Javier Ceriani - Destapamos el fraude de LCDLF tras salida de Mercury - Se revelan las mentiras de Vicente Fernández

Episode Date: October 1, 2025

🔥 ¡Vamos! 🔥Hoy tenemos un show explosivo lleno de revelaciones que sacudirán al medio del espectáculo. 💥👉 En vivo llega la hija de Felipe Arriaga, quien sin tapujos hablará de todo lo que sucedió con su padre y cómo Vicente Fernández lo bloqueó en su camino artístico. 🎤👉 En exclusiva: Ninel Conde pretende que haya un despido masivo en el departamento de maquillaje de LCDLF, y todo porque revelamos la verdad sobre sus cicatrices. 😱👉 Más detalles salen a la luz sobre la muerte de Miguel de la Mora: su relación con la nieta de un narcotraficante y quién sería el presunto responsable. ⚖️👉 Cazzu revela qué es lo que más le preocupa sobre el futuro de su hija Inti. 👩‍👧 🚨 Esto y mucho más, hoy en el show número uno de farándula: Javier Ceriani Oficial. 🚨 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Thank you. Today we have a super show exclusive. The daughter of Felipe Arriaga, Tomansi, he gets to tell herrations that said. Ofcences that said, of Vicente Fernandes in the series of Caracoli Televisa. Also, what was what was what was with his father, the relation that had with Vincent Fernandes,

how commenced the story of Mariachi in Mexico. An inform special, an interview

in-victive unperdible war and blockers of gallows. Ninel Conde pretendee that we

make us in the department of the maquil of the house of Demol and all

what we did we about his cicatrices televisa a sustada for the

denuncias that there defraude for the fracasada Casa of the Famos

that They have in Vilo to Mexico with the credibility of the television. More details. Salen on the Lus over the murder, Miguel de la Mora, the stylist of Angel Aguilar, his relation with the nita of a NARC and who is the presumpto responsible? Here, the car. Casu revela what he preoccupied of the future of her daughter, other than to have her madrastra.

We are days of the sentence of Didi Combs, and here we can't say, How many years they'd to nefast Armador of Fiestas freecath Today a

yearcoles of puras exclusives as as always Let's Let's move Let's

Let's go Let's see a Passion Show Seniors Ladies Ladies Let's

Let's We're We're In the Pachro of Paris What's What's It's all

in Europe and here's with barbath oh wow all those those tones asuels even the gaffas even I combino with you

we're very blue it's very blue and I have my my machine of the time it's terminated for that you begin it's a

and give you like when this I'm going to see this program explote if no we do we do we do we

we'll apam let's get you and the bombs and the exclusive I'm going to start to start to get in the arimita sule

seigneurs how are you go to hearthur oh yeah I'm just just a new miniature well a new

image of you of me and I'm trying with different intelligences and artificial and it's impressive

the result look this is the traditional that we used we used very well I like. It's the most

Korn. It's good. It's good. But, look, I took the miniature that you

made the morning. This is the original. And I said to Google that's a

new motor of images that me did you in Marachi. See this? Yeah, those cables.

No, that's me like, oh. I know. But it has all. All right.

It's a caon. Look, look that's I'm that's precious.

I'm no. I'm not a blue. No, me don't know.

Exactly. The Negro is for the end yearro and with this me of Halloween that

it's right on October? Yes. First of of October. The day of the Mured,

well, how many of the dead of the dead of the first of November, no, no.

But no no. But no, it's the month of Halloween. Yeah, the

cases, here are all diffrasas of calabato. Ah, no. The Halloween started from August. I have

to share to share them to do you. That's not to share. I have a present. Because I

know that a tachito of eye, to be a person little, the television and the

YouTube for a little also, because it doesn't do you. I'm doing

so I'm so I'm don't know so I'm if there if there are

It's the fault you. The person is the chirofano is one, no? I just use ecologic for being people more people more people than you, you can't create. Well, difficult, difficult,

as it's difficult, difficult to create. Oh, I'm just a sensicito, eh? Well, all this to practice. We're going, we're going to say,

before we're going to to say to the people, Mariaita, St. Esteban, He was here, Maripilli, Sylvia Quintana, Lareli, Rogelio, Rodriguez. Here, Jaime, the cartel us manned so 499,

he's the only that he pere to give to God and the universe is that you devolve the double of all the attention and the cario that you have brought up. Thank you, thank you very Honda, Jaime, well,

I'm going to share the program to give a like, tap, tap, tap, tap, tap. Pongal, light, like, light, like, for that this is plote today. Enip, us invite to Cancun, obviously we're going to go some day and Rosanna

the jeffa always thank you thank you thank you let me and share it we're going to

pass it very well there are some there's there's a program the

daughter of the people who know of those who know they're going to know

the history of the mariachi Mexican the the the very

story of the mariachi who who was the mariachi and who

is the mariachi who It was. Seniors! Oh, but, but before, but before,

before, once that, remember, there's people here in the chat, that are members,

look, Kelly, Yelie, I'm there, she has a symbolit a lot of

his name, he, she, yeah, is a member, and all the

members have got special for, well, we put them on the days of

the days, some some interviews, special, interview complete, content

extra. I'm I'm going to put for the members only my voyage for Claudita the voyage

to doby that I did after two years for that to motivate to what is going to

this year to because they're they're calling like a serianita

prepare and so we're going we're going we're going and they're in all fatima

uh Javivi he's coming well Serianitas Eliazar Gomes the actor

He's a newbio with Miriam. Miriam has a brother who is called Ian. Ian Garcia. And he is Mexican and represents the Mexicans in Paris. Biennino, Jan, from there. But Jan, what happened, Jan? What on, Javier? All very good.

Vigate. We're just going to here to Paris and, well, incredible. Tell us because, well, it's a Fiesta, it's something impressive, but tell us how this Mexican came to there to Paris and what you're to do for representing us. Well, I'm going to...

