was for

all they're for all them. So, her said, her little she said,

if they're coming to visit us, the most, the most what we can't do, is give

them a second for that I had a deac sillas. O'all.

And he he started to do For the children. Sentasco, is a babya that's a

big of the little of a boy. I'd have a sonn't of a senior of four years of age.

Abolita, damme chocolate. D'am chocolate. Andal, let's sit, and you know, and get to the little

the little, imagineate the little, with a tascit so of chocolate. Blanco, the new. Pallido

totally. What happened? He said a tia. He said, is that me corriero the kids.

Which is the kids? Those who are sitting at the mess? In the sills? Dicen

that I can't be there. Because I don't get to my hour. The

little I didn't this. The little he said, I mean, there are

there are there. And I say that still I don't still I don't

I still not I know I know he's he said,

Santiago, well yeah arm the altar the all the pan,

to the chocolate, to the incinso of copal that's utilizes much

the the flowers of Sempasuchil says well we're we're

to we're and we we're we're like someone would

in the in the cell. So, there were chas and they're many rizas.

We're not a lot of us. And we said the tia of this man, I said, no,

it was me a terror and get to see the the man, so the man, so the

and it was like if were celebrating something, like

if they were so they were the pass the I heard

the Rises of these these the day the day the next because that night

nobody didn't know but but almost nobody and it and result that the day

the day I went to I just I just just I'm just I'm just I'm just the sameodas

but not regas but it's like when you're you're sitting you're you're

to do you simply the silla. So, so they were. My

abuel said, there's to attend them. Because they have said.

Dice, he was the was the was the of my sobrinito

in the mess full of chocolate. He said, I, you're

you're you served as chocolate and you did it and

he's all the little, he's no. Dice, no,

he's no. And the Bula he said, no, if I I left the vase,

he was left he was in the pregadero, he said, then what was doing here? The situation is the

that they're the buella more than that was the visit, a little the bula not was a

boughna not a little bit of this situation said, he was the other

year we have to put massillas. There are to put massillas for

that these children get they're they're they're they're and

they're they're so so she persin't she is that

these these these the other year we we're going to put more

six six and more chocolate wow for to put to

to to be to that this occasion this person says this

they're they're they're they're saying they're there in the in the

kitchen to receive to all the people possible. That's that's

that's many. Much of people say that not they're, but

simply in the altar, there put in a plate with some

many times they're the little the little the little

the that's the one that was a manita a

manita where they had agarred. The basso that was the little you. You know,

you know, when I was I'm in the primary, I remember that in this school, I think

in sixth of primary. I was a year, I was an 11 years, not, 11 years. And they

had the altar, those that could have a, one, they'd have a photographia of a family,

one of the and he he was a plato that was a poe with mule and the aros

was the aros I remember with the chicharos and it was a piece of the poe that is the muslo and the

and the molle and the and the they're just they're in the school and then there

I'm just I remember that that time I don't know that I'm remember that I'm old or some

I'm never when we when we're this was this was like a Jueves or Wednesday.

When we're on the school, that I've passed on the day of the day of

the people, the that's the that's that he had had to get to get to get to get to

that's right. Exactly. So, no, you know, you know, you know, you know,

and you know, and every family, when it was, no, he's spant, but no, he called to

but we're to get to the plate, he moved, and so, it was a little. Yeah,

no there was a piece of poe. But, but, you know, the

poe had been replaced with a pieter. Piedritas. But the mole still was in

the form of the piece. But they were on the top of so when it was when

it was when he came to a little. And in the school

two things said one, one, that They're they've

prepared that were like a piece of a and then they put it on the

moly, but they were on the or if he's he's he

he's the thing. Exactly. Exactly. But, I know, I know,

the really, simply was what was the thing. And you was a

story? So, that final, see this history of this history of the

visitants, this, I think to say, I'm they're when

on the candles, because the day the next was for the adults,

it was there's somebs, it's there's the presence of these people,

the actual, he's saying, all, they're not there but the

yeah, so the so that's going to be going to be imagine to. Dicely,

the the plate you know, the, the things, when when they're

when they're they're they're the altar, yeah no has no

Yeah, no has a word. That's it. See, they're in the essence of the food. Exactly.

Figgate that there's a case. We'll come to a, to go to a cemetery with the

respect of the Biddo. This is in Durango. A story I think that has more of

150 years. Okay. One a woman is going to a young of the Alta society.

Well, me is I'm going to another thing. My daughter, when I was going to

think it's he's they're in these gourdits that they're like a wayco that they're

they're like these. They're like some these. Like, like, like,

but well, they're another name that they're up the up the

thing. Ah, sope. Sope. Sope. Me said my is that the

maester me asked sopes. And he said, I said, well, so,

are, so I'm like 40 nine, I've got 40 sope said, I said,

I mean never me said, well, well, so you know, then, so I

get like, 45 sopes. So, said the master, are for the question,

they're three, well, I never I, my wife, never me, my,

for that you, for that me didn't, so, This is the story of the 150 in the house. This woman

is the story of this is going to get to be to get a society. You know that once was

depositable the future husband in house of the padrinos months before? For what?

