INSOMNIO - VIAJES ASTRALES QUE SALIERON MAL 😥😶‍🌫️ | HISTORIAS REALES - Invitado: DANIEL NOVELO

Episode Date: January 16, 2025

¡Prepárate para adentrarte en un mundo más allá de lo visible! En este video, te contamos historias fascinantes de viajes astrales, experiencias inexplicables que desafían la realidad. Con la participación especial de ‪@DanielNoveloo‬ , exploraremos este misterioso plano desconocido para muchos. ¿Te atreves a descubrir qué hay más allá de nuestro cuerpo físico? ¡No te pierdas este viaje lleno de asombro y misterio!Redes del Invitadohttps://www.instagram.com/daninoveloohttps://youtube.com/@danielnoveloohttps://www.tiktok.com/@danielnovelooRecuerda seguirnos en nuestras redes sociales:► TIKTOK: https://www.tiktok.com/@podcast.insomnio► FACEBOOK: https://www.facebook.com/paranormal.i...► INSTAGRAM: https://www.instagram.com/podcast.ins...💀 Acompáñame al interior de la mente de asesinos seriales en CRIMINALMENTE 💀https://www.youtube.com/@podcast.crim...RRSS: https://lnk.bio/criminalmente👽 Escucha Podcast Paranormal 👽https://www.youtube.com/@podcastparan... GRUPOS PARA COMPARTIR HISTORIAS, MEMES Y EVIDENCIASGrupo oficial de Facebook:► https://www.facebook.com/groups/54848...Grupo oficial de Telegram:► https://t.me/+vFdn13cseD0zZWUxTodos los enlaces para ver y escuchar el podcast:https://podcastparanormal.comEnvía tus evidencias a: [e-mail]► Consultas empresariales: [e-mail]#insomnio #paranormal #terror #historiasdemiedo #historiasescalofriantes #horror #extraterrestre #otroplano #fantasmas #sombras #seresdesconocidos #historiasreales #meditation #meditación #astral

There are stories that robes the and others that rebuttan the dream. You do the welcome to Insomnia. And in this occasion,

we have now see, for fin, estreno with Danny Novelo. How is that? Very well. It's a lot to come in a

well, no. No, it's my first time. No, it's my first That's new. My name is. You know,

do you. Let me say we'll just be in insomnia. Tell us to what you're doing your social, platforms. Okay. Me educa muchimous things. I'm going to be living loco. I'm a creator of content.

Basically, all the social, less the blue. I mean, I'm going to TikTok, Facebook, Instagram, YouTube. And in Spotify, I'm going to submit all the episodes that I've of the 2004, they're there.

That's cool. And the account of Velo that we have in Facebook, in Instagram, in TikTok, and in YouTube we're going to

because there was a little abandoned. And in Spotify still. But then we did it? Oh, so

but what you did you did you know, what you did it is directly in Spotify to your name?

Yes. Like Danny Novel. Yeah, as well as Danny Novel in all my media. The content

that I did I'm and I am the episode number B Well, in this moment, number 21. In Spotify.

In Spotify. Okay. And we're doing also podcast, but still we're in this process of brandeo and all. Very good, very well.

How many, many, years have you been doing? profession. Very well. As it's like it as it. How it's

like to be but 2020 too all my 2020 was create content and start create content to do you and also

to learn to you know, is calendarize and all this a lot of yeah because the people think that simply

we're just we're gonna we're gonna do not and all the day yeah yeah no sure

all that all right all right so you discover that the yeah that's good Godin

Rockstar And I thought, I said, when I have my own company, that my company is called Bello, it's a network, Bello Network, according I said, oh, they're going to be a day's that I'm going to be to be a play, I'm going to go to the play,

I'll regress, that nobody me said that's it was impossible. Entre more, you're doing you, you're doing to be able, and more, because you need to be

to be a little, and, and, also, it's like a baby that's like a try to be able, you have to make the baby

not make dismanes, you have to be that the baby learn to and after that it's a babycet that's going to that's going to sure,

that's it. Like you? That's the first time that came with Fepo, it was in your house.

I always I like the case of the but it was in the cell, you were to you're going to pause the camera

and now look you're incredible. Thank you. Thank you. Well, thank you. No, man,

much more. I mean, you've seen this series I've seen this series, many times, so I've seen, like a serrito of books that I've

could have been to read, and, then the truth of a minute in that I said, I think there's there's a time

to be a series or not, I'm still, I'm still, I'm putting all day, you know, I'm going to

do that, and I'm going to see a series, and I'm that's okay, so that you're that's not you're done

so, yeah, the second time of, the game of the a third. Yes, but, no, I don't know, no, I don't know

I'm just, I'm not, so much people say that's good, it's really, the second? Yeah,

I don't listen, I'm heard, I'm heard of this I'm not even, but everyone that me says, that's like,

that's good, the first, yeah, well, no, no, I'm just, I'm just,

I'm just, I'm, I'm just, I'm, I'm just, I'm, let, we're, we're,

we're, that, are those that, with the time to discover you'd have to even in the

things of the phenomenon paranormal. Viages astrales. First question before before to start with the stories.

Danny, you have you have done an experience of an real time? Never? Never?

Never. Desdoblartes to your body. Quisieras. Tal- maybe because never I

never I've been my my Cerebron calm. Always is thinking, always is like

developing projects, not so I'm suelto like this baby that I think

that's that also influe. Yes, because you have to be in that moment of calm, to hear that

or hear the nothing and that I'm going to do you. But you think that's real? Yes, I

think that all is possible. Yeah. I think that, well, I mean, I know a bit of envy

because I know many people and I know in the stories that says, no, I've

since that I've been four years, to matter natural, me separate of my

body, I see, that what, When it's when not it's when you it's a

tremendous complex difficult, difficult, it's so, it's like, feo when regress to

your body, it's like, I'm a half second and I got and I

just, I'm, I'm, I'm, I'm, I'm, I'm, because you

feel you the person, that sensation of, to, to, to,

to, no, it's something, it's something, not, not, not exactly

how exactly how describe it, some of those you have been that you've been you know,

no, no, no, you know, but you can't explain exactly like the like the,

like the or the shillididdle or something that's like, is like, yeah, that's like for all the

body, but you can't understand that's exactly that sensation, uh, that's sensations more or

or less, or so, has been a reference of that you don't know that you can't

you can't it's like it's a a stust, it's like a feo. It's like radito, so. And, well, imagineate in form natural, that's good, no. If you can't dominate,

you can't go to all the people. This is the second question. You what would you, if, right we'll say the stories, pardon, is that I like this thing.

You what would you do, you know, one day, you're supposed to to do you, and you know you're going to you're going to your room and

observe that's that's there, your your body has costed, I mean, you're in this reality,

but you're separate of your your your conscience is, and can move to

wherever where you're. A where you'd you'd I'm I'm going to be

to be in space. Yeah? Yeah, I'd like, the most, the most,

the most, the most, no you can't not you can't go, no?

No? No? No, so, so, I'd, I'd, I'd,

would be more that, want to see what can't be what can't be able to be to the world, to be able to be able to go to the most lejos possible, then I'd say, I'd like. I'd try to go to Mars, to the

zone of the lunar, something. Ah, yeah, so, I'll, say, to, say, to say, I'll see, other galaxy, if it's possible. Yeah, it would be incredible, no. Incredible. So, the possibilities of all what can existir, you know, you can explode the head. You, to explode at the head.

And, of actually, well, You know has, you know has, this I've done to know the stories that I'm going to to tell. I don't know

the stories that you're about the people about the word of phoerabrauboravadop dotcastradom there's there are

two, that are very important. One, who starts has like like, the ditch

to open this series of stories or who can see because it has been to start

with much force. What do you? I think I prefer I preferr Abri Okay Well, then

So, So, So, So, Fepo This story This story It's called

The Somba And it's of Melissa Vargas Okay Melisa Dice Dice says

When she She was Never He had Hased Another I've That's

I'm That's So I'm Some Some Some Some So,

Let's Let's So she was going for a bad moment. He was in depression and for the same depression every time that she had to be

puttable, had pensions oscures. Okay. The majority of the people, when they're in depression,

tend to be very negative. It's like that the day will be able to be a good, but they're going to think that all right

that's negative. Tanttoe both, so basically, all, all. So, basically, all. All,

all, She said that one night was different to all the other of the other she cost to

to be to do like every day but that was a thing

something was she was she was and then and then and then

open the eyes because she did know that was that she was

extra but so she was she was she she said she was

she she did this sensation of being like between dormida

and the kind of the rare is that was that's like a light

with a light and a light and it was she she's in that

that's that was that was that I see that one some they're

that's there to be the room to put them in context

she was she was she had the camera, I had the feet taped

with a sabanita, with her cobiased, and the light that was in the

room was a cold, but was it could be the room,

that was the door that was the door. In that she

didn't move that simply was paralyzed, and strangely

some some some some some sensation of that I know I don't

see if it has happened that you know when you know you feel like

if you have known in other life in other moment or his rostro so it

has known now now now now imagine the

feel that you can't move that there there there there

there and that for a strange reason you you feel

that you that you that you you that voice, no is very

very very that's not a not is not a not a voice of your

mom, nor the voice of your but it does a calm that you

feel like you know, you know, exactly, are those voices that simply they're

just that she can't she said that these sombras not had like a form, it's like

if it was like it's like, I don't see has been the

sensation of that you can't open the eyes and you see it's that you're around, but you can't

see that you know, you know, never been never been pasted, but I suppose that's like when it

is like that the paralysis of the same, exactly. Exactly. So, she was living this

moment so. So, she said, she said, she said, she said, how those people

were, to put them to put into them and they were to talk with her. No,

does exactly of what? Only remember that said that those them that's

extranava that has time that they've been to have been the

people or the sombras simply like they did for actually

that they did it was a moment a moment like a moment a moment

a moment a moment a realacable in the

so that where was the where was the door

that was under that was a kind of a

sombra gigante, that even for that's that's he had to get in where they were in their own.

Recapitulamous, she's in the camera, is a costada, is covered, not she can move

around there, a series of sombers. But it seems like the sombras when

they're in that they're that same or that a sombra gigante that's in the direction

of the a room, sheented in a she said she doesn't explain how that

that's that's the form in the way in the way that's only I mean

they had expression of fear expression of expression of terror like that a vibra

like that very very pesate and says that even the environment was sent

a denser dense the the sunbra is to start

to where they're and in that she she

It's like if the sombrass intentarant of that creature gigant. I don't know if has been been said something? No.

No. That's good that no. And that's good that no. I'm so I'm going to never me pass.

