INSOMNIO - UNA PAYASITA MUERTA QUISO LLEVARME CON ELLA | Historias REALES de TERROR

Episode Date: August 27, 2026

En este episodio de Insomnio, Fepo, Maus y Fermex te cuentan relatos reales de terror de payasos y arlequines. Estas narraciones se basan en las experiencias enviadas por nuestra audiencia, que involucran objetos malditos (como juguetes poseídos), casos de brujería y un intenso terror psicológico relacionado con la figura de estos personajes, revelando que detrás del maquillaje, en ocasiones, se esconde la tragedia o la maldad pura. Suscríbete a este podcast de terror, activa la campanita y acompáñame a escuchar estas historias reales de terror. #insomnio #historiasreales #relatosdeterror #historiasdeterror #payasos 😈 Redes de Fepo:  https://www.instagram.com/fepomx   https://x.com/fepomx   🔮Mariana Maus:  https://www.instagram.com/darthmaus666?igsh=MTJiYnh4czA3YzQ4dw==   💀Redes de Fermex:  https://www.instagram.com/fermex22?ig%E2%80%A6   🫡 Síguenos en redes sociales para más contenido: https://www.tiktok.com/ https://www.facebook.com/paranormal.insomnio https://www.instagram.com/podcast.insomnio   👻 Comparte Historias, Memes y Evidencias Paranormales 📝Cuéntanos tus historias: https://podcastinsomnio.com/redes [e-mail] ✨Grupo oficial de Facebook:   / https://www.facebook.com/groups/548487930178860   💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx   🛒Compra Merch Exclusiva aquí👇🏼 https://store.podcastparanormal.com/tienda/   📧 Consultas empresariales: [e-mail] Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Very good days, tardes or noches. Beavened to a new chapter of insomnia, in where we're to narrate the most terrorificate experiences reales

of the audience. So, you'll try this occasion, that we want to talk of some of those that me are really

much, payasos and arlequines have reunited the masters of the terror. So I'm the very much

my dearererian Mariana Maus, us can say also your social and platforms, well,

Well, I mean me They're like Marianna Maus, M-A-U-S in all the platforms and yeah. Super good, super good.

And also is with us also the master of terror, Fermex. How are you? Very good, thanks, very good

nights, to those two. And I mean me they're as a RERMex 22 in Instagram

and criminally as you like, in YouTube. Super well, super well. O'gain,

let's say something to say about, before this, this this is a story

that may have one of us. I just I wanted to see when we did we

did you know when a lot of the yeah. Killer Clowns from Outer Space. I'm fascinated. Me fascina. Of course,

I'd be very happy if we coulder us some monocotes of them. Men are those chiquitos but here, some great. And I've

this story because I always started with a story like a story that's of I want to make to

me recorded I'm a I put in number crepitus and he says and I'm going to read because

the fact is that's much time I've I was written. In a big circus, there was

a paliast called Crepitus. It was known as the peor

the person. Nobody was and his chists. The

children even were and and unerable and unil

Crepit acut to a great grimory he he

did he he did a demonio that promont that

was to make to that night, Krepitus did a pact sinister.

A change of his alma, the demonio would be the power to make to make

to the people. The night of his next actuation, Krepitus went to

the scene full of confidence. At start, his routine, there was

a brief silence, and then the public stoyed in carcajadas. The nios

were, while his mehias enrogeccese a cause of his Rises Incontrollable But something Was it was bad Not even

Paras The carcajada Sohcats And thenciches And soon the assistants With the eyes Androgecissed Callerned

Onrogecould They were But only They're The Last Carcajada Resonomecabrame In the Carpa

Crapitus Had been Entregated his the best act. With a sonrisa sinister and

a lachryma in the mehilla, Krepito is an reverence against the pile of the quirkos.

And then disappeared in the obscurity. Incredible. Is it? Yeah. I'm just. I'm

got. It's a touchcito that not you'd be a greatiosios but the

people not will be a when the acto. It's chida, I'm good.

Morir de Risa. No, Oh, thank you. Much thanks, much I'd like very before I'm going to because I put

here to learn a story that one once I said, to know if you had you have told a story with an arlequin but at the

more you have a story with a blackhands? Yes, but this story not is my, but he passed to a

person to a friend, to a other I know I know I know in the

center. This story not has a phantasm, no has a little, but it has a a terror psychological, horrible and it's totally

real. So, it's the chico he's the child he's not contrary to what you think you're in the

story, he was a little, like, so of those malos, you know, you know,

even even even like the car so he's so he's so a proposito, de vera

like the like, like the like, so, so, like, so,

so, so, so, but, a, uh, he, uh, he,

uh, he was a mal to talk about, well, the fact of one of his primos, that's called

he's never he's, he's they're doing in the optica when I'm in the center.

And Paco took a mal to tell him to find him to do a lot of extremely very very

had a phobia to have a phoeyasos precisely. Wow. But it was a

great of that they're that they're he'd a guy and he was and the burrula was

just because it was the chico malo, the ruddo, the that's the pelea-one, no he had me of the and he'd bea-a-nobu-nobu, and Paco correa, but, lejos, lejos. What's the way that a time in the center historic

was a manifestation of payasos? I don't see if you were all-colors and savors. I remember that they entered for the Cray of 5 Mayo and regressed porta-cuba. It was a manifestation of and when they were a

When they're Paco was still he was he was he's literally at the

door of the door because you know some some people some some there were

so there there's all all the he was he he was he was he was he was

that I'm very feo for him is that various of the people there

the the of the volantteros, you know, and in the dozens of the payasos the those payasos

not were that he he's he's I'm a question and I'm remember the

image and it was a little bit and he's made to get a lot of the

the story conclude in that well some of the people they were

they're he not he not he he was he gotrarrar and they

got to the takuba and there like he did a way because the

child went in a crisis of nerves, so horrible, and I could have been to

cry. And they said that was being being engarrotated, with much fear and he was he

he was a time, I remember, because it was a crisis of a crisis of horrible, horrible.

Imagineate that what more you have been to get to the center of that's what you,

what it's no, that you're that you've got a phobey, that tivienten to the end up.

And they No, not midi the, no, they did it, the damage that they were doing. And you know, the worst of

all? So, I know that much people do you know, and, and, and,

they get to make them, to make, so, so, that's, me, they're doing, to make,

to be, that's gonna, so, he's, he's, the, he's, he's,

he's, it's, he's, but I'm, I'm, I'm, so, I'm the,

that here's the cucaracha, me you know, there's there's there's and I'm

a little a car and I'm like that I'm talking about a little bit more so much and then I'm

and then he's got so that's that's right that's that's for down, and I'm

yeah, he's just that's for down and so and I'm and there a

area and there there's a lot oh, oh, well, of this

time and then I got I'm had to my cafe and

And he put the thing so, she came to the tap and he said, no, you know, I'm going to be the ojito,

where he's going to be no, no, no, no. And so I'm going to say, so I'm going to a hour, taping with my dead on my dead on the

case, me understand? A little bit of a little bit of a post. No, I was, I said, I used a

book a and I'm with the with the with the dog so, but I'm because if

if if if there was a cucarach and we're going to and we're going to I'm going to they're going to they're going to

they're in those huckaraches Well, imagine the fear that's still to be a horrible. Yeah, because really

really had phobia to the payasos very few, very, very feo and that you see you in the

oh, see those, literally of them, of those colors, times, some beautiful, other,

of all, of all, of all. It's entered in crisis, horrible. You let's me of the

payasos? No. No, to anyone, neither, No. No. Okay. You? No. No. Okay.