For what? To teach her to cook to? Ensignar to boardar. She had a soah

to hoax the bodas boarded the sabanas for that This is this

this young. I want to I'm going to I'm going to I'm going to exactly exactly. Exactly.

That's the idea. He said that she that she was very aburried she was she wanted to say to the

end of the idea. In that the madrina and where you go to go to the cemetery

I'm going to go to the panteon to have some to leave some I'm sure

I said I'm said you I'm said no this young,

while the madrina limped, she put to do the world, and she went to do a

cranes, in the soil. And he was to patia. U. U. he was

to be a tia, was very religious. What is doing, my, he's not,

he's, no, he's, no, he's, he, he, he,

he, he's not he, he's doing nothing, I'm doing

I'm doing what, I'm you, I'm I'm I guess in 15 days.

You're going to go to my and he? And he'll go to get a tomb. Lge

the day of the boda, very, very exclusive to the boda, the people

well, well, so very selectioned. When they're to do to dance,

it's, it's not a young very elegant, very galan, and that's who's the father,

and then then there, and then the other and then, well, I see, He, he says, but he's been

bestied? Who's the who's the person? He said, no, he said, no, he said he was a

friend of his his wife, of my his wife, he said, he said, me so he was so much

with Vincent and let him go to the mecero. Terminan the valse and this young is the young

he's, he said, I can cede a piece for favor. The muchach the

deslumra, of the beauty of this young. He's, he's, and you where are you you're?

From there's? And who you're you've invited? You me invited? I, you, I

did an invitation, he said, no. You me said, so in person, me said,

I, I don't know, I'm I'm going to 15 days. He said, is that,

it's for invitation only, He said, no, you do you remember the cranium that

you said you? Well, I'm saying that in that moment, according the legend,

this man, this man, he's a discarnar and that is the pure

skeleton. And the man got congelated with the skeleton

like if was like he was imagine what what

horror are some legends of the people, right? That's they're

related with the people. What horror? That's I think when we when we

put us an altar because they're they're they're also. I think

if you have heard that you've heard that many people do the animals of

is to be riskos. Because it's like if you you'd give us always to a sedient, always will be there.

It's that you do you give water, I want more water. So, they need orations.

This is the case of a young, City of Mexico. This young, he's a night

with his prime, his prime brother, and they were, I don't say,

of some 14 years, the two. They're going to the market And there For your house Of the house of the

Primo And they're Incounter in a In their Caja This game Well, Now, now

So, it's There's Various There's Pendula The Wouija It's There are

various things That's He's I've been to The I'm I'm

I And the Facebook And the People I But the But

they're for him or in in instead of the people the people they were

to have not they're not they're not they're not they're saying he's we're

we're we're in the time we're we're to go to go to my house

all normal and so and it and it's to manifest a sombra in my room

a man a man a man a man of a umber oh

so so he's to this be and he is

what is what's he he's he's he he's

with the thing that he's he's much time much time I

went I'm I used I used I I'm

to get to but then he he he's

he my mom to my year oh my I'm oh yeah I'm

okay Here can happen something, I mean, that I at the

more you know, I'm he's he's he's with my family

not you metas but yeah the little she didn't to

his his her her herman someone he he

he he he he he he he he

he he he's he going to go he

He said, so was Santiago. Les pedig with much faith. All the days, I resable at the same hour. I saw how were in various sombers in my house.

He said, he was destroyed. He said, no, I know, what happened, in serious. He said, no see what

was the total. Now, he said, that maybe it's more car the remedy than the

problem. Because the day that I'm not reso no they're not

a sombra are various. The animas the purgatory. The an thing

that's a thing and I'm a question for the people and I do a

question of something to something to let me make in all

this time that has heard these stories, that has investigated these cases,

that if no they've seen it, there's a chapter where we're only about, for example,

in podcast paranormal, of the mukees and the stories that's and there has been

that's amarrated in hands and paces. Rosita. Rosita. With this cera,

this cordon of Nekken. Because he let's the life one of a person. It's

a story tremendous. of the fact I, I said, we can't get it because I

have put it because I'm this one of the thing, this other reality that's that's with us, and

you know, there are certain things that are real, there are others that are not, that are in the imaginary

collective, but of the things to we can't we, we don't refer to things like a

like a thing, or not entities, creencers, amuletos, to what we can't help, I think that one of the most powerful

are the animas of the purgatory. But, but, care. Cuddle, of the fact is like

to ask you a lot of the Santa Morte, Cuedo if no you do, because the

Santa Morte you're going to do you do. If you not you don't he says,

or to the animas the purgatory because they can keep what they're

they're they're the major of the males they're they're going to

do they're not going to that's no matter that the thing that the mal that you

the cause the animus of the purgatory they're going to finalize

with that but they're so powerful that they you're you you're

to you're to pay for that service exactly Right?

