INSOMNIO - OUIJA | Invitada: MARIANA MAUS - INSOMNIO #12

Episode Date: March 15, 2024

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Very good nights to all. Welcome to a new chapter special of Insomnia. In where

narramos the experiences reales, more terrorifices of the audience, and you listen them if it's

that they're not there two invite. One invite and an invitation, and a

speciales. I'm going to start. First, here, present with us, is Mariana

Maus. I mean, my, I said, my Mariana Ma'amau. I want to start

to start very serious. My Maryna Maraa Maraa, how Well,

I'm excited. Emotionated. It's going to be a partrissue. Yes. A chapter special. Also, we're in line. It's with us, the investigator. You know, uf,

you know, you've, you've seen this capitual that we've, that's incredible. It's with us. Our dearer, Antonio Samudio. How are you?

Much thanks, Ermano, present, and always in the buskedom of the mystery. Thank you. Thank you, thank you for

to be here with you. For being invited. Thank you. Thank you. Thank you. What is it

before before? Before, to get you to get into to get into a mechanic, we say, first you,

Mariana, what are your social? In Instagram I'm like Darth Mouse. It'scribe D-A-R-T-H

Mouse 6-6-6 but I can look like like Marianna Maus and TikTok

also Marianna Maus and yeah. Antonio, you how are Thank you, my Instagram as a roma

Ami Paranormal Gion Bajo which is at the final of the day agency Mexican in investigation paranormal and in the

channel of YouTube Agents of their orders. Perfect. I just just want to you want to you want to

see your experiences reales with us without the corral pepo arabrat pottcast

anormal.com and very important if you want that you want that these stories that are I agree, aggrine the word anonymous,

for that we know we'll just confunders. Now, so, this night, we're going to about these experiences real of the audience that have to be with the table Uiha. It's with us, Antonio Samudio,

that at the principle, pardon, us will be to explain that is the tabla Uiha and how we can't activate it, for that we'll give us before to start.

Adelante, Antonio, for favor, inund us with that sabiduria because it's heavy. Thank you.

Thank you. Well, basically, for that you know, to know, and I'm to run a

castigit in the sky. No, it's a game. Oh, if you don't know

I'd better, you'd say you'd be a question, you know, to be able to do you

and it's a session Pepo? We're, we're, we're primordial, the evocation. How formularian you two, a vocation for

to do you guys, a vocation to do. It's a question. It's a, first, how to define, with who you you're going to communicate? What would say, the first phrase, and to who? Uh-huh. We'll remember there's a entity that gase in this space and

time that want to communicate with us. Perfect. That's your aperture. How do you want to invite to that entity that a look directly like a order

can be? It's I'm you're I'm do you do domatically

a petition? Uh-huh to we do you to get to the

light? Rogum to U Niat and Lusam Now oho I'm just

I'm used for the pronunciation of Latin as as well and how it's

how it's how it can okay then then is the of the

light, perfect. The next would, let's see, for example, I I've got to be the aperture. It's I mean, I took the door, and I met you the key. Yeah,

I put the light for that you know, because I'm the light, because I understand, and I'mpren't that the entities spiritual, are trapped as in space and time, are in penumbra. So, so what I'm doing is an exercise of umbral.

Okay. And the door I metie the key and I turned the light. During this process I

can't talk about a communication but there there's a idea to start

to start to use in a moment that the session is to be to get

in what the entity to say things of some to

some that that that is like so that

maybe to reveal things more more more How would you

I see? A how do you see? A- How do you? Example. I mean, I do you have a, one,

a lataneity of suggestions, uh, entity could medasion in spadeo tempore, cuchus

invocatimus invocatimus is. That phrase that I implement is chun, here, I'm here.

I think would be like, the correct would, record to we're not we're the

we're the other who we have the power. Exactly. To say, the power I don't I and he regress to

where you or something. No, I oblisi me vocabite. That is what what I mean what I say.

Me vocabit. Evocaiti. And then then you say you, I'll you order, me respondas.

Now, let me t'u of despido, to say, okay, thanks, I'm sorry, you know,

so could you know, so could be a like, so, now see your way, I'm going to

be so can be that basic and so, how it can be a contendency of that

I'm that I do you know, I'm sorry, you veo I've I've been,

okay. Yeah we've got the four, the principal, the umbral,

the umbral, if we don't, if we us put the loco, the ordenament of suggestion, and the retiro. Okay. Of these four

are the basis, chicoes. Okay. Okay. If you want, we're going to start. Okay. So, we're going to start with this first phrase, this grimori. Exactly. So, you're going to

say the first phrase, and then you'll repeat, and then you're repite and then you say, we're We dictates and we we repeat us We need We know

a time I'm know of communicate Bulte Esneres inox patio

et temporary quo no viscum communicer Bulte Tud at Lusem

Aksedas Rogam Azzas And now so to askerer to asker us

There there There is there in this space and time that want to communicate to us other?

Juremelo. How is see it? A bit, for that, for that, for you two are in the

session. How is it? You know, how it's a kind of a species of magnetism. Like if

something the only that are doing you are you are the channel, now so

like the vincal. Simply, they're going to get to get to get to

intention in the movement in any of you guys they're to do you can't know and you

do you're for it's even because it is involuntary also

for please give us your name well yeah is

activated your table Ppo that the letter in the letter

that mark the letter that can't B A N B A N

B B A E N yes well I'm to take

a note here when when do session, you always take a

note of the letters. One. You know. No, we don't we'll

do you know. Exactly. P. A. N. C. C.

C. G. A. B. A. B. H? Yes.

R. No, it's very ambiguous. Mettel the latinia of suggestion. It's

very ambiguous. G. A bit, moment, moment. Noly oblivisi Quote

Vokavite Precipio T. Precipio U. Respond, Miji. Alante,

Marina. Noli obliiski quote vocate T. Precipio T.B. Respond, Miji.

Okay, Sigh with the question. Dinos, what is your name? Well, M.

R. R. Antonio. Antonio. E. we have to remember. Acquare

that they are to dis-equalibrate for that for that you have to be so you

know to be in mind all the entities not they're all

all all let let go let's let's no

no no oblivis quod vocabite precip tib tib

respond Miji responed in profund exal and in the

the head of a one only on the on the on the and you you're to question

so revelam your name now reveled you know

now a v v r yes so how

so so evaristo preunt if is evaristo so

your name is evaristo yes or no so no no just or no

just or no just or no me me. Pardon. No, I'm doing much. Okay. But, but,

but, but... So, simply, I'm in audio with you in the... Many,

many ... ...orred ...or Can't read my man, me and remember?

Remember, you guys get a batuta, Fepo, Mariana, ... ... I'd like to We'd like

We'd like We'd Cere to You'd Do you? Well, So, We're going to

We're still We're still We're still We're still So, Let's say a Let's preface Yeah

You're You're gonna You're gonna Forci Ordener Averisto Al-a-o Exactly

No Desvirtue in the communication Is that If you Morrow Aobobre

A- M I'm Evidentment I'm I don't I don't I don't

Who can Civivus Evaristo. But no me personalize it. It's I don't

look in my line familiar if there is a because no I'm to come to that I'm

to communicate, that I'm to communicate, to be about, in where you you're

you're in? Okay? Very good. Pregunt? A see, but

to me in the personal, I'd like to ask if it has to

say, if you have to say, yeah. Evaristo, you know to say?

Venga. Rapid. Yes. I suppose yes. What do you What do? Evaristo?

What do you do? D. E? R. O. A. B.

E. R. A B. Bichie. Quote T. Precipio

T. U. Respondem, Miji. What you You want to say, Evaristo? H. R.

H.R. K. No, yeah, it's very ambiguo. D. Let me ask. Evaristo. What do you want to say?

Exactly. You order to me respond. R. R. Mm-hmm. And. R. R.

R. R. R. So, she's, rio. Oh, so. Oh, so. Oh, okay. Oh, eh.

You get a batuta. Okay, that So, that's, So, because you're Why do you Why do you

You're, of what you You're Do you So? Yeah T I.

And I? And Fepo? Yes or no? Of me Samudio Cio?

