INSOMNIO - UN CADÁVER ME PEDÍA AYUDA DESDE DENTRO DE MI PARED | Historias reales de casas embrujadas

Episode Date: August 27, 2026

En este capítulo de Insomnio, Fepo, Saúl Hernandez y Fermex, te cuentan historias reales de terror de casas embrujadas. Estas experiencias paranormales son relatos sobre las vivencias de nuestra audiencia, familias enteras que, al mudarse, terminan atrapadas en propiedades que albergan siniestras entidades, brujería, magia negra o hasta espeluznantes crímenes sin resolver. Suscríbete a este podcast de terror, activa la campanita y acompáñame a escuchar lo más terroríficos relatos de la noche. #insomnio #historiasreales #relatosdeterror #historiasdeterror #casasembrujadas 😈 Redes de Fepo:  https://www.instagram.com/fepomx   https://x.com/fepomx   🔮Saúl Hernández:  https://www.instagram.com/sahb_syd   💀Redes de Fermex:  https://www.instagram.com/fermex22?ig%E2%80%A6   🫡 Síguenos en redes sociales para más contenido: https://www.tiktok.com/ https://www.facebook.com/paranormal.insomnio https://www.instagram.com/podcast.insomnio   👻 Comparte Historias, Memes y Evidencias Paranormales 📝Cuéntanos tus historias:  https://podcastinsomnio.com/redes [e-mail] ✨Grupo oficial de Facebook:   / https://www.facebook.com/groups/548487930178860   💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx   🛒Compra Merch Exclusiva aquí👇🏼 https://store.podcastparanormal.com/tienda/   📧 Consultas empresariales: [e-mail] Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Very good days, tardes or noches. Beavened to a new chapter of insomnia, in where we're going to narrate the more terrorifices experiences reales of the audience,

so, listen them, if they're in this occasion that we're going to to talk about to be casses, casas malditas,

is with us a invitation very special, with us our great-same Saole Hernandez. How are you? Yeah,

I was like, like, I'm talking about in stories so very aterradoras. I said, no, no. Seriedad. Seriedat, for favor. Amigo, chatto. Reds, platforms? Well, well, before that's all, much of to be to start with you to share other times, to share these stories.

In serious, eh? It's all I'm saying, I'm saying, there in Instagram, there we're still from Sapsi, yeah, there was to be in the case, also, of comments. There, see me, and, well, Yeah, all prepared and

list for to tell all this. Hashtack, can't your name of your. Very good, very good, and also

also is with us with us. We're doing this. How are you? How are you good nights? Well, very emotional

to tell us this stories. The day of we have stories very particular because, a difference

of other things, the theme of today, I think that all the people that are

being we're we're we're about a house where we've been stories of

terror. All, all, all. So, I'm very, very emotional with these

stories, and I'm they're going to me and I'm talking about Fermex 22. Perfect, my God.

I'd like much much, much, much, if, before we start, certainly we

have anecdotes about that we're about us that we can't come back with these

stories that are super good, and I you, you, you're doing some

experience with some some Well, fithet that if I'm one, and I said, when I was I was going to go to a child, I was, I was my noviour, and I said, you know, I said, you know, I said, I was going to be able to nothing? I said, I always was there, always

and it was a lot of the same. And there were people that sometimes, well, when I said to bea my parents, as well, they were, maestors, they were jubilers, they said that they'd say that they'd beaed people asomones from the window, I'd like, but coincide

that we're we're going to, we're going to some time, we're going to go to do and do you, and we're going to

go to three, four days, and the people insisting that there were people in the house, that were the

people, that they'd be uses that question. But all these people were saying, and she, and she said, I'm,

I'd have been a fear to pass up my house, we'd have been a bit of crystal, because we thought

that there was a house abandoned. No manches. Yeah. Oh, yeah. It's the house where you told me you a family. Juno.

But it was before that all of that. Yeah, yeah. And, and, I mean, what did a lot of

the time of purgatory that coulder in the house when we went. I don't know if that had a little

to be. Well, I think so. Yeah. I think so. Yeah. I mean, it's, it where to

the world, that the that's where did it All that part of the corner. Well, yeah, you know, yeah, it's a time.

Yeah, yeah, when I go to go to the point out of the person, no, no. And it was like,

so, I'm like, oh, I'm sorry. Amiga. You have any an anecdote of casas

enbruhaz? Fidate that, yeah, I'm doing a story that I was going to

the house where was a when I was a new, that's very He's succeeded to my mom, no me to me.

We used in a house that the day of all day of you exist, that is of two plantas. So, in the planta

altar, I was a man that was a man who was a little, and was a young, and he was

a little and he was only a time, so, all the nights, we're going, we're when the

year, and he's that's right, in EG1, EG1 and circumvalation, I think, the

He gave a parodiaco and He fellesio. But, but, you know, no, no, I was waiting the car,

no, no, he was waiting the car, he was going to get a car and he did a paro in, in the

case. Passed various things very few things, because that day had had cobrated a tanda,

a man, the sir, he said, and they said, they're not their money, he had had fallen,

and he was lost, things, things very horrible, no. Passed the time,

and this house that was up up to be got a totally solo. No,

there was nobody that was there's rents. So my mom and I we started

to hear that during the nights there was a really that's my way. My mom was trying to

to control the situation because I was a little bit and he's a little and he said,

yeah, I'm not then to have been to have been to see, the reality,

years after me said, no, so if he's he's to be a little bit of a sotia to putle a tapon of metal to one of the tinacos

for that cajara more rapid the water in the other tinaco because they're two and all the mornings my mom subia. Dice that one morning that was subing to the sottea, he waschewed to the yanko of a man. And he was to hearer, but the yantto was from the house of the Lord Jesus. So he said, no, it's true, no, not is true, no, look.

was that was a metal, you know, that's the mother, and I'm going to say that's this chapter, he was a

man, he was a past over of the escalars of the metal, looking it's that way.

That's the mom, that's bad you know, I think. No, no manches. And he

did much fear, because he was, but he was you're trying, it's he's really,

he was really, he was quite discomposed. And from that they started to put

to put a lot Avela-velas, a little. A lotseicita, you know, or to pray a little bit for him, my abuelan at that moment, and all, because if was a lot,

and a lot of times, generally, in the passos in your house. Wow. That's great. Uff. Yeah, super-furt. Super, super-furt.

Well, I, you know, when we were in Pachuka, I was I, I was, I'm a, in a department that was super embruged. Of course,

when I went with Maus, that I passed there with my Primo and we're there's always there in the house. Not so in Bruchada

but that house is so that's really I'm sure you you know, you know, or you know the story of that

and me he said like oh yeah because it was a man I was I was a person and

he was he was more because he's he's more great than he's more so. So that story

I've I've told several times but but me has been

something recently one I think you're that you're with me when a person of this

application of a car, he's going to tell a story of when he's been to get a pedradas

or something so it's a thing that but I have passed that here in the call a

sometimes or when they're to bring a thing, I'm and I'm you're so you're

so you're so you're a good that one of one of some time so coming in the

caring I'm at I was a regressor and there was a man, no, so a man, but a man, was he was a little, he was just the mochilla, this that is the color naranja, he was recarrived against a poste, and I, I, I saw, you're the chico of the stories of terror, right? And I said, see, me said, can't tell a little? And I said,

yeah, I'll say, yeah, I'll tell. He said that in the madrugada, but not for here, I don't remember what the

Colonia me said, but that's like a like a little bit of the city, but still in the

where it's like the madrugada and receive a, a, a, a, that is to

buy a thing of these of these 24 hours and you do you get in Fah, it's been

so it's so, it's so, it's super good, I'm going to I'm here there's one of

these tiendas he metio and bought the things he said he's like like many things he lands

this place and when he gets a kind of a kind of a little and it's but I never was the

number of the house because the houses not they had no number so so so

and then then so it was that it's little one at the one side of the other

one of the other all the lights all the lights And he does like chispas and, and he says that even

brr-r-r-r-r-oh, or he met him to. Ah, like, to call the attention. Because yeah, he's not, no, man, no, and they're

saying, no, and they're saying, like, I'm going to, I'm here, I'm here, I'm here and I'm, no, I'm not, I'm,

that was the the house, and he's, and it's, ah, yeah, me heard from this here,

that's here, and it's, and it's, and the the products and was to get to be a bigita that was like

with these vatas like to do and he was going to go and he was going to so then she was he

he was there she's like in the enteradita and he and he said that when she felt

so very feo because it was a big a big decrepit vina came down

but well he's like he's like what kind and he says here's here's

there's rare because what she was a one of a biggita would be a good at

the old one and the bigita he said he's not he's not he's not he's not

he's a little and he'd a fachito of billets but they were various

and they were like a like a like a like a and so he's

he's he's he saw and he he saw the and the he's

he's and the bigita after the up he He said, for

fined for your cobr, the madera yeah, he's he said, he's kept,

with the money, he was he was he did a half a little and he

came to go to the back to the back, he to the

time, he said, I said, I'm saying, I'm sure, that, that,

that the bigita had been the had the had the eyes black

totally. Like, like They would have stalled the venas and in the night, Negroes

totally, but he said that when I was back to he did a mind that he did not have a piece.