Then, after she says that she says that he says, or at this sensation he does, and

you know is a know that is in your other she's you're in

you're in when you do you do you do you is like like you just like

you know and you see to see a see something and you do you

know the the room that the room that the

door the door of the back and then in this

moment she didn't know that was basically in the moment, nothing had changed. The only

that had changed was that now we're going to be the sombers not were there, and the creature

still even, until that that's the moment, at least. Then she is she, I'm going to

bring the light, because all when we feel like we're to get a thing to

do that sense of that you do that you can't you can't like you can't And to know there's

Exactly. Because if only you only do you I'm in the place, I think the majority

we're in our camera like a lamp at that we're that's that we're to look at

the end of the skin you you know you're like that you're she's like

she had still this sensation I'm that there was a person I'm

and she and she and this was real because in the moment

that she I looked to be in where was the door and the the light of

a space of a creature the same the same the same that was the

but that I'm trying to her the light was a light that was

the light again to come that form of that kind of that but

but but it's a tenue like when you're a when you're

when you He doesn't know if you're in the reality or if you're in the dream of the dream. Much of times we're going to be real and we're as well the terror, we're sudamos, yoremose, and when we're going, ah, that libe you, come. and boom, you'll be able to salar you of the

dream. She. She said that's up to the camera and the creature's still acerciedance to her. what he is this ser was

to cross with that sensation oscura and denser and in the moment that he

traversa she now she is in the dream of the dream? Or

I'm I'm I'm I'm I'm think I'm was in the

dream of the story but she she said she was she

was a was a a a new life astral, if it was in another reality,

and if those sombras, both the positive as like the gigante, are in this reality, and

every time that she can go to do this, it will be to be in this sombra, has been

that one that once that he ever gets to the other way, he gets to you,

it's a little, Brutal Brutal You know, is that there's that's a sensation of

To start That's a I'm in a I'm in a I'm in the world real And of And of a

ROND and you'll You'll even You'd even You're even You're in the world real

Or if continue you You're You're in a Borgue One way You're You're

You're that when you're experimenting the dream it's absolutely real. Macy is like so

so it's like that vivid, no, I'm always I've always I've always the type of spectros or the

sombers that I think familiares I think that really reallyarily are people or entities

that is only that only that already totally dispirta no know who

who they're who they know what they knowes but if they know and the entity

is this gigantesca who know that could be going to pass if you

continue in that there there people who there's that in those somras

are only that we don't we can't see and for so there

is more sensible like to say there there there's there

there there there's there there's there people that

sensibility to see what the other don't see. So when you

enter in that you know, you see what in reality exists. So,

what we normally, we know, how I say the phrase of the principit

only, what is the essential is invisible to the eyes. So,

no? That's so. So, as as, as in various episodes,

the of the third oho, all what we we'd be what

is real. Because even we don't even if we're really to be real this. Could it be able to

be in the dream of a giant. This is very loco no, but... Or is a

fraction of the reality? Very, very very small. Very, very little. The story that

just makes, justly, not not so think about the reality it's not it's

not we know to know something that can be even

in some in some minds the the fact we we're

we know we know we know that is that

is that something we then we we there there

other reality where there there other type of

other type of but if that is also only another 5% and there's

much, much, much, much, much more, much, much, more, what will

pass the day in that we can we can understand, and we can't

appreciate. Of a all of what we know we know we is a minute,

it's now it was more diminut. And this person discover like a

that's a hala a real and discover an entramado incredible.

You would I'll like much this story. Chegat. This story is called It's a manned to

our friend Banya Narvaez. Fiatte. I said, I talked about the principle of those people that

in a way natural have this capacity to disrenders of their life

astral and others that even even we're we're when we when we

when we when we we're we can't we learn those in our body, but it's difficult.

Well, I think it's difficult. I don't, I'm trying to the way correct. Never I've intended.

I'm going to pass on the techniques. Ah, but it's a little, it's a little complex.

Now, she has said that as that she was a little, he's got these dreams in those

that you but not is the dream like that was in a camp and was going, no, no,

no, no. So, literally, is the actually is the the fact that, of a form vivid, like in this

reality, despirtas in the dream and you're separated of your body. So, he knows says that

one day was a little, that was the first that was the first time that's it, I've been,

I've been, I've been, I've been, but desprenders is distinct to have a dream of a dream of

she She said she's shector, she's a dormita she in the

camera when she's when she a like something to see the

attention to see what she is that she's she's that she is there

is there is there has separated in this moment

of of his the so to get up, but yeah no he's

because you know it's not he's even if even if could be in a

space and you could you see your body, you know, the same,

the same the laws of that they control because you know because you

don't you know, then when she wants when you get to get

and it and decide cross the passio and to the

abitation of those papas. He is curious this that's experimenting and so it's

to be a flotar, he's a little a little to the house, he's

he's and he the window, and he said, well, I'm going to do

do that I knowvel, I'm going to go to most possible. That sensation

of liberty absolute uh, uh, He, he goes to the window, see the sky in the night, and he begins to

floater to the profundity. And in the moment in the way he starts with all the felicity, he feels that this is very rare. He has this

a mixture of liberty, but he has a advertency very, very very, very like if someone said it, but

no I hear a you see the advertence the advertencia is you're

you're going too way care so so when when

he's she this this this it does this sensation

of this is a panic and that's like a back a back a

the the The ventana, other other way, see his house, come in so rapidly, is very

a pretty imprisurated, and he's back to the window, enter to the court of the father of the room,

and they're there, see the door, be the room, be his room, be his body, go to that

and he and he, and, with a with a prisa trying to return to his

body, that when he gets to his abatation before to get to his car's a

car to a and I'm and he he'll and he he's very much

and he's a little and when he he's a and when he gets a really me dole much

what happened I said I've got to I'm in the same position that I'm in the same

position that but me dole so so he does He made a count of that not he's a

only her her mother is in the entrance of the room viewing

with the eyes like of and he said why you

did you so she had to get in effect in the the

camera he he wrote when he he he didn't

he didn't he's so he's so a a to go to

do not two days yeah it's like like it had been about this

thing that's he had gone and that he had gone that

he got that he got a part of the that was that when it was

it was really the part of the part of the body that had

got on the the mother when he he

he he he he makes a a moreton sote and in

this event he So, so I was a dream. Really, I'm separated of my

and even my spirit, what was my what he was, the information, the information gave to my body,

you know, of that there was an interaction, although my body was always was able to be to be a

moment. She, she, she, she no he's like a dream,

and is the disperendiment that's of your body and he

to experiment with these these these these despondiments yeah he's

more care he a one a night was

she was she was more he more more

more controlled is another in the pass the the

room of the and then so how he is he

is to enter to the apartment to the

apartment When when he enters the abatation of his papas floating, be something that he says that never will forget it. Because apart, not is something that you should be able to give to do,

but he impacted much. His papa was sitting in the camera, not was to be to be atosted. He was sated in the camera,

despirto, and she went to. So, then she enters flotando, see to his and to his

father, he was a person. Another his his papa. A copy exact

of his father in the part behind, of the papa of the copy of the

was translucent a little a little like a like a like a a manned a man.

She, in that he's observing, to her he's called the attention the other father that

is at the back at the he's and he's he's a man, and then he he gets a

other way to his body to the body. At the morning the day, when he

gets a memory, because he impacted much, he's, he's back to

get to and his papa is there in the I was a and when he said

you know, you know that night you're you're and she and she how?

How? Yes. No, it was a dream. I said the father.

Obviously she was she was the quixada to the piece. And then her

father was sunriding, he was very happy because now he had been

a person to who he could reveal his secret. Resulta

that the father from his his his she starts

these these these these to get to do to

get to a way to and to be things

that prefer not to say that he has

preferred to And, also, there's a reason for the which he washoed to do do all. Only that, as a matter natural, he occurred, in that moment, it had occurred

in a manner natural and she was a little. She's a lot of her and he says to her experience of when he was young and he commenced with these things. No, he wanted to

tell what he passed, for what he no continued doing. That night, she, well, now has more curiosity, more curiosity, because she's real,

because she knows that his father also, he's separated of his body. He's got to to flotar

for his house, and of a little he he goes to a movement in a corner.

And observe to that point and he there, there is an entity is a sombra

black, gigantesca, tan that has to so doble to because no enter in the

house. The only that can notar of this entity amorpha is that has that

two eyes rojos like brasas and he does a a fear terrible

when it because the entity that has these ojitos like brasas, if it can't see the

not that's floating and inmediate commenced to get to get to her. And she

says that she's how this entity conforms it's so that the

environment so it's so it's like like if

if it was like not in chocolate spese frio

spantos and she She has that this thing that's that's

that is a car to be his body and he goes and

he and he and he still can't see nothing but

I was I was I was back back to back

to the little she's she she's he he gritty

no use my body she she not He didn't very well, and then

then he called the hermanita, he abrasso, and continued y'rown. He said that even though he didn't know that situation. And so he said to his papa.

His papa, he said, I'm going to help me, and he started to make sure that the meditation, he can protect

of what that's there that's there that can't that can't do that. And then the

Papa, yeah, he's more confidence and he he says to tell him. He said when he was a young and

he started to experimented to these situations, one day, in the world real, was the father of

young coming down and the and the that, a little, a type, he said,

oh, you know, you've been you've been you're doing, and you have been the years

the years? Did, what you're? listen. And this quater he starts of his

lives past and when you're you're there are things that are very complex

that are to learn to control those despendiments because can be experiences

tremendously marvellous but also can be experiences traumatic and

if you live an experience traumatic you you

you want to you but I can help you can

He said, okay, and a perfect extrano, of a repent, he begins to give him to give him to do something. And he started to experimentar. He was experimenting, alexed of his body, he said this. His brothers, no

said that he could be able to spender to his body. That night, he had had separated of his body and he he started and he was

going to his his brothers were in the night one to

one of they said we're going we're we're to get to their

but he was he he was and he started to move to

start He said, Despirta, Desperta, but he was a little. And, he was a

he was that he had to regress with a to get to get to get to to hauler,

he started, he started, he went to his body, and when he, he, he,

he, he, he was, he was moving the body, the

he wasperta, and when he doesn't, he has, he has, he had a that he dolead the wessos, the

skin, sentia the mules all of the whole of the whole was a lot espantos malestare's

or ripilants so spantar his brothers he thought he thought that he was going to be good

but when he wasperted he had a lot of things he felt bad he had the

and he acutio and he he could and he he would to to live

those males but it was so dolorous that spantosa that that's

that's a kind of came to that's a moment he decided I no want to be able to

be doing the and he did he that's that was that that was the

reason that was well she she said she'll say I'm

so and they're they're they're they're to pass the

years a day, I mean, all this, pence, that's, that's,

that's, that's, he's, out of the patio of his house, the day, a day

a beautiful, and a new-nubes, very beautiful, he was there, when, I'm a

feeling a up, up, he's up the view, and there in the sky,

and there, there, there, a sphere metalica suspended as if she was observing to her. And she'll not.

No, it's a globe, no is an illusion, is there. She moves in a manner tremendously strange, she detain.

The note, is an object metalic, a sphere, an orb. So, well, she is

like, trying to understand what is that is that that is that is there? He wants to see her

more to the enter to the car, take a binoculares and he but the

sphere yeah not that's that's rare he's so no

for this moment her his papa he had fallecided and she she was

thinking in something at part of that had failed her he was

two years of the of her His Her mother,

her manita, sonnable constantly with his papa, like if the father would be still

communicating with the her through the sonos. But with her not.

She not, she was that she was not he was a lot intrigue.

It was like a doloros so I had a little special with my

father because not he can communicate with me what what

It's what's what's So, then a second anniversary of ductuoso, when I had seen the

sphere, she and he separated of his body. It's in this

the voyage astral. And the first that is, it's, other time,

recor the other way, but there a sound that he's that's

that's that attention and observe and there is a colibri front of her. A coliubri floating. The coliubri was leethearing sovently but he was to get to hear it. And when she observed the colivri, inside of her, immediately he knew that that coli was the spirit of his

father. And the colibri, then, he started to go to la house. And she began to see the colivri. And the colivri, he was and separated in parts of the house to where the papa he was to be in his sillion favorite, certain

places of the cell. And she knew that the spirit of his father, for me of the colibri, he was showing, what What's what are the parts of the house, of her home that so he liked? Of a repent, the coliviris she was turned to her. And she thought that he was

giving a message. And it was very clear, it was very simple. I'm sorry to you. And he gave a much, muchissive, I felt this, I knew that was his papa. And of a sudden,

after having said this, the colibrin, like a message, it's a way and it's all the window. And then

she flota to the window to see her and the colibri and so detient.

