Instant Genius - Finding the fun in science - Dara Ó Briain
Episode Date: October 10, 2018Comedian Dara Ó Briain thinks the word nerd has been co-opted by too many people who don’t deserve it: Infinity Wars fans, for example. Studying maths and mathematical physics at university, he’s... a true nerd, with a favourite science joke that backs that up. He’s released his second science book for kids, so we’re talking to him about his career, communicating science to children, and what really happened to the Brontosaurus. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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I mean, the ideal is that I, as an old man,
I'm sitting in a park bench feeding ducks in my later, later years,
when a woman literally in a lab coat walks past goes,
oh my God, I'm a scientist because I read your book, so as a kid.
This obviously is a ridiculous leap of why am I feeding ducks?
Why is this woman still wearing a lab coat while walking through the park?
Like whatever.
There's so many things wrong with this fancy.
But the general justice is hopefully you so accede.
You're listening to the Science Focus podcast from the BBC Focus magazine team.
With the UK's best-selling science and technology monthly,
available in print and in several digital formats throughout the world.
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Hello and welcome to the Science Focus podcast. I'm Alexander McNamara, online editor at BBC Focus magazine.
Comedian and TV presenter Dara O'Brien became hooked on maths after studying black holes in the shape of space as a teenager.
He went to university to pursue maths and mathematical physics before veering way off course into comedy and science communication,
hosting shows like Mock the Week and Stargazing Live.
He's drawn on skills from all of those areas to create his second science book for kids, called Secret Science,
the amazing world beyond your eyes.
In it, he details the tiny and invisible things
that are very, very important to everyday life.
We talked to Dara about the joys and challenges
of communicating science to kids
and what to do if you find science boring.
He shares his favourite nerdy science joke with us
as well as why he's fascinated by the sleeping habits of giraffes
and the details of the disappearance of the brontosaurus.
Here's BBC Focus editorial assistants Helen Gleney,
talking to Dara O'Brien.
in. You studied maths and physics at universities?
maths and mathematical physics in UCD in Dublin.
It was a specific kind of
sort of fast track for those who just want
who really wanted to get down to the mathematical stuff
without any of the kind of dusty,
practical kind of soldering yourself to the table kind of thing.
So it narrowed really, really quickly
into doing just very, very mathematical content immediately.
Yeah. And do you remember as a child how you first got into science, how you decided...
I remember the point where I knew was really, at that point where you were about 14 when you really, when you really register.
I don't remember specifically being into before that any more than just that usual curiosity we all have, hopefully.
But I remember, and I've had conversation with this a bit with various scientists I know and science writers,
I know that there's a point about 14 where it sort of grabs you and in a big way.
of the so for me it was like a teacher who went off-piece in in science lectures and
started because there's a point where we it was before we had to get any syllabus for
exams so he kind of kept a very open and very kind of they hid this this this amazing
thing or that amazing thing and he was doing shape of the universe and black holes all the
kind of stuff like whatever and I got for you and that grabbed me in a huge way so the
and also then reading um in search of Schrodinger's cat by John Gribben and and
and various of the popular science books around the time.
So, yeah, it was about 14.
And did you ever, after doing those studies,
did you ever consider entering academia?
No, it wasn't really the,
I told it the notion,
I think I had myself down for a couple of different master's programs,
but then ran a newspaper instead in the college
and then put it down for a different master's program,
then for journalism, and then ended up getting loads of work
so I didn't even do that.
So no, and I have kind of an ongoing respect
for those who went ahead and did
the kind of more, well, nothing is
less tankless than comedy is
because we get thanked every 30 seconds
every ticket, right?
So those have actually done the more difficult thing
that requires actually years of work and then
producing something to
yeah, without getting a thousand people in the room cheering,
applauding you.
I admire that.
It's a character flaw of mine that drove me
to showbiz to do that like that.
So no, but I never seriously,
it was never seriously an option
because I just got drawn away into other things.
So you've ended up with these
parallel careers as a science
communicator and as a comedian. How did
that come about? Well there's
kind of a way it works if you get any
kind of note in television
they will see you down and go, what other things do you like?
Because it's useful
to sort of cross-pollinate
the schedules to have somebody
go, well actually I'm also really into this
and so they know they can draw, take an audience
from one place and they'll bring it across to
another.
It was specifically there.
So we were having conversations
about doing something like that.
But then somebody came up with
the idea for stargazing live and they felt
particularly because Brian had just started doing
stuff that it would be useful for Brian to have
a broadcasting co-hosts.