Oh manches. So, the other people, but never they said, and never they said,

I'm spanted, me got to the motor and me went, and various caches more ahead

like he he's kept thinking so, that maybe seeing the from the batita it's like

it's, it's, it's, it's, it's, and a more only was a biggita

a loca, no? So, then it's a man in the box to the balls to

and say, and I said, and I'm saying, and I'm man, and I'm, you know, you know,

man, and yeah. No, ma. That's all. Those stories me can't, me can't, are incredible,

those stories of, of, of people that are in, who... I'm

I'm in the phrase. For the fined you know, you know, in a matter, yeah,

in a minute, I don't I remember what what I'm going to be about it, I'm upuntable, me that

I got her a plumon and I puttie the phrase here in the hand. Because he's me going to

get to put it in the hand, but these stories me can't, me encant, imagine

the repartiders, then where they're what they're what they're not going to tell you. No, no,

no. And the, the vibra that guard the houses, the stories, there are some things

very very, uh, do you know, what? What is what? You're going?

Uh, you're going to start? Yeah, that's it. So, let's see, we're not

we've got to the people but in this occasion us I'll ask a favor sote. If you you're

repartididor or if you you're in a Tienda of these of 24 hours. I'm sure of that has experimented something. I'm sorry, your Correau. Let's put there 24 hours in the

Assumptiore or Repartidore. Quentan us that story. Manda the Correo to PEPO-Robodcastinsomio.com. I'd like to have some of these experiences. It would be very Padreysm. Yes, it's very padrissom. And if your story not is the repartor or not 24 hours, also enviedla, yeah, well,

be duend, truery, yorona. The Yorona. Mandara, for favor. And muchismas thanks,

muchs for your preference. Now, so, my great-simus Saul, now, we're doing.

We're this first story is called the ensangentada. No, it's made, Lalo Kim.

Yeah, from the title, you can give a idea of what you're to try to

I'm going to be a story my, I'm going to when I had around four

years, we moved to a house there's a metro Tacuba in the city of Mexico.

I had two brothers and in that moment my mom was my mom

spaces, ample, for that all could we're to be able to and be there to be quite, we're doing,

we're we're going to live there. From the initial, my mom no sentia, not was

not, it was like, something, it was that I'm saying, is that

I'm, I'm, I feel, I feel, I'm really, I'm, there, there,

there, there, there, there, I, I'm, I, all those

those those kids that we like to pass the time in the time in the carrits and all that I'm

going to start to go to me I was much a part where were in the

stairs you see a part of the second the balcony I'd be a sometimes

I'd be my mokees like back on a cordy with a

sitting when I were going to and down I was I'm my

My brothers us They'd love much to be to go to the trees, to be in

a lot of a lot of a lot so I'm so I'm going I'm I'm

trying to and with the rabbi of the eye saw see that they

were on I'm pale they're I'm I think that was

some of my one of my I'm I'm I'm I'm

I'm I'm going to go going no there no

there nothing. So, so they're passing the days. But, but of

a moment, the nights not are as much as we're not we're

we're like there somebs in the house. A desperation, desperate in the

madugada and feel like a frio, like something something

to be a all of all us started. Even my my

papas to talk so they were Oh, and I've ever those Those are those Rows and strange

My mom My mom My mom started To be able to I'm going to It was It was going to My dad

All the day The day The day Was the With a good A good Pelley To start

Of this situation But But we're We're We're We're just We're

We're One time One night Of those You say You're I'm to go to sleep,

it's to start a little. They're all the doors of the house, a sotandos

and it my second. My brothers were there to be there and I did not we're in the

corner. Because we know we had passed possibly maybe it was a person,

a play, we're not we're going that's the things were with violence,

with some if someone was like someone was like they're on the

door in the my mom. Entra enojada with a car, furious. When it's the light and we all be all in the rinkon, astustados,

he's got being, he changed the rostro, and he started my dad. He was a he said, I think you,

I think you think you're what you're going to see what the kids not doing and these no

don't be. He back- he was he was he'd check the doors and all. It was

all in calm. No was going passing nothing. That's going

and they're passing all the nights. And not just was that. It was

another and other and other. But a sometimes they were muebles

mules that ralli that were that they were in the night

of the the backilla does a plato another plato another

plato another plato my mom of my man of no had to because almost

all it was there. It was to find pedasos. Yeah we're

not just about much what was going to what's sombras sombras

that were going to the house and they were on the

rincons like that someone I was I was I'm I'm

I'm that I'm seeing that someone presence there, that not is

part of the I'm like you see that you're seeing, and I'm

looking, and I'm in the door, I'm a figure and I made that

I'm that I'm a little a little of the room, was a woman,

a chick a chica very great, very beautiful. But in a

moment, she to be with the car inclined look that's where I'm

in that moment semeled the sameel the had a head here in the

cooel like the the carne had desgared he a

liquid rogo that coffee that he covered all

the I put the great that had had

had my my my my mom went with

with my what you have you what you're going to what you're going to is that there's a little bit of and I'm trying to

tell you try to explain it but no could he'd have to be a pesaddle you've got you're a

bed my mom my mom like always of a bad character me made to

do that but not was the only that that that was we were one

one one we're we're we're all the plant of

the plant a voice of a woman. Arriva. It was rare because for that someone had to get to do

us to get a phone. For the above, no there was other doors, no there access to

the balcones, things like so that we think that we're that someone was a little with fear,

we've seen a sombre to pass rapidly. My papa said, I'm going to get

what's going to Subd up the escalars rapid? Nothing. Of the impression, my mom was to be

down the pressure. We've got to get to get to get to get to she was a emarazada.

So, so the days. Of a point, a day so, we'd

let's be a lot that had ceased a little the and the noise and all, I was in my

room and I started to hear of that's that's going to more and

more. I was I was I was I was opened the door and was the

figure of that she I felt I'm but she me said, calm

calm you're a little you're a good so you're going to sit

to sit to me She She started to I I thought to because

every that I had to open the back were some

those were with liquid rogo I could I was

to make to look because also there something I was

I was I had I was I was I was

she I'm saying things that I was I was a

a little very very tranquil that she had a man he was a

little. But of the little, he was to get more and more liquid.

It was a bava a darky rogisa. In that moment he had

to be a little gritty. She's my mom. She came,

he said, and again to start with your question,

mom is that I was that the child here in the

house, I was sat He doesn't stop to be playing,

start inventing things for favor. In that my mom did the

world and at care and at care of he saw that he saw

he knew. I mean I noticed that his color of the rostro and his

semblante changed and he started to roll a a

escalon for escalon, until to get to the my papa

went, we went, we went to all the hospital. We're going to thank you my brother

for this impression and for this goal, he's the part of but all all the

other day trying to to care to care to my mom because really the impression

it affected a about my my brother had to get

I was very affected my mom, but no I wanted to talk to view. What was what happened? Of pronto, standing tranquillos, we're going to be my mom and there were some young as far.

And they said, excuse me, sir, we'd have a permission to put these velas out of her house?

My mom surprised, and said, and said, well, of what? At the beginning,

like, as it's, reaction, not, or they're playing or what, are you know,

are you are doing a problem? No, no, no, no, no,

no, I'm no, she was that she was a time

and I'm in a mother. The curiosity of my mom was

a friend a yeah, a year, and then she

was a year, she partio. I can talk a

little more. Yes, sure I don't know in what moment she took that decision.

Unicamently, we know that one day he'll go a corda a carndal of the door.

He put around of his cooio and he took the decision to bring to the

no, but this corda not was not was very well adjusted so.

So, so he disgraw the the skin of the

and she She was while his blood my mom simply

I said leave there let him let him there's let's go the world he did

the world he said in this moment we're going to guard all the things

of the house and we're going to not I want not even a

minute our story in this place no I'm I'm

maybe definitive I want to I want to I want to the way the way that you not was

so grotesque because I don't know but I felt horrible horrible horrible, horrible that moment

I was so horrible and I think I think I think I think that this family took the decision correct. Because if

this poor chick, was it's not that it's not even, even he's saying to this child, you're a little, et cetera, et cetera. But the vera is so

impactant that can generate accidents. I think the woman's dismayed to the impression, no? And for so, and for so, she called for the escalers. Because no he was, she

she thought that they were like, like, those games of the little, you know, like, like, I'm imagining

and that's, yeah, but you imagine, but you imagine, you imagine, to see a a person

like, no, no, no, no, no, no. Oh, and is that is the element, no,

the, of the woman embarrassed and, always, always, always,

it's like, for for a person, that's not, for a person, that's not,

and when said, when you're saying, I was like, oh, horrible,

it's that is that the You put in the situations of the person to see how it's the action, and you don't you can't evils it, no? No, man. Well, in this occasion, me to tell me the story,

the way that you're going to be in the middle. Okay. You're going to start, right? Yes. Very well. Look, this story, we'll have to Natalie Miranda. It's called the Casa of the Soms.