Well, you know, well, as well, as much know, is the the Semana of the Moda, here in Paris, which is the most important, where all the celebrities and designers are reunes during four days to present

their moda. So, I'm grateful with the mark of Anton Juno Grande. A day I was very

tranquillito in case and received the invitation for part of my representant and so incredible,

imagineate from the child I grew, I grew with that I'm some day

in that a grand passrela and look, it's he did and then

there's been on this side. There are just only there are two days for

to be in the passreela of Anto Julio Grand. Wow, that's So, so are

many Latinos or are many Europeans how is how is configured the

elenco of models masculine in Paris? Look, the really, I know

to say well, I imagine that they're going to do you think

I'm the only Latino American that's that's on this side

and obviously representing to a Mexico Wow, wow, so

barbarro incredible and cut me what is your designer favorite?

No, well, Anton, Anton Julio Grande, I know for some years, and imagine

it's a dream to be able to be in the passrella portando his his

role to do you yeah yeah and where you I'm, I'm,

I'm in Guadalajara right that I'm talking that the Mariachi and all

then well, no see they can but the Marachi is a Kukula

is a Guadalajara, Jalisco. And, well, I'm of Jalisco, and I'm 32 years. And I'm dedicating to the modelage

from the 13 years. So, yeah, 10, 9 years, yeah, very rapid. No,

impressive. And one a question, well, the mariachi you do you know, to me,

to all the whole, he doesn't, how you get you to give you to get to your cuneidito?

Very well. Very well. It's nice to say that you say, my cuneo, because, well, he and I, we're first friends, and right now is part of the family. You present at your brother or no? So, I've, I, I, I've the error of present to present them. No, you know, the truth, no, the truth is incredible. But you're probably, you know, your brother, because he has a passadito, a

little controversial. You see well, you're going to be well, it's been quite, no problem. Those I'm quite. I think the

Azar occupable a man-dura and there for that for that calmeran. And,

well, then it took to my little to make that that one to get that to get that.

I'm that's the story. Oh, there's much much modelage masculine Mexican or

no? Is it still insentivated the career of the modelage? Yes,

Yes, yes, in Mexico, well, there are various passerellas very important, not just as Fashion Week, is also Intermoda, that just the same in Guadalajara. And also I've been participle of that passarela that's in the Expo. And, well, designators have been very good, very well, this, ultimately in Mexico, and for a man and for a woman, for those two.

Yeah, the truth that is. Look, I put in a plan grand. When I was a little bit of my mom my mom my mom

was in school of model. I learned this just not much to be let me

plan. Look, I'm so I'm so I'm to start to here with the

piece to and I do you and I see the but basically I go you

you you and I'm and I can't with the foot that's

good or it's incredible Javier very well, you should be

to come to come to come to come to do you? Why not there's great

modeling? Why not there people there people? Mandi? Disculpa?

I'm have to I'm going to have to a man? Oh, no, well,

I have I'm a three years and I'm going to get a passel then so I

think that you know, we're saying much that you represent to the

Latinos that in Paris and much of your career portatte well

if I'm going to I'm going to I'm going to thank you. No, no, Javier. We're doing. Thank you.

Thank you, Jan Garcia, Seniors, the cuneado of Eleazar Gomes. It's like the woman is the put in the

two points d'Uro, I'm going to go to get the pala that's much but I'm I'm a

mani chiloco and I'm to tell you the history that nobody to Guadrajara to Jalisco to the world

what was what happened oh, my love! Now, now he how you say, how grittable

before the mariachi? Yes, no, they said. Ay, ay, aye, aye, aye, aye,

now is ay, ay, my, my, my, my, says that

the schools of Mariach and Guadrachara are, they're putting a little

the new gritty Mexican, eh, ay, oh, I'm going to put

the mantra other for that you let you relaxen, the there

love, that you know, well, So, Sen, ladies, we're going to

start with all with newties and we're with with Ricardo Salinas

Pliego, the duene of your television Azteca with that

the plan and the dishwasher of Electra has a pep very in the

world with his debts, his bad manhos and all

all all all now now after music of

attention orden that be Azteca you knowers Retire He has to

Retire All the demands that have in territory Azteca See what In the case Azteca

Ricardo Salinas Fliego The enemy of Claudia Arrodissado He has to retire all the demands

that have in Mexico We'll see The Info Jues in New York Cordena A TV Asteca to retire demands in Mexico. The debt

is over the $500 million of dollars. A judge of the district South of New York ordered to a TV Azteca desisting of a pair of demands that the television presento in Mexico against his acredores to not pay their debts for the emission of bonuses that in 2017

equivalent to $400 million of dollars. Also, he prohibit intent a new proceeding in tribunals Mexican. Of not to do, the company and its representatives can't in desacato whose

sanctions are in the economic to the penal Well, de a

little so they're incando Richard because she rubbed and said

we're to negotiate Claudita that's that's barbara what people

are ladies, but with Stegg and now in the new

party he's he's very to be a lot Alarmas what you

want what you go on this show of MIRC but not

of me because That is a day historical. Senora and seigneur, the stylist of Angel Aguilar, music of tension, the stylist Miguel Delamora.

The quote of Adas of his own Malas Juncts it has been on the other side of the world. What was what was the

role of the man that he was a menace that was transferences bankari and a

neta of a senior dangerous we have the photos of him with the nietta,

we know what's what's happening and finally yesterday, the nita of the blue, no? No, no.

