Into the Impossible With Brian Keating - Does Time Really Exist and How Can We Measure It w/ Chad Orzel (#406)
Episode Date: April 14, 2024Join my mailing list https://briankeating.com/list to win a real 4 billion year old meteorite! All .edu emails in the USA 🇺🇸 will WIN! Today on Into the Impossible, we’re exploring the fascin...ating realm of time with none other than the timekeeper himself – Chad Orzel. Chad is a professor of physics and science communicator renowned for his popular science books, How to Teach Quantum Physics to Your Dog, Breakfast with Einstein, and How to Teach Relativity to Your Dog. He is also a regular contributor to Forbes.com. In his most recent book, A Brief History of Timekeeping, Chad revisits the delicate negotiations involved in Gregorian calendar reform, the intricate and entirely unique system employed by the Maya, and how the problem of synchronizing clocks at different locations ultimately required us to abandon the idea of time as an absolute and universal quantity. From sundials to sandglasses and mechanical clocks, this sharp and engaging story isn't just about the science of timekeeping—it's a riveting tale encompassing politics, philosophy, and the very essence of space and time. Tune in! Key Takeaways: 00:00:00 Intro 00:01:07 Judging a book by its cover 00:05:07 Galileo’s telescope helmet 00:10:23 The connection between time and astronomy 00:13:11 Why is longitude so hard to measure? 00:15:32 The relativity of simultaneity 00:22:12 The future of education after COVID 00:25:55 The standard definition of time 00:31:19 Attosecond clocks 00:36:33 Why time is so much more perplexing than space 00:40:23 How to teach students new things 00:43:14 On education 00:49:05 Outro — Additional resources: 📝 Get one month of Snipd Premium for free with this link: https://get.snipd.com/Cx7S/brianSnipd Snipd lets you take Smart Notes 🧠 with AI 💡 — it’s my favorite podcast player 😀 ! ➡️ Learn more about Chad Orzel: ✖️ Twitter: https://twitter.com/orzelc/ 📚 Website: https://chadorzel.com/ ➡️ Follow me on your fav platforms: ✖️ Twitter: https://twitter.com/DrBrianKeating 🔔 YouTube: https://www.youtube.com/DrBrianKeating?sub_confirmation=1 📝 Join my mailing list: https://briankeating.com/list ✍️ Check out my blog: https://briankeating.com/cosmic-musings/ 🎙️ Follow my podcast: https://briankeating.com/podcast Into the Impossible with Brian Keating is a podcast dedicated to all those who want to explore the universe within and beyond the known. Make sure to subscribe so you never miss an episode! Learn more about your ad choices. Visit megaphone.fm/adchoices
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Today on Intently Impossible, we're exploring the fascinating realm of time,
but none of them the master timekeeper himself, Chad Orsalt,
renowned for captivating books such as how to teach quantum physics to your dog
and Breakfast with Einstein,
Chad is here to unveil the mesmerizing narrative woven into his latest masterpiece,
a brief history of timekeeping.
In the book, he revisits delicate negotiations involved in the Gregorian calendar's reform,
the intricate and entirely unique system employed by the Mayans,
and how the problem of synchronizing clocks at different locations ultimately required us to abandon the idea of time as an absolute and universal quantity.
From sundials to sandglasses and mechanical clocks, this sharp and engaging story isn't just about the science of timekeeping.
It's a riveting tale encompassing politics, philosophy, and the very essence of space and time itself.
So right now, it's about that time. Let's get started.
Any sufficiently advanced technology is indistinguishable from magic.
Open the pod bay doors, hell.
So, Chad, you've written this wonderful book.
It's not new.
It's two years old now.
A brief history of timekeeping.
I bought the, you were kind enough to send me the hard cover, the soft cover, rather, with a beautiful illustration.
And we're going to go through it.
I listened to it on audiobook as well.
I really enjoyed it.
As we do on this podcast, one thing is mandatory for authors such as yourself who grace us,
and that's to judge the book by its cover.
You're never supposed to do it, but you've got to do it.
And that's to do the following, chat.
So please take us through the title, the subtitle, and the delightful, intricate, modern times-looking gears and the artwork.
So those three features of the book.
Help us judge this book by its cover.
So, yeah, the title is a brief history of timekeeping, and it's very much what it sounds like.
It's a book about the science and technology of tracking time.
over the last several thousand years.
I don't remember the exact wording of the subtitle,
but something like the science of keeping time
from Stonehenge to atomic clocks.
And that sort of gets you this sense of the scale.
So it's from kind of Bronze Age Neolithic
kind of monuments all the way up to the current state of the art
and atomic clocks, and even a little bit about
sort of speculative atomic clocks
that will go to even higher level of precision than
than we can manage now.
The gears on the cover,
that was the work of the art department at Ben Bella Books,
who's the publisher for this.
And the minute we saw that,
that those popped.
