INSOMNIO - ¿RELIGIOSOS O MALDITOS? - Invitada: MARIANA MAUS #45

Episode Date: November 7, 2024

¿Qué sucede cuando lo sagrado se encuentra con lo oscuro? En este episodio de Insomnio, nos adentramos en los casos más aterradores donde lo divino y lo maldito se cruzan, desafiando las creencias y poniendo a prueba los límites de lo paranormal. ¿Son estos actos una manifestación de la fe o una puerta abierta al mal? Prepárate para descubrir secretos inquietantes y fenómenos inexplicables.🔮👹Redes Sociales Invitada:MARIANA MAUS► INSTAGRAM: https://www.instagram.com/darthmaus66...► INSTAGRAM: https://www.instagram.com/platicasocu...► FACEBOOK: https://www.facebook.com/MarianaMaus6...► YOUTUBE:    / @platicasocultas  ► TIKTOK: https://www.tiktok.com/@mariana_maus?...⚠️ ADVERTENCIA: NO SE RECOMIENDA PARA NIÑOS O PERSONAS IMPRESIONABLES ⚠️👁‍🗨 Si te gusta el terror, este canal es para ti. Dale like si quieres más contenido escalofriante y prepárate para no poder dormir esta noche... Nos vemos en tus pesadillas. 🕸️💀Recuerda seguirnos en nuestras redes sociales:► TIKTOK:   / podcast.insomnio  ► FACEBOOK:   / paranormal.insomnio  ► INSTAGRAM:   / podcast.insomnio  💀 Acompáñame al interior de la mente de asesinos seriales en CRIMINALMENTE 💀   / @podcast.criminalmente  RRSS: https://lnk.bio/criminalmente👽 Escucha Podcast Paranormal 👽   / @podcastparanormal   GRUPOS PARA COMPARTIR HISTORIAS, MEMES Y EVIDENCIASGrupo oficial de Facebook:►   / 548487930178860  Grupo oficial de Telegram:► https://t.me/+vFdn13cseD0zZWUxTodos los enlaces para ver y escuchar el podcast:https://podcastparanormal.comEnvía tus evidencias a: [e-mail]► Consultas empresariales: [e-mail]#Insomnio #ReligiososOMalditos #Terror #FenómenosParanormales #LoSagradoYLoOscuro

What happens when the creensions that should be able to protect us confronts to the mal more pure? Very good days, afters or noches.

Beemanxed to a new new chapter of insomnia, in where we're to narrate the most terrorificed experiences reales of the audience,

so listen them, if they're and this occasion, this night is with us our great mouse. How is you?

Very well. The new in insomnia. Yes, me can't. Yes. Oh, I don't

for I'm not for doing it's for a great you the episode of how's how's it

called? The Santa Morte. Yes. It was very local. In podcast paranormal.

Mm-hmm. Yeah, the Amazon was it was very, it was it was very very good

so it was intense. There me made a bit of the car in the

not is true. Oh, and before to let's get Comeence us, for favor,

remember us, what projects you're doing, what are your social, all, for that's our time to be

that's really. Well, I'm Mariana Maus, and I'm in the team of podcast

Paranormal. That's. And also I'm with Fermex in CriminalMENT, that also

from the family paranormal, but a great team Fermex. And Projects

Personales. I'm a new project that's It's called Platicas Occultas, which is a podcast for A Predictor of

and you're all right. In the media social, me can find me like Marianna Mouse and the project like Platicas

Occultas. Perfect. Very well, very well, all you know, all the social and all of

all right and all to be to record, I'm going to something in this chapter.

In this capitual. Some experiences reales of the audience, some are stories that

are Anonymous, and as you have you ever seen the theme or the title of this episode is religious or

malditos. And there are some stories that if you you're an person extremely religious, that you don't

accept as as, as, no see, other points of the view, I think

you're going to be able to do it, are things that have been to people that have

are there like we're like us existing and simply at a whole not have been

the same that other people at the moment to entablar this relation with the religion

religious or malditos you want to start let's come let's come for you let's say this

not a question this is what Marianna Maus or a servant thinkerner about a religion or some of

a creency are the stories that that we're incredible. So, so we're going to

start with that. Marianna, all right. Well, this story is called the cross

maldita. The Amanda Luis Gonzalez, that is of Costa Rica. Well, we know,

this story of when was a little, and he lived in a house where they

had, then, the mom, the Tio, blah. So,

he, he, he, he, he, with his brother and his mom,

dorms, he would be not in the room, the camera, so he was used

to be the light of the moon, be the light of the light of the

light to the window. It was a night that Louis could

do not to and when he saw, he did count

that there there was that he he no he was not the light,

nor the mannn or or nothing familiar. It was a look like like rogisa, anarangada,

but it was like how paint to all the nubes. He called much the attention,

he went to see for the window. The house was like a naturalness and he

he saw that in the natural passing his garden there

was a grand, grand fogata and that fogata, was generating that

color that's a but what's the fogata there? Sure. He was he kept

being and he could know that there was like a sombras that were there was

he did much fear and curiosity I wanted I'd go but the time he was

to go to be to he was to make the decision he he felt

he was a power to take to the own and

simply simply patio. And in the garden, I saw the long as the foggat and there

was a little like if if he was cooking something. He gave much fear, but even

again, like if his body, not had control of his body, and he started to

advance and to advance, and to get to know that there was like something

about a little chuska, but there a caldero great. And in the caldero It was a

horrible He said a He said He said He said he He said he He was He was

He was like the liquid He was His cross Discoso Descose He said that he was In complete Panic

And he wanted He was He was going to He was He was around And he did He was He did come

That he He was He said Hearder Oh, I was doing a little

to that caldero and it was the he was he was a perr, a hoski

that was a horse and was with movements antinatural was moving and he kept up

to louis in the tower and he he got quiet he was the

he was his eyes and the perro like if he was he he kept

being he was he can't but he He was heard in his head.

But in however, he had a voice a voice and he he said,

he said, how he said, I'm going to cook first to your little, then to

your mother and then to you. That was the sufficient, like that he

had a little to get to be trying, and he was he used

how of the voice that were these were enormous and simply he's just to

go to go to go to his house. But I said it was like when you

go and you're like you're and you and you never more and I'm not more

I'm not much effort to the house and the nervous I could

open not I'm not a door I'm a never

and I'm and the disperation is when we're we're just Jesus Christ

oh Jesus Christ I'm I'm I'm don't enter I need

help me. And the door, like, nothing, it's open. He rastra as can, enter to the door, I go to

your house, and see it. She gets like, trying to process all what I've lived,

he's a mirada, and the first-to that's a part of the cross. It was a

crucifio with the Christ, and he wanted to to talk to what had passed,

as to ask us, and He was going to, and when he's he starts, he starts to hear

a movement in the the cross that was the cross that was going, and it's

and he and he and he he's not the typical Jesus. No, it was the

car that we know of Jesus Christ. It was a character totally

different. The Jesus Christ had the eyes the The injuries that had were

very distinct to those that's that's the other that's the heart of a complete

horror and agonia and all to get to try to try to say that's I hear of

a great in your ear that that was that was that was he was that he

he was to go to to go to his court to standing in the

court he was he tappo and he intended to forget all the everything

was just only a was only a dream. And in the process of to be a

crossed and taped, he was a great that's that

the but it was a more more more than a agonia

raspos someone really was suffering he was he

was for the front to see that was that

that was he he and saw the cross tirada in the patio but the cross was a

there was a no there was a to tapar I intend to forget it to forget it

until he he got a dream and he he saw that he saw that like that

no had been nothing no they're not they're down

and you know he's he's he was that he was to

see to see me in rapid, and be that he was that the cross. The cross, another way, was in the place where he

had encountered in a initial. Yeah had the Christ. But, but not

the other Christo that he had seen. It was a little, a car new,

with hered new, and it was a look like that's a good, and it's, and the He'd have to jadear, but continue to sonriding him.

