INSOMNIO - UN SUEÑO CON LOS MUERTOS SALVÓ A MI PADRE 😱😭 | HISTORIAS REALES - Invitado: SAÚL HERNÁNDEZ - #54

Episode Date: January 9, 2025

¿Y si tus sueños persisten incluso después de abrir los ojos?Acompáñame junto a Saúl en este episodio, donde descubriremos que, aunque abras los ojos, esa sensación de miedo no desaparece. Te das cuenta de que algo te observa desde la esquina oscura de la habitación…Adentrémonos juntos en estas historias donde la línea entre la realidad y los sueños se difumina, y el terror no tiene límites. ¡Prepárate, porque lo que está por venir hará que cuestiones todo lo que creías saber sobre la realidad!Recuerda seguirnos en nuestras redes sociales:► TIKTOK: https://www.tiktok.com/@podcast.insomnio► FACEBOOK: https://www.facebook.com/paranormal.insomnio► INSTAGRAM: https://www.instagram.com/podcast.insomnio💀 Acompáñame al interior de la mente de asesinos seriales en CRIMINALMENTE 💀https://www.youtube.com/@podcast.criminalmenteRRSS: https://lnk.bio/criminalmente👽 Escucha Podcast Paranormal 👽https://www.youtube.com/@podcastparanormal GRUPOS PARA COMPARTIR HISTORIAS, MEMES Y EVIDENCIASGrupo oficial de Facebook:► https://www.facebook.com/groups/548487930178860Grupo oficial de Telegram:► https://t.me/+vFdn13cseD0zZWUxTodos los enlaces para ver y escuchar el podcast:https://podcastparanormal.comEnvía tus evidencias a: [e-mail]► Consultas empresariales: [e-mail]#paranormal #terror #podcast #insomnio #insomnio #paranormal #terror #historiasdemiedo #historiasescalofriantes #horror #pesadillasreales #seresdesconocidos #brujas #terroresnocturnos #sueños #sombras #oscuridad #pesadillas

Very good days, tardes or no noches, be in welcome to a new

new chapter of insomnia. In where we're to narrate the most

terrorifices experiences reales of the audience and you see them.

And in this occasion is with us our good friend

we're very very very yeah emosion for to

tell some stories and the stories of the

stories that's this this is of those the other things that yeah

had many the kids that that they'd that they're soons before please let's let's say

well tell us that you do you do that you're doing podcast paranormal

doing all that magic that he doesn't that much the people in the endivos and well

you know you know I'm thank you thank my ideas social me find more

on Instagram as S-A-H-B We just we've to put Saul paranormal. Let me think to if now this in 2025 is going to be

so, yeah, yeah, we're going to make them as they're as a, H-B the grand

guion-b S-Y-D. There's a better than the link in the part of the there's,

there's the that's the good. There's the one. Hey, say, so before

we're to come we're a question. A bit let me. So, obviously,

obviously you've had some time some a dream a very terrorifico premonitorio

no see something but more more than experience if you want to experience also you

like you what you think you think you think that that's the movie

that the thing you put you just that it depends of

there there there there some there's so like

but there are others that's really real, and me has sometimes to have been, well, that would be

a pesidias, that you feel that's that all that's not that's a object, but so,

not that you're that you're that's being, you're going to be to the

time when when you get to let's let's let's let's let's

let's I'm I'm it that the world of the world of the

dreams is a connection direct with the reality. Or, so, this that we're living is an experience

that's a certain to the reality that's interpretant our brain. I don't know. It's part of the theory syntergic of Jacob Greenberg,

but I think is asserted. Maybe it felt it was more because it's been a work fabulous until

that I don't know what happened. Nobody knows really what was, but this that about about

the reality, the manner in that our the way of the world

and the lastis, the fomto as they want to like you want to in the

text in the text, and after the we're we're we need and then

we'll understand. Well, this part of Jacob Gras I'm

me it's the the acertada but but when when

that that the world of the life there are

things that are many rare that not I don't me, no,

I don't think the way to explain it's a really, I think it's a very

devastator for things like the experiences that they're so, fiatte because,

for example, contando us that could be a simple a time, let me

say to me to be so I just like like to play and arm

my tankes. Tankes? Tankes? Or I used I used I used to like to

when I had a child. And, And, of a sudden, I I'd like, the lot of the sotia, in a lot of,

sat in a box, and that, when I'd be, like, the front of the car, was I, so I'd,

I'd, I'd, I'd, but I think was part of what me me had been, of what I

had been, and that's a new, very strange, but the other is that there, has been there, has been

a, no, I've been, what was the, the, the, the, ,

to the secondary I took a a lapse of many dreams things that in some moment were

and others that were they're they're very rareas but they were in a program

past that I had I had a I was I was they were so they were

so they're moose or mukees and it was put that there was there

there was a a mano there I was I was I was I was

with various people to like we'd like we're there and we're to see that these and they were in the so we're in the

so we're we're playing and we're but there times that that's a time I was I'm like in

three steps and we're we're going to many times. And there times that was so the end or

what that we were the we're playing that I was, I had the sensation that at the start

it was I to have to hangar and in one occasion so it was something

because where I'm where I'm where I I was, I do not I'm just I'm in a

way I'm in a woman vestyed all of a black robust, a little canos, rasgos,

very marked like very chitano's and rasgos and the and yeah we were we're all

in the house and all but you were much like the pesa-e the lady

was a positive like in a Some of some of the years that here we tell, that there are certainquilidad or peace, she didn't, she was a sentiment pesed.

And she'd impone, because she'd be able to look directly to the eyes and you'd have a fear. I mean, so, I'd, you know, I was, you know,

when I waspiret, no see if it was part of that lapse of the restar, but I gave to be a little, a little bit, a little bit of a

side of the camera, the person this. But so, like a, like a flash-asso. F, it disappeared.

And I, The day I'm like with the sensation that not it's that's like that's

that's not that they're they're not a no, I'm know so the

and the night that I hear about the camera like the camera had a

base of a and so and it and they were like they're like

something really after that's that that's so with the

person that was in the moment me he said in a

a sound you the the door in front of the house that something and she started to talk to but that I was

being done I said that I said I'm saying I'm back that I'm and then then I don't know then they're

like other days and I'd say that we'd be to that case and yeah agaravos to the person and like

we got we we got a kind of like a kind of a frasco quadrado like a

like that like we we had we we had we we'd get us but I've a time much of those

dreams, I said, and always were so, that we're like, we're going to them,

and if when they were, and if I'm, to say, I was, I was, I was, I was,

I was, I was, I was, I was, I'm, I'm not, I'm not, I'm not,

I'm not, I'm not, but I'm, I'm, or some, some, like, like,

so, or something, but, really, really, I'm, I'm really,

I'm much to have those sooenus, but no, no, in that moment, like, no, in that moment, like, not the explanation of that really I'm living those parts, to come up to all the people, and all the ones, so you're putting to, like, to, like, a, a, a little of chaos.

Yeah, of actually, to, I mean, I've got much the time of the dreams, and I've been, like, some interesting, because, well, the science, since has much time, many people have interested in this, in that world of the sooes. There are some things that are tremendously fascinating,

that is the control of the dreams vivid, that is something, that, of the actual, we're going to talk in a theme paranormal, but it's, it's alucinant what that's there's great genius of the history,

it was called, as well Da Vinci, he was used to work, Tesla, it was to work, and more, no? So, in the other reality,

while one's is supposed that's doing, still working, but not you can't

and you can't get certain things there's there's there's a lot of but the

the entranador what he did, is that he started an experiment of suns vivid

with the athletes. What they did, is that in the practice the

the time, not it was Phil Jackson? No. In the Chicago? No,

because it was studentil. Ah, okay. What he did is that a little

more they're they're not they're they're they're they're they're

in the but in the suns and the percentage ument- but much because

they're not going to be eight hours practicing without time and you

know, other type of other type of things so premonitorious children that

they're with years pastas before the eight years

extra and some a a lot of things that communication with

people people who people and the stories that they're saying are extremely illuminatings.

It's that what the father of this charlas in insomions that you you're you're

talking the stories but you as you as you're having a anecdote

to tell something there's there always a story I'm going to talk

some I've had been much with this Even, even sometimes it's rare because there are people that say something that say something in specific.

Or, they're asking something in a specific, like if they're there. Yeah. Of course, it was a dream in the that I fellacy. And I sentia,

I'm extrano. But right, we're going to do tell to the stories and to go to start? We're going to start? Well, if you want to,

we? We're going to, we're going to. Yes, yeah, yeah, yeah, yeah, yeah, let me talk to us.

Let's go, let me, go, let me. Let's, well, this the first story

is the same a Sueons Reparadoes no the time this story that

we're in this story that's part of various successes on the theme of the time of

the life of the same it she was she was she she did. She said

that the right she's to the not to know the

different you know you start like that pulsito, I mean, a bad start,

a kind of a kind of a special of a coli, and all that you know that there's that one so much

in the activities that's not he no, he's not he ignored. He,

he went to his life normal, he went to the job, and all,

and all. And, that one that that's the pain, was more

intense, and for the regular they'd more in the night. He said that this

passed during 20 days. And this is very important. Because that says 20 days, she, at the way, resable, the Father Nuestro, and

had started with the hands, as if were just getting to something. In his son, in his son,

but he said that he was, he was, like, that's the last of, that's the time, he was to start, and

he'd He said that at the first no he presteed much attention and more because I'm

thinking that he was a little bit of he was he was his chequeos he did medicine but

no there was a diagnosis very concruient that was she had had this type

to have she was she was she was she was in one of those nights

that he has this time she has that she gets she the

hands so but that When, when I'm a little of the camera,

I see a silhouette. He's sorpreend and disappears. He kept thinking that had been

that's a more part of not not to not do not to have

this and say that's going the days and this was going to

a little more more intense. De a repent I

remember that somebody that was a summer and was a is what I can't see.

