INSOMNIO - Relatos Reales de Muñecas Diabólicas | CON TERCKA DEEP

Episode Date: September 18, 2025

Very good days, tardes or noches. Beemnizance to a new new capitual in the

we're going to know the most terrorifices experiences reales of the audience

so that listen let's tryven. In this occasion not this is this

a game but we're going to talk of some objects that should

be different in our infancy but that they're that

they're in the matter of our pesadillas. And for that it's not more, and less than

our dearerque. How you how you how much? How much? How much. And I'm

regress another with the toys. Ah, is that we remember that we have we're

we're just a year, I think, and we and we're to talk to get a game

wow, that's super inquietante no, the, the, the,

that we're we're to to be with these mouquets about about the newne of

my I'm gonna nervousa Pippo a minute I'm not because not they're doing

no no okay okay before we're only for if someone

is the first is the first that's a in insomio and want to get a

great and beautiful stories of immense terror experiences real

that the audience us tell us who you are you

Brisia. Me, I'm saying Terca, I'm part of the group of

podcast paranormal. I'm I'm more than the communities of the podcast.

I'm connected with all the many people that we have in WhatsApp,

in Facebook, in Telegram, and I do a little of all I'm

there I'm there I'm in what I know, also with

Lulu we we've the things and all what has to

with the meetings, with the meetings, And it's basically in what I'm always meted at 100%. You know, and I think you're trying to be humble, because you're doing, Tertr, thank you. You're a lot of things.

I'm in a group, I think, and, of pronto me, me, I'm blown loco, no? So, many, um, many, um, messages, questions. Terca, always are in the chat. always in the groups of all the channels always is helping

with the people and is helping us always with the time with the practice practical of the third

ojo us and it and the lists, with the lists many, muchismas things.

Even the guionista it's, umrey many many things and I the fact

and I want, I'm, I'm, I'm, I'm, the excellent labor that

you do, I'm is not easy, not easy. And, and thanks to that's

that's that's a little different than other creators and creators of the content,

because thanks to we're going to be super certain to the person and you know,

much thanks thanks. Now we want to the terror. Let's. Oh, I have a

question. A very. Ah, so, rapid. Before that

that get these stories to you, in a moment, has had been

an experience or that's the experience with new me I'm so,

because if no, you know, I would have wanted I would have been one

that I did a special of 24 hours, of the en-vib of 24

hours, that me, and other that I did I with a other, that I did with a

passed with a muke justly. What happened? Look, we'd we'd 11, 12 years. We're like in sexto. She'd

a last two wheltesitas where I lived in sixth. She was the major of three brothers.

Well, is the major of three her mother and her mother was to know

and I had practically all the day then she the food, the and all, it was with

the little. I think for the same that the woman always was a kind of a bad humor.

So it was that the woman's going to at the time and my friend Norma yeah it was to go and

I'm going to and I'm going to be my mom. So she she had a house because her mom

more little would be a two years and the middle and the one or less

so much so I'm so I said my mom and I said that if she was

to go to go to to go to go to there and, well, I'm going to go to there. The curious is that in that the same case, the my family, they said to my mom, that is that no let's go to go to there, have taken care of who it's a jesus. I mean, like, they metian ideas,

not very good, of them. But we're always very responsible because, well, they were three little kids that were just little bit, practically all the day because the sir was

dormied and the night because the she was working not the so my mom

like not he was a house there in the house where she was

not as a car were in a quarters that were a patio and

they were and partian the lavader and the bathroom so the

the quarter where they had had entered for the car and a

one a one and it was a recamara. It was a quarter and it was of a camera, the stufa pere paredita to the camera, the refre pegged to the stufa, all so, all so all alongedito,

no? So, I was my mom, because, was my mom, like, we're like, and we're doing so we're doing so much,

we're always with two girls, with his two brothers. But, yeah, standing in the house, for

example, one we were, we were, the other was playing the other was playing satas in the

side of the door to the carly, viewing to the other, the other, the other little,

the other yantto, like if were to start to start to a baby, but the little bit more

that little that was so we're so we're so we're and nothing, and there's a muñeca

like those that are in the 15 years, no see you're that's like,

that are like, that's, it's like, it's, it was like, it's,

What I mean to me really the attention is that they were in the movie of the but they put

belladers to the mulele to the muneka so I was in that then I was was very connected with what was

a brogeria or nothing of this and me it was very curious because it was like a man was a

costume with a with a nones grand was a more more

like you you so so so we wanted to see if was yon-law

the baby, the muke the mucus so we're going to because we're not so no,

so, no, not even at the where it was and it was going to get to get to

me, no, no, me said, no, no, me said, no, my mom, no,

I don't like that I like my mom, that's my mom, I'm, that's, I'm,

I'm, so I'm was to get a thing, She me that in one

a occasion her mom came to her time, and she said, I'm saying,

I'm a new year a new year a new year a new year. Like a a bruja? Is that

my mom that when he said, it was all apagated was the madrugated on the

baby was like the silhouette or the bulto or the bulto oscuro like

cuncleillas, over the baby. But it's that it was the body like the silhouette of a woman and was like

urgating in the in the baby. So, I don't know why, I think what I've commented on

the chat. Dice she she said she she said, no, that rapidly he quit the blusa

that I and with the blusa and with the blus the revest, the because that was

to spantar to the gruha. Uh-huh. And so that's Why? So, then he

abienta the blusa and it's this disbandece this silhoueta obscure,

no? So, things like, of the ruidos and... But the

the monster, no? No, not a brao? Yeah, yeah.

It's about... So, the baby. But the baby, not did not?

No, the baby was not not. Like, he was chupando the yeah,

so, like, like, and you and the woman did that she

did, she did it He said. Ah, and she cut took the blusa, the bolted, and she

he was in, so it was, and then it's the last, he said, the other last time, he

said, he said, and he said, Norma, is that it's that I'm saying, it's that

it's, and then normal, it was always, because it was much what there in

that me in this mobecese, there were many, there many things there there's de

me, I'd never me, I'd never to enter to the quartito, because there,

was, focus. It's of those casas oscuras that you know what's

that's that's that's the house and the court, because they were in the

quarters, the door in a door to a table to table of up and there was about a

15 centimeters of space live above that was that was a

that was a and was solo. That quarter had been a

minute that was made that's the only that was only that's only and he had

so he's so there's also also also I'm there's a table

rock but more a so I think like a one so

for that not for you not just not much and it was

there had kept the resorte of a because he

came and he cameo and it was all there

in the quartito. It was a manchado like of cinisa, of humor, and olia, and

it was a much. Well, that's what what was what I'm doing the television.

A me not I would be really to make a two times, but it's

me and it's like, it's, but I'm I was Acosted. And so I'm like she's

like I'm like I'm like I'm putting chinita like she like she not

not salting like meciendos in the colchon so Norma and you we're we'll

look to see we can't you can't to do to your house yeah

let me let's in what she she's she she's she's

she's she he's the he's she the he's let's

go Well, we're going. So, so it's, so we're going to, we're doing, we're doing, and we're not, and the patio

was too, I mean, there's not not there's not much, we're not put the passador to the door,

and he said, he said, we go, let's go, a matter of the case, I'm, I'm going to go ahead,

there's, there's a, so she, she was in free, etchating the things to the panellera, yeah,

to get us, to get us, to get us, to get us, to the repented, Fepo, so,

like, I'll look, I'm looking to be able to see the little bit little bit of

that I didn't know that I'm that I'm that you see that we've seen the

face of a little with the face of the little with the that I'm seeing

that you don't see if you do you do you use those the best that's

that's that's a barra so. Has de that we saw that we saw and then we

said, let me say, let me say, let me go-Nus, let's go ahead and he saw him and two

times we've seen as her carita was a really in that rendyha in that rindica of 15 centimeters

10 centimeters was palida and I had that gorritty and I'm that horror no agarable

no agarra a baby and we got to get to the carrieing of at the point of that in the corner, we said the door,

we've been we've got to the door open and a bell preendida in the house. We're going to

and we said, is that we're going to your house, we're saying my mom my mom will be

to tell you what's going to be you're going to you know, we're going to do a baby,

he met and the bell was just about and the and he said, me came and me said, no,

my son, no, we go, we go, we're, we're, we're, we're,

we're going, to our house, I said, I said, I said, I just said, we're going to be in my house night, of the, of the case, she's being dead. They're in, they're in their house, so, yeah, they're going to their house. Poorlytas, I don't know how they'd live there.