I don't know what that gear train is actually from,
but it looks really great and,
you know,
jumps off the blue cover.
Like, yes,
that's the one tweak.
I think they,
I think they may have rotated the picture slightly
just to get the word.
the very first pass out of it, it ended up looking like a history brief of timekeeping.
And so they turned it a little, so it was a little clearer what order the words go in.
It's impossible not to note the direct correlation with the most famous book.
The third book that I've written, according to Chat GPT, if you ask it,
what books is Brian Keating written?
He's written losing the Nobel Prize into the impossible and a brief history of time.
I heard the late great Stephen Hawking at the Royal Society in 1994 or five, and he couldn't
talk, but he could use a speech synthesizer.
And at the end, he graciously accepted questions.
And there was a member of the audience who asked him, Stephen, you've written this book,
almost nobody has read it, anyone who has read it doesn't understand it.
You even claim in the book that every equation reduces the audience by half.
Tell me, Stephen, the questioner asked Hawking, why did you write this book?
And after five minutes of, you know, kind of just, just painstaking silence, we're all just waiting
for him to move his eyes across the computer generating his voice.
And he said, because I needed to pay for my daughter's college.
Chad, you've got two kids.
You're obviously devoted to your kids and your pets.
Yep.
You write this book for the money to pay for them to go to college.
It's nice to have a little extra money, but, you know, I work at a college.
So getting them, getting them through is going to be not as different.
as it might be in some other circumstances.
Yeah, if you were at UC San Diego, you know what we get here?
We don't get free tuition.
We get in-state tuition.
That's all.
Yeah.
So I really enjoyed this book.
And part of the reason we're talking today, although I want to talk to you for a while,
we met in person about five years ago now at an APS meeting in Denver, Colorado.
It was great to meet you at an event for authors and popularizers, as we're sometimes called.
But you're also a hardcore scientist and contribute a lot to Cold Adams.
and we'll get into some of those techniques I had Bill Phillips on, who you must know from your time in Maryland.
Bill was my thesis advisor.
Yes, I was going to say.
I suspected it given the – I tried to look up some papers that you've written with him, but I only had so much time.
But Bill was on about a year and a half ago, just a delight, love talking to him.
He's fabulous.
And we'll get into some topics in the future of timekeeping, and where do we go from here?
And why do we go from here?
Why do we need clocks that can do, you know, femto-adocetos?
seconds and whatnot. But one of the reasons that we're talking today is because of a somewhat
brusque comment that I made or maybe you made on Twitter, which is that I was on the Joe Rogan
experience last summer. And I was talking about my hero, Galileo, who's around here somewhere
in puppet form. And I claim that he had, you know, tried to solve this time problem by inventing
this, you know, Apple Vision Pro like device with instead of, you know, one camera, had two telescopes
attached to it. And the court rejected it or the, you know, the people in charge rejected it
because, you know, you could only see Jupiter nine months of the year. And you could only see it at
night. Where was I wrong? You know, how should I be shamed publicly? What did I say wrong to Dr.
Rogan that raised your ire, if anything? I don't remember exactly the details. The telescope
Helmet thing that he drew up is is wonderfully steampunk looking. It's really quite a
device. You know, the idea there is that if you could observe the eclipses of the moons of Jupiter,
you can get very accurate measurement of what time it is. And those are very reliably predictable.
And you can use that to set a clock. And in fact, people did that a lot in the 1600s. You know,
the technology for doing that on shipboard just wasn't there.
It's not stable enough even with the helmet to be able to really zoom in and see those
eclipses and get the timing that you need to do a good measurement of longitude.
People were doing that on land.
And you could do, you know, travel across the ocean, then set up your telescope on land and
figure out the longitude very accurately that way.
That worked pretty well.
But on shipboard, it was pretty hopeless.
Galileo is also usually credited with inventing the pendulum clock.
And he did have the idea to do the pendulum clock.
But by the time he had the idea, he was rather elderly and basically blind.
So they never got it to work.
One of his son and one of his students worked at it for a little while,
but never made a working prototype.
So it was Christian Hoygens.
almost 30, 40 years later who got it to work,
designed the first working pendulum clock
and had it made by a clockmaker named Solomon Koster,
who's one of these people who know actual picture of him exists,
which is sort of interesting.
It's from that time period.
You know, Huygens, you can find lots of engravings of Huygens,
but Koster is a complete loss.
Yeah, looking at that, although there is some lore,
there's so much lore with timekeeping. I mean, it's so important, so integral to everything we do in
life and so forth. And you gave a definition, which is in congruence with what Frank Wilczek
told me when we talked as well about time. And that's, you know, time is what a clock measures.