But, it's a night, a night that not was the night that it was to pass

something extraordinary. She prepares to do to work, and she is her his wife, she's

with the most molesties that you have had in the stomach, like retorcihons,

like a door, says that of a a little, not he could accommodate in the

camera, giraba, very inquietta, until that little a little he went getting

dormied. He said that at being, of a other bit a bit of

something, something, they'd get to be a back, but he

said, but he said that in that moment it was like if something

was like in the dark and the and the while he was

coming for the quarter until to go to and I'm not

I'm not he was the nervous or it was a not so he took

importance and he went to the room she so

he so he so but I felt that

that I said that the of the between

start there and not he started to with

this to to rest. But like between the dream and that part

intermediate of the dark, he said that he noted an obscurity

in the room. It was involving all and all. He said that he

went to see a his and she felt like she she was

there but if she had some a sound she was

only she she he started to see of steles for all the

fourth and when I'm with detenium he said they're they're they're

saying that in the mind he came the idea of Andromeda and he

kept so surprised because it was like she the camera she

and her and her and her in any moment despirt he

said that she she she both sides and, and of a other way is that

that figure a one side of the feet. A figure large, delgated, and he said

that of a way, moved to the hands, very strange. Like if was doing something.

She thought that was in that was not doing, delirando, even she said,

no, I'm got to the feeling that I'm doing, I'm

not that what is Is it? I feel much frio. And what is doing

this figure there? He said he tried a little to incorporate

but not it was like it was like if it was floating

so so the time when when all when

was disvanic the stars the darkness and that

figure and a little of the like the temperature, it was to incorporate. She pared. He said, he did you know, but I said that it's a the the thing that's different. Like if something had passed. The temperature regressor and everything, but something's For the But it's

that When I No. It's not 5.5 of the morning and I can't

continue with this pain. I think that I'm more in me, I go

a little the work, the things and I need to read me.

Who know if this had to with the suno or with the

sensation that I'm to feel that maybe could be

that was that I'm that he's that He said that he was to the medical, and as I'm going to read

a continuation, he said that he was a man. And the amiga, he said, Solesit, I think you came to curate to other part. Because his appendice was made, liquidated, literally liquided, when the doctors were they started to revise. They're That's

That's a Rays of This, they've To have to cut to a part of the

intestino and per die one of those ovaries. But that were surprised

the medical, because they said, how you've so you a

person with this pacement in less of 72 hours enters, they're in

shock and then does. And, so, so, so. As

As All Platicarle All this And after The surgery said that she said that

she was to recapacit and to think that that's that's that was something more

than a simple a and he he did a more like

what we talked of some entities or people that

we've in the so in no moment he knew that

only had to to have to to be to experiment this. A

raise that she has a treatment and she says that he's a special

of the kind of this figure but that she has saved that possibly have fallen

that's what you what you do you do? I'm I'm I'm convinced

that that that that was that that was not not

and apart when I said that I imagined like an alienigena.

I was thinking that I think was there was in a navent. Or at the more maybe he was

working like virtually she was like the space and this, like it's like that's

like that's not physically. So, it, so it was connected and the

information was there was the alienigena and the body was and the body was

reconfiguring reconfiguring her own and maximum for what that, I mean, so, comment. I mean,

now, when they're doing the surgery, or the parts that have been to cut out for the

grader, so we're talking that's so the body is intoxica for all the liquids that are regando for

the endro. It would be able to be able to have been the other organs, well,

the most that could, well, and that's the moment of the reflection that she has

to be more for his health. But, very interesting and apart of this story. Interesting. Good.

You have, you ever have has been so known like you have done of a lot? Well,

yes, but no they're not they're not. It's that in the in the first,

I think. If it was the first, no, the second. In the second mess

paranormal, if you don't have seen, then we're going to let's in the

description. It's in the other channel in paranormal. And we have some of

they're called MES Paranormals, that's this mess, that's the

way, and we're we're talking about about a question of a lot of one that

we're not human, that's not we're not we're not we're things that we're

things that we're literally of sers and that that's that's that kind of

is or not commenced to form physical it, it's it

other form and in this that's a that's that I pass about

that energy like to heart when I was when I was

I was that was that was that was that was when I when I took about here in

the Plexo solar I sentia a energy more or less a little kind of

an electric but delicious so so I know something is a little

and and and and little very beautiful and

yeah, but at final, I don't start so, so I'm like like I'm a curate or I think you're a or I'm sure,

I'm just I'm just I'm sure. I think of that's a story yeah, I think of you're doing.

Well, the more is that you're not you know, I mean, you know, I know, that's all right,

that's very beautiful, you're a passionate that's so you're all right to do you do you know, in two days.

But, but, well, but also, to get to get to like the time

to curate. Oh, I'll be to tell a story that's because I'm sure that

I'm sure that I'm not know the stories that we're to know to talk about stories like of chili

of mola and the I'm there's a that's it's a too it's a

thing that I'm that I love to much. It's called the Ladrillo

and is anonymous and I'm and I'm and I'm I don't know if this person when when he made the

story she's he's anonym and then he said he's referred to her name but not see

that is a name so I'm going to omit the name I'm going to omitir the name

I'm fiat she she the day of is a woman that has 54

years. But this story he occurred when he had 17 years of age.

And in that then, she had been living with his father and his

brother in a city of the Republic of Mexican. I'm living there

with his parents, but there was a moment in that

passed certain things that the situation economic is

a very difficult. So, his papas was not cared

that this situation economic affect much their and also they had

to organize to organize to have some a new new new

new new new new and the first that

that much people is that you have to have to

have to not to not to to be able to get a

right. Apretar's the signetet around. So what did you know, is that they were

to live to the house of the abelos, of the abuelos paternos. Okay?

When they're going to live to the house of those abelos, yeah only was

the father of his papa of his father, his abuel paterno and they

were to live there, they were a little amonton although it was a

house great because although it's a house not has a house

they're not quite, part of the All the taboo. For being, for there, for her, for her, not it was

not a comod, the situation of, you know, to have to have to have to these,

these, sangrado and more, with his papa, his brother, et cetera, no? So,

then, then, he said to his papas that if they were a little, to her would be

to doormer apart, but no there was a other abitation. Fiatate that in this

house, although it's very rare because in Mexico, the houses not

so there there's like a a second piece, like a an attic. I get it.

It was like a part constructed in some moment who said why they were

so you don't you know you don't be totally because the techo

you'd kind of like talking the head but there

could put a chair, a couchon, and like he did his own own. Well, in reality, it was for that she had to be a privacy, it was alone. And the papal did and they said, well, yeah,

ahead, no? They're at the end, then, they're in, with, this, with the child. And, if not he went to the cell, or, so, if not simply, he occupied the cell, it was because

the abuel, the abo paterno, was this custom of that they had many abelos, to get to the night, to make to make,

to, you know, You know, you know, you know, or does it. I mean, even do not. I mean, so, obviously, imagineate. They're in the room. And it was in common.

And it was, and it was made there. From the first night in the day, in the same he was a dream of the most strange.

Of course, I've got to, I'm here the description because I don't want, no I want that's me

to be nothing of this. I was that was it was like a was like a dream an

one the first is that he has a kind of that is a dream

he's a thought that a had had had had she

she in the dream and she was in this place was

obviously very very woman, that was like in the sojoso, in in the sorrow, like,

between and the pain and a lot of so-jomia and so-y-o-savah, and then she immediately

to think in her mom. I thought her had been something, and she was there was

there up, and he was a little movement. In the obscurity there, there

had something that was a move but in the other that

he did a fear he was he was a he was a

he was a little something something something he was like he

he was but he he was but he was but it was a

noseabun no a not not a putrefaction it

was it was an and an and and

He called more the attention. And, of a repent, he noticed that a figure feminine, uh, he was coming. And he'd amy, soyosable.

And, and then when I was more close, she was able and when she he was, he got impacted. It was a

woman that had like a baton a vestido or something, was like, was a black, was made

all this part of here. No, it was a roja, the coel. It was like

a black, amaryienta. Like, that's a time. But what was impactant

was that the the the the the one could recognize

like a boca. Like that's the alien asqueous exactly

was the was the thing was the woman. But the really

desagradable was the rostro. The head was rectangular like a ladrillo

with a ha with his eyes chuecos had the the boca

with the little the teeth that they were he didn't not he was a

rastro of a naris was was like amarada with

something and not some cicatrices enormous with some like costures

malachas in all this rostro like a Frankenstein like if you had tried

to reconstruct a rostro of a form quadrada and it was impactant and in that moment

now so, he, he said that for a moment he could feel

that that that the odor of the alient of this woman continued in the room. It's a horrible.

He said it he was going to get the day and when he was a opportunity, he told to

his mom. He said, he took a swenew a spantoso. Spantoso. And he started.

And she kind of that thought that one once had heard something

but no record about where She said, I'm going to my abuela. Well, he gave cancer

and he's he was but he was a little was a person totally normal he gave

cancer, he was very quickly and she was very little you're very little

you're not so. So she she kept like thinking in this he went to the

night, she goes to to do to dream and of a When I was a sudden, I hear you know, no soyoos, gemmidos, aubre the eyes.

No, I don't even though I'm a dream. Other way, it was absolutely vivid, real. And observe immediately to that corner. And notal the movement, the odor, will be able to say to this woman. With those eyes chuecos, like I'd try to observe her and say something, but only would say to the pestilence of the book

with cicatrices and markers in this head like a quadrida rectangular and when

she was she was not able to support the and he he was she she said

no it can be no it's her his abo his fatherno

was a man was very old He was a little with other customs,

other ideas, you know, and he liked a much to talk. She, she said, she said,

she said, but also had a relation very good with the papa, they were going to

a moment difficult. Much frictions, much friction, much friction, so

his little, he was he was a little to ask to her but his

abuel he put to take. Tomabrandy no I don't know I remember but I was

to take some of these liquors and a sometimes she was there in the

cell then she he's she he's and the abel to come

to talk so then she she was and he he started to and he

he he got with with the guard a Baja.