Look, I said like that. Yesterday, Angela Gila, he's just my program

and the group, he said, Angel, you have to write to say,

Angel, you know, the program yesterday and said, and he said, and he said,

not he said, because, not he's thinking, she's she's just he's just she and

her maridito. Senora and the ladies Didicoms Faulted hours,

minutes, a day for the sentence final. Two cases of the 20,

25 that were on the menend that were in their

their their their their time Ditton were 12

that will be sure that will that will determine the

day the day the last very little for

that Lest of Sheylo, he has condemned by a juror

that he heard about in the industry of the spectacle

eh seora of the people the time the time

it was it came today today shega after

after many years to have cal she was

she was that the series of caracol of Jaime Camille

or the of Pablo Montero of Televisa tell in something of the history of

Vincent Fernand in relation with his amist with who he was

he did the opportunity to be Vincent Fernand the first the first cantante

official of Amnecer Tapatio of the abuela of Jorge

Reinoso today today is the daughter of Felipe Arriaga

with Nancy Arriaga in an interview in a interview is here

not is she is she will she is she is she is she is

she is preparing to start like because she have much

to talk she she saw the caracol the that they did

the fernandes he was the series he did televised Juan Osorio and

he came to tell his truth the truth the truth, the fact

that no he he told in any series in no

platform only she knows she she said what

she how he this moment how was really

how continued the history after the after the death of the for her for your mom

for his brothers for the family but for especially for the music

of Mariachi Mexican if you go to Japan if you go to Congo

or go to any to go to Thailand always they're

always they're a Marachi Mexican that that that

nobody you told that you will I'm the first I'm I'm sure that there are

details impression how a Vicente they said the re of the gomero

today I'm going to tell how is the process of the homeria

of where they were the substances a through of a

gomita that it's when raspa with the navas

the flower amapola today today is to make

that you and the Pallola. Senora, seorettors, let's go. We're going to the public,

we're going to share, ladies, because the C-4 gave to this period in Mexico who always

he's always he's got all of the fiscalia a transference that the stylist of Angelaar

had been made this of Michael Merr's Alon that they have to see what

are the damage that provoked this murder. A transference of more of a million of pesos, we'll have this informer, a million and a million and a million, pardon,

eh, of much, much a lana. Let's see. Mickey Hare Pagow $1.7 million of pesos and it was

the receive of a transferency that made Miguel de la Mora. A billette of two dollars, a iPhone, passport, and

a targetero cartier was what he had in his bolso Hermes when it Well, Ayer We're talking

with many clients of Miguel the exilist of Peña Oz, of Angela Aguilar No, it was

a barato. We'll see images of the salon for the inside, me remember

much this to Valeria Marges the price of look of Rianita this was

this was the salon in Polanco of the styleist of Angela Aguilar, all with computators, plasma. I'd get to

cobrate for extensions. Serianita, that's in the United, more than $10,000. A salon

modern, with all the services, $200,000 $200,000 in Mexico. It's much land.

Look, the places. They'd give a champagne, Bailey, cavi, cavi,

Cviar, Succi. Look, that barra with all the food Don Perinion Shandon

the the luxury was espelunate and when you're always to a

place I had 28 years how you pay lookers to lookers to

guard to guard to a bar a cafecito there there

are there they're they're they're they're they're products

quadros. For that's not in South Beach there's a place in Miami. It's really that's impressive

how this child he got to the 28 years to have that's and have

to start to suspect that the money is a length when

when somebody has money is corrupt the ladron or is financed the lottery

that generally they're they're Basically, this chico ostent about an abundance, like no it cost to gain the money. The clients said that it was very caro. Of course, there came to the trap, Angel Aguilar. He was looking at the fashion.

And he was he was just about the nieta of the Azul. Who is the Azul? the Azul was one of the men most um

fervous demidos he was I'm going but well he was your a friend

there there are many photos with the daughter of the

black a man a he's she she called Diana Diana

Sparragosa well mien nieta of Juan Jose, that was one of the cartels most temied in

Mexico, we have to say the this is the price of the buchonas, of the buchones,

of those that are financed salons of beheas, one of the forms more

when you go to a salon, fissate, checked to who is, how he's

how he's that's that too Daniel Urquisa, eh? You can't the stylist that

denunciable of Galilea and of all this of Rebeca of Alba that finally confessed that she

was to with David Cedda and that finally he quit the life a type

that also he also had much money much sateria also but

this this chico he has a doubt very very about how these

youngcitos and now we're You know, that had his saloncito? But, well, who is the

man that he was the stylist of Angel Agilard? We're to put Edward N.

called today. Not they're not yet. We're in investigation. We're checking the news

a minute to minute, but until now we're just that Edward N. It's the

semi-rosstro that we have a millionario, we the note, no? We have information

of that he is a millionaire that he erode to his wife, a man, is a suspicious,

no? He's the mothered the wife, he hered millions and that

he is that he amazes a Miguel and he was also in the mania

and in the mafia. The assitato of the Recognized Stilist, Miguel de la Mora. Duelloo of the esthetic of the looom, Mickey Herr Salon,

in Avenida Masaric in Polanco, has conmocied to the world of the mode and the spectacle. A few hours of the attack, authorities and periodists identified as a presumpto responsible to Edward Ederley-Gonzales-Martinez, a personage of

a polemicies, vincolos, questionados, and antecedents of conflict direct with the victim. Conocid too, with the alias of Tank Turner, Edward Ederley, had been denunciated

by Miguel Delamora in the 2004. The stylist interposed for fraud, amazas, and accost and, even a order

of restriction contrail him. Dese to it, both appeared together in photographs that are now circulate in the

social. In the 2012, Edward Ederly had received a herence millionaria after the

mother of her mother of her husband, Rosara Aro Garcia, and divers or reportes periodistic, it has been

seened for presumptous connections with the crime organized. In his historical also figure a demand of Vanamex and his

supposed participation in negotiations that had been terminated in conflicts legal. It's said that the relation with