No, no Fepo, yes or no? You're You're You're Ried

to me? Amigo Acquired You've You've got La-Botota Yeah Gracios

of Baristo No? Yeah But no me says nothing, we.

You know, like, well, rite, but then the that's subject to

you're you, not I know. How's how many years? Yeah.

Two, three, 23. 23? Okay. How he? How?

Evaristo? How you? How did? C-O-D? E. C-O-D? C-A.

Yeah. A-be-what-what-you-letras? Can... Yeah, yeah, it's to that. What? Can't... Okay, okay, okay. Ah, yeah, for the bandion.

Of the sign, the... It can, be... It can't be any of those two. The sign of zodiacal, or... Okay, okay, okay. Or the other, quarter. Okay.

How many? How did you, Baristo? Yeah. One, two, four. So, four, four, G? Exactly. So, so, for good. Yeah, Marianne.

I don't know. No, I see Markos, is the four, or something? For that, you, do you, ask a questionement between the two,

four, what, four years, four decades, if me explained? Is correct? It's correct? Has it four decades?

Uh-huh. Yes, or no? When you're going to do a question of a negative, you respond? Yes, yes,

yes, yes. Responded that yeah. Okay, has four decades. So,

you're talking of an entity that's about a time of a time of time. Okay, he was a

same thing, and he was just where are you, or where? I'm going. Yeah, no,

tranquill, tranquill, no, this exercise that we're in, they're in the

session, someone has to have to be done, but, but, but,

to all anyone more in a session, to make a Evaristo,

fallistice. In the place is there? I don't understand the question. What did? What did?

What did you? He put it to the center. Okay. Dill, a bit. Ubikas where we are.

If we're, if we're, we're doing, we're doing, we're not, we're not, we're not. If you're

put in the question to say, is you're sayingalander to where you? Is it? Is it

to Yes or no? No. Okay. Talves no that's a good question. No, you know,

you know, where you're? Evaristo, you know where you're doing? Help me. Helpenlo. How?

What do you? Evaristo. Sabes in where you're so? Exactly. You're not on the center?

Yes. Yes, but is that there is a thing there, that's not fair, bonita. No, the way is that this mother

says here, this podcast, Paranormal. So, so, no see if is if it's in that,

no? But, confirm or negate, then, well, is he's, I'm saying, my studio?

You know, you're doing a studio? Yes. Yeah, you know, too peaches, my,

so, ha, ha, ha, ha. Oh, no, are, not so, I'm doing,

I know, so, I see, I see, do, you know, You want to ask you? Is that my intrigue

I was the association with the podcast So, so. Evaristo You know,

I'm in this place, in this space physical when you're when you

didn't, no. Now, to me in mind, because if there are

there's that there can be in the mind, not you have expressed and

also, and they have you, Evaristo, you know you know a connection

with someone of the podcast paranormal? No. No. No personalize

No, no, but I think it is interesting that I'm not. No,

it's good. It's yeah. Because, because is the place.

But remember that we're that we're that we're going to a person in a person

front, yes or no. Okay. Let's go. Let's go. Let's a little, pardon, vallensu more

detailists. Example. Evaristo, what you the front? Evaristo. Exactly. Evaristo,

what you see front to you? We're going to scurinear in the of the spirit. O,

C, Q, O P. O C, O C, U. C, U. Noly oblivis Quote

Precipio TV And respond to Miji C, clear, Evaristo What is front of you? Exactly. D. G, or F? D?

Why? Why were they back there? Because I thought that there was another to be a right of Rodrigo.

Okay. I'm I thought that Fermex. I thought I thought was saying nothing.

So, what is what you, what, What you do you do you? What is what you do you In a parades, if or no, there's a camera, if or no, you know, so it's like a variance

Infinitius, but it's like part of, too, the communication. Much of these, they don't recognize because they're in their book, but I'm saying that we're like, it's just like, like, it's like, even if I do it like

even if I do like to do like no, so I'll be able to to be there a recognition of his own

the same the fact that he's a lot of a time, he's in 40 years in a

state terrenal is a a lot in 40 years in the state spiritual.

I think you have to the session. Okay. Me it's time to start the

session. Simply you just you're just with the last question.

Okay. Respire in profound and say all the two of the end of the

one of the hand on the planchette, express a evocation of the letteria. Beavis. Gratias TV, I go, I veo,

I'll bea. Marianna. Gratias TV, I go, and I veo, you'll be it. And, you're to pull the umbrella.

The exercise that I've done is to teach to make a a grimorio personal of you but it, but it

combined with the I do usually and for so I, at the final, I'm the Kex-Patrefilok That at the final of the day,

I was, I retombed of the experience of Cypri, but it's a question and it's an allusion to that you pardon me. It's like to say diplomatically, you know,

but you're doing to do your series as well you want to be a convenient. So, the grimori, chicoes,

you're going to diversification with the pass of the sessions. No, there's more. And they're to diversify

how can be comporting a session, a spirit to another. It's saying,

or we have a barista of 20-tant- years, that's according what he said, he's,

he's, he's, he's, he's, and that is in his thing-

in the thing, no? But, man, to talk a man,

to talk a, a iracund, of a reclusory, or a citizen

serial. For that you know, No, not all those are good on the end, eh. Aguas with that. No, no,

clear, clear, sure, sure, clear, oh, oh, yeah,

has been, it's been, tremendous. A bit of you was, I'm going to ask them to this,

I'm a question, my question, that's all those that's in sessions, and you

what you think, of what happened? Yeah, of what happened to do you,

I'm just to hear to do, what you think, marian, well, normally

when I I'm intent to have communication with, well, with the other other side. Then, then, with a intention of, to know, it's, uh, no, it's, it's, it's, it's, it's, needs to something and the most. So, it was my curiosity with, with, with all this.

But normally, the response that, that I, that I'm, like, a conversation very fluid, and here I, I see that no. So, I see, it was, like, to try to regress. It, what I'm, I mean to try to regress, or, I mean, I would say, I'd like to understand why, but I don't know if it depends

also with who you're talking or the via in specific. I suppose that is, that's, um, a little, like, that's, uh, so, that you're going to to when to send it, and you start to move it more rapid. When I was the first time, I was when Antonio, it, he started super Lent. Super Lent. Super Lent, just didn't even.

And of, yeah, and then, they were, so things and yeah it was like like, more more,

I'm sure, I'm, I'm sure, I'm saying, I mean, you're you're you're

you're to talk you're you're you're you? Dependent normally

I know the person with the person with that I'm and with so I'm using different

things sometimes use cards a sometimes use moneyas it's

more for medium interpretative so but but the conversation. When I do

know that, the plan, no, no, I don't communicate me, I do account because the conversation no has a sense. But normally,

if, if, has a, if it has a, see, a, see, a little , you know, a question,

like I'm, the session, Uiha, is a method more incisive. Uh-huh. No, is nothing good

on, eh? Well, it's a reality. For that that's, that, if your method is interpretative,

because you say, by means by the cards of moned also? Yes. So, you know,

you know, you know to the person, is that you know, is a incident of the person,

no? Yes. But this the antecedent of the person that that's a person that's

yeah, okay, then so it's a kind of, because Medium, no is. No.

No, no, so, I, so, I, do I, the,

of the person that, the, of the person, that, the, the... It's a

methodology of mediums of psychics but are guided in the interpretation

is to get in the images you you traduces and emits

to that is totally a person they're directs now

not not it when you put to talk with a

phantasm so no it's more not not the

communication par psychological it does all are monosylabas

or are phrases very short or psychphonies very tenues but never you'll find

in any a medium oh no well I don't well not well yeah

yeah yeah no but yeah I said in the session

very well connected very well what is that the so that I'd

I'd recommend Fepo the those emotions you disequilib in

my mano yeah is that I don't think that for

to to start, not thought that's going to that's that we're going to get a

yeah, yeah, yeah, I think we're, I'm, I'm, and when it's to start,

to move, and when you think you was a raster and I'm, I mean, I'm going to see,

I'm going to see, so, well, because there was a confirmation of those two. When the

confirmation more direct is the question that I said the question of the question direct and you're

listening to me just when it when the number of familiar.