And he'll hear that voice, that's true. He said, "'Albue, that cross will be for you. Look? I'm also.

When did it? Oh, I'm totally enterized. Wow. You know, is this one thing? What?

The cross maldita. Mm-hmm. So, I came to get to one of my stories favorite.

It's been very good, no? When when the animals actuar as humans, they're much fear. Yeah, no, what horror, what peserbilla. And those we'd be we when we were small in the caricatures. Mm-hmm. It's like, in some kind of when he, when he was able to acceded to that other reality.

Cirt? Yes. And observed the plan that had, well, the entity or what he said, or what he's taking the form of the perro or the perro-missom, how is doing this and it's reflect on in the Christ. in that cross, maldita. Wow, wow.

Oh, I'm so much it. It was very very good. Wow, that's good.

Look, look, nothing more. This story that I'm going to talk to be a lot of a loton.

It's called the word of God and the to our friend Isabel Marino

that for a sure, oh, no, we'll know what you're to be

that we send us a salute. Asalood. Asaldo. Thank you. Thank you. Thank you.

This story begins for, this story commenced for the life of

his family when in a moment they're the decision to move-as- to

get to the they're like as a family is to look

a house that's more because apart of your husband, they're

a baby very little five months and also he's other children that also

are little so then then it's a family we're that's now and they're

and they're a and they can be a more more

more for the family then they're they're they're

a an great, that for her, is a house that is a full of promises for these new

commisos. And they're very contentos. Imagineate. So, so, then the baby, the nios the little

little little the husband that has been to go to work, but he gets to get to the day and she

to be all the day, with the little day, with the then, so, they're going to try to be

to be able to be, muddows. But, well, obviously, Cajas, muebles, is a,

it's a thing complex. And not they're not using all the other the habitations. So,

there's a house that they're given to in the which in a camera, they're not

in a other camera that's in frontito of this camera, is she is doing

she, and the baby, and the person, so, for not to be

all right all to be to be to be to in the Sal.

So there's a a room that has been to the house and the husband

is there in the house. Of a repent he's she's she's

dormida, the baby is done the husband is too are not there and there

and there a strange that he the one that he's this

sound not is that is like a kind of a or a little

but more it's like a silvido chirriant something, like when

when you can you're revient a cellul in the but external is there. She's there.

So, she is the and inmediate is like if your body

would that that's that would be to exist in the reality

and it put super nervous so. So, so like in

this that you just you just you're just you're

kind of who tries to to look what is the point of the sound of

the son of his children that is in a lot in a

little the room with his two two with those

or and with with with so she she

she she she is she is what is what

is her when he he I looked to see her and with the eyes, the signal to see her up. Look, even I'm nervous.

Imagineate this. Like if existies, that no there, an aggherer in the techo, that no, there. There's a ass of the light blank that is filter from the

techo to the camera of his children. In the obscurity, like if it was something, miracle

and a little but there's a light that has a sound like a chirriante

that he'll and she does know immediately of that not it's something

and his little and his little he's and she he does he does

that he has much fear that that he decided to

put his hand his ass of the light

he's that when it has a sensation horrible because it's an as-de-lose

frio and that she's like that that's-de-l-l-l-l-l- is-bibu so- so-

when it he's-to- he-mere his man but as I think that the sensation

that the is the light is that when she retina a when she and he advanced

to his other his other his other he's a lot of he's he does he's

he's and he the other he's he's he's he's he goes to

he's and he to get to I'm to look to see to be to be

that's in the camera and the and the light like if

was if it's she and he's to get to advance to

the camera and She, as can, level the baby and you have the two two children, one that's

he's got to get to be, of a light that's still, that's moving, and she's going to be to the door

to get to get to that but the light they and the and it and it and then

the door, she gets with his children in the court, now see, to the those are

those, the children aferred to her, she aterrara, what has happened. He has much fear, but his

husband is there out of the other. And then he wants to to say to but he does much fear.

These doors of this house of this cerrojo very great, of these the little just the

little bit of what he is to observe for there to see if yeah not is the when it

aghach and observe of something he's horrible she she knows that at

the final of the pastile his his wife but there's out of the

room in the room there's a little she is a

black he's even the so the so the back

with his calstincit little has the the a cabo

short and rizado. This this is a parted out of the room.

But says that his body is a person normal, a

little, a little has the right, and flexion the

the legs, the little and the and so it's

to be to This, I have much a lot of a sudden and of the right to

back, to see back, like knowing that he's seeing that he's observing, he comes, and pamp,

pamp, pap, pamp. Oh, oh, that's very, she was rapidly. She's horrible. She,

she, in that moment, in the desperation, of that that's, that's, and then, and then

it's, preending the the light. And yeah no see nothing. And the children are that they don't

know what she opens the door. And he's his mario he gets a light and he says what

he says, she doesn't know what is there. No, there no, no there's a little, no

want to his kids. So, then, then, then I look to see,

they're, they're seeing a bit, still he has the baby of five months

here in the not he's going like, like he like he like he and he

he's got to see a and the baby he's a curruca like that he's like he

doesn't like he then she think ohle no I want to do this

so peor no doesn't no pass they're and when it's we're going to gore

and they're and they're to get to get to she's she kept to

vigil and his his kids that not going to go to do that the

night in bell all day the day the day next amenne and

it and all it seems like in in complete

harmony normality and so then so his his

his his kids they're the baby, decide to a woman that's a woman

that's to work for that he's quite. And, and while she read the Bible,

like looking a response, no, what has passed? Lever the night, she feels like

that all is much more more, it's to be able to his children,

she's his spores, so he's and so his husband, so she's dorms in the

baby. And, before that all All they're all the eyes and you

see until the next to the next he said to the little his kids

there in the first to rest of the first to and the and the children and the

baby resan this Santa Rosario that does make a more

and they can to do not and they and in the night

she is she she in her santo when I hear

a sound that he does a little a silvido chirriante and

and he and he and he does a point of that there no there's

not like the last no there but she I feel a

presence like like if someone was going to get to

the room but he doesn't that at the most I'm

maybe you're imagine and she's like a camera and in this moment

the there's there there's a woman that is going to the

room and in the moment in the moment in the she can't move

it she like an energy like a and

you can't move and there there there and

I'm back this woman she be entering and

she is a a little rar. Tieneruncitos short of color black. A camisa

floried. He has the hair short and rizado. Entra and lave to her,

he'll see the and then she wants to be to be and he does

know to be he can't the only that can move are those eyes

and this woman is detient to the center of the and then her

and she'll get to be seeing a valiant because he wants to defend her his his

and then into his his head he he asks energicly what is here

and the woman is intrigue like if he would have heard a little

to her and he said and he respond because this is my

house and the woman But this is my Terreno The woman Volte to see Around the and said

