INSOMNIO - PAYASOS MACABROS | HISTORIAS REALES DE TERROR

Episode Date: August 14, 2025

¿Y si la sonrisa pintada de un payaso no esconde alegría, sino algo mucho más oscuro? 🤡👹 Nos adentramos en el pánico de años que los payasos han dejado en nuestro subconsciente. Junto a nuestra invitada Mariana Portillo, exploraremos historias escalofriantes que te harán dudar de la inocencia de una simple nariz roja.💀 Descubre el caso de un payaso fantasma llamado "Chavis" y las oscuras apariciones. Conocerás la aterradora historia de "JAJAJA JACK", un creepypasta que cobró vida y dejó serios traumas, y el perturbador testimonio de una mujer que en un viaje astral enfrentó a una entidad con rostro de payaso que susurraba "soy el diablo...".😈 No es solo miedo, es terror. Estas historias cruzan la delgada línea que separa a la realidad de las pesadillas; entenderás por qué el miedo a los payasos es mucho más que una simple fobia. ¿Te atreverías a entrar? Te leo en los comentarios. 👇🏻😈 🤡 👻Host: Fepo  / fepomx   https://x.com/fepomx 👻 Redes del invitado:  / _marianaportillo    / monanaportillo   Síguenos en redes sociales para más contenido:  / podcast.insomnio    / paranormal.insomnio    / podcast.insomnio   👻 Comparte Historias, Memes y Evidencias Paranormales 📝Cuéntanos tus historias: https://podcastinsomnio.com/ [e-mail] ✨Grupo oficial de Facebook:  / 548487930178860   💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx 🛒Compra Merch Exclusiva aquí👇🏼 http://store.podcastparanormal.com/ti... 📧 Consultas empresariales: [e-mail] 00:00 Inicio 00:47 Historia Intro 01:32 Introducción y bienvenida 02:31 Redes sociales invitado 03:05 Anuncio de Siniestro 04:11 Miedo a los payasos 11:17 El obsequio 24:45 El mural de mi habitación 50:13 El rostro del mal 01:06:01 Chavis el payasito 01:23:51 Centinela del Mal 01:38:44 Jajaja Jack 01:58:30 Creeppy pasta Laughing Jack 02:03:30 Despedida 02:06:47 Cierre Comentarios finales y despedida [02:00:07] #payasos #paranormal #demonios #podcast #fepo #terrorymisterio #historiasdemiedo #payaso #payasosvirales #payasosdeepweb #PayasosSiniestros #creepypastas #creepy #creepypastas #terror #paranormal #paranormalactivity #miedo #historiasdemiedo #insomniopodcast #fobias #misterio #pesadillas #MuralMaldito #entidadesoscuras #entidades #fantasmas #Fepo#Jackas #Chavis#pennywise#clowns#it#JAJAJAJACK#aterrador#terrifying#terrifier#americanhistory

Very good days, tardes or no nights. Be welcome to a new chapter of insomnia, in where we

going to narrate the most terrorifices experiences reales of the audience.

So, listen them if they are and this occasion, is with us

on us so, of the people that most we want to one

of the people that has been more more time in

what has to with the podcasts the the programs

that a great a great a great-a-crack is with us with us Marianita Portillo how you

how you are a lot of another way to make a cause a emosomio oh yeah it's a much

so that's here with you know and you know what today is a particular very different

very special the people know that so introduction title minatura

but I'd mucher very that before we'll let's quickly about what

you're doing what are your networks and platforms? Well, actually, completely my

time is all the podcast of the family paranormal in checking there are some things and I'm

my red social that most use is Instagram that is a rome bar Mariana

Portillo. Very very very well I want I want I'm I'm

that I'm that we're we're we're special that

what how no? Yeah I'm I'm very emotional. At the the fecese of today, no I've

seen the chapter still, but I know that I'm, yeah, yeah, I'll hear, the fact. We're going to be a new channel. It's like, venerated to be, it's like the brother, the brother-ma-ma-ma-of-in-somyo,

the, the, adult, the, the, the, the, the , the, the, he passed through things, and, so, and so, he's, he's, he's,

it's like, an entity spectral, malignant, that's all over the camera, that's, that's, unobarded, sinembourg, sinister.

There's the stories more terrorificas that are in the obscurement of a servitor, influenced by stories that you're saying there are stories real, that are

really cruentous for that can be in insomnia. They're narrated and, and, well, disfutas much. Justly,

we're going to have a chapter if not of the payasos, if the ambient of the people, of the circuses.

Tetric. Tetric, terrible, maligno, cause pesadillas, and, well,

we're going, we're going to give to this episode, and I have a question

for you, Marianita, tell me, you, you in some moment has had been

to the people, to the I'm really, I mean,

so, I, It's like this that's here this is like this obviously, for your just over one. And no, the fact that

but if I'm like much in the themes of the stories of the payasos and I think for that's this time because the fact that

are very very fertes the people that have had been encounters with them, I've

known some that you know, manches, no you don't you don't get to go

to go to the circus or in any anywhere there's there's

there Well, Fugate, I mean, I like much to talk like some about some

about the thing of the people who are I'm not the question of the little bit of a peasantota there's a

anecdote that you know, there's a about to be about with a something? Of all

I mean, I remember much that in the primary we've used shows infantiles. I mean, uh,

so, not is a grand anecdote, the fact, but I remember that we've used a show infantiles for the day

of the year. And they've one of those guys, they're like, they're they're in down the pre-supuispo.

The really. And I remember that that those, we're not much fear,

because it was, apart of that his makeup was, that's, like, that's, like,

like, they, there, all extrano, and what the most you want to be that's the thing you're in,

the fact of, I mean, I'm doing a lot of something like, but I'm there's a that said that

had been had been soniard with the payasos after the festival of the day of the year of the

so for many, I remember many people that were because not they were not they're not they

don't they were the guys and they always you obligated, no? So, I don't

we're so we're that we're that a boy to a a little bit, a bit of the

time in the time in the I grew up, in the fiestas more than they were in all the last I mean,

me took on many, I'm took many people, but never had seen those payasos as few as a

time that they've done in the school, and I'm that I'm understand that many people,

you know, I don't remember where we're doing where we're not where we were doing, but I remember

that was very, very, television, there was a channel, no see if, well,

no see, the fact, but there a channel where were a place in English.

It was a channel of North America, and they were going and then I remember

to have seen the movie of Gunis, no, of Gunis, of, this,

yeah, of the Gunys. That is the of the mostritos? Ah, the

the, the, the, the, those most those most those

most They're all those feytos, I see what. Yeah, I see, is that part of my favorite is my favorite, and it's like, it's like, it's my, like, the of the GUNYs, but also, I mean, I see a movie that's, I'm gonna, I know, I'm gonna,

I know, that's, I'm gonna, we're gonna, we're gonna, we're gonna, we're gonna, we're gonna, so, we're gonna, so, yeah, yeah, so, that's, I'm gonna, me, I'm gonna, that movie, that, yeah, It's called

Space Spacios These, the Payasos Criminales, no can't say that

that the place. It's Killer Clowns from outer space.

I'm really. It's a marvell is the best. No, but if it's

very good, I like much. And I did being a little

is so so so I don't remember no even in where

we've in, where I suppose that some adult I suppose that my

my brother was going and I never was and I'm seeing that I'm

caused a lot of so I'm so I'm like them like that's like aterrador and then I'm sure

and then the adolescence discover a book wonderful that the people think that's

about a paliaso and no is a no it's an a horror cosmic it's

an an entity that that provere of the space profound and

that's it's a representation of the fears. Then it's a form of Pennywise, but in

reality in the book, it's like Penny Wise. It's always like a man-lobo, it's like

a wave gigantic, it's like a lot of things, what they have been the

person. The man with lepr. The man with lepr is how it. For that

it. It's, for it's a thing. If you're from this planet and in the movie Faulted a Torto and all of that, and all of that, since embargo, the four

films, the two recentes and the two antigues that were shown, God, my God, what marvilla, me can't. I know people that

not so, that's going to be to benair, because they'd know a year that the pallasos that was, I know, I know,

know, I know, I know, I know, that's a lot, that's a man that's a lot to me that's a movie of terror.