Because there outside of the window there is there's there's there's

figures humanoid exaterrestres three serres of the skin gris

little with eyes enormous and negroes like if not they're expression cabesones impression it's like

they've been called the colivine for that when she'd she'd be topper with them they're there

said that his sole presence irradiable intelligency and those he was and they

then they communicated telepathically. Your papa has transcended. No you can't come to. He's said that

those words they were in much a pass but also they're just quite. In other

to get and to get to and get to be a little that had made to

that he was to be she was she'd she'd she'd that's that was

that was that was happy that was content and that was I'm so

I'm so I'm so she's she she's and she he

a phrase like a question me I'm I'm we're we're

prepared really for the disconocid this this history my took

of this he's the the VIA Astral to the

phenomenon of the phenomenon extraterrestrial It's not I'm saying but I'm yeah

let me that's that's how it's about how it's because I'm really

I'm really the thing of a thing to do that are two things are two

things are two things is that I'm I know it's it's like

kind of like like by telephone. Before to start the Vial or

the meditation, you have to say where you want to go to do you, what you

want to you want to you and when you you get you you

immediately an intelligence an human like you do you do you

do you are there some there there there are

that they are and are not human are

very intelligent are there. But why you think that's that's because

they're they're they're what is that we're we're we're

but in the moment in the moment in the other reality there's a lot

of things and they're they're they're not they're they're not

they're they're they're they're a bit oh it's oh it uh

bacteria more we're there there's there's 100 100%

secure. And you, to you, that you do you do you do you do you know

with the other of what exist? I don't see. So, like if

they have to be with the creation or with the creation in general. There are

some I'm a question, because there's a question, you know, it's like, imagineate,

a group of the people, you know, advanced We're we can create an

android or intelligence artificial between commemole to this humanely to this

million years of the time technology uninterrupted or if only with the time

that we've advanced well in the last the years how has grown the humanity

only only 10 years just imagine a million just imagine a million years, you can

reform a planet. Exactly. If in 100 years we'll pass the bell to be a

world to reforming a planet, in a million years, clear that we can create a reality.

And we would be our God's, no? It's imagineate apart an

intelligence more great with years of the years of the advance

but many many years, no? I'm that for them are we're not intelligent

or so intelligent but not or not too, no, no? Or maybe even not intelligent, so as in a plan of... Like we know we're just a insect. Exactly. When we're an ormigua, tal-called. And the ormigas have been very tracized to chambas. You know, all of what they're to do, the abeas, too. They're a

methodology, well-planied, well-eached, that we'd say that intelligent not are. They're intelligent to their form. Not the form of us, as far as well, pensants. But as as we we're going to

we're thinking, what are thinking? That I'm so I'm asking. They're going to be sure of

people? Imagineate other Ceres. Sure. No? No? It's

fun. We were to live to, for, to be really? Yeah, so I

loved much. Yeah, so that's that of the papas like a colivri? There's

many people that say that when has a family and has,

a mariposa, a or something that he liked a much, always is like a very related.

I'm sure that's. No, I mean, no more has been to be a lot of, I don't know

if a sure that's those emotions or if really, it's really, it's really, not I've

experimented, no, if someone has been if someone has been kind of satisfactory,

no, in some way sanas? I'm, yeah, yeah, I think I'll

say one one of one one of one of I'm around a

yeah I'm in a new a man who had been a family and say

family is a form of so so she had tattooed

a mariposa in a moment we we're we

we're because it's like very humid but the

sun was was very potent very dorado. It was very beautiful.

And he said, we're literally with this light that is a beautiful,

you know some of the photos very beautiful. And we back we got a mariposa

enormous. And my said, wait, wait, wait, she went so the

blusa where I'm the tattooage and he was and he was literally over the

tattooage the like, the movie. Like, like a chueka I'm

took the And so Yeah, and so And you, And so, What's the And you?

What, what was? Yeah, and he said, and I'm he said, oh, my God.

So, where's there a maripos? I mean, I'm not, I'm not here many areas red, but

that's going to post on the tattooage of the mariposa is like, like, like,

so. For that, no, I don't, I'm sure, I'm sure, I'd say, I'd

I'd say, I'd do the benefit of the doubt. As is. As we say, all is possible.

That's. You talk. My turn. Your story good is. That's true, I think it's long-

long-s- yeah. The year is more short. And I don't know is it because I'm more more accustomed to

resume. No, the that's the yeah. The same is yeah. The minute. Yeah.

But it's incredible. Histories long, stories long as stories shortas. Bien- this story

that I'm to tell solitaire the And it's Dex C. What title? Okay.

Lex is a chick, for what I see. But, well, she said that from

she's had seen that's that facility to start in the light, but without your

body. Like when meditas. Ah. No. I don't know if it's pasted that

you're in the eyes to be to the eyes to the eyes to

the lot of meditation and that has to be to bring to the sonny's, the images, and what you

know, so she said she said that she's always he was but not a way of an way of

her body, and it was to be to and it's to be to be able to go to so that

she had a fear to that he would be her his body or to

say to get to the the sensation of to

get and not can't never of the people and for that reason, not are

doing the VIA I'm because a me also. So, so it's

that one one of the first he decided to try the year. She did,

she and he started with this year and said that he's out of his

body and what the majority does flotar and he's

to livearse for the city but says that the city, no

see the city. It was a different. Intent was what I would have done.

Polar, floater, up the city. When she is it's floating up the city,

it's that the city was a way to a new more than a city.

The more more advanced to the air, more it was going to

get going to you know, like when you're when you're when you're Like a

a dream is vanesying? Yes. Casse, like, eliminate something.

So, she said that when was up, he was a sensation beautiful after that

moment, but then he inunded like a sensation of fear. In her thought,

she said, I'm going to be Asia from and there's

not a thing, no? That sensation says that is like if

the obscurity Misimma had a bit and intentara to be

an little an augur a gusano the gusano the only well nothing

nothing nothing so when you're into the the aghore obviously

the obscurity you chupa you she halla she she said that the

sensation that she had not only was sombria was abrumante

was extremisidora because that I felt that was involving to how

he said he's he's he's like it's like to make

to make a mass that's every ender and so were like

and and after of that he he went to he he went

to his moment that he then you then you just you

no, I had the paralysis of the dream. When you're in the paralysis of the problem, if you

have lived something about a bit of a moment that you get you, you're kind of

you're, you're kind of that sense of that kind of she'll she,

she, she, she, in this paralysis of the sueyer, says

that they see that some some some humanoides, sombras approximately

like about an 20 people enter to their room while

she is not even she's been not say that not is not even because

has the eyes the only is that can't move so can do not

absolutely nothing only simply she the presence of these

people but is immobile of that you want

you want You want to move with your forces, your body, but not you respond. It's like

if simply your mind was implanted in a ser inanimated, in the which simply you can't

observe. And they're entering these entities? They were entering in their room and he was done

and he said so, hegress to you, you know, you're back, to your body, but no

you're just you're not you're talking about, not you not you're not you're doing the thing, but

you're not you I think it's more desperant with a dream. So, in that process in

that she was living that you is a fear, you start, and you see a

disesperation. This person says that it could do not and for a moment

he was to feel to get so fear, Tanta desperation that in

the corner, in an corner on the side of the side of

he was Pood how emanated a light. And that the light

so that the things were like were like retroceding. What is what you

is that light? Because it can be whatever something. Wait, wait,

wait, wait, describe the light? A light like, how,

how could be able to be the wall and there was, like,

like, a lampra that you know that's like you know, the ball in the dark of the

light, so. She's she did that you and the thing, she's going to

the light, she sentia like that sensation of peace and of tranquillity inexplicably

to that until that point, not was not that simply it's like when the

obscurity and the light were like in a point of in a point of in front of a point of you know,

when you find you know, you know, you know, you know, you know, you know, in what

good and in the bad or no. So, then it's he was about, the moment, he'd know

that the image that was taking form of that was, was someone was someone was someone

was someone that was. His mom No So, His abuela Exactly His abuel

His abel His abel His wife His wife His wife In this moment Entro of that

And the And the People, the people Theers that were practically etchated

for her Herbue Herbela He went To To make To make To be

Ender and saying He said That in the world exist In the world

are those people, those are those beings. But she, in the plan in where I was,

she was she was protecting. Wow. Imagine to be in a moment so grumado

and feel that the person that most amas in the world get to get to

rescue. That's better that any superero you save. No?

That beautiful. After that he said that yeah, no

have not a valentia as far to keep doing the

because I'm a lot of the way but he's doing it and then and then and then

after that he said that's that he still the that's that are in

the reality not only in the reality and that's and that he's the form of

how protect to both of them in this plan and

in this but also with the philosophy, that more with the

certainty that her always was going to be there's there to be a good and that's

a salvator and that me to make a question very great. The majority of

the people that have been a person, no see if you have been a

certain they're sure they're sure. It's like if always they're

they're not even they're you're your angel of the guard

the the which no can be able to be able to be. So, who's, who's family.

They're transcendids that you help. Exactly. Although, too, you're saying that you're the guard, is the tatra, tatra, tat, tat. Generations that you're going and care. Can't be.

When there exists this sensation of love, that is the lasso that you have that's a that is capable of transcending the time and the space,

I'm, I'm that's for always. Yes. and any person that has lost to someone that has always is a

that's always even when you go to some a little bit a lot of a no see, a tragedy, but you sentiste

that someone you said, no, you know, you know, it was your conscience? Or if it was

your conscience, it was with a voice that calida that you did a pass and

you took the decision to not go. So, so, if we And we have a familyar that not

in this point existential, there are moments in where they can't save? Or, maybe at day, day, day they're to be able to do and you know what you know what you?

I think that that sometimes if those families transcendidos, if they're into some chambas like, because,

I mean, I mean, what's, because it represents the light and alex these entities, but even in

that, in that that's that's that's we don't know we're not we're

to confront to 20 lobes that's with allentia no? Yes. With all

to help to help wow that's that's pretty great that is it is quite

pretty but it's I said it was quite interesting that in other

plan that's people that are not not as so far so I'm

so today I'm today if me go and to my family and my family

if could do Yes. And I think that that's also also also makes, and has coerent,

that if you have some family, that's not, maybe also is doing the same all the same.

That's the kind of kind of like that's a world, no, also, I think,

I think, in the real and the light and the light, in the light. And there are

people who, as you say, tal-called, they're a light like a chita, that I'm

that's a thing that is a other dimension that in this world, it has an energy and

a light brutal? Nacha. Nachita. Ah, yeah, sure. Yes, no,

if you're in the poor moment of your life, as you know, the person more negative

and it like, wow, no? Because at the final of the day what we have we

is physical. No? I think more in the part of that energy that we have,

so the person, that is that not is my being. And there There are people that has a vibra

so pesada, that even to start with that person, you pass on a chingo of things bad.

Yes. No? Yes. And so, so, if there's so, so there's a bad,

here, obviously in other plan, exists. Yes. So, is... It's brutal.

It's, it's that is that is so so, I'm I'm sure 100

convinced, litar like you like you commenter I'm a 100 I'm sure I'm sure

I'm sure well I'll let's let's talk this this this is

a shortita it um it's called the dimension and and the manna

Louis Nunees Valverde salus Louis fifted that that I'm

I'm I'm to I'm I'm but not I'm going to let me

let me know to understand for okay If I'll say how he's going to say how he said

his word more, words more, the corred of Louis when we made the story of the

dimension and it is super interesting. Dice My name is Louis Edgardo Nunees

Valverde I'm a farmer I'm 25 years since that was when I

have been I've lived experiences that I'm used to to what I and I and I

discovered my my fascine the content I've seen a podcast recently in the channel

in paranormal where a young described a new a new a new an entorn

an in an an strange tone of emeralda at that I'm and I think the

time didn't that the nobody after that that moment, had described

something that similar to what I lived. Okay. Has two two

months, two months before that we had the letter to an situation

that I me, me, me, me got much because I not the experimented,

or I didn't me not so, but I saw, a some

children when we were in the campment and one of them is experimenting this

same situation. And it's a thing because I'm talking about

this plan physical. Luis was was when when

of a first , he's, and not, and not, you, and in his abitation, very close of him.