But that's sort of, you know, tautological, you know, if I said, you know, linked is what a ruler
measures or it wouldn't be as satisfying, right? So we somehow will accept that for time, but nothing
else. Why is time, why does time get a free pass? The phrasing I like to use, I think I lifted from
Bill Phillips, actually, is that a clock is a thing that ticks. And it does some regular repeated
action that you can count. So, you know, the pendulum on a pendulum clock swinging back and forth,
that happens in a very regular way. And you count how many times that happens. And that's the thing
you use is the clock. I think the reason that that time kind of gets a little bit of a pass there is
it's unlike length, unlike space, we only experience it in one direction, right? We move from the
past to the future and we do that in a rather inexorable way. You can't go back in time.
And so it has this quality that, well, it only goes in one direction. And so there's sort of a more
of a simplicity to the experience of time that lets you get away with a very operational definition.
like, you know, time is what you measure with a clock and a clock is the thing that ticks.
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Let's get back to the episode.
The kind of other notion is that, you know, the origin of time in conjunction and the measurement of time in astronomy is incredibly intermingled.
And I think it would be useful to kind of go over these.
And, you know, at first glance, you might not think, well, I'm going to talk to an expert about time and then talk to an
astronomer, but of course, they're intimately related. And I kind of want to get, you know,
the historical sweep. I hate it when I go on as an author and the podcast house says, you know,
explain your book and great detail. So we don't even need to buy the short form, you know,
brilliant summary of it. We just need to listen to the pocket. So why is astronomy so, you know,
irrevocably associated with the measurement of time? Well, I mean, the most obvious things in the
natural world that tick in a really continued way are the motions of objects in the sky.
Right. So the sun every day, if you're, you're in California, so I'm assuming it's sunny.
Not today. Sorry. No, it's pretty dreary here too.
I think it's warmer where you are today in Schenectady.
The sun, you know, rises in the east and moves across the sky and sets in the west.
and that happens every day with amazing regularity.
And that's a thing you can count.
You can say, okay, well, the sun rose, and then it moved across the sky and it's set.
And now it's risen again, and that's a tick.
That's one day.
You can make it a little more fine-grained by doing something like, you know, hammer or stick in the ground.
And then you look at where the shadow points.
And you can say, well, that gives you a little more resolution, you know, finer resolution to subdivide the day.
and that works very well.
There's also, you know, at night,
there's the second most obvious moving thing in the sky is the moon.
And that has the really nice property that it also changes shape on a very human kind of
time scale, right?
Over the course of several days, you see it go from, you know, a tiny little crescent
to, you know, the quarter moon and then the full moon.
And you see that evolution and that follows a very regular pattern.
Small crescent gets bigger, shrinks down, disappears.
Small crescent gets bigger, shrinks down, disappeared.
That happens over and over, and that gives you another kind of clock.
And so what is the origin of timekeeping is trying to use those patterns to mark the passage of time.
And to sort of predict when is this going to happen again, right?
How many days will it be before the moon is full again?
Or more importantly, like how many days will it be before its planting season again?
right before we need to do agrarian things to ensure that we have enough food to carry on as a civilization.
The other thing that kind of resonates throughout here is the application of the measurement of time to navigation,
which again, you know, is not immediately obvious to a layperson perhaps.
So why don't you speak a little bit about that?
It's easy to measure latitude with a telescope and an ability to see at least close to Polaris or
other stars even. You can measure it with any star, but in particular. But why is longitude
such a difficult proposition to measure? Yeah, longitude is tricky because the, you know,
the Earth is a sphere and it's rotating and there isn't the same fixed point. Latitude is easy
because, you know, you can look at the height of the sun at noon or you can look at the elevation
of the North Star at night and pretty directly do a little tiny bit of trigonometry and you get what
what your latitude is very, very easily. There isn't that kind of fixed point with longitude,
because that's the direction in which the earth is rotating. So everything is constantly moving
in the longitudinal direction. And that makes it a lot more complicated. The only way to figure out,
you can figure out a difference in longitude if you know a difference in time, right? And time
is measured by, say, the position of the sun. If the sun is directly overhead for me here on the East
coast, then it's going to be, you know, three hours short of directly overhead for you on the
West Coast. And that difference tells us the longitude, right? The how the difference in where we see
the sun at the same instant in time tells us our difference in longitude. So you need to be able to
know the time at two widely separated locations to be able to determine longitude. If your
fastest mode of travel is foot or horseback, it does.
really matter very much because you're never going to go far enough that that you have to worry
about that. But if you're going, you know, many thousands of miles on relatively fast moving
ships trying to make a globe-spanning empire or later on when you get to things like, like railroad
trains and then eventually airplanes, you can experience these changes in time in a very real
way. And then it becomes really important to know when you are as well as in order to determine
where you are.
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And of course the notions of so many of these things are both familiar and terrifyingly, you know, abstract to many people.
And throughout the book, you do an excellent job kind of explaining the mindset of the time and what was thought to be the prevailing, you know, best measurements of time.