Miguel de la Mora was particularly tense. De according with denuncias in the Fiscalia

of the City of Mexico, the the stilista he was to stifar and ostigar to be

constant. For you, the hypothesis of an attack direct and personal Toma force in the investigation of the omicist

occurred in Polanco He said Edward with Miguel he's inviuda and he's he's been that was very very carnales

or they said that they did a new that he did a fraud to Miguel we don't

know if there's relation passion that says that he was that he

For so I think it's so complicated the theme of the acosators and have to have to have to have a good, I know, I have to have an accuser, like the marido of Anna Barbara, I mean, the people that know, the man who knows, the marido of Barbara, he's up all the days, thinking in me. And the baby reno also, I go, me, me scribed her the baby reno

to get another telephone, or so, of the fact that you have to have much careful with these people because you know know the Abrand the assistant of the child

that, you know he'st, Angelo, he promotes to do something the type knows where he has

a fined disfrasado of Amazon this person this person so I think that you have to have to be

much careful with the acosators no there's never subestimar to nobody

if you have a person that you look and that you make all the

every day the You have to take measures because you never know if your if your

wife has a new stalker no? I have a friend in Miami that the

daughter began to start with a kid one day came to she was and she

was he took a ball in the shopping center of Miami

at plen the light of the day and the chica poor

he's he's Mandareras Rojas, that you have to par. For that's

good to understand that the obsession of a narcissist of a person who

someone that's to say, look, I'm going to pay with this or

don't see, we're what was the relation? Also,

there was a relation passional. They're they're a man and amants

because generally these kids youngcitos guepito, gay have

their No, we know, I don't want to severing anything until that terminate the investigation. But warning, Cuitado, bandera rojas, because, you know,

see the second, for me me molester so me me molester when Galilea or Ninell put in orders of restiction

to the ped because these chicas, like Valeria Marquez, that was a manas and this

man were that were that were that were they need in order of reflection, serious. No, don't make, no,

doleces, these famous pedorros that use the law. Look, Angela Aguilar, a year, that I'm I critiqued

for not put nothing in their red, the obia of Angela used this. Let's see.

Prisila Scotto. Thank you, Miki, for always to give the better

to you. Your face, and it does it always, and our ultimate video

together together together. Goce in every instant with the persons that want to give them, not critiquet, valor in their work, and they can't let's what they want. Necessitamos more love and less odio in this world. We always wanted to be the more rubies of the condado. Angela Aguilar

That's a good is accept that you not is Mickey. Contigo, never was only the peinado. Me accompanied in the process of changing my image. Me did security when most it was needed and you stood there, and even in the moments in those that

me'd have made me to see them. Always found you the way to make me feel comoday and to impulsar me to go ahead. Your obsession with the gymnasio, your love for the voyages, and your ganas constantes to growcer are records that

are kept with me. Thank you. Thank you for your advice, for your advice, for your side in every time. Vueled alto, Mickey. Simply you're going to

try you're going to the morning. All right. We all came to critiqued to Angel Aguilar, that no had written nothing. Had been passed more of 20 hours, and the chiquita still didn't reactionar.

Always does what you have to do, because no there's another, and finally, rompio a year. Figence the things, today, spoke to Casu, I'm going to talk in Minutes Casu, rompio again, with respect to the future of Inti. Vivian

of the Torre, the supposed accused by the society of having been involved in the disappearance of Vivian Marke's, of Valeria Marquez, the two are B, Vivian, Valeria,

to be very friar with the death of her friend in TikTok. Vivian, yesterday, he shared, a photo with intelligence artificial

and they felled on over. This is the typical photo that is using now to be with someone who admire you

much, and there is. Pusso this photo and he had to respond to the hater

that no he did because they're thinking that she wanted to be Valeria

Bob that that a pinch investigation digital and that I

that I that I that I I'm that I'm that way

where where where where they're so so much so that's

that are in the Cerever in the that are those are those are the

Cotidianally they think They're They're not They're They're They're They're They're

They're They're They're They're They're I'm thinking And that's Now

that's a Pupillet I'm going to try Diary But really Yeah I'm

I'm going to be doing photos So that I'm Well Well

What what MED No Amigas Intimates Mm Devert

Arturo How is the People What No No

this has a little I saw that model of the photos that

well now unfortunately was criticated this chava with this

photo that that's that you it's when you but

the other day me pass a photo and I know how

you know how you you know I'm going to put I'm going to

see my my those oh yes yeah There's a barbara

with the man that more the person he does and he did but who she did

she did that he did that you admire to you or you do you I don't

I can admire a a type that has that has that has been no

no no but look it's it's it's it's

it's it's it's it's no well no well

it's this this this did Google Google is advanced

much in the intelligence I'm going for you see the serianitas that not not all

what you see is true now is doing doing a video also that they're

much they're much good because morning they put with no

see with the chappo with one what applications what applications in Google

the Gemini is the intelligence artificial of Google and there has

functions But what horror, because, we're going to to know what we're to know what's a real, what photo is

real, we have to we have a, we have a we've got to have got to because if not, it's like

that's the real, it's a fact, this video is really, this is a minute,

and so it's many of videos of intelligence, no, when they said, the doctor Apollo she had

had casted with Anna Gabriel, he, he's, he's all the world entire.

This is very very strong, no, serialitas so so- so- so-

good. Oh, yes, Minutes, Minutes, here the daughter. Arturo,

you know you know a Philippe Arriaga, the history. It's that now that's, I mean,

I, of Vicente Fernandez, obviously see much, no, of all the that's

all the story, me is, all is doing something, and then I'm going to see

knowing what what's your mariachi, in the history of mariachi, sir, because,

really that if Vicente no would have done what he said the story of the marriage would have been another

because Felipe was one of the voices of the of the marriage

and Vizente acpared all and that there was more mariache than

Vicente that is a now and now the new mariachi that's with Nodal a year

mentioned that also that also also the product Nodal Nassed the product of

a I don't want to tell. If you want to tell you, I'll tell you. But, well, in front, Casu about the Inti, he, spoke in the Argentina in a podcast, and we have all, eh. Willa Levy,

and still in Madrid with his unka, while he Elizabeth will be to put in their social, but if you're just you're putting, then you're not

that you're putting, in what you're in what you're that's, Elizabeth, that's enter to the island and, well, there's,

there's a photo, I think much more Elisabeth, no? And there cost you my my little

I'm too too much of you put it to know you're my star favorite

so that she's she's she she's a figure bright my

love linda I mean says that does an communicate

saying don't not they're not they're they put in

I'm want to you want to get to with there's distortion. Seniors,

the parse, who is the parcer Regio, who said that Poncho, supposed and allegedly, was he accosted with men and women to escalar in the industry, and today,

I think a lure of Monterrey, he says that he will to make the out of Aaron for the fandom of Aaron

to go to go to Aldo. And now I'm going to what is what is happening because Televica is just

Thank you. How are you? How are you? Well, I've got a information of a very good fount of the city of Mexico that the Mr. that he won't

Merkut, and then to make the dignity that was a fraud and get that all, so that supposedly,

then they're in this game. And I want to reiterate, I don't nothing in contra to something, but that's

he can't. The triumph is for his tio, because Aldo is that manipulable for him, that surely he's a

carlera. Compartan this video-to for that the Mr. Nutella not not even to do you.