So someone who's there whose job it is
to be keeping an eye on the time and
let's move this along and all.
So Brian can get passionate and get lost in this a bit
but somebody would be there to go well that's great
Brian but we're going to have to move along.
So I got I was asked to want to do that
like whatever. Now it helps the fact that I know a bit about this and so wasn't being
I'm phased by the conversations and stuff like that and I was able to pitch it not
of whatever Brian does but still able to pitch in with things and then and know when to go
Alison can we just explain that a little bit better the but a lot of the job is being the
responsible one when Brian's getting passionate and about something to go yeah that's all very
well but there's an airplane hovering above Scandinavia wanting to give us live footage or
something so can we we're going to cut this off and go I have a routine in the show actually a current
show about how there's that there are people who genuinely think that when I interrupt Brian because
Brian I'll stop you there and that they think I do it because I'm jealous they genuinely think
that I when I host Stargaze McBrian that I sit there angry thinking how to look at the attention
he's getting and I and coincidentally around about the four minute mark I have I got
I can't take this anymore.
I have to stop him and move the entire show somewhere else.
Yeah, yeah.
You get the attention bit on yourself.
Yeah, just because of me.
Where, in fact, it's somebody shouting in my ear going 10 seconds to Scandinavian footage or whatever, and I have to do that.
But we both find that, we both find they're very funny.
Yeah, yeah.
It's been such a common thing.
It's a common Twitter thing of going, oh, stop interrupting Brian.
I'm not interrupting Brian.
I'm hosting a show that Brian is on and the show.
And, like, because also people probably don't really, stargazing in particular.
tremendously
coordinated show.
The live one hour
is like you've got this,
then this, then, this, then,
and there's four different locations
and there's a camera crew here
and then Liz is off some on the other side
of the planet
and Tim Peak is arriving at the space
or whatever.
So it's an incredibly produced show
more so than I think we make it look,
which is great, but it looks
should flow really, really quick.
The best produce shows, they flow really quickly.
But this one is boom, boom, boom, boom.
And somebody has to be the one
doing the tangeless task.
Yeah, yeah, yeah.
So that's me doing that.
Yeah.
So, and we used to have a show which,
which got back to work,
which is a half hour after it,
which we never had time.
The first was really rehearsed
and the second of the show
was completely unrehearsed.
And that was honestly the most fun
I've ever had my professional life
because it was a completely unrehearsed
that I basically control the whole thing.
And then we had complete scope
to let the composition flow.
Well, meanwhile there's the producer going,
could we get that in,
could we get that in?
And seeing the moment past
whereas I'm just ignoring them
and going, no, no, this show is just for talking now.
And so there was, it was, so yeah,
so they needed space with both the interest in the hang
and but also the years of live television
to help anchor it.
I'm the first to say that my job in all these things
is to, when I'm doing the broadcasting,
is to the person standing next to the expert.
And I get the information out of the expert.
I'm not the one to, so.
So actually doing a kid's book is sort of the perfect level in terms of I love explaining it.
I love bringing the passion across for these things.
But I'm unlikely to, I wouldn't, honestly wouldn't deign to write the book that explains this to adults.
Because there are tons of great science stories out there who are also scientists as well.
And I think that's the thing that they'll do far back.
And they'll bring far more to it.
Whereas I can go, that's very interesting the way you've explained it.
But I think I can explain it a bit better.
and I can make it funny,
and I can make them more appealing
to a young audience.
So that's a kind of a different skill set.
But it is,
you do still occasionally get people going,
oh yeah, yeah, did Brian help you?
Did you explain to you?
And you're going, it's okay.
Brian got this out of books, you know?
I got also out of books.
The stuff is in books.
Brian didn't invent this stuff.
You know, the scientists also,
we all came through school
and scientists had to be taught the same stuff as well.
I just stopped, I just stopped attending these lectures
after a while.
But, you know, all the information is out there,
There, it's not the, and that's possibly in itself a quietly thing, all this information is out there.
It's not the preserve of anyone group of people, either whether it be astronomers or biologists or whatever, or scientists on the telly.
It's no one's preserved.
That information is all for you to go.
We're just repactioning it in an exciting way to draw you in again.
But none of this is a secret.
Science, I think, especially among kids and teenagers who are learning at school, sometimes has this bad reputation.
of being boring or nerdy and all that.
Do you feel like you kind of need to be a bit defensive of that?
Is that part of, you know, the science company thing is probably a really good way of...
It can be very, very good.
I mean, there's a number of things that are.