Then, we knew, because the mom practicable, well, I'd say, that no, they're in the quad. That's a senior had very bad a family. But, yeah, after, when I was, I told, and

we, and we said, to, we started, to, and we're, They said that, that she said she had brujeria and things there and things there

and there's the car of the baby that we was the car of the woman. I mean, I know,

for the gorrito. I mean, that I'd say, that was that were things very rare, that they'd

put them to bela a newke, that she that always had to have to have been

the bellita preendida the day that the day that the chasas the that was

what I'm the I'm I have a question. A bit. In that space that's

that'somable, so, that's that's omob that's a baby, was like a person

or was the muke? No, it was a person. But, like if were a

car of porcelana? No, make it like the facions of the muke. But like a

person in a person, in a baby, it was the car of a baby?

So, so, so, so, so it's like immobile? Like, like,

oh, oh, how horrible. Like, oh, And, for example, you would have said you, a little,

someone, you know, is impossible. Impossible. Oh, my, let me start. It's been, it's really bad.

And I think, at the more somebody's because I've told many times, but, well, I've had been

the opportunity here, but no, to me me trauma- that. Well, I'm a

so I'm so, so I'm not so. It's been. Wow. A-be- I've got

a question. You want to start with the stories? Is that you also I mean, a story of a mooniqueo.

A new a newke, a little you with the muke. And you're you? Yeah.

In the in the capitual past with my mom in podcast paranormal about a

man that that came or, well they moved when she was a little she was a

woman and her had seen. And me he said you know, the you know,

you know, yeah, see, yes, Yes, yes, no, I want to know. When we're, we're not sure we're living, you know, you know, you know, the ratocita when you're feeling? And so, is that? It's the, the ratoncita, when you had a fever and that, in the chapter past. Ah, so, yeah, I'm going to tell.

Yeah, no, yeah, I don't know what I'm traumat. Yeah, yeah, yeah. Yeah, no, no, yeah, yeah, yeah, yeah. And I said, um, I mean, I know, I'm gonna tell you, well, then I'm gonna change to another story. A bit. This not you

were you're you're you're never you're you're in a

when one is doing investigations explorations and all that's saying a fan of saying

oh, yes no, these people are not so that's not

but I know what is that is that something there's there's

there's where you know there's you can't but those

places is very difficult to you're you're oh this,

this, this place and this is because it's made a famous explorators, but no. The places

where it's very difficult, for example, is the Cue of the Diablo. There's two in Mexico. And in

any one of those two, there can pass something. There's a buske specifically, also in

other parts of the world, where definitely there's a thing, but it's difficult

like in a place that's like always like they doormen. So, when we're

we're We did make that that's so we're going to be iniquetante then. And there was a museum, a museum of the paranormal. Well, it's a museum. It's a designated like to tell you the stories of the things and like to have a little bit of a minute. The question was in that there are a quart of moosecas.

monecas from 10, 1920 to very recentes have a a palazzo like anabel

more or less so much that's that's and they're other new new some of the

mackas I'm I'm just I'm I'm just why they're they're just they're

they're and I know the history or so I'm not I'm this

this is that this is that not has not done donations? The people the people have the people

the people they're because they're not what they're saying, take it's but why

why is the in the house? So, no, it's a amount of, a quantity

impressionate. There's a place where it's supposed that one was a move you, it was

that they were talking, there was there was one that was there's there's there's

and it there's it's normal that this is normal that this is there

many, many many mokees co-gated only that's just that's

like like you have you have been but no there's not even someone

there's like there and he was not he was I'm there

was I'm I'm a maybe a light there's there's

that's that's that's he's that's you're how how is

the mind so so many many many many

many we did we do to leave a camera of vision nocturna and I said I do you know and I said I did you the

last last the rest of the talk and I'm and I'm 15 minutes we're not even we're the the duke

the museum of the museum that's with we're in the we're in we're doing we did a live

we're in a car we're in a car there no there was there no way

there there Jura that he a person that's like he made a

a little a little and he saw a person who and he he was he was able to

the fear of the but he got a a muchisement a trice I was

I was I said I'm going to I'm but when I was I never had seen

Alex I'm I'm I'm sorry I'm I'm gonna I'm I'm

my brom my moment, it's about, you know, and I'm going to say, it's that you

don't know to move, I'm going to get to be, blah, blah, blah. So, I'm going to observe.

And I said, and I'm he said, no. Arrre the camera, no, you know, I'm not.

But the camera has the panalliata. So the panallet or no, illuminate a little.

If you you're going to the light, you but if you you're front to the camera,

you know does nothing, but you know to the person that's that's the I'm going to I'm going to

the money and I'm going to move to the moke and I'm going to a coarce and I said Alex, tell me if it's

I'm not so that the people don't ask you to say what is what is the no, is that I'm not

of that's the no of that's I don't have to ask you simplyly I'm going to and I'm doing a response to

do you know I'm doing this I'm going to say there's maybe if it's a move me. He says, if she's move. I go, this, oscillal or

or acesia to the last? No, so, they're moving a lot. And I just, I'm doing a lot. And I felt here, the cadena how, how, it was moving to be much. So, yeah, so, I'll, the quarce,

and when I went to to Alex, there was a person to go to her. No manches. Uff. Uff. But, I saw, the, the person, or was, like, the silhoueta black, the bult?

No. No. No. You could see the the body of the person, but it was a man more high than Alex.

Alex was looking the panel and here at his side was the person like observing the same direction than the same way.

But I went to and I said, and I said, tranquill, tranquill, and I was so I felt like Alex

he's me pego and he said, there was a person in behind you. You're going to do the

super spoiler. That's the place, no manhous two persons. When we When we

We came Recently I've fallen The other person Okay An man

A man Alto That was in that And Alex He saw And I And I,

I'm, I'm, In the mother I was I'm in the court of

Muneca's And me He gave much Mew Mew So So you

So you We're We're We're We're We're We We're going to do.

But, yeah, we're going to see. But, it was too heavy. Yeah. Now, now, we're going to start with the mukees. I go, here, it was a phantasm, but in the

quarter of the mukees. Uh-huh. It's a good. Oh, so, me, too, yeah. Well, so I'm going, right?

Mm-hmm. For favor. Very well. Well, this history us, our friend

Mariana Calva and the titulow Muneca of My Entrains. Oh, oh,

well, she knows that this was that this was when he was about

nine years. Uh-huh. Oh, nine years. He said that in his house not more

were his and her and her mom and her. This

passed a the morning. When she had a sabbara, to do you do you know

she'd be so that's the dormit she had to her mother and they'd be doing what doing what

a series. So, so it's tap with a sabbana all the and it's and says

well, and he says, well, here me kept another rattito. Between that she's the dormida She's like,

pass-titos and says, I'm in one of my women's and he came to get to

get to the rest of the respiration back, but the those passes were very shortitos

very little, and a person chiquita and she was the more

she was the she's she's she's she's she's like a fear

but without back to some of the one of her

I'm to feel how it's on the floor to the side of the

feet then she was invas the the doubt to

even that was a matter and was clear the

day yeah he he he he he he

he he the roce of the same the salvanas like

if something so something so I'm to to feel that that

that that's, that's, that's, to come to the, uh, to the,

uh, the, uh, us she was she had a a muke of plastic

that, that's, that they're that they're like, that's, like, like,

like, so, like, no, so, so, no, so,

uh, and this muke, had his eyes, when the when the when the

acuces, those they're, and when they're they're not? I'm

so I'm so you're so so that so that that one she was a little

a little a night before she had had been in the she was she was

she was then when she when she he said that he had much fear

but but I wanted to that was that was that was that

she was she had recosted on a little she said

that she that she they're to con a little in the hand.

He said he's not a movement involuntary, a little a little, so no, it was intentional

that, that he that he, that he took the she put very nervous because

she was she had a little and friea and then then says no. So,

she's going to work to be the little, the side where was the

and it's and it's to discover little a little the

car. And when you're your eyes, the little the

mohka across to the armuade in the endsegid of her recosted

but with the eyes when it's supposed that those so that's for that

they're to be they're that you were the eyes and the little turned

and the manita extended in the position that she recognizes that was how she saw the touch in the

she was she said he said that she was paralyzed that he could be not could get the

eyes on the muke and she she had she was like to a sense a

a like a a muo like if the person was trying to be saying that he was that

could be to move, for fortune in that enter one of her hermases. She's brinked of the camera super-assostated and she stapa and he gets up and,

she's that the mocha me about to talk. For her surprise, her mother not like, what's going to say, what you

say, that's she made a pretty serious and he presteed much attention, he said to the mom, and gets to

the woman, and then she's about the and said the mom that no be sure that someone that was that didn't

that was that was never had never had nothing out of this with the muke

but they they're they they're they're she she's she's

she was like we're going to we're to disacern to her to

let's let in a car and do rotting the muke for all the

house but a part of that that oneke is inciar she and her and her

and his hermas not can that start noises things that are those

susrots that she she said she she was someone was trying to talk to

talk but not there was not the voice,

so it's so it was very so it ambient in the house and

they decided in change. She no knew where the only that was that

was that she had had had been to the time and she says she

she the the mummoo the and the person and

she she she she she he he he

he had the first was the a newnega. Sonevada much to the moñeca. In the

madrugadas, she had started, like if she sentia a presence there there in the room. And, well, no, I mean, it was simply what she had said. No, I wascuched,

no, he'd, but she was still. Until that he started to a man, but transformed a, in a little, in a person real.