Yes, it's a compromise that you acquires. It's a compromise and you promised you all the day

the oration you're going to do you say this this manchach and said Santiago, I cost to

caro the remedy. I cost because the day that I'm manifest them in my room.

I'm moving like saying, hey, what's what's and this and this

so there, there, Libre to Torreone. The place is a preser of Guadalupe. Doa Munda is the encargated of the

church. The church is, the saint, the saint is, they say, San Jose of the Cabras. Because, before,

I was in a rancho, there's two kilometers. And the dwean of that property, of those terrains, it's repartier. he said,

oh, but is that this santo I'm and I'm going to be in press of Gualup

so I'm so I'm the way and the people go and the man you know

you're not you're you're from St. Anthony of the cabras

you're you're you're you're and the people and the man

is the person the church is a head is a little

very very I go and I'm going and I'm the always I'm the custom before the

before I'm the seat in the bank of in front and he and he's to rest to

the you know you're you know you're that the crue of the

madera of the bankes is inconfundible he he said there

there there there now me I'm to I'm to be

in other extreme crug and he's got he's he's he's

he's he's he's he he's no he no no no

no he absolutely nobody no I'm to tell a story that

that uh much people so much that's story is a man of

a mired and it's anonym this person that that we that we that's a

manned the history, is a manned, a little a little a pueblo of a city.

Yeah. And it's a in a a pebblito, no, of this state, in the

country, Puele. Very beautiful. Ah, for sure, dey is the Mole. Ah,

the Mole Poblo. The Molle. The story that I told that, just of there is. And, well,

he commented a thing very rare because he basically yeah was a a young adult or so, yeah, he had to 16 years. Yeah, I'd have like for his 21 years. Okay.

But he had a brother of four. So, then they were in house, mom, papa, his brother and he

was like, in a form, was the pilon, no, the brother-ich. In his house, they were there normal. He was a day of

the dead of and they were going to be a difficult, a situation economic difficult. He's a

really great- and much people, very Catholic, very cregent and the papa is all the

contrary. The papa is atheist, it's like, oh, it's like,

oh, yeah, it's very the Naviad. No, no, no. It's very practical in this type of things.

So, the Papa, you know, you know, this year we're going to celebrate the day of

Murtos, because the situation economic is difficult, and then the next month, then the next year,

then we're going to omitir to this year, and yeah, the next we're going to return to what we

do, no. And he said the mother, the husband, he said, oh, how,

not, how not we're going to celebrate the day of the day of the world? He said, no, no,

no, no doesn't do do we celebrate and we don't put them there's a capriced of the people.

They're ideas. They're ideas. And well, it's got the night of 31 of October,

preview a hour before the day of the day of the mother, was in the

kitchen, was doing something, he, this man, he, this man, he,

was in the an abitation. And his brother-it-stabye in the cell, that connected with the kitchen,

was there in the cell, playing with his jugetit and all this, while he was there was a mom, preparing

the dinner, and the first the mom, he said a his son, he was, that was, so,

I'm, so, he's he's, he's, he's that's there, like,

cuchich- with a little, and he said, with who you know, he asked

to his and with all the naturality of a little of a little bit of what he's saying and he's like

a little like a little that's like the mom so, no, that's all right, and then this little to respond to

her mom and then he said, he's that he'll go to you, can go to her mom?

And the mom, Oh, no, no, wait, wait, wait, wait, wait, come, then,

then, then with me. So the new never, normal, and he says, no, you know,

to go to go to her, okay? No, you know, you know, if you don't have

permission of mom and papa. Okay, can't go, so go, so go to

and he's going, and she went, and she's, he was very atent and, well, when he gets the papa, he gets to

work, he's to sit at dinner, you know, you know, I said, you know, our little bit, well, fifted what's the

next, no? And the father said, look, you're going to start with your things. You'll say

something, and this, well, I'm going to take that well, a little, you know,

a bit of the limits to the the children. The children need a attention.

Because if if you know, we're to start that's you know, that's

that's so you're making, you're real. As you're saying, it's that's the

attention. It's that's a question. You know, you know, you know, you know,

I think, you're not you're not. It's that's a matter. And you're just a

costerer of the job of the child the Well, well, the mama

went to do not the papa too, I feel like I'm, like, I'm,

like, I'm, like, that's, the first of November, the little, the

the young to get to start, and the mom, immediately, then the then,

he's got, and he's, and he's, he's ch' he's ch' and he's, what you're what you're,

what you you've got, And if you is that the Yeah He's here Look, look at the He's saying That I'm saying

That I'm not PAN, Moma And me He says that if I don't I'll give her pan I'm going to have to her No

I said that no You know I said that you She has that She has to pay permission She doesn't She doesn't

Pee Pernmiss That if if no I do So pan Me will I'll give with her And her

And the mom, he said, You know what? Wait, come with me. He goes to get the He goes to he, he's got in his

his camera with the father, the papa still there and the mom, and the mom

he puts a water, he puts an water, a bellet that has some some serigitit and a platitit

and a He got a pancito of Meworto that he has, he put in the plate, and he's in the place

where he had been to have a little a little put the the plate it, the pan

of the Murto, preende the bellita, put the water, and he says, here is to

your altar, here is your pancito. No you're going to get to give to my son

for father. He's Regress a His He says, and he Dorme.