This occurs, more or less than about of 2013. She said, she She said that in that she had eight years of age and the family was conformed

by papa, mom, her brother, and her little. To all they they're in certain things

that are quite particular. There is one thing that the moment can be quite

but with time it'll go back simply. They're living in a

house in a house rentada, where, well, they're just super in peace, normal, a family normal, but

the duena they're that they give in the house, because it's he's going to do a

family and you're not they're going to be able to get done. Of a problem, it was so,

that was was, it was, it's kind of a good and yet adequate for them, and the

price was a cost that could pay this family. The Papa is to

move, trying to to be a house that not is a way of a place

but that another way and the only place where he a house that can be paid,

result to be a little away from your house near a and of

actually strangely being that is a fraction new that is a

new, it's a house very this house has three

pieces and well they're to live to this

house From the From this house There's a There's a She's a It's

Maybe important And is that Is that in the third Piso That's like Aitco

Most of The people That people that They've They've They've This material

That's Like a Like a Like Corch All All the Pairs

are They're They're Like Like You're Like to To

Like To this. And then just simply, being that, well, not they're going to

not to get a lot to do you, it's like a quarter of a room, like a room of

and so every one, every one, they have a minute, but from the day one, in the people,

the things are going to get a feas. And this is very paulatino. He's

that the first, is that in the nights they were they were in the escaleras, no

passes, like if someone were going and up rather, like if the person that

was going being a person was very, very great, very pesada and would be and the

foot. And, the first, the first that they say, the they say to they're not

they're not they don't have not for the style, what the thing is that the

thing, the case has state dishabited and certainly of

some way it's like the matter that's a set that's that

not they not they're not they're not even that's like always always

accustomed to this new house when they were very there

a reja that had a part of these of they're

they're they they're when you know you know rechinable and

then you had to come to get to the door principal, that was the

of the madder. They were in a family very happy. But a part of the house and they're in that house and they're like that

presence oscura, the parents are to belears. But they're to belearse feo, gritos,

things that, the fact is that they're like, the people, what, what's like, what's like,

what's, why, because, why, because of the of a point,

I'm what is that one after she has a year, the

not the father in those conflicts, in those pleats, they're they're

saying, you know, you know, we're to divorce us, yeah, no

more. And that same night, when the father says, this

is a time, he, he's his things, does and he's allets,

totally solos. If you the house, yeah had these rudititos, these

things that were in the part of the father, it's like that's like to a degree extreme.

Now, in the nights, and just in the same night that when you get to do that they

get to be, then, all to the camera, he's a madugate that they even they

even they're even they're like, you know, yeah not you didn't that's

And they'd have so much that the really is that nobody is that nobody's that I'm and he

was up and he was up some and some days after the night his mom she acuester

and preending the television is there is being the television normal with the volume

low so his his children are when they're

when of so he he's that of the two those

hands like of the home but very very

great and calient, hands tibias. The cogent of the topions

and in the moment in the moment in the moment in the thing you know, they're they're

with a lot of a lot of a lot of the body in the camera and the other

part of the above. Obviously she said that she kept paralyzed

of the middle, and she didn't feel that's that was that was

horrible pilante, and then when he gets like, a lot of the side, he says that pieta the sabanas, because they're all right, and the saba, that's cherole of the eyes, and he begins to

say, with much firmness, he said that, he he's got all the courage that he had been to say to what he said to be in peace, let me in peace.

For favor, dechance, let us in peace. And, and of a point, he felt like that no idea in the

sure it's like some a little a little that's about being a year

and the mom were all the mom were all in the they were she was

she she was in classes and the and the brother and the because

being that the house is very great they they're

they're they they're going to all the and he he's

in the car and the And, of Pronto, it's

the radio of the mom, but it's in a volume altissimo. And they're in these

songs, many old old of this station that a new youngcito he doesn't,

and then then, um, of a sudden, um, and he immediately

he's, he's, so, although, he's been another, other station, no?

And when it When he goes to the door and the first you see to his mom in the passio palida

no he's quite to say something he's perfectly that not was the

mom and he he kind of what what did happen and

he and he a radio and a little they

start to have these manifestations more constant and

more fertes a madru a of the problem and the

mom and I feel a ardor in the brazo horrible. He's that he was

a a while you know he's a but he said what I mean a

what I so he so he's he goes and he he's the

light and when he's he he's he has a more

a more a man but grandis but in the

Brasso, mordida, so. He's like moredada and roja, de ta profound that is. And, also, she's, well, she, she's well, she could have been able to have been able to

enormous. And she kept like, like, what is this? It's a spantoso. Well, no, so, he had to go to goastard, and at the morning

next, super-tempranito, he will be to the pastor of the church Christian, that was a pastor that was a very

very very and he says, you know, is that is going this.

I mean divorce, he's my husband, yeah there were in the

things were those things. And the must have the mordida. And the

pastor he explains to what for that's I said to it's

so it probably it doesn't and it he's there

there there there energies and entities that are

in many places where there's been a lot, where there has been a lot,

and at it's just they're like little like little little the way, but of

the point, when you when you do you get a energy, with the

pain, boom, it's more more great, it's more big,

and you have to have much care because, because, as there the kids in

house. The energy of the children for these entities is tremendously succulent. If you're

your energy, for that you aterra, has that it's more more more. It's

to be able to to be the children. Tens much care. She says

like that, well, obviously the mom not will say this to the

children, no? No, they're that can do this things. She,

Natalie, I felt that that presence that was there not was a mom, like, all the days

was like with when he was like, hey, hey, this, tell me that's you're doing

in classes. So, they were that there was a there was a time, and he went

to the room and he said, ohie, and if you're goings to do with me,

and he said, well, it's fine. So, so it's the her little,

has got a little, it's sub to the colchon to the top, she gets in the

of the above, she can't to be to get in the madugated

because it's like an air like a air on your rostro so

so so open the eyes to the venting to the window

thinking that maybe a night of a night of much cold, and no, the

the ventana is completely Cement's CERrara. That's rare. Wulve to walk to

and the other side of his camera. There's a person. This person

has a gabardina that gets to the house, a gabbardina a black with a

capucha but this is the most extraordinary. This person that was

there, had a spada gigantic. Media about two meters and a half

of the height. It was gigantic. It was so high that had to

encorvars to to be to her to get a rostro was a

thing a dark or at least not it could be

to be the capuch but of that a black

out of the air calient and he said he he's he's he went to

he's spantoso and he he said to shusurran the name of his because

he was he was he was he he's he's and this thing was

that he was turning to the air calient he he went he he went

and he he was he he was he turned and this

thing and the head to her, abro the door of the room of the mom, pooh,

he put so the mom and the mom and the mom so that's so that he's not he said

mom, mom there was a something in my room in my court, have something calmate it's a

a piece a piece no mom there's a there's a there something there's a

it's a a piece and in that point in the door and the mom

I look at the door and she she's a her and she

kind of thinking like you do you do your and if your and the

mom and the mom says the name first of the mano hey

you you you're there and he's the name

of his his he's you the abrasa so

and they're in the covica and they They're

so until that they're in dormied. Fuf. When

they're when they're the day after, then it was a

very, it was much, it was much, and the mom says that the Cinka

and they're they're they're so, and that this that's

going, simply they're and for two days, like that all

like to be able to start in calm. Resulta that one day she

is a she a little in a momentit a moment little. The

mom was working the the her man had had got a

little on a little in the day. It's a little doing the

little doing the new when she she he that

the house of the metal and then he the

door of the and he thinks, they're and then then he's a

mom? What's the says from the part of she's in the second

piece in her my my my my I'm I

go for I I I'm I'm she she

she she she's she and after the after the

escaleras, he and thinks, my mom never me my my mom

is a supposed to work and he's he's and he goes to hear the

voice my my my I go back for

favor I I'm I'm who who who my

my my my my she for Oh, my God. You brought

I'm gonna Myja, Baja, Baja, Baja. He met to his door, and he

put his radio and he's up the volume to do all the radio while

he was a voice that not the one of her was the he's of a

a man Distorsionated Mita Baja Baja Baja Baja Dissue Baja

He said that he He kept there, until that the voice did

to sonar, until that he regress was his her man, and when he went

his his mom, he said what had passed, the mother was

the mom was was working. The more little, her

her woman like that, he, not had never, he

had said, that was that was that was she

was she had his monequitas, she subia to that third

piece, to the attic, he put to play to his moenekas and when yeah the

mom said, hey, vent to come to come and when I was going to I was

she was I was I was I don't let's like so why they're

so they're all the munkees in circle so you he's

he said to his mom when one when

one sube thinking that he going to find his muckees in circle

and what he's all his mucke with the bracitadas with the bracito

and obviously, and the mom says this this is a very bad Natalie, that we said that

we're going to the history, she'd do much a lot of a time,

and even they'd have been all the things, she was she'd

and she and I know, and she was in the madugated, like sonnambula, sentada

in the corner in the room, but no there was nobody, and not

he'd not recordable or or being counter the the the

part, rascando with a unna and a and and he

and he I'd startable because he'd doled the dead and the end up the parted. The mom was pretty

veryupedissima with all these things that were but preoccupiedissima one day they're and when

they're they're they're a the duke of the house that was that was

there a parted out of his house palida and he he said

what's what you're you're in the house right no we're

we're we're we're who's who's in the house no

there no can't it's he's he I'm I'm

I was I'm and I I I'm I

I'm there I'm I'm I'm I met and

me I wasombed for the window and I see to you, said the mother of

Natalie, she, you know, you're you know, you're just seeing,

so, so, so, looking and I, and I said, hello,

I'm to cover the renta, hello, I, came to get to the renta.