She says that she Shewned almost all the days that she was shechable between the sombras of the recamara

but always she's very near her in the recamara she'd see to be in the

nightrugada sentada at the feet of the and he's that the she's

she's she's she's not it has been to that entity or of that

entity and And, I I'm used to with the dreams at the point of that

he's that's soyeed how, of his entrains that's, out of

the manita of the muke. Oh, from it. Oh, no manches. You'd

do you to be so, soñing those things? No, this

type of things, this, I don't I don't like. But but I causeer

much curiosity to know what is the history of that this moñica. Because, I mean,

she, it's, she said, and she had a little what what, let's

mean, we're saying, it's a little a little, or the fantasy of a natural,

a lot of something that's something that's something that's But what He wants To say

That's That's That's That's That's And then After that After that's

There's Oh, Look, Look, I'm My name I'm Dugna

Tell me You Crette That's That's That's We're We're

A spirit Not a Spirit A entity In That's In that In that

Yeah Well, in The Two, in the No, Pepo, how you Why? Why?

Because no. But... For what? For what? For that's So... No. No.

No, it's with all what he moved the movio in the Muriel. No. It's that

I'll tell, let's let's let's tell to all, let's two mokees, well, in reality, no. This

this oneke, the can't, and other, are, some those auto-regal

that we But I I asked to two people to the unicornie a black

and also he's he's he's he's a question if you do you

take a back a vacia obviously I can I can I

put to a unicornie because he he was he was he was he

he said if I don't I'm a one a mack a

a maskara you you can you put that's

is sure, that's that's that's there and I said I'm he said,

but I need the same I'm that I'm that I'm that's that's

so we're so that there's some of those, when we're when we when we

when we're that's with us to pure casuality there we've we've seen

a medium evident and we and we we're and we're we're

we're going we're we're we're we're just that's what? And he

said that That's and that of that they're in Cargazes. And I said, I'm going to say. I'm going to say.

I don't know. I'm going to go to go ahead with two mukees no? That's all right. That's all right.

You know what most chistos is this. But I'm not a rissive but that's the nice of that they're going to

work. Fermex no. Lulu no. Lulu no Sabe. Pofyp, so you de-for-s-s-sie.

Yeah, you've seen what has been what I've been passing there. Yes, I see. I have I'm a

audio of Lulu. Lulu, I want to really want to talk about this, because it's very preoccupated and

you're being about doing this things posseidas. It's that no, no, I don't know I thought,

simply let's make with those mokees but you have to in a place in a

place. Oh, well, you know, you're going to tell this story. Okay.

You're okay. This story is called No, no toke.

And And let me to our friend Ashley Garcia. Thank you, she knows tells that this occurred when in this moment they were very, very, very chiquitas.

She had six and her prima, her prima, her first had five years of age. She said that this is very because

five people were present in all what to tell. But only four, you can record. In that moment, when his primus was a very chiquita, five, she's six, the mom, is

the aunt, is that she's, going to buy the market, is he's going to and you know, you know, and you know, there's a person that's a media-uso? Ropac,

uh, electro-domesticos, juggetes. Between those there, there's a munaeca of a trapo, of rosita,

freeta. It's a little sucia, but is a a moonika, a small like a

meter, and, well, simply like a mom, he does for

question the price, I see, a price so very bad, and say, I'm,

I'm, well, my daughter, she's perfect, he's a

good, she's a little, this is a little, that's you know, you're just,

you know, you're in the image in the head, of Rosita Freitas,

that has his pyrnars large well, she had like all this and the

eyes were on a button a button a plastic a buttonc't so he he's a and he says

that at that's a prime change to the immediate to the mother's she's

she's she's a little we're a little we're more than a but more than

to isolates the one not not for nothing, to the grader

that he had put a name and me the

name I'm very particularly because a more you

remember you have in a podcast paranormal of a of a

one that I think I think is the culable

to do that things that that that he

had a name that he had put the

the was a little. This muke she called she's a but

I'm that's a way of a woman but no no no this

this is no she said she she called she who who

she she she then so then so it was

simply it was like the prima the probably

she she away she Ashley, well, being at the same they were

like the old old, they were the and they were to get to her own she was in the room,

so she was she was there was at the she was to go to her and he

had to no, no, no, no, no, no. You can't sit here to come to my

court. And said, well, present me your tacitas to play to, no, no,

no, no, she no, she, she, She was like, what, what on? No? She was out of the prima.

She was out. And when I was that she said that the prima had been with the muke. The question was that

the point, the time, the that she was doing she were the pause to obtain the response, it had

been a common. But it was a rarro. It said there was a momentito in the

they were there and the first was that the prima was totally with the

muke, not did other other thing, but he started and

and it's a maritone and But a night when is the mom with her her daughter to gost her

to sleep well, yeah not a rasponcito. There was much yeah had made costra.

The liquid yeah's had made a costra but it was when she was she'd to work

she'd get to the and she started to get to do you to do you she's a

let's do you let's do you a accident This is a raspon. This is something this is something I'm going to I'm sure that

I'm sure that's been if she's if she had done a deal of that's a caliber, me it would

have said. But no, all the day is with the muke, all the day is with the muke.

At the next, obviously Ashley is there presenti these things that's

going to and say he's again, to see if her prima now

if want to her the door is a door to be in

the she'd hear of the person that's she's a person has a

voice shillona like like caricature but very sinister about

that she'd so she'd so she she's she's she's

she she's that like spying. Then, then it's to start to come to

get to this voice she'll say, and she says, no, no, no, no, my mom me want to

do you know. And the voice, respond, and if no, you do, do I'll

do you, but will be more. The abuela was literally to the other of her

and he he said what he said he the

door and the little she had in front of a conversation

and when he saw he he he he he said

with who you about with who you about

with with her no no no no no no no no no

don't tell with who you was And the Bula, not

to think that's talking to the muke, he's a soma and he

to see to see to be convinced that that someone was in the room.

As you see that nobody, I'll to be to the muke, he says,

me to be to get, and the little in the little of five years, agarre

at the the leg, the bula, but with force. I mean

a little force, a little force, but with all his forces, he's got the ball of the

little bit of the world's that's just that's the don't, no, no, you do you're going to you're going to

what you say that's she's being this, so I'm I'm going to think what is happening,

I'm saying I'm not so I'm going is this so. So the the abuela, that's

spanta for what is what's going, encirra the moke and she go, when you

get to the the child, the mom of Ashley, etc. I said, I'm going to

talk about a two hours. And he is the people and the her mother.

Because the her because the she knows that she's not with these things,

so then he gets to the and he says, oh yeah this is

what is what's what is the the muke the have been in-serrata, the

little, is yore and yore, gritty-grita, grita, that they're to give-lowearn me to her, devolv'n't me to her,

he's going, to be able to have the little to be in their own a little that's a yeah,

so, yeah, it's, that's, and the tia-a-a-wela and the t-a-wela and they say. This, not will be

to be-a- that oneeca is a thing Mala. Necessant desacers of her. Who,

who's her gave? Nobody she gave her I got in

a market you, you? You? You? And, you know you?

No, you know you know what's what has? No. Necessitan

to quemarla. Kemel. And he said, I don't be

to be here present. And the tia, abuela, she regressa. So, there's the

mom of Ashley, the mom of this little, the mother and Ashley, the other

little, she's in the room. And, and, well, what we do we do we

we chasels alcohol or gasoline and we let us fire in the patio.

And so they're in the moñeca, prepare a fogatitit which is what is what

is the most logical prepare a a fogata and you the

fogata and the agarro, and it's the brazes and the muke and so one to

one to when the muke can imagine this it's the

little the mohita of rosita fresita with his eyes and

the and the fire is but no preende the

a muke and is a manna. They're observing this what's what's going to like the

same image makes that you're and so the little the muke makes

she's the but is only the sound that even the

presentes have the idea or think that in some that the

the hume, the gas, quenance for the inside, it produced that's watching this like,

what on? But there always a sound. The prima, the little, that was

in the room, yorand pegand to the door to get me my

my my muke, devolm me my my muke, devolm me my muke, silence.

the risa of the muke. And then, immediately the mom, my daughter, gore to the room, he gets the security, open, and no is that. And he starts.