No. No. No. No. No. No. No. No. What I'm quite inquietante is that there are stories real, of the palaces, that are brutal. And I'll not go to tell, obviously,

but I'm about the story of Pogo, the pallas. Yes, that's, that's, that's, yeah. John Wayne Gaisy. Oh, so, the person's that is that, so, so, is like... Let's come back? Let's see?

Yes. Yes. Do you? Yes. Me, can come to come back in this occasion? Yes. Sure.

For a lot. For a bit. And then, Maus, Fermix, you're sure. You see? Yes.

Perfect. Perfect. Okay. Okay. This story is called the Palliacita and the

Manda Jose Diaz Parset. That history us tells it occurs in

diverses in different moments of the time. But the form of that he

it looks that is the way that's so I I hope that we don't know we'll pern't know this. The event principal occurs when he has 10 years of age.

And his mom, there where they live in the city of Mexico, no no, we say the colony, but it's not, they're not some departments, are houses. I think he's pegged

to the state of Mexico. So, so he's, he's invited to his amygutists of the school, normal, normal, normal,

they're there, they're playing, et cetera, when, when, of pronto, he said that he he he's

he he's a little but no he he's like a little

when he he obviously for the colors that he he's a

a palacita he said that he's that he's he was a palasas

he was a outside of his in the regitas was like

he's so so a palazzo for his birthday of his birthday, so he he started to

come to the palacita the palacita was onrying and when he was he was a through the

because he knows that he said so like to my birthday-a-a- and I asked a

palacita and the palacita he said I'm to see I'm to be

to bepe and he he's he put content a a palazaz so

then he said go, I'll, I'll come to the reja, abre, but

the palacita not come to the reja. He's he's not outside of the house. And he,

he's being a little that's listening to that's that's that's there's

and he's, and he's, and he's, he's, and he's like, because, why don't

come in the palacita? So, so he's so he's a little. And she, he does,

you know, and he he says that my mom and the palacitas is just like simply parades,

smiling, oh, see, there's like, what's what you're, but no,

but no they're bad, think that is just he's and the and the

pylacacus and I say, I'm a little then. So, then,

well, see that's very very a little, the rejita and he

starts when it when of a shent a calum of the brazo, but very strong. So, fum, he's his mom.

He has a car, but so, like, like, to spanto, he's, and he's going to get to

the car up, and he's just like, what, he's going, he's going, they're going to,

they're to, yeah, so, he's, he's, he's to be like, you're,

you're, you're, you're like, what, what, what, what, This occurred when he

10 years. That was more of 15 years. Okay? Now, in reality, as it was

he felt that something he felt that something but not but no he gave a much

important because it's a thing. Of what so his mom and nobody

had contracted a a pallas for his fiesta. So, no, no, no

had a pallas contracted. But he gave an importance that's

a little. Because when he's never that not, that no, that they're not they

have to be a guyso, then he then he goes to and he still playing with his

amygities and his amygities. And put it got the couple and he

has a full-a- and you get. 15 years after 15 years

after a reason like absurda was having a a chapter of

the of the movie of a or a little a little bit of a little, he had passed

when I had had been a important was like, the doubt, what was what what was

what was in that then so, then he going to be a mom and he said,

hey, mom, you do you remember when I had ten years in

my couple that I got in the house and of you did you

me aghast so horrible that I was going to see a a palazata and the mom's

she kept like, do you remember you? And he said, well, what was

what was what was what was the mom he said the story. Resulta

that when the mom was a man was a much before that she castar

much before that he he, Nassier Jose, much before

that was in that was, he, and she, with her brother,

living there with his father in a house here in the city of Mexico. But I

said, we were very poor. And when I'm referring to very

poor, very, very, very, very poor. So, the house basically

were of these that have to tachito of lamin or what can

and So, his brother, he was a music, but so

so much so much so that he had had used money, had got a

guitar, well, and we say, and we're that's way to practice

and to go to to the city of Mexico, where literally

he was so a lot of and he was to talk

can't and that the people were to get a a coffee,

entrap, an cafe, et cetera. So, that's her man. And being

there's there in the car, a day I know a man a man, and he

was a manor- but super, super, super-furt of this chick.

She also also was in the call her. It was a pachacacit. And

he said his mom my and even I, a panera maybe

of a problem or because we're we're we're we're

we're we're we're we're we're we're we're we're

the we're the we're the problem was that not that not

is that for a person that not we're we're we're

that she was she was she was in the world of the substance

illicitas. So, he's that he was super enamored of this chica.

And one day they were and the papas were where you you're going

to be to give how you you're going to pay the education to that

that that's a little or that she still consuming no

they're they're they're having to the thing was so

was very so and well contra He was the prognostic, they were a baby,

a new. And at the six months, for complications derivations of the life that they were having those the father's,

the baby felliecese. But the males just began. When the baby fallacy,

this chica, if So, when nace the baby, there's

a depression that one of a depression that one they're after to not know

of her for various days, without his his his consume

until to to to die. And his brother,

was was the second that was the second he

was the house and time after they said they

had to go to recognize the the because he had to have to

get to do this and they were in a motel. That's horrible. So,

so it occurred that that actually but much time

after when they got to all those those

things blah blah blah blah blah well she

she she knew a woman she was He was to his

son, that is who he's who is he's he's he's this.

One night I'm a he went he went in the madrugated

and when Fav was his baby that he had six months

of age he he said he he he that

he And that when she saw, the first that was that one he was that he

was in he was he was the rostro even he was made that he said,

he was he was he was he got the baby I don't know in what he was

or if it was a that was a cup that he had but he was he took to

him to his his his and he was very traumat with

this. Passed the time. He thought that that's only had been a moment

of a moment of you know, you know, you know, and he said, but is

that the you remember to have seen, me is very impressive because

I was in the kitchen when of there was that thing that intuition of

I was open. Corrie. And I I'm sure that I've ever I'm and when when I

took I I'm and I still I still I said that I said it was my

with I'm I'm the pachis the palacita it is horrible

and it is at the time is it's super because it's it's

It's full of disgrace to that story. Yes, totally. Uh-huh. Of course. Yeah. That's weird. Fiatty, that when we decided to

do this capitual, with this thing, I said, I was, to be a, to be a feeling, but

no, I mean, I was, I was, I was trying, I said, no, if it's very scalofyent

the thing of the people, super. So, so, and, and,

and, and, I've decided to manifest to that way, no, what a thing so

horrible, And I think I think that, I think, because they're in when he is like you

you're like you're that you're or a moment very happy at your life, a certain and et cetera

and I could think that could be in the moment in that he he was that they

were in they've had been and had been a kind of maybe he did it

so much that was how it was how it fiat that there people

that I think they're that they're they're going to feel that what they're that's

and that there's and it's really to be in a essence. Like when when they they're

a president and that and that with the band and the that's what they're what

they're what they're what they're because at a lot of things not

not rateros this this so so so so

so so no? With a antiface Yeah, of Mappachito. Wow.

Very very very. Now, it's now to it's a okay.