In his Cabeza My term My terrain Is from here To see Yeah It's like

Where where commenced The Habitation Where is The Cama of his Hitsio To be

She when she's when she's seeing what is saying, immediately thinks in the dwean anterior of the house, but no is it not like anything. This woman no has nothing to be with the dwean year of the house that had fallen. No, it's not

for nothing. And is just simply observing that, that's simply observant that, that I looked to see her again. Pond a rostro very serious and he She said, I see

I'm reading the Bible. Linda is the word of God. She said that this

dialogue he made a little less a little bit a lot of and she

she said. And this woman he says you you're you're to

me I want you make you make a rest

and she again she not be more tranquil, he'll be to see, but continue,

he'll, he'll turn, and he says, Recurrecta that in the infirno the

people, those who can't the Bible, no important to your age, and

and she and she in this moment, yeah can be but she's like

that this entity has has drained total the energy. Sienta those muscles like of trap. No, they can't

even maintain in the camera. Cae and he he gets a dormita. A the morning

the next, he gets they're all all right. All right, she's, she's, she's just

she's very nervous. She's very nervous and they say, no it can be, no can

be, what is this? The children go to the school

and they're And just they're his kids of the school, is with

the baby, let's come on me. We're going to rest over the Santa

Rosario. But in this occasion, we're to our our

reason to a person the woman that is the place

of this time. Think in her with much to be The children, obviously, if the mom is saying,

decide to and they're saying and they're asking and then the calm and the calm was going to the

house. All right that was that now she was going very well. Sin however, one

one night that even even even even had maybe had been this thing,

he came to his day I got later and when when he to the abitation

and see over your a Bible a Bible a bigia over her

room in her she really really the attention because obviously

they they're they're not pertaince to them then it then it

and obviously the first what is the first the first

of that that Bible, I said in a note manuscripted in Tinta Roja. Thank you for your oration.

Continua, well, of who is this? And there's a thing very strange. All the

pages of this Bible are in blank. All? Menos the ultimate. And what

I say there, the Jena of terror. Because it's and the

that not accept my word will be received in the obscurity

eternal let's tell you know in this story two people

not resar no sure sure that that canion

no brutal brutal that that brutal so because also because

it's very common no, these, like, spirits, that not, that don't, because not they're,

like, this process, or rituals funeraries, that for them are many are those resos, no?

And that are important? They're important. So, like, probably it was of many times

generations after, when this seniora lived there. And, and they, they've been

also, too, because they're, not, that are this reason, for

them, and And at the more was a woman very extremely

religious no. No, manches. So, so it it was like so it

but at the point of manifest yeah like she was she was a a entity

celestial, no? Exactly. So, like those wanted for there,

but in the final it's like the no, well, the fact I'm

so my, it's like my so my so yeah yeah

yeah yeah yeah it's the the word of God. Oh,

super amazant. No? Yeah, so, yes, sir. Yes,

I'm going to say. If I'm to rest. You're talk. Okay. This

is called the Santo Old Vidado. It's of Linette Fonters. Well,

Lynette says that she never had been a sensibility like for energies,

of from very little, but no he had passed nothing extraordinary.

The chiste is that she was that she was in a house with her mom, but he

also her and his baby. So, she had she said, that sometimes

that sometimes, yeah, that's not the time, or because I was like a

mind, but I'm never was a one and the this time she seemed a more

more profound and I think that he observed and he opened the eyes to see the

entire of the night's not but this this time saw that there was an entity that was atosted

in his camera abrasand to his little his son the eyes were completely

blankos and said that it was like if they were like if they were and they

he was and he And like, and like, and more and more and more to her baby. She's. She entered in

terror absolute. But this instinct of protection of mother, vencedo, hallo to

his baby, he gave the back to the entity, and he was he was in the eyes, and he

was he was he was he and he was trying to the same the sensation that someone

was able and was to be to be to be a But, but little to

the dream and she was in the day next, I can't forget the

the entity that was going to the thing that's that's a spantosa

as for any because was that she was being a menaceable. She

continued her day normal but no I'm to think in

that and in a moment of distraction he to grab her telephone and

he starts in the social but he started to do you have used of something

that she never had had been of your interest simply apparently and it

and it was it and it was the videos of these videos and

he appeared much the same the same of this the

idea that was the the legua of the Ravavav and

D'A and it and It was like it and he appeared and he didn't even he was

concentrable in the message of the videos. Unicamente he's to distinguish that only

he was he lae lewa, elea, lewa, elea, lewa, and he was he kept thinking,

because there were certain descriptions that coincid with what she had seen in

her in her in that night. Then she then she she was going to

go to get to his his his his his for what

he had lived the night and again at the morning

he and he to see a mind a look

and the eyes and now this entity that

she was she was was standing at her

and he was he did know that the

mind was a In a initial not was not hostile only

he was not I'm not but not hostile now he I'm to be a more

more more more more to the next the next the next the

and it every every every every that every more

enoched I had to have something I know I

know she he's he said to her mother what

was she was that I'm too that not he would have gone to some experiences pasted, and her mother,

well, he had created much. When he begins to to tell, the mom, she's like the color of the skin, she gets palid,

and she's he gets, and he says, do you, know, what I'm, you know, you know,

this entity? And in that he's interruppe the carcachada of the little, he. He's,

He was just going to be like if he was going to someone else. He said, where is that? And he was to look to go to the house and I was

he was going to he was he never in his court, no he was going to he was called until that he resulted

that was in a quarter super abandoned that he was he was full of and he was the little

as if knew that he had there had been he had cuted some

and he he went something that was an altar abandoned socio with

all all all all all terrible conditions he's

a look at her and he he said that's the legua that

that he's he did look out right for guayavas

for dulces and we we're going to come he's he's

he went he he's he said what he said what he did the

They put it in the altar, they were in the form correct. And the mom, like, not portable

much, she was the she was the religion, no said nothing. Only he said,

and she went, and what I do? Nothing. And what I do? No,

I'm so. Rezo? Yeah, all the altar, yeah is solosionated, as to be a

wholeester, she went. They were to do and then this mirabed in the

madugada I see the the but I'm sure he was there was a

he said he said he said he'd he said he said he he was

to sit like to be to and he disappears and she

he's still she she she was she she had to

have to change certain fruit and he And I saw that his Huccagid

in front of that altar, that was a lot of the altars of the Glewa, that has been this affinity

with the children, and they have seen many people. It's he did normal to

a certain point. And she he went to a job, and she was really occupied all

the time. They started to go to look to the altar and it will be

up to pardon. I'll promise to your altar. The entity neged

with the case of the like I'm like I'm like I'm like you know? The

commode the altar and then he gave to know that something that I wanted

more something more, something he was to be to be to be

to be a way that I had to do you do you do to do

some certain rituals that these include certain sacrifices. Sacrifices

animals. She's she said, no, I'm going to sacrifice a guyna. No,

I'm going to do this. Pardon for having abandoned to the altar, but no

I'm going to a guy a a guy disappears. Passed the days,

he again, he's he said, and I want a gallina. Now I

want you want to make you. No manches. No I'm do

He disappeared. Every time that he went, they'd start to change the things. He started

to get to be there his work. And she not wanted to that was because

not was not doing with what Elwa he was he was he was and he

he went and he he did nothing. Until that then he started

to see how each one of his family was completely

He was really really a man-inferred. He was just-spersed. He had been a lot of money, had been had been a misdades, he had perided all. He said, I'm going to sacrifice

to these animals that he said, and he said, No, that was before. The things advanced

and I need a very sacrifice, something that you ames. and that the entity he went to to see

his he went to the look at and disappeared he's he was he was

he was a man he was a and he even she she

she can go because she that he could be not

are sufficient and until the time just just being

being how the things start and start and

she what I have to do. I just a number, right? Yeah, well, yeah,

you know, you know, you know, you know, that's that you great, super,

grave. Yeah, you know, what? I know, I know, there's there's different

creencers and here is a religion, the religion Yoruba. A difference to other religions is

where one does the vote of faith and you have to think he is there never is

to communicate to and never to see, et cetera, et cetera, here, no.