And all's just kept, like, what on? And she begins to look at, revisa deba below of the camera, revise the closet, the window is closed. No, it's not. And he's out,

and grittando, no, it's, no, it's. how? And the muke now is to start.

It's to get to the muke and in that moment they're

a gemido and under one of one of the the one of the the

the little then then they and when it's this

the little his eyes are in black are

they're they are of a raeasos, like if they would have arraisedrauded, jiminging, of the dolor, and the skin is

a kemada. Horrible. Well, obviously, the mom, what he does in that moment, the car is, in this moment, the car is up the automobile, and she has to be

to hospital. The abuela she kept there, with the other daughter, the mom of Ashley, and Ashley. The mukeke's is that's

Kempando, they're doing, while the mom is going to the little

to the little to the little the muneka. But the muke and the

manna is arduing. And it is these things that are these kind of

things. The muke is a trap. But the eyes are the

plastic, are the button. The fire makes that the eyes

can then the a muke commenced to lagrimar of

the color black the plastic that's a image espantosa and it's

and it and it's that the muke is chimying that also don't know

if it's the material but is jamying in a um in a um

of and of the there there something it

something it's like if it's if that that's, that's

that's that's quothed, and it's that's a new a newm of color

dorado. And acto so that's consumed it quickly, rapidly, rapid, rapid,

rapid, rapidly, so literally he's decisso. But, he's got a little

the muke. So, they're they're in the fire, and what is

a thing rareissima. This muke what had had left was a

collar of metal, for that had a bighecett of those that's

that's they're in they're they're they're like to the collar was able

and the photographia was of his and of her but they're in the

muke so how it was in what in what moment? In what so they

they're getting this thinking that obviously is decide

and then they're and at the day and they're to get in a church

where they they're and they're so incredible. If I said, if I said

to have the not the but I'm not a good good

idea. Yeah, they're it's that rocy of the there's

there there's there I'm that I'm you I'm you

because was a when it when you to the hospital

the doctors then get to a mother with a little that's the eyes in black

that's like in shock and that's a quick and then they're in they're to start

the thing that's that the point when when they're when they're they're because

not it's because it's the same the same the same those people that were in this moment in

urgencies they're so they're atonitos because they're they're the skin

and the yeah simply yeah was For that is that the day The next Decide

Decide To get to The relicario With the sacerdia The sacerdote The sacerdote He chagued Ago bendita

And he says You know What's gonna Comean to Behrme But I think The most Is that

This, I'm gonna I'm gonna I'll deser of I'll be to I'll be But it's I'm more

That I'm Whatever That's You guys Me said Pace What's me Isan?

Pase the time and this is a an anecdote incredible and it's a person adult.

He's that still the day of her his prima he doesn't remember the moñica

for her that never happened the she said the prima think that her

mom her her and her wife Ashley they put to

agree to a because a day simply they're they

You do you know, when blah, blah, blah? Yeah, he said, that's the story of the moke. It's Rosita Frecita. Oh, no. That me justed much. Is that weird?

Yeah. You think you What do you think? The burghry? The curate was the fourth person, right? That's, that's, that's,

no, it was the mother, the mother of Ashley, Ashley, her tia. Okay. The that can't nothing, is the

prima. Well, brujeria, but what was doing the relicario? How was she took the muke? I want to

think that at the more, just being the mukeke in the house of them, someone

he was going to do that did that when they got into the relicario because before,

I think, is that, is that, is that, is that is very rare, but I

think only was the I'm in the intention of that yeah, and all the other so, it's a order to be a

un-oenix. But in the moment in the moment in which she had the car, she could have been to have ever been to

another muke. But if you'd have been to be a question, you know, I'm trying to, you know, you, think, this, that when you're

that when you're is infestated or that is boceived, there is that entity, that's a matter? So, no migran? Well, I think

it's like a form rapid to solution something, but no I think that's the more effective. No, I

don't know. So, what is what we do? The person when there's a pest and we know

we know about it? No you're not you're not with the person. But you

you're not the people, right? Yes, that's so it does.

But the this continue. So, if you kemast the muke, because chem's the one of the muke, but what was in the muke, but there's, yeah, I mean,

I think so. I mean, you do you doves much as the degree of that you can make a degree, but if you

need someone that's someone, that's that's doing, and that maybe the mukeme the or,

well, if it's necessary or not, but that is for what is doing. That's to the

other side. You're to talk. It's a , man, and you know, I accommodate the

things for that the ultimate ho ho ho ho ho is the better will be the

terror yeah me want to you want to do you no it's very good

well well well this this this is called macabro

and we know we we know we're our our our

thank mira much Well, this us passed in the year 2000, after a little. She

us told that in that's then since his brothers and she were in the house of

his parents nobody was that was except the her mother

who who had a two or three years and they'd

apart a a Naviad, to the Sobrinita of our friend Maira, he amanece a moñeca in the

house of the papas. So this common denominator of these newias that are to ferned to the mukees, well, the

muke was the favorite of the little, from the mother, I, had to be the house of the

mother, but he had a a new particular, this muleka, very a little for your

time, he had a heart in the pecho, a carouson a little bit of the

not was a button, but I had the light-sita into the heartoncito. The

muke said phrases and he, caminaba and he was, it was very

very well the mukeka, no? So, then there was there was a

little bit of the thing that all this that's that's she was she was

she was because she was she said that she'd she'd and then she said

she she said she was she had that she was what you do you

what was that in that this muke not they were

because as the little many had much the juguettes, as the as a Santa, here in the house of the

abuela, well, here's a moenegue. There was a a sesto of a rope limpe

that said our friend that always was full of that was to planchar, that was that was

accumuling there after that the day of the time, a year, and he was a lady and

he was a little the next was like the little, and there was like your place to

to accommodate the muke because there he was he was maybe he's myra

that the the the was like the thing that was that was

that was that was that was a a man you you you

you you and you you and you and you when you

had you at a little a little started

to uh, uh, runes, sonnids stornud and quacking,

uh, tociending and he had phrases like, Moma, Cuehame. Moma.

So, well, the muneca was a, the paces in the sesto. That was her, so,

so, so, one night, one night, she kept despirtas Maira

and her her mother not the mom of the little in the video.

She said she that all they were to do the madrugated watching movies

in the cell when she was the movie her other

her she went to get to go to back

and they're in their recamara so the her

she she television. So when she gets to the recamara, the her mother is in the bathroom and the light of the fourth was apagued. The urgency that I'd enter to the baio, then she

didn't even if you ever turned. Dissue the door and when it's going to direct to the camera, it'll can't see that for a rendigita of the window, enter the light, a little light.

And justly illuminate to the that's sat sat in the middle of the camera recargedita in the

cabcerer I remember that she had been started having been having been passing

things previous to this was on the mudgidas in the moke

sola because what he had the device was that you had to

tryer the movement and then then So, so,

so it was activating the unneka solo, she used things in the passio, like if

were there, but she said she never presteed attention, because it was, I was,

not very very great of those and his father, and his mother, like,

like, he was, like, he was, so, he was, so, he said,

that when she, she, he's, the muck, the man, with the

the, the, the, the light of the Luna. He said that he sent you a little, a scalofrio, because

nothing to be able to be the muke there. So, then, he says, I'm going to to take. I mean, he's not going to be doing here. Empecies to come in, when it's done to get to the, the camera, the

muke, she activates. And he says, Moma, Cuitam. She said Our friend That's She put The Vial

Chinita Sinted the atmosphere of the recamara super pesable But he

Oh, how? Why? Why? Why? She not, she's not to get

the muneka because he was very embalentonated She assomed the room and

And, she says she she when her She has a somber She sentio

the temor of the her in the response to the question

what he did? He about the moñica? Yes. Subjected the

muke brusk and he he says Oh, yeah, that Mied.

Tomando the game I'm when it has a man, he he says

Mom, Cue me. He's that's he's full of fear

of terror, he went the court, opened the door of the recamara

and it he went to the passio the most the most the way he did

the man he he said where he was the little our

and said, our she and her and her and she's her and she

was not his father because he was to be to

get to because they're too time time so then they

they they're they they said they said that

they like if was disbaratting like a crugied of plastic he said

she doesn't say she the goal that's or she was disbaratant or as

were trying to reacomodars or get us not they're not sure

they're they put in the door and they don't do you don't

in the night thinking in what he had passed and this

My mother, she said that they've been having been going to things little raras but not they've

wanted to make sure the commentio. She get dormid in the madugada

in a time when comes they're to say to say to the papa and the

person a person grient of this type of the where the mohika

well there. Sal the the papah agar the mueka and says

I'm going to to We're going to We're going to What we're going to To say to my Sobrina?