And he he started about about his wife of his mother. And he

felt you think he he felt like beautiful the fact that he asked him and he

he started about her about her and he he told a lot of things but

nothing that had that had something with that situation nothing

and of and of go to go go abuel who who I'm

who was a before that he was he said this this house

me he was my father he was a person very major and

he passed something with my mother never we never we

don't know the history and he said Yes. Those were other times.

It was very difficult. My mother was a woman very, very, very, very, when my

papa, so, but so were in those times. She was she was she was

she was until that she was inamor to him. She casas I, naced were my

but my father that was a man much more more more than

she was going and was a much time and a my mom he

he was he discovered that my father had another family

and he said the father and my mom was a young, but it was

to arm to take. And he gave much, much courage. So, so, he was still because the other

woman of my father, was even more more young than my mother. She was and when she came, and when she

saw, and she, he, he, he, with the first that he saw. Cogue a

Ladrillo And he He was He said He said He said Hisabuel I don't know

How well I don't know But I said that my mother Herabbed The life But that's

What she She said He changed And then And then My Papa So It's

That's That other family was of bruchus. And they put a maldiction to my mother. And my father,

for the very reason, she wasrower in a quarter that he was built in the part of where you doormes now.

Because my mother began to and it started to deform the rostro and no medical could

do not. His face was a mass deformed and putrefacta and my father

ensarro to my mother there. My mother no was more and he quitted the life

and at a little time my father fellio but no you don't you

don't the maldiction that when she was I felt I feltia

a scalof I felt it horrible because literally

was being I was And all of what I've suffered there So, standing so very

little, I spoke with her mom he told what had passed, they went to the people

and they got a a woman. That's the was like of a mission impossible you know

because the papa not would accept to that not they were the baby

but between the mom and she They've got to get a the Bruchah

for that did a limpia in that's he said that the thing is that the

the Bruchah did his work there, well, all that all that but that

never never will be to what was what was not. No, he said,

but when he was there, and when his ritual with some little,

and things, He said, She, she only want to know if in some moment they were

to get her for what he said. And the only that he's what he said,

yes, tell you that's that's and never more to present in those

dreams and in that how you see? No, I'm I'm,

I'm saying, more in the part that was, that was the quarter

in the Dernia yeah, I, I'm scalofrio, but But, you know what? I mean, I've

heard of these workes of brujeria that make you become in sapo, do you have heard of the way? Yes, yes, of Yes, of course, with a lotas on a capitol.

Yeah, it's true, it's true. Compact. With Paco. So, but never that your head is in the tool

that you used to take the life of another person. It's that That that's the world is so full of symbols. Fingate, cut to that

you're telling this story, a story of the houses that is here in Merida. It's it's put it

that he had a person, who was a and a living with her family and all the

and the husband, according, and the they're they're a murs a or

something, and they they're in the time. As you the time,

it was the house, the grand asciendas and and all of that.

No, there was a cure like the that's the thing that's that you to do that

was incerning in the latic and that she was put a really violent that had attacks that kind of

that was, for that he opted for doing, he was to this person to get to this person

to be a person, to be, how she was she was she was coming she was she was saying that

after that he took his things and he abandon and he's

and he's and the part of this attic that there's that's near the the passage of

Montezho there says that he says that's that's called in the some of the night some of the

thing that's why it's the word of it. Wow, is that are many cases, I've seen many cases of that that's

complicated in the that's scondel them, they're all all they're saying a thing,

that I'll tell the story, I'll say some things that apart of that he said,

and the place in where you know, because you're to know, because you're to know

there's a person there's there's there to see there the

visabuela uh You know, how many years I had when he took to the life to the other that was more 15, 16?

17. And there were two stories and she had children. She, when he got to that

house, he has 17 years. So, like, there's the connection of the

age. That's what, what, what, what, what, what,

what, what, what, well, in, in the hundred years,

they're going to be the of us. Ah, well, as they said after the after the

love, they're in what they're not, not the custom, the custom of the

custom, do you know, casate with you want to you want to total, the time of the trotto

the trotto the troters. But well, what, so. You know, it's to talk, we're going,

we're, we're going to this other story. No, there's 17 years but

more there's going to one of one, that has 17 years. Oh, yeah,

yeah, but I'll say that I'm much coincidency. This is called the amphitheatro in the

mar. We're not let's say. Well, here we're going to send to

all your narration and we know, and us come that's some years he had

a one of a way strange. Yes, we said she that

of a little when he saw that there was a very great,

but that was like, I imagine like if had been the piece

grisaceo for what she narrate and the and the sea around. But it

was a mar picao and and it was a feel a free

he said that was that was it was a sensation between

a fear and a little moving for the curiosity

to know because was a was a dream? It was

a a dream, but a but a little lucid. Of those dreams that you know that some things have certain logic or

you make a or you ask you know, oh, is that I'm, why came I'm for a car? Why I'm

that? That's very conscious. That's very concerned. No, you. No, you can't

manipulate, but if you're conscious of what is going to do you. Sure. Dice, like she

he's like that of a moment view a figure, a figure of a a man barbado,

ruby, imponent, and even she has a moffa that's a lot of the man who

don't know they're that in her head he was that was the Jeobah of the

Antivost Testament. She had that idea in her in her and

she said she that not was a a god benevolent but

that iracund vengative the which could occasion inundations or

to go to the person in salt. He said that was the idea that she had that she

had of this figure. And I feltia that's going to

she was and with the look to the eyes. He said he was

imponent but in no in no, in no no moment

she he he took to after she was

she was still here here there something and

if is certain various of the the podcast or of all the stories

that we're going to is that I felt like he was going something. But she

was being being no moment accepted. Sentia like this figure wanted to

and she he said she he said, many of his inviteos have said that even

that even do you do that you're not you're accepting in this

reality She said that she He said And that The sea That's the He was She said

She said No A no Rotundo A no Firm He said He said

He looked He said He gave The world And he He gave the Spald And he

He said That's He said That's He's He He's He said

that she just she just she but, with a bit of a

fear of why or what was that she's she she and says

that he noted about her a little a mark like

they had had pettisk for much time like if someone

he had been had been been saying in the in the in the

here in the here in the the idea my said

Mia, says that there's a big, he's oh, is that I'm this one

I'm not this mark. Oh, my my name, if you have a

mark there, like if they've peelsk so it so it made that

she felt a a full of the because I'm not

was a thing. He's that this dream was a very that that

that's I wanted but she not was disposed to do it says that she

she has a money and with a friend with a plan on a party to do you

what you do you see that you're to be this is this is I'm going

to forget me of stress to change to get to get

his she so she's another more to the And then, then they'd

then they'd then they'd they'd So, so she takes the while he's his marletas

subes and then you know, it's more practical to do you're because you see less

the time. Your so your more as more than more and apart not certain

is the turbulence because of the turbulence that's so so

so so he so he starts a start a a turbulin and

she says that she when she was trying to doormit, it's like, what, what's going to? The avion is going to

move. But she said that she was like something like something that's looking at the window

to the front of the air of the thing, and like the car. But this not was a dream,

Fepo. This was that was that was what was going, it's she said

he. He said that of of a repent she thought of those

dreams that I had been and I know a idea that was in the

case was that was that disculpa I'm a disculpate

she she I'm going to say I'm going to because I'm to know what's

to be the repercussions that would be that's that's that's that was that was

trying to ask this entity. She said that she's to start to resisted but that movement of the avion, the

obscurity and everything was that was going to that point. Like if were a game of

ager's, and the fichas and the fichas when she's not a moment and she has

the window very dark and says, it's okay, it's I'm

I'm He said that in that moment, strangelyly, the nubes opened, and a ray of a light and direct to

his car. He said that the side left he felt like if something was a bit of

a little in what she's seen how the the voyage tormone normality? The turbulence and the

by-and of the van of the the plane, disappeared and, and the it was a

day, with a sun and all, but I thought it was a good, he said that

he's his destiny, and he talked to her and her friend, he said, but

possibly maybe it's a possible, you know, for the more, no,

not you don't you don't have to be. But she in all the

the voyage, he seemed strange. Sintio that in the night's someone was a

minute they they were and they're and they're a lot of that's was going. He says

that he he goes and he's on your house, she is not

she does, I don't see, is that this this what happened

I know, I think that he's he said

that he I remember some questions that have talked about some people on the podcast in

that you can't take the control of your son. He says that she prepare a

a vase with water, a vellator a blanca and she is put to rest

to do to be that way that that that's a pesadess that

she she had after after after after the time

disappeared and so he was he prepared to do

He says oration And he's Acuesta He said He's He said He's a In that place,

Sanfiteatro Friyo Dice that It's a He calabha More than the Pell The Wessus

He felt Like if He'd He'd He'd He said That's That figure

That figure He was He was And Like, Ryendos of her. And she,

um, his head, because not he didn't let talk? No,

no, no, I'm trying. I thought she, but he said, you're,

you're you're doing. You know, I'm what I wanted. He said, he's

he's he and he took to, like like if the feel were so hell

that the same frio he was cuting like it was trying, he said that could

hear that could hear of the the feeling she said that the sensation, it was

that of the a moment, he was how the mar was

was getting more and his the the feet on the

the and in her deseration in trying to try to something to do you to do something he said

he saw in the front of some sluettas like some somebs that were like they were around her

she said that in that she was trying to start and that he did get her

he got she and agitada and I sentia something something that comely

that comely above of the left but not was the only. He said this

this time when the covichas mirro his his and the

veins were salted said that he felt like he

had had so that impidient that circular the

sang to the ground that he's he cost

to to move them but says that I don't know what had

passed. After this, that he was just, the sonar this, and like, it was in a moment of calm,

a calm momentania, that calm that you prepare for what you that's that later she said

that she tried to do this of the bells, the vase of the vase, every that

the vase was to consume for Like if it evaporated, and the vela back up to not to

not get nothing of her. But, but she was sent to, he was only. She said that

every that she he feels that she gets a little of her. And she

finalisa and us that she is going with that amphitheatro that she's

in the and that he's and that he to be to be getting in a moment

he's could get trapped in this place. How is? No manches what is he is so.