At the morning the next, other again is the little the man

he's not when of the when of a repent not a little. The pan

disappeared and he said his his he said you did that he was

the pan that's he's he said the other he to ask the he's

you gotrased the pan that was there the The husband has been to work and said,

have been my mario, have been my mario. Of course they're going on the little,

I'm talking to when they're when they're in a room, they're there's a lot of, obviously,

books, revistas, and things, and something, and it came to do the library. Boom,

it came on the piece. So, then they're, and the little little little bit four years

came to him, then he He'll call the attention and it He'll have to be. Look, Mom. It's she. It was her.

It's a album of photos. And she He's the little little that I wanted to I'm going to

call to Daniela. And the And the This, give this. And obviously the man

He's made the story Yeah, I'm going to let, see, let's What is that? And the

Mama he's put to Y' Oh, there's a other there's a thing

you know You know, you know, the father and you, the father and I, we were a little, and she called Daniela, and he fellacy.

For that me is so important to put every year the altar. And his pan favorite was the

pan of the man of but you don't say nothing, I don't want to to be

shockeded. When he came to when he was when he he said, my my papa,

you got the pan, the deuce that he made you, it, He said he was a little bit. Oh,

the papar, Cerellent and all, well, so, they were the colors to the floor. Exactly. From, from the day,

again, without what that what happened, every year, put in the altar with the photography of Daniela and her pancito

Dooli. I've got two stories, one of, one of athews. A-be- There was a person,

it was a circle, so like the Alta Society, of those amos, this one of an architecto that was there was a friend,

a friend, our friend was Ateo, he said, no could you have, there was a reunion and they said,

no, you know, the topic of the religion, because this is on the end and us

to make to get to the party, for favor, yeah all the club of

of the people, I'm grand, and with nets, and so, he's like,

please, no, no, he's not quite, you know, he's, he's

a bit, and I'm, and I have this problem, and he's he said, he's

he said, he's a capy spada. One day he said, it's very grave.

We're about the camera, Santiago, to the around the camera of him,

and he and he said he to say, and he to say, let him, imagine

in that a new an infarct get in the emergency to an hospital private,

you know you know they're they're they're reviving the or so

with this resuscit a man he he's he's he's he's

he's he's he's he's he's two seconds he said

he's he's he's he's exists and he He was.

It was a person that was a that was a problem if you're a problem if you you're going to

you're just he said to you know, right you know, right you're talking about

one of the first was doing a investigation in the Pantion Santiago in Saltillo Rotonda

of the Housers 14 of February with the unit mobile of the

station of radio there we were transmitting in I'm a friend my, an

friend of my, a group of investigation, that is very serious in what does it. I mean also the

serious in this type of things. The atmosphere can't in a cemetery. It's a sometimes,

I mean, I say to the people, I know I'm much a pass that's that's eliminate the

the rube that's that's in front and I'm and me and say, no, and is it

is certain Santiago. But also, a That day was a congelator

in the cemetery. A group of a museum had been made a recorried

they're always to give a pan of the and chocolate and it was a

cold the rio I said to this person in the museum no you

sobrough so don't you say let me let me let me I'm

I'm I'm I'm the engineer of the unia mobile we're four

right I'm I'm just pure chocolate and is that is that's we're getting we're getting

in this my friend Tony has a session of voice in one of these caseteras as a large

that's allargated that put you the cassette and the teclas they were they're in these

well you know you've used that's that's that the rid that the

to obtain to obtain psychophonies so so so then So,

he got Eric of this museum. We, we're there's pan. We've made pan,

us there's chocolate. I go, before that that's we'll end a pause commercial to

the cabin. But Tony he had had grabbed. I'm going to see what we

got to get us. I go, but wait a wait, don't do you

do my cellular, I'm I'll grab the video. Now, yeah. There was chocolate and there

pan of in that tomb where we were there when we're there's going. When Tony put the

the video, it's a voice of a little that I'm going to that's a video.

My God. A little. I'm going to let's let me. Clarito. No,

not some of those psychophonies that put the 10-b- Ah, yeah, I think is a first, I'm, no, no, no. There's a lot.