Evidently, he he tries to find the source, and discover that that that light

is out of the palm of his hands. The palm of his man is emanating

a little light a slown and they're little destellos, but of stellos

that were to be to illuminate the abitation. Well, neither little. He

despirta to his husband. Because imagine you, you see this and you say,

I think I'm going to I'm so that's her her husband and she and she

is like, what, what is what's, what is, and when he he he has

he has he has he he's he's he has been his rostro

so he's still and she he'll goge the hand of his husband see that

are that are that's but not it was a one one one six nights four nights

and he was emmaning the hands I'm going to a pause

to the story of Louis I was in campament we we're

we're we're at the the I'm I'm I

I'm I'm so much it's a very very free so we're doing our

sleeping bags with our sleeping bags with so that the covichas and all but it was that we've

put a fogata out of the the house of the campana

for that it was when it was to get to get to

you can't you can't so they're so they're they

he was, but in two seconds was a potent. And the obscurity was brutal, brutal. So, no, you know, you saw, no, you know, but we're just, and frio and all right, ha, ha, ha,

and, de-reptu, a little bit, a little to get to a other person, and they were and there was one that was, like, of the most little, and

he said, this, no, see this, be this, be this, so, then no, so,

No, see nothing. Bajo his sleeping back, and of his

hands, he was a tenue light a blue a blue a little. You know,

I was a look. That, when I read in this Correo, I know

that's saying the but, okay. Wow. He observes this that

he occurs during four this, noches seguidas, he and his his wife, Louis and his

his and so when he he said, he said, he said, that experience that he

had a little that was a idea of the tone of emeralda. He said that he

was a little and a day, he did count, all the Like,

all the stories that we are in this moment, well, that more than the dreams in those that one

wuela, there's a moment in that one and is a little and is out of his

body. You can't see your body, acrossed in the camera and flotas.

And when you're you're when you is very similar to this world,

but exactly equal. In fact, there's something that he's not that first time

that's the first time that's he put this title of the dimension of the

story. All right. All right. It was a rare. It was like a version rarer of

the world. And in the other that there would be the lights and the

other that he is floating, it has an illumination a

light in a tone a red emeralda. All all is like illuminated by

a focal a emeralda. And he really a attention.

He said at the first he didn't what was simply

simply he separated to his body and experimented

that that that that that was that parades,

she alhava, be it a city from the city from and he's a lot of it's like

it's like it's like a way, that's you're like you're to make you know

it was a experience like to start to be a orita so so so

that in the experience you can you can't decide oh yeah I'm to be

a detail this this Preet totally totally completely dispired

and for that was I was just found that that reality was like distortioned. The streets, the houses,

all was there. It was like if you were the arbor, but as that was an arbor was a

view, like if was a representation of an not is, it's, it's a

wayco, me you know, that's a sensation so. Also, there was

there was a thing that not he caused a fear, he caused confusion.

there were people in the there were people in the houses in the only that those people were not that were not being

living they were simply in a position sentadas and coming no parpadeable not so they were like manikis

of a person simply there there immobile, inexpressive totally. He said that he not even though

because, they were people that he not saw, and not recognized of the world normal.

And he saw it the evident. These people have been people have people fallecided

that are that are in the space of this world. And, well, he was he knew.

He sentia that he was like, he was in the world of the no-vivos, for so to say,

and I'm there. Explorable, he, he was, he had to be able, but one

day, he was more of the of the life. Always, obviously, is a

little, he's a little, because after here, because I know, I'm not, I'm,

I'm, and I'm, I'm, and I And a day, I thought, well, I'm a leharmes

I'm very-asimus. I'm going to cross the ocean. A-be- to see. A-be-enquented. And then,

it begins to be to behars, to al-al-se, to al-rears. And, of a repent, between those people that

were there as immobiles, commenced to start others. Figures that then

they're people. They're persons. All, dirigently specifically to him

grittantly. "'Nie. No you'd be here. No insist. No

cruces more there. And then he's a tumult of persons and

all sort of not they'd not they'd but they had

they'd with And, that's this advertency was carried of a important. And he immediately

he meditably he's, he's, he's, he's he'll be too and he and he

other. And also these people were adults, all were adults, all were

people were people were a young. Of some was like obligar it to be obligar

to to be he he simply then, then he decided to his

body. In one of those voyages, like he noted what was the limit

that he was more more to go to get to be there. He was moving

and flotando discovering the new places when he was when he he knew

that someone was like he was like he was like

and see in the of the passes. Then he tried to advance more rapid and

he would be back. But there was a but he sentia it, I thought, I thought

that someone was there and then he was he was he said, he said someone

he's going and he suddenly they're presentas there were three presences they're

there were like they're like in to take it. And he he gave

much a lot of because then he knew a little even not he

didn't not know the things, not were the entities that were not three

humanoids no were persons and he gave much fear when

when they were they were he was he was detained to to

be observe of what he's to he's to cross a

rapid, rapid, rapid, rapid, I'm going to get to his house,

he was to get to his house, he was to so, direct to to enter to

his room, enter to his body, and when he was a point

to the path to to the room, he's got to get to

and he started to get to up to where you to

go? Rapid, rapidly, rapid, right right to and to get to get it,

and regress to his body, but he was trapped. And conform he was hallowing, he sentia desperated, that he could be

to grow, but he could get to, but no could move, because he was in his body. And only

I was, how it were, they were, they were, and he began to feel a

sensation that describe this form. That's, that was that he laled rapidly right up,

he had garras frias, great, and and scamosas. It was like

the hands of reptiles. He was they were and he for the inside

he had to get to cry, but no could do

do nothing. and then, cansed of some seconds of to create

to cry, and not to do do you to the sublica to the order and

he gritted in his mind. Degener me. Regressen me. And in that moment as if it

had scupido from the sky he, he, he went to

a velocity, so very so it like if it's a lot of

a directito to his body. Boom. Desperto sudd so-dard

aterrado. Imagine to be a little being a know, know that's in your imagination.

Really, you're in a reality alternate, for so to say, so separate of your

body. That reglas, that there are people, that there are who are even they can't protect, but

also there's something that is human. And what intentions can have been because, there's a

thing that's about about the other the encounters with the extraterrestres negative. And I

do so, because it's a choro that, no there's negative for good or bad or?

Yeah, of that they want to do you want to do to do you to do because they're mal,

they're monstrous. No, no, it's certain. So, in the natural a little their actions

for represent something like they're not a lot of you. But not those are. But no

are not. But if it's these things and they do this and they're not

exactly what are their intentions and if those intentions can notars

or feel to be something to be a human, but all

all in something in something in the If you supplicas that you're suelted,

neither they're going to listen to. If you order you that they're to do it, they're

to do it. That's what happened with him. He ordered that he let him, he'll get him

he went to his body. So, then he and he and he and he

he's not he makes that something he felt he was like a at the million,

suddened, he had much a lot of and decided he he had not wanted

to go to that that reality that I don't regret I'll

repeat what how how traumatic could have been

the event of that when he passed this

attempt of abduction that from he's no he no,

I've got to that reality and being a adult, despirta a night, observe that

is emanating a light blue of the palm of his hands, that even can't

see her her and he and he remember, all those those moments

that experimented of a new, he has curiousity. Entra to be videos,

we're we're we're going just about just about the and we're about the

reality that's a lot of a color red, then it's a case.

That's the experience of Louis. Wow. Demasio a lot. Yeah. And that

apart you've encountered thanks to that I need to I need I need I'm

what I felt all in my story too that said that I

did that you have I've done to try to understand what is what is what happens, because until the day of day today no, he'll encounter an explanation. I suppose that the history of this person, even until the day of day,

today, no, has to be an explanation, because you know, with exactitude, who are those persons? What is your theory? I think that was very clear, no, the manner in what you felt. Or, of some, in some, physically, not they're taking.

but the fact that he he's like he's like he's like he was he was saying what we're

what we're I mean I said I'm said that you're in the comments yeah

exactly these these entities these are those famous

reptiles those famous they're not so that's the reality myself was saying that were the

people who's those the history that you you told you're going to those are the people who know they're

like entities of astral, this spirit chocarrererrero all those those someone who

someone who was a tanked the energy, so it's so that so it's so that

it's like a lot like a little a polilla so he's like

and here because they're a boughet because you're a uh-a-a-a-a-a-a-a-a-a-a-a-a-a- Well, as well, as well, as a gogeros

negros, is the obscurity, tal-called, chuping the light. That's, that's a very good analogy. Yes. In the sea, we've seen as a manner, yes. Also, I mean,

it was going to be able to the when you're saying that when I went in that plan astral was like another reality, only like if not was terminated. Like when

someone is that when someone is designing a program, at the principle, you know, it's like, design the characters, you're designing the

buildings, the building, like the maqueta of what you're going to do you're like that's exactly and it's exactly and not

it's a time it's that this is that this is that I'm going to the thing that's something

of a program of an computer of an someone who has people who have done to us

we're we're part of that so. So, so if you're you're going to

other reality a lot more you're going to a reality that still is a constructed exactly as we're doing

things like we're people like we're people people who are people creating us to us a time of something that

maybe even we can't we can't and so that's there's that there's like people to create

this how's called this game this game where you Minecraft Minecraft

exactly yeah Like, Like, I'm thinking in that. Like if we're

in that it's a little ho. That for those there's there's there's

another theory in the video game the subject a does a do a do a side of the

side of the right like he they're like they're like that like that we're saying

that's the that's the voice of and they're and they're and they're my voice but

not is your voice is the voice of the programmer exactly the that

that's that that's that's seen you've seen that mhm no

who is that who is that that voice that you no, like,

no, like, the order of that, of the word of, like, like, you know,

like, think you, or I'm like, I'm still, do we're doing, do we're doing, so,

yeah. Oh, what good idea. Yeah, let me, if someone put a camera in the house,

I, when I'm only, I'm going to me and I'm going to be to be a idea.

Ah, no, do you're doing? So, so, so, so, do you, so,

so, I'm, so, So, I mean, I did it I did it I'm in the

head of my head of my I'm in like, I'm sure, I'm not in silence, so I'm

exactly, like me I'm gonna me contest, me answer, me contest, me answer, I'm gonna

think that I'm that I'm sure that yeah, without you never thought to say, I'm thinking,

for example, right, to say, you know, to say, to be this, someone that has done

has done, has been has been has been to be to get to to move your

your body? Ah, look. That's the curiosity of... Yeah, what would be? Or, well, I don't know. So, maybe it would desperer, I mean, would be there

the moment? So, it would be immediately, no? Well, it's it. You know, it's okay, man.

I think of another question. Another question, to be, if the people that's being this video, too,

what is what that's what thinks of, of what is the de, of what you'd you would you would you call it that energy?

The spirit. Yes? Because in different cultures they're a number for that, no? Yes. It's like, what would, what would be,

no, it's like the, the part conscientious of the energy. Seria would be our realer you? It's like if we're just,

one part. One part? One part. What would be the other? Well, the, that's there, because the

body is not more, because the If you're a iras is to respirating,

have functions heartiacas normales. Only the conscience not is there. But if we're not

if the person was like the body, in where all the everything is, all that

all is a all that is a what it would be then then then the realader

being exactly. Exactly. Exactly. Exactly. The of the real real

so, so if we know in the world astral that is your

person yeah so what we We've talked about really not we're

really not we're really not we're like those how are those transformers would be when we're

when we're like that's that's that's that's the real this is my coach or in

on Horms of Nekro and it's and it's exactly the alien's exactly

that's like like much like much the like the day yeah

crudicious crudicious pass you pass Okay, me It's a It's a

This story It's of Karen Perez Carranza She said That I've been Starranty But I've been doing Stories of her family

But no Personal Okay Now, Now, So, So, So,

How's How's How? Let's Let's, let me Perdi- It's Yeah,

Oh, no I'm The The story The story It's It's It's

of Karen Peres Carranza. Thank you, Karen. Thank you, Karen. Well, she said that when was a adolescent,

vivied with her mom, her manit, and her mother, and her mother's her mother's and her

mother's got to go to care her. For all this, she lived approximately at about about

four hours of where was there. It was a little. So, so,

so, so that were all of her, and his her brothers per die

in the school and there the work, then the brother was, the

brother was doing to the mother and the mother, she said, she said that she said, she had

had been this sensation of that the feeling to be that it's

not a bit and he didn't know that he was a little kind of every

every day then then she said when she had, well for this

time 22 years, his brothers had 15 and 12 years. Ah,

I was, yeah, yeah, yeah, super-hoven. Super-hoven. Super-hovenzuela. Yes.