First, there are parts of science that are boring.
And there are sorts of points that involve classification and they involve learning how to do things
and learning methods.
And the part of the education of it is teaching people things that they don't know why they're doing them
and they won't really realize until years or years later.
So, yeah, of course, that's boring.
Like whatever.
Same as spelling, learning spelling is boring.
so ever, saying tables is boring.
The, yeah, bits of fun.
They're just going to be.
Unfortunately, you know,
doing laps is boring.
Playing the football match is fun.
You know, there's lots of parts
of life, unfortunately,
they're boring.
And it's a very, and I,
that's, I'm no better than anyone else
was in terms of doing the practice.
But the, but unfortunately,
that's just sadly a part of life.
The, yeah, we do specifically
within this book where in the first chapter we say,
because this book, the first book I wrote was space.
Space, space, space, space, space,
and that's very straightforward.
But in this book, we have a,
it's about the invisible
things of everyday, everyday life
and that's hormones
and electrons and bacteria
and forces and so we're
covering loads of different stuff like whatever
and we have a thing in the first chapter
where I say, listen, some of this you'll like less
than others, some of this just won't interest you
because that's the way it works like I mean I like
you know, for me personally I don't know
I was going to say is I love the physics e bits
and the biologists have always kind of left me coat, it's not my thing
the flip side of which is I
my wife is a doctor I told her it's a
about space and just going,
no, space.
Like whatever.
Some people like something,
some people like other things.
So we have a thing in the book
which basically we say,
skip it.
If you don't have a bit,
there's another bit.
Just coming along,
which should be more your thing.
And so go with that.
And then at the end,
I go, right,
so what bits is you skip?
Because if you like these bits,
then you could become a neuroscientist.
If you like these bits,
you might be into engineering.
If you like these bits,
you might be like a botanist
or a biologist or a doctor.
If you like these bits,
you could be physical.
I mean, and they're all different questions,
and they all want them to find out things,
and they all have things they don't know.
And so we kind of make it a thing in that, yeah,
we, oh, totally accept that some of this can be a bit boring.
And that's fine, the grand.
But it's too short.
Go find the thing you love.
Because you'll all end up specialising at some stage,
so you might as well, when you're doing this,
find the ones you love,
and then go find out more about that.
So, yeah, there is a thing.
I mean, it flips out of which is,
I don't accept the term narrative as being an insult,
I've forgotten when that was last and insult
because it's been co-opted so much anyway
by frankly people who don't deserve
it saying I like bands
so I'm a nerd or I like
I like Infinity Wars
so therefore I'm a nerd no
what the largest grossing
movie the old you liked it you like Star Wars
or how unique yeah I did four years of maths
in university I am a nerd right
you aren't a nerd because you
liked Luke Skywalker
that doesn't that doesn't
qualify you as a nerd. So I find
that term is a badge of honour more than anything else.
You mentioned this is your second science book
for children. What motivated
you to start writing for children? Was it that
specific set of skills that you felt like you had?
There is a touch of it like the one thing that I know
I can bring to this is
an enthusiasm and a passion and these things
excite me and I quite
I thought this would be an interesting
market in which to do that and a group of people
to say that too because they're naturally
scientists anyway. Kids ask questions
kids are curious. They
and this is an age
of which is
we're not about the process yet
they're about just the results
and the funny things
and the fact and so of the
so I mean they'll get into it
when you get a bit older teenage years
then you have to have to
unfortunately have to start learning
that you know
this is how an experiment is
and this is how you do this
and this is an equation is not
but right now it's all
you know giraffe sleep for five minutes
wow
and that kind of stuff
so it's a nice age in which to
it's and you know
it's an easier age to write for
in some ways because it is
just
look at this fun thing
and that's easier
with space and some of that
and then hopefully
within that context
you can slide in
interesting concepts
that will stick with them
hopefully
but I mean the ideal is
the total ideal is
that I as an old man
sitting in a park bench
feeding ducks
in my later later years
when a woman in a white coat
literally in a lab coat
walks past goes
oh my god
I'm a scientist
because I read your book
so as a kid
this obviously
is a ridiculous leap of
why am I feeding ducks
why is this woman still wearing a lab coat
while walking through the park
like whatever
there's so many things wrong with this fantasy
but the general justice is hopefully
you sow seed
and that people go
oh yeah that is kind of fun
that is amazing
that that happens like whatever
and then it sits with them
and so fingers crossed
first one we did know
we know we did really well go
nominated for an award
book trust award
and it was great
and be really enthusing about us about it
this one is an interesting one
because it's not about one thing.