I'm here, in the window, I'm came to get the

and you want, and you I'm going to and I know why I do much

fear. And in this you're so you're so you're so. So the mom

says to the children, well, that's they're in the court and

say, for favor, for favor, tell me if I have to

know, something, so I'm something when they're when they're constructing

when all this fraction specifically this house, a albañil falleceo. Falleceo

here in this house. But never. Never had passed to nothing. Never.

Just is like an anecdote of what happened before. Well, still the mom

said, you know, we know what is the origin, we're going to let's a little

some viztas a basito with water but the mother and Natalie in the house

and the mom with the little she'd in yas a momentito then then

he's dark let's let us go to get into she'll go to she lava the

lot of the she'll get the light and when And when he's coming, it'sc

click and and the the light of the back and the click,

apada the door, click, click, and the light the light

click, click upa the light, gore to the door and when you to start the

door the detain. And you want to and then they'll open. And she'll start, but what's

at the other side has been that's the one of a single single but it's little with much

force. And she she's how she is going and she and the halla with

all his forces boom! Corre and he embraces her manita that

clearly is seeing what is that is aterrada. When when she

does what has been and the other more she's there's being, tomorrow

they're going to their and they're their so, because we don't

we're going to get any more in this house. They did

all, and gestion all, and in many days they're they're living

in other house. They They were in what was there

was going to go to a bell and no. I think that I'd more than that's. Oh, much

more. Yes. How, fiatty, are so so far as the stories that the

majority of the people, as far as those stories that you have done to get to get to

get to the problem because the problem is that is done in the house.

And not you know you do you and the next the next inquire

is the that the This story I mean, I see that is very long there's many

things and many things but it's just what you're in a house in brusage exactly. So, no, it's one

a thing. No. Are many. And it's one, and it's one, and it's one and it's not

it's trying force, but the moment in the that she he's this thing enormous that no

has a rostro and he's like I'm venting the air caliating. Yeah, it's horrible. Peor. Fiatty,

that just like to give an idea, the persons that are doing, the two stories that I have been in

many but the second was a six quartillas and media. So the correo

we passed were six quarters and and media and it's just what what he said Feppo

so, I don't occur a single event, pass an lot of things,

they spant they're they're in a lot of different And that's the point of the Cases Embruchas

or of the cases that have entities or phantasmas that not is a single event what happens. Passing a lot of things. A lot of things are a lot of times

they're going to get to pass six quartillas. We're not the best of this second history that no, it's the final that's going to

tell you. It's a good I'm good. I said, no, manches, no, if it's it's been

very brutal, that's some things very incredible. And, in actually, I wanted to start, even we, we said to

Sam, that she, she, she, yeah, in, you know, the stories, she,

the, transcribe, the, yeah, for that's more understandable, for that's for that's

more understandable, for that's for that's, for that's, and the format in the two stories.

Yes? Dejoe, he said, so, but so, but so, this, this,

he changed this to petition of the person that person that's that you're, blah, blah,

blah, blah. And I thought, but, but you're saying for that I'm when the

point, or you know, no, no, not I'm not I'm I'm gonna so,

then we said, like, I'm, so, yeah, yeah, because he was

going to yeah, yeah, yeah, yeah, yeah, yeah, you know,

you're you, you're all you all the in rojo, in red, and so,

oh, No. It's that there are some really brutal. Figate that the other time was Sam

was saying, it was in your computer, you know, I'm sure, of a repent he's like, oh,

and I'm what you know, I'm going to be a little bit of a rite and you know, manches. Well, you're not sure.

So, you're just like, there's a day, are very explicit are very very fertes and it's pure terror.

If the people, or, if you still you've seen the chapter I think is the past

the of the of the I said to occur that's the that's that's about

that's in this story yeah I'm he said no I'm

was literally in the story I said what that's what pesadia if

not they've heard of just just click click click uh that yeah

that what I'm but I'm going to tell you to start to tell us

the story I'm would invite to to all the people that

us are seeing on Spotify, listen to the stories and let us five stars. No,

they're going. During the time of the Santa Inquisition, they cobroughed many lives. Actuared to a manner

brutal. At the day of the church Catholic us do some of the victims

that they were in that they're in a time. The reality is that in many states that are

many stories that are reales. The The next story that I'm going to tell the people of the people of the

people of the title and see the I'm going to tell you're going to America Herrera and it's a story that's a time when

she was a little when she was a little bit of this year in and during the period of vacations and they were

to visit to his abuelos to the city of Guanyahuato They said that in Ciudaduania They had a house Propeded The family

That had been in the family During decades So, so much time Theueyes in a moment They were the abuelos But had been Pertenecited

Even to the Abelos of the Abelos. So when she was Pepegneita He was much to go Because

because he He was with the Campo, with the animalitos of the Campo, the family

For suppose Beia his Abuelitos It was a a house a great, it's a

a little a little a little a little a little you know, but one a little

little passillo you're in a space of a bigotest a lot of a bitations

passillos gardens, gardens, people that was there was people that there were

animals that had metido for the part of the house, with a faciector and that passio obscure that

you had to the first habitations of the house. She had she was

to go, but he he was a thing too a lot of a lot of a lot of people in

that was people who people who was there and she and she know that all the

people who had a little a more or less his age between six and

eight years at the time he's he was a little particular

because he was a little he was much to play with a pelototita a

sponge. No if you like they're like a sponge color roger and they're going to

get to be the little they're they're they're they're they're a little

little he's not he's he's not put the name the name of

but it was a little a shortcito never quite always calcett

black and some some so some so they're so they're

so they're so they're they're that was a little bit of a bit of a bit of a provision, the family, but they were there because there

was where there were much space and there's where they met her and then to venters the and she said that she said that with much carino because he'd, grittable, and he talked about

with him, the new he told stories of his family and of the in that in that but one of his papas they said,

ohie, America, that, with who, You know, they said, How, that's what? In the morning, we're in the morning, we're talking about, and you're talking

things and not quixing to enter, but we're saying, but we said, no, no, no, I'm not alone. With who'stas? With my amigito? What amigito? Well, the little

with the kid I go every that we've been to vacations, or so, I was, I was recurrentently. It was a one one ever.

And his my parents they said, no, it's that no, you know

you know you're not the one of the house when we're you're she's

no, no, no, no, no, no, no, no, no, there's

no, no, no, there's nobody. A part of that she he

tells his parents about his family, every that they

were backations never more he never never that's

that families that that was the house because it was very great

but it but it never never ever there pass those years

and when yeah was of 18 years so yeah out of the

adolescence and that and that little he said to her old I want to

tell something and he he started about about his experiences

with this little that he was his his satatits

of charol his short in color black and calcettitas

black and the bula he kept and he said, he said, is in serious what

you're saying? Yes, this history they're even to my

parents. Because they're saying that I didn't and they're not

they're not, they were not saying, but I see to this little

he did other type of curiosity and the little he said, I'm going to tell

something, but I'm I'm not you're you're you know you're

you know you know. You know you know, you know, that this generations. So,

it's that in some moment we did an amplation to rents

the abetations, because in one of these, we're we're the rest of of an

infante. In that moment, we were the rest of the rest of rectified

that were they were some the moment I know much the

attention he said the little the rest of the little bit of the

little little little little little a shorcuit a black,

a playerita black and it seems much to the description

of what you're saying and America so spanted much and he

he's that's that is my friend and the and the boulita

he said no no could have been your because

that that a little decades enthrased in the pariet. And America said,

well, I'm going to let me let's just an anecdote. It would like there there's a

history. Sin however, this house still pertenecing to the

family, at the day of the time, with the past of the years, well,

the those abuelos not can be the cargo of the house, he has

remodelations, they're spanting, and they're seeing listening the music the classic of a house,

you know, but the abuelos to be to the parents of America that's

muden to the city to because they they're not they're not

they're not they're other role the house, that is rented the

house to the students. So, America and his parents

are to move to the city to Guano to

to now to the administration of the house that has, I repeat,

other role. When they get there, America, he's coge one of the house for to live. His parents

are in other house is a lot of great. So, she enlisted in the school local, he's going

to get to the preparatory, I was, she's been a little more great. The quarter where

was she was a little deteriorated, I had some little abuherit in the page,

had paper tapis. She had all the intention to remodelar and make it's a modern,

no, but she's a little to paint it's a little about it, but

it's not a little but during the nights when America was done America was dormita

he began to hear in the pardes that raguian and he said no

manches rats he said he said to his parents and his parents

promised that they were to bring a fumigator and

and see if there roedores, it would be normal to a certain point. He said, okay, she was going

the rube during the night, but teniento in account that they're not really not pretexted much attention,

only thought, so much he said, and the abuheritos that were in the parted

were certainly very little. She, you can't your dede your endice with your thumb,