That's a We'll buy another Muneca but this We're going to get to She's not.

The time was the father. They said, What was with the muke? The mouke she came

She came. They're that's what what Malo to the next night

standing just at their behind they're like to hear it as if the boceit's the moke, coulder sonar,

but when when it's got to be the pilla and it's dysorcion and so, but it's that it's it's like the muke, but it's that the muke

now is that so, they're going to the days and it starts to be more noises, movements in the cell,

and what on, what's, what's what's what's going to? until a night clearly they're

one of the words of the moke and he's a her and he

he's and they're and they'll they're to the motorcito or the

cajita of the carita that I'm in the piece and he is that

is the is the how is how is the muke they're they

they're they they're they they're they go to the

room and And there, at the long, they'll can't to be very tenue

the locesita roja that's the light of the minding. And you say, is that's the the

heart of the muke? Van and they're a he's up. So, the man,

he's, he's not, he's he, see, it's that there's, look,

a somate. And, see, I was the person trying to be, to sonar,

to, the pure the pure heart? The pure car, the the light of the

father, he goes and he'll he and he and he and he's behind the house, he's

he goes to the carre the carre the and he's he chaper and he chas malditions and grosseries

in contra of the muñica and the woman this sir, hevient. Alcansan to see the

locesita roja perderse for there very long and there there came the ruses

the music so they're the house completely at the moment of the moment of the heart

of the house not they're not they're how the car there's if the

muke the muke that's the little and why is the sound

if the car of voice is totally apart to the figure

of the character not not they did much whiltas to the

issue and they're very quite quite and our my friend we're

that that's that's that it's because of the form

to get to get to the figure to the figure

a probably probably a maybe a person who

has he had and now this is in other house.

Wow! You know I think I'm that that little, my prima had that my prima had that

my prima had that's just, only a more people in the question us are, the heart

is like if it's like a, a diamondit of a yeah, is that, you know,

you know, I also, I'm a image in my little, with the diamondito,

well, with the heart in form of a here, a crustadit in the

and it and it and it pretty, wow. I mean I'm I'm sure

but I don't know where I don't know I don't have but I see that I see that

a muke that was a little bit of that's the heart here? What did you? I said,

I said, I know, I'm going to have you been a famous? Could be not? It's been

not? It's got to wow, wow oh, it's, it's a good,

that's that they're that they're that they're that's that's that's so can

do that so can't much fear, and that that's move Oh,

hey, let me to, you go to tell a, this is a long, but it's a

very good. A bit. This history is called my muke, and who

he's that's in the anonymity. Oh, that are those are those

good. We know, we know, it's, for names of the characters of series

that they are like and things so, but it but it but it It changed.

This is to protect, obviously, the identity. Because this is what occurred when she was very small. And I know that it will be like, like, that I took part of your stories, part of my stories. But is that it's common. Or so, there's like an universe with its own regals in this type of phenomena. No, I know. Well, when she was a little,

we're going to say that the name of our friend is Saori. when I was very chiquita no I had like all the those

the I'm not those who had been he had some of the but not those

those who had been and a school and one of his her and one of the

he said he said he doesn't he but the muke he's he encant

he he he he actually he does she she'd it was the porcelana

the manitas the his and the car they were of porcelana

I'm the eyes very great like painted a little bit of the cabo

black was a little she was she was she not that's clearly

and it now now she not that she not not a man

that not a one is a man that you could get to get to

her she had a carla and he said look look

she she in the house of my abuelita. So, she was her and he

was a beautiful to her woman. And he was to make her friend Carla of that she were

to be the little because it was the one thing that was the little are the kids.

I mean, she was, she, she, she took the value of the mother that could

have to have been that he doesn't much the muke and he said,

well, it's well, it's well, it's Saori, he was super happy with

her moke and when he was like to go to the oh yeah, and that moke? And he said, me that

he gave a carla? Karla? So, your friend Carla to be that meglo that's a

little, all the rato we'll be that we're getting to the muneka but, but then

my little bit my man down to the new and the mom was over and was over

and sawore that was playing with the moke he's he's called he had been a rata that he had

had gone he said oh yeah you know you have had been the no

it's my my muke oh well okay but no you have said no

no no no I've done no me had I mean yeah he never he had

even even he said he said let me let me let me let me then take

the then she she's like no she's she's Mia, no? And he said, Yeah, take your munaca

de-wilted, no? He said, is a He's a beautiful, mom? Yes. My muke has more than 100 years. How you know that's about

10 years? Because she me it's things, like, normal of the children. And it did he said

that was too little chiquita but remember this. Two, three of the morning, de repent

he was up, because I was a murmur, And that murmur, first he thought that was her mom because the

murmurial was to say to say, Saori. Saori. And then she obviously opened the

eyes, thought that was her mom, no had nothing in her in the

room. But there in the burrow front of she was this moeneka

was like if he was looking and was just the point

of she had heard the voice. Simply no, no, he did

like much that's rare, he was to go to his eyes. Sorry. He was to

open the eyes, he was to look to the muke and he said, he said,

and he said a only, but obviously, but she was a little she said

that he did a much fear. He gave much fear in that moment, but there was a force in the

muke. He gave a fear, but no he said to her mom. Simply, like, he, he was armed of valor, she was acerco to the mukeke, and he

he said, now, no, it's very time, but tomorrow we'll, come to to go to And the moke

he responded And my name And she said your name How's your How you

name? Neneb Very well Lilit We're And so And she

He's got to To get to play with her But it was very rare because

He Deperto And he was And it was And it's And to

and when I opened the eyes, he went to the burrow and he was in the cell of her recamara

was sat sat and he thought that he had entered, he put it and then she took

to go to her to go to go to her but I think a little

a rar so then he started to see and he did but no, no, no, no, it's important.

She was to play with her, and even she had, like, the time of that I'm about. And in a moment, there in the paticito of his house, he sated front of her. What we're going to

play, Lilith? He asked. And he said that then, he sent her again like the mokeke he was being. And he was being to the moñica?

And, of And then, very quietito, he said, "'Quere you know a secret? "'You know he did "'tain't he did so fear. "'Because he he said, "'deme.

"'You and I are you "'sombo confier in you? "'Yes, Lilit. "'What is the secret? "'Where the time no exists. "'And if you're there with me "'we can't even. "'Well, she's not, I don't understand.

because he was a little. And simply, well, still, you're playing. At a rato, I had the muke,

and he he was made the head. And he gave a point of that in the

ceramic, in the part of the back of the cuell, there was a

symbol. That symbol, that, for what he said, it was something, was a

little spiral, and had some points. And it's very rare. It was like

painted in the ceramic with a color blue. And the first he did was with

a little to the symbol. And when he took it he was the voice of Lilit

more more that he said, don't you don't you

don't you and she she she she she

was she was a she but his pap so

She was Distraided Silenciosa And fiatry what I'm saying In a little bit more than a In a little bit more She was a palida The Ancice

They started to They were to learn And they were And the medical Not they were But they had no idea It seems It's like

So it's not do not. Doorme a little. No, how he's a little, well, is a little, so, we're going to be able to be able to be. We're going to have to be. There's a time of a dream, no?

So, the mom has kept thinking in that. She was to dream, to harass her muke. La brazo, she accosted with her. Yeah, she kept there, until that was borned. And she went, but she kept with that idea of that her her not was

not I'm going to I'm going to she now was the she was the she was the bad presentiment

he's he's part he's and before the door and he's he's very big

that's that's I'm going because I know I know to her and a

voice it's not think that come to the muke but more well she's

she's she she's she same. Abre the door and is her

his wife and she's her own umbular, like if were a somnambula, and he's talking with

the moke. We're to play. It's time. And the mama says,

no, this is not not this is not bad. Simply he got her the moke and

she's she's she she's and she she's, no, mom what's

you're doing? No, Mom, what's you're Acuestate No Acuestate

She acuester The tap Cera the door She goes to the muke And she And says Since that this

Muneca My I'mpeerating In that moment He goes to Ince back There's a box With a lottecito With gasoline

I'll get a Ackro in the sender It's out, he'll the piece in the patio,

the rossia with gasoline and he he preends a foot. So, it's going to consume

and of the muke that's there, that's there, back to

her, and he said that he said horrible, horrible, when the muke,

because clearly the eyes painted, and they're being to her.