Well, this story is the call the Pallaso of the park

and the Amanda Javier Pacheco I like that is anonym well

Javier us said that when he was I'm about vacations to Kretaro with

his primos. And, well, they were to play, all the days, vacations, top of them. And then

they went to a park that was a little abandoned. And the malesa, well,

he had grown about. And they're playing, and they're doing many things,

and they're doing many things. And in the malesa, they were a jugletitito. And when they're

they're like a pylaciton. Like a typical Arlequin. Okay. So, he's be yeah the carita black, with his mehiggilitas,

and it's very good quality. I said, even it's even it's not, we used, and even though it was a

object like an old, he was new, and they were and they were. Jugaarone with the Palliacito,

all good. And, and of every night, they'd have been that the moñico, the pylacitit

appeared in in places different of the house. If they were in the

kitchen, it was in the bathroom. If it they were in the room,

and it was and they went to do you know, they were they were too, because

you're going to be a lot they're very well, they're just very very

they're going to come to be they're they're and in these

camas were like one and two that was what when we were

children, no? Mm-hmm. And they were in not quite, and they were to hear

like the noise in the house. Javier says that he starts and he he's like

a shillid. And so and that shillid and that was going to get to the shillid over

the shillid over a little bit. He was And he's He said More and more And more And more

And more And so he He's He's looking To the And he There's the There was

There was the Muechito And the And the Petschiava And The Mewa To be

To be To be To be To be To be That's It's all It's all

It's And he's He's He says To be He says, You can you? And you just

I was like at the little the chiel So, they're so they they're

to be to be to the time, when the she's when the she's

no no no movement I no no they're

no, it's so don't they so they're they're

they they're they they're they again in the again

still they keep the And he says, no, that thing has something has something. Agarra in the

juggatito, the palacito, and they're in the basura. And they see how they're they're

they're they're they're three days and the jugetito regresso. But now the

palacito had the skin like the carita that was like a nebecito yeah

no. It was mariento was like like if the Pele was like quartered

and you not so he not not was so his expressions had been

changed. And he they told all the Tia and it said no,

we're going to let's go let's goard in a closet you they're going to

be to be and being and they're to start

How they're they're, they're, they're, and again and then I go like a

shiggied, but like awoged. And if they were and he says, you're

you're they're to be able to the and the closet so, and the

mukeito that was like chiji chiji, chile, chile, when

when he opened the door, she cae the moke and they're

and the manniquito that was he was like he was he was he was

he was the head and he was so that's so he he he he was

he was he was not to get to get us to get to he

gotarro the onee to be a man to be the muke.

And he said, no, is what they did. Intentated to do this muke. Quisiered met her a morgue to get him to another family. But no

so, no they're going to do. And I'm going to do what I'm to do. And they're quite.

They're going to get. Javier says that he's had he's done he

another other other his primo and he'll be to hear that

shillard out of the house then then it was there

and then the house and when he he was to be to

know he was he said he opened the eyes

and he he he he he he he

he was like a moe was like was

a payasito. When he up, he'll and he's he's that he can't

move, because he he was his prime he went and he and he'll look to be

and he says the little shillid he's, he tap the cobjas until

that he got to do this was a a one a more

and even and even he even he thought so how me impacted

so what what happened, I was a problem was a problem. It was a

problem is that right, Javier and Carlos are adults. And from that night

Carlos never was the same was always always was like he'd and the

the skin he was a cartonada quartered just as he had made

to the moñico saw the The daio? The conclusion that I is that

liberate the spirit that had the palazzo? She was to him. He went to he went to

a girl with this mukega, not say to make a a murder, and the he was

he made him in Carlos or at his essence. What feo when the book

so, a boyace I spanked much. It's that I imagined the palazzo, but,

um, you know, you know, is something really a little weird? I think Johanan

Dias had a pachaso that, yeah, no? A jubhetito, I,

but I remember what was, I don't I remember if it was a mack a

a muck, but he was a but he was just, that he was to be in the closet,

and he said, and he and then when they're like, he broke so, In serious?

For just right that you're talking about and I've heard of many times. Much times. What I was

saying is something that's something that's a number one, that's that's come in the

place and and regressen the you know, you know, you know, you know, that we're

that I'm that I'm, that I'm, just the nina of my little, that's a story that

had a juggetito and the jugetito and the jubetet and all when it

did it regressor. The jubete and when they said how desacersed of him, that was to let him to get him in a caja and to put him, the cage vibrava. No man.

Well, no see if so if so can't. But, even, the that's here up here that's here up, that you know, I'm sure. I mean, I remember to have it left.

But, but no-iski-as did that, I think the man. The mukechus. But what? The one. The one. The one.

The one did he did a car. Well, that's what, that was the was the was the movie. Yes, he's the movue. No, no, no.

Acuctorate that you did it after of an event and then. And then you would be to go to go to

and I'm, and I'm, and I'm going. And I'm going, me said, make me a favor, guard me this,

but I know I know, just a car, you know, not a little serrada. So, it was made,

to do you do I'm, to go to my cajuela, me said, I'm, and I'm, and I'm,

and I'm I went to go ahead in the cajuela but I I'm I'm I'm in the car

and I'm never I'm able to I'm mean it's not I'm old so I'm not so I'm

just so I'm told a fepo that in the cajuela when I was I was in the car sound about

but in the metal and you yeah so but I never I remember the

car and I did chin the the herramient the yanta me back in a lot

of occasions me put I was above of the car with a lampra, I brought all, I saw the case and, like, of those things that not you can, I saw the

I did a little, I went the tapete to see that that was putt that's still. And I was and I'm and I'm in the

cajong, I said, gee, well, what I'm, what I'm, what I, something, I'm,

I'm sure that I was that I'm the car and me did the, and me my mukeco enbrujado, I,

No, man. And he's the and it's the and it's just when I'm talking and I said, no, why not you

don't me did you know, that I'm that I'm back to my house, that's, I'm going to be

all the time. And one that I'm he's never to hear that that way, to do you know.

And that's he's just that's a year, I'm just me, I'm to get to me to be to

me to be when you've to be to all the officeina yeah and in the the

first, I'm I'm chila, I put it I'm I'm and I'm

I'm sure I'm sure I'm sure you know, and I'm so I'm and I'm and then

I'm going to I'm going and I'm and I'm tired, I'm to get to do you go to

the computer and I'm and I'm and when I was I'm I'm really I'm horrible

so I so really so I'm so I'm like it's like it has a one second

when it's when it's when it's over the mess of the of the commedor of my

house and that you know you had you had been that you got to be the caruela

and it was when I'm that I'm that I'm manned that blah blah blah et cetera et cetera

that's that was the that was that you know that's that you know that's well now

now I'm now I'm now that I'm oh no that's that's that's talking to tell

an story okay well this story is the yantto of the

troyas this history not the maties romero from the

city of well all this so all this he he

was he he was he in a bar there's

he he was when it so when he said you know

when he was it normally at that hour I didn't live so much I'm always always always came about my house. Caminando at that hour I'd say 15, 20

minutes and take a taxi or something I was like to be more caro and me tardable much more time. So all the madrugas cameinava to his house. Always for the same way. But

one night, I was coming into rumbo to his house, circa to the three, 30 of the morning, four of the morning, and at the in the lo-lejo in the banquetta, view a person sat-a-sentated, tap-saint-the-cara-carras

with the hands. He saw, he said, who is, and why he's been dressed-of-trentous, no? But no, well, no, no, no, it was, no, no, no, he gave me no attention, but,

he went to, he said that when he passed, the person, he said that he was that he was, so, but very, but when he was done of the circle, he saw that he had a

troyo, that trai a car painted and that was a piece of pelucca color orange. So, he said, no, manches, it's of these chasos that then in the cruces, in the avenues, and they're doing malabares or or something.