and of the time were the abuheros. little, he said, I don't think that

a raton for there or a rat and he had to be and all the nights were that

they were a night but there were a night that America, that America, that was

to hear how rasked the part, he began to hear a lo of a

and he's and he was like in the night and he said, this should

be coming to another quarter, someone who's of those that we rents,

no see, he paro, he was he went to the door, and he gave

the o'e when he he said he said that he said like a woman he said,

sacam help me help me and that in the moment gritted and he

went to back he spant much and he he gritted his papas

got the papas corriending and they said to be okay what was

what was what was they're to hear they're I'm I'm and I'm

I'm okay there's I'm no no I'm there there

there's there your recamara of your room and you try

they're they're there she no doesn't that that

that night that not was in that she went to do her

a a a seniorita adult. Passed the days, but she

kept with with that a sense of that something of the the thing had been

a lot there was a lot. But it's like that not it's like that the

other that I also, I mean to have to respect to

that part. What he did was that got her a lamp a lot of

a the camera in the burrow and when he was

a little he was but there was a night in that America was a strange sentia felt like observable she sentia

like like, like, that night was he said, well, it's almost not,

all the nights I'm so so much, but that night in particular was never was done and they were

at the three of the morning when I came to hear that when I Yoda

but it like a suffocating like that came of the wall. He said, he said,

no, me to be a going to go to get to make the o'clock to make the

piece. He took the hand to the covichas, agro his lamp and he

turned to and he went to and he went to the one of the abuheritos

that were in this timeito put the lamp and he said that

clarito view a ojo, that was about the abuherito. He says that he's a little only got my

parents. They're not only people because they thought that someone had meted to robar, that I was going

thinking the the worst. When they got all, she said the story. His parents simply don't

they're they're saying that was part of a a dream, a pesadilla. Well,

the inquisiness They're going to commenter between us because rentable the habitations to students and they're

saying, I also hear about the way of they're asking the practically the house

was infestated of the house in the house and it was a house great

this scene that she describe where the eye she's that

never more ever ever ever to sleep in that quarter. She says to his

parents, I mean I'm here in Guantua but I don't want there. I want a

place different and I'm going to more about you and you want to the other

one of a second apartment and this they're remodeling it, never

they're they're they're they're they're not even the story of the

little the little the little there's probably there

more people's there the of the pages. It's that they were in

the years until the event for her cessed. Yeah, no to happen

to happen. After one night, that was the last that was that was a costada

in his camera, I was being, ah, because, for sure,

I, didn't support to be being not over a lot, I'm

sitting a lot, I'm doing a little the light printed it was at the

10, 11 of the night approximately he's reading the book and he's

he's done that you know he's not a paralysis of the sun

the the book see how go going to his hands

to his back to so not so practically it so practically

she went to the door a a little figure that

he's he says that he he was surely palida fria no

he was going he was a he was the he was the the newt no manches the nito that

he was he was he said he said he he was perfectly well his shorsito

his shorcett his zapatito his chapatitos and the same vestimenta

that she described that the that the that the he had when he were

little He said that the He said that the He said He said He said He said He said

He said He said he He said he said When she When she goes A parisis of the Peked a Crossees

11 at the night Passios Bacios One more The other One of The end of

The end of The story is Sheer She never Muddances Sheer Newmich His parents

As far today Do you Radican there and they tell stories to America and they

say, you know, you know, the people to the rents the, the quarters to day of

the day of our little, he's very traviso, always us, we're spantando, us,

he gets for a back and we're in we've got to get to go to the night,

it's a time, it's come to the sometimes he he's come and let say,

don't know that's us get to espantar and the family says

no we're we're we're we're we're going to we're to say to

our sobrino that's that's that's that's a real it's

good, it's good it's good really, it's but but there there be a

clear people sure sure sure for that the history is called

the people of the people um so I'm so I'm

so I'm so I'm What the of the is me is to

beautiful because she he's but the but the other is that just that I'm

that you know the we're doing the history there's many many that I'm a day of day of day of day of day to do you do

a number of a lot of a decade of a decade is that the whole the republics they're in

this type of stories of people that remodeled a Casa Antigua, in Guadalajara, in Monterey, in Guantanajuato, state of Mexico, city of Mexico, and they're in fact, and they're in fact that emphystions. Because they're

for the vestiment, for the proofs that's they're in, for the proofs that's a lot of years they're there, and there, there restos that have hundreds of years, no, a veces more, a veces less, but pertaintsenens to the era of the Santa Inquisition. So, the Casa of America was plagued

of this type of activity and, and certainly plagued of rest in terraces. You know, that we're about in these days

of the tunnels. Literate. Catacumbas and all of that, many people there were there are

stories that above of the churches, there are many people of monjas, it's about that some

that some that were in tentation or in the people, and, then,

and, talking of these things of the Inquisition, There are many cases. Of actually, there's a story

that I think we're going to in insomnia, no record, but it's a story very brief of a mona that was a

one of the conventors that's in the center historical of the city of the city of this monja she has been a woman

that had been accused of a virginia for the Santa Inquisition. So, she she know that they

are going to castigar that, literally they can't the life and he's in the

convento. Sconded a her friend in the convento, the sacerdotes, those discoveres to those and the history that's the

is that both were emparredated in the convento that's here. Ah, yeah, I'm a corded. Why is it because there

remodelation and this is a real? I mean, I refer to because there are many stories that said, this

school, this is real. When that convento, they're remodeled many, many years after, decades,

decades, they're, they're in a school and in the remodelation they also,

they're a a pair of women, that there's that were in many of the one was made a woman,

and the other was made of the time but of civil. Some of they're, they're, because they're

a pairha and they're in the time, and in the time of the inquision. Other stories

are this that the monja saw to the man was a manned the saint in inquision. The point is

that both were baredadas there in a convent in the center historical. I'm a story well-known

and it's a good story that's a thing there in the world that no manches of the castes

old are there's there's there's that's there's not that you see you know

I've been there's many times in the center and the obscurity that's it's a

so it's a so it's a dark so that's just that's you're just that they're yeah

that's that's that the vibrator it's that when you're when you're you're saying yeah

Oh, you know, you talk to your story? Me to talk, so is. We're going

this this ultimate story that's called the monster. The Amanda Daniela Macias.

Right, I'll tell you know what I'm okay, okay, okay, but I'm want to let me

let's get a little the eyes and you see us and you're that we're seeing

and we're we're going to that we're that we're that we're that house imagine you imagine that

they're making an so it It's just to hear. What a beautiful house, no? You're going to

get. We're in the year 2017. Imagine like if you were in that movie.

It's not the story. We're in a place called Olock in Catalonia. There you

you get when you're a young. This story that we're that's

that that the moment his mom that his mom

had had brother. And he had a little time of that had been born in those houses beautiful, as these cases,

it was all right perfect. The house was like, they were very comodos, the papa was a DJ

and they'd be just to talk and all that's to play, to all never had never had

never was a little very very very beautiful. But all this can be

like all these stories. A Sometimes the those the places

guard things that one know and go and go and he said that

a night they're a night and then the big up a lot of

the structure of the house and changes of the change

they're they're but these those those little more specific. Of the

Pront, they were in tacons. And it seemed like they were they were out of

the other of the the kind of like they had a noise or no,

and they were going to continue to continue. It was

that's rare, but not it really really that really

to let's that that they're that they had

that Jeremy, the new more with them the guettes. But all these things like they started

to escalar a way more extra still. He said that they were all done and they were

to hear of the heronite to say The monster! The mosto! Recorded us that was a little

and not could pronounce well the monster. Monstro! All were all all

all sort of and he signaled a rinkon a rinkon that said she she was

more of the most of the normal. And he signalable and signaled palidid. He'd like, oh, he's,

what you know, you know, yeah, yeah, yeah, yeah, yeah. And all had to be

all the lights, no, not, another night more, another way, the monster,

the monster! There's, there's, there, me, no, me, meo,

and then they're, and all part of this situation, he went with the

cinturon, and he's, to doing like if it was doing a cross in the air with the Cinturon. Bette! No, you're a very welcome in this house.

This is my house and this is the house of my family. Ah, ah, ah, it was sonaba, it wasonab. And fifted that this what did the papa, one of my vis-a-lawed, me said, that's very good to spantar, to those that are you're not molesting. He was he did.

And he said that, a calm, a silence. But it was a silence Like if that So, separated between the Somas

to observe them. Enohed. She sentia the vibra. He said that the next night no, there was Ruidos. All tranquil.

But one night more, another time. But this this is, paralysis of the I'm

It was. It was not I didn't want to that they were to be to

try to go his his brother his mom his

and Daniela every that they were not they

could move they he he he he he

he a presence there she she she with

with the but paralyzed she I Intento Despercito,

Despacito There was a Somba there There's a From the same Susto Who knows where he takes

Foursas And pego And again To get His papas What was What happened? Is that

there was There was There was There was We have to do something We're To be

So it's They're They're They're He talked about the Rewoods. They were all the

he was he made he did some of the water and then he was some days

of the time but one day not they some enjambres of

moscas negras I an an odor I'm I'm said that

every they they had a little other day cucaraches gus

Usanos Blancos that out of the basins and they were all the kitchen

this is not normal this is out of the now now not just not just

the the point some some some there were they were

they're they're they're they're in the night some some

that some supposedly not they're they started don't

to sonar. Dice Daniela that it's a night a night

in the which a a newke to pocoy a last three of the morning

he started to the most strange is that they were to advance

to the door and I'm he he said adio adio

adio adio adio adio Adios, adios. He was changing the voice and the rostro. Acto-seguido, a gritty.