So, here directly the entity to say, I want this. And what is what you need? Sure.

Yeah. It's a moment of reality. So, not onirically in the dream.

So, there's, that's that's the other thing. But it's very clear. It's very

clear and you have a little. Who know what was what he said the mom?

In what moment he's became part of the religion? She's not so

didn't, because he's didn't She has to have to come to a santa

or a santa that that's a because what here me is that I don't

think that I think it's the I'm that I feel that

as a mother is from the religion and he did to a

form equivocation if at the there was a something

was like a man a thing And the protection is a

and the protection is there no there there's a there's there are that they're going to

get to get to know we know we know we're we're there's

these sacrifices but the but the motives for those who they are totally different not because

today it's because today it's my gosos it's because it has

it has it has a the essence of that the animal has a

has a same has a Here no has any sense. It's a capricio.

It's like another entity and it was the legua who's but as you're not you're doing. You've got.

You've got to the religion they're in the protection of the legua and this entity is

using the image of to get the she's the legua. Yeah, exactly. But that no means

that it's exactly. But as she's not but as he's so it's so it's

so it's sure that I think it's sure wow Wow, wow, wow. Okay, this movie

perritte. Oh, this story, look, I don't know why I think so that's like

that's like that could have been in my family. It's called Papa

Pepe and the Amanda Alberto of the Rueda. It's Chegat.

He said, we know, he says Alberto that his father was known in

the family as Papa Pepe. That is, That is the Papa Pepe, his ex-a-boyl. But he fellacy

ago after many years. Fallece and in the same family know that

his spirit his soul no transcended as it has been his spirit

not is this because they're that he's he made he had

made a a a church of San Juan of

the lagos. I had promiseded something. A manned. So, so it's

he called. And well, although his body was interrated, his

spirit, his soul was going and it with the necessity to put

to a message urgent for that you can help to

that you know, you know, you this is an

not And you accedes to certain things, but for that you they're generally you're a little something. Yes.

Help me to to get to my addictions and I you'll for example to come every year

and to get you a lot of rosas and so you know to do you to do

what's what happens and you know you're but what you pass if you don't

you're you're so So, he says that they were in a reunion familiar, and here are going to enter various members of the family, that I know that much we're going to connect to some members

of our families. One of them, his Tio Max, the Tio, that's very young, this Tio, Max, of 17 years. He said that in the reunion familiar, de-repancy, of a sudden he came to be a way

as, like, kind of extrana. they're there and they're talking normal and of a repent he came to have ademannes

forms like the vis-a-a-s like the pap-pe but like they were and they were and they were

like they noticed that something that was that was the first yeah at that point to that

is that time and it's then when something when something something something

something very very very very very Because as like it was that, that's like, yeah, it's like,

the repent, so, it's like, foo, ingress, totally the spirit of the Papa, Papa Pepe, in Max.

And then, they decide that they're to have to go to the other house, that is the

house of the vis-abuela, for that maybe, so, they can't understand what is what

is what's going, and they're going, and Max is like, like, like,

like, like, like, with the Papa Pepe, no? When they get to the house of the vis-abweil, open the door and there, and then, sat down, as, as being,

was the Tia Sol. The Tia Sol is this Tia, that Tia, that says to have abilities psychics. She has the Don. It's that it was an image tremendous.

At the 11th of the night, It was very obscure. They're going to make like, like, he went as like a sudden and it's,

it's, it's, it's, it's like a little. Abren the door and see a the Tia-Sol

that's there, with a mirab penetrante, with a cigar in the man, he's,

she was going to say, and she can't, Cump- their and so-

and in that moment, Max, boom, so, as, like, like,

He'llpe a contra contrae a caja of bottles like, so, and so they're to be to the end, no? So they're

like, what on, no? So, trying to to help to use, that's,

he's there's there's and they're so like, trying to make that

reaction and it and it's dismayed totally, open the eyes, he's

he, he's a one, signac to a corner to a car, and he

there, there's Papa, Pepe. And all then, and all

the place and he's going to and he said what's what's what's he's sitting at

sitting there observing those those a a year's in panic while he was he was smoking

his cigar and get a max and and of a and he

and he he says he papa Pepe he wants he he wants

he can't he can't and again he again to

desmayar. And they were with this, of that Max had been back, he was said to say something of what

he wanted to say the he'd to make a dismayers. The Tia Sol, of a

repented, please, wait, Papa Pepe, yeah he was going to leave in

peace. And it was like that had a man's trapped between this

world and the other, no? after this Max Despired and he

he was well he was obviously he was obviously he said other not the other the other

but the Tia Sol if I did it was what was what was with the don

and he he said that what what Papa PEP was that was that

was that was the manda that he had had had

had that Papa Pepe had a Deuda with the Virgin and that Deuda

made that his own was going between this world and the other a place

where nobody who nobody wants the was the ex-abuela is the

the wife the she's the she's they're with her and

they've come to they've got to the mother Jobita

and she she's put very nervous but she knows what is what we have to do you know and then

with his hands temblorosas open a cajuncito and from he's got a medal of the

virgin of San Juan of the Lagos this this says that had been

been many years after when Papa Pepe he he

did this so so he took Max was well was

he he he he he he she had a he put the medallitia,

and then it was a little bit of the atmosphere, and then he said, Max, you know, and then, and then, and, you know, Max, you're going to, and then, and, and, and, of a sudden, he was, and he was his body, and it was his body, but no, it was he. He opened the boca and he He said to

And the voice That was the voice The boss of Papa Pepe And he said The manda The Pacto No,

The pacto Debe Entregars If no My Alma Never Encronara Descanso In that

moment He'll To close The Wants The Wobre of the poor of Max. And the Tia Sol

let's say, we're going to get a Max to the sanctuary of the Virgin, so that

then then to make to make to make that the Papa Pepe no could do come

and so they were to go back and they they're going to make to make's he said

that's so much so much very well but they're to this

little but they came to the church and Max had the

medallita this and he He went there between the people and and he

started his oration. He's and reese, and reese when, so he like he was

like he was going to get to be to behebnerce. But yeah no he was just like

that's like he was disvaniced like the yeah he let's all to all.

Mission complete. And he said that all in the family senti like that

something had had been made he made and the Passed some months, the calm,

was reigned in the house, all of the time, everyone thought that was assailed that pago that pay of the Papa Pepe. Without, that night, at the 11th of the night, again,

Max, he was a dream very beautiful, when of a sudden something, and he got to, he waspired, and he was

the eyes and was a bit of a odor. Like if his body was aterrower but he no said

he didn't even if he could and when he he discover that in his room in

a corner in an was there was something or that was that was there in the obscurity

and he with The fear, he tried to to affinar a little the

view. And then that was that was that was out of literally. Literally.