At the end, to know, to do you do it very well, and we'll go to when he'll

get to the house. And it's that he has gone to Aron. So, so don't have

so, so vote for who can't be for a little. And Alde, no, sorry, patty,

but you're marked by that for that family. Hagele then. There was. Oh, there's

What character This is the Pa of the Regio Seniors The Salida Starts to share And in the light

Yeah, And I'm Akasu Senora and Seniors, Music of Tension The

Salida of Aron Mercury mysteriosamently reaffirm what I think I've been denunciating

from the house of the famous Telemundo the United States. In Demol is doing fraud, in Demol, TeleMundo, and Televisa,

are playing with the credibility of a television and are manipulating to the public. It has to have an Interventor for Leigh. When you're going to do a concurs, because in the Lottery that's in television, the Lottery, there is an Interventor. A notary, a notary, a notary,

He says, Gustavo Fernandes, that what he's voted is real. Because you're playing with the frequency federal of communication, with the government, because it's the frequencies of the government, and also, with that it has a concur that has to be transparency. Because it can't have corruption, could have fraud, and not use a frequency federal, federal, of communications, to dole. If Televisa

does fraud, because in Demol wants to take to Aaron because no it's not it's for strategy

for the Noggeron has a favorite, or that there's a strategy to TVisa

to generate talent new. But no respect the laws of a

reality and of their rules and of the concurs that are

infrigient with the law. Yeah are still are denunciations,

not only cancellations in Vix if not denuncias to the entreeculator of fraud in this type of

concurs. The people are furious no there was a reason to take Aron

not was the decision of the votos and Televis would be hiding the

proofs of the voteation I want to present the nogeron

today the problems contunded what have What do you have as a problem

to Aron has a fear that the procuratoria federal

of the consumer to the installations of the to revisar because they're

demanding to making denuncing to prosecco proceco profeco I do

proceco because I like the champagne Profeco, Profeco, which is the Procurority of the consumer and is super strict. It's super strict. It's strict in Mexico?

No, yes. I think it's more strict in Mexico, because, we're going to see a television with a price that's bad, but you know, you have to respect that price with Profeco. So if it gets Profeco to

televisa, to revise us, to revisarles all that they're going to make it. Can

embark at DEMOL to to start to produce now I'm

I'm going to say a denunce today I would be

there televised and Demol and eliminating the proof

of the result of the Doming and trying to

falsification supposedly allegably another vote where mark that

Maron Mercury to problems with the law. Because it could be the that separate the recordings of Endemol

and that Televisa suspends the show. It's a very little time the Proculey and Televisa has their mafia, too, of the record. But what I'm now, all say, fraud, fraud, frauds, I've been denunciating this

about two years. It was denuncied with Lupio Rivera and the Noggeron had a relation to manipulation with Lupio, the substances that are met, all what happened with Maripilli, caramel, that was all a fraud with the manager, how Lupio entered and Lupio digited the reality, how were the panties,

these producers, with the participants that had arreggles and pre-contractors that had to have the power of manipulation, my voto. What what happened with Caramelo and Maripile is grave-sim, in Miami. And what happened in Mexico, with this, is a papelon international.

And it's a small that it's a company Norwega, that has its base here, at five quadras, in California, make this type of stupideces television when he's the creator of Big Brother. Now they're

a Go-Fander to get a money to help Aaron Mercury and this is provoking also a fraud because no is doing

in form legal. There's a lot of these God Founder God Found me God Found me. Go-Found me. It means

repa Go Boy Fun Fan Diversion Me Signific

Fund Fond is Fondear So Fondeer But it's But it's But it's

But it's But it's very Pes No-s I'm You know I'm

Pazurita That Is a Go-Fund Me for the Vint M for the

REMO Remote And Tove and it justificate with a documental all what he

did. When when it's a go-fund-me you have to make a campaign to be

where the funds. These people are doing these go-fund-me they have

to have to justify all do do put go get-

consigem get me something if terminate me is that get me

get me to get the rent to get Be a fondearned. In the Spanish, Fondiame the fondillo. And let's see

what I'm going to be the other name. Pongal the other name, gentlemen, no we have time. Yes, it's gravissimo, this. Now,

more than the the risa, it's very grave this, it's very delicate, sir, very delicate. Well,

meanwhile, a minute, three Doritos after, in the salon of the justice, uh, Ninel Conde

had had been to put to all the maquisites of Endemol Televisa

because ventilator the surgery. But this is like Lusero, not Pirese,

a makele a mix of Lucero with who more is like? Oh,

God, who makes make a call I'm Rubio, is that are

Those operas, they're equales, they're peinaned equal, extensions equal, the maquisites that they've seen the scarcely are in the cord floja.