I think in Poseidon but it's like a bad, no? It's that for the references

but the the the word that comes to his and there are

there are there's that in the dreams you get like information or

words that you are references that you're seeing. A lot of they're going to and I'm

sure and I'm and I'm sure sure but he's but that I'm not just not

they're not even they're yeah no I think but you say you say that

when she did the he was the one of his piernas that's like a something

like a another again again again that's that's that's

that's that's that's I've been like that's like Tocado, no.

But why there? So it's like a mark very particular, no? Yes.

Because even, at the maybe, if it would have done it with the

third eye, but above of the eye that's that's rare.

That's a kind of or something that's part? I know, I know

that's like, I'm not never I've never had heard

I've heard something. And you I'm I'm I'm

I'm to something but look, look at there will be a

chapter of a yeah and in this chapter of insomio

we're going to this story apart of the stories that's

the only reason for that I can I'm that I'm I'm

I'm I'm I'm sure that I have the permission to

the but it has to with the dreams and with the same that's

incredible but maximum one or two two two capitals and they will be

that they're going to not to not have to because it has to have been to I'm

well I'm I'll teller or the invite so they're and also

it's like that's okay that's okay okay no that's no so

they're not so they're that everyone will be so that's going to be

going to be saying a thing. I'm going to another another story that I'm to tell

right. Oh, is that, look, even, we're, we're going to say that

we're in the, as we're to be a chapter that's not apt to for,

for the kids. Sercan. But you just to tell a story that you

but well, the two that's I think it's I think I'm going to

is that are you are things that are so that and I'm and I have a

story personal that's a little a little to do this let us the last the last

the last the last the last the last that's it's hard so so you

have to have much much much much much much much this story

this It's hour to pay. And it's a person that's

called a sapo red. Even from the title. Look, there are

some things here that I like much, that are these elements

that are these that have to be with the phenomena paranormal. All

it's a night normal, tranquil, this chick, is

very very, well, um, well, this moment, 10 years,

11 years. And he an her manita. Dormen in the same abitation

and at the two or three of the morning, he begins to have a dream

totally different to all what has so you because in the dream

no is not not but she but she in the Sue.

V. So, see his own a camera. You can see a

her her manita in the other can be the other but he's

being like if it was a third person from from a

idea astral but well a a a Why, I see my

body, why I see my fourth, why I'm doing the things from this perspective of a third

person. A somber is moving. And then she, you'll see that

that a way, to be to be that is that is that?

It's a silhouette humanoid like a person. I don't you could say,

because Like, as well is the silhouette, if it's a bigita, if it's an adolescent, an humanoid, his movements are antinatural. It's like a sombra

volumetric. It's a parada first in the entrance of the room, and the room, and she's move.

So, then she'll observe and, and, he, he, and then, it's directly

to the camera, where she's she the silhoueta is detient and he

he's to be to be in a moment and she is there like what what is

what is he's his hands to this sombra and in a rapid

movement the he he and he starts to the

and he starts and he he's going to you let us to pack

And, of a And when she And when opens the eyes, like, he gets a little

little a little back. He's suading free. He's much fear and evidently

the first what is observe to his around. But no there. Her manita

is in his camera and is but she has the sensation of that

really they really they were they The sacudied. That not was a dream.

Pass a time and it's like that's a moment in the moment in the she has a year.

She's a other way with her manita but not in her house. They're a cabana

that is of the family of a friend of she's they're there to be to do

you know there's there's the three nine a Piyamada. A pyjamaida and

they're going to to do with. Then the friend she's dorms in a cellon

and she and she and she's a little and her little. She was a little

was a little bit. He said that was like a ballita in one side of

the side and she was she was styrated in the other no.

Of all so they're in normal and like at two or three

of the madrogada again his but in this dream, what I see not is your

court, is the cabana, and you can see a his friend, he can't be a her manita,

he's literally, another way out of his body observing all the scene.

And the first what does, because he said, when he passed the last,

is to be in where this this sombra, but no it's,

and then, so, not it's because she it's that it's like if it was

obligated to be when you can't move even to even to see the the cell

of the cabin of a so they're like they do it a little and they

see the part of the of the and the sunbra is there is there

is there is a further of the cabna and and then

it and it it's the door it's it to the

door and enter to the cell of of the cabana and then then they again they go back

to get to get to see what that's going the the sombra advance and yeah

he's discover if it has a nose if it's a man a woman

and a woman, he wants he has much fear and this thing is like if not

if it is like if you can feel his his presence

and he he's and then I'll see to see to be to be a other

again again she's move to really and rapidly to be her

her manita and then to see her his little to get his

back to his back and he he's to come to let's

pass to me let's to put her he he

he he When she's when when she's so violent that she she's not

she'll be in the side of the sillion and he and he's over her and his her mother

and he and then she's and then she's and the lastime of the

that's but she in the other to try to to scorer to her or something

she is with a fear he's he's that other she's

still that's still still that they had talked and he said when

he said he said the last he's not the last the other and the friend

he's like that's like that he's just she she can explain this and

also even even he's what he happened to that after

of that moment every yeah not it does a certain

time every two or three seven every every two

months literally the same Sojourn't No important in where it's This thing It's a Observa

The time It's acude And he grita With much Ohio Me las you You're going A day

Hermanita He says Ohie You know You know I'll say But not You're

You're You know That's That night In that You Aventar about me?

Yes. You have changed since then. How? Yes. I think you know

you don't you know but you're changing very rapidly a sometimes in the nights

I'm I'm because I'm I'm because I'm that when I'm

you you? No you're not you're you're talking but not is your voice

is another voice and, and, and, you're not you're not in Spanish you're

talking to some that I know, I don't even so that your attitude you're

distinct conforms conforms the time I know like I know, I know,

like I know to something. And yeah obviously with these dreams that he has so he gets

like, so he gets thinking what is this what is this what is this what is what is going

a day after that you know liedias with the day the day the normal he's going

to be to be and then and then he starts that they're saying that they're

but the things changed and you know observed his his

the body from outside. While he was the so he was like the so you

and he opened the eyes. And when opened the eyes not was in his

camera. He was was front to his armory that in the door

has a full complete. He was a foot there and in the

hands a cuchillo. I had had taken a Couchillo of

these grand of the kitchen. I'm looking to see

to see to see but in his reflex he was not a

not was a big a bigontes simply was with a

little a little and his eyes he said that

they were that they were like if not totally negative

black. She said that's seeing a same but not she was a little

different. And here the thing is the poor. No, I was so-

literally was a parable there front of the mirror. And then

the place, the other to move to a movement behind

of her. And a through the light the

seen try to surprise that that was there

was the it's and when he he he he

he he was so he very he he

he he he he he he he he

he put on his he he he he

he he he he he he like an abism a big

like a profound, as the part the part most of the space like a

little augero a bigote a big very black with the little

little only I was smiling she was he took on the he said

he said it's it's hour to pay She not could control

her but this thing obligable to observe her her her

she came to move for her the hand the hand

to get to get to and so a little

in the garganta she was a terrorized no was

not so and of and When the when the Cucillo

when the commenced to getrised, and in that moment it was like if her mother,

so if she said, because when he wrote to get her her man she went rapidly the

light. And when she put the light, she saw in the the figure disappeared

but she no could take the and the and the great he desmoyed

when the sun when when they was there were two seconds in that

she was her her her manita was a was

a and and her cut but the the

but the the right in the arm a not she was

she until that he could open his man and separated the

of the I've I've said I've said many I'm like the

stories that not I'm this that I have to I've passed

a very little time he's he's he's he doesn't

not do you don't not so her she has

that something that's that and is always the pendent. He's like when he's going to doorme, he's trying to

be concerned and prepared that if something, has to be to be able to all the forces,

but that's aterrata because no knows what will be to pass more ahead.

No is, no knows what is, no knows that is that is that that has

that has that has that has but he's much fear. not it was of the

life's I thought but I thought but you know is that is that is that he could

have done much yeah yeah is that is that he took the control

of her I mean I mean I was a so so well yeah

she she be she but you see but at the

moment that she's when he he's when he can't Angenza or no, so, one's the

Yeah, who knows what is that? And that's that's that's dangerous I mean? Is that

you imagine you're to think that other thing, it's a no, you know,

a sense desperating, yeah, so, right, right, I'm going to talk,

I mean, after, after, so, so, so, so, so,

just what, just what I'm I've been thought of the stories, for example, that they're getting to and not is a god.

In this case, in this case, I think it also is like something that that's like a thing that's

because what that's going to do you're going to get to a 10 years, no, to the, I don't know,

how many years have a 18, maybe, what damage you can't do you can't do you know

that's a so, no has no has no but, but fiftate and there

stories that are all the contrary, in those that they're to help or they

want to communicate other things? It's that the thing, I think is a thing that's a tool

that's a thing. In the that you're going to talk, after this that you're

going to you, I think you're going to do you, I don't know I'm going to let's say

about, but you're not. But, look, before to enter to this story, to

you're going to a anecdote short and and then then I to tell another day at finalize

and the I was to be relational to this story my my

my motherna my mom are those the two they were

and they're not probably the but one of you

is with I was that he he he he

he and after he he he doesn't he he was a

much to manage so we we went and

but I I was a serious but like so I'm so I don't but I thought like you yeah he was

it was a question rara because I affirmed him I never but as if I knew it was like it