And then all of a sudden comes this guy in 1905 with his paper on relativistic electromagnodynamics, which we don't normally associate.
with a relativity and all hell breaks loose. Talk about the challenge of what we just described
on a moving framework, on a planet that's moving, around a star that's moving, in a galaxy
that's moving. Talk about the relativity of simultaneity and how that was a philosophical
upheaval as well as a scientific upheaval. There's a really good paper. I mentioned it in the
book. It's available online, you know, in a translated free form by Henri Poincerey called
The Measure of Time. And he makes a really good point that essentially everything we do when
we're talking about measuring time is a matter of convention and sort of choice for convenience.
We can determine what time it is by looking at the eclipses of the moons of Jupiter.
But when we do that, we say, well, we can predict the eclipse of the eclipse of the
because we assume Newton's laws of gravity,
and that describes the orbit of those moons,
and so we know where that's going to be,
and we assume that the speed of light between here and there
is finite and very large,
and we know what it is,
and you put all that stuff together,
and then you get something that works as a clock,
but you could make very different assumptions about the world.
We're just choosing to use those ones,
because they're convenient to us, right?
And so that gets you sort of time,
has this sort of necessarily has this kind of,
of relativity to it, that everybody's experience is a little different and we obtain some kind of
commonality by making a choice of convention. What Einstein pointed out is that, you know,
if you look at the behavior of things, you would say the laws of electrodynamics predict that
there's one and only one speed of light. And if you, you know, look into that, you can
arrange it so that there is in fact one and only one speed of light at the cost of changing.
our notions of time, and that time has to pass at a different rate if you're moving
in order to ensure that there's one and only one speed of light.
And this is a thing that is an idea that a number of people sort of encounter this issue
with the speed of light and electro dynamics and how do we explain this and that sort of thing.
And Einstein's big point was to point out, sort of going back to what we said at the very
beginning, that, you know, you can't talk about time unless you talk about how you're measuring
the passage of time. You can't talk about time in two widely separated places unless you talk about
how you synchronize those clocks at those widely separated places. And when you go through the
details of how would you do that, how would you synchronize clocks, how would you get that? You find
that time passes at different rates when people are moving relative to one another. And then the whole
theory of special relativity unfolds from that. Can you talk about gravity? And it's not immediately
obvious to probably most people that gravity should affect a clock, and yet it does. And can you
explain the notion separate from the effects of special relativity on which gravitational fields can
affect the passage of time for different observers? You know, one of my favorite Einstein stories
is he described, you know, the happiest thought of his life is a day he was in the patent
office and he was thinking about somebody falling from a high place. And, you know, the thing that
separates a genius like Einstein from normal people as he was not imagining a specific,
annoying co-worker being pushed out a window. He was thinking, you know, very generally about the
physics of somebody falling and realized that when you're falling, you feel weightless. Like,
as you're falling, you don't feel a sensation of weight. And that led him to realize that there's
this connection between gravity and acceleration. And at the time, he had been trying to extend
special relativity, the theory that governs people in motion relative to one another, to include
motion that was changing, changing direction, changing speed, accelerating in physics terms, and he realized
that there's this connection between gravity and acceleration. So in the same way that thinking about
how do you synchronize clocks in separated locations leads you to the notion that people moving
at constant speed relative to one another, experience time passing at different rates, when you start to
factor in the effect of acceleration and say, okay, it can't be possible to tell the difference
between accelerating in one direction and having gravity pull in the opposite direction. Then
that leads inexorably to the conclusion that gravity affects the passage of time. And this is
a thing that we can directly measure. There's a famous experiment done at MIT in the 50s or 60s
where they shot light up a, they call it a tower,
but it's really a stairwell in the physics building at Harvard,
and showed that the frequency of the light
reaching a detector at the top was very slightly different
than the frequency when it left the source at the bottom.
And that difference is exactly accounted for
by the effect of gravity on time
that Einstein predicted in general relativity.
Yeah, that happiest thought of Einstein actually is a segue,
way gives me an opportunity to move into education because when I think about what artificial intelligence
may or may not do to us as a species, I think of that quote often because in what sense could a
computer visualize the visceral sensation of free fall? And furthermore, in what sense could it have
a happiest thought? I mean, what is its happiest thought when it's fully charged? I mean,
how is it going to relate to these notions of the great Godunk and expression?
experiments, so Einstein and others practice. And so you're a master educator. You're known for
special attention to the craft of being a professor. You and I can talk about now, now that we've
passed the 20-minute mark, which is the average view duration for my videos. Shame on you out there.
You should watch the whole thing. Actually, if you heard me shame you, you're actually listening.
You're doing great. Keep it up. Keep listening.
Stay till the end.
Either that or you're playing it on double speed.
That's right.
So when we think about being a professor, I thought, you know, part of the book that was written during COVID, as I understand it, your book.
And I thought COVID would be the death knell for our profession in some sense.
I thought Zoom and paying full tuition, which I assume is, you know, similar here, there at Harvard.
I just talked to Eric Missouri yesterday.
It's $57,218 at Harvard.