Bavar. He'd be a pan and we'd we'd have a chocolate when we're retin'nors. But it's the voice of a little

that says, I want to come. So, so it's, so it was there in vivo. That's I'm so,

I'm so. What, See, that there's a story, Pepo. Uh-huh. This is the

that, the, that's the, that's connected for the Alma, is anonym

there's a young that was his new his new his days, that's

that's that's that's very connected they're very, very,

very connected and he and he this, this I want to

this, I don't know if I'm over, no see if I'm like, or what happened. She commented, it was a 31 of October.

She wanted to go to a party that organized a friend of those two. They always said, said,

we were saying, we're convinced that we're always we're we're connected with the soul, for the

soul. Resulta that the The young chiseled a first he said, he's no

going to be this one, go to bete back, go to get to her and she had planned

in start inhoj about some three days for her to because she wanted the the

first of the Halloween and he he said well, well, I'm

in the house Santiago. I'm having my mom and I'm

and the night the of the chimney the the

So I see that there's a quadro, a quadro of these. P, he was going. In this quadro was her abuelita and he said,

Julia. He said, she said her mom, you know, and there's the people, right?

Yeah, and those mortals here? Santiago, receive a call. It was the woman of

Julio. And me said that Julio had fallen. At what passed this 10

the night just the hour that went that they've said

she said Santiago I'm I'm in the funeral no I'm

to I don't to for for Julio because

I I wanted I I wanted I I'm

and I said he I'm I I pass it all the day yorando, that remodiment,

that that culpability, no? Dice she yeah that I'm a person and he says, need you

need to have to you. Necessiters, as always, no, let him just.

It's like when they is, it's that is that has supered the murder,

then you never going to never to be, over-leadowing that a

one a person he says that do a something that will help to liberate

that's when when you see the grifo this is a channel for

things good and things bad as energy what is that's what is

he's and you get to and you you're to of where is where is where

he. That same night, I was the door of my door, I piqued

the door, and I sent me a bellator for Julia. The silence was so so profound

imagineate. I'd have per'd have been to his novio that could hear

to his own latidos of the heart this chick and he said

he put to grab his cellular because the friend he said,

he will he will talk about he's he's he's he's

he's he's he's he's he's he's pardon me pardon me

for enogarme no I want that you're so I'm

I'm I'm I'm much I'm I'm so I'm

so I'm so the remortiment of this chick

that lamented that the separation of of them after the same that's

that's not that tragic, not tragic, and more than enoched. When

heard the the recording, that he was in the life or in the griffo,

says the heart me did a wulco. Me a did a whole

totally. In the minute one with three seconds just after to say

I'm I'm. imagine you know it's a a susurro very

very almost imperceptible but but but it's the phrase

was you you too me puff that was what

always they were always it was it was the phrase that

they're they they're they said uh said it's

I said inventing I said, no, there's a problem and it's the voice of

him. I'm you, you, you, my. See? That

after imagine after, this, after this, after this, what could have

passed, maybe he was like the story that I told,

that maybe she not to be to be to be had been had been

other nobio or he could have had been had

And we know if Julio still still still is present with she's present with she's I'm sure

much but it's our connection says she she's infinite is infinite I'm always I'm going

to be there and I think that if a day I tracienda we're trying we're going to re-encontra

but I think these questions of love of pleitos that many They say

If you You're playing with And you're going to To go to the Cama You don't You're not You're

If you're If you're In the Matrimonions Cuechew Passed Many Things

This This me To make A Something Something Something

She She didn't She was She's She didn't You She's She didn't

She's She's She's She's he was enojo. You know when one is anojointed

and he says, right? Yeah, that at all a whole he said, well,

in the anthrom he was to find out of another, right? To be, to do it.

This, me la her man of this chick. Dioio, my my brother was an

was anogated. He was was anohad for what he had he had he had he said.

He said, what is what will be to do? So, I don't be.

I'm not I'm still. In that, so on the telephone. My mom to call my brother in the part of

the hour. Let's let me talk about your phone your friends. Bage immediately

and I hear you I hear about totally. With much a lot. No, it's

not you make you make you shes and I'm immediately see a her grandma the braz

above I the second piece I see I'm going to my brother my

what's the I'm going to I'm going to I'm going to my recamara second second plant and I'm

I'm going to I'm the ventana I'm the are the friends and my her man. But at last he was

the novio. He said I was Santiago. I was he said he came

coming with with them but atras he was he came coming him. He was

really I said these what mal a drama he they

he he he and he he and he and he back

and he said I'm not mean what what what you

what I was I've been right and after you're I'm for the

window and I'm going to you know for the why do you don't know that's

that form he said he's he was he was he was an accident and he

he was apart because not cabian because not he'd don't say no

Santiago he said no no no no I'm I'm no

until he in the atauau he said but I was that he he was

very very very I'm very I'm he's he's he's

he's he he's what he did to my brother he said

but I'm not not not not not not

not so not with other but he's he he's

he he's he had I'm he Uff, that's

so hard. Much times we're contact with these people with these people,

that we're that's the case of a chica, an antro in the center of the city of

Saltillo. She's a little to say a centro solo she took to

a young there and he and he began to talk to with him very

very he said, they were to talk. And he said, Fumas, I go, yes, we're going to

go out of to, let's go ahead to, let's go and we're to come in, to come in,

a two quadras of this antro, is the alameda of saltillo. Very beautiful.