The papas just were very preoccupied of this. No, they'd have to do. Recur'd, sometimes, the mom that some resos, because he had a plated a friend that had, that had a little of these

things, how could they control it? But no functioned nothing. Sometimes the mom she met her because she was up very

very much to get a to work and I'd have to the door for that Jeremy could go to be in

the room without that was trying to the door and all that because I was always that was

that I was a recadderer and then and the repented I'll hear a

little little a little he's how it's a door and be moment, the

Ba'o' Explota. No, it's quay. Explot it. All the crystals all the crystals all the

path, he's got and he started because he said that someone was made to the

house. The mom pallid I don't know what had occurred. Dice that

between that they started to have to see that all was

that all that that she said that when some entities malas see in the mirror they're reflected in the mirror they're not and actuarine

but there there's the idea they're going passing many things until that one day in the quarter of Jeremy

then they moved some of those to comeodar there to comeodar there there always there was a corner that

he always had a all the time when he said of the monster the monster is there the monster

I'm just trying he was he was going and I'm a carrito he he's

he deslised about one of one of those mue to the carito I have

to recover he's like all the people who he gave to help to her

grandma don't Daniela my you help me my she

she's she she's she she a figure a figureita that just a

that was it was a little bit of a bebeckoned with a carita extrana with a

little rara. Daniela he took and I felt a a scalofri in all

the brazo and as something and in the fourth also

did it that the temperature back a vibra very very

very look what we We're She's She's She took He said

No This I think Not that Not that's Not Apart It's a It's a

Rour Very They were They're They're They're They're A man

A senior A Brucheryia Yeah They're They're They're They're

They're They're They're Oh My My Man My

Someone has Mala coffee, eh? This not is the most

little of your children? Jen in me has three years. Let me this.

I'm going to be to be to see what so but go me saying

if can be saying the things says that after that

he was to go to go to pass all but there was

something that I've talked to I'm a little everybody I'm

with arrawns rugs and some moretones attribuels attribuels that

a that that that was that was that was a little

that a bit that a and sometimes they was

they they had to be permission to go to

to go to the a time and it was a time. But a part of

that figure she was a little that's that he was

all all all so and that the only I'm

that the that that was the the part in the

one of the people the family. Sass Barab I

I'm I'm I'm I'm I'm I'm I'm I'm

an entity to pass from the terror that only see, to let me a,

you know, to damage, physically, and sort of, and so, for example, in that case, no,

because it's, is, it's, a, uh, who can do you want,

who I'm, that's, but, but, well, the, in the interests that we

have been, and all that's we've been, we're, I mean, a lot, I mean,

the people, the maldad they get to expose it to put it to get

the limit what they're what they're what they're a sometimes we're so pretty

everything everything of the drugeria of magic or what whatever but the

objective that people for that that's something and what they're they're

what they're to offer to me really this this this this is

this has made I've replanned many things that I think

I mean, I've confronted to things that I don't have seen a lot and see to where it's the people.

Yeah, I think I think it's incredible. I mean, it's not, no, no, there can't

be a person, no, no, we can't because we're not we're doing. So, as we're we're not,

it's incredible that someone more, affect to the most people, and you're, no,

that's not, so there's there's, no, so there's very rare, no, because,

like, we're, we're to look at the bond, no, to the person. Yes, is to say, like, he's, he's doing a little, but how, how, how, how, how, how, how, what they're doing is maldat pure. So, no, no, no, I'm a, so, no,

no, I'm going to do my enemies, because there are news little, so, at least. So, the contrary, it's, they're thinking, distinct of, like, we're, oh, they're, they're, there, they're, there. There, is a point of, right. It's horrible, really. And no, there's a charge of conscience, because there

there's people that there's like, oh, so, oh, the stories that you're talking

in that's how, how not he's repented, I mean, it's, so, no,

doesn't, that's, he's that's not, then they're doing, then there's,

there's, there's well, well, well, let's let's go to my

ultimate story. Okay. This story, this story, it's called cabos rubios,

and it's anonym, and it's Tell us this person that has more or 10 years very

similar to the first story that they were in they're going to move to property in this

case is because a father he has a a change in the environment

laboral the the company decided reubicar in other

zone and obviously one he's not a not they want to

change but they have to have part it's convine economically, well,

they're moving to other city. Passed to be living in Texas, States, to be in Mexico, and

they're going to live to a city Obregón, Sonora. When they're in this place,

obviously the father, that wants that his family, this trago do you passen

as like like the way way possible, decide to get a house that was

that was a very great, that was the afuars of the city with some

the same with the other things, that's in a mother, he wastes a lot of the time of

the plants, the gardens, the gardens, that were very beautiful, the flowers, all this. So,

then having this patio so great, it was like an opportunity too, to have a

place a great a lot of in this patio, of this house that was a

very beautiful, there was a one where not the past.

It was like a parche there, no? Like, that's like a whole maybe

someone didn't get to get a or something. And was

not not grew the past. And the mom and the

moment. He said, no, I'm going to do not only not only

that the patio that's not that's not that's that

grow to the pastito. And well, so so they come

so. So, they're they say, the house is very

pretty is very pretty father, mom, she's just doing the patio lindo, it's all

very well. One night they're on the family, conversing, when of the point

from the garage they're, they're help! Help! And it was the

voice of a woman. And then then then immediately the papa is up and he

and he's running and he's thinking that a person because evidently

needed a assistance, probably a vecina or something, and all right, and all were going to

and all right, what happened? Some minutes after, he got the papa and he was like

confused. Because he said that no there was nothing. But nothing, nothing.

So, not, not. So, not. So, simply it's like

if only they're like they're just like so that's he said you know so don't

don't we're doing very we're doing we're going to our our

our our our and well it was simply was a explainable

they're they're so but at the few days he said she was

she she was she was they're doing the table at the

table when, when, they're that really that's when

someone don't want to make a word, opening a point and it's making more

because the perilla to start to start, so, then they're doing the time,

they're doing this sound, they're they're they're, and they and then

the perilla that's that's so, is just is turning, girando, turning,

little, so so, so, so, so you're that in in

the moment, I'll open the door to a family. And,

of the fact, when it's to get to turn to get to get

to the door. So, she in silence observing this, when

when it when it is a door, well, there's no other side,

no there, no, there, so, it's everything, and of

the and of And then, boom, it's a little they're

their things, they're to get to the mochillas, let meh let me

go ahead. And there they were doing their tasking because at final they're doing a

time. Regressal to the house, not they don't they said to simply

was like that that's trying to do not when of the

when he's the door of the room, boom. No, he didn't

he was the eyes, he was a seat a door, and it

was a movement normal, natural of someone that was she

and she she was that was her she was that

she was she didn't say, so she she

the best of his mom because he had had had dormied. And no,

no it was what he's that they were to start the

sabanas clearly there was a person and she was and she

yeah and she was like that's why, why, why is

why she is why she's sitting in my camera? And as he all the eyes

and he he and he that literally the sabanas are styrated and is the the piece of

a person in the colchon but no there was so she kept observing this and she thinks the fear

terrible and the only that's going to go ahead to the room and so like here's

like here you pass pirton pardon pardon pardon and she's acosta to to dream.

To the morning the next they're there's there and then the he's a

man who he's so you do you do you don't me don't me they're

what you what happened in the night yeah time you I'm I'm

I'm doing and I'm and I heard the door um

um I'm so I and I'm I'm I'm who who's

who who because, because, he, his brother always he put a

secure to the door. He put a secure for that to make a mom to give him to

get to make the so I'm to get into the little to get to the door.