A lot of the most, um, he consumed a little more more than that's, that's, that's a, that's a alcohol, and it's a mal. He was at a point to get to say, hey, I'm trying to, hey, brother,

you can't help in something that's a one of the idea of the first

when the it's the person who the the the person he was when he was

he took the hands and he he looked to look when he

said that the face it's like a like a

kind of a kind of a plastic extra but that is

he saw that was all scurried because really if he was

when he he spanto and he went to he went to no no no, no, no,

no, I'm quite no, I'm going to when he was coming when he was

going to he started again, the yantto the psalasaso but that so he turned it was

like in a rice but burlona so like that what mancha that's a person that

can't do you understand something very particular in the pllasso he said that he was a

painted in the front, a stregita of color blue. He left pass that bad moment during the

night. Passed more madugadas and came for there and never more did. The reality is

that never more ever saw it in the madrugada. But passed various

months and he said that there was a day in the the time he

had to go just to this center to do some

to So, I was caminando, the difference to you have seen between the days of the

night and the day is much to make you like a lot of like silent hill, so horrible, and you pass on the

day, well I'm going to go and it and it's a day and it's full of people, tiendas, comersios, and he does, you know,

And when he went to his right, the the skin was a little bit of

because he was a guy that was a little there was a tienta there was a different,

and just in the apparado there was a palacitit that had that had seen the

he had seen in quite the color of a trach and he saw, he was called a latex he was called

thing like latex special, like rarro, and went to the company and asked the employee with the intention of the fact, and he said, hey,

question, you're this palacito that's that's there is there's a black, the mask, the rent, they're

having an employee that probably in the car for the, for the, for the, for the,

for the person, he said, no, is that if you can't you want to me going to say, and he said,

what happened? He says, look, there's a detail very particular in the maskar. He has a star a blue. And I'm going to tell what

me so far. And he told this. And the employer in the company in the company, he said,

look, it's a piece very rara, I know about a year and I say something

very strange. No, me to make the loco, but a me to clean all the entire the

time, and there are occasions very, very contaditas that the Paiacit the

I'm going to goitia in the mask. Like if I'm going to The history could have been there, simply like, could have been, or not could have been. Sin embargo, says Matias,

that much, much, much, much time after, he told this story a night to his abuelita, and he said, Oie, I, tell you, I'm, of those nights that you're telling stories of terror,

and more with the abuelitos, and he told all this story and the abuelita he kept thinking and he said, you know,

you know, I don't me know to be nothing to what I'm to say, but it's

very strange. Because that that you mention you have much, much time, so,

of the time, and when I was more young, I'm I'm

I'm not a chism, literally a chism, they're that the due

of that a child had a little bit then and his his son's to give shows in the festas

so he was alkylava his person his personage payacito was to do you and in

some moment the chico was the rarro the chism that he told the abelita

is that never there was never there never was a ceremony

only they were and disappeared and never more they were and

never more more a little comparison that I very interesting and he he said that he was

looking in internet stories like how real could be what he did he and I

think it very interesting the comparison that he he found the history of the Pasqualita

and he has a much similarity what to me so that me was what I'm just

only that is very different because is a a maniqui a manicie a maniqui of

a little extrano. And the malo here is that after this infirmat that we're in the 2021, this tienda and many others, they've got to

have to be able to never never more of the palazzo with the streliaz of the palazzo Yoron, as he he he called. But, well,

there's the doubt if really what he was the spirit of the young, if, of any way, he met in the

maniquio, in the pallas no no has a resolution no has

a no has a a final the history like that it's so

that's that's not a person not not you're crying

that that that I'm that that because it doesn't because

you know you know you know you have you've That is the valley inquietante.

It's a lot of sometimes in the movies, in animations, and things, so they're trying to to be so much a person that not

they're doing, and it's feo. So, inquietante, no, how he's the word,

then think that the palaces, no, so when he was so, when he was like, y'erando, de cera?

So, like, so, so, so, so, only extrano, I mean,

I'm trying. And the part of the apparel was like a parador, it was like a really?

Yes. Okay. I'm really because me to talk stories not anonymous,

so I'm to tell this. This story the made our friend Guadalupe

Munoz. There are many things that I don't know I suppose that is so

so I want to let to tell the more more so

the way to the that she she has that she said, that when

she had 11 years of age, he diagnosed they were an epilepsy. So, one of

the things that I know is that when the the disease is to

the last of the those events of epilepsy not only more

more more segued and they have to be being that

is what is what that's the epilepsy, et cetera, et cetera. Well, 11 years and they detects that, well,

they diagnostics that's, for one other side, for other other side, his brother says,

he was a question to he was he was a lot of the city of Mexico to the

market of the lagoonilla because there, there, I could get to get to

a little a little and simply those had. A day, just coincide

more or with the moment in the diagnosis in the epilepsy, he gets the brother to a major to

a car, and blah, blah, blah, blah, blah. And when he's he's not bad, it's

it's a bad because the picture was very inquietante. It was a

one where only was only a body of the question, basically was like

like if was a retrato, but not a person. It was a retrato of an arlequin or a person bestied of Arlequin with his sombrero

like these piquitos, with cascabels. But it's like it was like, it was like sinister. Or, this person or the arlequin that was painted in that quadro was, was like all vestio of black, that the logical would be that were like very colorido.

I had that sonrisa Rara that you know if she's being he's

or has something and it's and it was of those those in those they were

much time to make those those that you're that you see you you're

you're seeing that you're that you're that they're going to you're going to

you she's she's I'm sure that my mom too but no

they didn't do the a quadro that had bought his brother so the

mom he was just in the part that's right right

where is where is the final of the escaleras or the initial to

the I'm I don't I was that that that

that that that that that that I'm so

when I when I was what I was what I was I

back to see the quadrant and I felt like this of the he was

doing the he was he said he's he's he's he's he

he's a person in a person in an occasion he said

he said he he he he made to make to

the mueka to the arlequin in the quadro that was he

and he said that he said he that he that he

he that he saw that moved. Oh, so, not that

I'm that I'm in the mind, but he was a look at a point,

and of so it was like to observe to see, to you,

to the eyes, and when he noticed the movement and sent you

the look to her, but obviously he spanto, gritow, and

he subio on the escalers, that says that's he was tropeasando no,

so I said, I'm going to go, but he, but he of her,

I'd I'm some those passes on the escalar and the

cascabels of the of the arlequin he said no I could

I was I'm I'm a sustadiss and the only that's he's

so grittando was to get to get to his room and the

arm he's the he gets a What you pass, no? And he's going to say that the Arlequin, that he was going to be pursuing and blah, blah, blah, blah.