Look, these are kind of, you know, cartel-level price tags.
And yet, nothing really happened differently.
We emerged from COVID basically doing the same thing.
You and I scrape on a big piece of rock with a little piece of rock.
And that's the same as it was done in the University of Bologna in the year 1080 when the first Western university started.
So are we basically safe from AI overlords?
What do you think is the profession look like for master educators such as yourself?
One of the things that COVID revealed and that having to make that really rapid transition into online education revealed is that there's really a crucial in-person sort of live element to it that's hard to do without.
That you really need the ability to sort of have give and take and conversations and adjust on the fly.
that's that's hard to do online you know I did the book came out during a COVID surge so like I did a bunch of speaking events but they were all remote because it was it was the I think the Omicron or Delta one of one of those variants and you know every all the in person stuff was canceled and it's really hard to do like talks for an audience when you can't see them directly and you can't interact live in the way you know you see the little tiny faces on the side of
a Zoom window, but you can't really get much from that. And so, you know, we did, we did a term of
fully remote. We did a term, you know, I taught a course on quantum computing in a hybrid format,
and that, you know, sort of worked, but it's really hard to have people in the different places,
you know, and have that kind of interactivity in that, that read the room and, and adjust things as needed.
You know, if I'm going too slow, I can sort of tell and I can speed up.
Or if I'm losing the audience and I'm like, okay, clearly this isn't landing.
I can, you know, do this on the fly.
And it's a lot harder to do that in the kind of asynchronous video way that you tend to on the internet.
You know, when we opened back up in person in the fall of 2020, you know, we started bringing
students back on campus in September.
It was really something to see how grateful people were to be back in person in school and the length that students were willing to go to, like the restrictions on masking and socialization and all sorts of activities that they were willing to put up with for the sake of being in person because people really value that contact and that in that in that in that.
person interaction. The tech is almost there, but it's not, it's not yet. Maybe some, you know,
VR kind of thing eventually gets you there. But, you know, as it is, it's still not, there's still
something about being in the same room with people that's kind of, that feels really essential to
making progress in education. You know, friend Galileo and Einstein and Carl Sagan and many
others, you know, practice this, this, you know, craft for for so long. But, yeah, I do think that
there could be some potential opportunities also, because why talk to, you know, me, you know,
Brian Keating and learn, you know, cosmology when you could talk to some avatar of Edwin
Hubble. And so I do worry about it. And actually, speaking to Eric yesterday was quite
terrifying because, you know, his whole schick is that we should flip the classroom and have
basically the students read the book the night before and catch up and do some problem
solving and then come to class and then debate with their other students. And that actually
has a twofold purpose. It actually, you know, rewards the students that are highest performing
because they get to teach. And when you teach, you learn, as you and I know, better than just
reading and consumption. And it benefits the lower performing students. At Harvard, they have a lot of
low performing students. They're known for that. At least half of them are below average. I mean,
I know that for sure. So, you know, they get the benefit from the students that are highly engaged
and have a future in it, whereas, you know, you and I, you know, we may have our days numbered,
I guess. But getting back to timekeeping, you know, and I thought about this book I interviewed
Zach Wienersmith last week about his book, A City on Mars.
I actually spoke to Elon Musk on Twitter, Spaces, X-Spaces, rather, a couple of weeks ago.
And I asked him, look, man, you can't be serious about going to Mars.
It's basically a one-way death trip if you make it.
The best case is that you die on the way, you know, and you may like it, you know,
but the people traveling with you, you know, when they're as rich as you on the spaceship.
It doesn't matter that you had $250 billion U.S. dollars.
You know, who cares when you're, you know, in the middle of, you know,
of, you know, had the halfway point to get to Mars.
He still have six months left with this guy.
I said, are you really serious about this?
I mean, which, you know, he has 10, 11, 12 kids.
We don't know for sure.
But, you know, what are you doing here, buddy?
And he really couldn't answer.
And his mom broke in and said, well, we don't have to worry about that for a while.
But made me think about interplanetary timekeeping.
Let's say we do get there.
Mars could be as close as, I think, four light minutes from Earth.
It could be as far as 20.
Imagine civilization set up there.
possible for any real time, you know, guidance, activities. But what would be sort of a standard?
Let's make the standard now instead of the piecemeal network of, you know, that was set by railroad
architects that you depict in the book and the other ways of keeping time. What would be, you know,
if you were Musk or you were on his board, how would you partition the timing and coordination
of time? So we have in, you know, a very deep way gone to a sort of universal
standard for time, right? We currently don't define time anymore in terms of the rotation of the earth.
I mean, colloquially we do. But, you know, the official SI definition of time is that the second is
9,192,000, 631,770 oscillations of the light emitted as cesium atoms move between two particular
hyperfine states. And that is a fixed definition.
that we use for, you know, to define what is one second.
And then you can just use seconds as the basis for whatever,
completely decoupled from the rotation of the Earth.