It's of a movie of comedy, but it's a very fettito the pallaso. The scary movie 2, that's all the

palaces that's not because I don't know because I don't see that I was a movie and I did that

much fear of that guyso. You know where you know that the movie poltergaste the little

the new has a realast I'm we're let's get to retombed in some moment I'm

to talk to talk to do about the A lot of A pop, there's a boy

of pachasos Terrified, I'm like Yeah, yeah, the last three The last The last time

The other I'm gonna Notherty Tons, and there's I'm gonna also, it has been

with Payasos Well, with one It's of Kevin Smith. I'm

I'm I'm I'm I'm gonna a show Yeah, so

Effects Specials Effects Specials Effects Specials American Horror Story Circus So, it's a palazzo,

ooh, very good. And very triste the history of the palazzo. And not is inspired a little? I'm not sure. Well, and Joker and there are a loton. Very well. What on?

Do you come to the stories or you want to start? I have a story still of payasos, but two stories of chos of payasos personal. But there's,

let's include. If you want, I'm for you get in those stories so like, Okay. Well, I, I mean,

I've got that the community that's I think they're quite quite hard. Yes. The first

is called the Obseqio and the Amanda Abraham Baptist. He commented that in an occasion

he was soning with his novia. Justly, they were like in a campament or something

or something. Uh-huh. I was sooo with her but there something that was that

there a baby there. A he's a little bit very rare because in that moment they didn't have a child. So, in the environment so

being the environment so being with his wife and the baby, that neither to that he made to make a dream.

Recurda him very that in this house of the campani in the three were, you know,

you know, you know, you know, they're like the thing, you know, they're, they were, they were,

they had a construction. But it was a construction a quite strange. I mean, like, I mean,

he's not any his, and it's a little he's got a little bit of the

and the more I'm more I'm saying that was, not was not was a so.

So, the fact, he said, to his know, to her come-n-of- his-n-

-a-in- -brass-a- in-brassos, and they went to the house to come-a-

and-and- say, He said that when They said that when Salier The Swo The Swoone Chouin'

He was his Noviour He was like in a Cerro and could hear the grits of

her and the yanked the baby like as he had had been like

was I was super desgarado he he rapidly he he was

he started to where he went the sonnido to go to come

he was he would to find them. In this was when the the gritty the

both, the the end up completely. And he could hear that in the

earth had some some a little and they were being and

much and I heard, and I heard a little a little

that's that's being that's so. Obviously that this he

got a looking where that that risa, that every was that was

going to more and to get to he's not, he was in a never, all the place of all the environment

had been a lot, he was going to hear, he was going to responded at the first but he started

to go to the first of he was he was he was that he

were in the first they were that they were in more rapid or someone was

someone was trying the the environment of all this

he was going going and he was going being more

more tetric so that was when he he that had

seen in some that when you're when you're seeing you're in you're in your

and you're to see you're that you're that's so you're not, that he's he was in different from.

And he said, okay, I'm going to get to fear, even the thing that was that

was he was he could he said, I have much force. So, he's

a force almost like like a supererue and he he's been to venting things to

that he was doing, that he still didn't see, but he could see his presence

a certain. Now, he was he was the he was that he was to be the to be that

to be to be to be a newia. But he he, that while he was

in direction to that he son-niko, the serro complete of where

he was he was he went to get to get to him and he only he only

ran rapidly, almost he was he'd do think that big-d

in the dream, that in one of those kind of that was a

sort of yeah not was not in that he was in the

place in a place in a not was he was

I could Passed from the red to maraud, and like it was like it was like

in a movie an stature with a static so, very lucub. In a moment,

he was he did a person that was about him, he was observing in the

obscurity. Still not he could be able very his form

but but he did know that there was a little chosa

that he not had of that chosha, until to enter to her.

He not he said he was a dream and that was a other to be to the chosa and he went.

He said that that chosa olia horrible between like the meat and the

and the wasqueous that could feel like that was really real even. He was

to look to that said that there was a little of the light

like those fokos amarilloes that illuminate then the habitations that just can be able to see that's

they're in around the house. He started to look it for all and he he was

he was over he was he was looking with a smile to side to side of

side. He had some some the sopats great manchated

of a substance viscosa and his a trage, I was, it was like, it was

like, the circus antivus, and also he had some of it was,

it was like he was the way, he was that I'm that I'm that I'm that I'm

always, the earja orreys, the dents poredos, the

car with a makeiiiagia like agriettado, of a pylasasasas, but

like if had grieta and the the cabello, like, as marra-naecado. He was front of him.

A him never had done to be used to be in his mind he was not

not having eyes, and he provoked a feeling a feeling a lot of

him, he said, he said that he had to that thing, to be

that he had been because for more that he had tried he

he did then, then he said, he with all his forces

and all his and all the time to go in the and so he was to

attack him attack him the the pachasso had a a cuchillo super super oxidated

that he he was he was he was he was he was he was he had

all his forces and he he was they were they were they were they

were for that a arm. The Pronto, the Pallas

about. He was he was he was still in his garas in him,

and he said, Wait, there's a message that they want to when

the pailaso said this immediately in the obscurity in the room,

he he heard a voice, that was the psal was

an voice external. And he he said, the response is in your

brother. Before to understand that that's the new, the

room changed. Now there were pures and it was a house

like a chos but it was big had more more past

than what I had seen. In this he saw

how the pachasas was he was and he was

a other room a one a tegid of the rojo. Al,

he was to see him, he was a man, like if was doing a travesura, and at his

side, there was a figure that had been, was represented very well, and had had been,

it was a malddad very great, and he did a question that was a demonio that was a

he said, he gotro, he gotro, all his valentia, he said, I said, I'm in

peace. I know what you do you let me let me get me I'm

I'm I'm sure I'm not the he's not. The paliast he was and I'm

he was like a one of his energy I don't I don't I'm to tell you

to me more but the the risa that little burlesque that was he was

more and he he was he was he was he was rying

he was "'Nino, Tonto, "'not has "'tend that this "'not is a "'that we're "'wee We're "'wee' we're

"'wee' "'and he "'se kept petrified "'when he "'heed now "'the voice "'of a voice "'the voice

"'tobel "'one more "'demoniac "'of the "'of the "'Pewed "'The pallaso "'of the

"'of the child "'and, with "'augh his "'cooked "'and, "'and he's "'clavoe in the "'vraso. "'Av "'One "'one,

A This was a DOLD, He was a He was in his camera He had regressed He had a real He'd a mil-pore

And, and, really that was sudan-frew Fri- Tantto, no, no, no no, no, I didn't see, what, if it had been

a dream, a psali-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a? She, she had felt so vivid of so his

man he felt that heart horrible. He went to be with

with a camera was in his manchated completely abired and

was the area that was that he said how me he could have

done I'm there no no filoso here here how is

that's that it's a that's a simple rasgo nought it was a really a

realer a lot of and he was the doctor obviously for that they were

that they said that he said that he never he's never that's

something that he could be more more than the because the

the area that now more than never but

because his noviah he got to know he's he's he's a manches

yeah, what? What? You can you think that's that it was a

a a demonio no? No, how was going to be a

a one? He's he could start he could also, I mean

of the evident no he's he's and the era and the

thing in the movie of Matrix no it's that

you make possible. Or, me had been atropelied in the so I'm

a woman, I'm going to do you. Obviously no. How is possible

that that that's not not per to be a person? Is who is?

It's one? I mean it's a more, he's he had to be

to be to be to the people to be there that he

that Because if they saw something And all those Spectros Maybe at not pertain to this reality

They have the capacity of the mediumity The evidence They're They're going to How they're How they're

They're doing They're saying They're To get to To that To attack it To make it It's a

Because he They're not They're They're They're For me Bybe It's

When I When I I said chispas. I mean, I never had happened to that I'm that's

that's a year of a little bit of another another temazo yeah, another

themeazo, but yeah, yeah. That's a great idea. To start. We're initiates

we're doing. Oh, fiftate that these stories that I'm to tell you to be a

many to make to make you know you can't you I'm going to tell veryly

something that one one of the one of the one of the one of the super interesting. Okay. This story

is called the mural of my house and it and we're to give to our friend Ale

Gazafra. She us says that this was going to have 16 years. I was

a young and so that's that at that when one is that when one is in this

time of the adolescence there are many things are some

are occurring in you, in your mind, in the chemistry of your body, and more. All and all have been passed for that. And yeah,

as much, a little more more adults, record as that tap and you say, why it was I ammo, no?