Obviously, the, the brother was like, no, manches, so you're what you're saying? And he said, me can't do not be, I'm going to do so much fear? So, do you know, and he's got to be in the brother. The question is this. In this occasion,

we know, we know, nobody he believed really what I said, because it was simply like that, well, you're there, do you, d'ar, doer and d'ur and d'u-d-d-d-l-d-l-le, and, of-pond, you know, you're gonna'all, and, then, you imagine,

so, that, you know, and blah, blah, blah, blah, but in reality, no, just is that it's that has a mirabre a picture, it's a rlequin, point, no? Well,

I'm, I'm in his house, when, of when, of, before, to start, a, some symptoms that's what I said I said that I said that it's like that

it's like the language is the entombe and you can't talk that the the labios like they're to start to

tend to be the hands, it's a lookererousa borrosa and of and then he's a

convulsionar and it's has a attack of epilepsy so he's so he's to feel the that's

the that's entomying to the language her man no he and he he's before she

he's but when when she starts the vision nubloser borrosa behind

his brother when he came before he comes he he says that at

the front there there there a very very

high of a vestido totally of a like with picos and cascabeles,

but no he could be the rostro, is only like a silhouette. And, while she is going to and the armandum is going to her, she'll be how that man advance slowly, coming, to where she's

she, but, of a point, then, then, then, then, then, then, then, the conscience. For when he says to his brother, that

he saw the arlequin, that he was coming to her, that was coming and he said, no, no, it was I,

it was I was trying to that you were trying to you're going. You're saying you're doing the locust.

Pasa a time, pass some days, and, and well, simply they're

passing the time normal and they're some photographs that have been revealed. Oh, no,

photographs of a camera digital, photographs of the that's that you were the in the rog-

in the rogit- so. So, then they'd be a good and that was all that were

to get- and all, and they had been a lot of a thing that had been

been having been One of them had been taken photos, then they're going to take photos. And, of course, she knows something that she thinks horrible. And when she was said to do not yet, all the time, all the tina-da-loca.

It was like if, for casuality, in the photos in where she appeared to her, for the angle from the angle, from the photo, always appeared the picture

with the lardlequin. Always. And then she says, no, no, or see, and it's

that the fiesta was in the house. But only only with me it appears behind me.

So in all the photos where I go is the quadro behind me. You're doing

things. He's saying that even the papas, as I've said, as he has had been

that's, like in the thing they said, it's not you're doing, you're doing, you're doing things,

you're being for the epilepsy. But he says that even there a photographia that

still in that moment he says that's when he is when he is when he's is

when he's out of the house and they're They're taking a photographia. Dethrase of her, the

window of the room, and the quadro, with the arlequin, just behind of her. He says, no it's not, it's not it's a casualty.

He's that after that moment, the episodes, started to empower, they're more fervous and they're more

segued, but the question is this. She She was going And I don't I want to I don't want to

To look at I'm going to He was He'd have much MEDA I'm really Like a A minute

And I'm No no no No no no No I'm going to I'll I'll look to be the

I'm going to But then I Sentia the Lengue Entomeseida That he was

He'd He'd He'd He'd before that that's put the

mirab a morrosa he the silhouette of a woman

and he had the he was the only that that's a sombrero with cascabels

acacac to her and and of the and then it was to come

to get to comev to and when he he was it was

it was when When when this the arlequin he gets

to me and I want to get to get a even they said to the

medical because she was taking medicine for the epilepsy that

maybe they had to have to the dose because

the events were more more and more and they were

and she was I was sure that not was

so so then pass various times every every

the arlequin more and more and she gets super nervous because think

to the logical what will what he when he I get to get to

me when he can't when he can't and the mom and the

mom and the father and the he's what you are saying So, not is

true, not is certain, you're allucinando. And she enter in desperation and he starts

to grittal you know, that's that's an maldito, that's a arlequin,

he's a dolequin. And the mama yeah, but yeah, I, so,

yeah, no, yeah, no, he can't, he's, he noja much,

so, so he, he, he, he, he, he, the quadro,

it, and not only it it's not only the rompe, the mark. Trapa the telfare,

but it's even the tela disgarada, has a curve to not to the rostro

or not to talk the arlequin. And then when I that he that's, that he's, that

he's, that's, and that doesn't destroy, not so destroy for

nothing the rostro of the Rilquin to the mother in the

moment it's kind of what what's what the thing

the thing red in rected and he said to

bring me a black repid take me a black so

he he and he gave the bag and he

he all the pieces of the the pieces of the the

tela the tela the the he's in the bolsa and it's

going to go to the church and if I'm right to go right I'm no, he's

I'm going to this this is this is there and the mom and she's got there our

friend Guadalupe with her when when of a moment when the time

after the mother has gone he has to feel that the language that the

in tumida that the labo is so, starting to tend to see his

hands, and the brother the one he and he he's going and he

he'll he'll he'll get her before that he got totally with much

force to the and he begins to start to she

he's she's in that in that the moment in the that the

borrosa, borrosa, borrosa, borrosa, and he's peggatito. He be the rostro, now see, the eyes infurecid. He'se that no record it as well as it was, like if it wasroos or very obscure, but the eyes. And, of pronto,

he'll get the conscience. When regrece in si, his brother, is a palid. I was I'm and he I think

I think what I what I'm when you I came I got I I said he said

the armand and I I'm to say to you're you're you're

you're when when the one one I'm a man no

but no but no there The cascabels. No, I have an explanation. When he gets a mom, the hour exact,

in that she has, or suffer of this attack of epilepsy, when the brother saw the man who he got her the brazo and that heard the cascabels, it was exactly the moment in that the father in the the church,

he was going to water of the arlequin. Oh, the rest of the good is that

is an story that is a final and the photographs, any photographies,

any of the arlequin, the quadro rote, the pieces of the matter,

etc., all of all the father. No did nothing, so he threw the

Agua Bendita and they did it a borgas who did it with that he said

that's that from the event of epilepsy every were with less intensity more

sporadical and never never to be the figure of the Ralequin that

you do you do you remember the you know that you I think

that was the I'm which Which is what? Anna, with all, the actual, one, that was the Arlequin, and that they had been

because his his son had a very much, you know? You know? What's the way of repeat is that?

Well, it's that's the feo, because I, the epilepsy not you generate hallucinations, no. According,

I don't, but... I didn't even know what of the language, the really. It's even even thought, even I used,

even, I felt like that I'm to make every time every year, like you, you know,

so you start, to, so, so, so, you don't, you tithe by the man. But, what's

that's in the moment in the in, in, in, in, in, in, in, that's, that's,

that's not, no, no, no, no, what, that's, and that he had seen a man,

that he he was, and then, he's called the, oh, what, what,

that's a , I'm, sure, he didn't, because I'm, no, no, that's not,

no, that's, you're, you're, well, so, well, so,

the, the, the attacks of epilepsy, so, I was provoked to some because it could be

to get a but it but in a way, she also it's a car, so I don't

so that so that so that so that yeah, but then the entity yeah,

yeah, yeah, I was, so, not she was she was she was it,

so it's so it's provoked, so it, mm-hmm the people that have the people

that have been there are so they're like red so, no manches nothing, no,

is that is the moment in the that's the moment in the when the pachasas that's

that's I'm in the oh, oh, that's that that's that you chellas

that's a feo. Oh, no. That's horrible. Oh, oh,

I, it's to talk to you? Yeah, yeah. Jove to Fermex so

like, yeah? And you I'm going to Marianna. And Marianne. Mariana, yeah. Yeah. A

see. A bit. The next story. I want that all the descriptions graphic

that I'm going to do to do a continuation in the story. Okay. Okay. So,

is a story very very in this? the palazzo Gordo That's a creepy, no?