In that time, she was working, and as a time, when was over the food, she was done

rapidly to go to get to look to the school, darles to come and

to come and to get to the time. So, so this time was practically

the quality of the manitos. She said that during a time was in contact with the

plantas, like the medicine herbalaria? How is the medicine alternative? Uh-huh.

That's that's a way of plants, for me of energies, for all that. And, and she,

he, he, he, he, he felt like all the paranormal, he started

to take a little more of more more force. As I had earlier these

the two that's the two that's that's, that's, that's, then he was

he was something a little to be able to be able to always. She was she was

doing with his little, and of the nothing, like at the night,

like at the morning, she's, that's a time, when it's a thing, that's,

that's, like, like, like, like, when came a

a tremor that practically tiemble all. And no important if you're in

the house, if you're in the place, in the stairs, she's

really. She said she was that was doing, and it was so very the

vibration, that she was and she felt like the things of the

buros were getting and she she started and

he was more more and he thought it was

all It's a cold. It's a It's a A storm. It's a Cism, and as a Ceremony

as a could, he said, If he's to get in the house, I'm to find the

way to my little to his brother. Intent-o to go to go to to go to

go to to go to her and in that moment like he he was

to be to and he he was his his manito his his

his he made he said what does what me you don't you, why

you're you know, he said, he said, it's that he's he's a time,

the house, it's all the and he, okay, I'm doing dormien, I know the

attention because I'm by the window and he saw that all the was apparently

normal. For those who know they're every time there's all the world's

the person's, enter in the carly. Yes, salas in pyjama, calcone as you.

If you're in pelotas, you're going, you're going to get to get a lot of the car. And he said,

he's strange. Then he went to the social to see someone had posteated something, because generally

when it all the people are saying, I'm like postean what he has to

what happened to and he he said, and he said, well, that's that's very strange

that's going to this no he took importance he's he's he's

he he don't know so so he with this person that was

doing the curation uh just he said what he did you and he

said that every that every that was that he was part of

the process of the that simply simply said he did

he well then so I'm going to So, one night he passed to do

to sleep with his brother, his brother had a time of the other quarter. The hermanita in her computer listening

music, for being more specific, I was listening a song of reggeton. There was so can't

that I'm going to get a siesta-a. I'm acosted with my my brother to be

around the the night, it's a time, a stest. She accosted with the her manito, he was

He was in his moment he felt how his body, how she desprendial of her

body, he saw the his brother that was his brother, and he said, I was going to

go to go to the house. He was to the direction. For

all this she was that song. The song of reggetton he

was but when when you listen in other room that's

in other of the antro and it's heard like pum boom boom

boom she she went to where was where

she and he found her her her doing the thing he was

she well in that in that she he's about

about and the her and the she didn't be

she did know that was in a via astral

All right. All wonderful. He was made. All beautiful. All perfect. But then, in the house there are

some escaleras. And in the escaleras saw how was a sombra enormous almost

of the the same that only he was looking and you say you're how a

sombra has a You know, you know, in the obscurity, a when it's

when it's when it's the only that it's not to be in the eyes. In the animals,

is what the more brilled in the obscurity. So, so she could be

that person, well, that sombra, that's a ser, that's, that's the whatever

that was that was that was that's that's moment. The sunbr and it

started to to be to her, and she rapidly regress her

your body. Regress to his body, he's a dream,

of those times that you get you're and you know, not know,

if it was a dream, or she was going to get a time, and that

he was a time, and that her manita was doing the time, that's the

seconds. But she when she went to go to do not even to be in her manito, not was doing

the time, so, he was doing the same, so, I said, I was doing the time, that's I mean, I

know, I'm doing my little bit, I know, but not was conscious of that so. And, and also,

when she gets a and she does know that she does that kind of like, she was

just like, because in this moment passed some seconds. Uh-huh. But for her,

into what was living when I saw the some of the moment that you see you like the

time. It's like the time. And those seconds are you in hours. So,

so one once that she went to, then she went to that fear. Much

says that when a sombra is to be a or like if

it ever it's like that energy to it So when she

gets a feeling the sensation of that there's a thing, of that that thing

was to do you to make to the world then then I didn't

do you I'm seeing that someone was that I saw that vibra

pesable that that that that's that someone that's

not that something because also that sensation that that's that

You know, you're just in some in the place, in the middle of the nada, you're only not just, but you're in company and in peace. And another, that's only in the play, but you're sitting with fear. It's like if that density of obscurity you'd be aplastra and made that everything is more pesado every

every other So, no? So, then he said that after that's because I'm the same

that I'm that every one, if she she was, that creature, she'd be to get

to get. Now, the rarer of this is that until the day of today of

today, that, that, that end, that obscurity, that creature, that,

that thing, the and she and she and and and it's there.

When she went to her like cruised to her no when she he went to

she sentio that that that's for that this is this side of this side

oh no wait a there's there's there there's there after that

she she she she in one in a occasion in her

So, Entro, I was Desperta, not was dormita. And he saw the

same creature that I saw in the dream. Desperta. Desperta. Well, in the

Via Castral, he had seen because not was so yeah, not not was in the reality,

was there was a because generally this happens when you're when you're in this

encounter. But this this she was like, like, like, Like we're just like we're just right

No, normal The reality, her reality, your world, what we're doing what we're doing And in that moment,

she in her invitation, she saw that was there was there was looking fichamently what normally

happens when we see something like humanly you're not you're you're gonna you're or minimum

you're kind of you're even she was even she not could. It was like

to be in dormied, but at the way I'm like to call him. Like when

it's like when it's subal the but there's dormido. But now

that you can't make you see the same creature that you've seen when you know, when you

know when you was real? No. It's a pretty petrified. And that

creature and that SOMBer, every more to her and the trasas and it

like the crossed, like if a demonio enter in you. She's that that

that's that's it's like it was like that it and for that's

he's that's that's that's that's that he's that's that he

has to that he's he's he's that he had to that

and now that that creature is there in a other and then the moment

in the way that he back the guardia for that can be to be

to be there. I mean what I cause no doubt but that with a

little a little a bit of that that was that he did you that he

did you that did you the whole or at the moment that

so at the moment that's when you're talking about this vibration I thought I thought that

I'm sure that the vibration that's just like the reality vibran not that literally if they were going to the

things. So, so it was vibrating. Yeah, that's the final, no? If you

you see it's like that sensation that all is a but not? No? No.

When you when you when you're when you're like the reality vibra but no so it's

in the things. For so it me so we did so

we're not we're not we're not we're not but after this thing was there

was this entity was kind of power no and it has

and it doesn't that when one one one not a

well of so well of so so of

so that so that so that so that so that so that so that

is that that you you you that enter what

is that's and when when it and then it's obviously it's all a negative and it's all

what you you're not you're like a victim more for anything and if she was in

she had he's he's fear of that in a stable and that that's

instability that that this thing that this and

I know what what could what can what what could be You know, no, I think could be something bad.

I hope that's going to be something or not going to be. Oh, ha, well, I mean, so, if it's, if it's been vibra a house, for a presence, I go,

oh, ha, no? You know, you know, that's the, I don't know why I've never thought in that before,

if you have the capacity to separate to your body, I'd, for example, in my case,

the first you would be to be able to be able to pleasure to be a, not a time,

not a time, not, but simply you separate, you're quite, you're, you're, conscious,

recorrer my house, me would be at the unas behind of the camas, recorredia

my entorn. I would be at the officeina, recorrer the place, the place where the school where you see the baby, where they're

to began to the bottles of the baby. Oh, so on a badugat. Well, so also you can't and you guys

in front of the cemetery. Yes, is the cemetery apart of the chiquitos. So, I would

go to gore the place, just to know, just to know, if there's something there's,

if there's there of these that's that's that's that's that

I'm with the energy badita, you know, because if you have the security of that in that skin there is something, then you know, you know, you know, and you're going to do you? And you're going to do this, no?

For further, if they're taking action, like to... Yeah. What would be? Not like to not for that not do they're going to cross? What the past is that,

I'm going to this, because I think that's the way to serve to the people. If you're like attacking, you're like, you know, there's these presences negative. There's a part

good of the history and there a part bad of the history. Okay. You're a poster delicious. For that's a second. Wow. There's a poster delicious. You're a person

spectacular. You're an energy that, although you don't want you, emana, brillia, and they it's

interesting, it's delicious, because it's always the problem is that the postre

no you're and that moskeating, so, you know, you cover. It's,

you're tapas. You know, you have to protect, you have to that postre delicious,

that energy divina, that energy marvellousousa. So, when one is deprimed, the

so you know, so much, all right? So, so don't know, then because, but if you just have to say the infirmat, yeah, I'm going to be in a format. No, of, de fact, it's not, you know, it's not, it's a lot of energy bad. It's, it's, it's a, a is protected your energy marvellousa. And these entities, not is that say,

today I'm with the minder to get to get hungry, he's going, and he'll come.

If you're to continue to eat, needs to you not protectas that energy marvellous.

As you you're depressed, while you are still you're with the thinking

negative for this entity, perfect. And it will do all the possible for that you not out of that that's an aggero is a little

possible. If a day you feel you feel like, because something it's going to get well, you're going to be done of pensions. No, it's not that you're not. So, if you can be a man, nobody wants to be deprimed

three years consecutive. Right? Nobody wants to to have a grip for three months. So, you have to avoid it to cost.

That is like the principal mal that can't have these entities and you. And also do you.

And also, because also are people who are the energy that's absorbing, and the

more you're going that's people, then you're obviously, you're going to be around all the time.

So, we're doing, we're multiply energy good or it's so it's

so it's so so you so guys so awas awas uh

for to be to be I'm fascin't and I'm going to and I'm

to see because me fascin't but I see you have a element that

that's spoiler which no man right you're I'm right

from from from from the time it has it

has two things While we're We're doing this We're A, a few days To go to

To go to A other country Specifically to Costa Rica That's the This history It's called

Attrapada Between Two Mundus And the Mandi Wendy Zuniga Wendy Is of

Costa Rica Fagate This is a This is a story That is the first element

That is the first And I'm They're the second. Wendy says that has maybe the common of

the person, of the person, of a experience paranormal, someone in the family that has much a certainia to these

things or not not so a fission but more well, more than kind of, that genetically you know, in their

case is the part of their family paterna. So, she moaned much in the mysticism, but she specifically, although part of her family, they're in these ideas, she's simply like, no, she's simply like, no, she's just like to be much of the attention in that moment,

and she's experimenting her life normal. More ahead, her passion for the occult, commenced to grow. Because she, the first that discover, I think, occulted because not for something bad or because literally is something like secret.

Yeah not so, that good. But in this moment, discover the meditation and he seems super interesting.

And he says, wow, how many things incredible we could we're to do for our life, our entom,

this experience of life, if we're to learn to then she begins to meditate. Dice that

he medita every night before to doormer. I also the intent, no I can't, but that's

pretty good. He's even, even a very much a very much that he does not

to make astral, desolarses, separacy of your body. She's that she

never does it with, or so, intentionally and yeah when it's in the

future that's so it's so that was so to discover the phantasm

or so simply just it's and it was there's there

there's there a very important of There in Costa Rica, Wendy

live at the sea of the volcano Turi Alba in Carthago. These are these mountains,

volcanoes, is an volcano, and, it's an mountain, it's a mountain that has a

mountain that has a nucleus that's brutal. Magma is, it's is going

in those venas. And And if we're on the scenarios perfect for the un-known, look,

for excellence. So, there's a thing that I have to have a point, a context, is the

volcano, and in his house, we're, to be the back at the front of your house

where is the street, there a light of the alumbrado public

that has this tono Amarigient and is filter that light in the night to your habitation.