I don't amoe, but it's an saying, no, because I thought of those things, because he acted

that form. But also many many passed on this time, and in this moment of the

adolescence, those the other changes that are occurring and the other changes external, a lot of the way

and mom decide to separate you're mudas, you're to get to your first,

your new a newbie, crush, you're to make to go to go to say, or

they're you don't like you don't know in the heart. Passed a lot of

things and that's a moment is the poor that could have passed.

You deprims and you're just she was passing for this

situation in the case the changes and things make feel a lot of well

in that house where I'm living with his papas in his court

the part principal the most the most the one has that has no

has a that that was a problem of humidity then

so they had made like some manchones and the

part it was a debil for this this

humidity and what what they did is that they've painted totally of

black that that's that's put you put a paper of a

that's that's those manches of umed to her

she really a picture and he he said to his

papas to use that that that was a part that

was a little and they they're they're so you know

and she in the other to make to

do geometrical, abstract, or something, he did some different , payasos.

But these palaces not were the classic paliaso like a super little,

making malabaries or so were they're pallasos very sinister.

With sonrises retors darks those and with miras

agressive but in that the moment to her spectacular

your court, no. Payasos sinistros payasos very, very

oscouros. And, well, they were there those different expressions.

They were various. One, we'd like the principal there, at the

center of that the part of, and not passed more there

to simply those different, to the father and her mom, not

they didn't, so, so, you, so, you, you,

you know, you have painted whatever and some some some

some some some of a lot of a day while was

she was she existing of this form was

a pretty depres she did also that her

also was like very was like very very big

very big part of the of the reality She went to

And that night She was a dream Or more than a Pesadilla That's never a He'll be He said. He said

In a center Commercial Or that It was like a It was a She was a Central But she was

I was crying Because she was Because she sentia I'm very Triste All that Reflego

of the real He had He was So I was kind of trying to

me, to cover to the car, so that not they were in a room

defined, and the people that was there in the central commercial, that were

there, like, like, were in the people, where the people,

so the people, and all of this, they were, and they were they were they were

they, they were they, they were, they were they were and they said,

and they obviously this does to So she started to to pressure the pass.

But the burl, the rizzas, the signalments were very very fertes yeah. So, he'll

and just in this moment discover, all the like this effect special, that the

people not had a rostro human. It's that it was like if all

and all had must be masks of the but as a

of his her face, his rostro, and those maskas were in their

were in horrible. To her obviously this he gave a fear, and he

went to go to the escalers and then they're in these escalers that were in

those dark with the light titilland or so no important. That was

was the only where she was that she was that was that could be

rapidly by those escaleras and conform she was descending by the escalers

and I'm the the light of the techo and she and she was like the

obscuredity although she was advancing to an dark how the obscuridad

was the was able of the dream and every was more

closer more more more than more pursuing. She said

she was that something that provocable that all of it was that's dark

and it was in the front he was to hear a sound a sound very

particular one that all we've heard only that this sound

was like was like it was dark it was the

classic song of the pahasas pa parara araara

But she was distortioning. And she's, Sinted this, and she ran. And he took to the piece, yorando, and he thought, all this is too, what can't?

And he said, and he said, he said, he was like, he was like alleteos, like of an abe gigantesca.

And, and, I'll, the eyes. No, He was to see what was

in the that was the that was that that was that he did he he's

his grasnido but he was he was he was totally paralyzed

so he could move his eyes and he he sent a presence

to his face right was something was that's

he had got and he was and he

was and that was that was front of her was something,

it was something in appearance not human, totally grotesco, he said that was

enormous and that the skin he bright like, as if if it

was a full of an amphibio. The car, although not was

human, it was like if someone had molded a mask

face of a pallas in that the pale. It's totally mal-eached, deformed, with some the teeth large and

afilados, but very delgatit. Desordernated. It's that they were in one in one direction,

and others for all and the eyes. And the eyes were there on that

the head and when parpadeable one o'clock than the other. Manchise. And between the grietas of the skin

that had in the boca, see in the encas of color black, totally the encisies

with an humed viscosa that thing not was human but the but the other is

that his appearance was that's absolutely grotes. but that that that was the thing

that was posada grunia and with that kind of a naryis of a pallasso

roja the olfatea grunia and there those dents spantos and

then what would be the hands were garas and they were like to

to come on the carisian the mejia literally was a depredator that was

savoring to the presser before another of the other of things that was that was

horrible and that evidently had a relation with the is that this

creature had alas they had in that was replegas

but clearly had a was like an a

was a face with a face and with the part

is with the he to talk about the car. She did know that that was that was

terrible and for more that he wanted. He said that he was he was just that

was just his body not respondia and not know how time he was

because was totally inundated of terror and he he

was in that moment as some kind of some form

of some of a stampita of Miguel Archangel of her mom. In some moment, she had seen the stampita and had read what the stampita in the part of the

back. And it had seen and read so many times that more or less he thought that to someone had to pay help. And so the only thing that was recited what she

was recital what she was to that oration to Miguel Archangel and he he started to repeat it one and other

other way in his head with much force I said something like San

Michael Archangel defendem in the battle I'm my ampar

against the malddad and your power to be to be he

he he's he he every more more more

more more he he was a energy was was

That energy was distinct to the of this being immense, and it wasia to feel in peace. And the cause this that was there was to put herself as nervous, as if also also sentier this energy.

And just when was in the moment more tensed, in the the worst, is like if something had had been

to that a, like, a pallazzo deformed with alas, like if they'd have taken

from the spada and they'd have been arrancated on the over the they're

having to have been a lot of the force and this thing was a

grasnido and it out of the back to the back she saw how this thing

was put up put up put up was again absorbed for this

part from where clearly had said he he's

like a polvo when he went to back and he like,

and he went, and an odor espantos to have a kemated and it's

very important. In that moment, she was able to move, he went and he

went to so, horrible. Yeah never he went to to be to be

there, so he went to the door gritando chock

with his papa. Boom. Choccoe de front. It was at 5.30

of the morning her father was he was preparing yeah to go

to get to get to be and she and he said and he immediately

he said no no no no no no it's your fault

that that's that because that things that she

she kept like still still in this moment

in the was a past was real that that

happened to occur her mom also she went to even so it was very And they're

going and just in that moment what had exploded was the mediedor

of the house the house. Explot it's that the cables, the

of the light tension were so were so flamas

super dangerous or terrible and she was she got to

that he was a dream really really if there

was there was in that, in that, what was that was that a car-an-

an angel, an archangel, or so, only for having recited the oration, a entity of the

was, came to do it, and, well, his papas, and the thing,

or other, a person, or what said, you know, you know, you can't that you

can't have in the wall. No, you can't do that the part,

and then they've painted, they're not the But, oh, pint a part of

a white no implicate that the humidity or the ability that you

have in the part she just thought in, as

my my papas just just taping the humidity

also the fact of the paint in the part because it

doesn't that that doesn't that that was that was

that the The , the picture, the portal

still is there still there's that you're that's she's not she's not he's

a little so it's like, I think it was a thing that was a lot of

in stories where one says, it's not it can't be certain and he says,

and he he's to do to do his situation. First, he said

that she was that was that I was like that someone was

when and to be talking in the and she started to know that was quartet like that was forming

a grieta another again. Then she had to get to normally and the

front, before to get to a dormida a but not is sure

maybe it was your imagination ta-tat- and and she could have a

But then, he said, no, ma, this yeah, no, this, yeah, no, this, yeah, no, this is her, to the church, and he told him to do that the priest. And he said, oh, yeah, me

passed this, he told him and he said, to say, a bit, I don't have, ever, I don't have time for a brawas. And he said, but is that not a broma. If it's a problem,

and it exploded the medidor, no, me quitted the time. and simply no he said but not even acutur to take

to get a whittita and nothing. He said here. And he said that after then she

the reality sacerdotes and all this I'm quite very deceptionate of the church

but well she thought that he had terminated but he

had never a a a one and she

did I got into that it was a a pastile when the

point he knew the he was he was the same the same central commercial

there had people there sent out that they were

they were and they were and she saw the and she was

to go and and again the lights the and

they started to start and they started and

there and I'm to get to know to

and he took valor and he he was up to and he was over the escalars and what was there was a lot that was all that arraught all those characters

that had drawn the personages that had the character central was the car grotesque with the dents and there were in the other

a group of pallasos deformed horrible observantle and of his boasts

got a liquid black and all partying with a rhythm

rarrow and he saw that they were real and they were

watching to get to her and he he and

he the so the and a grittio a

a grito a agate and he He thought, He was traumatized?