Or if you me I'm he Oh, so? Yeah, so

yeah, so that in the environment me me I'm so?

Yeah, oh, no, no, no, no, no, no,

no. No. So, let's, let's you know, no no,

no I don't I'm I'm didn't, if we don't we

we're we, we're I'm, I'm and I understand, I,

so, I'm, I'm, I'm, evaristo because I know how they're to start

when they're when they're to lethar so I'm what I'm to help to help Evangelinea

could have done even Evangelinea Mm-hmm No? Could have have said Eva

No? Yeah I thought I was I was to go to the R before the R

before I did you I'm there's I'm there and when when you

did you I said yeah and now it's question magic. It's a communication.

Point. The difference is that we have to know for what we communicate us. I mean, the context of

what's to communicate a woman is precisely for that not to play. And this

goes to to your public. Because not they're that it's like a jvito.

If not you do that way, you make in broncos. Sure. It's that for that

I don't care so so rapid, because I don't care, like, I want to, I'm going to, and now that I'm going. So, I mean,

I'm going to, I mean, yeah, yeah, you know, yeah, that's a... It was good. So, that's... So, that's...

Yeah, it's... Yeah, it's... Well, okay, and then... ...comparterer what you want to say, no? And it's...

It's... ...itomatic. But, at final, the entity is, for the end of the end up... ...that you're... ...that...

...that... ...that... ...that... ...that... ...that... ...that... ...that... you're in serious. Look, we're doing

our grimory. Oh, yeah, I think, I'm very much I'm going to get ridier. Yeah,

I'm going to I'd like, I'd like one thing, one that I think that's important, I'd like

that the people would that that that's that's I'm you know,

I don't know, so the planchette as the table, well, it's a table of and a bader.

And above no, no, but the logitpo that we just there's only because it's always because

it's a but no they're not, so no they're a thing, you know, they're a

bit of a table. Yes, yeah, normal. Common. Common. Antonio,

oh, thank you. Thank you. Thank you. I'm sorry. I'm very so I'm very so we're

we have a lot of projects and get them to do it and that the people enjoy much. It's very, it's very, it's very great to have to be many, many, things.

You know, we'll just do many, many times. Thanks, thank you. Thank you. Thank you. Thanks. Thank you. Thanks. Well, I think it was a form very, this, very interesting to come back. And, also, me it was

it does a much light to the things of the stories that I'm going to

you're going to be the going to now I'm going to many things that are

written and I'm I'm going to start before to start, before to start

with the public I think I think we're we're we're not a

family or of an friend of a weeka yeah sure yeah

About this of the table Uiha, fitha, you know, we know that you and we know

we're not much, mm-hmm, me invited a a new a new a new

a new and being in this business, there was a person, a man that is

a man in common. You know, you know, you know, you know, I'm said,

hey, you know, you know, you know, he's that, you know, I'm,

I'm, I'm, I'm, what, what, what what happened? I was

I felt I like a vibrra like a like a so much like a but well he

he he he mentioned that he had a very bad experience that he

was a but he had a really a bad experience playing to the Ujja

and I wanted to know what I'm what could do to be to this to be a thing

a bit a bit a bit a but this so like like he said

is that some months ago his brother was with a friend and they

put sure to play to play to the his the brother not

that the table could could communicate with the people

that the pointer to get and really not really

not what we we just we just they just sent out and they put them to

play to the whiffa he didn't he not he not he was that he was to go ahead

the question was in that they're in the session and the puntero

and the first thing is that his his friend is the he's the question to make sure

to make sure to make a certain that this entity that he's about They asked the number. Simply they started to communicate

to, they started to ask questions, and he in one of these moments, he said, he said, if really the spiritu with the spirit with the we're talking, it's going to be

to make you to make you. I'm here to be front. And, well, they're still a momentit-mast this, no, it's not true,

adieu. It was very irrespectuoso with the spirit, was very respectful with the moment, simply he was took as a game, he let's and he set him.

Saliento, he was coming to his house, a couple of people he'd detain to get him, to saltar. He, no we know if he tried to resistors

or no, but one of these men, he fired, and he per die. So, me comment about this person, this, this,

this, he says, I don't think that it's a casuality that he's saying directly to

the spirit, I'm going to be the minute, and some minutes after, he'll get the life to my brother.

So, me said, that was what happened a few years. But, after

some days, I thought, that could be to be able to my person, to know,

what had passed, over all to know if he was able because he is very un-tranquil

this situation I'm a table whiffa and I took a table with the

idea of to communicate with my manno I know I was I was so I'm

to get to play I'm very very very nervous and and so

he he came to move the pointer so so

so the so if it's if it's a entity the table in the

and I asked, is my my brother in a little and the

plan Chet apunted to directly to the word no. It's so,

it said that was a movement like very clear. He's okay where he's

where's he's he's he didn't he's not, and he moved

immobile where he said he I'll ask you. And, of repent, he said that over the table felled

and he's started to retorcer. And what he saw, was a gusano that was retorceeing over the table.

And then on his head. And it was a gusano and he went to back so on the

back. So, he was back. In his house, someone installed in

some moment these plafones of a techo false. He broke one of

these plafones and it came to a quantity tremendous of the table

over the table, so it was all and he was like, he said that he

wasque that he said, who know, that were doing that were in the

techo that that were that and so they he was he was

he was to get to and then it

of something. The he no had done his one

he's not the thing. I said that even with all the gusans

as he could do he sat down on the table. Tomo

the table normally to to start that session and

to make in pass this game but then now

so now so now so to move to make a

little a little You. What horror! And, well, I know what I can't

because no, even know who they're talking with who's no. No, well, no.

How is? Horrible, and askeroso. Yeah, apart. Apart. But horrible. Yes,

this, this, this is, not a game. I made a mistake, to say, we're going to say, but

not is a game, no, exactly. No, no, no, no,

no, no, at the Uyha. Now, we'll start if you do you and Mariana

you're going to tell this first story, this first experience. You remember, I can say the

name of the story and the person that the person that the manned a less that's anonym. For favor.

The story is a trapada and the manned Jasmine Ramirez. Very very. Okay.

Jasmine is Sonora. So the story is that Hasmin had much of the table of Uiha So, as soon as

a new she was about a friend and the friend he was a and he was a gift like a

what a I'm a yeah yeah, no that great man so this this

she's emmocer much much they've been to be to play. Jasmine had a perfect to

to play for a place for a little a little very a lot. A

past of all the world was in a mood very of a really of

a game and the but they were going to the place,

they got to change the climate and they're

to feel more feel new and the little the

little the little it and they were in complete obscurity. Even so,

decided continue. Pusored the table and they started to play. Now,

each one started questions, but in no moment the table was a form

efficient. They were the responses like right? Of course, like very ambiguous.

So, so they're not even they've been communicated with nothing, and they're

they're and they're but they're going. And they're to think that really really

if they had to something something to have to have experienced very

strange. For example, she she said that she when she had heard

how they they'd start to say I started to see movement of the sabanas in the cobbys

and the I was also that they were talking about them as a long he said to hear of much

things when he he said when they said they said that they were saying that

they were so they're so they're so they're so for much that they were they abandoned

in different places they were to the but of some form, the Uiha

always always always regressable. In so artas one of the other of the

amos said, I am a little I'm going to get to and you yeah, it I'm going

to go to and I get with the whiha and they start to to just to just

to just to be they're to they're because the papas of Sophia

they they're where was Sophia, because it was disappeared. So, they they're all and they're going to

help to find a sophia, but they were in the days and days, and not appeared a sophia. Until that one of them, I dreamed with Sophia, that he had been in the

terrain, where had been jugged the Uiha, and they were all like, demacred, lastimated, and the day next, and then

he says, and they say that they they're going to to look for there. So, they and they

they were, but with what they were a movie and they couldn't

believe what they were because was Sophia inked and using the

whiffa but she was with the view like the back

and she said the she said the she was super

rapid like she Super, super fluid. And they were that in front of her was a

sombra like of a person dark, and when they were they were both,

and Sophia had the eyes, like in black, was all wrasgated her

and she was also unwrote and maltratata because he'd many many years

in that the terrain just just communicating with this Uiha

When they They're Tovian Sophia Cae Inconsient And she They're

And this Entirene And this entity Disapparese They're They're And they're They're

She said And Cofia In coma But But, another of that All

those who were Involucrated That night Sownin with Sophia And

Sophia and he's really for help because is trapped in a

place in a place in the life she's always she's accompanied

she's not a musicita but I don't is that is that is that

is that is that oh yeah that that's that's that

so heavy we we we're we but potentis Okay, okay.