Let us not quite totally obscure and it's a little with that the light that's

a light that's a numbed public. One night, he's to be to

get a meditation and of this sensation, there's going to be a

the Via Astral. You know, you know, you know, you know. In the separate to the

body, it's like in a profound dream, led to a dream very

profound, and in the dream, open the eyes, and it

see to same as she same, and a way

astral in a dream. Okay. Be your body, but

it's a a dream, no is in his house. In this dream, in the

dream, that she thinks that is a dream, because not

is a house, is a carmilla. This camilla is in an

environment that immediately we're like a hospital, but is something.

It's blank, palid, but no there, like, things. It's

like a simple the room, blank, a piece blank, no

there's, I know, there's, no, there's only the camilla in middle,

and she and she and she and then that all is black has a same,

it's like, it's like it's like tapadita and there something. She's she does

know that even, she does that even is that's now so

he can be and then his vision can to

observe the way to the vision that you would

if desperas and you and not despirt and

not is in his camera not in his

court he is now in the his his

his his his seen, Acustada. I observe around and is the same

abitation. Blanca, monotona, there is when when of a repent when he

gets up and see well, see what is what is what is what is what is

this sensation of paralysis of the and and for more

that he does not can do not more than more than more than

this sensation was a little distinct to what the people have experimented. No

could move his body, but if I could, for example, move his

hands. And if not was impeded, if had been to be able

to get what is that in this camilla she is amarra

with something that it seems like a tela of to-a like it's

like it is a firm of the the the arms

to the camilla but at the time she she she

is she is that so not when is in

this place that so that is the the

environment is very so that his his feet desnudos

Sient like this frio that's so far so you clavar cuchillitas

Yeah, that kem and it that's so trying to to understand what I'm

where I'm what I'm what's what's what's it's going to get to get to

there's that there there's that's a bit that's a sub the abitation

with a vapor and of the bruma, of a sudden, they're some entities. They're some figures

alt, delgated. No, are humans. Yeah, we're we're we're

some some of those men, very much with the pale grisacea.

No have orheas, only two little little little

a naris, only the little a little a little a little rastro of what

could have been a naris with those orifices a ralita

for a boca heads enormous eyes black big

biganteses dead long wesudos so they're they're they're

they're one that's that not they know is that they're

Not so, with a No, no are friose and are very mecanicos.

They're there with a proposite. She was his objective. One of them is inclin and

he observes and and, they're something, and something begins to penetrate

for her orificio nasal to her to dole it's something is something is a little metalical and no

so they're in her movement she want to get to but no it's a sensation

insupportable but no so it's how this tube metal commenced to

reventing the the carne, his skin for the into, until get so

so profound, so that she thinks that that this object has has

had been through the naris to the right. She wants

and want to but her but her simply no respond.

She's a prisoner. To make a a dream is a

very, Demacial. He's that the time is a detenied. No,

are two, are minutes, in those that are seeing these creatures, that are

on it, that are doing things, but it's even the important

what the other creatures are doing. The sensation to

have this object metal that has traversed the car and

get to the Cerebr, is insupportable. Casse is about to lose the conscience. He's like

he's not even even is thinking in escape. Yeah, no, it doesn't know. Just

want to all the detain, that all's detain, that all of that all to be

and then, it's, you know, it's like, something of her, has to change.

Algo did. Algo did those creatures that changed for

Sient, like if not only they're manipulating the reality and their body, but as

for these creatures, the important not is what they're doing to the body physical,

but that in a form they're they're modifying or working

on their spirit, over the part energetic of her something. I'm doing. And when

she does know of this she makes that something but not physically in she's, when she gets

to do to looker, she detain, no important the pain, and they're doing. When

they're the eyes and they're in your room. It's in your house,

she's in the situation, she does a get in the same she and derreze to

get to get to jadear, as if if it had been a a pesadia. And in that precise

moment you come in a nose. Pience in get to

get to the back to clean to see to

see and then. Obser the light that comes

in the door to the room and the

she rate when you when There is a light black that form two lines delgated in the wall. It's tan extrana this pair of lines in the wall.

That's the old-lawed, that he'd forget, that I'd carry to the to the baoing to clean that's gotteing the no it doesn't

observe those lines know that those lines know that they're never been to be

there and the first that she she is that that's that's

that are that but that's no doesn't sense

so then then you probably are luses that are

coming that are and the first that is to do

logical is to get a human to the light. Because the sombra of your

man has to affect the light has to cover the light but not they're

it's like if the light was a object that was that was positioned

in the wall one can't think that that's so is a

little he and he's trying to and where there

doesn't that there there when when Those losses now are

not a reflex. It was a realtor. It was a little it was a but there were there

was a confunded agotada she was going to get to get to not it was

trying to put their some things in order to understand what was what was

going to I was a sensation horrible like depression in the naris, like that something

they had made that had changed, serrava the eyes, and I felt like there was an object physical inside of

his head. A sensation tremendously strange. And, and when the eyes, discover with

terror, that his abitation is all the same nyebla that had seen in

his dreams. No think in that moment if if you're to get or what

to do? Because rapidly the nyebla is growing and when

it's all the sea the never like it was like it

had been to start this nibus and and you

have a sensation super strange he is at

the or that that's abitation it like a desert totally aridid

but distinct to a desert that you could you could know or visit

in the planet the planet the to start the the

is rogiss Mars the forms and the things that are there

are different anomal is the word that I use almost

inexplicable What most extrano is that she is that she is that conforms she move

in this place, that's that's different and then he's his

hands and his hands not are not the man of

a human are some those are some those

grises delgas long and wusudus as those of these

Ceres Grises that I've ever Lass Obserba and when when he gets a view a group of

these that are going on that desert coming around of her one of

them is detenio and he is being fission is the

same being that he put something that he put so something

is there simply vending her. And she thinks that this ser wants that's that's but she's

not care. No, he doesn't. He's fear. So, this being a certain gently

to her. When this ser is this a circle, she see that these

eyes that are they're reflect in the environment and she He wants to see how

is your car in the reflex of that eye. And the ser knows that she wants to see that she wants to see in the reflex of the eye. So this ser, acerca to her rostro to her, for

that she can see. And when she has got and he's observe, be her car atostada in the camera of her room. So, it's confunded that, and this

be the toca with a little bit, the irradi of an energy, and open the

eyes and she's another other way in the room. She knows that

a part of this experience that that came with that that that's

that strange, she is sure that that's these entities did some

did something in their spirit and that that also took to

have to have a work. He says that when the eyes, not they're

but they're there. Siente that's that's close. No

really who are who are, what they did you don't have a

question to any of those questions no they're but has

much fear because intuely that in some moment

they're going to a to go. How is? What random? It's a yeah,

yeah, and then I'm a point that's like a question, because you're I'm going to I thought,

I was going to be to be different. You know one thing? It's a story very local,

very confusa, I'm I'm sure and if you want to tell you let's tell

I'm perfectly Exactly. Look. You'll say a thing. A very. Wendy.

Wendy's uniga. Reparate for this. Saludos, Wendy. Right. You got you you got to before I to get to.

And here there was a person. Right? Yes. This person that was here about here

from Canada. She is an author of, or, you're doing other book,

but to me I'm one and we're going to put a photo and I'm

going to the video the book etc I'm in the night

because because because I'm to start some some and I

know that in some probably probably certainly we're in Canada

in podcast paranormal or well there we've we've

but you have to tell some and me he told

I said, wait. You have to tell a story that, I'm going to talk to today in insomnia,

that's of a person of Costa Rica. She's the immediate, me said,

she's that she is part of them. I'm going to say, more loco,

what I'm going to say. When there there's a thing that is the process of

abduction, and she not is experimenting a process of abduction per se. Okay?

There a rasa of a race of that are the they're doing these

they're doing this that you, you, I, and all the other because you're that my vasica have been with your basica

you know this. You are this. You are something more. The spirit. I want to think. Those are those

that are the are the these are the things. What are they're talking when they're limited.

But your vasica he corresponds a spirit for so say it with the essence

human. These are that's that there are a group of

persons in the planet that that were castigated of their

rasa and they're their essence forciedly to live a experience human

repetitive in a vasic human. The problem is that they're a much work

to know who of the many of there's there and they're and they

are, where are their their people. So, they've And when they're investigating, and when they're

one of them, the only form of liberate the cycle eternal that are complying as humans, when no are humans, is that one-missom, that be of them,

record, where it comes. When you're this experience of life, you're going to start another, yeah, as they're liberated. That's what they say

in them. Okay. You know, is that simply you guys, ah, yeah, me I'm accorded. You're not impossibilited to accordate. No, you can't

simply accordart. That's the part complexism. They're they're going to a person and say, I think

that this person is. They're this that is an abduction where in effect, as it,

as they, something that's modificantly, but not physically. Because not are working the part physical uniquely. They're not working that the part physical is connect with the knowledge that has the spirit there and

remember who is. What what was after, that's coming and you saw the hands, that is the memory. The anterior was the process for that you remember. For So, I wanted to Caminara's with the But no

You know, you know, I'm gonna' You're So, it was a So, it was a Yeah, and in his pastime, it's true Yeah, it's interesting

According to this Theory, it's a It's a No idea, it Could be? Like, like, Like, like It's like, so

I mean, it's A bit of Yeah, but Kinsap? Kats? But, but if that, that,

that, that, that, I, no, Manches, I mean, this theory of that there's there are

some of those who are infiltrated because they're castigated, it's me has like,

wow, that's like, so I think that because you know, a you do

that you really, no, I'm I'm, I'm, I'm, I'm,

I'm, I'm, I'm thinking, I'm something, no, I've seen that I

know, no, no, no, don't, don't, no, But the theory that you says is not

is a very local. Because as we all we have a life pasted and some re-encarned in the earth and others in any other part of the universe that is too much extensive. Where, where you'll have you have been, where you know, where's

been, you know, just. But, only that in this case, is like, like that, justly, but it's a reincarnation forced out in a cycle infinite, complying cycles as a human. That is your castig. Yes, for a castig, no? For a castig.

Because it's supposed that there's a, like, like, it's a divided a part of the universe, and they were like those, that had one idea, of how they'd be to managearse the reality and others that had another idea, and then they started to play, like.

And in that play, that has passed, like, in the planet of a short of, the other than the planet of a short of the best, the faction, that was like the empire, the that in that then, mandaba,

until that's reveled the universe, in that imperial, those

who were that they're different to the empire, those were the people,

and those are the castigated. What happens that's, like, they're like,

so, and my castigated who know, who are, and they are going to

try to recobral these people. That's very l' no? But,

but I me me I love. The theory I feel fascinating. And that someone has a experience like a,

like me encah in this theory loquishima. But in my world, in my reality, not is a

local. In my world, it has, it, has, muchissimo sense. How do you

do you know, so that, you know, so that I'm human, so you're human? But when I'm this

cycle, and if you know, then you're going to to partier to your planet of origin with your entities of origin

but if you know you're being you're trapped here for the same is very ambivou no? For the same

is very amic yeah exactly for you for ever it's not for ever but it's good

not that's history yeah no man and the last is shortiss but it's

brutal let's let's the let's now now now I'm to tell the story

of Vielca Naomi Mey Mey of the Casas. A number a

quite complicated of entry. And a story quite complicated also that is going to get rolling the

head and even they're going to this story is called The Promesa Sinister. This

this chick says that since it's always has had been that has been for perceiving

things that not know if are of this dimension or of but only only it

knows they know that they're that they're not they or at least until that

moment, not they I was when it was when it was she was she had to she got

and she did a he was a real he was sure that his brother and his papa

were being quets navid like like any person so

so so much they were getting the cohetes they tried

to go to get to her to her family. But she no

could start. But I saw that was going to this. No could.