It's a amade and it and resulta that we we're in a bank,

and we say, hey, what you say, no, I'm, I'm

I'm, I'm I'm also. He said, I don't you he had seen. He said,

no, he's he's a time that he's a rata and he's your

name. Let's go to put him Juan Segovia. No, I'm

my good said, Santiago we'll talk we very a

good, a most 40 minutes in a bank we're we're

we're we to get to no he. RAP to

the day the next looking in Facebook Juan Segovia and he said he

he's he's he's he's he's he's he's I'm

the next we'll we'll talk and he he he he a of the

ten minutes he a man she she not

in the name she was the name she was the woman

and he he what's what's Why do you you're about the

and you? Why that's a bad there's a child she said and she's

her a noviour or the she's we're the only we're

about about about 40 minutes and we did we we we're

we're this this woman this her this woman she

he's she she he's what you know you

don't you don't you Yeah, not are in this world. I say, go and burlate,

no see, of the most of your house. And she and she's and she's, who are you?

I'm her her mother. He said, me, you can't do you talk to you? He said,

yeah. At least this her man, I'd say like, like, so,

like, so, I'm, to, so, and to continue to and he

says, you, you know, what? What? What? I'm a fullanita of tal. He says, no,

I, well, I'm the brother of this of this man of this, but why you're about you're

about? He's, how? How? I'm, I'm going to my brother,

my brother, has a year that has been in shock. No, I said, I said,

I'm I'm, I'm, I'm, he said, he, he had been he had

a vestido so, me said that he was much that antrue, fumable

of tally cigars, and he said that he'd much time that's like the herman

said, he's you've been, you know, he's got he's a year, it's that's that

he's that I'm, that I that I did, I'm, but he was still

so. So, so so, so many many times we don't know, with who

we're talking with who That barbaro. What a barbara, because I mean me, I'm very much the attention

in the stories of this type where we've gotten to be even even interaction physical. So, so,

they're talking, oh, yeah, in this case, I suppose that they've passed the cigar of one to one

to another, is to say, physically, physically, was there. Exactly. What interesting is that.

You know, you know, you know, the church of the San Juan of the Virgin of San Juan? No. I mean, so, yes, but not physically. I've never

been there. Okay. Dicent that there are many dead. Ah, yes? Yes. Because they're they're going to do they. I've seen

photographs. Uh-huh. But, very nitited and all. Me said, I'm a muchachian, my papa. He said, ah, and San Juan, in the

Lagoes. And says, yes, but I've had two years of the murder. And I said, ah, garray. I said, well, but I said, I know the history. There's a

perigination that's I think the Christmas Potozi rumbo to San Juan of the Lago's

a foot. I think are many days. He says many times the contingent. How many?

How many? Let's. The people that in the desert of San Luis Potosy the road of the

roadway of been sombras that are in the contingent. UF. the leader, no see,

the that's the he he has to be to get to countence 54.

Carrey, we're saying we're 50 so we're 54 to the day the next or

after the hours that they're going to we're going to countence

50 four more more that were to be there's there

there's there there to San Juan of the Lago of San Miguel of Yen of Guantua.

Percioso Yes This is in December If you You participate Fepo

Or I For first They're Who's Who comes? Who comes Who's Who?

We'll Let's say Well, no A good A good This is an indication

Or is an order If you If you To go to us To

if you topas a a biggit to a biggita to your last you can't

with what he has no you know you do you don't you don't

do you don't why this this person this person not not

because he said well if I'm saying that no he said they're going to when you're

when you're when you're a pendent a It's a pretty pronounced. Much traffic. Almost all

all of all in a motorcycle. Muchism people that go to San Juan of the Lago's. And they

said, this young, he said, solterian some two quadras to get

to the church. He's me in parage a little. Apenas

could with the costal. Madre where you to go to visit to

the Virgin. This he's he valio the order or indication

that they did you I'm sorry thank you thank you thank you when they're to get to the

church in the atri where is the old is the old he said

he's he's his pertenances he he he no he not he not

he was he said no I'm I'm I'm let's let's

he's he's he's he's he He said, oh, you know, a bigita, and the father. One what? One bigita, father,

this, he did with this costal, but yeah, he's per die. What, no, they're to help us to nobody? Yes, father, and then, well, is that it's me so, it's me so far as, I mean, the yeargit,

but I just said me, help me, young, that no be that I can't. Abre the costal. What do you? What was? What was? are these

Almas that never never and one I've seen a one a man in a mis

in San Juan of the Lagos he he said no he not they promise

to the Virgin that are to come to come she not she is a

a little and he is going and they're in this

world or in the other oh oh oh Oh, this

story that I'm going to tell, is the ultimate story that I've been, of those they're in the so there are so many,

so I think you're to be passing, no? All are excellent, all are wonderful, but there are some that connect

more with you, and you're in your memory, in your bank of memories, you're always they're there. They're

always there. This, me, I'm going to talk with much, with much respect, with much

carino. It's a panis. Not the purgatory. The animas. The amanda our friend

Gloria Rios Prado. The manda cruz. We mandaos. We mandaos great. Gros

Pras. Gros, for confiar in us for confiard and we let us our story.