He was the Papa Pepe. But he was like, and he was there, he,

and when opened his book, the mandibula crugia. Max in that moment

he's trying, but he can't. and is another again there

again. And it occurred a thing that I mean I'm

really because the room is very ample and in the

obscurity there is what is the he is a like

he says something only the quug and hejada

and he he and he and he he

he move. And when does the gesture of acercars the, the that's the Papa Pepe he's a little.

And he'll be to do the gesture and he's a little more. And he'll make to make the gesture until that he gets front to front with Max. He no can't move and he. And yeah that is that

he, Papa Pepe, he he'll get his hands, guesuitas, they put on his be in the pecho and commenced to have the

dead to do you that's he's a moment he's feeling how the life

and he's he's he's he's not he's and he got to get to

get to he said he's he's heard in all the house

all they all and they're in immediately thought

in they're going to the house and he

he's they he immobile in his camera in position fetal He said that He said that he had The eye

Abirta Totally He was open He was like Cuechandos of a dolor And at least time

Like aterrado I'm so There's so A A-a-ah There's They're They're

They're They're With much Mio A Max Even thought that was

a but was a little was a he was a he was a

when they were to be how they they were how they heard all those

who were there clearly the voice of Papa Pepe behind of them

from the end of the he said the he said he

doesn't don't the offender the offender is one of

You'll be with me. Disapparece. And here, I'm here the story because it's the last event

registered of Papa Pepe. Vente's. Who know what what he did?

I mean, what he he did but the more here I think it happens

the same, no? A virgin because you're to pay to somebody to

somebody no? I just I'm only I'm said. I can't conjecture many

things but then I don't see if the people will be to get to get a so I'm

going to you're a lot of you go to a place where

if you try to say that there not not they're to

do do you want to you want you know

you you know a person a place because

more more than the God that you want

to do people are things are people and

He's crying, Piedying. There's a cumul of an energy negative tremendous. And at the more he went

to pay to something. But he ended up somebody else. Sure. No? Because

no, not. And what that is that is the Papa Pepe is a offerenda,

me seems very clear of that he really. See, no, that's

horrible. That horrible. That horrible. Yeah. And the poor Mark. The poor Max.

Yes. But the husband still the wife? The wife? The ex-a- The ex-a-soulos.

Yeah. The mom-jobita. It's Papa Pepe and mom jovita. No. All the past. Oh, no. That's...

That's fair way. That's... That's... Well, yeah. That's... This story ...invocation Santifical

is of Lose. Okay. Well, she She said that He said He said a lot of He started He was part of

a groupio of this Christiano Catholic And she She said Like, the chief The leadercy

of the group Well, he was of the most because it was of the most. So, he said they'd say that

they're going to have a misa Pentecoste. So she was She was very emotional But as well She was going to say In the night

His papas Not even So he's Acerca So he says He said that For favor That he'll

He'll He'll say I'm going For you I'm at the Recojo But at the I'm

She was She was She was She was To go to Misa He was He was

He was He was He was He was To be So Total he got the

place and not it was in the same place where they were they were a new and they were in a colony

that was a lot of a lot of the state of Mexico so you know that's just it's like

it's very rare and he entered and he he was he was he was

all all very well he's at the and then they're they're

they're they're to be able to get to they're to be that in filita. No, there's shias,

all parados, and that was very important to have the eyes the rest of this time in Latin,

for what they had to put much attention to the pronunciation, and they had to say it after the

leader. Okay. Okay. Total, it's a time, all so they're all,

all, and they're and they're their faith because the day of today we're going to invocation the Spirit

Santo. Yes. What? Okay. All very emotional and he starts the eyes

and he gets parada and he to repeat what they said. She didn't any the

minority of what was saying neither she was the other and was

like a little insecure and and of and of he started

to see how the lights the lights they'd you know when you the eyes when you're

the eyes so you're in he made a little he made a little little bit of the eyes and they're saying and the repent he saw the way

how from a point of the front they're some people that I've never had seen

those people were all women and they're they're red, they'd

and they're hands and they were going to go back and they're not very

but he's to put attention how all they went for

different but there there one that was that

was that she's and for some she He was

He was You know, You know, You know, You know, That's this, Like, Something

Something he said that He said He said, But he He said, He was He was

He was He was He asked, Stira the Man and he And he He got to

The person that He was He said, He said, Like if he could be to start.

The feet were to be the feet, let's she's parted with the

head a little down, like when the she'll get to see the

she's and she said, she said, she said, she said, she was, she was

she started, and started the people, the people around was going

was all right and they're all right all this people, because every

that the people, like the people, something, something else something's and they'd

and they're in a control absolute. The person that was disenfrenated and he started to attack to

everyone. And everyone was to attack between everyone. And the women in peace,

they were to come one, other, and I entered in panic and she went to

and she was in the first place he went to and he's made, and he

did it that for favor to get to the leader of the friend, as his guide, to

to help her, to help me help, that for favor me help me, that for for a favor, me and never he was alone. He was called, how everyone was out of that time after that's

completely solo, in a place of a middle of a street, dangerous, without know what was what had

passed, he went, and coincided with that was the 11 of the night. In that moment

he was his Tio, he he took and she he was That's horrible

horrible horrible he said he said how you how you're well how you

went well no me you want you're I'm I'm I'm

I'm could I'm I'm probably what I'm what you it's

it's sounded it's So, so he to his house she went to

and she got to even and he was just a person and she seemed

deceptionate because I could think he had been that he had been shown that he

was a little a girl she and he and he to do and try

a voice a side to she I'm never I'm never you

Voltae and see a man parado at the front, observantola. She's sienta, she acuesta, and starts to her she gets to move she did a count that this sombra

was made to be behind of her camera. No could do you could be to get us she'd be

to get us and she was and I was a respiration like with much anxiety like to see what

she'd be to be standing at costada, she's like if someone agarrares his covichas and she

they're going to keep her. She didn't move her and she could a man frie a cold in the

and then a second to another the other the and she'll get to the and she's

and she's and she's and to the father's what's what what's? The little

she starts and he and he to cry, and until the day the next he was

he was going to tell the he was, he was, he was, he was made under his he was in his

camera. Total. The father's trying to find the group, he asked where they

were the place, where they were the place where they were in the day, abandoned.

No, there was a other paper, some pago of a little, some, a little bit of a lot,

to you know, to that person, the telephone. The telephone no, no, no, existia. Never could end with it. At the date, the chick mentioned that

that there is something that's a part of a ritual, and he said that she's like if her alma not her own like if there were someone waiting to the last

of his days to get her to know to know what? No, ma. What on, maus? Oh, horrible. Stories

Very. But, but I'm going to say, I mean. The, that's all, they got, more people to get more people

to do. That's all and not didn't know what's that's important to know what you're

important to know, no manches. Horrible. Horrible. Wow. And not to find any rastro,

how do you can't, they're desperated. No manches. Wow. Oh, Hey, that heavy, eh? Yeah, loco, cortita, but...

Look, this story that I'm going to tell, is very strange, but, but, well, there's very strange. It's, so, fast, could have been been a little bit of a movie, like, like. Okay. Ah, yeah, I'm putting this, because

yeah, me did free for the fear. there this story is this story is a demoniac and is anonym

wow from the from the person that person that this story us

us us and it a event that he occurred to her and

her and so the family has had been discussions very

very because there are people that have doubted of his and she

juror that all that you're that I'm really is totally very

he's he's he's when occurred this his his

abuela was in a group in a group that's they were

they're people and were people with a special very

particular and they've studied this so that they were

they He's called Liberations, that basically is like to do an exorcism. Only that in the church Christian, well, not use the

word exorcism, nor are exorcists. Here can be women and women who are not forosoment have to have to,

you know, have to be, you know, and if you have that don particular, then you can't teach,

or you can't learn and you will be a liberator. His abuela was liberator.