was totally telepathic aha one thing so so I'm you said you're oh you're you're

you're like I'm sorry and I'm the house of my abuelos. Just one just a yeah,

yeah, yeah, he had fallen of, yeah, yeah, when it was because it

was in the house, and to be there's, and to be a new that's a time,

yeah, then it has been, it was, it was, it was, it was a moment,

my prime, my my prime is a medium , discarriedon,

let's say, it's, so, he likes to, that the

adventure, for so so to say, and then so I'm really to my bad at the

transures that's still in the man, my friend to get to get to be the he's been,

and he's been, and then, and then, when, I, I mean, I'm, you know,

I'm not, I'm not, in the sun just, I'm just, I'm getting and I felt,

I'm, but things that are to, like, like, we're, like,

see we're, we're, a platic and just that I just that I just that I am sure

after this so I'm that a moment my primro so that he got the

yeah and he preoccuped much my my uncles so it was very because

it was like if he was being because he was going to

come these situations oh so I'm so so

yeah so so so so so so I

I comment so that that they want to they're do something,

but a sometimes they want to prevent. And this story is a question a

question. I'm not omit the name because the story is a some of the

details, those which also also those will omitire because is

related to situations dangerous that are that are going to be going to be

so. So, so I know that the person that's made the the person that's

But we're omit for your security. For his security. I'm going to say, a man that comes to be there, but it's

a man of a man of that's not, no, that's not quite, because it's very specific the locations

and all the and the situation. So, it's for to be able to be a situation. Well,

he knows that this happened that he's a year, when he had three years, he said

that he said that there's, he's, there's, you see that all this part

Sonora, Galli, these places that are there, or that are in this area, this area, this area, because they like much the marisco. There's many. There's many, and it's very rich. Well, well,

he said that his papa, he had an amiggisim, so, of years, and he was to do this friend, because they did the cultivar of the camarone. You know,

as you're like other species of the mar, well, so, well, they can do, do you, like, he's, like, he's

encargave, since that were little the camarones, then the food to have a process

about a time. He said, he had he took to help to help to do you

in this time. So, he practically to go to the place where he did this,

three months to live there to live there to the place. They were they were

like the stankes where they had the camarone and all. So,

then he he He, he went to his father and with his friend, he was at the vehicle, he said, his friend, oh, no, is that, fiat,

that's been problems, eh, there's to be very pendenties because they're, they're going to and they're

there, this, the delinquency to get to our form of life, and of and of a

repent me have given to get a so, so I want to ask,

I'm that when I'm going to visit to do your pay for your

15th, you'll go. You know I'm going. If you know,

when I talk, no I'm paid that day. So, he's a problem.

I'm, no, no, no, no, problem. I'm going to that's I'm going, and then, so,

because the fact, the really, I received a call and I have a problem.

He said that, well, he took to go does what he corresponded the production

his friend he will be to have to have to have to have to be quite having much because I'm in a

can't be I'm a I have a I'm a I'm a feeling the more the more

the more are the maybe I'm saying that in the area where they

live then says that is a one what is a area

area so that the crime is the so that you

can you can can't to go to with a life and more when you a business

yeah the the criminal organized is so it's so so it so it's

so well it's all the moment that after the production and all

that's to go to see to his friend he does a person he says he's

he's in the case he's he's he's I'm I'm here

I'm I'm here I'm sal sal the chat what

pass he does the we're we're we're He's arrax, no. He says, he goes, no, well,

well, let me, let's, let's do your mom. We're going to do your mom. And all, um, they're going to the supermarket and all that. To do you, to make them, make them, they're going to, the brother of his friend. But, well, well, what's

Oh, he said, oh, no, is, hey, no, is, hey, no, is, so, it's, so, it's a lot. But it's got to, you, where you're, where's you know,

I'm I'm I'm in my house I'm know, I'm

know, so what's what I know, they're to get to

my mano. He did a and the and a plomazo

in the pecho he's my brother. How? He's he said that

in that he was he was he he was he was he he was

he put palido for the notice that they were saying well the

amazes it's he had been he said he gotro he was he was

to see to see to the brother of his him and what what was

they were waiting and out of the house so there was

that he's chin well he he he was he was

he was he was he was was he was he was he was he was

well, well, they're going to his children and I'm going to be able to be there

and he's he said, in honor to his friend, to comemorrow to this place,

they're a capilla to San Juan to do. And there was an image there

there's a and he he gotro, and as that came to get to that time that came

he was he was, he took his things and he went to place.

He said that day he got, he came to and then after he was in a catre, but he said

that he kept a little bit of the capillita that they had been built there inside.

He said he he got the eyes, he started to do but that he was

a real he said a little weird but he's like like that

like something like something that was that He's going to all the other sides and bolted to the capilla.

He said that there, he, he saw four figures, that were incaid, resando,

he's little the eyes, because he was just he was he, he's,

he, he's, he, one of those figures, is a young

that had had fallen in an accident of a motorcycle he

And it's like, well, what's what's doing? He says that with a bit of fear, he's to be to see who more was there. And he said

that they were some a friend, those which, as, as transited in a

carterer, access of velocity, well, we're, we're the only way

to deteners, a point of Val. No manches. And it was when, of a

realpente started a scalo frio because I was seeing people that had fallen

in mortes tragic. Mouartes tragic. Murtes tragic, and that was her friend,

he was his friend. He said, Chato, you're are you're still robbing the bomb, Chato.

Despirta. Chato. You're going to frugar. He's like he like he he's like

still in the dream and trying to assiminar what was happening in that he got

congelated Chato Despirt you're to robes the bomb and you're

going to frugar and he's that he He said, and he says,

but who me going to forget, if no, he's going to see that the dream he's not

to be to see the like a figure, somebs, somebs that had some arms.

He said that he and the bomb, the bomb yeah not is, he's

he's he's, he's, he starts, and he and he's to look and be

some weas. Dice that effectively they've meted to robber the bomb and

he saw various vayas. The strange of this was that of a

being, while being al-alubrando like that in some moment it was

that were like those who had had had defumated and

that when He inked and he He said his He said that He thought that He was the only that were

to robber at armos and he he said that he was not pass to the major and that he could

would be to that so the name of the history an advertency from the more

there practically his friend as how to understand he'll save the day What impactant

History I'm going to I'm going to I'm going to do what What? Yes What?

That's What? Yeah, I'm I was thinking I said I'm Asumich

I'm My part of my part of the sureste Yeah, and I And I

I said I said I said I'm this anecdote because if in some

moment it would it they're advirted of something. You know, and the dreams

of a of a of a so. What? What? What? What?

What? And, what's the thing? That's, there's a time that you have seen,

and to see, so, no, I'm, I'm, I'm, I'm, I was,

I was with to come to buy to the time. And those two, I don't,

no, of the people. I mean, I can't be over or I'm

going to like going to do you and in some moment of when when I'm like I'm

like I'm like I'm going to be going to so I'm going to see the person

until that all the things and I can't know who's but

in various occasions more has been more has so said and

even things like he thought that were really

one one I I was I was I chico,

I saw you, I'm the most strange that sometimes you remember you know, more a little bit about what's

your own so I'm so I'm going to come in a park and there was a construction very rare that was like

a a busk a thing, a thing, a place, you know, a piscina, and there

a kind of construction of four pieces, but not they they were to get a not as

they're like, like if were balcones, very extrana. And there a

man a man and I had a little like a little

in the little a camera a camera so but I'm a second I said

that I'm so I'm so I think that I'm I've I've I've seen

with constructions I'm I'm you know you're oh caray

so they're very very very very so you went

to you go to go to you not to get a hilick

but those who live in Halapa can go to the park and the part that is going to

go to a place that's a place an and there's a construction and it's a like a

like a little we went to grab to work when my earlier

work for for the repudancia and me took with a reporter

a waitita let me send a she was she she was she was

she she was when she when she she says aspects in what I I'm here to check to check out

some things what I'm in the hand of the cellular and I'm yeah writing and I'm

and I'm doing the when I'm when I'm who Ike said this this place this is where

I'm I'm going to I'm sure I'm sure that's the place that I'm that I'm

never I'm going to know to know because because once a construction

a lot or places that not they're not they're very raros Yes.

But, I remember one that was, like, like, very clear for me, was in house of a person, the city of Mexico is a chaos. So, it's like a, they're saying,

where there are many many entrances to access to, and they're like, like, plums, unidavitational. Uh-huh. It's a unit of evitational.

It's very rare because when you enter you can't go to the right and it's to be right or to the left is to be up and you have some stations many spaces where the people so are spaces where the people's but are closed on the left of the right to see right and to be

and there are those buildings that are in the surroundings and those buildings that are in the area, they have access to on the last piece or for above, in the plant back. Me, you know, because here. There's

you can't and then then you can get to your department or you can get to get to the

bottom of the place to that's very great. So, that's that's like that

like a like that. Like a labyrinth. I went to see a person. If we

did it, we got to working and me to get to get to the place of the

bottom, and the part of the top of their apartment to the part of then they're

in the part of the back and I in the night I I saw I'm

in the cell that there was a person between the there

had a thing and then I was I revent the casals

of the I was very very nervous when I I'm

I'm I've seen that I've so that so that's I'm so weird

it was too rare it was very very rar my coach when I when I came to the coach

they had revented a crystal and they were in the stereo but the question is this no,

there's a form of that you know it's very little me understand but even but

what I think is the next and what I'm going to say something I'm going to say something I'm going to

confess to something what I'm going to an exclusive of this capitul you

You know when we when we came to this house where we passed I'm I'm in the time

I'm with the house and the recorried that you know the

only you you can't the first that we talked about how they were

to the areas and said the editores are going to

be about in the in the I'm in the I'm what

I have understood that what I talk that I count and

see as brinkos, what you are saying, I do it's in the head, like I'm

but I think it's also, but I'm so that's not even so that we're not

the location. All the the recorried, to the people, I was when the

person is the the the woman that we talked about the

house and you remember we're we're all in, like

in circle, all all that so I, so I dreamed, when I was, I remember, I said, with a reason, it's not so I'm so-known the place, so, I-so,

I, and I-sowne, how it's had distributed, and some things of the, the officeina, the only rarer was that this is here in the

studio, connectable with the officeina, like, it would be, you could be you could be and that,

and that, in a, I, that is, I don't know, that is, I, that I, I,

I was, I, all, I'm just to because there's because there were to

do. But I'm, but I'm, but I'm, I think that's like, maybe I didn't know

I, I know, I, no, I know, I, no, I know, I, no, I'm,

I know, to do, a more, in a universe parallel, if, if it's,

so, so, I think, but I'm so much rare, and you you know,

you're not, you know, the balcony, well, is that there there's, there's there's

, was a serrado and pedasos was like it's like it's a right,

I'm sure that's it's a because there sometimes in the times that in the

things, what they're what they're like, what I'm also, I'm doing, and why

I'm going, and for no, I thought it was a but in the talk, it's this

detail, then I'm already I'm imagining but in the dream I'm I'm living.