This story, as we have we know we've done done to occur in

these times that that will to be to be to basically we

We'll do we do we do. Because it's prepared all for the first and two then to have this celebration as well

you know so then Gloria has a his son a baby has a baby and he gets

to his mom to to help to prepare all the the food the

the bell the paper all all the flowers of the sempasuchil the

the copal all this they begin to prepare and and result that

she's commenting that her mom, this celebration he likes much. The theme

that has to be with the first and the first of November for her is

so much so much. So, not they do the things to do that but they

they're so that they're very beautiful, that get very very well put into

and the mom and the she was talking certain things, no,

so they're very interesting. He was they're armando, then she

she's with the baby, of a bit he he's helping

to put the thing, and for the mom, this is like a

ritual. It's a simple custom and he I'll explain every

year that in that moment the umbral that divide the world

of the people and the people so so that that

sometimes simply disvanese and it's that the person

of the the of the dead but not only they're

they he he he's he's he he's only

cross a year but if no he can get the

way they can be so for so there

have to let the light his food so

what they they loved her be a bit. For that

they're celebrating with us and not they're in their way to see how

how people what's would be for coming one more with them.

They're to arm that that that's very beautiful said

that the the lor cupal the the photos of

the family what is what is this that that is this?

That yeah she was even, was agotada. It was agotada and had the baby and he was to end up

to get a dormita. So, you know, you know, I'm not done we're pretty.

It's a lot and you're like parpadean, the bells, the lights, the last, I'm going to go to

go to go to go to a little more, look, there's our familyaries

here. I'm going to go back to get a little right right and I'm going, no?

Well, it's He got to the fourth, he's agosted with the baby, he was about rulling, and, of a sudden, the sonno, and he got dormita.

He got dormita with her baby, and, de pronto I hear a little. And he's despirta. I'll hear that and, like,

I get dormita. So it's agudisa the o'id, and he's he does a kind of if

someone was like if A little, so. And then, he'scuched a voice almost like a

murmur. And he's the voice of his mom. He's the saying, he's orando.

And he says, what is it? Then, then you'll to be your relo? 2.30

of the madrugada. 2.30 of the madrugat. And he he'll be to

get, no, to be, this, He has been honoring to the familyars Transcendid, but,

I mean, he has a lot of a lot of a moment I'll, yeah, I'm gonna I'm gonna

and he's getting to be dormita. At the night, at the night, it's gonna start the

alarm of the cellular, and he he'll, agarre the cellarre the cellar, you know, he'll pick the

button for you the night, oh, why not? I'm old to pay the alarm doing on one side of the cabello and he

said, I don't forget to be the bells before that you get a

yeah, she he gets, he'd a kiss in the front and he's out

to the mom and she and she says, well, so he went

to very, I'm to try to try to do you and he's

a little and he a couple of hours after the baby then

the knees, vying at the altar, but in silence. And, and then I said, why not me contest? And he's

come. Mom, you're doing? When she he's got, he's got the other. Entra,

obviously, then he starts very bad. Mama, but it's free. And he he'll be

rapidly to the services. They're they're she's, she's, but she when the baby,

when they're when they're, she not move to the mom they're

they're they're they're the people they're the people and they're they're

they're saying they're saying it's we're lamenting one of these one of these one of these

he said he's his mom felles of an an parro cardiac fulminant

and surely he was he was orando to the difunto

to his family and so he's sat sat No, you don't you

not sofrey it, it was it was it was it was during you was there

was a lot of because it has been the rigidies of the body,

yeah is a rigid and he how how you do you

do you we're we we're that the hour of the

fallacement should between the one and the two

of the No, you You're At the 2.30 of the morning I heard my mom hallowed

my mom and he's got a minute of the my name of the world. It's, no, no, no. It's a lot. It's not, no. I'm not. It's not. It's not a lot. you've the opportunity that your mom is a

expeed to be able to my mother and now I'm my mother I'm

very content and I celebrate that the umbral is and they can come

and to come with us we're exactly so so so I'm

so so I'm think there there there there there

there stories sorrentent Volvying to the case of San Juan of the Lagoes interactuas with them

those palpas this is a taxista it was at the 11th of the mann Panteon of San Esteban

the most Antio well there was but they've clasurated last

many years and result that that he was passing the taxista

salve a lady black with his mask on the rostro and he's the

rostle and he's the thing's in the entry of a fanteot he went to the end of the endearro of

someone the the sir subed at the direction sir no no

you're no man no man me me say never never

never what he he's what he said he said he said he said

he he said he said I'm he in an auto bus. But some

people, at the mere hour, they're to be chero back. What? He needs

he's got working. I need to get to get a $3,000 pesos. It's what

I'm what I don't know. No, the, I'm not, he said, you know,

no, no, I'm, I'm, I'm, how I, so, no,

no, no. He said, no, no, right that we get to to

we're going. 11th of the morning, Bigel. He was there's my husband.