He said that after to be hours and hours and in the Vajastral not

in the world in the reality physical. He said that he was going

and after that after after after after he went he

but before that she he regrece as in all the

stories that we've talked no I know why in the

end of the end the end in the and in the skinnation and certainly

everyone when in the obscuridate the the place in the place in

the she says that she has before that he he goes how a

a corner was a she was that the he

did that that that that to start That was the first

encounter that was the first encounter that's real because she she was that she had that was a

feeling the disconocid the mysterious then he said I don't see when I wrote this story but

he said that when she he he was four years had fallen his tio this tio I suppose

was like that that he favorite of the family with that you have a connection super chida and the that's the world of the magic, as to help her to help her

to understand what is what she'd say to her. With those vases astrales, a lot of I'd even't even thought that had interferences and this tio was the assesorable, he was the help-a-lawful, like it was the accompaniment always, no?

But, lamentablely, that tio fellieceo. After that fellacy, then, obviously, she'd She's kind of Sala. For all this, her mom

not he had. In the things that she had of the vajas and the

sensation of perceivir things paranormal. No, I was, they were very serrads

with this thing. Like, they were to do it they to do it, and the

person, that was the people, we're doing to the family, we're doing, the things, or in those

things or those things, or some people, someone of the family that has, like that's heart-nated, that it seems like they're in the same dimension. I'm sorry.

Yeah, I'm sure. She's a friend-sid? So, she's overrenews? So, so. So, she said that after that, he started to have seen quite strange.

In where she's like a person that had a vestimenta like, of Paris, France and this person the only

difference is that was that I'm not the same era but it was the same and I sentia that was rare her form of

to wear because obviously if you're to Paris if you're going to be a little more actual more than

because it's the city of the moda this the rarro was that this person was a

his Tio. And every that I saw in I'm in his

he's he's that the personality of the Tio that that personality

sarcastic charismatic, charismatic but during much time she was

doubt if what was was really was a

person or or if simply his his head

he was just he was a because I

to me, he had to be so much the he had beensue, he had created all the characteristics of his tio, mixedlando it with something that had been seen in some place, yeah, yeah, a novel or a movie, then all those elements are all kinds of, and at the final,

makes that your cerebr, while you're not doing, create a story quite incredible, obviously related with what most an elizabeth. And with a tio parisino of the antiqued?

Exactly. That maybe, or, perhaps in other life, his Tio was of Paris and he saw his Tio

but in his... Of other life. So, his ancestor, or his ancestor, he went

in the time, because they said that the time, then it's a lineal. So,

then it would be a sense, no? But, well, that never

he's he was he wanted to he'd like so, I don't want to say,

I don't but what was this person, so, what I generated me, then, no?

One time, that person disappeared. And for what I'm going to this magnificent story, is that after

a day, in the nada in where she was a conductor designated, the person who

was the person that was, and when he went to the house, I'm going to try to take my

house, I'm quite and no, I'm in a place I'm in a So I'm a good

So I'm a place, Yeah, it was Yeah, it was a person So, it was, that was the first time That's, that was, that you know, So, that was the first time, you know, So, you know, So, so, this person

was a person's constantly in his dreams, but for temporaries. There were moments in where

he was constantly and there moments in where they'd be able to seeer. Okay. No?

It was like very recurrente. The question But only you know in the life real? Yeah,

in the real, no. Never I've ever ever seen. The characteristics physical or at

least it never he never had seen, because they also the thing that's

detects all what you all like, like a machine, like a

intelligence artificial, detects all, but no you know know you know. But well, in his story, she said that this person was apparently very recurrent in those dreams.

And in one of those dreams, she, as long, I've been time doing the vehicles astrales and,

and, and, he, had a knowledge of, to, to manipulate his

son. So, she was when I was in a dream, how doble that reality.

And he said that in a Swayneau, it's imagined like a long, and in the passio had had

different doors, different doors, of different colors. The more those were things

like turvias. If I was because had been had been something had been

some brown was because it was some a dream of someone an allegre,

something very effusive, no? Okay. She said that he intended to enter in

some of those doors, but it was there the doors coprapan and

and for more that they were they, they were that they not reactionable.

Uh-huh. In that moment, uh, but for all this, I was,

I'm with this this chico, with this chico, that was that

was a thing, in those Sues. In that moment she was to get to

the door, but something like if had been in the dark

a lot of the stories, that we know that's something, we've been really a

very the dark to be to a place to a place. So,

when this person has a hala the dark she, she

gets to his the body again. When he gets a your world,

you know, yeah, he's got he's he's in his reality. But he does

know that this person that had been in his time in the life, she was

there. She said, then how is possible this, if you only are in my

dreams? So, how? So, like, like, they were in this

time, and at the moment of that they were to be Regressor.

When he went, she said, well, she said, well, and when he went, he was recosted with him. There was a... There was a person who had been that had been soignantly. He was there physically. Exactly.

Wow, okay. But, but... But, still not had never had been made completely. She thought that was in the reality.

And he said, and he explained, like, a friend, saying, and you're in a dream of a

that's that's it's a rare, no? The dream of the voyage astral is like,

what? How? It's like, that all is possible and all being in this

this dream, of this year, she also could be her her body to be the

thing that the thing in the you're in the life astral so imagine

that's no, you know, you're and of the dream you have a astral. And of this dream you have

another via astral. So, it was over the dream of the dream of the dream of the future of the actual,

and being his body, this person he's a person, he's a person, He said that they're going for their colony.

Uh-huh. Like, for your colony. Like, for here you were dorming and you were, you were, round down to the area,

uh, for the cemetery. And, um, and then, and then, when they're regressing, this,

the person that was charismatic, the person that was a person that was like a friend, because during much time, the day

had been accompanying, she's she, when she wants to get to the door

that's that's to get to go to and that's to get to to get to that's a

reality? That's I'm not, you're in this dream? Yes, exactly.

You're to get to this? To get this, now see, you know, you're

to the world and to the reality, in the reality to the movie. Exactly.

I mean, me leased the way. You're to go to

So, for pass. As a riteito that I was saying, no manch this is like that film Christopher Nolan,

a good a good that's amazing. That's amazing. Yeah. And yeah being, intentando,

yendro, going to the door to get to get to this person that had been,

her friend, her friend, a gradable the view, it, it would be that

the obscured to chuparly the light that had, the light that would that ero that

has a dismancer's his his his rostro and to

get to and he's and he and he and he and he and he a person

a person a person do not do you imagine to be trapped in a place in a place in where not only you're trying to pass two filters no yeah you're just attached to

so what you do so what you do she says that as well he said that'serkears to the door she stiro what more that he did that was that person changed totally

what she was not was that was her greatable, change. And the vibra that had that was like very

noble, like very soft, like a very soft, now it was a energy totally that's energy

that's a lot of that's a little bit of that's a thing, as it's a certain. Like,

to be able to be able to you've meted to the water at the point that only that's not

your little bit without your without your without you and you and you're you're trying

you're putting your energy but but in the water only is so much that's that same

sensation living to living like to be able to in the world in where the where the second

in where the time so it's that's what's that's that's that's

that you can't escape And you're going to be able to be itern. Because, as in the movie, the time is relative. And what happens in your dream, that can't do you

do that, at the most you're just, you know, it's just one of course. What happens in your dream, that the most, you know, if you've seen, that's been months, yes. Despirters and pass one hour.

Not so, months not, like, all the day-a-day, but you know, you know, you know, you're not, you're not, atapas. Yes. So, so it's

interesting like the time relative. But, well, in the story of

this chica, she she'll get and when when he and he and he

and he and he and he and he he gets a sensation of that

fear, of the and with the feeling of that what did

the she, the she did. And a And a voice that he said, Entrusted in the door equivocated. No manches.

I'll regressary for you. So, after this, the sensation that that person that had seen in his dreams would be in his reality

and he was looking and pursuing during all the time is something that is something that not to get. What?

It's too Confusa. No? And, and a me blew the head. It's incredible.

This story. I was the because the first thing was it was like, it's a

dream of the thing you, it's not, you know, it's not the other thing you get to be able to

get a lot of, you know, you know, you know, but what is super, And it's that when Regress,

Regress, as he says, Tomastell the port Echievous. And I'm For you. So, that take

in good When you're When you're Because, And that's What? That's the That's,

I'd like That's like I'm going to I'm That's, What, What's, Because,

Because you're You know, That's, That's Disprasia of a beapea for then

to be a and then you're and then is the father of the

end of you know the devil lucky yeah yeah well so

so that so that are so are so are experts for they're so

yeah what what what This story is This story is good. For that when

it's so they're in the eyes and the really is that's you're going and it's comprehensible in

that world, me understand in that reality. How is it's the door? It's not.

It's incredible. And you know, I like that when you're talking this type of stories, I'm

I'm trying but it's like if in your head so it's a picture.

And all all the stories, I imagine it's a movie, like a picture, and it's a

whole the story. So, so, I'm I imagine with effects of the sound, and

when I told you, that's the I'm, it's like, and it's like,

and it's like the atmosphere of, like, when you hear you, you're

in a piscine and the people are, blah, blah, and the you're like,

like, it's like, like encapsulated. That for that reason, I like to tell stories, because every time you tell you a story, you're going to

everything, and all the atmosphere change. And that's incredible. Imagineate in that, more than that you can't find another

other way with this person, in these these challenges that profound and so strange that they're that's

that's that's wrong, that's equivoke and cruce for a door. That, that,

a doubt me left and I was I'm about I'm about

because how we know we're not there or how we know that there

people who did you did not a way astral and not and for us and for us to be a good,

I feel like that's in and no I could I'm going to do a I'm much the mysteries

you know you're gonna you know you know there's a mystery for the science

and that is a mystery horrible is tremendously dolorous the the murder

the the death of a so how a a baby is

perfectly soundable uh uh recently has been you do you

doves to you doer and you no no it's

that he has had a paro respiratory or a parro or a paro no simply

just he he was just like if it literally like a switch simply

clack it's no there's there's there and the science

medical no comprehend what what because simply it's

what so what and right that you're saying this

I mean, is that, I mean, I mean, if you're a baby and you're and you know you're you know

you're not and you're preza easy. Oh, no. No, no, no,

no, there's a way that you can't make a way to make sure, I'm doing a world, like a dream,

you're doing a dimension astral as well, being presa of any that's,

that's in of you. Or transcends and you continue you're, but, but that's true, no? Yeah. Wow. I mean, I exploded the story. Of course, I think it was my

favorite. Yeah, it's my favorite. Yeah, it's my favorite. The theme of the Puercese is a, of course, it's amazing. Wow. Wow, wow.

Well, well, I'm going to tell the ultimate story. I'm took. I'm with a with aero. Yes. This story is the

enigma of the visions. She was my Aerelli Hernandez Aureli, many, Thank you. Thanks, of the

first. Narrate to the history because I want to telltel. You will to say another

way, the form in the that commenced his Correo where we can

this experience Aureli. And he's so. Hello, Fepo.