It's a very, this story is anonym the protagonist the protagonist we can

put what name Erica Erica? Yeah, yeah, she I just,

I've to nombrac like because if it's more complicated Erica

Erica that she that she naturally had a

phobia inexplicable to And, of actually, it was very difficult because in that time

and that area, there was a party infantile that had, there were there was

so she she had like, there was like there was a kind of a

so much. So, obviously this story, well, it was, it was her

much much and it was in a night in a that she was

she was a side of her mother Lucie. All like the other

quarter that was these were in two two two three

and they're and they're only a burrow. She was she

was that the a great it was that

was that was a and and he was

a door. When she he Volta, and I open the eyes, and just

he'll just the door. The door in front of his room, there was a long,

and there had someone of the pastile. There was a pachasso. He said that was a

abesso. He was he was he was and that that that was like if

was like if it was like if it's to be sitting in a bank like if were a

true. It was like if it was a little and he he was

feeling and he just just said the and I'm just like,

like it would be to be to be and the pylasas was all

was all painted because it was like that was soo so

he was he was a ral and he's a ral so

so his a boca malpinted roja and a poloca like the chinitos these

but colors phosphorescentes and it was there and no he was in the absolute

and just I was and when he kept seeing he he was soren he

he closed his his eyes those he he was

he there no there was that he was a pallas and that what I had seen

even he had I'm still I'm still I'm still and I'm sure he he's

he's there to be to have some of a piece of a bit of the night

he could hear of that that's going to get a time he'd

he'd be a fear to he's he was he was aterrata and so

were so And she was his and the and the not they were

and they were and a night of the new, she was she was she was

she was she was but this time she was a relampagent and

and he the eye the and see how this and again was the

He was the palazzo. But this time the palazzo was a parted. I was he cost to work to

get a little, he was going to smile. And she reila. And so to go to

the light. But this movement of doing the click was literally to the

air. But it was a form to make to say it was he was he was

and was more He was in the And he He was He said And I And it's

And it's And again And again To come And again, Ascura So it And it

And It was She was She was She was And I'm And He's

And He's And he's And he's And she is a

her mama and he said I'm I'm I'm oh no

the not the person the I'm I'm I'm a

I'm a I'm a so I'm so I'm so so

the day the day next the next he

he and they know they they they're not

they that was barriing her she was like

was the aden to do this and it was of colors of the peluc and the mom she kept so

and then they're strangelyly at the moment the pallas no has has been to be able to

but that pallas was physically in that no manches it's the most interpretation

that I've seen that I've heard that I've heard in an story of insomni Can you say something?

He was Aterrado What was I'm I'm afraid the story or the interpretation of

the palaces of Mariana and you're like that that's like that's the that's that's

that's that's that's and that and that and he and he was

I'm sorry and he was serious no and he he's oh no

manch oh yeah but I mean so simply disappeared and no

has not not it's not the first I'm

a one of the first I'm when it's like I'm like I'm just

just just like what you know what I'm what yeah

what yeah yeah wow it's that good yeah

much so much much so much 10 10

10. Yeah, 10 of 10. So, what that. What, yeah,

it's, it's very, very good. If you were in a interpretation, you've got you got to

you, no manches. No manches. I'm I'm noth you'll do all the chapters of

insomnia, the recentes of the three, the first of the music,

there's, there's there's, but I'm to have to have to be two or three at this,

muret the gusos of the of the I think the was the of the

I'm that's yeah that's that no manches no it's

not you know you I'm I'm you know I did you

did that you the last 3 33 that he changed the voice

and the and the how she yeah sofi or how

how this nano nano nano I said, man, you know, I'm actually, I'm afraid, Mariana. Now, now I'm going to do

go to be scared. I'm going to say, I'm going to say, I'm going to because my my wife, I'm going to be able to to talk to tell the

to his amigit, to his amygian, in Halloween, the truth, you know, that's weird. Apagas the lights,

you're going to I'm trying, if not there, a baragita, of a, of a pachasas, for that, that I'm sure,

that I'm sure, but no, manches. Wow, no, it was incredible. Very good, very good. Thank you. I was a man. What was that?

What? What? Abbey, it, passed like a light, like a, so, like, a summer very rare,

there in the techo, like, like, like, like, it, to be, to be,

I'm not, I'm sure, to know, I'm, I, no, no, I'm, no,

no, I'm, no, like, like, like, like, Well, I hope. No, no, I don't know.

Or enigma of the paranormal. No, yes, I think it's a coincidence. Or me, me alucine. Oh, and what I'm scared with Mariana. Yeah. I'm just sitting there. And she's just, and just as, and I'm just going to go ahead.

No, man, man, you know, man, I'm going to say. I'm sorry. And I'm, and I, yeah, and I, yeah, and these hours, per me. Of, the first time that, the first story that you had you talked, no I did anything.

no I think that's had seen in camera but one of those microarraignitas backed no wait a yeah,

yeah, she went to oh, no manches and I'm and it's just that's that like that

like that I'm in and came in there's nearer of you and I'm going to say nothing

and then then I was there's and it and it's he's going I'm would have

I go so puk well well let's go to the time the we're

going to let's the last story Let me tell you my story. O'clock. This story is very good but has

many matches. I want to put you much attention. This story is called Tontin and the

story the manned Laura Sophia Mojica. Laura said that his father,

to know Roberto during about of 15 years he worked

and he interpreted to the pious he said that when not

was in the person of the person the person more more

the world was a person that gets to the and literally without being a

person who was the whole the the same he organizes a a chiste,

was a person who the same he was a little bit of the people, the time was they'd be able

because because, he was dedicated just to that, or so, and he disfrasable to do that, and it was very exitoso

in the fiestas and the shows that was a day of a circus, not was a guyos that was a carpa or in

a theater, it was a little bit of a little bit to do that all this started to deteriorate

in the year 2018, approximately. His father was to return to the festas of his

work, agotado, can't have been a long of the back a bad his father said

he changed he changed various times of the mark of the because

he said that the makey he had it was it was like it was the

hair and it was really really when he was the makeja

black and of colors he he was he was he got a

much salpugid in the so so that so so that he began to

make sure of makeup because I thought that was intolerant to certain the

market. The reality is that his rostro is a lot of a lot of

granito rogos, like if had varicela or scarlatina or

something and then he he was to he he was a pious

a pretty was too horrible for him to be being to be

being being a front of the people being for him,

and for the children. So, he was the change of other way, he was to

change to character, he's to bever, he's to consume in alcohol. He was

to be to be to be the person of the Pallasotin but

she said that's very much grotesco, yeah not was the person

that all the family and his clients and the maquillage, he was

a mal, the the paintura the, the paint of color blue and

it was a very grotesco and much times he got to get to get to the pallas

of the tontin tirade in the piece, he'd get a of the banable, he was he'd

all his tarrhecett was already horrible, olia mal until that one they started

to discover that not only consume alcohol he started he was he was other type of

substances very very very then I'm to have crisis of anxiety

of and frequently was disfutable of his person

that he but repito yeah the interpretation was grotesca

yeah not it's not not for the people not

for the family yeah you let's let's let's let's

what you you're you're in various occasions In two occasions, it's in several clinics

of rehabilitation, because there were nights in those that he started to and he'd that they'd get them,

that they'd to get them to the kids, because he sentia that many people were up and they were

in their time, then he was in those crises of anxiety, of, of fear, and then they

took the decision to get it to get to two clinics. Of the first clinic,

He escaped. Passed a time overdid, he went to consume certain products, until to go to

his house. And of the second clinic, they were because they were in the nights,

apart of these crises of anxiety that they were they were the people that were

they said that they had been like, like rarro, like rancio, the word is,

the worded, so, like, like rancio. So, then the nights emanable

an aroma very horrible, and the people that they'd talk about to be

them, and they'd keep them to get them to do it or change the court,

they're they're back into that the second clinic. Yeah no they were

to do to get to a house, they were going to these events until

the mother of her wife was to visit her and she said

she he said I'm I'm I'm know a senior

that she No, is the last recourse. Why don't we

get him and we can help you do you know this she's a one of the place of the

she was her she was a little bit a little the world and when it was

the water to the the web they were like cabillito and that was

like it was obscure like very like was made that was the she was

that had done Brugheria, that had affected to him in a way irreversible. But the worst is that. The poor is that he said, the brujeria

provien of someone that comes to your mesa. And the family said, no is possible. Then, after the cell limpia, they said that he remained nearer about 18 hours of dormido. And when

he wasperted of this limpia, the The ultimate what happened is that vomited a mass a black similar to the Brea.