There's a really good series of science fiction novels by Werner Vinji.
The one that I'm thinking of in particular is a deepness in the sky,
which has civilization as their interstellar travelers.
and then they talk about everything in terms of kilo seconds and megaseconds,
and, you know, so multiples of so many thousand seconds.
And that works actually, you know, surprisingly well.
So if you're going to start organizing things on an interplanetary scale,
probably you would go for completely decoupling from any of the planets and just say,
look, a second is a second is a second.
You got a cesium atom.
You measure its hyperfine spanishin.
You know what a second is.
Now, just count those.
And that's the way to go, probably.
You know, make it not tied to hours as we currently know them, but some multiple of seconds, as we currently know them.
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moments of this wonderful episode about time.
Yeah, you mentioned Vernor Vinci, I can't resist, mentioning he's a alum, a proud alum of
UCSD and math department.
We have a surprising number of great illustrious science fiction authors from David Brin,
past guest on the podcast, Greg Benford also a guest on the podcast, Kim Stanley Robinson,
past guest, and nongraduate, but he went out to some success a guy by the name of Andy Weir.
They all did time here at UC San Diego.
He's done well for himself.
Yeah.
I mean, can you imagine what kind of career he had?
He actually had a BA from UCSD.
Can't imagine what he could have gone on to?
Yeah.
Yeah, we could use that weird wing of the astronomy.
Yeah, exactly.
Let's talk about your training, your research before we get back to some timekeeping,
which is intimately related.
As I mentioned, we had Bill Phillips on last year.
The sense that I got is this is, this is,
great and and it's wonderful technology, atomic fountains and going way beyond the cesium. But, I mean,
as you say in the book, light travels one foot per nanosecond. So you're talking about billions of
nanoseconds, billions of feet. I mean, we can't even conceive of using such. There are other
systematic effects that come into play that, you know, the Earth's magnetic field and others that
will have bigger effects if you try to use it as a clock. So what's the point of it? Other than gathering
and garnering Nobel Prize.
Is there a technological implicate?
Not that all science must have technology downstream from it,
but taking your thesis work on forward,
what types of technology could result from having attosecond clocks, for example?
There are these experiments that have been done in a couple of places
at NIST in Boulder,
and then there's also a group in Tokyo more recently.
They're doing these experimental clocks.
and you can start to do exotic physics things with them.
So one of my favorite demonstration experiments ever is this experiment with aluminum ion clocks at NIST and Boulder,
where they made two identical clocks using a transition in aluminum ions as the basis of their measurement of frequency.
And then they raised one of them about one foot above the other.
They just used hydraulic jacks to lift the whole laser.
table up a foot higher. And they could see that these tick at distinctly different rates,
right? And this is the effect of gravity on time. And you can start to exploit that to do very
sensitive tests of general relativity. You can use it for geodicy for looking at the gravitational
profile of the earth, basically, move to different places and compare these ultra-precise atomic clocks.
If you want to get really, pardon the expression, pie in the sky, you can put these things on satellites and make a detector for gravitational waves.
So if you had a network of satellites with ultra-precise atomic clocks in them, we know from LIGO as, you know, gravitational wave comes in, the space expands and contracts a little bit, and you see the mirrors and your interferometer move.
You could also, with a network of atomic clocks, you know, space and time are different aspects of the same thing in relatively.
Time would speed up and slow down slightly, and you could see that as sort of a rippling through your network of ultra-precise clocks.
And that would give you an ability to measure gravitational waves in a regime of sort of wavelengths and frequency of those waves that you can't access readily other ways, which would be really interesting.
And then there is even more like wild stuff, stuff that we aren't sure exists, like,
possibility that the constants of nature change over time.
So all of these atomic clocks are based on the energy splitting between two levels and an atom.
And those are set by things like the ratio of the electric charge on an electron to Planck's
constant and the speed of light.
And the different transitions and different atoms depend differently on that ratio.
So some will get bigger if this collection of constant.
called the fine structure constant.
If that gets bigger, some of these transitions will move to higher frequencies,
and others will move to lower frequencies.
So if you compare to atomic clocks using different kinds of atoms,
and you look over time, if your clocks are precise enough,
you can tell is the fine structure constant getting bigger or smaller over time?
And there are some really exotic theories in the sort of string theory
and other extensions beyond the standard model,
that predict that that is a thing that could happen,
that the ratio of the electric charge and speed of light and planks constant
would be getting bigger or smaller over time.
And you could test that directly with sufficiently precise atomic clocks,
just comparing their frequencies over the course of, you know, a year, five years, 10 years.
You can do that at a level where you really test some of these theories.
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So when we look going backwards in time, starting with Einstein and the, you know,
relativity of simultaneity and the Newtonian clockwork universe and then going back even further,
back to, you know, these ancient sorts of calendars that you talk about along with their
concomitant predictions of doom, what is it about time especially that, that kind of
harkens, terrifies, you know, maybe, maybe instills,
fear in mankind that so much so that when we have these paradigmatic shifts like Newtonian
and even changing calendars that you have these kind of almost existential effects on
humanities.