I'm going to I'm going to pass to tell you the story. This story is called the Pacto. It's an story anonymous. The person that we send to this story us said what occurred when

he had 17 years of age. He said that was she was she, with a group of amigues, conviviening, they started to talk of these situations, of phenomena

paranormal, and more, when of a repent, someone mentioned the tabla whiha. And all, emoconated, said, we're going to

play. For suppose, someone there, like, immediately said, oh, guys, know, that there are

some things that are necessary to be to play to the wika, open the session,

how do the questions, et cetera. So this chick She put to investigate What was the way The way to use the wigah

To be able to use the wigga And so they did. So, they learned to use her and They put them to play. In this first time that they were going to To start to play

We're saying this person That just in the moment In which you were to start Sinted a dolor Pungenten to the Caves. But no

he quissue to say to his amigas. He was just it was a casuality that just at moment in

that they were to siter to make use of the table, there's that that was

that that was that he got there, invading the session, they started

to to use and it started to move, and he said that acto

so that did you did count, the ambient the was made

pesado, frio. It's a sensation very rare. There are many ways in those that are

like if if there had a bit of the air. It's so it's so and it's

a free. But as it's just they're playing. During the the game the table

the table repeat one and another other the next the

question. I'm a one of you I'm a one of you.

The fact is that is that the first not gave much importance but I'm

repeated and repeat that phrase. Then they were to be to start

and they decided to finish and they're what necessary to give to give to the session

and then then they decided how retirees it. It's very interesting that

yes yes it's very interesting because comment to something that

I'm that I'm think is something we're we've been we've in camera, but

it passed a rato. When they were in the session, the lights of the house in

that were to be a parpahed. So, and even with the fear, and they were to have to

the session, they said, they were the session, they said, and they're going to go to

go, or that's what said. Every who went, to the house, that night,

she had done with her her bina menora in the same apartment. then,

comment to a thing that are these situations that are in the cases that we need to

explain to them to tell you her mother in the room in the room, they'd

they'd they'd they'd be able because when they were to be

the mom was and observed that they were that

they're there the door so for it was an

custom that just at the moment to to be to be to sleep and if the door was closed

and they'd be able to let me turn abjured for that the mom could be able to and then

the mom would be the door the door. When it's a little this

they're a door so they're to turn to be to be and when they're

there she was she was she was she when she was a

realite a really was a if the door was that was

that's it was a little a little bit a little so he was so he was thinking that

was a mom to be a little a little a little to the

but not it was the door that was that was but at the other

other other there no there so to her so

he was so rather observe the door and And he was going to

feel this pesadee in the environment, the same that was

when I've had had used the door and she was being a

little thinking that's maybe at some his mom she a

listen a sound of his he said I

want to I want to she sent the

voice said that the the of all she

she she was she tranquil. And not conformed with this, that voice

she was he said while she was the day next. She saw she saw

she saw her with his and they started to talk about this because

she said this that he did this that was that but it result

that that the other amy that have been experienced things

similar various and And, and also, record that have done

that I've done that all the other people had a type like a different,

like a kind of a problem, something something something. All

have experienced situations similar. But it's that the that was

the one of her one of her name Fernanda. And she's Well, he said that

he lived in a situation similar, that she was that he said well, but no said but they noticed

that evidently that was much worse. Fernanda was a return and another of the other of

Mary said, no, she said, is that me Fernanda me Fernanda me said,

that when we went and we went to we're sure sheorn, she gave much

curiosity He went to He went to He said to He was to I think he said We did not The other

Cession We've seen Cession But what That was that I'm here I'm I'm going to

I'm And so That's that She'd better than We're Obviously Well

There was There was There was much What than the anecdote. Conform they were

passing the days, the situation was inpeerating. He said he was a moment in that the body

was dolea exagerately to the graded that that many of her, had been had acudied

to be a doctor. So, yeah they didn't even think in the relation

that could have the table, but immediately is, at the

more we're still, I'm still, I'm going to the doctor, I'm

a doctor, I'm a No, he went. He said a day and not he had been. And so the studies, the analysis,

like if not had nothing. So, each in their respective house,

they were in a effect that'squeroous, that, also has in relation with what

he told the person of the first story. He said that they were gusans.

Between his robes, in his camera, but of them. So, of the

house, only in the spaces that they were in the gusans. So, all were

they were also, they were in the nights, they were they were because

they were that something they were not they were actually. Yeah not

they were not well with this situation. And Fernanda had

had been per had ever had to his health, but much very much, gravely.

That day, of the other, then, no, no, no, I didn't

even have acued to the school, Fernanda. And they said, you know,

we're going to visit her, we'll see how it's, out of the school, went to

to be there, and there was, she was she had, but it

said, they had an aspect palid, somrio, sombrio, devil like

yeah just like he didn't even there were cusanos if I feltia

that they were not physically but she was like she was not

not it was so they're they're they're going to get to get to

let's to be you're going and she was there she was there was

there and she's there And they discovered that something that something had been doing, Fernando, was to draw.

Dibuher things that I'd. In those ojas, there were some different. Ceres in Caves in Cousa and a

species of fossa full of gusanos. Dice that the drawings were literally horrible, incietantes. And,

then, tried to lamented in the an animal, they went, they were, they went, and the

things bad, and the few days were, that I'm in a hospital. Yeah, was a

bad. There, the medical didn't know they, they were, they were doing the

analysis corresponding, and one of them said, I think that has to be,

the wija, evidentement, I'm going to guard the table where nobody could acceder to

she, for that we evit us to that we'll go to get to

this. So, guard the table whiffa and this chick that's

that she has a tabla a fernanda in her dream she's she's

she gets she she looks, she she's very bad and when

she when she to her and then they're they they're

on a and there's a spectro, a spectro and being there front of the spectro, he's inclined his ear,

and he says with a voice macabre. Who will be the next? Despierta and he says, well, this is all

to have to to tell to all. He's a friend, and they're that they're to do something that they need to

someone that can, for the less, guide them in the direction correct. So, acude

with a brucho that supposedly was very good and had much knowledge and they had

happened. This broo said something that that he had a, that he had been

liked to hear. And it was the second. No there's back

back. You have read the session. She not the never the her,

what said that he's out of there, no he,

what we can't do. And this brucho he said those amuletos. And they

said that with those amuletos they were to be able to be able to be able to

this, and they were to be a very a sacerdote. They went to all the

what had passed and this sacerdote he said he said, more or less

what they didn't know what was that that's you're to do that what you're

to do you're to rest with much devotion you're to ask to give pardon

for what they're and even probably probably not going to have a effect

positive if if you want to do how can do you

don't so I'm I'm I'm I'm you can do

the second said the sacerdote. Wohel to play to the

whigah. Abran session. Communikens with this entity. Enfronten maybe

they can even negotiate with this identity. Pardon with this entity and

to make that's and so to start session. So, they're all

obviously all to talk about this to talk to

and And they're , they're that the medical, was, it's not a

lot of voluntary in house. We're for her. They're for Fernanda, and they

said, we're saying, we're going to we're going to have to play to the Uiha. And we're

to negotiate. For this entity, for that we're in peace. And if not at least there,

enderer her the session and to leave this for always. Obviously, there were people

They were to agree but at final they were in the inevitable reality

to all to all to pass the same that was going to think they're to get to get to

and the and the chick that had been had had been had had been

for the why she was for the whiffa she they were to join in the

same place they were a session and they were again again

to play with the whiffa when they were there said

that at the time to talk the table and the

first the pointer was it was a tremendous and

it was like there was literally a fire

down of the whiff was exaggerated the the

that was that the table but they had

to continue and they asked to this entity

you're you're yes what is what you're and it's that the response

was very rapid I'm I'm the same the same the situation

yeah I've escalated at levels they were they're to be

between and and and almost telepathicam decided they're

one one of one of not one of there's to sacrifice

who Who who's And then he said the entity, it's a candidate, it's a little bit. We're just to ask you. And they're just said that. And they're just to teller, take a one of usoters. A-kind of you elizabeth. And then, the punterer. And it's And it's And it's Two months after that session

Fernanda Falleceo in the hospital At the To live, Pessable to Pessiae Pekyllis that his

body, to medier 60 was reduced to 1.40 It was horrible to see her

to that manner I could assure that the Pacto was but a

And from that day, never we've to experimenter phenomena strange. The Puntero wrote

a name. Fernanda. Sentil the nerves when they asked, in the feeling that you

can't be your name? No, man. No, ma. What horror. What horror. What?