I mean, I think it's so I'm a weird. I think are the soles of some of the windows of

a dimensiones parallelas where certain actions occurred and others not. The thing is

that's, now I'm going to not going to go to go to go ahead because no

there's not going to tell you one that has a theme that's different. Because the

last the ultimate history is it's like I think are like different forms of

the dreams of or to experiment those It's a tool very interesting. This

history is called Ramo of Flores and we know they're and this friend, Jay Marie.

I'm I'm going to have said your name. Disculpame. I'm said you know your

name but at all the moment on the page, it's on this

name Mary or Hay Marie but I think is Jay Marie. She knows she has

originally of Puerto Rico but live in Pennsylvania. Well, This story,

look a much. It's the check. He said, he said, he said, she said, she said with a kid,

that's not the name, very well, but this man, he's from they're

so he, he, he's, he's invited to get, to go, and they're, and they're

to have a relation. I mean, so, yeah, not, no, yeah,

no, yeah, someobious. there's a question here that is very interesting many times many times

the stories proviening of a romance and the name was the the woman perfect and we're super enamorated and

we're super-enamorated but in the life real the relations have alt and those moments good, have those moments

malos and I think a good relationship is that It's fluctuating until that's

equilibrium. Obviously, for her is a mind that has been one of those relations

that are very bad and they're like any relationship discuss. That story starts

just when they're to discusses. They're a discussion very. But nothing

that you know that's that's going to make more a little.

And this that this chico, as they've been a regular of flowers to his house, a ram of flowers. She gets to work to her house.

Be the ram of flowers, but she had regressed from the work to his house because he commenced a pain of

stomach, horrible, very, very very strong. It's, it was, it was, it, was, that was so that the the

She felt like she was like if it was a, a certain-your-lawful, that had etchedo-huh. And so it was a lot of her eyeses. So, so he went to his brain, this was to get a to go to resters, this, something, no? The ram of flowers. Dice,

like, they've just, a good on of this child and he he said, you know, you know,

you know, that's, you know, many thanks for the flowers. Then we then we're so much,

but super mal, me do the stomach, the head, the head, the, I know

is, but I'm to go to sleep, because no, I want to more.

Okay. So, so, he acuesta, he's acosta up up to her, shelly the eyes, and then inmediate, p, p, in a profound

a dream. The repent, and when he gets a has a sensation horrible. Literally, she thinks that,

so the room is going, waltas, and so, like if it's so much so I'm

marred-asim, no, what, what, what me is what I'm, what I'm so,

like, like, like, like, like, like, like, like,

like, like, like, like, that's to start to turn. And when

he gets to get to get to get to get to the matter, it's not they're

not going to move your but it but it's a little weird. It's his

head is where were in his feet when was where it was like it.

So, like so. Like if really had been that. And,

the first, that's what I'm so, you have the time, and you see your

your abitation at reverse, like you confunds and you know where you're going to you know where you're and then that's,

but apart't it, no, no, no, can't move your body, and he says, think, where I'm going to and he's got

to get a way, because I am the reverse? And you know, like a bad vibra there in the room, something

that makes feel that all is like free, the air pesed, and the air Again, the mareo, and the sensation that's

doing that's going to turn and vultas and the room, that's very hard. Because it's very strong. And, of a sudden, again, that's going to have to be that sensation of maryo, until that you, you know, is that getting to the room, will be the eyes, and,

yeah, is the right. But no can't move his body. But yeah, it's another way, the head, where it's had put in a principle, and the feet, where the feet, So, so it's Confunded She does

know that So it's Inmobile But only can move the eyes And there's What's the

attention Sobre The burrow Had I He had To be The foot That's

The burrow that's There's There's a Rampo of Flores For suppose

Although, even Although, I had had much Dorm of Cable

And had put a Jarron with water and had

put the flowers. And there was. But the flowers were marchitas.

The petals were black, totally redro and secos. You know, when,

yeah, well, it was, you know, it's a two, but it has been a

two or three months in that they were so, in that they're so, so, so,

so, so, so, so, so, so, so, so,

so, so, who noted how the petals and they were in senisas and they were,

to go to to go, to go, to get, to until the ram of flowers was was just like

the tallyos and in the soil, the senisas. And so he was so per rarro. But,

of the senises, not a little movement. She kept seeing

these can't see that a figure encorbada and came to and it

and it and it's to start a little and it was a gigantic

that was a little totally dark a like a capuch

and he began to advance to her she had a a fear terrible

because not so he was able and this figure is it's a he said that in the

other there was a humo that he was a little the

the car of that that was there was a car it was a

crane and and of and then he he begins to get to

one of his arms and when stira the deados to her

be that man or a suda the pure skeleton and he was a terrorized and just

when he to talk I was like that he waspirted but was exactly everything

all like she was being it was like if had been a reality

to another you know the flowers were well

the ram of flowers was good but she kept like a way

a lot of this. At the day's the the the the

pain the the and the day the the pain

the pain and the not soportable I never had

seen this child because I'm living with those

those those those don't horrible And you'll get to

his house and see that what it's beautiful in this

story to read something. He said that in that he did

that it was a not was a normal there was a thing and he

he said I heard in a chapter of when Fepo

was saying about these entities that they can attack

but that we don't we have to have to make us we're

we're with with a but with a but with the our

our reality and derrocar those totally and he he said

in that and he said he had to be to be to

be to be He was because he no I want to another way

and the heart of the heart of the thing he's that it's that it's so back

upto she put in position fetal so that he did it he dole

much much the stomach and the and the and he's and he he's

open the open the eyes because he's that he's

all is making to do do and you can't move

his body. So, with the eyes rapidly and it's where is this

harron with with the ram of flowers. And yeah was there the senice in the

piece. And it starts again this figure. Enorme, tunica black,

a head of calaver and so she starts to where she's around she. And he

said that he had so much that I heard how he was the heart tumbling

in the own of the fear, but he was conscious and he said, I'm going to do this.

I'm going to do this. So, this entity, begins to get to his hand

and he comes to those two deados wesudos to get to her. She had

two options. gritter or move and in the other to gritter he said

he said that he did he's he was and when the man was was very very close to her

and he stretched that man and he he sentio the those wos frios,

in his man a little, Desperto. No. And when he's he's

he's a he's a a little that's from the part of the back of the

back, the armro, until the ultimate so, even, the

last the other horrible, and more more more

than the that he had in the stomach and the and his

arm with the had streached the man of the murder

was doubleed as a back, like if he had made a heavy, so

so very, so doble he said, that says that he could to talk his nuka with the

and so. And so he was, he started to get to his brazo until he was at

the part of the back of and he said that he said they were who were

in all the body was like a thing horrible, horrible. And, of a sudden,

this is a dream. Yeah, I could control his arm to turn to his brother and

he went to see the ram of flowers. And I got impacted. The flowers were

marchitas, secas, negras. Like in the dream. Like in the

dream. And he said that he's he's he's thinking I'm

thinking, I'm to go a petal and this he broke of inmediate

and it he was polvito but not I'm soya so you take with

a lot of the ram of flowers he he said that they were going to

and they were making making making they were so much in the way in that

those flowers those petals that felt that I was

the ram of the rome of the person with I'm the I'm going to I'm

I'm going to I'm never to never in my life I'm it's not the relationship

never never to never to have a dream a single never never to see a

that the that is the death and also also also sumandol all this

the odor of the stomach and the the load of the head, immediately

disappeared. And he'll see a person? No, he's with him and he

yeah. Amarre. I imagine no. You know, you know? I'm sure, I'm sure,

I'm sure, that there's a lot of people that he's on in the chat. But I tell you

say, what I'm they're they're trying. Oh, yeah you've been

told a story so. Various. I mean, in the chapter of Santa Mouerte There's a

yeah, there are like two or three stories and we have been in the paranormal and well yeah,

she was imagining to be the that's her your novia? Well, is that

not going to be a no way in much time. But I never had

heard heard that someone did take the hand to the Santa Morte

and I'm me, it seems spectacular. What I, like, how the body physical,

like this body, like that kind of, that's the type of contact, no, they're,

or, or are, or they're like, you know, the, the story, the mark,

uh, that's, the, the, the, the, the, the,

the, that's, the, um, the, this, the, the,

the, the world creepy, the world creepy, the, is that's a good story. And that's a good story. And that's a story. No. And that's a moral.

No, no, not accept any of any any of the or you have to see one. No, man, yeah,

we've been in some of the times where you know, you know, yeah, it's that, you know,

so, you know, you know, you know, you're in a lot of that, so, so,

without, no, man, I'm, I'm, I'm, I'm, I'll say,

I'll be, in this moment, we're still not, no, we've never been

about. So, after this we're going to this we're going to get to Firmix,

that's to be seen. We're going to grab two chapters, I think, of criminally. It's

that are, he's he's going to a story that I say, I know, I don't have

been to endagaring in the story, but I know that story. And he said,

you know, you know, that you solitito you're going to the duration of

a story with the story of the story that I want to you're going to tell you

also is very long as you're going to hear of the story with all the story with all the

details fiat this no, not you don't you I'll have much careful with

my words. Okay. There there's in my story that is real

there there has conspiration of government There are criminals of these that are terrible and that they're

one and other way other way? No, no, no. It's not, no, no. They're not, no, they're they're cut in the life, but to many, much, many people, one and other

there are so. They're like the cereals that's common. Yeah, like the cereals that's like one. There are there businesses of intelligence

artificial. There, the CIA FB, the Department of Justice one a person that's

to stafar people actresses ex-policies doles of action cantantes of those who are

that's in the type sexual of all so if if if you're a guion of that's a

movie nobody you think but but after after After,

of indigar in this story, like I think we we've we've been

in Merida. No manches. It's the world, there are in the

world, there's a lot of you know. You know, you know, that's that

she was that was a little this cocktail of things. And this

is the publication well, I've a publication of that one of

those computers quantical could to be in another multiverse for so, so, so there's

a thing, no, no, no. But, and that's that's supposed, when I saw, when I was, when I was

like, the movie, and I'm not there, I'm sorry, and then we know, yeah,

it's to- yeah, it's to- but when, when, when, they, they're,

they're, they're, we're gonna know how they're going to call them, but I'm going to

call Hollywood part one and Hollywood part-2, so, so, There we'll be we're. There we'll be.