This pesadilla, no can't be a... A-p-p-ri-red-di-de-pim-chi. And he's deto, the goalpe, and he sort of.

And then, like a uny-ra-draxed. She said, exactly of where I was the room, and she went to the pathway.

No. He did, if he's no He was imagined or if it was real. But the grietta in the wall was more great. And in that grieta there was an eye

observantola. No, he said to go to dream never there. No. He's never to never, never of payasos.

No, he wants to listen that music. And, still now, no, has been more but

but she's that they're there asechamn't her he's she's she's

they're because she those she've no I think well it

can be like the like the tulpas probably probably exactly

she she was she was just 16 years adolescence changes

in all her and all some content super potentes. And in a Pard with

humidity. Yes. That's formed a grieta. Dibujas those characters terrible?

It's like that she gave a yeah. Cient? Yes. So, if you know,

so, if it's a thing, it's, or like, the bogarts that's, that's

that, they're, that's, I mean, I know, but... Well, she

did he Imagine to be something. It's a bad. Yeah, it's like, I mean, it's like,

like, no, manches. There's... Yeah, you know, it's a completely fear for

your life. You'll say something. What? A person that I know a chick, he,

has a much time, I'd to, I'd like to go to get to the gymnasos

and all day. So, then the person that was in the reception principal, a person

very good on. This chica, one day me told that

that's a house. Fagate, this. In the wall, she,

a day he was, in a paper, oh, in a paper great,

he was a entity, a entity spectral, oscura, it, he did

know, so, you know, he, he, he, he, and,

he, he, and, he, he, did, and, the

And the pedd in the wall And the he was to kemere the house. In the night,

he was I'm doing. And that was so, chaos total. For the humo, and that

can't not get, and so he's a little, a roo. They're

to the bombers, when they're to end up the house, they're to find,

to where the fire electric, that was what was what was what

happened. She me He said And I He said That's That in

So, obviously Yeah, not was the paper. The paper was chamuskado. In the

wall of your apartment, is where it's where the fire. He was

in the wall a circle more or less no, that was that was

where it had commenced the fire. For the bomberos was inexplicable, but it was in the

the wall. And she knew that just there was where she had put the picture. Like if that had been out of the book and kemoh the house. No manchis. That's is very, I mean, it's

like, it's like, it's a little bit. It's like a movie. And then when I read this, that she did she drew the asses of horrible on the page, imagine what she has trago. So, something malignant.

You'll say something that will be more Mood. This chick me said that she said that he was 15, 16

years when he put so on the wall. It's that at that there's an age, there's that one

that's changing of all this you, you know, I think you think we're we're going to

many, imagineate the emotions with the genieges the things there. Wow. How,

how good. What, well, what on? To be, I mean, I'm... This story

is anonym justly is anonym, but it's a story quite quite that's called

The Rostro of the Mal. It's a man who does the name, but she

not the she said when he was when he's six years. She was super-chiquita. She records that

that night she went to doorme. And, and while he was like, entraned

the suns, I could hear boughs and some letchusas afura.

Ayes, he's, he was a little in the city. No, it's like

that these not, but it's very I'm very very very

when he heard, that there was like someone arruyandola, even he could

feel his body, it was like she someone was going to becing. This is

he did quite strange, because she was a little kindit so,

he was a rucho, no? Abri- the eyes and he did a question

that something that something, he was he went the view that the

the the of her abitation, it was more closer to the usual.

He was he made extra- he's not he's he did know that that was

that was that's that there was there was there and that was

going to more to be up to touch the thing even he was even

he was even he did know that one of his mue so

he was still more above so not not not

not flotting so. De Pronto, he was a struendroar. His eyes

were and his body came to the camera. And in that he

was to hear that there was something running and I felt that I

was only was so on that moment and he he was to be

to be to be moving his body to move his And I heard a voice that he susurro,

No, abras the eyes. And I continued to hear, shush, shush, shh, shh, gore, for her room. She was still of fear and was using all,

all his forces to be able to get us. Finally, it was done. She went to, he was that was again in his

camera, he had a very strong in the back, but the room was normal. No, there was

but it was all the little it was a little bit more than it was going to be able to bea a little bit more. He was a little bit. She was a little bit. A the morning next, her mom her revised, because she had said

that he was doing much in the spala. So, her mom had her and she gave a point that had moretones in the spalla and some rasgunades that she had not been able to have In fact, to her mom to her mom he was super

extra this, but no he never to do a thing to do. He told what he

had had been a moment, he thought that was a dream, but no he could

find out an explanation. That same night, while her mom

was in the plant of and she was in the plant of the house,

he he said how the door of the entrance of her

house, I started to move her and she opened. She had she was a little

that's a question, the door was going to be able she and she and she's

she and she did go to see, motivated for the curiosity, he said

well, perhaps is some parent that came to come to visitar, is very

strange. He was going the escaleras and could see

in the door a woman. This woman had a vestido like a vestigeour, of colors, but it was like

as like asgastated, even soo. He was an old. Pood also that had a make a surceence, but she had been a corrido

like if the woman had been been an appearance horrible, like if had been out of a

tomb or something. But, but she, to her, this no, he did fear. Decidio to get to

see who was that extrana that was in the door. Mientras more was more

could be the rostro of the woman, the attuendo that was all those those details but

not he had percat of something. And this did count you when I almost

was close to her. No had a piece. The woman was

floating when she did When I found out of this, a gritty a little bit of his aghanta and her mom, rapidly, out of the bathroom, to see what was going.

But when the mom came, she got there was nothing there. She was crying of the fear for having seen something so that thing

was there. The mom was consoled, obviously, but you know didn't really because had appeared that

that woman. Passed the years. and in one occasion, she said she that, well, so she

put in the music for, while she was a time, her called her

and she put her the reproductor, he was he was he went, and she went.

Hegress after after he got that the machine was sonning the radio

was in form like of interference. So, he was extrano and

that's that's that's that's it's like a sounderat like a

voice distortioned with the interference and so she kind of that's

kind of that's that the reproductor and not he was it was

to he was to he to get to she

she she a voice. She was a bitroof the music of the song

for complete and in the gravora she was called. I'm the devil and I'm

to go to you. Oh yeah he seemed super extra extra this.

I mean, I just continued thinking me I'm imagine that

that letter not was in the song that I'm

was super nervous and he told to the mom

but But, again, no, they'd find out why she's heard of an explanation or what to do.

She simply went to disconnecting the grabator and not she did get that night. She went

to do and he had a a very a very a dream. In the dream,

she was like in a market. In a market with many passages. She said

she that went to a a bodyga where there were various machines, extrana, antiguas. She was looking how to get from

there, because it was like there was a little bit of the passings of this grand almasem, he saw,

or more she, he was, he was doing, he was doing, he was doing. He was going to look

and he no he wasntrava. Until that, tempestivably appeared to her. A brinko.