The head the head moved and he he said he said for a

moment no this not can be and he and not parpade

neither seeing the the man and I was getting

to the and the point the one of the man he was

but he not partar the and he he's he's He broke. And he said, no, no manches. He made more gasoline,

until that he was made made made upolvo. And literally, he said the mama, that juror that that muke, not only only moved the head, soarie, he said, but in the second etchada of gasoline, she retorsia.

she thinks that she's obviously product of the fire the plastic but there's

other thing that's a thing that's the first that's that when was when she was when it

was to get to the coelial the mano that then

so then immediately he made immediately she did know that

her her daughter, I mean that's a gooduree immediate. And she recall a good, that

was like, yeah, not was the mokeke, no me important, but I'm feeling,

I'm going to get to get to get to get to go, I'm, I'm,

I'm, I'm, she'd be a better, but there's a moment,

there's a moment, in which she doesn't, again, like, now, she,

I'm totally the memory in a lapse of a couple of months. But the

mom, if she's a quarter, he's a other way, of that's of a other way,

was a time, another was like, distracted, what you have? Nothing? What are you about?

Nothing, Mama. And the Mama said, I'm, I'm, I'm, I'm going to press an

attention to my daughter. Of course. Of course, see that her his he has a

he's a day he's a out of he's he's

and he was like being something she was she was so

she was there and he said he he Saori

what you do you why the why the you the

he he he he he he said who he

he he said she she she With who you You know,

Lilit? No, Iha, Lilit yeah not is here. And that was the

response of Saori and with this I'm to start the story. Lilit says

that no important that you know, she always encounter the form of

that's for that's I've been more than I'm

because no I need a I want she she

she she she I Sometimes I listen I'm, and me He says that will be going to come back, Moma. Pronto will find a

new, and when it will be brought me to know. Lilit will be going to be my muleka. See how I'm going to be. Oh, my gosh, yes. That me did much fear. I mean.

To me, I mean, even this dialogue is to, don't you pass. It's that an entity that's to call Lilit. Yes, not. No is,

any, whatever, that's I know, that's a fear, that's the he said that's

he's a year, and he's I'm going to you know, you know, you know, you know,

you know, you know, that's, we're doing, we're doing in the stories past so,

so what what you do you know, that's, that's, there's, so, so,

now, just, they're, they're, they're, in the opportunity, yeah,

yeah, that's, oh, oh, oh, it's, but you says,

that you still you that's a good, that's a good that's a goodyce

the ultimate the ultimate is so I'm I'm doing this episode yeah because the

so the manhick is that yeah and then then I see here here I don't

see a thing that has a look at a little little bit more for the for the

people that can let me no no but that no but that no me me

so so It's that Like, like, Like, Like, like,

How do you I'm, like, like, I'm sorry like a like a lot of, like,

like, like, I don't, don't see, they're moving. No, because you're

because they don't know, but if they're so they're so sure. This is yeah.

See. And, I've had done that, to the mokees they put in

those are more more, so, so, so, like, so,

like, they're not, so, they're, very potent. The one percent of the population human are they're

right. Yeah, but not all the rubies have you have been in the eyes eyes? Well,

yeah. This time is that's that's her mother's a little she has you know,

I know, I see who I'm, I'm in the chat but no, no, no see, that color

they're in the mid of Ciad Juarez the I, and this so, so blue,

blue I intend. Yeah, so like the so, so many so.

So, so. I'm so. So, well, I go with my ultimate

story. I hope. I'm going to get a very. I mean, I'm going to make a

little and we send her and we're a Sophia Tamayo. All this all this

is in Kheretaro when our friend had nine years. She she was

she was a little a man super vivas, travis, and She was happy. She was a She was playing

She was playing all the Cases and he was always to dance and she was and in this time is the the

movie of Frozen Oh, okay Yeah, it's the movie of Frozen and then, well, she obsessiona she obsession to her with the princesses. No, no, it's

if it's Elsa or is Anna, but But she Pied a muke of the Princess of

Frozen for the Day of Reyes that for those who not are in many States,

the day of Reyes is like Naviiis also. Ah no, to the Reyes

to the Reyes Marrots and you do you do your toys to the day

next that is the 6th thener so she she said she she did her

of the Day of Reyes and he came his muke of the day of Reyes. She was the most the most of the

woman with the muke because he was the songs of the movie and

I had some some things there put lightes and

and I'm and the base and also she was she

was so she she was she had the she'd with the with the muke,

he was going to other new people for being with the princess no? He said that all

was very well, she obsesion completely with the muke, pasted a month

of that they had been given she had been to feel to be a comod

with the mocha he said that she was she was she was a little

in the mind she she was she sent observed being into the

room and he he was to see, yeah, yeah, no, yeah,

no, the, the, the, the, the, he was, so,

so he was a distance with the muke, was going, and he went to be a little a little

of her. Uh, we said, that was, I'm, was, to, was,

to be a , that, when, when, when, when, it's It's

a new and she tried to to get a other I'm going to because she was

not a other so I'm so I'm so I'm so he said that one night

was a was so that was that was that the mouke that was that was that accommoded

a new a new a closet and it says that his closet no

had a was the entire the but were like those

quadrit what is the closet, but so it's important. So, she hallo the movel-cete, she's up, and put this mokeke up,

it'scal, she'll put up, and it makes her because she that the eyes, in the eyes she, she,

she, she, she, was observed for that moge- the, and she can't,

but no could doorme. She was felt like, culpable of that the moke was up

when he was conciliated the dream, the I'd a sense of that

something was, that was being, that was she was doing, she was

she never to not to her she only put to a moke

on another another one a madrugada that batted

she was she was she was the was the mucus

there was to be to be to be a moment when he gets to the quarter, like if someone would have entered. Abre the eyes, he said that at the front,

she had a little bit, that were at 3, 6, of the morning, that had been very clarita the hour, and he started to put attention to the noise that

they were. It said that were passes. Like if if someone would be from the other for the perimeter of the camera.

The closet was at the feet of the the camera. He was to do a lot of but there was something that he was

she had to and he looked to see to her her her she made

to look to when I when I was the muke was a turned to the and she heard

but no he quitable the eyes on the moke because I think I was in

a little I would have been a way to be able to be a lot of the camera

so she was she was her look in the her when she she said that

little a little she started to get to her to her was a

moment a little but she was she was she sure to have seen the

she's sure having completely, but so like the side-a- he's he's he's

he's much more to get a front of the closet because the door was there

said that I'm that I would be to be back so so

then then she she she she she she she

all being and getting the when when when

the the muke she completely to to her, yeah miranded

fichamently to the eyes. Dice our friend that was a point

to goreying, when he was to perceive the sound of the songs,

but they were other voices those that were the carita musical of the the muke.

The muke began to can't do. I think that I'd

the can't be the the film but they're other

voices so yeah not the voice she's she said no

I'm go she and he she and he and

and and so that she didn't know that

she she was she she was she she

was going to go to the car to

go the she she of the camera, when the semblance

of the moke changed. She said she she was always had a light

in a lamparita tenue that that he had perfectly very

the recamara and that she she said that was what she did the she was

that she was a point to be the part of the car

the the man she began to don't And she

saw how the plastic do- and the was made like a ball for being

forcing the the sonrisa he said that he was in shock

because you could justify the sound the movement but

how a muke of plastic could be sonre he started

to cry. Our friend started all desperated. He's like the

little the sonrisa macabra of the moneka that's like to make sure.

Like when one person she said she said that she said that she did she little

that the smile that's not that she didn't be to and he and he

to try to talk and to try to other sounds totally different to the moeke

had programmed to the a little bit with her father, he says that's

he's all everybody in the house because she went and she went to get to get and she

got her super-assust what's what you you're that the moke me sonri-

her what muneke? How that's she's that's that's she's

she's her mom herazer and he try to They're going behind he,

she's going to enter to the recamara. And, to enter to the court,

he's the father, that's the song of the movie,

and with the voice normal. When she think that his papa he's he's,

well, the muke can't, the muke, did that function, it's

to start to distortion the voice. And he's to that she had been heard

and she had been the song of the movie. His father he's enoja much too,

enter to his mom braza the little bit of and he says you know that this mokeke

is that she's got to the house. He's made a and he said she's back.

He said she's she she's not that night in his court he kept

with his father's and he didn't know of the mouke.

No knew more nothing. And our friend us said that

those the you're always are always are that you know what your

question is what your your question is the you know but not

always the people they're they're they're in the infier

let it go let it no manches No, Max, I'm imagining. Yes. All we've heard of that song.