He said that in one He had practiced various times Liberations They've been How did it They've been Many times

And so there's many But it's That's a occasion There was a event in particular That was For decile Desastroo

It was a A young That was a Young They're going to This young That was Part of the

church Christiana They're To get a Cases because the papas decided

like to get to the house for what was going, she was she was, she was,

in possession. Yelgan says that more or four people between women and they say

brothers that are to liberate to this young and when they're and when

they're and for a moment, it was normal, but their body

was a very, very deteriorated. was in the was in the was a youngs

was a imagineate super delgatita she was very bad physically very little

one one would be very very not they sat in a

and she was she was like she was very so

and so with much and they they're they're they're

they're When they're to rest that one of of these parts that are that's is trying to

get a guide on how to help them. So, directly they're to connectarse

with the point of God, and God and God and then what they have to

do that to help to do that they're doing. They're doing, the poor chick

was there when of when they're even, it's just like the chican a carcada like,

but, but, but very and they they're they're that in that

that was in her yeah was just being to be and then he's a

and then a a mancaver this this much there sitting at the

sitting at the one he said he was he said you you

matthew he's with his words with all his

words What What do you What do you? And And those He was to attack First

I said things Horrible Those insults He said, he'd And he said He said to Gritin He came to

Four of these men To try to Detener it Anderer the Cilla Because she He was

put in And she'd say, no, no, degen me, and when she had them and when they were they'd be in aventing like if they were in the trap-it. So, this

young-sit, so, was tremendously violent and of a force totally supernatural. They were

they were working in the liberation, and they're totally to what the guide, God, they said that they had to

until that in a moment she was she was laughing with this car that was that he was you're coming

you're you're gonna you're that arrae that said that she said that's something

like she disbenece a little I'm and I'm and I opened the eyes

and you saw you that she was this child for favor helpen me

for favor and the abel she was he was a moment that

she was she and not the entity and he he said tell me what was

what you did he he's he's he's that my parents are

to do and I don't I I don't I I and

he he he he he he made to

do and he made a my time to

my my my parents not even they were to divorce to

see the and he's and he's and he's to say and the abel said

we're we're to find that that that and then because

literally the document exists physically physically physically a document

firm with and they and they they're to look in the

room of this little. And she's is laughing and she's there's there

and they're there they're in the room and they like if were a chister

there was the document in the camera between the little

but there a petul in special a peluch a

pelluch peluch as that was this animal with the back

and with the eyes of a button of plastic but he said when they said she went

like that that's a muke that's like if if a through those plastics

could be and they was seeing and they were seeing much fear but they

had to put there she was she was she she she

to come to see here what I want to I'm

to I know I know I know real. And this is the motive principal for the

this lady took conflicts with her family. Because she has made. For God, that this was real. When she was to come to the document, the peluche

she moved. Tomo the oja and she got to the o'cic. And the o'clock. And she saw see her. The woman's, the girl. The other man, and she he saw him. And he said to one,

Traem me a Cucillo of the Cucine. He went to goreason. Reyeso with the Cucille. And he was there the pellucie that had moved. Sentadito, with the mouth abierta, vying it. She took the

Cucille, he was acceded the moñecchio, claved the cuchillo, and it opened. When de-taped the moñecke and And it's all the

algodon of the there there was the document arugated but it was like

between something and it and it and it was horrible he did so asco

that he he didn't even to talk it said the the edor that

came in the moan so that even even had

got to they they're on a fire Prendered the

Fuego Tom Tum to Pelluchy and the moment in the moment in the moment in the the

moment in the the odor askeros and it was a redro the of a

little the Muneco grito. And I heard of the

a gritty horrible. She consumed the fire and the little

was she was she was she He came to his house, passed on some days, months,

months, and of a night, he was to sonar the telephone of his house. This woman,

this she was up and she did very rare in the madrugada. Coges the telephone.

Well? And I heard a respiration. All right. Allo. It's posposed. Pee. And in that moment,

I heard the the reloge of his kitchen when came the minutero. But in the place that the plastic

it sounded like like like as distortion and she he was

and he was that the lights that he had turned when he was

to the telephone was like not parpade not, but like they were to be able to

and not. Like the reality was rare fluctuable. And she said in her head, what is

what's going? And then I heard a risa that she had the that was

that he was back, and he went to back, and in the

the the piece of the kitchen was the a little manoe of peluche. There,

with her boquita abirted, and the reality was fluctuating. She thought, this is not can't be.

No, it's to get more to the kitchen, to take a to make a a mucyio,

but then the manse was to move to. He was in the piece and he was

to be much fear. And he He started and he I was going to and he was

a racerastrava to her and he opened a door where he has a attic

in that house had like a well no an atko and he and he started

a lot of a Bible had a book where there areations that they use in the

liberations he was he was how the muke was coming and the reality

was fluctuant all the sound about rare and the muke and the mania and she

abe this because not could remember her not but I was there

was written and he he started to rest and the the the man and he

was going to go to advance more rapidly and she

not he didn't not he didn't and he didn't and the

the lights again all the not was the reality rarer and the the moke was there

no it was there he was going to what I'm going to do you do something and in that moment

so they're all the lights of the house and they get in total obscurity and he

he sent you much fear but no I'll let's the little

the light the light the there was the man. Like if

he had imagined. But if he passed. When he goes to the

place to the Bible, of all the thing that he set it, he got something that was

in your house but that not he had been to her. A cross

of metal. Rarissima. Because this cross was like talled a man

the metal was like talled with some with some some of somebos extranissimus

she said that's not a good and what and what was doing in the house took the

cross and the day next was in the day of the church there was the

he was he said I need to talk to talk to I'm going to

all the whole was going to the night and he

he he was done with the brothers, the liberation of this muchuch, the muke and that

he had encountered that cross. So, the father he said, let me see her.

He he's the cross. And he says, this cross is an element

used for a ritual very an ritual very dark and very powerful. It's

a cross of the church but has been profaned with these elements

maligno has been much force we have we have we need we're doing

a ritual you help me we're to destroy this entity for complete now

we're we're going to do the church and the she said

well well well well let's that moment, above where they're

like the celles there in the piece, they're at this ritual. They're to or

they're they're they're, they're to look to give to this guy to say that's

what they're to say, and of the church is that the church is more and more

and more dark and more and more more more and more but

they're they're they're continuing, continue, continue, And a Risa

that she she had another again. The Risa Macabra and she looked

to the obscurity and what she made she made she she was she was

a she was a young she demacrada debil destroyed

but she was she he was and she he's and then

he he he continue resando and she she had continued

and I'm oning and over and and then the reason wha the risa and the

but yeah it's to make to make sure with other grittos like animals

like words that no could understand in idiomas strange to all

around of the church they were so they're like like

those were all all all all all all

the santo, well, no, the santaos, the images of things that are there, says that's they were in somebs of the sunbara's horrible

in all the church, there's all the energy, and of a repent, and the way that would be a tormented,

that were to retumbed the pard, and they were like, pram, pram, pram, and this

what happened? I said that's the thing most horrible that has seen in the of a

all he'd do it and there was an and there wasqueous and a

light that was just in the place where the parents were

turned and they and something and a entity totally dark

totally dark with the eyes like literally and in

all the extension of the a word, a demonio. He, he was he went

his hands gigantic, he was and he said to read. And he said,

Now is my turn to give me and she she said that all was that

was there and the sacerdote had had been for the ritual for the

oration a fire he observed the cross and

the there. Grit to this and he started a black and speso of and this

thing, like it's a paced, he was to get-uped, he was to retumbed again,

reza, he said. And he he said, and he to rest, and the father also,

and he said that were some those seconds horrible. Not they took but she

she sentia like the mismissima maldade was there very very close

she was she was he was when he when they never never said so much

she had seen in the on the on a chark of the father he

dismayed and he didn't how but the cross this of metal

was disvanic Like if the This is this He would have consumed After the cenises After this event As I said