And he was in front. It was a a pallas. This pallasso was a man and he was laughing

and he said, Me Tremes? And he said she no. He said, like to molestar because no,

no, no, no, no, he was called the palazzo now in that woman

of a vestido that had seen, And she He said she She said she She never

He never had He had been Mio of the Payasos But there was a And he was a lot of

the same And it was a Mugher Pallaso With that Risa All that Macabra

He said Now if you're to be toemar And like if was a

magic He went the Pissor with a structure with she

On she On she She could feel how the air he moved

the and that the same and that that's a lot of a lot,

it's she's in a whole she's she's she dismayed

in that's his hands they've put put and the

thing and the thing to be to be to be to be to be

to not to be to be that structure that such

the the woman palo appeared to another again

and he he And he gotro so that he felt how the

air he was to start. I was I was that he was a hogando and in

that he did a brinko in his camera because I felt

when he he was that that he had that had

that I got of the gargant. She she was

she was she was she was debiliting a little. He

he went the mirabed and he could see a the woman

pallas sosten the coel no she could move just the

could be able to be her was a little she was

she not she not to get to the woman

piaos was and was committing there the travestura

more the life. I was happy for vered her aterrida. He said

that he opened the book to the child he took his lapio and he

got the language that she was a little a askerous and was

he could feel the edor that was and the language

she was in the interior of the lapio of the child

this he did much asco so it so for the action

for the mal that that was this woman and she

she's she not know how it's not that's how but he's

out of the car after his the the he was maybe

his could move but his essence so she

said I'm to disacern of this woman yeah

now she was the she was the she was the she was

took a woman of the But it was, I see, the cooescalibric of the woman, that's the wessitutes. But the woman,

she'd be able to desmalling. She was like, she was going to dismayer. It was like, to see, to be who gets a force, no? Diffo, she said, she said, she said, she'd say, he'd, lock up tolap. So, he started to recital that oration in his mind,

and sentia the coogeal of the woman, how it was son, no, it, he parted. She parted? And the head of that woman, Pallas,

fell over her. The impression of her little bit of his quoel he made to bring and regressar to the

shewomen. I was suhundred not had noted while he was talking with her and is that in the mouth,

I'mtas and those some of the hair oh, that's that ohro,

and there was a dream, I had been a year, I'm in the interior of

the labio. Dice she's she never to know that she's never,

but, but, but, but, so, sheent that that or

that that recited that night he recited to that that's he was that's

that's that he was not that's she was she said she has to not

have been to know wow yeah yeah she he was that

oh that's oh that's oh so yeah just

just just just just just just just that

something that something that oh no no that's

You know, you know, I mean, I imagined the same, there's a another cucarachia here out of we're, we're not

some rejas so, you pick you a button and they're and they're and they're very lently.

So, I went to, I went to, I was, I was, and I said, maldita, because it was

really great. And when me did the while, the when I went, the world, I was,

when I went, and like me and it's like, what I do, what I do, what I go, what I go? And I was

and I'm because I'm going to me and I'm going to and I'm going to goreeland, it was like at the night,

like the night, I went to and I'm so I'm going to go to come to and try to and I'm

trying to get to the yeah I'm and I'm going to and I'm so I'm so I'm

so I'm and so it's all and it and it started to go to and it

The door was open, then I went running. But, when you said the language, the book so,

all apestosa and all, and the of the altars. I don't know to be able to the altars. I said,

in the, in the, in the, in the, it's that if it would have been a cucarach. And then

then discover or so, no, they didn't and you're saying, you know, the of the

head's weirdos. No, no, no, Mariana. New trauma dislokeated. Oh, my,

that's not he's going to like to the people with trypophobia. No. Ogeem, the

history that I'm going to tell. The history that I'm to tell. A bit. What are

to? Agarate. And prestes much attention because there are some

details. Okay. That's history is Chavis the palacist and he to get a

friend Sergio Spinoza this history not he occurred to the mother

to say when he had 12 years of age there was where all

he was so Sergio he knows the story

of the mom because in a moment because she he

he told some things and then the question is this for the mom

it's very difficult to tell this story very difficult Sergio he has

recollected when when she he gets to tell a man how he he comes

the car how he came a moment that he's no

no no no I don't I don't I

don't because there there there there there there

And, of really, the trauma. She kept a trauma. He had 12 years. A little a new year living in a

life normal. No, he had to be to the assesos, nothing. And just this story comes when, to those 12

years of age, this, this is, this is, he was of the time of the time of

Naviad, most or less for those times. So in this voyage, it's

a night of the night and after the night, and then you go to go to

their house. So, family had a carmintet grand. So it was the carmelt

family. She went, obviously, in the part of that's a part of

this relage, all this relajo, and the crystal and, well, with the movement and all, she gets

a dormita. If it's to get dormita, when, of the when, I don't know

if, well, if you, it's been, that's getting dormita in an automobile

in the movement, like the same movement of a repent, like, it's a little

frusco, and you, oh, this, you're feeling feo, and it's yeah,

and, oh, and, and, and, oh, I, I'm going to

the movement. And in that moment, when you was a point of that the dream of the son of the

carmnetta not quite, it was a little, and his tios, his abuel, his papas,

et cetera, and it was going to be a moment, so like, he, he'll be

to start, open the eyes of the gold and as the car and the car,

in the other of the interior, the the interior, and the And what is

impactant. There's a pallas like in the street at the side of the carreterer

sustaining some the globes of colors. It's hecured perfectly. Bestido

with the classic trage of a blackaso of the color rojo.

The car fuf is the thing more terrible because

the eyes what that it was black and so, it was like the eye

in general was a marriient unded, the makeup, not like not as well

painted, well, painted, but like it was very deteriorated, or

maybe the skin of that the make sure to make more tetric

at the scene this this was was to be a side

a with the globos is a I think it's like

the word that it's very very very but the sonrisa

was an normally great is that to where the smile was

more more more like if almost almost and

almost and those encions putrefact with some dents

suse some there She was there. She was very very rapid but it was so impactant

that he saw the detail, all the detail of this being and when he was that she was

seeing the he was going the the palazzo he got the and she let me

the labios like some saurion and she obviously grito grita

and in the coach, it's like, what, what happened, no, the volantazzo? And what happens, what and the pallasso? Grita, what pallazo? Yeah, no way nothing. And, let's,

and let's, let's say to his family members, that there was a all the description to the side of the darked to pass and that he was being, and it was like

like, of... It's like, it's a little. It was a peradier. It's very tard, is a nested much. It's a one of the nobody, nobody, nobody,

but to her obviously, not she was going to forget it, in this moment. Well, after that they're going, they're going to

have been said, she's been 12 years. Surely, if me was a painer, it was a badger, and, well, it was, no?

But, no, but no no past a they're calm and he's going to do not

a lot of days and nobody about this thing because it was a thing for the

one that's it's result that for her that was there

only that was only that was like there's there a reunion

family in case of the other the reunion. Of a so she is to go to

the of the door, she's and she's and is there when of the

really he's a sound a shia is like what is what is

what is what and I'm a and I'm a

and back and the and the and in the ventana,

it was the palazzo pegged. With that eye amarillient seeing spying it,

espied her so, pegated. She he, the impression is tremendous

and it like it can't it. No, it was his imagination, not

was not was not being getting dormita, pardon, there

was. and when the palazzo, with that eye, not that she you know, commenced then to amel the crystal.

And with the hand, he was like that and she said and in that moment she reacted. Grita.

As it can, then, so, he's up the rope and he's going to goreying

of the and obviously they're in the reunion family, they

they He's gritty and crying, he's that he could articulate

the words because it's not a person. He's he outside of

his house. As could it says, there was that there a

palazzo that he was observing that he was espied while he

and obviously the adults say what? Where? In the in the

in the window, in the window, in the they're going and they're going

they're to to ask and no there nothing. No there.

It was the patio internal of the house. No, there was she,

jure and perjura that there was. And other again, nobody really like he,

even some some of some people to be a little bit a lot, that's that I

know what, that's they'd be an explanation but And there was a palazzo there.

This says that was so real, so real, so this second vision of the palazzo,

so real, that she definitely that she had given that had had to see it

and then in the window, in a moment when it's totally lucid,

desperate, then, but never, never, never. And Passed the

years. And, and of a point, when, of someone had to

get a and she wanted, she'd say, no, no, no.

And then, who was the story, I know parts of the story.

Resulta, that had passed yeah much time, had been

to have been to some bought some, blah, blah, blah, yeah,

and He was he, like, he's like desemakando the things, he's

when he when of when of a first, he's a little, he's a little,

he's a little, mom, you're going, and see a mom, and be a time,

trembling, palid, and say, Mom, calmate, calmate, no, no,

no, no, no, no can be, no can't be, calmate, ma,

what's, there's, there's a A basso roto. They had bought some vasos in the tangis.