She's asking she's asking her that they're to talk with executives saying that in the program of Seriani

that no there's any no talent more to the program of Seriani now Ninel

is the new executive of the Demol and the duena the duena the duena

the carragas. In the new herent executive of Televisa in Demol, and it is very delicate, Ninel, as that you like so much as the feminism now

of the night and the morning, leave without a maquisites because they've seen your cicatrices. Your cicatrices? Now, who

who said, who said that were the maquisites that were the They were told them. Or how he goes to do

Cucaracha of Seriani someone? A boss tepeinan millions of people

people when you go to do you do you join us with Joel that's

a chismos cereal all what Joel knows that he knows there

there someone inel in your in your circle intimate that

you are ventilating no is in Demol TVista. It's your

entorn, Ninel. Always your entombed, as you're as a lot of, you're talking to a lot of that you odia, and traitors,

you know, you're not you're doing. And when you're not you're doing, and when you know, that's

a recient. And then he's the this, the pinche of me, yes, or no? You're we're making

responsible, Ninel-Conde of any despido in the industry to the spectacle. You live very

in Miami with a department that you and don't know how you know how you but these people are

to work that the majority not are youngsita are menachian and that are there are maintaining

to their family to families to and families to let's let's

your cicatrice your psychatrice those are you not you don't

you're victim of nothing and you are responsible

of who is And of what he insisted. I remember that Larry Ramos, I remember that Ninel Conde, dearly, Darry Ramos,

you have much money of Larry, has a child that no receive mannension. If you're so a good, feminista, call you the mom of the baby of Larry

and give a little bit of what you. Call it a 10% of what he did you, No? Because the departments in Houston those

did you all an emperniment immobiliary of Houston you bought with the maristria with the showcito

that you sell-shoel all the department that you have beens in Miami how you're you're declaring

all this the IRS you I'm I'm please for a question because you denuncias

you denuncious to you denunci look how little let's let's go to do that Hake-Mate.

They're looking a cucaracha of Seriani in the company in the mall. Look,

what that is. It's not not is who who can the

problem is who does there there is who someone is

telling the things and my cucarach he he can't

never they they're they're to Now, the problem not is the cucarachia or the cicatrice of Ninel.

Here is the problem that are making fraud. They're trying to people. And Noggeron is doing the things bad. The people

not is stupid. Vivied a time that now exists. You're doing television when not there was YouTube, when no

had news social, when no had fandons. When could manipulate to the audience and they'd those novels peddorras of actresses, mal-actrises and of galanes

that the majority were a disaster that no know even actuar. No important who me it's, the problem is that you're doing a trampa.

Your office is the bunker of the trap. That's the office of the Endemol is the office of the

the patrons of the mal. Fali Alonso is the that's the one of Merckery and thanks to the media that was replicated, like Leraldo, millennio, because,

this type he advised him to Arnaugeroon that Aaron-Mercurie was a problem that you had had done of the fraud

with Guana that was a disaster with Havana what you did with NINEL that was about NINEL that you

I was talking about Saminil, because he was a defentia from this program. All of what you did, it did you did you. And there's a problem. Ciudadano, if you felt

that they defraudable, defendants. No consumas something that they're not, never, never, never. Well,

that's very, no? What's important, no? for all of you, to discomprimmere a little, because I have Dono Floringa, I have, ui, I have a lot of things. I want to tell you to this

day I'm going to put, for the members of here of the channel, all my voyage to Dubai, because I decided in my cumplano, to go to the desert. And the fact that has been marvellous, eh, what's been made

with those, you have an energy that's all that, for that Jesus, that was so Jesus it passed so in the desert. Why Jesus if it was to go to the desert?

And now that I was in Arizona, They explained a mechanism of the deserts how you cure because the animals,

even the animals are mansos and there's a lot of that's impressive. So, Serialita,

you've changed your life with this wonderful. Arturo, how is the people?

What's the desert of Sonora, well, is, it's complicated. Look, we're going

to read a Maripilli, he said, I'm the number two, only for that I

convertive in your baby Redden we're we're not Mary Pily for favor no

Alejandra Del Carmen he loved much the chico the chico

the chico there's many many many good good good Louis

roberto us send a mil no so I'm in Costa Rica

thanks a baby in Costa Rica yes we we're in Costa Rica us

people very very very amorous the people of Costa Rica says

not all we're like lady this Lucero also I'm more see a

Javier Seriani because the other are some those

are a bit but one one you're going to see

now how he's to be now he don't do

do you don't do you don't they don't have nothing to And there's not to

learn the life. Exactly. What I mean? I'd say, why have you to say, why I'd have to why I'm going to? Why I have to

serve to the ego of this, this is my tottero, my teteera that are all the time to get to to satisfy your ego

and to get to the air. No, no, no, there's a necessity to do this, eh?

There's other professions, pelas, mackery, manikuria, the pala, look, what little

this. You know what? I did, my dad, my dad, my father to do to do cement and

all and cement and fernando orter says of the news of do you know that's

that's the pela so that grosser so oh fernando well let's get it because the

news there's that I think that I got a parodia with Angelica valet

I do I'm gonna do you I'm yeah ah yeah well

they're on the page of Angelica your piddensel because we're

getting the peluquita of Doña Florainda because the we're going to do a

Della and she will be to do D'Nia Floresna about All right. Oh,

of fear. Well, we're going Romina, the wife of D'Ulce the abogado Gerardo

Martin that was here in Los Angeles for incaus with the FBI

and with the authorities to Francisco Cantu. The Mitotero No, one with the YouTubers all the YouTubers

all over. All together all of the mutotero in a single ball. He deminted that he

was with the novio of Elisa Real for some some that are inventing

that is a bit of my that are they're that are robing that no

has been that also he doesn't he comes to Kantu and it he confronts

to that he to be a car car and a ruga every every time he came

to come in California the abogado Romina can't in San Diego

in a in a I'm I'm my I'm know let us

let us we we're we're we're on the airport international

of Los Angeles with the licensed Gerardo Martin also

more known as as the Gerardo you in Los

Angeles these days what you did what you did you

say first that all, a great a big to

do you for not to be a decision but I'm a very much I'm

sure I'm pretty much I'm I'm I'm visit I the firm

of the specialists in civil I'm I'm with some things

that we need to go going to get about the Cisto

a question of Ralf another question of different but

to you want to say this if me permit comment

to in this of this platica yeah they're some documentaries to

the dependents of the United refer to the case of the case of Kantu

you know is that the man and is saying things that not are and even

I did get to see to see the value to get the to get to be

to say to front but well I think so not were the

things so it's all the thing the day of the day of

the court with the abogados specialists and referent to this

case Javier and you want to comment also in the other issue

of that via the Mr. Ralph is an issue that was a counter a

very known Mexican of the family of him in in Mexico

against the but well now more later I'm let

talker the Mr. Mr. Fern Fernandez and family

I I they're saying many there's many many in all parts there's many

manipulations but you know that I met with a note that I'm going to say to someone of