Oh, and he was to make a door. The first that's the first he he gets a

to get a chihuahuas if I put a sure and then he he gets So, he'll

to see who has metied to his court, no, there's nobody, but of he'll be a woman,

it's up to the camera, but no he's he's and he and he he's

and he saw, how literally the other amuad he unded and this person,

invisible that's cussed, to halla the sabanas and the chas and it's

it's a he's he's he's so I'm so you know what what's going to

what's and that he's there's there's no no no that's

that's that's but I'm and I and I there there

a person but no there nobody was literally like

a person invisible So, simply he gave much, muchissimo meadow,

he was he was out of the the room and he was there's a so what I

do? What I? What do? What's? What's? that's he went and he

saw that he got to do not but he's the night anterior. That's

what they They said They're They're Yeah, like to the papas And the

Papa simply So, like, yeah, Casa Nueva and yeah, no,

they're there's done there those things. That same time, the

father was there in the commed was doing some things, like

some some some some when he a a

ruidito and he'll and he a pair of tenedores and a vase

that were that were going to then't for the mesa so and he

he's and he he's when they're getting to the end up like

they're like they they're so hebra the hebrae the

so so can so like no manches what can say

this then he said to his husband I said he he he's he got to pass

something he said he he said he was he was he said is that

he said but when you're going to you go to you're all our kids

all to classes and I I'm I'm I I'm

I I'm in the I'm in the sotano of the house soyos loymentos

of a woman and first I thought my imagination but right with this that you're

saying and what is going to what is sure that there's there's sure of there's

sure that there's like like no manches I said I got this I got this car this super

bonita, no, no, no, no, no, no, no, tranquilla, tranquilla. They're gonna, that's all the night, the mom has a dream very revelable. Dice that the dream was almost,

like, like, like, like, like, like, the life real. So, I, that was, he was,

in the patio of the house, and it was exactly, Exactly, exactly as a patio. It was like like if it was

like she was like she was there. And I observed the patio and of that point that was the

place where not creased the pasto was like if she had an information and this

information he said here there is there is a there then

And then, and he says, you know, there's there's a there's a

house? What? Yes. Is it? In the place where is the

earth that's the pasto. Sone that there a there. Surely

for that's going to this. And he said, de some monedas of

or maybe to have some that's something that's that's there's there's

there's a little so that's the perfect it's for a pala

well they said what's what's you're that you don't know there

we're to get to let's go and then so we're all the

family and then he starts the father to get the all

all to all all What will pass? To see what will pass? And, and to putt

but it but he got to get to something to get to a little to get a psalah

a little and then you to get to plastic black black and it's a plastic

black you know you know a bagita this that that's that

I had the cinturon and the plastic when when it The

the olor. One a thing brutally askerosa. But

the poor not was the the the what you were a

woman of of robios potrefacta horrible so so

it and the mom when when when when she

goes and and get to the car and

And regress rapidly with a velator, a vasito with water, and it put in the ojo, and it's what you do you? What is? It's the woman that I'd hear of the laments. He has to

have to be there. And, well, they were more young, because obviously, they were spantarone, horrible, and they're so, espantosos. And the logical, and And here I'm going to to

make a commentio. The logical is that you have you to the

policeia. Sure. But for the time Ciudado Bergon Sonora.

You can get a problem. Enorme. And what they're is, look,

if we're we're we're we're basically we've just we

just we're we're to put the soga the cooge the

because it's totally the crime organized organized with the police

and if they're they're because they're because they're they

we're we're we're we're there there there we're

we're we're we we're we're we're in a problem

So, we're going to tapar, let us to let us to let us and then, we're going to ask for her.

Taparro, they're the vellator and the vase with water. But that same

night, the mom was going to have a dream. Another other was in the

patio and there parada on that part where not there was

a young very beautiful, rubia ruby vying directly to her

she had a a mirabre a a rostro super very he said

nothing just she was she looked to see she said she she said

she she said when she he said to No, no, no, no, no, no, I don't, no, I'm going to restycer so, that me will be to go to happen.

No, I can't. And the husband, when he saw that, he was talking, totally in-serie, he moved, he, he got to another house, because, well, no, no, I could simply renunciar, consigued another house super, super-alegada, so that all the days I had to do

two hours to get to get to work and two hours of so you yeah they were in

the same city in a city a lot so legissimus but was what he got

and they were and they said that was a one a one dark

very obscure because they had that they're that that there was a chica and that

no can't say to nobody, a nobody was a a pacto of silence between

them. Two years passed two years and then obviously you had

had been got to superar this and there was who

who was this this this chick was there

was there in his new when of a when of a

phone to start his telephone and he's, and he said, he said, the I found

the mom and I was coming and he called the attention a

paper in a post manches no knows because and she he was

she was she was she she she was she she was rubia

hermosa a woman disappeared years and know, what was your destiny? What is? That difficult.

It's that this story has many matices, is it, so, yeah, of terror, but also, it's a trist. Tristisim. Because there

a family that is looking. Yes. And there is another family that's where is her but not it's your

fault. No, no, is your and has a reason the family to say is that if we're saying is that we're going to see that we're going to be in a problem well it's a I'm I think so I'm sure maybe they're not going to say a yeah I'm sure maybe they're all right yeah they're

yeah they did you know I already I'm doing right now I'm saying that they're that they're that they're going to be anonymous and they're an anonymous yeah there's a thing that me is me make, uh, oh, I just

feel feo. She tried to manifestarse. And she got a point of that she

could be to be a lot maybe, maybe, because she had this intention with

the plantas and she was there in the patio. And first he said,

there's a there's a question, for that in that's a moment,

it was the was the gancho, it was the to enterrar, it's

like, like, for favor, help me. Oh, but what difficult. And he's

he's not the way to give to give to turn to do you. Two years after.

That's difficult. Fiff. Fidate that I'm said a last a ril, where is a

little very content in his room, and says, always that he's never that's me get

something, mom, where is my sweater? Ah, I, I, I,

I, she's always you're like this you're like this mom where's

my book my my my my child and I'm so that you

and I'm she she's yeah the little she's the mom seeing

like a mom like a like I'm that my mom that's

that same that my oh my oh it so and they are

and they all this these cases that so I think many

many people pass for this and how complicated,

that's the context with that Fermex of these situations. Oh, no see.

I don't know a sensation. It's that you, it's it's a good. It's very

very very good. I'm not. I'm imagine that it's not. No? No.

No. Until the final I see I'm I said. I said I said,

I don't know. It's not a non-a-oh I'm not there. But, but there were

cities of the Republic of the Republic of the Republic of evidently but there was a moment

that was a peak of terror or so and I think that's that's so I'm

where where where terrible you want to you're going to my ultimate

yeah for favor for favor well we're going to let's

to change to move tantito this this this story is

the other and Amanda Elizabeth Munoz So, it's that

has no much time has been a family of Elizabeth that was composed of the

husband and of his two little called Maria of three years and Edith of five

in that a moment of three perritos that they had. All the family

was here in the city of Mexico and in some moment

they're for questions of the both both both

of the her husband, for a very good offer that they had of a job, muders to move to the United. They're

they're with with all the illusions of the world, casa new, a job, work, new,

new, so they're with all the illusions. The two little little Maria and Edith, was they're

little bit they're they're just what was what was they're contentas because

they're a a house new and they're they're that they're that they're

they're they're very content too. And it's said that when when they started the process of mudance and

the buskedom it was costed a little of the three perrits that they were because he said not it was

so it was not so not mascottes no no mascots no mascots until they they found an house

that was an that was a house that had various abitations because

those casas americans that are beautiful that are they're they're a very

good price. Curiously a very good price, no, he said, well, it's a barat, they're in a

good one, no, it's very good at the house. They're not to do that a newance, and one

once that they were in the time, you know, all the all the timeits and it's

that's generally were the poor-sit because they were, they were, they're in

the piece, at the side of the camera of the father and they're they're

we're we're we're but what what's the how came we got us we're just

we're just we're just we're just we're just it's just it's just so I'm but what

what's and the more she said is that there is that there's how there dotones if there

about the there's the one the three years Maria and he said but why

why what they're why they're that they're that rasked above of the camera

and And he said, is that it's that's that because then those datones also do in the plant of the feet.

And Elizabeth, in the first instance, he said, well, I'm, yeah, is very different

than here. And he said, I'm going to do you, and it's to fumigar the house, because

for, for the regla, I'd be a thing, the house, because they were the

guy, and the do you, he said, but, I know, but, so-gust,

a only raton. So, she let's pass that the little she said, she convinced her kids, she had

had been the exterminators and that all over the time. The kids started to go to the school and

she had a time office in house and his husband to go to work. But as they were

in Mexico and they were in States United, then they were they're

there So the manner to communicate of Elizabeth with her family was for yamadas and, well, for supposed, as her mom, to her mamma,

his hermannas, had video-jamas. So, I was in a video-jamada with her mother and said that had the telephone so,

was in her commedore, I was talking and that of being being, to be talking so his phone,

her mother, he said, hey, I'm going. And he said, Elisabeth, for? And he said,

because it's very molesto that your husband is just a fastidied and a car rato is somandos in the court,

maybe he wants or eat, I don't have the menor idea, he's a and he said, you're doing,

you're doing, and he said, no, why? What was that? I don't see. If you did,

you know? Yeah, but not is the music? No. No. No. but right

so it was so so were very marked It was just when it's just when it's like like Pum