When they're they're not they're they're involved in periodical. A

sometimes periodical super very. There was a period that she had

taken from the back from the and for a reason he

he's like open me abrem and it he

he he a photo he he he He recoge this periodical, this oja of the periodicic of the periodic of the year, and

it was a anniversary, for so say it, of an obituary. A 27 years of the fallacishment of Javier Chavis, the Pallacito Ramirez, recorded for some, as a man aligre, and for others, with a silence incommodod, for the that never so never said that the

note that he said that the man had been a person that had participated

actively in the community anima fiest infantiles reunions recinels

and however some people and they were to avoid

to them because it was it was it was like that

there were things that had been crimes that was that

was that all he but the question is there

was there was an investigation or something no

because according this report this palacito Chavis had

had A conductor, supposedly ebri, hebrough, and then, to get to the fugue. The palacito Chavis was crossing the street to go to an event

when this conductor he was a tropegoy. Never, never, never did with the responsible of having it had been taken. The testigos, they said,

that no, they were the color was the coach, that no They don't They didn't They didn't They didn't

But there A lot of A detail very scabroo The Pallasito Chavis No falleceo in a

minute But that After having been been Atoppel He got there

He'd He'd very Lastimado That was very grotesco and

even He'd I'm He'd He'd He'd be to be to be and the ambulance

tarded much, much time in getting. For what well,

he kept there, his globes and all horroros. This is what he was that

he was he was and the worst of all, is that there was a photograph

of the Pallasito Chavis sonriending with his globos And he

He was And when he He went to The face His mom He said He's he That is the

Pallaso That is the Pallaso that Nobody me Kriyo He knew He was He was

He's real No manches No manches Super No Manches What Imagineate The Maldad

That's Well, I don't see If really Tere He was The

man of what he was but, I mean, how murgue without

that nobody would be that he I think his alma no, so I'm

so I'm just in the carterer no, he, he was he was

yeah? And like he's he was what I said, for that she were

to be to be a lot that's that's yeah is that corroborate

that's that That that you've seen... No, was your imagination. No, it was your imagination. And, of a form tantetric, as a pallas, no?

So, but how is the life? Is there the periodical arugado? And there's a little that says, revisit.

And then, of a vase that's a tangleis? Yes. Yes, yeah, so, is,

it's, I mean, I think those entities, are, so, for a lot that's,

that's, for a, Julio, just in a chapter that's that's entities

are they are in they're in they're they're they're saying they're they're saying

and they're I imagine that could have been the case no, yeah, of that

that's that's I'm going to where there's there's there's

there's Chbby yeah no, no, no, no, no, no, no,

no, no, no, no, no, we're, we're, no,

option. Oh, in the channel of members of podcast paranormal I'm going to

let's go to what's what you're in a one, no, in a chapter of that's the that's the

one of the that's the people, I'm going to know, and then it's also and you know

because Billy and also there's a yeah yeah we know what we're that's

I'm going to let's see what you're not you pass that here there. But it's a good

on, Billy. It's good. Yes. Your eyes more than never. It's

compa. Well, you know, if I tell you my ultimate story, that I

always, I'm like the story that I consider more more than final. I'm

also. Well, yeah we've we're we're stories of people who's

fantasies, and entities phantasmals, but this is equal a story that

no, pass completely in the reality, the person that we know Carlos Villarrel and he put to the history

Sentinel of the Mal. He's a Chilean, but he's in Guatemala. And this story no said it's a

story, no it's something that has been a generation in generation transform not. It was

something that he lived in the property when he was a child. He was

he lived in a house with his two papas and his two hermas menors.

His family was super religious. I mean, all the Sabbaths, they'd to go to

the church. The fact, they was aburried a lot. They'd be able to get to

and then however, his father was a man very very participa much in the

community, a sometimes read a in the church and the church,

and also it was a woman very culto. It was a man a man that was

a person all the time. Tant so, that in a place of a house had conditioneded

a quarter where it was like the space of the papas, and then he had his work,

he had his time he had to be a many he had the things, the what he were in the

things, not he'd very well, because it was a much, but even he had a

He was a good to sit down to and to learn or to see the and to be the little bit of in an

occasion he he said that he got a little bit a book quite peculiar

was a very good and that's of those that have the partada he's

he doesn't many details of the but he said he said what

his papa he said he he said he not he

he's not he obedient he said, okay, no, no, no, no to talk. But his papa, for sure, that neither, and his brothers, abri-er, even if it were, by casuality, the book,

he put in a repisa a little little bit of Alcancer, and, and, again, of that, he got a a pachyto, that the little bit, and he was like, custodianed the book.

Dicen, they, that this pallacito, they were, they, they were, there was a, feo, there was something that was a little,

He was a little fear, like a mal spin. So, as well, the papah, so that that mukees was made a mulek, then he put the muke there. All normal. After that one night, he was driving,

he'd dormia with one of his sisters, and the other dormia in other camera, was he was pared in the cabcera, and he heard that he started to call for his name.

He susrowered. He, debilement, opened the eyes, and only was top with a dark but there

something that's a lot of the the room and it's that's in the

place in the room where the he was where the was a little

a little light this this room not had a

so he could see always how his but

that time so only it was just a little a little a

light the light that was that was there He was He kept

vying it because he he he was a a bell what he he thought

was a that he was more more and it and it illuminate

more the room in front in that in this moment

he was not was not was there there

was that not could not not was because

he was just could be like the but obviously that he he was he was his papa because he was

the person he was the he was the person was inmobile at the first but he was he was he

he was to come to come in he was not could be well he could be like his

silhouette coming in the room and he he was he put notar how he

he moved the the direction where he was like he had done

that he was Desperto, being it. I was a little that that that was a

little bit of that was a little was a projecting, that not could be, I mean,

if really she was really, but she saw, one of this entity or something,

or a thing, so he did a thing, he was he was to come

to do him, he, he, he was to come and he started

he It seemed to hear it, like if had a whewes or this thing, like, crugia while he was coming, while he was

arastraning the feet. And, of the point, he saw to get from the room.

Even, he saw, how the movement of this thing, that had had done that he

had been a way in that he was the way that was the way he was,

he was, he was, encorbandoes a little, because it was a It was too great

and he he was looking to him, not super close, but he outside of

his house he was being he was having he was seeing,

and it was like a skeleton alto, delicate, feo. He he's

he was and also he was to move to to say to see

to be that but he was the only that was his

the foot and yeah but But, for more that he tried to

move her to make to see a her mother to be in her mother, he was he was

like if his mother had disappeared. No, he was to be able more than

only the foot, and for more that he, and for much he was, he could

move the head to be to see the he was he didn't how, but he got

dormied. It was the that record that the morning the

next he's he's not a normal he told to his father

what he had been a and they said it probably was a person

your your always has been never has been well

the case he still he still that he

had been a past he had been completely

real and he decided more more to ask him to ask him to say, Oh yeah, Papa, and is the

book that's the book that's of what is? And the Papa, without much repar, he said, is a grimorio satanical. A him he's made so

that his papa being so religious to get something to get a and he asked, why he had he said, and the

father he said that to understand the well, you have to understand his counterpart that is the

mal. Then, this, had been used for that is the book,

to cultivate a little more of the other the devil and the people,

the thing that's, okay. The curiosity for the book, the truth was,

he had been he said, he was to be a car to that he was

not a normal after that he had seen that he had been

he now, while he was he felt a peelado to talk with a

desperation. And he he was his her manita that was she was her

she was she was being the eyes and he was like he was

looking something and he he ran the head was the

direction to where he was her and no she was

never was never was just could move the part of there

there. He was completely confused. This time, all was all over the rostro of her woman of terror. Before to

do something, consoler her or anything, they were some risas. It were some of the that not

they'd say he, that they'd have terror. And, and they were heard the gritty of his

father. Fuego! Fuego! And I heard how his papas were in the house. No,

not putier not they were, they were they were they were because they were much

fear. Afwera, it was there was the parents were going, the

mother, he said, God, my, what is what's saying, and they

were they're on a an encendendidor. What? He said that

there there was a from her room. But the her mother that was

even was never was only he and the little, he and the had done

And the fact that not even to ask you to ask what was what had passed. After 20 years

after this was something so this was a little bit to try it to to bring it to the mess until