Alia Villarreal that I not authorize a comment and for there were some publications

without my authorization obviously no I don't do no I don't do I simply

not had the authorization to do anything Commentary and, well, I want to keep in your conneciment of plenno. Now, I see

all what you do do, Javier, and the time that you does, and I thank you, I guess how you are, as a great periodist, a, a great investigator, and me put to your orders, to

all the serianites and serenites that you need, Javier, gratuitously I will be to help because I know the work that you do you do as,

see, that you make to the fund, top, With fear, without always always always

will be in your orders Gabriel. Thank you Gerardo, but you've also

to the authorities federal to give to do this type of amazas

can't in my media and was to call to call her amna

to call her a lot of things for me are very very violent especially in

States in the United do you're yeah no no doesn't

make to make call no no The right to express. It is open for the world.

He is nobody to be nobody to go out of any dama. He's entregored various documentaries that I'll do to do get

to get previous bottles of water of protection for to beas all what is all the person that is

a person that is a person that abuser to talk through the cameras and the women

not of one and two of various women this this sir I said the

occasion anterior for other the media that's that's something to tell me

what I'm going to get to get to do you know we're we're not going to

the man and they're saying things. No, sir, if you have the

word of the damas also, so I'm about me also. The sir,

nobody he'll look to have to have to have to inventing things,

but he met you with the person equivocated about about me about

things and I'm I'm put to the when I say at the media, to that me it

repita if has the pantalones, because it's a bocon coward, and I've said, then that's

not so it does, talk to the women, mandar the damas, that's not all right,

Javier, that's not of men, that's incorrect. Correct, Licensiator

Gerardo Martin, and well, it's clear that you can't use images your,

without, not inventing nothing that not that not be real, because it's

obviously, Obviously, with application of the law of defamation or any ultrage of material, private. So, yes. Good voyage, Licensiator.

I have the cards that you sent us to the authorities, and we're going to have to be this. So, well, and salutes to Romina

when I get here to Mexico. Sure, yes, Javier. Saludes to all your public. There are your orders.

Benditions for all. Thank you. Thank you. Thank you. Routin, abogado of Romina,

Iha of Dulce against Francisco Cantu and other situations that have

to be with inventing a lot of to make for to have

one or two like just more. Thank so. Oh!

Apparcy magically ladies and ladies I'm to tell to

the world to me of the music Mexican the

mariachi for me is the most marvellous of the world. This

culture that also you know that the music no has

no has when you go for Madrid for

Croatia no like for Croatia via there there

no there no there in the country there and

the very very very because I'm to you

the Narco Music in Mexico how started the gomeria of Vicente Fernandes and the gomeros and today is with much

love, the daughter of Philippe Ariaga for me the best mariachi in Mexico one of the most grand

he was they're assassinated like the stylists for the area out of a hotel of Chapublepec she went to

his house and there they're while she's her his wife that

was today was in minutes was in the house with his

her and her mom what what has to tell

us the daughter of one of the of

marachi more of the history of America and

her relation to have been a person that's finally a traitor Vincent

Fernandez Donancia Arriaga gets in minutes she's preparing and

she's in connection probing sound and audio for being not it's

not an interview not you can you can start to make questions

if if you have questions for she she is

she is preparing the possibility to go but with many

the many of the caracol with the family Fernandes and televised the series

that's the series that they've not told the and today you

you're going to know so don't florinda I know I'm

I'm don't she documental we're there thanks Patty Cuevas that's

there with us covering this event. Also, there was Alexander Abel to talk

of the Angel Aguilar, but we with Doa Florinda and his

a little revenge, or no against the series of Chespritio that was incredible.

Roberto Jr. said that not your intention that that was that you were

so so serious Well, no, no no, no, no I don't know what

you're that if he's sincere your disulpa that he not said I don't know

I'm going to ask you I'm going to say. But you think these declarations of Robert

Gomez Fernandez? Ah, well, no, no, what do you do this?

There's a there's that you thought that had to in this documental that you

said, this has to do you no, I don't do you no, I

don't no, I never I never thought, he has he has to this,

it's a project and I simply I never I've meted when I when I

I'm, what I do you do? I'm invited to a movie my

friends of the family you can say that I'm that I'm very

disciplined if if someone get to interview I don't I'm

saying how my interview he went he went he's he's what he

did he's doing doing what he has a project. No, I'd like to

go back to do you. Ah, yeah, I'd have found her. But for that I need in New

New York with her because she lives close to her. Sir, for all what did you,

for all what has previously, then you tacitement says that this is a response to

the series of HBO? Oh, oh, I, for suppose, that no I'd

do you know that the first of five years. It's more, neither I never I've

seen the material, I've seen more that, I had in an interview a little trailer of seconds I'm finally

I've been a contact with Angelica Riviera you know I've launched to the fame with the rainia no I've never to see

but a woman a man very merced and she's very good in your work

no I'm I'm I'm a very time without making no effort if it's

for good or for bad it depends of the people in me no there

no there's And I feel well, and it's in this moment, it's good for him, because the work was he, the idea was he, and the tenacity, and to talk doors. No, I think he has been easy. Well, she no view nothing, no, but criticizes all and he knows all. I don't know how it does, it's just, that he has a telepathia,

you know, that no veal the series, no more than a trailer, but then I see all and what I do. The poor chico who did the documentary nobody he said

and the publicist saying it's going so cuten corten corte

in the pergues to get to the 76 years that you have to get to

get to get a call to you pick and the signora Abel also

was there and he said because I don't know I was prima

of Doha Flinda poor Alexander Abel well and he said

he said that the accusation they can't have much. We'll see, Alejandra Avalos, accompanying to her

prima, Tia, no-se- Floreinda, Meest. It's a re-enquentro of much

affect, family, that I'm very good to be able to be in a moment important of

this documental and of his career because in this moment just when when it desat all

this polemic around of his life and of his doros professionals the defense of her.