And we know, even, of what muneka you're talking? It's Elsa. It's Elsa. I'm impressioned much that the plastic

was doubled to make the smile. What fear. She's is laughing. Something like, I'm not

but, so super-marked. Like, like, you know, for that's to make the so-

so, how, how's, how's how it's how you how you're not?

Ah, sure, you know. What do you want to give? I'll let's say one thing. Well, if you have yet

yet yet super recontra mega-fabuloso that's subscribe if not has subscribed, they put

in the the campan the put in a commenter, and that that would be the second

epic if you are not so super dadivosos dadivos if your question

it's that's that's that's there in the comments your story with

your story with your and they're in a story so you know, and they're goodies

in the comments of the question there's that you made that you made

you know a new that you get to a house oh no yeah the

that of that that's that what that that when I

was that I was I was I'm I'm I'm the light that recamara

I'm I said no I'm I'm I'm I'm up and

But yeah the people will probably will know what is that story. But is that goody

I'm going to I'm sure I'm getting I'm going to tell them no, no no no I'm going to

yeah yeah yeah yeah yeah we're going to let's the last

story we're let's the last story let's let's let's

let's and you can't do there there's there's there's there's

but let's let's however to let's the time the description you're

listening not being this video, there is to be there's to be able to you can't be in the story, you know, duels,

drucus, chankees, lycanthropos, well, there we know, there's put us for that we know, and super

important. If your story is anonym dinoes the first line, before of all or what that's said,

of this, thank you much to us this, this, I want to my story is anonymimim

no I've not changed the numbers of the people, and the things, do you

do you for that we're very very we're going to continue

with this ultimate you're yeah I'm I'm I'm going to have passed

with the yeah I'm in a moment I'm very arisen but I'm going to

let me I'm going to relaxer I think that this story I think that story

uh a many people let's have much there's

much so If the anterior les did fear, this is another thing. Is this other

thing? This story is called She never and it's anonym. And it's anonym. Our friend that we

this story well, as almost that's the stories that we've talked about this

night, it's when she is very little. She has many her men's

and hermanns. She is the the minor of all. And, well, a

sometimes it's not to be able to but a way it's in the school, but it's in the same.

And she was the brothers and the brothers, they were to be a bad a old old they were

they were they were they were and they're a little and a little very furs.

The parents had been intended like, in some way, you know,

the classic , let your brother in peace, not your and you're a

little, but she continued with this to suffer that his men's and

they were always and they're always in a moment

she she no yeah no yeah no I had that

so I'm in the change in she had

much a much a That muke, she had put to the name Jessica. Of all the

moosecos and mukees that has been, the onee she's going to remember, that's a Jessica.

Because Jessica, when someone was, was he had bullying, or they'd be in a bromilla,

and she'd end up a little, she'd befugia in Jessica. Abrasada to her muke,

I'd and he'd why? Why me They're treated so, because they're like, because my brothers don't me want, because my brother no me want, because no me defend. And I was with the moke.

One day, there went one of his tias that in the family they're saying, the Tia Satanica. No, is satanica? Yes, I'm. No, no, not true. Not is satanic, but

but if they're like the things of the magic, he likes all this type of things and they're practically. So, the family is the Tia Satanica. Yeah. and observed how they

did bullying to his subrina and then he said hey what's what you're

you're doing you're how is that are your little that's a mom that's

oh I don't I'm I'm to the opinion to

at this moment you don't don't want to let's we're

so we're so there are the kids and the guys like so

because But not is the same, yeah, that's the other and apart the Tia satanica, you know, so those

those people, so they were like a sotanical, and the Tia satanica, she went to with her, and he said,

no, you're going to be going to be able to her muck, yesica, yorand, I'm gonna,

me, can't, me let's, she? She, she, she, he,

he, took a muke, he, he, he, he, he, he,

She doesn't remember because or they're in other idiom or simply was a worderary at aar, but then he said in Spanish, "'Contigo, "'Nadier, nobody will "'a daigno.'

"'Seal her. "'And he said to her, "'viener to the eyes. "'Now nobody "'to be to do not. "'Numca's never to "'olvvvvvvvvigar. "'But,

"'but he says that "'a part of that moment "'sumuke a newke "'sheca changed. "'It was the a little bit. But, for example, a day,

after this, she was she playing, not with the muke, was playing, and the muke had

had been in a stante where he put her his hermann's, she was, she was with

with all the intention to do some some maldard and he was he was

and he said, oh, what, and then she, then she, then she went to see her

her mother, and when the her manna went so with her rissilla to get her and the

muke he did he said, and he turned to the muneka she also also

also made to be the and the little she was there she's not but the her man

juror that the womanca of the first was to make a smile in her

a rostro in his Like what you contabas. And when he was he was he spanto

but he was he was that he got her and he said your muke that maldita

no no no but yeah not it was like to molestarla now so I'm

to protect to my her manita you know so the manna she's the manned

he said no no wait here wait here Well, also was a little she was he was

she was he was in the place of the part of there's a there's a time, and he said,

look, let me, let's, let's go to do you. As she also, she also

he's also, so it's more, and apart, her brother, she was like,

to be a plan of, you're my At the morning next, it's the when her her mother

grita horrible. And she's the woman and the woman is well, in the

headera in the camera, she's a ballita grittando. And she does a

question of the camera of her man, to his feet, there's the one of the first thing

to get to the first thing, so she was getting and all she was and the and he

he wasa a man to be he said I'm going to get to the and he

said I go to let's I'm going to do you know well obviously

his woman he was not he said that she kept there

but then was I was doing other other things

and she so so she she she she

she she mom, the double, he said, no, no, no, no. You are the

that's the poor and she and she's also, then, then you know, then she's

what they're to do you to get to the car, and he's to do your and she's and she's there,

yore and let's see the mom, this, she compase of her, she compase of her. And of she,

when she when she to turn to the So her muke was in a little. So she

came to the one of the and she taping the eyes, so you're when she

that's that's a little that's incline to her way. So, then the

little on your little the and with the little and she

she think, there, I, like I'm like I'm like

my moate. That's but then then you like his

piernitas, they're, they're like to pressioning his a person, too,

like if the muke complete would have abas his person.

So, obviously she this, and it's like, it's like, and it's

not, but it does it pass, it's then. Then, then the

brothers and they're saying to say that their court is inbru

because one of enter and and see how a juget that is a cubito so move a little

and it's kind of what's going to and the and the the cubit does this and it's

and at the moke then then the the quarter of my armana is

embrugated and jessica the muke And it's like in the history of the But the papas obviously not They're not going to do. The parents obviously no they're So, then enter a day to the mom

And he'll know that the muke is like a caida Jessica And simply not for other reason For that's ordered the quarter Agar the muke and with a movement It'll go ahead and he'll hear a Risa.

It was a rizza and no he So, then he said to his You know, well, you're you're

you're getting not you're doing because you are a little and that's and those

toys could they're then, then, then, then, be good

and desaste of one of those toys. And she when you see those

Jucetes, you know that Jessica, although it's a little Jessica, is a question in

his men, in his mothers, in his parents, in his his parents, he's he's

and he's a moose. So, he has got some jessica and she let's

give to his mom. And the mom what does with this is that in some

where, who knows in where they're a man, but they

then then then to pass phenomena now so so much, much,

much, much much more rare. For example, he said that she was she was in the part of the house in the patio, when, of the son of his own, when

of his brother, one of his brothers, he, he, he grita to the court to that she goes to the other.

So, then, he says, and she he's got how, how of his court, he's,

his own voice, that he contested the brother. Yeah, I'm. Wait,

And see a her brother to go and she like to get like, I don't I'm not

there, it's a little but she's a I don't I'm not and at a she's like

he'll be to and he he'll go to go to go back to return to back to the window and

he'll go back to the end up why you don't because you say you you're

you he said I'm not I'm And I'll see, oh, yeah you've been, oh, yeah, I've been there. Is that I've been there

ever. And, well, obviously, the brothers don't know they're going nervous. Conformer the time, the things

start on this type of phenomena. But one day he gets her tia, but another, this was her, and she said, and he said,

well, I see, well, I don't have that you've got to your toys, but I've got a new. Saka the muke. It's a muna.

It's a mosaic, but it's another. This is a vestida and he says the Tia. This mukegaheri is for you.

She says, well, what, good, so it's a good, and it's another unyceida and it's another mulek and it's He's a lot in her

in the where she's always, she's she's always, she's a and the when she

and she's oh, oh, and that my muckie, and he's oh, I'm my madrina, she's called

Allegory, ah, okay. Also, the mom says, it's a other thing, it's a other, it's a

other thing, there's a other thing, there's a little, this is that's a in her room, that's the

first night the first night, the, she, Sient, how the muke came incema of her and she's going. First, he's like a

like a dream. That's rare. And, of a sudden, and he comes to see her yet. And he's going to to go back to the place. But it's not.