I'm I'm I'm I'm as I'm from Gomes Palacio Durango, a people that many disconnoce. I've got your videos looking to something that

calmer the inquietude that I've in the alma from the same years. An inquietude that came so with an event that marked my

life for ever. When I had 14 years, Aureli he got a day to his house. I'd have been

a day a day pesado in the secondary and physically basically, he was very,

very, very, very, got to get to his house, he was that

the same, that's that's the thing, and the actually, you know, you know,

you're and you can't, to the palm of that that palm of God,

not, the camera, you're you're and of the inmediate he's

He said that so, so with the uniform of the secondary and all, so, um, he took, and the immediate, he went in a dream profound. In that moment, all of a, it was like a story very beautiful, of, but when she records to this,

he said that even though, it's like a scoffrey. In that that's soo, that commenced in a immediate when she took the

camera, it's to get a elevars. Like if something was you're

just the first, sobecito and then they're they're to get

to get to get and and for suppose of the body in the

camera. It's totally separated of her but they're

to elevate to continue to elevate to to the point that

that's past literally the the techo of the house and now is being the the techo of the house

and at that start of the moment it starts more rapid, more rapid, more rapid, more rapid, more rapid, and be the

city and it's going to get to be to get, so, it's like, you know, he's what

is what is what's going, and it is what is that is that is a

thing that is the sea intense, a soul, and she goes direct-

to the sky. And, and of it's it's a it's a real

different, like a new of the reality, but no he's to get to and then

another, another, another, and every capa is different, and is that's

traversing these capes of reality, of a way strange because

not is the space profound, are caps of reality. And of a

repent, it's detient and is in a place a little that she never

has seen, I can assure that nobody has seen a

place. It's like a a a blue different. Because

this blue, also to be more intense is like

if was a live, like if it's an organic,

like if were an entity conscientious, the sky. And there, in the

middle of this the thing, the only that is there, there, there's like

a light concentrated, like if it was a sphere of a

light, very more than a star, like if if you were

a little and there, floating. There are like a species of

nubes that come to remolinar and then then they are doing a point to an

entity that she in this moment thinks that is an angel but not

the angel that we we can we we can't we can think that

is a this is totally distinct is an entity humanoid

that no has a form physical defined, it's that

it's that it would be made of the lights that can be

color. But this phrase also he does do to how

this entity. I'm trying to imagine me it.

It's like an tard to be in a troughed in movement. And the rostro, existent, because if there was a rostro,

for some reason, is so nublado of his memory. Like if she not devier to be able to be able to record how was the rostro of this entity. Flotando, majestic, with this illumination,

that impressionant, no did nothing. simply he the sphere and the sphere and that that's

a signalament was very potent it was like an order but amable she

she was to that that that was that was that was that was a

was a so so so that more in her memory is

like a ruggied, intense, because it was like in the nada. She didn't know if he was to have to have been

or emotion what was and when was trying to understand that it was like he had let me have

been so the regress for all the capas p-p-p-p-p-p-p up-p-p-p until get over

the globe-terrachio his country, the touch of his house, her

his body p, boom, he said that was so

that's that that's that she not she can go to

the things because the sensation he he that

that that that that that that that he

doesn't want to want to get that when when

when after this after this he has to

obviously, he wants to his family, and the people, not only to the

family, any person to her to tell her that that's more than to tell

it, because he wants to understand what was, where was that was that was

that was the person, the person, it was only was a new thing and

and you typical. Typical. She, decided to forget but there was

something there was a thing. One year after the 15 years,

he was a dream. It's like if this first experience had

prepared for that could experimenter other type of experiences

more ahead. Here not had a dispreendiment was

a a dream. In that she she did

She does not know that that's in the rancho of her abuelita. All is in silence all this is too.

But she is a agitated with much fear and she does know that there's a

entity like a sombra that's that's a way very and go direct to her

with bad intentions she. She she comes to goren all

is all And, and you know, the only form that has to defenders of that

that's sedient of taking is the light. Necessita and he and he says in that

moment, spantada, corriending, trying to be able to and not know where there is

there's there there, if he's out of the rancho and he There is, there, there is very

close is the church. And the church always, always has the light and the light on the rancho. This thing is behind of her.

Rapidly is great like a sombra and she and she goes and it and it comes to get to the church.

In the moment in the that he gets there just before that she can get to that the

light the impregna and to this sombra this this entity the

and when when she that sheen that she got and not he got to get to

get to it's so that he the eyes he does know that he

is in the room and it was a one he's

not can move his body he can just can move

the eyes. Gira the vista and that sombra that he's in the

sun is physically in the room. In the corner is that that is that

same sombra only that is not he is accommodating and

she is cal and the way and he

he he's it is a person person, you can't

not know his appearance, but he's a man, he's a he's a

he he's a look with much odio. She can't move.

And then this figure commenced to advance to let's to her. Conform

he vanza has like a kind of a that's a that is

a action that's doing. This entity, this man

that's he's doing this, and she and she how his

how his is escape for your and his energy. Conform this

entity and this entity hala his and he and

it's more more more and she has more Mio

so as he as he can't move and he can't get it

and he he starts and he in that he's a moment she he's like something

he he he when he the eyes the presence

she disvanes she she she was the that this thing

that this was going to this could appear an actual but I think it

was like a preparation for a more now she can see

see what's something that is there and that we

think that simply are so they are imagination

obviously after this event she for the noches,

commenced to have these terrors nocturns. Because he has been to have a little

to have a thing that he's not that he he, he, he, he'll get to

and be and he never in the room. Nothing he was to prepare

for the next dream. In this dream, she, she no recognizes the

place in the place. All right. All right. All is desolated. He's

grits Lejano people Gehands and hector and he the way the train

but no there's a and it's an an odor a lot a lot a lot some of

a subbed to a up to a sudden that that it's to start

and it makes a immobile the sound, this subbid, the lastima, and

it's the sunbid and the sunbid is a psalm. When it's not in

this place, with the train, the polvo and the the honor to the color of

the grittos. Now, is, it's a costada in a mess of metal.

It's tated of the feet and man who evita that they can

move. And then you know, there are some those are

those grises of rosters inexpressive these beings a

difference of other stories that I have come they

are but although they have these those rostros

in expressive, not going with that friarlded. These these

are concerned and preoccupied and they they're they're not they

immediately to her first they they they're one of them

decide to get to a little more so to she

to to she to and with the he

he be the when he to the picture crease a

light black that potent that she has to have

the eyes because she is when she the

eyes she see the sensation of when I was

that is coming and that is trying over

over again another two three four five p'

a body, despirta, and is impoped of the door, what

has been to pass? What's what? Two months after, it was

he discovered. Occurried a tragedy. His mom, his two brothers, his

primas, and his children, were in an accident of a

train. No. They were going from a place to

had acudied to visit a Brucha that he's a work with the Santa Mewart. He said that was very strange. His

brother, no hebe, no he took alcohol. He was, was over no,

you know what happened. Everything was all was normal. But when crossed the train,

the train impact and rogoyed the automobile. It's like when received the news it's like if they've put

a pause to the world. Dice that's the climate changed. Of this tragic

not news there's some things for the next. Of that automobile survived

a person the novia of her brother. For some she

she He saw that the train and in the desperation he was he went by the

ventania in the last moment because the the coach the coach was kind of was caught

in the middle he was like it and had been there and he had been he

said he said he said he was obviously to ask to ask to ask him

he was only he he was the train impact the automobile He said that the train no

had the light. He said that train not was doing the people.

The multitude that came to when occurred the accident and that she

was there was there between the polvo the and the of the

and the person and the people and the people in the multitude was

the her mother, to the Brucha, to have been. Obviously, her mind she kept a fission

in that woman. And this woman said to this chick, not you don't you

know, you're going to think that's our cause. Those are a torment until the day of

today. Since then, the obscurity has abodered of their family.

Because they've a a pain, terrible. Perthety the night at the morning to

your family, no, manches. He's that you've been a years in therapy. They've

been tried have been reconstruct to do many ways. They've

tried to be responses to to start to understand if these

were those were those that was, it's a rome

is impossible Brugeria? The destiny God? God? No, know. And the

worst of all, is that that sombra has has returned. It's like if that sombra provinies of that place and a sometimes

it's present as to torment her. It's like that percied to this terrible notice every night

it's the eyes and has a fear horrible to return to that

abysm and only he's that some day I'll can

find the past for now she she's seeing

that her are being and are there with her

or maybe in some other to this and I

just say one I say I'm I'm I'm I'm

I promise, and here is the name, this is not anonym. It's called Aureli Hernandez, and I thank you very much that you've made it to the story. When someone says that only are your dreams or that's your imagination, not only is it's an

one. It's even very grosser. This other world, this other reality, definitively exist. Definitely. And at the

time it's like if were a look at a mirro a spoiler of what

could pass. But you know, I mean, wow, it's more incredible.

I mean, it's super dolorous for the story. Very. But

because at the 14 years you were so long

a one an entity that was like an an

angel, a An extraterrestrial you know, a light like a light, like, or at the

more, you're saying, no, you're going, when the people's when the way,

he's per a point. Regress to the fount. And I think that even, these

are these extraterrestres that they were from that of that that, of that,

they're, they were, like, understanding if that had been or it was going to

like it was special. Me, you know, there's, it's, it's very very strong.

But be special, to be all that? No, well, I don't want to

be special. There's there a, there's a situation that I that I,

that I don't I don't me but for much the more as

the most I'm the things more I've found that's

the reality the things that have been that have

been that even in this moment not sense that

that those moments those moments are terrible in the moment

in the moment in your time because so you get to

you get to spirit and the other people that decided that that you're going to be able to you're going to be that you need that experience of the

problem. The you're not. And other people were not an experience complete for that you could have that experience of dolor,

to learn. You are so, they're that will be to cause tantissimo dolor just to

you can you can you can you can't learn you're that you're so it's

not it no it's no it's like it's like it's like in the moment

you know you know but but you're you know you have

done you don't you're in the point in you're not that's that's that's

I think I think really in the all this totally an apprenticeship,

what it's brutal. It's brutal. It's true. I mean, I imagined that's,

that's, that's, that's, that's, that's, I mean, you know, I said,

I mean, you know, me, you know, I said, I'm sorry, that's really,

yeah, it's a brutal, it's a brutal, imagine, that's a imagine, that sensation. Yeah,

oh, oh, oh, because if no, me, I'm, I'm,

I'm, I'm, it's Firt this story. Oh, yeah, much thanks,

much thanks for, for having us for staying here in insomnia. Of that's no, no, the

contrary. It's the first time that I'm this set. Yeah, so, always is the

paranormal. Ah, yeah, well, yeah. Well, so we're only,

we're going to a little change has a great difference, so, so it's not that you

did you do it, you know, so it's really, I'm not really, so it's,

it's really, so, it's not Only with you, when I get your team, all are very chisdos. Yes. And it's an vibrator much So, it's incredible.

That's great. That's nice. And so, that's nice. No, yes, it's very good. That's really. That's good. That's true. That's true.

12 hours, yeah. The time is relative, Danny. That's so. We're gongelamos in the time. Mientras. Oh, yeah. We'll have to, yeah. We'll just, again.

Remember us other times, for please, please. Reads Social and Platforms, my Okay. I'm they're in all

all the guys, Daniel Novelo so Daniel Novel in TikTok in Facebook in YouTube

in Instagram and now on Spotify that are all the videos I've recopilated of the

so I'm going to start and then I'm going to go up new content

new and also I'm another channel that's Velo that you

know on YouTube in Instagram in TikTok in Facebook in Facebook obviously

because we've we've creators that we're and also in Spotify

with the content and also to all my people who are because I'm like I'm like I'm doing to put you

to put you to watch there's Anna Choir is Annie Martinez Christine Ernandez and we're we're doing

very dobleage cocina stories creepy pastas creepy pastas of all and it's

yeah that chute that's I like the variety that in the world too

that all That's The variety Always is Good, always. Yeah, Always, always.

That's great, thank you. Thank you. Well, thanks. Well, thanks, and thanks, community for mandating us your stories.

Recurred that the Correo Ravadcastparanorg com, until we'll do we'll do it's going to do it's

so it's going to change, it's going to change, it's going to manage your name those stories,

agarele anonym or anonymous if want to be really anonymity or anonim and ponal

in the the issue of the Correo, the genre, them, they're in that's a localize us and let us

and we can't control, and have lists for a new chapter of insomnia. Amigo, thank you.

We're going. And we're going to the next time because here we're going to these

terrorifices experiences reales that you're the audience and they want to so they're

so they're so they're so my number of my time and we're

so we're so Ciao.