Elizabeth is in the cellular and he says, you're doing you're doing and he

says, no? What are you're saying? Well, is that in the passillo of the

front that it's can't see in your camera you have three

that your time that your is a soma of the recamara

and he my husband is he says, no it's certain, he's he's

he's he's he's he's because he he's he's he he's he he's he

he says no and he he's he says he'll call me he's

he's he's no accompany me to be who he's and he

he's and he he's he's he's at the moment of that

he's to go to the the room where it's supposed he's

he's a sound the door and they seeer the door in the

car literally and she gets so there's there's there and the

her and the her and she says we're they're on

on the video call they're they're they open the

door despot and and The fourth was totally Vasio. No, there absolutely

nobody. No, there was nothing, only an ambient free. The armana says,

we're going to rest, they're doing a rest, they're trying to calm the animus. She's

very very very that's what is what is what is what is

there. When he gets the he said, hey, he said, oh,

so you know, you know, you know, you know, You know, you know, but my brother me said, no, but my hermina me said you,

for the barb, for the fissionomia, altitude, color, what you want, you're you. And he says, the, love, no,

you know, you know, I was here? And he said, we're going to do a little, we're going to say, and the

not you guys, are two new two new years, they're saying, don't let's to the nays, if they're going to be

these, and during one time, So, so calm the things into the but they've been in the States United,

it was a little, primitos that had here in the city of Mexico, decide to visit to the

family, for the because they had seen the little bit of the little to the five and the

three, Edith and Maria. So, primitos that have here, the children of

the sisters of Elizabeth, then they they're in the States for that pass in this

time to be a time of with his primas, so, with Ed, Maria, they're going to

the primos, that went to an little of a little bit of a little years, that yeah, plus more

grandesite. And other, uh, other, uh, little, they're little to them,

they're all to them the same court of Edit and Maria, so, of the littleits. So,

a night while they're there, Elizabeth and his husband were in the house, being the

television, platicando, et cetera, and they're they're a repent, they're wha! The grits of the

children are, they are, they're doing, they're doing, they're doing, they're in silence. They're seeing,

they're doing the television and a lot of and they're and they say, oh yeah, be to be a

what's what's the people, not, because they're getting, and he's the husband of

Elizabeth Chip, he's par, camina for the passio, open the when he the door,

when it the door, other the children, So me, he said, what the past? All those the

people were arriconado in a in a skinnita. The, the little

the little bit of like the front, like, like, kind of, like,

and they're saying, yeah, Tio, yeah. And he says, yeah,

yeah, let them in pass, so, you're spant and spanty and those,

the little the more, the three, and six, and six, and then afters all,

all, all, all, all, all, all, all, fulls of terror and the

Tio says, I don't know what I'm doing nothing. Saca the more grandesita of the court, and he says, what happened? And that's the Tio, yeah, no you pass. So, they're, they're three times that you enter to the court and those astustas. How, what I enter? He says,

what you're doing, is that you, abres the door, assomas the barbilla, and when they're distrails, and when they're, they're doing, and the little bites, They say, but you're passing

because they're chiquititos I don't I'm a so much but they're so I'm and the man

you know you know I'm doing that and the most grandcita the 17 he's you know

you're not you're you're not you're you're gonna you're you're you're

you're you're you and when you when you see all you're all

all broncett and you well yeah you know, yeah, yeah, and he's over the

door, he's a a woman, and he says, oh, yeah, and the wife, he's,

the woman, and I'm saying, I'm saying, I'm saying, there's, and there's something that's

a lot of you. And he says, well, then, pass the days,

yeah, no, they're to be to be all the vacations, and there

no, there's more events of terror. They're they're to

the of Mexico, they'll they're of this incident and it will be

to get one of the family solos. Papa, mom, Maria and Edith.

They're they're again again other way and manifestations gritos until

that one night the most little that was the that of three

years Maria came to the court of his father's he

to her and then he he said Mommy Mommy and the she's a my name

my my name my my my what's I'm he says

what I'm I'm can't be in my my my but not

do you know no no do you that you your father that you

come he's he has in the he he's in middle of my mom

you know my mom you doorm let he does the the back the

little and the little he's a and the little bit in the he's in the

father's there's there's but as the hour hour and about Edith

also also go to the court of his father and he says papy papy

and he he's he he's what what's what is that's that I'm in the

quiet I'm I'm want to be there my mom separate and he

says, we're going to do something. I'm going to her. Agarra to Edith of the man and he's the little when the

mom comes to get a grito but so so you get to all the the

best part the he's when he comes to when he's the he's

he gets being and pum it so but what what what

What happened? So, that Maria, the little of three years, never came to the court.

And the husband was made you because he he was he saw in the spalda. Ambos

both they were she never never came out of court. According the

testimony of Edith never came from a part of during a part of

something or someone was on the middle of the two and

he met in the spada of the papa. When he he's par, after the girl evidently gritted, because she saw the other little bit, and she had

to be here, she was to be here, she was about his husband, and when enter the court, also he will be there, and he got the gritty, because I see who's got to because I'm going to

us, and Edith, the little more grandcita, he said, is that never was to be here, and the that's paro, and the My husband literally

he desmayed. Time after then, decide, as in all the stories that we

talk about another house and mudarse. And never never more to get there.

No manches. What aterra. Let's sure that is real totally the story.

No, no, there are parts that we have put to us, I'm

when it I said, I mean, see, I understand I'm there's two marias, the Maria that

she had a maria that was a maria false and the Maria that was in the car was in the car that

never said that's that's the door. At the door. The two times. So,

right that I said that I was, I think so, because like you know, like you you're like you

visualized the story, so I do do you do I was visualized a canoen and I felt horrible

but with the the door so I'm doing this is a sulted so I'm sorry so I'm sorry

so that you imagineate that you're you're going to you're going to you're going to you're going to you're saying

no no manches no no manches if here something so no so no I don't know so the people

I don't know so you're so much something something and let's go to talk about

and let's you know when when no we're the equipment the this,

this, the yonism, and we're we're on we're doing, we're not, we're doing there's a

right over, then we're here in one of these occasions that were you know, we're sitting

here, I'm sitting here, I'm sure, I'm sure, I'm really, so I'm here, there's a person,

here other, and here, here other, and we're not there's things, there's been in the

environment is very different, so, so I'm the vase so I'm this, the

I'm sure, and I'm so, and I'm And I said, Viern? And the three. No,

they were not to tell you. I'm sure that's I'm sure that. You know, here. In this

place, I'm going to more to come back. Ayer, what was there? Ayer, when we were

talking about, the fact, of here, I'm, I was to see to be to the door.

And Alex, you know, I'm going to bes that I'm going to like a like a

like a like a about, like something like about, like so, and I

I'm and I said, Alex, you also I said, I said, I'm saying, I said,

I said, I said, I said, I said, I was like, like, like, I'm like,

like, I'm getting, like, I'm going, that's, just this house,

yeah, it's, pass on a lot of things. After a lot, we're,

we're in the course, we're in the door and I was able to and I'm saying, they're,

they're, they're, they're, they're, no, don't think well of me.

We're talking we're talking of how to start out of me? But because to me? No,

see. It's we just that would that would be a good idea. And I said that

here there's a there's a well, I don't, I'm going to tell us to let me be and I'm saying,

I'm saying, yeah, because if you observe you're not that's, look, so I'm

so, then we're then we're to do you that, what I'mache, he's just a

way to pass on the and he was a somo I'm put a palid bro. Ah,

for care to make the maldard to me? But I felt I felt like we're just

we're just we're just we're not we're just we're just we're just there. I'm mad or

there's always there's no no. And I I told I was to get to

get to the coach and all that's I said Or we've done a Cervicite And we'll talk about us

Well So we're Three Cerevesas And then Plan For a fernics Blah Blah Blah Blah

Blah And then And so I'm And so My head I'm saying No, yeah Let's come

Here Yeah Yeah, So you There's Yeah, you There's Like in the

Other Officeina That never We never We Did The Rop The Person

But if is the That I See one Yeah Yeah Yeah Yeah

Yeah Oh, well, Look, This, This, only that we know We're on the What is? What is?

This is, it's, we're just, it's that we're We're gonna be It's gonna be Yeah, because it's,

it's supposed that if, there's a phantasm, so I'm like, so I'm so I'm just, I'm here,

because if it has been something, is it, or so, it's made for that. Yeah,

so it's sopone, yeah. Wow No, it's I'm sure that I'm

sure that I'm no, I'm scared and you know well when we're when we're when we're

when we're oh yeah yeah oh you it's been good so it's good

so you're good so you know I'm gonna I'm gonna let's you guys

you're and you don't you have been here in YouTube and you have riz

to be to be a for favor subscribe put the campanita

and let us a powerosissimo like but so subscribe subscribe to subscribe because it's very

important that the algorithm say, look you see a subscribe you, let's

really a much better and we're going to thank you we're going to thank us

a poweros like and subscribe and much thank you thank Saul Chato

thanks Firmix I'm remember I'm I'm scared I'm fear. This,

for favor, we can't give your social and platforms? Well, well, there they

they're in Instagram, there's like some Sapsip, there we're going about

some things. Perfect. Muchism. Thank you. Thank you. A me found them as a

Fermex 22 in Instagram and criminally so in YouTube. Let's I'll

have a micro, micro, micro-spoiler for that you subscribe and not you don't see

one of any of the capitulos we have we've we've

some that come in other in a future, we've got to find out some people of Keretaro.

Oh, no, they're in this chapter, no, I'm going to give a much spoiler. These people,

who were not, those young, they were in the house of Claudia Michangos. No, they've got an idea. No,

they're not even a story, it was a call out of the caro, and when the kids were, oh,

there, there, oh, there, oh, manch, no, manch, no, it's,

good, no, it's, good, so, so you don't get wow wow

very very good very well very well very well so much thank thank you

we're doing we're doing we're we're doing we're we're going to know the most

terrorifices experiences reales of the audience and you listen let

if they they're we're we're we're we're we're we're

we're we're