She was She was liberator Never more Never more He said And said that's A story When her

Shefferned With the Mismissimod Wow Yeah It's like Like the The movie

I mean The Munequito And all this Yeah, it's very rare, but... It's very

rare. It's very rare. But how they're the contract physical? Now,

that of the mokees this, that every that they're like, they're like, they're in

maligno. And those cheman, if they say much that's how, how grittan.

I have a doubt. What? I mean, I know. When they were in the

church, she used the carcajada and he and he'll and see that's this

young that's that's that she did that she's that she no, I

think they were to torment and distract and debilitar and and debilitar no

okay yeah it's that I don't know I I'm I'm

I vote for that okay okay okay okay okay

okay okay you you take the last and

now I I talk because it's one of the

stories more more fertes that I've told to do you this

this this this this this the house of Anna thank you

thank Anna well Anna Anna that when I when I was

when I was very little when the 10 and 11 years a day

a day passed something a very extrano. In it's a family is

Catholic, ban a misa, all all right. So, there was a

special for some festivity that one was and the church was

a and they were like of a little of those times

like all they know she she saw she was

a very a very good her, a frienderita of the salon,

and she was a little, she's a second back, and she to get to

the misa. And of a little, she's going to move to get to

rarrow. Like if something letronate, very strange. The mom had

still had stilled and he said, he's quiet, there's the

misa, and the a little The little bit about, it wasia caras, I'd never

and it's unco-of- until he started to make yeah the world and he's

to get to get it. When it's she's the voice of a little

but he started to change the tone of voice with the he was

and he started to get a grave like the voice now

that was a she a whole He was And he went

And he went And he said Calmedse all We're going to In the center The father Rezable and

But like He said much And the Herma Elsa Comienca And he says All those

Reces all Reza more Ferte He's more He made to the Hecels Firtes'Urater And then I I'd let's go out of the water bendita, and the

little bitters, and the little bit of the vireos, and began to kind of to tronar, and it started to vibra. The bankas, like if they were allotting on the soil. Reces, no, they're to rest. The repent, like, all of that all in calm.

And the little, she's left, like, can't and her mom, the moment of to want to have to bring her, and she's, and she gets to be

the mother. You think this is just just got to see the and see the and there's a little

rudiment and the and the and the door was over was the

people is more I'm not even I'm just so they're just that's

that's just that were being to and they're they're they're

they're again the little to the story that you start

to be and starts carcageer but with that that was her.

I'd I'd shushed demoniac and they're and then the little

like in a little in a little to start to start the those

those truanan and and then and then to see to see to look

to the little to look to her another and she the she's

the and the the part of the the sound. He's they're

and they're and they're and resando and like the things have gone that they're calmed

pass, they're at the misa all the world is very very in their

and a and a little suggestionate but over about Anna.

Anna said that that night had that night had she

was to she was being and the the

of the church. He told his papas. He said, Calma. It was

something that was an socessing inexplicable no there much. All right. But then

the the behavior of Anna began to modify. It was to

be more grosser and her and her mom said that he was

that was that was that was so Are you open? Are you abirited? And he was about.

Anna. Nothing. Anna. Nothing. Like if for the inside Anna was his body

was still his body. That's her mom started suspecting things. So,

he started to put a cross a, in her court. When Anna enter

to her room, he gets parada and bolt to see that.

What is that? A cross? You had to your quartito? No, I want it. But it's for you, it's a gift of me

for you. No, I want to I'm going to say that. He'll answer with a grotery and the mom see a

that's going to take the cross and she'll know where. They're found that in the

house, all what had to be with with rest or religion, blah, he was

rechasant. But, but every every that they went to that's an

was in nothing, even even to get a content. And no they didn't

say to the father is that my daughter, is that my your daughter

also, they're doing, they're doing, they're going to get to get to these

things, but in the in the house, you'd have been to hear other things. There were more

manifestations. Pisadas, ruidos, the mama had had pesadillas. And in the pesadillas,

I mean Anna, but as Anna would like she would be her own, she's

important, it's important, it's important that every time, we're going to do a misa,

we're to go to misa. And one once that they've been to find to find

with the her mother Elsa. He says, you know, I know, I need to do your help. I know

the father me said, I'm a good, but it's that's what I'm going to be this, and Anna

is the person, and she's quite here, she is there's here, and the her man, Elsa,

she's like, she's like said a something, and he didn't he said, he, he, he,

he gotra, you know, you know, you know, I know, I'm, no, said,

he's, he's I was kept thinking. And the mom regressed and got her mother

Elsa. What you know? What is here? What is the solution? No

doesn't anything. It's so so you're so you don't you don't

you're to be and it he's he's he's he's he's

he's he said I'm I'm going to talk I have a report of someone of the

church that something is a good is a you're sure you're sure yes it's anonym it's

public it that's that clausur in the church because after the inspection

they found that the father had rituals within of the church

and to who were they were they were the of the photo of the

companyer of Anna and of other the other other kids more. Claus

in the church and since Anna regress her same red

religious or malditos or malditos always there's an exorcist or

something but I think the block the the the

that advance the rite the rito of certain form. But

what's very, no? So, you know, so, they use an

etiquette to be the good of the story? Sure. To make their

fechorias. Definitive. And the how they always, then there's different

stories, not, where the men, the men, that are there are

in situations in that that you do you know is a complice,

or reportas but you know you're to be past or

a, thousand things I think he he's what he did he's like a

question of a policeia so you know to the policeia ah exactly exactly so it was more

a message yeah yeah yeah yeah wow okay okay

you're you're you're you're ready I'm so you're I'm

you're this this history is the same the santo

patron And the Amanda, our friend Alfonso Martínis. He us said who knows exactly what is, but that the churches always give them like a lot of fear. It's a little bit of that a mix of what is very pulkro in a space very antivocal

where things good are going to occur. But much people enter with those malays. that messra, it's a messure, it's a every every time he's

every time he's these rostros of these figures, of these santos, of these

virgins, of these angels, of this God. It makes feel inquieto,

inco inco and he is that they're that they're that in some

moment that they're going to move but just only he

he says and so like he has been always been for so I've been so

away of the religion but not so you know you know you know

you know you you're you know you're you're always you're

always he's always he says he he's he knows to understand

because that is something is something sacred. It's something good. It's something that is something that's something that's the one of something. But, but he's

conformed was passing the time, well, simply this was that kind of a anecdote. He begins to take a rumbo his life. And he no's a point of in what moment? These decisions negative

no Paz No, a cup more No Psa nothing Oh,

no I'm going to my house No Pasa nothing If I consume this

substance I can be more time in the Fiesta No Pasa But

if it And we says Well that the Excesses the Bicios

Yeah those Rebasar so that he is that he is a

he is he to his his his his and he he doesn't

that he he he wants redire his life for his well

and for the of all various of his friends he had

some something that is very obvious to to get

to a God, in special to a a saint that is very miracle to the saint patrono.