What? What? It's, it that it's it. Oh! Oh! I just

I feel I'm so they're so they're so yeah yeah

yeah yeah you know okay this okay this yeah my

my abuel the the quote Ricardo Leggerreta this

story so he said he he all was in

1997 uh the father he was 17 years uh

okay it was a night, that was of year new, so there was all the

family reunied and the rest. You know you know that the adults, they're

they're and they're to get to them, those adults and the and the children with

the young, with the young, and then so conform he went to have

the madrugated, no they're nothing to do, until one of

they said, why not we use But here he said, we're going to do wea. So, all the primos accepted. Between them, there was his papa.

Total, they were out, they started to play, and, and, and, they asked for the name of who

was the other side, and responded, my name is Dantalian. So, they're spantar much,

and then the Papa, Kita the hands of the susto and he said I don't

want to play. And in that's it's it's like a door

and they went all all going to go and they said what's what he said

they're what they're what they're doing the first he was kind of

he was he was he was he was he He said, with this, no he said, but when he was told, it was like the

abuel, he had had been a experience with that, and had total knowledge of the O'IGA. Those made to the court and he finished the scene. Total, the primes

were to see what was going to be what was going to be a word. And they were that the abelowel had done like a fugita maybe improvised and eventable

the... The table. And he was starting to quamar. They were. Then, they started

to hear that the abuel still out. So, so they saw them and they

saw that the abuel was totally with a look at a eye, and in front of him

there, there was a person of a person of a parada. And

they were they were they were both and they When this being the and the

both is like if they're the same type of they're they're they're they've been the

and they've and it's he was even like ogeroso demacred as if not he he's

and they were to go to the morning to the morning they were to where the fogatita

to be for the They found the table intact in where was this foggata and went to look at the because they were to look at the aspect. It was very bad. When they were on his

abuel, the abuelo he looked to be at them, he said, and it was just so, and it was perfectly normal, and he he went to talk about about the theme. But the abelowelow, a part of there, now was the same.

He started to He began to to keep to get to start to start to care his

aseo personal and he was to even to have a a, to have a

a bad the so the people not want to get to

get to the he was he he was he was that something

that something He also because they had a whiffa, that was going to be the abelowel, because he was who he was who went to to the fire. Then he was

with the culp, and he gotro the table, and he started to use it. Then he started to ask him to deliver to his abelo.

And he asked, do you want to do you? He said, yes. And yeah the table had to

functionar. At the day The day next, the abuel has a problem cardiac and die. No manches. So,

after that's they did the delirio and the and there he saw that he went to a man of

a black with a flower roger. He, she put there in the atouus

and he goes to but the Papa he recognized was the same that was he was

he in the fogata and he he said to the father and he

said your your your he was he and he and he

you and you not you were and he's they went to the

house of the abuel and they started to the

abel and they're to have photos and and in

that the Papa says, who is that's the boy

he's it's a big amissed your that's that I never me

did because that was a was like in a sect where practicable

magic and they were and they were not to do and your

father and your father of but it but one day a that that

that something did a and he costed the life and he

and he he was many many years before of the night that had been

that was the man was the fogata and in the fulner exactly there there

he the papa he did count of what really had had been

the the abuel the help to his friend to, to,

to, to get to this entity, and all of the abelel

for that not he was to be against them that he had

had and the day, the father, the he

got to go to get to and he started to

the same the same the his his and

the time, he doesn't how will do the

situation. Like if, Like if Fwera The entity It's like If were A new

And then And those consume But, But, But again These trots That's You know,

You know, It's perfect You're going To be But you You're not You're You're

You're You're You're You're So, So, So, So,

And it You know, You're Wow. And apart The Amigo That's,

He went to visit him at funeral and to say to her He's just he's present Yes What things had? Yes, yeah What you know, that's What you know? And I suppose that the

Abuelo, when he He said the name of the entity That had been contacted Mm-hmm Yeah, he said, Uh, no Yeah, just

Dantalion? Mm-hmm Yeah, he'sole That is the name of a demonia Really? Of course? Is in serious? Is in serious?

No, no I know Yeah Okay Oye Dimmel Tell me To tell

a story That's Cortita But well I think Yeah, I think Yeah I'll read to say,

No, Juega To start to our But that's a But, uh, This history,

extremely has a Mombita and Laugh. See, that says That's so, uh, so, uh, so years,

so five years. In that moment, she had a 15 years of and, and, well, his papa, her mom,

were in and they, and so, and when, he was in a group of friends in the house. So,

they'd, fatigable, uh, they'd, um, contabed, um, contours,

anecdotas. But, you know, those, that reunion is so, the, that's so, that,

of adulto, but he said that more yeah of that sometimes they'd some time they'd

but nothing that you could say so you could her her room, she was with herrita bombita. So perrita is a French, is a perrita French, that so is she named Bombita. So she was, she was in her camera, and the perrita, so, he's, he's, he, to-do-de-he, and the the the the the the the wea-eha, and the the the one of the

So, so like, like, of what? And of his mochilla, he's, he's a, we're going to, we're going to, and we're going, so, all right, no?

So, yeah, we're here, ha, ha, ha. She's, she's, they're just, they're not, more, more, of what they're saying,

and he says, that, well, that they're going to play to, to the wheyha. And, and, it's,

it was something, how, how, was changing the situation. So, they're rying,

ha, ha, question to this, and I see what, you know, and so much a little, that rizas, that booye

and all, he started, to go ahead, to be able to and back, and yeah, it was a very idea

absolutely, because the Uiha was moving. So, yeah, they were in a

game, and they were more serious and focused in what they were something, so it was

there that she does know that this is going to that this disminuels and that's and that

they're in this tone serious. He gave curiosity. And then he he was

the volume to the television to hear what he was going and he and a

repent, he said he said he's that he didn't do you do you

know, the first is that one of the presentes I I asked,

You're here with us and he said the Papa that the Planchet apunted

directly to the word the second was you can you can't make you

but no the planchette all those who were there are there

are sure the when they were that when you can't you

make you not so no he immediate, inside of the

house, they're one to one like a air elated, he was passing, recorre to one,

then to the next, to the next, so for all the people, the mom

was in that moment in the kitchen, he was he noticed that all in

silence, petrificated, not could see it but they could feel it she

she knew she was what was what happened and he was she

she felt that is the that is the that's horrible that

she was she was she was and he and

so he he got the he got so

so so in four patita well in position of of a good looking to

the door and the door of a sudden he was going to and he was being and the perro too

and he felt like an eladez was coming to her room and in that moment

bombita she abent and grunio and he went to and so to do that was

that was there that she was that she And when he vented, in the air, only heard, it was a-cuh,

he was going to be able to see. The perrero, he was a full-mina, felled. Intented in that moment, he started to gritty. Entro the papa, the mom-a,

but a bombita had died. Obviously, obviously, the papa saw that that that entity was who had, who had

had cuted the life, the perrito. Time after was, the

fact, the fact, the father, and they were with a brucho for that

he said to the thing, and they told what had passed, that the

perr had been and the grue did the he said the he he asked.