Can you speculate you're a physicist, not a psychologist, but nevertheless, what is it
about time and not space?
I mean, you know, space is equally mysterious and may have aspects of quantization and
philosophical of ramifications.
but why is it time in particular since the time of the Mayans and even before, I'm sure,
that has so imprinted on the psychology of man that we can't seem to escape it?
Yeah, I think it's, you know, ultimately it comes down to, you know, a thing I said at the beginning,
that we experience time in one direction only, right?
We move inexorably from the past to the present, to the future.
Or, you know, we're sort of eternally in the present, but we only see time moving in one direction.
Right. Space, you know, I can, I can go outside. I can walk east. I can walk west. I can, you know, walk north and south. I can jump not all that high anymore, but, you know, I can get up in the air a little bit or climb upstairs, go downstairs, right? I can move all sorts of different directions in space. Time, you really only, it's a one way trip, right? None of us are getting any younger. We're moving forward into the future at one second per second. At the same time, there's sort of this tension.
that time necessarily involves these cycles, right? We measure time by counting the repeated
ticks of something that's doing the same thing over and over. We mark the passage of days and years
through these cycles. And so there's this tension between sort of the cyclical nature of things,
right? Everything comes around again. It's winter now. Soon it'll be spring, then it'll be
summer. And, you know, eventually it'll be winter again, and we repeat that cycle of seasons over and over.
Not so much in California.
But, you know, we have the, the cyclical thing that's going on.
But at the same time, we move forward into the future in an irreversible kind of way.
And that tension, I think, really, you know, brings in a certain amount of fascination.
So you have these, you know, sort of competing.
And there's threads in all different cultures, a sort of competition between, you know, the very,
Christian sort of of worldview where, you know, the world has a beginning and it moves forward to, you know, the book of revelations and then it comes to an end. And it's a linear progression from point A to, you know, from point alpha to point Omega and then we're done versus sort of a more cyclical kind of thing like you see in some of the Eastern cultures where you have ideas of rebirth and repetition. The Mayan calendar was really all about these cycles that repeat over.
and over and over and go, you know, come back around many times again. And there's that tension
between those two things that drives a lot of science and philosophy and culture and just thinking
about how do those two things coexist? How does that linear march into the future and the cyclical
repetition? How do those play with each other? Looking at, you know, back towards the career that
you've had and working with someone like Bill Phillips,
I read a quote that you paraphrase from him on Twitter.
Everyone should follow Chad on Twitter as well.
You said in his name, most people are very happy to be reminded of things that they already know.
You rarely lose by including too much background information.
How do you apply that kind of advice?
That's for seminars.
But when you're teaching something fundamentally new, of course it's something they don't know.
So how do you remind them of something when it's ab initio?
It's completely new for them, as in your wonderful book.
Yeah, it's a tricky balance.
I'm teaching this term. I'm teaching Newtonian mechanics for, for, you know, first year college students.
That's really a mix of that sort of thing, because we rely a lot on, you know, look, you're, you know,
we're talking about the physics of the motion of everyday objects. You know, you know how these things work,
right? If I take a ball and I throw it to, you know, in your general direction, you can make a pretty
good prediction of where that ball is going to be. And, you know, most students can at least make a good
effort at catching the ball, right? We know how things tend to move. But at the same time, we don't
know the physics. We don't know how to how to quantitatively predict some of these things. And so there's
a, you know, going back and forth between, okay, you have an intuition for how this, this works. And also,
So now I'm going to do something that is unexpected that follows from the principles of physics that lead to the thing that you did understand.
And then sort of trying to show people that, no, these are consistent.
Right.
You know, one of my favorite demos that's, you know, done me, you can do it at your own house is, you know, you get like a basketball or a soccer ball, a heavy ball that will bounce and a light one, like a racket ball or a tennis ball.
and you hold the light ball right on top of the heavy one and drop it.
You know, if you drop either one from sort of, you know, chest height, it'll bounce back maybe to your waist.
But if you drop one on top of the light one on top of the heavy one, when it hits the ground, it'll kick way up into the air and, you know, bounce off the ceiling.
And you can explain that really easily using the physics of momentum and just understanding the principles that are involved in collisions.
It's very unexpected, you know, always gets a good reaction from a class or, you know, do it with elementary school kids.
They love that.
And then they're always, you know, do the heavy ones.
See if you can put it through the ceiling.
But, you know, but understanding that that idea, you know, gets you some new understanding of principles of physics that you can go on and apply to unfamiliar things.
And I should point out, you know, speaking of time and brand.
I think that, you know, Patek Philippe should rebrand.
At least one watch should be a Patech Phillips, and they should partner with Bill.
Maybe they could get him a free watch.