He said that he put his life in the hands of the santo patron. He will be all

the other he only needs to ask you the things with faith

and he he will to conceder to what he say. Dicen that this

santo patron not does distinguish perfectly if you are a

person or a bad, if you do do or no.

Then he he he he he went to the

church all was in silence there were people

incated and and some with the rosters serenos

others at point of the yant. They were with the hands interlacedas with the eyes serrated

with the people. This people with his fears, his illusions, his preoccupations,

his repentimements, all there piding that energy that's kept in this place. And he

he said he inquietto but now was there was there was there for a

reason important. So, well, He goes and he posed front of the santo patron. There was.

This figure enormous of ceramic with the hands extended and the palms to be the eye of the

sunnica black with photos and chains and pieces of paper pegats in all her

body. Of all these persons that have pedied, his eyes

brilliantly, crystal and almost, like if you could say you're saying

that's his own eyes with his he he went the

door the he closed and he he said

he he he's he he's he he's he

he's he he's not with the with his pensions, with all his emotion and her energy

deposited in the santo patrono. He said that he said that he said for that his life

to change for that to do that for that his way for that

could be to make his commetive to be of all the vices of all

that he did all to do to advance to he had to liberate to do

that all that that's that he impedeer his way to do all and a change

he offered his fidelity his obedience a and a feast every

year he said when he he opened and he opened the eyes

he he felt that something he had changed He came to the church, convinced that he was done in the manner correct.

That same madrugada, his telephone no. He said that he had touxiliar to the gerent because in the company, one of the alarms, he was on the end up. And not sawed why. Then,

then, well, he had to have to be able to, He started to vestirce, as he was going to pass for him, to get to the company and revisit that had passed

with the alarm. He he's a in that company, but just no he took to work

that day. He was he'd be done of the that this was part of what

had been had been had been he'd get to and continue do not be to be a signal

so, well, as he was one of those that had a lot of his house at the time

at the time in that moment passed for him the the gerente he said to go

to his house he said in his family in what was doing what

was I'm incomendated to the santo patron he

and he went When they When they came to a process a series of things

rarest, first he he's he's got the he's and he's the alarm is sounding

there's the key and he he's the general he says what happens let's

a moment he tent the the mirate the gerent the head he's he gets

to force her has to have to have to enter has to is that we're not going to enter. No, no, no.

We need to enter. Okay, this, permittame, I'm going to to be a companyer to help you

can help us rot. Okay, have to be to be a person. Sackar your telephone, he'll have a

companyer, no contest. No, it can be. He'll be to another, no contest. And the

gireente vying it. Um, no, I don't they'll ask them to me

make the he's a telephone the general and he he's a

other he's he's he's he's he's he's you're

going to you can't let's I'm I'm I'm I'm

on one of the much and I'm let's I'm I'm

on some I'm and they're to start the minutes

and the minutes and the he'll never mark. Where you're going to be puncher a yant. Canvary the yantta and

he gets. No, I have refraction? How? A-beer, we're going to go to that. They're going to pass the refaction of the other coach. They're changing the yantah,

we're going, no incendi the coach. What's going? You know what? give me the and you let's get we're going to

we're we're we're okay here's we're we're then we're

then we're in the refaction adios they're they said the head what's what we're

we're saying well I think I can I can't I'll I'm to see

to be there there's they're they're they're We'll come to To come to And he said,

Look, see, we're going to We're going to We're going to The company Because it's sonning the alarm

Me, I'll try Let me take To get the The door Sob, then we're Let's,

So on the Cochie, They're in the company, Pone the key, open, They're,

they're, They're, revisan no there no more is made to go to get to

the alarm and all this series of situations that has retrasated

a kind of a disactivity the alarm the they'll they're

they're they're they're they're they're they're they're they

they're they're they get to you get to you get to

you they're they're How rare? We'll see We'll see tomorrow We're

They're They're They're past 3 hours Wow Enter to to the

house That's the door I know That's the door To know the kitchen

Aoy Aoy I'm I'm I've put that I'm The peria

of the gas Abirto No Invent So I Subve Coo

Cork To A A A A door The She

She She a dormita, corra to the room, go to the mother,

Momah, for far, go ahead, go ahead, to the room of the

children, his children, as if were in desperation, to get to to cry,

and to cry, and to get to even think, the the

people, the people, they're so much, so horrible as that's

that they're that they're to the police and they He gets the police and the

and the bombers. And he observe in his house. A figure that he bought at the church

that's the santa the santa the figure of ceramic there at the final of the

passio with the face to the sky like on smiling with the hands

abirtas the police and the the bomberos have and he only

thinks the the second the santo patron never I'm

I'm I'm in the but I'm my I'm no what I'm

a roulette of emotions I'm I'm I'm I'm I'm I'm

I'm I'm I'm I'm I'm too this story

that's very very good yeah but what is your

conclusion what is my that's that that that that

that's I mean, I knowle, I know he noge, I said, me nojee much, me nojoo. I think there's that,

no, no, no, no, no, no, no, no, no, no, no, I, me, me, I'm, so, I'm, this,

no, this is my opinion, I don't, I think that these things are so are so, so I'm saying, so, I know,

somebody has got to, somebody, and has comepriced, and it's misgrosissimo, and it's so, in this

history, he, he, Pid you do something? Yes, sure.

And he he said to let get to that he was in the way to to get us

and the miso the and he quit to his family. Yes, but... No, no,

no, I, I think that, I don't know, I don't know, I,

is that, I'm, me, me, I'm shocked, oh, it's brutal, I think,

number one, the most spantos of all this you know is what what happened but the

response of the I mean I'm saying that's more you're more you're more

you're you're going to but that someone has to that for your benefit

yeah for me is it's just it's just it's

the bad that what is that spantoso that

spantoso I I said I said I is the ultimate story. I said.

Because, although you're not you're a person even they even they're that

pass in things horrible so that that's I think that's we're

we're sure we're so yeah well you know so for favor

for favor for favor for favor for other social and many

thanks thanks mouse no thanks to you for invite me

for I'm so I'm so I'm so I'm so

I'm so I'm my mouse in Instagram, put in Marina Mouse. It's that I'm like Darth Mouse 666, but a marina mouse,

I'm not going to. And the other project it's like, on Pluticke's Occultas on YouTube, Spotify, and also in Instagram. Perfect. Very well.

I'm a friend FEPO. You can find as FEPO MX only in Instagram and also also insomnia, incitant, criminally,

podcast paranormal in all the platforms, all the networks social. I recall that if you want to their experiences or evidence

send them for the co-fepo a podcast paranormal com for favor in the

asuntal the duendies religious santos sermons perros that they

can't like you understand what gender is and if want to you want

to be for the here I'm here I'm so I'm but you can

say anonymous or anonymous much thank thank maus We're going.

I hope to enjoy much this night and that's this story has caused an insomnia. We'll go in the next week for the next week for that we're

listening more experiences reales of the audience. So, listen them. If you're tryven.

Bye.