And after the questions they said, they've been to be able

literally for you. Because that entity, when it was when they they were a present, and was selectioner a person. For that's all I recorree to all. No, he was to, no he's and he sent you the presence of your

that. That entity, it was for you. Omita, you saved the life. In fact, terminate, saying the next. Now I'm gladiated for his sacrifice. The senises of Bombita They're in a

In a little urn in my Sal, in honor Toe A's a sacrificial Yeah, pooricita Povercita But, oh, no, the Perrittos

Yeah, I know But... But, But, that... But, that's cute Well, that Lindo, no? Yeah.

What, The perr Vio to the entity? It was. She, really? Yeah, sure, that She was a boycito. Oh, but a poorcita, more than.

Oh, but what horror. Adelante, tell us the other story. Okay, this story is called the Lago. The platica Lysi Mariana. Okay. Quenta that has many years, when I

lived with his her parents, had a a family with the with the with a

lot of and the place to get to then it was the time of vacations and

not they were really much to play until a day he

he went his his and he said what we can do you do

to make the aburrimient and he's a table of his.

He said, first, that the net, no. That those things, better, no, and

that was a lot of that's a lot of so his bestine was super

insistent and he said, we're going to do even, even my nobio

will be to be to try so we're to do it, so they they're

to so they're so, So, first, they were also super

like, moffered a little making a lot of things so, until

that they started to come and they started to use. And so he's

so to move so so, so all all all the whole

got to do do you, they're getting a lot and they're to do a pair of questions,

he saw that respondia things very simple, until that, they're that they're that the becina

she got but paralyzed. And they started to ask, you're good? You're well?

And not he was simply was being so to the nothing. They said, they were,

they were to move, they gritable, pass the man in front of his carita

but the car was like the face of the car was a cuted

the session the novi the car and she he was and there

and then all that all they were that was that was something they were

not they didn't want to not just simply like they started

to get to be and they were to be doing to one of

those who had been in that session. The first was the nobio of her

and the person said they were that he had a carpice and

lamentable he was a accident and he's but not he did it

with the with the uh with the after that they're

after they were they're so they're that another of the participants

simply never never because there had a had a like a little

a new a little and it simply no it's so now

so now all all they said I said I think something something

that is so so we know to have so I'm going to

move to me go to pack all his things to move

to move. He went but the problem was that never he was he never disappeared

never saw and then and then he was he put a returbia the cause because the problem

was that who who was the be the becina not had never even

but he said that he he used that he I heard that they'd say things horrible and I'd say

that all of the time he had passed terrible and there was a night in where she said she said she was

that she was being awed and ladrando like they were super-alterated and so they're all the madrued and the person that he said

that he said that he's that he's not he could be but that the day The day next, I heard some

grits just from the house of his and is that the mom

of her house was and she saw from the house and

he was that above of a table the

tawa but also they were getting getting got

and and he's to see the look and

and see to see some chapatos. See being,

still being, and see his his wife and be a woman. But,

especially, that that was the she was the was the mother minor.

After of that, her her her was in the manicomio and

said that she she was that she had a every rato she

appeared to her brother and grittantly lastimandola literally had the

arms lastimated because the hermanita he said that why

he took that she took that she took that she not she did

she was she was after that she had the

cordue and the people think that she she had

a but really was the manifestation of the

her hermana, that was atortmenting. And that in a visit, she said that nothing more was waiting

to that for the entity were for her. But the problem is that the

person that is that the story was there. And he said, and she said

that she also has that she's that And, today, no is she she's the

she's the she. She's super strong. It's super very very strong.

That's not fanonima? That story is not fanonimma? That person needs to help.

But urgently. Mm-hmm. Yes. I hope that's been a story that's been made

a lot of much time. We can we can't the mail. Wow. Mm-hmm.

What, too, turbia, eh? It's super turbby. I think it's one of the stories more terrible is that they've been told.

Yes, no? Horrible. It's horrible. All right. But all the loco is, I mean, all the people involved, but the one of the people are pomeada,

was the that it was the thing did it? What, what you've been? What are you? Literal, this is a demonio, no? Yes, sure.

You're consumed? If they're, they're to come to. And, so, you know, so for that so they

get in your entorn. That's Uy, okay. This, this story

that's this is more than a game, we're going to us to give to our

friend Carolina O'uilet Barba. Willet Barba. Um, not

just to put us in context, it's divided in two parts. It's very the first part

and the second part are like two stories but they're going to understand because they're connected. Obviously,

for the use of the table Uiha. Wehah. Wehah. Wehna, that in

her family there there's a topic about the magic. For them is very

important, it's very important and not a game. It's a family that has

the things spirituales, the dones, they're very afloor of the degree, to the

great of that his-a-vuela literally was a medium and, well, so his family is very

aberted these things. The mom, the abuela, etc. They have much knowledge of

these things. So, there was a day that said that she had

eight years of age, and in Navid they they're a guiche to her

and a woman. I suppose that someone of the family that

says that they like these these things, they're a table wihah

and they're a little, so when they were in when they're the mom, the mom, the mother,

and they said, yes, but I will be to be present and they and they're to give us

because this is a game. So, if they're to learn to use it, they're

to learn to use and so it the mom was present during this session

and he's unio to this session although they're very ninjas she uned a prima you remember that they're

in Navidat and a primita that they said I'm also I'm also you also so it's this way they're they're to

start and when they're at the moment in the they can make you to make a entity

that had contested she said I want I want the primita because his parents

were and they were very important that was very important that not that not that's my parents

will be able to be able to and the plan and no well terminated they're

they're done the session well the mom she's my mom they're they're

to go to to their house and And then, obviously, they were talking about this with her mom and he said

that not he had liked something, because the question was something very personal, what I had

made made the prima. It was very personal. That was not going to get a moment,

before that was the question, the environment of a moment, it was turned a

heavy, and then she has this question, the which no

did you have done and the plan the plan and the

plan they're not to have to have seen much not a part of a part of the day in

the way in the that had happened this. So, well, investigate and

he's done that maybe possibly has been been able something like a portal for putting

a number and more so he he has a conceda a mom of this

little that was that was a man a broo a man a man who he has

a a price because is a person that has a good know of

this so and the mom and the mom he said to those kids, I'll

desercearned in the table for that not have the curiosity of the time to

try to get to be a thing, and it's a desace the table. first interaction with the tabla wig.

Now, we go to the story, which is of these new people. When they're adults, I'm young, but

adults, they're in, in the normal, passing the day, et cetera, and resulta that they've been

a new town. Now, they've been in other city to when it came to this new city, and to

a her mother, her mother major, a group of amigas, they invite

to a a pajama and he says, she's super good, no, and he's

not, I'm going to get to be in this night, I'm going to be there my pajamas, divirtances.

So she yeah, and they're and they're like, yeah, yeah, and what we

do you do that's what we're going, and so that's all the stories. One of

these chikas says, we're going to play a wig. And act a acto So I've been so on the table

And she said, no I, I'm a WIHA, no I'd recommender that no do you know they're going. Oh, but not s'm sorry. No, no. We don't

We're not, no, if you don't want to participate or only observe if we do we do, or that you do or that's fear? He said no. But I don't want to be be able to be present. No manches.