And then he's a little to recoverer's. Casually, at the same time that's

this story of Robert, of Tontin, one of his brothers simply is a

little to get to even to get to get to the conclusion to

they're that they they're that they this brother, of which no

their name, he was a person really a person who was a question of

his brother he he had a great he had a lot of his he was

he'd sometimes in the pastes to imitate a psalasas a lastime because it was a

burrda imitation of what was his brother not he was not

he didn't the people not the people not always lived to the sombra of his

brother and never, never could be like he. He never he had been envisier. No,

they've been but the bruja if the did you know that the brewery provenia

provenia of someone and it was a person. They're saying, ah,

if he put the name the the Tio Manuel disappeared totally, disappeared

for completely, he was he disappeared as that was that to know more. No,

he passed nothing to the Tio Manuel. I mean, there was a regress of the brewery.

No, there's simply he away and he was to be to be to be

to be the story is that Robert to do day of he has 55

years, he's a chauffeur of application. It's a man serious, calliado,

yeah no he, yeah no he, he doesn't he, he's the

pallas Tontin. She has a lot Because she has the That's the Trage that with That's a lot of During more

He's made To feel A much people Today, She's lo He left He was put And it's

And it's And it's And it So it So, Heppes He said Putter's

And then Goel And make To make Reir to And What? Ohal

That's What's It's It's It's Super Tristan. But, you know,

how the envidia of their own family, because his brother no had the grace that he

had, the character of the Palliaso-Ton-Tin was something that was a little and the

brother and the brother, he was with with an with fear, for not to have that quality

that his brother had, he did do so for the envy to not to have that

that isma that he had. That's but always it's always they're of your

people more that's super horrible so the times the crimes and the and the

workes do they're people are people very so and that so that

people what they what they get envy is like to obsess

with and it's like but why you you're so the more

not it's the so the so the But being obsessioned with that, you're so blocking your real don't and your true, no, that's

discovering, you know, you're not, you're trying, because if you're envisional because it's something it's something that's something. Exactly. So, it's like, it's like if,

if I'mvite, I know, a, no, a, I'm gonna be able to be able to put to be able to try to be like, I'm like the Tio Manuel, no?

So, so, I'm going to do the imitation of a comedian. No, no, you're going to be for nothing. Yeah, every person has to be different and have to accept it. But imagineate to obsessionart with that because it's of your family?

It's that, look, we know, we know, more than the context of what he says to-it-it-it-you-nawere- not, but imagineate the, the, the, traumas with the he crecied the Tio Manuel, seeing that his brother

always was the chistos, the that he had well, the world, and he was like the apestado, like, you, ah, you know, you know, you know, you don't know, us cais well Robert

us makes to be able to many years. 15 years he interpreted a toni but no

that he has done that he had done that's a but where is this this palazzo it's a

wait a because say in the story just in tonal it's in tonal where Guadalajara

me me name sophia I'm 23 and I'm in the one I'm

so Tontin is for yeah but but not but not but not no no no no

we can we can we can't to look at Tomtin. See, there's a there

there's a there's a there's a oh! Figense that thinking just in that

after that we're the story of Chapit Chap. Ah, the the

Muneico Pergottin Chapitin Chapitin we we're talking the history and

then the child and then the child made the money and it's horrible

So, then Could it be... Encondremontra... I'm I remember of something that's still more...

Well, to me it's much more extraordinary still. One of us we've got a story

of a table whiffa that literally... No, first we're not, first, we're going to

run a department in the city of Mexico for where is the optica. and that in that department one day they did

know that there was a hole that was formed in the wall, of the air, passed on things bad. And they were

to runper it and there was like a fourth false that had been closed. This abitation media

about five for five. And in the center, in the soil, there was a Uiha

and this wika had two and the black, two listones negroes, like if it were a regal. Okay.

You know, and in the center of the handpita of a saint. No, you know, you? Are they, they're, of tattoos too, something. Yeah, no, I don't remember in the story, but yeah. And when they're

I think there's a vestido, some things like, but there were a tabla huija that had a, one a, a stamp of San Benito. Of San Benito. So, and it's

on the and he's been amarrated. Yes, with the and they they're doing to get to

get to get to know, who's know, who's know what happened to do you, to do you

know, like six months after we got a story of a person that we

said when my my blah, blah blah, blah blah and that encirran

in a department of the city of Mexico and they encirran an

guiche in a court with a stamp a one a

all this. She says that, recalls that the father, to those listones to the table, reso during much time, and before the room where they were, he said to the Papa,

this room, for favor, no, you know, never to ever. Put it a candado, do what you want to do you, no, you'll do you. This table is sealed with the entity of San Charbel. I'm

I'm on the and never more this entity those will be to get to do you know manches

it was the it was the same history uh yeah the other part of the story but

are people but it yeah it's about between six and eight months yes

yeah yeah yeah well no no no still no to even

we're I think I think I'm I'm not even there this format and I

was invited to the first story yeah and I think you

it was you, and like eight months after after you, the other person, the other party, it was when you said, no, manches, but is that I'm, no, me came to be the 20. You,

you, you, you know, you're, you're, so I was like, and I was, and I was, and I was, and I learned,

and I learned, and I, and I learned, three or four stories. So, so it was, like, like,

when I was called, the time, and I said, bro, no, is that the other part of the story. Is that

connect, histories, because no I don't know I don't know the certainty but I'm very obvious that was like

so. Or also there was a story that we're not about some other like that

they were in a place where there were like some some quarts gigantes and I

know what so that and I made sure and I'm exactly in where it was

with the with no manches so you know that's one that is one

very recent that was in other also also

also also the The people that you refer is that's all. And right that we've to Keretaro

they said a Fermix. Ah, yeah. Of how the come? The convento. It's that

no more I remember the number of the convento, but it's that's that it's not here of the

history, because it's not that's not the question. No, so.