that in a reunion family had been past 20 years and you were more

more and he's and he's and he's and he decided then

he said he said oh, hey, my mom I remember of that night

that I heard his grits, and that they were saying the fire and that's

what I'm the little he's a little bit of that he had brought to that's

she said she's she's not she didn't know, and her and his his

father he said, is that we're not we're we're not we're some rissas that

came from the biblioteca I'm and when I went I saw the sated

I was like tarareering a can't while he'd move to the head to one

side to and he he went the mirada that this was too because the

pshaw was a man he he was more more more and he

he was to pronounce the name of his his Carlos Sophia

Marianna Vend me for All right The pap, the pap, when he was, without having like a bollas

that could move, he was moving because it was like, like, just, like,

the figure of the box cocida, but was moving the labios, and was pronouncing

this. The papa he said, to get to the mama, Fewo, Fewo! That,

so, that, that, that was, that, the, she went He was going to

He was He was, Uh-huh, Uh-huh, a lot of and the mom came and saw that

the pallas he was there was the name of the and moving and rying- and so

a pachasas of trapo no could be explain to how was doing that was

the mom the man, he could, he got to the pye-o he was

he, he attempted fire, but it was that the pllasasas had something

repelia the fire. No, they could do you. I was, I was, it was to

the apagable. No, there was to get to the book. If he's a chemo, the pachasas,

no, it's a night. One, the pallas, another, got the the book,

and they were out of this, and they're a little hogera, and the papo that one

of the church, he had said, that one they were an exorcism recitating a

psalm. Then, the papa began to recital it while they were metian the pallas

in the pothi and it was so they saw that he was that he's going to

the little and it was he was to go to get to move while the

times the because the palazzo not he had never to be

so that they were that they were they could get rid of

so they're so they're so that they're They did not do they were to have to be traumatized.

And he said the papa, as a counsel, never you metas with entities that you knowces, although you're just, just for curiosity, to know more of them. Because I think that that pallasso absorbed all the maldat that there in that book,

between the lines of that book, of some way, he could, agar like a seigno, to the pallas, that maldard? And, he said his papa

that never to get in something that's not he knew. It was a good he did

after that he did. That's a great story. Wow. I'm really.

I'm a brutal. Wow, me made a yeah. Yeah. Me

made a so much things. I think in a man who's a man who's a man

a perth no, no, no, no, no, no no

But, but it, it was, I mean, I was like, I mean, like, like,

like, that's the , that's, in the pulse, parpadeo? I, I remember what they were saying

in the comments, that it's, and we're , we're to be able to be able to no,

no, I'm going to no, I'm going to be a bit so, I'm going to be a lot of

me, I'm doing, I'm totally irisive by the endro, we've We've got to the

ultimate story. And what grand story? What you're going to tell you?

This is very different but I think you know that you're going to be a lot of

a lot. Lista? Mm-hmm. I'm I'm going to this story. It's a Pao Mendes.

He changed the title to your story and this will be to be to be

the title and now he's yeah, ha, Jack. This story occurred

just before the Cumplea of Pau she had 13 and just

before she was a 14 years was a adult little little

little well he said that's that's he he interested much

much much something something that you also that you

also the creepy pastas she they they had

so when when had 13 years, was at a point to to do you

14, I've discovered with a friend that there were people that were

people who were in investigate about the creepypastas what was the origin

has a relationship with something is a story a story

So, well, he to her and her friend, that would be very to do investigation about these

characters of these characters of the creepy pastas. The amiga was it for her

part. When she was she was to start to investigate some creepy

pasta, he saw that some people were in forums that had been

much good that you're investigating about a actual, that thing, that entity

that gets like a creepypasta like something is of the imagination of someone but

it's real it's then to tormentor to tormentor to the investigator or a

investigator. Persons that report were to start with moreetones rascuons,

escutons, things aterererer But she was like very obsessionated with investigating about the creepypastas. And he asked her friend, is certain this, that when one investiga about the creepypastas,

things malas occurren? And the amiga he said, For nothing. I've lived much time investigating creepy pastas and no me has passed nothing. So, then, well, he said, I mean,

I don't not going to pass nothing, and he's about about

what creepy he was to go to investigate. And there had many

good but there was one that she a attention.

The Pallaso Jack. What is what says this creepy

pasta? And Leo. Count that ago, there's a

palaces a black. Apparice without invitation in fiestas

infantiles in barrios the adults, they were that was that was

that was a part of the party, like an act of and the

kids, the the children were all their his

trucos. The few survivors said that Jack practicable a

act macabro with the show his spectacle. He

I had a group of people that they were

and that they were and when they they

they not could move and not to get a Jack

pronunciable the next phrase before to get and start to get

to the house to disappear and happy happy Jack

and nobody he did see and those kids that

were immobile for the truck fall in that

same night he said that a group of of the bestinous,

atrapo a Jack in a in a alleyhole. But when they were the mask they discovered that not was human.

That's the creepypasta of the Pallas Jack, that's that's that was

that was a great creepypasta. Then she began to investigate and inmediate

to get something something. It's that I felt like that someone was observed

from the corner from the other than while he was in the computer

taking notes in a libretta that had designated specifically for the

investigation of Jack I felt like someone he rose the person

he was that was that was his imagination a one day was

in this investigation first he felt that little tokey in the piernas. Simply

them moved, he continued doing annotations in your libretta. And then, like if

someone would be his hands in his shoulders and peretas a bit of a bit.

He thought that maybe was very had been and that his mind had

made he had made that that he had he felt like

some his hand the libretta, pago the computer and he

went to do that that's that he was a first encounter with Jack

he said she she he's she dorms in a letter

in the part of there she was where she she

that not he could conciliate the so that

had passed and he heard that someone that

he had much fear to the window to the

and what's the other side, she's going to the other side, she's

looking to the side of the side. Grave error. Because when he did

this, sent you immediately a man that was a one of the back,

and then how they were, and then they were behind her and the camera

so, and then who was he was was abasant by the cintura

in her she was totally completely and she said that was so rippilante to feel

that someone had been that was that was that was that simply he just he said

he said that was the night more long of his life because not for

to have the eyes you kept as dorm yeah and he

he he sentio how passed his hands a through

his home the cariceia and the only that he's he's

he's he was just to pull her and and then

one two three and tap totally and he

was he and he went to all the sensations are

going to then to talk to make more more

in the topill and And then he started to add him like

little like like he was like he were wrulling like

palmaditas she she said she he said he was he was he was

much and he he started to try to to know something

but when he he was he gave a lot intense

of the so not permitting that she She was like

So, until that in a moment All right he calmed She thought she had terminated and

then she she felt like the carised the hair The little the little the little he felt

how she was She was behind the covice with the eyes with the eyes and crying

in silence and trembling until that he got the the dream and she kept to

dormita. Desperto the day next and he kept thinking that evidently had a relation with what she

was investigating of the Pallasso Jack. So, so, to be able to the investigation,

decided redoblars and continued investigating during three months. Every

night, in their time live, I'd the computer to the in the

libretta. All he was all he was written in the libretta

a signate a specific for the investigation of the Pallas

Jack. And there he put up all and he and re-lea

and looking a relation with a real and then

he started to hear voice when was so like

murmuchos could do his imagination I felt like when she was

almost getting to dormita. Someone was sitting in her and he was in the

part of the letter. And a day, more than a night was I was at the

computer and revising things new things and revising all the posteos

that I've made a lot of forums and if someone had more

information of Jack he found something that he was something

he He started to notar it in his libretta, when of the pronto, when he waschew in his e-o-iskiard. A voice that said, BAU, BOW,

she was in a mobile, he was, no, there was not. And, of the other side, no, he was imagined.

I'm going to do to do. The next, He was thinking during the day if he had or no to continue. Hego the night

he was to bring to the computer. He took his libretta he went to the kitchen and was very very late

he was his libretta and he he started to learn his he was

he was with his hand and he'd have to be to be to be to be a

something when of I'm I'm I'm I'm I'm

the letter I'm the boat of the basura the he was

she was she she was she she was to do to do

and there and it was when when she I thought

that the things were to doors the investigation. Yeah, I was looking nothing,

he had been trying the liberty to the and the bad but

she did know that that just when she was at a point

to I'm a very a very and and

he did that that that was the area

of the room so not almost of the

front where was the there there was there

there was that was that was Decidia not to make much

a lot of he had and he used and he used some to get to his camera and then

like if someone not so like to be-brinkar and he sentara and it's a

day and he had the eyes to get to be to get to be

to be done I sentia how I I I

Or how it a palm softecito. One a night of these she was

obviously dormied, he said something, and not he did so he really

much case, but at the morning the morning next he was her

mother. Dice the mom that had heard a that

came from the room of the her her. Then,

you'll you know, you know, the part of the letter. The mom heard of the sound of the

second of the momas. So, so he parr, he opened the

door. That was what she said the mom, that's rare. A yeah, he's got to be in the

part of the right, because she has been to be He was a little bit of the part of the above. He says, and there was a palaces.