I mean, you're going to go? Yes. He gotro his things and he went. So, he goes to, what so? What? They're going to play to the Uiha and I don't even want to be able to be my prima, no? So, so they're

and, well, it was like, like, oh, okay, well, I'm, I'm going to, that no pass anything. But, more to enterada the night, receive a call and in

that the call the friends are crying and

are saying please help us what what was we is that

we when when the when of the so he is

present in one of the ventan of the house the

image of a woman major cadaverica and all we've we're we're very

very assustated for favor help us you know you know what we can't do you know tranquillas

no intend a locura now I go and I'm I'll just I'll ask and he said

her mom I need to help to my amies I'm going to to go I go

with you go and in the way to the way he said mom and the he's mom

is going to this what I can't try try he's he's how it

the situation etc no he he he's he he result

that in what they were in the they're they're they're they're

the puntero and he we said with who we we're talking about so that's he was there

was there and when in the the game that the those that they said that's

the one of these she said a very if you you're let us

let us a signal and it was in that moment that was

he was present in the ventana and And someone said, Mere, it's

the lorluck She said, they're going to this place, it was

a department and when they're in the passio, they were there, and for

that they said, she said that she was in her mother, the

she was in the right, she sent you a presence. So, he was back

and there a woman that was there, like an vicine, like, observantolas, a woman major, and

when she saw a gesture, he he was onry, and then she, well, he was onry, de-wilted, and no contested. And then she was like, like, that's like, that's happening, no? And said, because not

you, you know, to you, you know, no, I see. No, even, I, even I don't even, I'm, I'm curious that there's a little, tooka the door, no, no me contested, and he agrras his cellular and

they mark and no contested the call and she she's seeing that the

person is there and he and there is the woman and he he says

no they're not should be something could pass you

have and they're and he's he he makes his

dintes amarientos, prodrid, horrible. And then she saw this woman like,

what on? And like that's he was retiring her and it's like if disvanese

for there. Oh, so I've passed about 10 minutes to mark them,

to talk when of a when of a nothing, the nada, the my big

the door the thing, oh, that you get, but if I have 10 minutes to

to talk and we're not we're we're we're well what I'm what I'm

some of you're really very assustated and they there there was where we we were

and the her mother said that he went so so looking the ventana

well there was there there tic tick mom I'm I'm

I'm here Me, they say that she saw a woman in a ventana, in a ventanal. They're very asusted, no have done nothing.

The Ui Ha'i ha the session abirted. What we can do? It's okay. Tranquilizalas, reunelas,

that are going and they're in the session. That's the most important. And they say, they're going to to have to

continue to keep going, to that's to start the session. Sure.

Tranquilas, no will be going to not be so they're to be to be

to be doing, she's she was, she was seeing, this was the

mother, giving the other the mom at the cell phone these chicas

playing to to start the session. When they were they're

turning to the door at the door at So, she

Voltae Open the door And it's A woman That's a woman That's anciana The woman

That was said, that was That was And he said He said to her It's been It's been It's a moment

And front of She was It's fendiceo And it's The other other side, they were they're serving to

the session and at the time as they've been to have been to have been to beanness

and some even even they're and they're and she she that she

when she thought in Alu what what can can't have

the whiff not not not only to contact us

other other other one side, we we're we're not

the opportunity to come to this and to have a lot not only only to

talk, but to talk a door and exist, and exist, as a entity

physical of this side. As his mother, no is a game,

the wihas a way ha a person, you the that she has but a

sometimes it's something more that's the door and the uncautos open that

door. Like, like it's like this recordatorio of the

of the session, no? All have had that's in common that

all that's all have all have some common all have

that's in common that that here that here I'm

that obviously them cause fear but it was a but it was a

phantasmita no the only what he was was to be to

be perturbar no me too me perturbar because he and he

had his dents but at the final his his his

his his his has been different to be here

yeah so maybe trickster because yeah Okay, well, to be to talk

Serrar with this ultimate story. Quentan Okay, the next story is called

Demian. The Quenta Liliana. Well, Liliana said that one

night he went her his father, and he was very ebri

but also was I was I'm trying was super alterated

so, So, she She was She went to And he He asked He said, He said

He came He was at the Belorio of a friend of And that's And he was He was

He was He said He said He said He said He said He said He said

He said That he This He was When he He was He's Heppes

He's Heppes' They were They're They're And, And, And in the

Tomadera So it He's made Good idea To use the Uiha Well, use the Uiha. So

So, they Um, And one of They asked The Feather of His Morte And he put

The day The Mess And the And the And and like there was very turbue the thing

and, well, they were and they were so, passed the years and the time,

until that came that came that year, and a year, that also, that even

they were even even because had never even. And when when he was the other they've

made that they've used to the whiffa and that had given that's that he said

he said his father I need I need to desacermed to the because it was

of his father and her and the father of who? The father of this chick?

So, okay, okay. So, she said, she can she can say that she can do that the Uiha and that no

that's that's quite because, I'm afraid because I'm a lot of I'm going to need to desacermed

of the Uiha, I'm going to and I'm to get that wihah and I'm very perturbed. Yeah,

she went to have and the day next she she'll find the wika and she

she's back to the house but like he he's got to do because she's

she's she he called to a few and he said he he was he said

she was she not they of how So, so they they're and the

and, and, and, and, and standing and talking, she,

she told the story that he told her his father. So,

then he said specifically what had asked, and so, and so, and so,

they started to say, because not, and she said, no, because

just my father is aterr with this, for some no

have to to play. Sure. He insisted, he insisted, and he ended up so.

So, then they started to use her, started to do make a question,

and so, and one of them, for, um, for, because no he was

he was, he said, he said, he had said, when I go to go,

when I'm And rapidissimo, Pum, day, a month, and a year. But the problem is that

the difference of the case of his friend and the is that this time was super

close. It was that same year. Aha. So, so, like,

everyone was like, he perturbed, corted all, and decided how desacers of the

whiffa. Then, Then, as long passed the time, every one of those that were there were to have a lot of

but they were with the death of this friend. Demian. So, Demian, the only that was that he

had that he had no any, a, but he said that he a sombra that was

and was that, and always felt that there, that was that, all the time, and never was

only. The other other decided not to tell him of how they were that he

was a but it was a incident violent. Total, one day they were

all together and they were at the bridge of a avenue and it

was quite intriguing because it was clearly that had a

carmion enormous that came rapidissimo and they all to expect to to be able to

go to but but Damian no Damian Demian he did a pass

he went to and for more that he wanted the carrard the camion he

he was and literally embarred in the sun and Demian died and he did me

after that after that Well, they were like culpable all. So, so they're like, to certain

form, try to try to give him a disculpa to Demian. And they got her

Uigh. Uh-huh. So, they said, they started to say that they were to communicate

with Demian and them. When they're saying, Dimian, you're there? Yes.

And he started to do different questions. And to all, no, no, no, no. So they did a count that, more than,

no, I didn't want to respond nothing to what they were asking. So, they said, they said, he said, he'd be more, he communicator what

had to communicate. And Demian said, no, won't have to play to the O'IHA because it's very solo and

is a obscure here. After that, they're, but Demian is in a place and always with a figure

of a dark of a dark, aladito of him but apart he's submisso

and like he's made a little a little a color horrible I know I know that

we don't we don't we don't we don't know but I'm clear but but now

where where where where where is that is that no is that's not so

no is if when I'm not so someone is the that's the that's the for, for

for or if you you're you're doing something you're doing you're doing so you're

that's not that's those are those are that you know you're to do

you're to ask you now I'm a question For example, right we're using the table, no?

And so, I don't know. I never, I mean, I've, I mean, I've, not I've seen

this story is the first that I'm very impactant because, because, well, it's horrible,

no? Yeah. Even with that that you'd you'd to askerous

to? No. Why? Why? because number one I don't, I want to know,

and not not so for you, it's that it would, like, for example, with this story, it would be

permission to this entity of that he is a that he's a fact. Ah, that's.

So, so, so, I prefer that no. The truth is that and,

and, and, you have count the context of everyone is like what we mentioned

about a question of a question of a game the people the people it's a problem and I

think that there's the problem because when you you're with an intention

to communicate simply I think that is more probably that you think you

can't you know this is this not quite the probability that you

get to you get to with a with a intention with a medium bromista,

provocative. Also, I think you think you're just to find someone with these intentions. Because they're that you're going to

know you're going to and they're going to to be able to that situation. So, even that's a rato, the truth is that for me,

I want to be the more tranquil, serena, possible, because it's the perception that you

you're you're you're you're doing you're like you see you you're like

even so you're like very too as a kind of like a very

astusable you're you're you're you're doing that what is going

what's I'm so I'm so I know I think that all the

so you oh you he's oh my he said oh my he said so

so there are many things that you can that we can do

in the personal if there's someone there that that's that's

this intention to use the U. for me is the first time that I use. Some of

it's a one of the not because definitely we did nothing we did this

we're doing. But I think that in that I'm had aroused much or at the maybe

I'd be very very very much because I had had been experience

previous of some kind of communication. So my suggestion

would just that, I mean to have a type of preparation or for

the kind of emotional and mental at the moment of to do do you

can't have an experience different more a, I would I would

I would I'm for example in the personal is like not me impact it

not so because I had had been a result of other

things more more more than but I think the

moment of to do that is the I'm I'm

communicating. I used a type of oracul, for so to say, I'm with someone

with the control and I have a security but when you're using you know, then you're

so they're things much but of new, you're not you're prepared in an environment.