Is that the stories that are cocenaed there? No, man. This, I'm going to I'm very content

because I'm a bit of, and I'm going to do it's a little more that you can't, but I think

are the two different chapters that have done in the story of the story of so I'm

doing a but I'm going to be so, but I'm going to be about, and well,

talking about talking about, talking about also, it's a It's a strong. This story.

It's a very a little ferticita. It's a little fessadilla in the house of Olympo.

Oh, the band Javier Jimenez. This story has many details. There's

going to be moments in which I'm going to have to have to learn

a series of things in this house that that's so far so far

and I feel that's to be to be kind of that has to

have to some because really is very good. Let me. Look, we know,

we know, he when he had around of 17 years, or the other again, the 17, he says,

is anonym? No, it's a name. He never, he, he, he, he no, he's envied,

and he was in a private in Toluca, that's called the Olympo. Okay. But,

but that before, there was a type of asienda, very great, and they had

started to fractionar and they started to do the of the casas. I don't know if, well, I think the majority that has been

from where it's the state of Puebla to Tuluca there are many cities like perididas as like

asyndas very great that some were like posated in the time of the revolution and

all this and has stories very so. So, I imagine that this place

had been like of those that were there They've got there and, well, I said, nah, well, they're, well, they're not, but back, we're doing

to make it like a fractionation, no, a private. Dice that there in one of those houses, he'll live with his padrastro, with her mother major, and a

young, the name Carmen, that is the that he was that he was to help, and he with his mom.

He said that when the house was still very very tranquil. So, I'd have a environment of,

like, even the films, no, so, the tranquillity, all, they'd give in their life normal and

all, but that they just were in a lot of they're in we're going to let's go, we're going to

grow, we're going to another quarter, that was where he was he was connected to the

room. As you remember, Carmen was his person, so he said that of

a sudden to be playing with Carmen and all of that, but he was

in the fourth. He's said that after that the new building, like the

things start. The nights are more more of the usual. The

passages the passions of they were interminables every that they went to

and as some other that someone that's that someone you're saying, and you're Feehement,

you'd and you always no there no there was there's there's

there's that there that's saying. Dice that also something, the point

pah! the porth the porthas they'd they'd shotabann every that were

about things of some normales strangely pah sootable all the

doors and so they'd sound and they're that of that's

that the hour of to do do not a time of always the always we're we're doing

a lot of a free claded clavado that's in my noca he said that when he

he was he was he was he said that he said in one of those occasions he

was playing and of a moment he took like a minute he he said that in

the dark he said that long a longer with a time but a

not a not a never no negra profound nor not even with

some eyes a penetrante so so like a

and not see if you will remember to personage of the sombrero

that many people have seen, it's something something that he's he's a figure, he

this figure and he covered the car with the hands and then when the looking to

look to he's he's he, he, he, he's not he's not

he's not that he's that day and that more with him that that's

a Carmen and they were things and a his

papas also they were not used and he he said well at the

maybe it's like the change a maybe well was

something it was something but but this entity or

this something I wanted to make he that

they were also it was just it was so. So, not just

it was he a little more a woman vestia of black, a little somebres, a

sometimes they were objects, and a sometimes they were, and in the dreams he he was

to the people? To the person? To the get a same soya-

and they were in the same to be how he was this the the

kitchen and they're saying he's he's he's he's he's

he he's he's he's to be to be responses of what

was because he said he said well at the maybe something

something he's something but the fear not not

he was this figure not this figure always

she made not but with that with that his

mirro, that his padastro, between this cumul of events, he was a thing was a new or

was a real? He said that he was he was he was to be to get and that

he was I felt how something something something that was going to go

He said that he started to move them, and he no could. That was a pesado. But at her, also, moving the rest of his body, nothing. No, I know if he was soniating, his eyes were in serrads. Of a repent, he intended to open those. He said that he the silhouette of a

woman, a woman of a vestido black. but she was burlando that he not he was able to he was

he was he was that he was that he was trying of that he was that he was

soffriending and she with her her her had a paletta he said

that she was I savored and he was he

he said in one of those at to try her and to be your

labios a hill of a light of a paleta in his

recorried he said that in that he he peter the the

and he starts to move and he how can't see how that

figure and and at final the the hiv the

the he And Despertando, he's that he He's He said

He's got to He put a He said He was the He said He said His wife She said that

He said Like something Something He was He was He was He was He put

He was He was He was He was And so During the So So

They're to the change of the of the time, the

know that there had been a place, an asient, and they're to ask

between the the people, because he said that also in some

moment Carmen sentio while she had, as she was,

and she was over the camera, and he was a man free that was

that was to get a little the roba, to try it to talk to

the skin. But that also he oprimed to be the

back and he was not the he's not he said

the the and that that was he went to

he to say to say to but to

get and there no there no there this

so they to they the back the the

two little little little and he says ohle figgins that I

there are some of you're just we're doing I'm there we're in the cell and they're

they're they're to signalar they're saying there's the there's the man

there's the there's there was she was she was she was they're like a gabardina

like a rump of And he said that she, in some moment, they came to talk to that in that place, in that as a siena, had been passed

some of the capatasses of that one of the youngsita, he had made things not good. And they thought that this had a relation. Because he said he that in some moment

her mama to be doing, she sentio those hands that they were in

the they were to try. Yeah, a manner a lasciva. The

most extrano, she was she was she was a revuel, revuel,

like, if it had hailed, he had been not about not about not, but

me imagine that for the the fear no he did

time, but relationation with the story that the that's

the I'm going I'm that I'm that this figure he's going to

be more present yeah no he important that they were so in

so as being passing and that this he's

he's he's he he's that one he said a

all they're well we're to start a this house

because the plan we don't we can't continue here.

That presence is doing the life more difficult. They're to

start photos to publics and they in one of those photos

and it's in the passio that mirada of the that silhoueta

with that the top of looking those as defiating as

saying they're that they can they're they're they're that

He said that in that moment They said, Let's, Tomar on the Pocke that they were, and from the front of the house,

they were to come down. And they were how someone us observed. All the trajectory. He said that

in some moment in his head, like, that's not to do this is so

so easy. Serraring the door for ultimate and they went. He said that

That's the same No, nobody more He said, now not passed things. Now,

all, it's a little to work to be in the obscurity. He says

that he that someone he's that someone there in the night looking him and he

and he recordandol the moment in that they were, but that in some

moment they could regress. Desafient this entity. I'm, that's feo. What,

so, no? These, the entities that are like, jol, is that they're going,

that's going, that's going, that's all the limits. And, and, like, that's all

those make the more. And I think the what you see the father was

that was an entity, not was a woman. I think that

was, even was even that he committed. Exactly. Because, for what

the paleta to make a reference to someone a little. So, so, I know,

I think, I think it was very clear the message of what he. It was like the malddad pure there,

no? Yeah. I'm just to represent other things, just, but, for,

to terrorize those. And that's defiant. Wow, what history. Firt,

fort, for going to tell you to It's very heavy. Let's go. Of course, this is the ultimate story. I'm going to do a brief announcement

about this story. First, that's not, right now, right, you're going to know the number and all. Much thanks for confier in us to tell this story. Second, consider

from my point of that this history not they should not be children or

children not more be responsible because we're we're going that we're we're

going to tell you this this story that it's in the Bible

and let me and her my friend Sandra Collin Figate in this history

all has everything with the world of the dreams one a morning his

his husband he so but he had an attitude

absolutely unusual had a sonrisa that you that was like that was

that and at the same his mind was like of

fear like of a kind of a gesture that

that she he made to he said to he said he said

to tell to tell something is a dream that I have a

something is a I was a little at the same time. Yes. So, I that

saw that we had our his son. But in my dream, he was

16 years. His his son was his had four years of

his own his own his child and he continued to his

husband. The And when it so like an adolescent like a

human grown I gave such I'm so much to see

it to know that that grew how it but in my

dream open in the door and they were in the people

and they were to go me with a fury

terrible. I felt a pain and fear, but no me important

nothing. Because even if me were not even that I were

suffering the of my son, 16 years, I'm very happy.

To she, to she, I was obviously, it when you

when you do you that's that you, but when you're the question is a little bit inquietal. Yes, yeah, yeah. Passed a few days

and, of a repent, she got her to in the madrugat. Abre the eyes and sent you that something was bad. And I

heard a room, he looked to the entry of the room. The door was open. And there

in the entry of the abitation there was a woman this woman

was in a boy soyo sows but they were some soyos

of someone that has many that to you're with a

big and it but she obviously when when she has

this moment no thinks that's a only is what is

what is a woman but another is but also he can't see who's

who's and he and he a little a little and then more rapid he

goes direct to her with the hands to and

she but no can recognize her because the

car is batida of and when it's very very

he he and he he's a morning that and he

his husband and he he and he he what you and he

he he's that she she and like that

he got of that that that that and

of the and he he he he he

was that was completely full of Sanger. But

he immediately try to calm and say it's a dream, it's a a

a no, I'm a she, was here she was here no

only was a no there's no there she she

she And he'll and he's his husband repeat one and another again, for favor

and he he said and he said despirtap love despirte but no it's

for favor and then and he's open the eyes and he he said

and he said and he he just and he doesn't make to say there

nobody he says and he He is in panic and she tints so fear that's that's

that's the light and in that he's he does know that there's something.