But how they said the place? The convento of the non-nacidos. So,

so it came to the story, but in real they said the

convent of the are put us. Certe. Yeah, and now that we we're going to at the final like we pass

with the people to say to talk and I'm I was with a group great of people and and me said oh yeah

about the history and so there is the convento and we know we know that we know that is that

there's there's there's there's legendas that the monjas do some

and then I'll say because I can't be another way they desace of the problem

And the problemita it's the problemita it's in the garden of And also And also Confirmarer

And not me going to To be able to Let me want to speak about And so far Confirmar that Keretaro

is the city with more Cases of Exorcism That's That's so There was a

There was a There was a There's a There's a A-15 Minutes And he You're

You're You're You're You're You're Like a Capitita And if

if you can Oh, man. It was a kid, I don't I'm a I'm talking and he said,

no, if I see, I'm from here. I'm here this, this, this chapter with the

evidence, there's, there's, two or three evidences in that chapter, the,

the, the, the, the, the, the, the, the,

the, the, those, those, they're those, they're looking,

no, they're not there, norus, nor or hair, and that,

and what other. The the that was the of the of the

that's the that you that you contased. If you tell you you know the

if you're not the evidence you know how it's how it is it exactly

how it but but I'm there there's there there's a

very very perturbating well I'm very very important but interesting to

keretaro I'm I'm the city with more exorciismes in the place has

you You know, you know, exist a convento in Keterra that has been, and now me it's called,

and now we're the first, the arbor of the cruces. That's a tree has a, it's very

particular, because the spinas that are the little, they're only only in form of a

cross. But, this is a real, this, this is, this, what I'm

what I'm doing, I'm 20 years, when my my abuelita was with a little

he's a a Keretaro and went to that convento and the record me

he brought a spina in form of a that I do I do I conserve in my

camera. Well, it's a spinita so, and he took

the the curiosity to put the a stampita that also

that I'm in that I'm in form of the spinita in

form of cross and he put like duress or something, no, no, so that not so

that's me maltrat and then it's that he little of the crosses

has to with me with three years. I, my just to record something.

I've a lot. I've been in the bogges of the lago, and there many many

stories. I've heard much many things in this place, because

much people who's much people Chocke with another rio that, well,

that's also, Bosques of Lago, there's many stories, there's actually, there's there that

say there's that's that's that's the last time that I was I was, I'm going to

a carretta. I said, oh, so it's like very extraio and I'm and I'm

never be I never I'm but. But you see? Yeah, of the actually,

this, ah, and it's it's I was really to go out there. And there was a I liked much because the arbor was very strange.

The arbor, like, so, his own to your own to your own, for your own, for you to siter as there.

So, I was sent there, and I was there, because I liked much to go to think things.

And then, and then I was like, and I was over to see the arbor, and I said, and I'm

movia, and when me came about the place, I don't I don't know, but if you're sent about

in that raise that was that I'm a little I know how to hear of this the ramitas

form them form a chorro of pentagrams of the and I said no I can't be a local no

I'm gonna so I'm my friends and I'm to give a various persons to sit at this armory

and I'm sit down and he was and I'm back up. And I said, I just, they'd change the car. So, no, in effect, no,

you're not, you're not a lot? So, they'd be in a chorro of pentagramas so armed with the ramitas of the cabess. Wow. Is it's prepared for to work?

And there were a good story of like, like, like, people that were doing and, and, the, of, the, of, the, of the, of, I, I was, I, I'm, perfect.

So, then I went to see, what on? And I was, I'm a chava. And this And I And I'm And this And we're

And we're And then we're And it's It's like It's a real It's a frio spectacular And when I

To start So, the action The lamparitas Those chavos And I say, no And so That's... Oh, well,

Yeah, but in Yeah, but in I'm not I'm So, you You're the Fede of the Cases of the

Fours No? The Fee of But you're so still like, they're so like, I'm like, and they're like,

well, and so, yeah. Wow. Yeah, Arbor real, I'm sure. Yeah,

no, there's a there's a that's a girl that, the, that's in a bena

of lobes. It's very famous, very similar to what you're to be to be

a photographia spectacular that's that will be in expedient in human

no, in podcast paranormal. In podcast paranormal. There we're going to take a photographia very interesting. In an experimenter of human, literally, I know that we're going to

to do that. We're going to that's a little that's something incredible. You know, when we were going to go to go to a trip.

What? Yeah. That's, I said, I'll be able to that person, and me going to get to the person

of the I'm going to that's a that's a rancho still. Yeah, I'm And I'm

going to go to the rancho. It's so it's such it's a spectacular. I don't

see, of what they're about, it's that they're going to be to go to

but that me more me more I'm more that I'm about the envidia the story

with the story with the that you're that's so dangerous a sometimes I know,

I don't do it not the not the contrary, that good no, there are

people that are people to make a a type of content Oh, I'm going to do comedy

And of And they've been Maybe they've been Maybe they've been I'm going to know, but you know, it's not I don't do of the stories that I

tell them in the meets, that they're in saying, hey, I'm going to tell you,

I'm going to because we've heard of the point of the point I'm going to talk to the spiritus, I said,

it's impossible. How will be an apport? So, how are you going to materialize something? that no

exist. And I'm a podcast paranormal but look and now I'm trying to do with me

I'm trying to because this is an apporte this is a part and this is a part and me makes very

to be that there that there there's a rare in the world and that you've

able to experiment that you've able to experimenter that I'm so super

hallucinant super super alus that what that of the day the

I'm, P-Fes. You passed. You passed? That's... That's a... Inquietante. Very inquietante,

for sure. The, which I'll never. No, it's my... Oh, and it's good. It's really good.

This cat, I'm just, me can't. To be the payasos, Yarlene? I said, I was to do you

want? I said, okay. I was very, very, very, very atent of what you

going to see, to come to that interpretation. No, I didn't. I didn't. I don't know.

I mean, I was just like to say, I'm sorry. I'm sorry. So, I'm saying, what I'm saying? What's just like, what's going to?

So, even though. That's Alex, that's all right. That's all right. That's like my son frustrated.

It's that my marina my marina chiquita like, so, that's a pallaso?

No. Palliacita, no. But, but, um, so, um,

so, I'm very contented because I always Kiserser like, I said, I was like, I started into the adolescence, I said, I'd say, I'd be there the cortes of terror, and I said, I want to write in one, so, I want

to write and say, I'm going to do, and so, so, then, to be able to do you, I'm so much, because at least, it was like a, so much, so much. Oh, that's so much. It's, we're going. Much thanks.

Felicities, of really. Ultra-bien. Thank you. this, this, well, right that I'm

a lot of my advice, me help us for a recommend to the people that's your

social and not your social, and you know, so far sure, first of course. First, that,

much much, thanks, for having yet to have done to be so much,

with so good, with some good, and so much if you're not subscribe to

insomni, act you on the campaignita subscribe so that so Instagram, and if

want to let's get a criminal and they're in YouTube criminally. Perfect. And for

favor, my dearerous, you know, you recommend to see us too in the other platform that we can

five stars and your social and platforms? That's what said, but in Spotify, sure, if no,

we're seeing, we can continue, we'll let the stories, the comments also,

there's, it's there's, and I know, and I'm You can't find how Mariana Maus is Mouse M-A-U-S in any platform. Perfect.

Very well. I guess I'm just a great. I'm done your stories, for favor of PEPO-P-P-P-Pocast-Insomio.com. You know, in the asunt, we're saying, to what's your story for that more rapidly

we can't include in some of these programs with the thematicas that are coming. Yeah, we're receiving, yeah we're receiving those messages,

those histories, those experiences reales that have with the Navi-Nabird with the Christmas,

with the Rays Magos. With the day of Mewartos, well, I think 2 of November

for us is like our Navidat no? I'm to come to something

to me to be a something. Well, right I'll give, right, right,

I'm my part to my support. A-Cast that. So, me

occurred a lot. Muchis thanks and thanks to those that are

are, you're doing these episodes, a through their networks, to their

groups, of their families and people. I'm your friend Ppo. We'll

see the next time, here in Insomio, where we going to narrarer the

most terrorifices experiences real of the audience. And you listen

them, CSA TV. Bye.