So this one would be, yeah,
which is how this one goes.
Nice.
And you're a father yourself.
Yeah.
Are your kids interested in science?
Yeah, but in that kind of general way,
I don't think as far as I know,
well, one of them,
it depends on them.
They're quite young.
So a difficult tell,
but I think most more into,
the eldest is probably more into the arts
than into the sciences,
and constantly apologises to me for that.
So the, so as yet, we don't know yet.
Too young.
Yeah.
Okay.
And how important do you think it is for kids to grow up learning about science?
Is that something that you're going to try and keep in your kids' lives?
Absolutely.
Well, I think it's important for anyone.
I don't think it's, you know, it's one of our great achievements is discovering how the universe works, like whatever they are.
And it is, you know, we've two great towers, the arts and the sciences, the stuff we've created and the stuff we've discovered.
And I think it's this fundamental part.
And I think we've tends you to box them off a bit.
and go, well, this is one thing and you're either into this or you're into the other, like the, yeah.
I think that's a very weird state of affairs where people can't be curious about both.
So, no, we, you know, we do as many visits to the VNAs we do to the Science Museum.
And we're lucky to have them all kind of not far away from us.
But it's, I think there is a world of exciting stuff there.
And I'm not intended to shut off any doors yet.
and what challenges have you found when you've been writing these books in terms of writing science stuff for kids?
With the most fundamental challenge is you've got to get stuff right
and that's a thing you don't really worry about too much when you've got,
when you're writing comedy shows.
Also, because the second book in particular has touched on things that aren't my degree,
aren't my specialisation anyway.
so getting that stuff checked
and not then
doing this
what's the call the QI thing
of repeating old canards
and so that often happens
that stuff pops up that
that you know
you're explaining how wings work
and you have to kind of go wait a minute
it's actually not what we've been told
for years for the shape of wings
at one stage I
was talking about this hormone
the stomach release called grelin
which is the one that basically tells them
the brain that we don't need any more food
and I was saying this to
again to my wife
as a doctor
and she said
what I've never heard
to that
like whatever
and that is only
recently been discovered
Grellen as like
10 years old
is the thing
like whatever
so there's a bit
what you don't
to do is
you don't to reinvent
the bronthosaurus
that's you don't
to do
because I remember
the bit where I came back
where I love the bronters
around as a kid
didn't think about
the bronthores
again for 15 years
became a kid's TV
presenter and we were doing
some item
about something
about dinosaurs
and I said oh yeah
on the bronisosaurus and the guy would,
there's no bronchosaurus.
What?
The bronchosaurus is gone.
What do you mean?
God.
There's no broncosors.
It never existed.
Brontsaurus was an incorrect thing
as the bronchosaurus.
As far as I know anyway,
somebody googled this, right?
The chick there before we've got.
They've got the right one,
but I think the bronchosaurus
was the one that, if you'd see
current list, our kids
will never learn about the bronthosaurus
because we put the wrong bone
with the wrong hip bone or whatever
and we imagine a dionso that isn't there.
So now, some bit of it's an apatosaurus.
I don't know the exact thing,
but the Brontsworth went.
By the mid-N-N-Tys, by the 70s,
there was a Brontosaurus.
By the mid-Nsaurus,
by the mid-Nsaurus,
there was no Brontosaurus.
I'm not going to look that up,
so I've done that definitely right.
Are you Googling Brontosaurus?
Yeah, because I'll make sure
I'll definitely get it right these Ronsorsors.
Yeah, because Diplodotox is still around,
transors still around, like whatever,
you know, stichosaurus, all those.
Oh, they still exist.
But the Brontosaurus was just a thing
that we thought was the thing,
and by the time I came out, gone.
It's like people,
There are people who don't know what quarks are, you know.
Yeah.
They're just, it moves on and you don't want to be doing your half-remembered stuff from 20 years ago.
So did you end up coming up with a favourite fact from the book or a favourite part for you to write?
I am, God, yeah, honestly, I really got, when I run through the book, because I can't,
there's 300 pages if it doesn't know what's problem in the, yeah, but I'm very fond of the giraffe.
Just the comparison of the giraffe, sleep for five minutes, whereas the line sits for 18 hours.
And that is, if ever there's a dividend for being a lion,
it's the fact you go sleep for 18 hours,
whereas giraffe grabs sleep for five minutes at a time.
And then how long does it stay awake for?
Is this five minutes quite awful?
Yeah, yeah.