You know what? Although not we don't we're people people,

maybe maybe be the moment to get to a little to

take the time. Maybe that's a moment to to

to ask help in the Bible. Tom a Bible, you have heard of

this that has the response to whatever something, the you know,

and you see a a that's that you do the answer and that

does. They're for the Bible, the abre this. And what

there in the Bible about about the pardon between parents

and his. He had had a discussion terrible with his parents

that lived in a people and during various years not

they had been and the he said what you know I think I have

to have to do the morning the next he took the telephone and he was marked

and they're talking and all right and all right and so obviously I suppose that the parents he caused

much a lot of the work and the cause the fact of that they're to be a little bit and looking

a solution and they were talking and he said he called and he said his wife I'm going to

go to people, to see my parents. This is we have to talk front to

front. Now we going to do you have to this, but this, we have to talk to

front to okay. And it was the last time that was the last time. Because

his husband lived a experience terrible. For respect to what

occurred, I'm going to change some words. but I'm going to So, I think you

think you have to have to have much careful. To his husband he rebatting the life. Two men He was he gotperin

brutally He gave 21 punalas One of these punalas He perfored the pulmon How's with life?

the other from a first and yet in the soil they went tabikas other

other four people participated in this attack despidated she when she

was she said how had had had had had had

a feel a a head and all the body

and he did in that moment that that all

was that was his His husband, to some had

had a son premonitorio and she had had experimented to have

experimented to something. The story was ended. But she left

a reflection. Of a form it was impossible to change

the destiny and to see a his that that would

that had the opportunity to see it when he had created

and to know that even that even his his his his

going to get to be a adult and a adult and more

. And know how he will see his his

his in a at that the time of his that's the way,

they're not we're not even we're doing. Fidate that's what's this is to

you've I've had many and known that for example, are going to be a

papas and the father and all the and all so in their

they're they're they're they're they're you well, it's like that possibility. When you start to say that it's

because I thought I thought that I was for there. Because it's like to give you the chance of that, I mean, I mean, but that's going to be a lot, because the things, after you to pass this, are normal.

You're going to tell something. I'm going to be very delicate, oh, very careful. With what I'm going to tell. What I'm going to tell is of a person who is going to be to her. He knows the chava with

he was going to start and all that. They're going with the plans and the father of her.

So, unfortunately, she didn't be able to be in that moment. This person, the

things with her husband, not functioned and, then, and then, they're all

both to be very well with the suegru. They were much, platicabed

and all. I mean had a very good relation. And he had felt like

that he'd have been a to be a like a little

there and he said that he he's that he was in a

room in a house like things that had so that

was the was the was the was he was

he he's that he he's he he he

he said I that I'm sorry, because I couldn't

continue to the until the she was to the man just he said he he's just

like he said like accepting like accepting uh yeah he said a a tranquillity

in that moment and when he was he felt that he he felt that could

like he was like he was like he was he was like he

said um so are those are then it's like little

ventas or a happenings that they're to help to confront

what comes or to understand the things but so I'm a I'm a

thing that is contrary to what I think I'm that's so for example

this history that Sandra has has been almost eight

years so is so it's so So he has He has two In this moment

And still He still He's even He's He was When he He went But

But me intrigue The fact In his In his It's very clear What he

is trying What he was What he That's In the case of What she You know

Because Because it I think I He could I The She was

Because it was she. And a sometimes me it's a way, the past of the present

and the future is a form in the we're not we're like if not there's

like if no is that you know that you really that idea of the river

of the way of a right to the right in reality all the options

exist and you're a little a pelotita that's playing

between options different where everything it's and not and then

there's certain things that you're that you can you can

but they they allertan like to you prepare you mentally

emotionally for an impact terrible that will exist

in your life you know me but but me it's like that and in fact

there's a thing that I've left about much time respect to the life I think I think of

the dreams apart of the dreams premonitorious apart of the dreams that are simply a dream

and etc me interest much to those that are like a not a other reality

I think it's a reality and we're we're we're trying we're we're other reality.

So, in that mirrored to the reality, we can't discover many things. And one, that is the that I'm

more interesting, is the fact that, is the fact, this, this, this body, these systems,

this system circulatory, the cerebral, the brain, the eyes, all this ball of the body of

the body and the recipient. This person not he was. There is.

And a day when he has 16 years, his son, he will feel that's there. Because there is. There is. There is. No, we're going. No, we're going.

It's that there's, there's, there's, there's, you know, brink, really the time not linear, even, even even if, for example, when you're taking the cards, all tenet the dreams, I feel, I'm, I'm, I feel that there's a line base,

but that has some ramifications and you can't alterer, but I feel that a certain point in you alteres

the things, it's like also you're and the realities of other people because not not just you're not about

much of predictions, oh, but is that they're that was going to say that thing, no, no,

it was that at the person, who was to cause to do some way interfered and they

didn't do that, but affected other other another person more that he was a way to have a

plan like it's like it can be a situation that's not a lineal always have

a base as they're like they're in the things in the line sagrada and the

and the ramifications so it's like a like it like it like it can't

you know you're you're you're you're and then a line and you can't

another one you can't other films, not there's a of those. Well, I mean

it's that it's that I'm so, I mean, it's things super tremendously

dolorousas and, um, for that I'm so with all the respect

of the world, I think that it important to understand all this so,

how it so, how it's, so, how, the other reality, other people to respect of their necessity of

no, you know, you should to think what I think that's

what you know, what they're what they are, are people, they're

people who honestly are they're not quite inexplicable but reales.

And I'm it seems that the world of the world of the world

we have to present much attention because it's important. You just like it's just like it's like that's that's the story in the first day, no?

That's the entity and he knows that not has to accept it. So, really, all these stories that we're doing, what's been doing, what's been

has been doing like a spendium for know, to know, to say, this herringent. Because I think there have been

people that, they're not to be doing the exercises, and some of them do more more easy than other,

but I'm that's a question that all can do you, and at some moment or in some point it's

to do so I think there's there's much interest in grab those in the dreams in power to represent them. You know, there's that there's

many experiments that are doing this, not, to grab them, to be able to them to do they're doing.

Something, something is there all the people. Oh, yeah, this, uh,

number. Of, I'm actually, I don't know, but is that is that is that story,

because possibly they can banneer. Oh, then, so, so, but.

No, the, yeah, Yeah, you know, it's a bit of, no. Yeah, it has to be with something that's a year of the initial of the 2000s.

No, it's okay. But if it was a dream so, premonitory? It was so I when I was I was in the primary. I was the university

I studied in the rank of the 99 to 2003. So, you know, this is the one in New York. Yeah. But,

but, in that moment, I know, I know who said who were, who are those people because

I've known those masters because I'm I know those I know those and I'm doing classes after and all the

people those who studied where I studied those people they were and they're doing classes

with one of them and the son that's and I was to say you have to get to

get to get to the salon because it's going to be something that's

going to then the salon I'm I'm to be sitting on a

bank front to a televisor, because there in the matter of cinema, we're televisors, just when you're

doing, they're there, and the second, and it was the dream, I, so, I mean, that that's the son-as-

that's the time that I have been to have a lot of people, but in serious, I'm sure, for what

you more you know, that I'm a I'm sure, that I'm exactly as that I'm so-you.

And not I've I've only thought that... The lottery. No, no, no. This, well, too, I don't know

Padrethew. No, I've seen that the contact massive? Fidate that's

no. The only that I thought I was like was a movie, was that

was a carriending, and I had some things like black, and I took I

a little a girlita and he and the ha'erer and say, no, I'm,

well, come to come to come to come to come to be

They'd, they'd, and they'd, to the people. Then, they'd go ahead. So, de'repeat, in the sunno, I'd have to get to grab me to something, because I felt like me going to hallear. And so, I'd be hallowed, and us we'd be able to, so, between the

buildings, but it was the only... And then, the only... And then, I'd have been so... I'd have a group of spaceer, like, like, the Guardia's of the Galaxi, and... Cac, no, no. But, of that, yeah. And...

That's not was a dream, but when I put you to write, it's that since the child, me used to be questions of the cinema, I'd be I much the rest of the camera. So I started I'd dood and I'd like a little guion of an experiment of three planets. So it's supposed to have a raza that dominable a planet that was pure technology and other that were pure questions natural. And the design of the characters,

it's supposed to be people, are people, alargadas, delgated, of color and that they had contact with naturalness

and that were they were they were in those arms and they moved to the animals and then they

came to I'm so I'm so I'm so you know so there's there's the

little but the but the people those are they're they're they're

they're but the blue the blue but there's there's that

there's that there I've been doing to do, do you, to do I'm going to say, I'm going to be able to and other, I think are there

in the case of my papas. Now that you go out of time to see the one way. A lotlete. No,

yes, yeah, we're a lot of a tonne. Oh, yeah, we're going to do you, much thanks, much

thanks, thank you for the invitation. This, well, if you want, if you want, if you're just

that's your description is you're too. Yeah, look, I'm sure to make a great

I'll just a for this 2025, that be the best for all the best of all, the best of your vibrates,

a big, a brazen much to your people, and they'll like, take it's for this

day of the thing, do you, do you, do you, do you want much, come very

really, and I think that's the best opportunity to make a burrone

and and this year. No, no, my, look, you,

look, there. There, there. There, there. There, there.

there. There, there culpable of these caches. No, I'm going to say your name, but there's a culpable of these

caches. Yeah, yeah. It's all right. So it's all. Much of it. No, thanks to you for the invitation.

Much thanks. I, you know, we're just a friend, Fepo. You know, I remember that

you want to send out your experiences or evidences, for favor, Fepo. www.

p.com. And you know, it's super-pardes and us and they're to have to have to be

with animals that are like humans. We're going to do a chapter of this. So, so,

manned of those stories of animals that they're like that and we're going to be.

We're going. We'll be the next time. For, where? I'm the question.

The next week. The next time. Here, in Isomeo where we're to start

this experiences terrorifices incredible of the audience so that listen them if you

tryven. Chau. Bye.