But, oh, it was a pellucie gigante of a pallas. In the part of the above. And observe, and in the part of the

above, he's not a his daughter. And the mom thought, that's rare, of where has taken a

peluche that great, Pao? Well, manna, I'll asker. Then,

So, then, well, the mom and at the morning next, he's he's

he's where you see that that's that's that's a peluche, mom.

The peluche of the palazzo. And she said that she felt that the

that's the same that's he's he's not no, I don't have any

perluch of a man Like no, it was in the part of the floor of your car, in the

litter, I went, I heard, I heard, I'm a little every thing that she said the

man, well, sent it to get to get to the room, they said, my mom,

no, I don't have a man, no, and the mom, that's a rarro,

no, but she, in the father, she was being, she was dying, of me

because was there then that all this, was not was a something of your imagination.

All what I had lived not was a little of your imagination. And passed the day and was really inquietta, really inquietta. But in the

night he said, I have to do you, I have to and I have to and I'm to do with the part of

the right of the right. Yeah no. She can in the part of the down. She can't

to do not. No she doesn't that the carisian, that's never. When,

There is a that he does to start and he he makes the eyes,

and then he's to get to be a person, and she the look at the

mind, in the armario. And, and, and, she's she's

and he and then and there there's, there's nothing, her and there's

her and the school and his roof. Sierra can't be,

it's to go back to go to go to go there no

there's no there's no there to be the morning

next the next again again she he's going

because when she he he a mom that

is that is that has served his plate

for that she he said he and he

says his mom you your mochilla? Yes. I went with her mochila,

the that was in the armory. And he said, that you forget your libretta. The libretta

that had put out of the basura. The libretta where was the investigation

of Jack was there in the mesa. And when she was he was, I don't

know to be. And the mom, no no she was

a spantada and she was she was and she was a was the

was the was the and she was she had been a ton

of time a ton of time. It took it and it and

it and it and it and the libretta and

the first roja, in the part of the upper, written with a letter that not is

the same, like the little un-legible, said the next. Felice Cugnoyneous

Pah. Jack. He was the libretta and never more to talk to Jack.

Besteia. Me disblocked to a record enormous that had

for complete. And is that that's the palazzo Jack, Laudine Jack, I imagine what is.

Ah, I don't see. It's horrible. And I remember that's really that really bad a lot of course.

It's a little bit of a tulle of, it was a thing you're a carer of that's like you see?

Sal to the car. Uh-huh. And he he was of colors. It was a palazzo all beautiful of colors

and the the chico he'll he's he'll he's he's got to he's

he's got to and he he's to come to get to get to and they're in the

old and it's and they're and it's really really one of really one of

one of I remember that I I mean I'm I'm I'm I'm

I'm I'm because they were that you get used to get to

that there were that there there And I'm I remember of the Jack

with his is that has a a nose like in form of a pico is black

and he's a smile so super fared and it actually they can put in

the image the louding Jack not so is the but it's

horrible and it's I'm disloquated in that I'm going to

put like a jump so so that the people yeah

I'm I yeah well well if you whatever is

Culp of Miguel. Oh, wow, no see, to me these

these stories of today, and I look, all the chapter with the

psalas there's me. I know that there may be payosos that are

things spectacular but well, things like this also make

that we can have much much I think these

stories that were that one of those chapters that the six

stories are super, super-terrorifices super-sup shied, with a thing very macabro

and what you've been that's been so thank you good, wow, what good and we

came to we've been to a episode super terrorific in sinister that's of circus

so oh, man it's going to be a good a good

a one a creepy pastas cycars cycars Payasos.

Very good. Thank you. No, well, thanks for invite. I'm super happy of this

thing. Because the fact they do you do they're like the people who did you

know, I'm there's recordos there of Vietnam with those stories. For that this, I

liked much much and I did this and I did this to pass the history

that I thought more terrorificed until the other are the other are

very very very very 14 years when it's all this. I mean

he was to 14 years he was he said he's a birthday a year ha ha ha ha ha

Jack and I said, no manches it has to call so the history well

was my investigation but better he I'm better he I'm

that barbarity what that what I remember when I was I

was I investigated of ovnis and phantasmas. When one day I wanted to

go to go to a little in a time I'm I'm tired about 10 minutes in

getting to get to get a lot of that's all the things that I've

read so I so I think I think I I'm totally that

that to front to that yeah I'm I'm really I really

I'm that that Jack the Killer. So, so that's yeah, so yeah, I was

not investigate but I'm like, like you know, you know, you know, you know, like you know, to know,

to know, to know, but, if I was, I was, I'm still the same to do that

the way, it was the bad, no, that you know, that's, well, and,

like, they're, like, they're, like, so that's, that's horrible. Oh,

oh, no, man, me, I'm, me, I'm very. I'm so much.

I enjoy much. This episode. And I would like that comment in the comments and they stories with fans with a chastos, not?

It would be very good. Yeah, for for a bit. Yeah, for sure. Yeah, so. Chircos. Ah, any of those two.

Yeah, that's all. Yeah, that's all. Scorned at the comments, degen us, let us, macabra.

Oh, and before we want to thank you to thank you, I want to thank you to thank you until the

final. I hope much this chapter. Oye, to be it if you're doing, if you're

not a lot of the rules, not are you can't run per but for the more easily not get in their stories and

let us know what we're what has done to what is doing what is what you're doing this? That's normal,

that's in the description or will be going to be in the picture, to put on the issue,

the theme if it's of dweend, of phantasmas, of palasos for that's more It's easy

order And yeah, with that And if you want to be anonima Oh, for

favor, I'm to think my story be anonym I'm not I'm not any of the

details, so can give them and you know, and you know, that's

and I'm going to give us so, I'm many times you're

saying, oh, my story is this, this, large, I'm

I'm I'm made in an audio. Oh, no, no, we don't, we don't discargar audios, they're prohibited to discargar audios,

because there are persons that say, ha, here I'm going to clavar a virus, so we're prohibited this type of things.

For the time, there's a good, because his friend Fepo Soi, a good advice. The majority

of the intelligences artificiales of processment of text, they're they're making, they're not

to make click to a buttoncito that they're a microphone and then you can do the

next this is the this is good this you're going to write up the intelligence artificial

hello if in a moment if you comeerance you can't you can't not commences the rebellion

of the machines no you say hello I'm going to tell

a story when I'm I'm the the orthography the lexico

exact the form and let's do a way in that you not you

do you do you not a very very understandable and that's that's

that you your narration you know you you're just click and literally like

this story that I'm to tell this story that you're like if you I'm like you're

telling to Marita Portiii you know tell the the count of the count of the count of

the count of the count of the count of the count of Fin. And then it will process and then.

It's, ah, it's good and you know it's. And then it's going to get very good your

story. No, you know, you know, you know, and the intelligence artificial, and the

internetus and it's your story as a while as you've written to your, the pulse.

Yes, and very important that they're to make to make to the media

and I've seen a same segment, but it's more easy canalize all in a same place to have a better organization. And,

and a bit of them because they're there are many, many messages in the reds that's better. And in the Corre, not

to us not to be to remember, acerterens, that there there's, for no two persons

that actively are always revising the correau. This, Fepa-Wap podcastparagrara. com,

which is Polet and also Dana. So, I also, I'm also,

if you you guys do you send, you know, I'm there's a story.

Now see, my great-manita Portillo, that's there's a question. If you can? Or, maybe you can

to see? Insomio, Sinistro, paranormal, criminally, and all those that are going to

do you sinister. Sinistro. Vian to Sinistro. Vian to continue sinisternces. If you were

managing, let me play, they listen, and they're what they It's

it's much. We'll make a great a break of a week. We're going to

see the next time here in insomnia where we going to talk the most terrorifices experiences reales of the audience. And you

listen them if you're if they're they're chow. Bye.