And is that also, for example, if you, what you have said you're all the

reason. When we we're I did of that's supposed that

who can have to have to the control of this is that I

know but not not it's because the game is not I don't

I'm not I'm not I'm I'm refer to this part of

this reality is disparejo because they're the capacity

of the medium I know with who I'm talking. No

I know that person. No, I don't know what is your history, nothing. But that

is so know of me. And he took the control because you are an in the emotional.

So, so is how you're good controlling your emotions? It's that.

And, and no I'm not I'm, and I do you do you get to

my so how you you're you start? And I'm me

I'll I'm emotionally. because he's not, because he was I'm going to do you. I was in control of the situation. I was in control of the situation. And, um,

and, is, is, is, it's, is, it's, is, is complex. I think that's the reason that one doesn't, no, no, not is, not not do the things. No, it's not it's a

it's not that what you do you're going to do you with the know of the you're doing and for what you

know, before you know, you're going to you're going to let the cards and then and then and then you

know, and then it's, and this apply for whatever that you're going to say, about the cards

and all, I'm, I'm, I'm, I know, I know I'm much from the aspect

of the point of vista of of brugheria because it's my role. But

even for a chis or what you need to or you need or you want to do

any kind of you always is much for what you do you do you want to

you want to you know there's there's there's not even even

they're they're not to get with things that to be

that it no more it has so you you don't you know you're it will

resolve. And you you know you're not to have control of it. So,

so it's very important. And also the motives, no, of this thing of only I'm

trying to and if starts to move and I am I'm to re-eer and, no, no

it's, so, before of that independently, if you have experience or no, if the

first that you're to have to be the other side is the Uiha

okay, but so mental to be mentalisers much before and see enter very

serenno so super tranquil yeah, control of your emotions totally and analyze a little

and analyze also if there something that you have been as well that you say that's

that I was that I'm that's so if you have something you know that's a lot that's

a lot something very a very very very recent or

you're you're you're you stable or what or what is

you're doing a good to get to get a much things because

you can get to control so it's important yeah definitely in these

stories in these reports they're going to get to get to his

papas so what they say Antonio no no no

no no you want to you want you want to

you know you don't personal personalises. No, no

you know you'll go to do you want to if I'm talking to my

mother, no, no, no, you know, you know you're not,

you're saying, yeah, and also, and also, it's like you come to

me to me, for that that's that's that's that's, so,

so, that's, that's, that's, so, yeah, definitely of the

actually, what you just said, it's has to a relation with much of the things that that

that's that's today just to monetize and I think they're not they're doing

like, I'm going to commit a a fault of respect. It's that just I'm going to

say. No, it's not that, but they're not they're exactly. Exactly. There's

there's a thing that's always to all the people. With what

we we're no is an unicornio, no is an enteferreical, not is an exaterrestrial, literally is a person. Exactly, exactly. It's that.

So, well, as a little bit, like, I said Antonio, no, I was, I know, to have a lot

no, I don't have, a relation with this space physical, simply was there was over

there, and it that it took a moment for a to, to be a little, no?

I mean? So, like, like, because it was because it was very clear when I don't

want to I'm going to say, I don't want so, so, I'm like, yeah.

And, and there a, there's a relation there, of the energies and

I was hardying. You're I'm, I'm, I'm my was,

I'm was sudando, was ardu, so, not was the ambient

gelid like in these stories. Literally, there was much energy. It was hardying. And it's,

I think is that's that's that is that's to have the knowledge of and then you know,

how you're going to do you? Yeah, I mean, yeah, I'm totally of course, I mean,

just, no is that the, that the people that is like, I'm going to commit this

fault of respect, But that is my point. It's like, if they're going to get in something, edukense much before to do. So,

not it's, not the whiha as any kind of of communication or what it's like, the word of, nothing is a game.

Because then, no, no, need to be a whiff, they say, parre, and I'm explice, and then I'm so, so,

so, it's, not just, is, in a lack of empathy, no? Because I think it's a bit in

a bit of a bit, I'm trying with someone that's not, my empathy and my feeling

to help to help to help to understand. So, also that not is that not that

not is that not something that's something that's something, that's like, simply

simply it's, not you think you in the other person. And it's,

and it's an example, when you when you're managing and and someone and it's

a not you're going to you're going to you're going to that's going to me when I'm they're so I'm

so I'm in a situation and for that's so I'm so I'm and the people and then they they're

the lamented and the grito and they're all they're all and then they're they're not they're not

so why why if you can't even you know so it's so it's it's just to think

in the other side, this empathy and, well, that's that respect with what is there. And is that, there's a bit of a thing. And, and, and, yeah, with this, if you're saying, we're saying, we're saying, we're saying, I'm sorry,

I'm sorry, to tell the people of the community, of the community paranormal, because, thanks to those stories, thanks to what I have, like, as much, you know, investiges over this, and, at investigate or

to learn certain things etc I've discovered something that I

think I thought I to discover so I know I'm sure that the human

that the earth not I'm no me can be the minute I've been present

where they're no me can be the problem the thing of the paranormal

is in what we don't we're because when we know we

know we're a reality that's tremendous and that it's a car.

There's extensive evidence of that other world. Much what

what happens is that is that is that is a evidence that has been to monetize

not an evidence that's that has been to be a program of

television He was in some moment in the podcast Paranormal a a man an investigator

of Chile is a and he said and us said these groups of people of people

that are to make to make to ask to their families transcendid to

know to know they can help with these things

that they're that those things that and they're 40, 50

people and grab the voices of their families responding. Wow. And these

evidences are there extensas none of those familyaries have the intention

to put it in a video for YouTube. Sure that no. This this is a

game, because it is a game, it's a thing, and it has to have to

have a function serious. when one not respect this, they're going to pass two

things and that's we have to get very in clear. I, I like much the

way in what he does it's a question and that's your time and et cetera to be

this manifestation so incredible but you're to be to because when

someone not know and for not know not not not respect

to a a a few occurs things terrible like the

stories that we're not you know you're that nobody doesn't

so so with respect the things are good

so even even if you you have you do you do you

this process you you know you you do you know

to whatever or what so that's also information and that

even for me value much and that it's normalize and that the people start to understand that's real that's like

that's like a mofa that's incredible but if is that just that's that the basis is with respect

that's that can be in whatever television no important but that it's

yeah yeah yeah yeah I think that if if we know

if we're we're we're so there there's a regular that we don't

communicate us with that other other side. I mean, it seems that with the intelligence of the human,

the person we're going to get to not only the way to obtain some words, or a

message, we're going to get to get to continue standing in contact with our

people our people who partier. No, I don't see nothing of the

contrary. I think if want to answer the telephone, no

he's the question. That's the question. But we'd have to communicate us in a manner

efficient. And if the media us can't that, that's, but

always with respect. I think that is the part most important. With respect

that's the right. Exactly. It's a great, and I want to primarily

to you, maryana, for having been been had been here with all these stories so incredible

and also Antonio Samudio that's a part of the Arbor was a great it was a tremendous tremendous um

and before we'll go yes oh well and for support to thank you to thank these incredible experiences

reales yeah before we know us before remember us your social

okay in Instagram me they're like Darth Mouse V-A-R-T-H-M-A-W-S

666 And, well, in that any other if you put Marianna Maus me, I'm there's there.

Many thanks. I remember that if you want to send your experiences with without evidence experiences

reales, for favor, do you do that can't be in the question of

this is the thing. F-P-P-P-P Podcast-Panormal dot-com. Recurreden if you want that the

story is anonym in the word anonym or anonym at the principle for that

that we're that we're very important I'm a very important. I'm so never, never they have

to live an experience like this. Yeah, we're going now so, thank you.

And I remember that here in insomnia is where narramos the experiences reales

more terrorifices of the audience so so you listen it

if they try we're we're we're