The mukeke was went and went to. To the morning the next, he said to his moma. I'm sorry.

Anoche, my muke cameo. See? Camino on me. She went and and he went to and he went to come in and he,

he went to the room. And the mom so he's like like, oh, hey, no, again,

enter the court? No, you know, do you. No, do you know, to talk's, no,

he's, a box, goge the muke the muke for the head, and said, but,

but you get at here? Resulta that when the mom is coming to the

court thinking that obviously his he's inventing things

or he's he's he's there a little of the time

of the little the man that went to the

house and he and probably to make a

she probably put a she he put the

something that the papas recognize in the the the the his his

and the and when he he does a kind of that is a manna that's a

so he does a shadow with the tierrita, the time and she has the left the

part of the and in that moment the same the same that's the thing was

to come to let's He says, what I do? What I do with the mouche? And then, he has got a tigera of these with the cartes. The garden.

The hardin. Agarra the tigera and the cut in pedasos to the muneca. The cut in pedasos. The minute all in the bolza and let me take to the bathroom.

She observes, what you do her mom, like it's a little bit of the night, well, in the night, then she will be to

be to do not. In the night, has a very particular. It's a one of these

that is equalito to the reality. He's the pass-tos. Then

she open the eyes in his dream. And observe and see that in the

corner there's there's there in the obscurity and the little

and he he to see a muke legory that He came. But his

sonno he does fear and he he's he got you? He's

you? The muke is so? And then he says No.

I'm Jessica that's no me detain I always I'm

I'm and he and he abre the eyes now she is

Again, they calm. And pass in a lot of years. Wulve to be a day, her Tia, the Tia satanica, yeah, she, much more

great, yet a little and she can't of the history and he says, oh, yeah, what was what

did you do you did you know, she's like, yeah, you know, you know, when you're, blah, blah,

and he said, ah, yeah, well, just a, it's a, kind of, it's a,

simple. It's something that's a prended so rapidly. It's a exhizo of protection. And really not I did when I was going to be a chisel, you know, so I did, so I did, for that you cre Leras

that the muneca to be to protect her. Because your brothers did you do you know, but is that, no see, no see if it's my idea, but I

feel that something that something. And Jessica always it's rare and well pass a time

he's a little he's a man he was he casedo and he was and barasso all it was in

a in a gestation normal very well prepared the court the cunita the juget

the toys and it and it was the moment in the that, well, she had to get to, yeah, to the hospital, because it was the first time programmed.

He gets, and, well, so, it's a whole this process. Nace his baby. And, nace his baby, and, well, she, obviously, is super content.

So, her husband, is super content. And he he comment that in the Inter, that's he, he raised, he went to the house, he'll go, to the hospital where

she, still they don't they're they say there were people that were

many things of the and that just happened she has the baby but you have a

lot of a lot of and so what's and so and so and

not that a bad a baby he they they're they

they're they they're they and it's the moment

more difficult of his because he said that at the few hours they're

to give to give the worst that's the poor never simply the the heart

the baby he was to letir and not they had she had to go she

she was she she felles and when he went he went in an time

in a depression horrible also also and what did you that they're that

they're that of the abitation, and she didn't want to enter. And they'd have to, well, even if I'd clean, you know, but she'd enter.

And he also. And he passed several weeks, that was of an immense odor, of the day, et cetera. And one day,

she was alone, and he was a little those usurros that were from that room. She

he He was talking in the little bit of the house he's

no it's I'm going to have to open the door and I

know the door the room was a little

last that the last there were there were there

there was a cuck that she was she

she she she was when was a little

was there was he I don't know how the muke re-regressed. Because he was in the cuna of his baby. And the worst of all is that the

mukeita had his bracito on the as a bit of the and she'll have passed with her baby. And she's saying this. Now, I know. It was she.

It was Jessica. She always will be. That's a very Fruiter. Yes. Because, yeah, there,

there was a damage to a person. But brutal. Oh, no, that's so feo.

Yeah, I said that was like, fuf, ooh, me, I don't see, I'm so,

this story I feel, I'm very feeland. You, you think, for example, as like came,

yesika to her, one, one is vulnerable to that any entity

get and you destroy so no not not you know

I don't why there are there there these where the entities

and they have to literally literally to retire to

whatever that compit with what they they're they're that's

that is a more There are stories of duendes that literally are enamored to you and they're

to do you? And dawned to your spouse. And if you tryves to have a a child, they're going.

Because they want you only to you. Solo to there. There are stories of entities like

succubous incubus. Those are really not they're not they're not they're

they're they're they're obsesionated and me this moneca, yesica,

she obsesioned with her when she was a little for the attention that received and when the

tia she said and he said you always you're going to protect the she was

she she was she knew the she regress she he's

so so she she's trying to do do a good well

uh Yeah, it's all the contrary. Yes. Oh, well, very, very very, very, but, but it's, it's very much

a bit of a when... The baby. And that's his manita there, the muke, no manches. One,

it's a one of the and a little not it's been like a but, but, pf,

no, no, manches. It's horrible, that's horrible. Now, I know, it was she,

it was she. She always She'd She'd with the Munoyka No I don't see

There's So, I'm So, you know I'm gonna I'm gonna I think so. I think

she's like She's like Yeah, I'm gonna To tell you I'm gonna with with muckees

In one of the stories of Navidate they They're that she She had

a man She was a very, very very, very poor and of the

camera, she and even the papas kept so that the parents are so that

the mucer adult a woman a woman you know, I'm, I don't I'm

exactly but there's a story there's a well, I mean, I think that that

that story was false I was me so it's me made in a met.

Conn't you know the person no manches and he he said you still you know

you're still but but why and me I said, no see. He said,

I'm and he and she's the muke and I said how, no you don't you

but why you know, but for you know, for example in my case very personal

I think you know you get to a point in that you you're you're

to do that's something that a moeneka what is a it is

it's it is a but that you in that in that point of that,

well, I'm more no more move, that's the kind of, that's the that's,

and yeah, because it's I'm I'm going to get to get me, I'm going to do

because I went to when I'm to part of that, then maybe that's, for that

I'm, well, I'm doing of the munichas that's, that's I'm going to

do that, and they're to do that, I know, I think, I'm going to do you're because

after the stories, you know, No, more no. Because you know where you're to find where it's where you're

to be a few. So, but is that in some place you're in a base in a

basqueh that's there's there's there's there, we'll see a circle of

all and all. See, oh, look, yeah. There's there's,

I'm I'm going to you're a lot of a lot so, yeah. I'm

I'm used much the episode, I'm I just like, I mean, it's that is that's really, very good, yeah.

Wow. Well, you know, if the muleke can move and do and do you know, no, don't they're not they're

no, yeah, I, I do you see, I mean, I, I see, I think, but, um,

know, I think that that's the option. No. Nor, not, no, is to get a

person that know, so, so, so, about what you you're trying and,

well, to look a little, but that's to keep them, no. You know, you've seen

that in to give us to the bad to do you. No, no, no, no, no. No, no, no. And,

no, no. And, not to be, there's, so, there's, there's a,

one day, to ask us, to the people, that we're that we're, because he's, no, I know,

know, and what's, and what, and what's that person? Yeah, so, so,

more, maybe, maybe, what I can do you, no? That I can do I'm going to make a lot of

whatever I'm going to affect it. We'll ask you. We'll ask you. I'm going to see. Oh, before we get us,

redes social and platforms? Well, I'm like TERCA with CCA. Yeah, me quit the DIP because there had to

be clarating how you write up Facebook, and there's my WhatsApp in all the all over

there, because there many people trying to ask and know, and then we we're going to

always. A order for the disorder. Yes. Of the actually, it's going to

be a poster of the first of the third ojo, the teler only in the only in the time that's

and there and there's and it's a time for if you're to get a question. That's

yeah is the podcast. See? Yeah, yeah, yeah, yeah, it's

just that's just where I'm so, no manch. No, no, no,

I don't, no, I don't, don't, in the telephone personal still. Oh, that's

a bad a one of the one of the and he's the and like the day, hey,

unete the junete the junta and I'm not you don't you don't you don't you

don't mean you're doing well, yeah it's that's it thank thanks. Thanks to

you. We're we're the next next time here in Somnio where we

we're in the more the more the experiences of the audience

and you listen let's, if they're if they're trying, we're we're

we're with this mokees that manned that came by bye

or baela no I'm do it psalal wait I'm I'm gonna do you

apal oh