He's he's going to do, he's not less. Imagineate how you get you

get a car with a guy, he's a old, he's a question, why,

right? He's not, I don't want problems. He said, in serious, I'm not

I'm a daughteras. He said, no, the taxista was convinced to

ask you when when they when they when they're when you see a this is a

question he's the time the point of the doctor no he's immediately

but he was an a man barriending the bank the

he he's he he's he he's he makes and he

he gets so he he said he's he he's he he's

he he's he no a no a He said, no.

He said, is that I bring her from the Pantion San Esteban. He said, no, my God, no, man. No, he said, I'm going to say, it's at least in the

night or something, no, he said. He said, I'm, he's got to something and he.

And yeah he's all the way that he had three, $3,000 that the she said,

my husband is going to do this is my spouse let me some let me ask me The Pantio San Esteban,

how was she? No, I saw the rost. There was a mask of the time, all the time, all of the next. Pacele. The sir, has a new business of a ferretary. He said,

passle. He said, here's the three-bill pesos. No, sir, how? How? My husband said that he was going to give to

give to me. There are. No, more, Pongale the belladouras that he said.

The Lord, the sir was all confused of the Lord. Sure.

Sir, explain me. You brought a murder. No me a suste. I'm

really. My husband has six months that fellio. Uff.

And so we enter us. She had an man to come to San Juan

of the Lajos. That no could do in life.

Here these the $3,000 but so I want to I'm sure those

bellas and then let's and get them the church and San Juan Del Marcos Uff

imagine no manches how how lias with that you know how is that

is that is that pardon there there there there right that

you said Lidier how lia's with a Murt. In one occasion,

in the program, we're a tantatologist a nonatologist, Sophie, Sophie Aguilar.

We're talking about how the duelo, how it over-gely and all this.

And us a young, how you lias with a murder? How

convives? When they're they say in that, you say, the says,

he appears, a That's my brother. My brother diedceo a year in an accident

for terkeed my brother was the more than you two years. For my

father, my brother always was the favorite from from my

brother no he was not I No, ciruiano, because it's more intelligent than you. I'm going to

buy a coach, Santiago. I'll get to know them. No, your brother had to buy one of high-gama. It's always it was so. When I'm

my brother, my brother only he'd a carmionetta. My papa, only he presided the carmnet to my brother.

We were in a reunion. My brother no started to take much. He said, I said,

I said, you know, give you know, what's the thing? My father, no, I'm just,

I want to let me the hands, no, not you're no, so total, so it's

so, so, so, so, so, so, so, so we're,

we've got, we've got a accident, and my brother, and my brother, f, that's,

imagine, how you feel you Santiago that in a funeral get to your father

because not we're not that he was adopted or not they're they're two

they've been two years of a difference he said how you would be in funeral with all

the family friends of my brother my brother my my manes that you did you

have been you you're no manches no what's what's horrible

He says, how lividas with a death? Just, that's what we commented we, not all the stories

have to be paranormal there are many stories that the he is the human lidying with

with the life and the and just what will be to what is the

way in the way in the way in the we can do you I'm

fascina the way in the in the that you know, I fascin

that you have to be a lot of a lot of a lot of a lot of generally I'm in insomio

but you're going to ask if in other occasion you can go back because

I think the people have the person than I'm like I'm like you. Amid I'm going to

the order. I'm going the thing and well we put them the

thing we What, what a what quantity of stories and what impressionants. And, and, and, also, that's assume the public with those stories, marvellous. Exactly. Oh, yeah, me does it. I mean, it's the first time that we're doing, to be it's a special, and I think Seria, professional, then we empathize with this type of

stories and you're an narrator excellent. Thank you. If, for favor, me let me do you, you could you

record our social and platforms? It's, in all the platforms, relato's for Santiago Segovia. In all the

platforms, there's very, super well. Okay, so much thanks. Thank you.

Muchous thanks, and to all and all of all the team, a lot of the people, we're

going to the next time. We're going to our next time. Thank you for all. Cuisance

much, put it in your altar, celebrate. Beal Felice they're not they're doing. Seppan

that they're well, and they're the good stories and doing a life spectacular and positive.

All the days, every second with all the people to the around.

Thanks, we'll know the next a week. We'll know the next a week.