You know, he needs it, I'm sure.
He's doing okay.
So let's finish up by talking about education.
You're renowned not only for your books.
You're, you know, one of the few people that I know who hasn't, I don't think you've been
on Jeopardy, but you've been in jeopardy question or Jeopardy.
I have a short video clip in which Alex Trebex says,
name. Oh, wow.
That's bucket list stuff.
What, in terms of how you divide your time between teaching, you know, keeping research in mind,
writing popular books, and also, you know, technical mentorship, how do you divide your time?
And what is your, what is kind of your philosophy overall and how you keep balance between
these different aspects of your life?
It changes year to year and term to term in the course of the academic year.
It depends a lot on what I'm teaching at any given time.
This term, you know, January through now has been really heavy teaching just because of the nature of the particular course I'm doing.
But, you know, I try to make a point to block out a few hours a day in the morning.
To my chagrin, I've turned into a morning person in my middle age.
And so I get up really early because, you know, I get up at like five and I walk the dog.
and feed the dog and then, you know, get the kids up and, and, you know, off to school.
And then I'm in the office at like 7.30.
So I block out some time in the morning for working on my own stuff, for working on books and
blog posts and, and, you know, articles and that kind of thing.
And that's, that's really important to sort of separate out that particular time.
You know, and then the teaching is, you know, that that's on a relatively rigid.
schedule. And, you know, in the summer, it's more focused on research.
Frequently have students working in my, in my lab on various projects. And, you know, that's more
of a, you know, meet with them daily and, okay, what are you doing? Okay, you know, try this thing
next and, you know, or do this and talk about what, you know, what the future of the project is.
And so that's a, that's a, that's a, its own process. So, you know, these things go in cycles.
the academic years, September to June, and, you know, we're in session, out of session,
and things move around a little bit.
Yeah, that's the most important calendar that you don't mention in the book.
You mention Gregorian, Mayan, but you don't mention the academic calendar.
The academic calendar, yeah.
The, you know, the, you know, starts in September.
Everybody freaks out at, you know, at the end of the term.
And, you know, and then there's a sort of a period in May where everybody's mad.
because it's coming to the end of the year and everybody's nerves are shot.
And then, you know, we got it, you got two weeks to graduation and everybody's snippy at
each other. And then, you know, and then there's a big, you know, sigh of relief.
And then we're into the summer.
So when you were writing, I don't think you're still as active writing for Forbes as you
were once several years ago.
But you published a wonderful little article, which basically becomes part of the book.
But you talked about the five biggest surprise.
surprises. So maybe you can end with, of all the biggest surprises in the history of timekeeping, the
characters, the tools, the kind of existential dread that came about in many ways. Tell me, Chad,
what was sort of the greatest, you know, surprise to you? Writing this book, it's always kind of a
form of me search when you do this type of research, right? So what was your favorite surprise as we
wrap up? The thing that I was most surprised to learn, and the book started as a course that I offered
a couple of times at Union with the same title, Brief History of Timekeeping, which I was stunned
that nobody had used. The most surprising thing was learning that mechanical clocks and sandglasses
are of comparable vintage, right? You know, you think of a sand glass, you know, an hourglass,
you know, like, you know, the sands in an hourglass are the days of our lives kind of thing.
You think that would be like a technology that's just 10,000 years old. People have been doing this
forever. But it's actually they don't, the first verified reference to that is in the early
1300s. There's a mural on a wall in a church in Sienna, Italy that shows an hourglass in
recognizable form. And that's the first time that one of those is unambiguously depicted.
And at around the same time, you have mechanical clocks. People invented those two things,
those two technologies at about the same time. And the other
interesting thing about them is that nobody knows who invented either. They just sort of show up, right?
There are just, um, hourglasses are a thing in Europe. People have them. They're using them to measure
time and it's just kind of everywhere. And mechanical clocks just start showing up in churches, uh,
uh, you know, in that like, you know, 12, 1,300 kind of range, they just start appearing. And
there's no like one inventor that we can point at and say,
this guy did, you know, is the one who came up with the idea of the mechanical clock.
It's just suddenly they're everywhere.
So it's a really interesting testament to sort of the power of anonymous tinkerers, right?
Somebody figured out how to make this work and it succeeded so well that nobody remembers who
they are anymore.
Chad Orzel professor, Union College and good old Schenectady, New York, my former
homeland of New York at least, although I was more in the deep south.
of New York. I want to thank you for your time in this wonderful book and sending me a copy,
and I've got my own audio copy, which I devoured as well. Chat, thank you so much for
spending so much of your time, your valuable time. I just want to say one last thing. If it's true
that you believe that it's true that a man who has one clock knows what time it is, but a man with
two clocks never is sure that must make you one of the most confused people in the world. But
this book is incredibly easy to read, clear, and just a delight to read and listen to
Chad. Thank you so much for sending your time today. Yeah, thank you for having me on. This is fun.
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