No, I'm not sure how.
They used to think it didn't sleep at all.
Ah.
Yeah, because they never saw it sleep.
Oh, awful life.
Yeah, but I think it manages to function like that.
But it's an awful life because I'm not getting eaten about a lion.
So it's constantly, you know, just being aware.
And they may go into it.
There are different forms of sleep, obviously, whatever.
the um yeah there's there's uh god there's there's loads and one's
oh yeah this one that people uh the air just in circulate in a plane it's not the same air
when you fly the air um airplanes take in air to the engine and then they sweep the air through
and out again so there's a hole of the back of the plane where the air leaks out the uh because people
are in the presumption that you basically you fart and you and it goes around for 18 hours
yeah yeah it all gets swept air comes into the engine and swoops out and goes out again
But the plane is pressurized.
It isn't pressurized to ground pressure
because that would be a norm.
You know the way, obviously, we fly high.
And so you fly, let's say, it's 35,000 feet.
The pressure on the plane is 6,000 feet
because it's midway between the two.
And so when your ears pop and they're not popping,
you're not even at the pressure,
the air pressure it is outside.
It just kind of picks a medium point
so it's not like in a north.
pressure on the plane, like whatever.
So just eases the pressure a bit.
So even though you're flying at 35,000 feet,
your ears think you're at 10,000 feet,
and then there's the ground.
So it's, yeah, so it's a partial pressure
for the price of things.
I presumed it went to,
it kept ground pressure
the whole way to it.
It doesn't, it lifted a little bit.
So you're less pressure,
like about a half an atmosphere of pressure
in the plane, but significantly less outside the plane.
Okay, so, but not enough for it to be noticeable.
Yeah, exactly, yeah.
I mean, no way, it's noticeable in the sense of your ears pop.
Yeah, exactly.
But the ears pop, no more.
than you would by diving 10 meters.
Uh-huh, okay.
So the weight of the weight of the air in your head of all of the air in the head is the same weight
as 10 meters of water.
Oh, right.
Yeah.
So it's one atmosphere.
If you go down 10 meters, that's one ATM, one atmosphere of pressure.
So you've gone in the 10 meters of water pushing down on you is the same as all of the
air pushing down in you because the air is bouncing around all the place.
So, yeah, so, I mean, it's not the tonnage of the actual molecule.
It's because it's all pushing off different directions.
But, so in other words, do you dive?
I've done it a few times.
Yeah, exactly.
You know the way you have to pop your head?
Yeah, same.
Because you go down 10 metres.
It's the same change of pressure.
Okay.
Yeah, far enough.
Oh, that's really interesting.
Yeah.
Nice.
Now, I definitely can't get away with coming here and interviewing you
and not asking you whether you have a favourite science joke.
Oh, God.
They're all terrible, though.
I do.
Terrible ones are good sometimes.
But the, um, the, but I have the most, my favorite is the mathematical,
the most nerdy one
which is the what is the
and see the purpose of a great science theory
what did you do what was your what's your background
in neuroscience neuroscience okay that wonderful
science are neuroscience but of no use
you will not get this
yeah it takes the pressure off
yeah it does yeah the
but the genuinely
the greatest science is what is the B
in Benoit B Mandelbrough
stand for
what is it stand for it stands for
Benoit B Mandelbrough
and
And if you're a mathematician, that is a,
really a joke.
Genuinely, a brilliant joke.
Do you remember seeing Chaos series
as fractals? The other things you zoom in on
and every time you zoom in, the same pattern
appears, the same pattern appears, same pattern appears, same.
They're called Mandelbrose. Oh, okay.
And his name is Benoit B Mandelberg.
And if the B. Sands for Benoit B Mandelberg,
that means every time you zoom in, it's Benoit
B Mandilbert.
Gotcha.
If you're a mathematician, that's a cracker joke.
That's an amazingly funny joke.
Nice.
But it's properly, because all these stupid ones are about like, oh, you know, an electrode walks into a bar.
No, screw that.
That is, you want a proper hardcore science joke is that.
That was comedian Dara O'Brien, whose new book, Secret Science, The Amazing World Beyond Your Eyes, is out now.
Thanks for listening to the Science Focus podcast.
The October issue of BBC Focus magazine is out now.
And in it, we discover how we could leave Earth for good and build a new civilization in space.
We also speak to a panel of leading female scientists
about why there are so few women in science,
discover why curry is so good for you,
and explore whether machine learning
could help shed new light on the problem of male suicide.
Find out more at sciencefocus.com.
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