Well, it's a, one woman that always she's a, to what were the projects in

conjunction with Robert Gomez, to whom I've had the fortune to try

as a person, in the family, no? So, for me, the fact

of being here, to be here, to be to make the feeling the carino

family, well, always is something that my heart a person familial

to me. She is my first-a-my-a. Oh, that's beautiful. Look, nobody knows. Well, I've seen that no, really? No, no we've, well, I never had

external, or never me, I've made, I've made, I've done, to, you know, in the question of that she was my family

within the career. Like, my career me gave almost always to other different rubro. What do you think, or what is your

feeling, because of tant fun, that hate that has received ultimately to this bio-seria

of Don Roberto Gomez Bolanios I think is that you know that's

that's to say that no that no that no that no that they did

a proposit that that not you can't imagine the response of the public

I'm I'm the I'm the time profound that they're and

there really no way to judge a someone that not she's that and much

more than and much less critic her for so I'd I'm respect to her

yeah these comparisons that are done with Ancel Agile that

you do you think absurds absurd ridiculous for me she's

an icon a reference is an an a rhuso national for suppose

that I'm celebrate her work and everything she

represent for all the women that thinking from from the

humility of their origins that can get to very high dogros if

it's the I'm I'm going I'm saying that was receiving a hate

only because he's con nodal Angela has demonstrated in various

declarations that is a chica that is a man who he says he put the

I don't do you do not that you is what molester Not is the Because Madonna

has done Barbarities He has put a, how is it a crucifix and the people have

pardoned But basically is how you're you're You're You're You're

Yeah, yeah Yeah, yeah Yeah, and DidiCom will be

judged the day Wednesday How can Serianitas that they're to do Didicom?

I always I said that It was a 40 years, that then they were reduced to 22, and of 22, the number maestro could be an 11. Tom's, the rey of the hip-hoppy, founder of the Empire Bad Boy Records, is a point to receive his sentence final. Here we've followed, pass-a-past, this case that today can get to have a

veredicto. It's been serrated more than a decade or liberated after more than a year after the rejas. The juror was declared the culpable to violate the law man, but It was absolved of the cargos more grave, conspiracy for crime organized and trafficking sexual, that could have costed the

cadena perpetua. The fiscals pitted 11 years and 3 months of prison, but the defense says that has suffered sufficient. Combs has been 13 months detained

in a prison federal in Brooklyn. His abogados are saying that is a man changed. He'stubbed under vigilance constant for risk of

suicide, he survived to an attack with an arm Blank in his cell. Asegura that he learned to maintain the calm

and to try out of the violence and admitted that the abuse of drugs even recetated

it was to get to get to end up destructivos. The time is implacable.

The time is going. Serianita you're not you're putting like? Look, still

still still gets about. How do this this is this what I've

I've been that's impressive. One hour, two hours. A bit, adivine. How do you do you know?

And the time and the time is going. How do you put you like? You did it a member. Serianita,

prepare it because now get the time of the truth. The real time of the things.

It's now. Senora and people, before to go to, and I have to

Kassu. Casu he's he is what he wants for Ainti after

after what we talked about and what did you know of all what I

knew of his and the parents of nodal that were

to we're to see before before the interview

a interview and again sirs we we we're

the gomeria the opio the opio of the simapolas of

vizente sir sir and sir music of recontratension

I'm going to start rapid with the bombes with what is the content of the program. A day

of Mierpola a note very that we've prepared I've prepared. I've I told

yesterday many things of Alejandro Fernandes of Vicente of mariachi

and disappeared and murders convictions accusations accusations accusations

in gaunus and I talked of how he said to how he said the supposed

rey of the charles he said the re of the gomeros

and many don't understand what is my country gomero

is the that is the and really gomer comes from

a gomber that is the flower the amapola

hallucinogenic and this was the realer substance to see Imelda that consume Tussi

that he he'll be for television how of really the substance of that all of

allio all came all all the opio you know where there is more opio in the

world Wanted To know? When when they say, you're going to understand.

In Afghanistan, you think that we were for the arms of destruction mativas? No.

We're going for the opio. Seniors, creal lo, or no, the opio, the gomeros, amapolas,

and flores, in this war and blocker of gallows the new series that we're trying

this time that comes with with much surprise and he's on the wife of

Philippe Dariaga mania I'm another I'm in O'Don ladies

and ladies and want you know with who was

with this Mariache and Vicente Fernand no it was

with other gallos the gos no, just they were desplumated

so he had with the gomers that had they're really

that's so you're going to this cereal so Vicente was with the

gomers of the opio of the opio in the in the years the opio

took force in mexico what that until then had been a cultivation

in the serras of Guerrero Sinaloa and Durango, it was on one of the

principal activities illicitas of the country. The explanation was

in the poverty of the region where the amapola offer that

no other other could equal and the demand

cresient of the other side of the United needed

and the and the war of Vietnam multiplic the consumer

between soldiers and veterans. That flow of money and mercantia not only transformed the

economy campesina, also also the culture popular. In can'tines

and locales of frontera, the life nocturna began to

make to make with the narque economy. And the consumer

including to the aeron was part of the environment. It was

in the finales of the that narrated and a sometimes with glory the

life of the contrabandist. The subgenero no exploded in the music regional and it

would be solidarie in the decades the next. The base of all was the

gomah. The campesians rasped the capsules of the amapola and recogian

the sabia black that brotable. At secares, that substance was transformed in a

mass dark and pegazosos known as Goma or Blacktar compacted in blocks, circulated

from the mountains to the cities fronterisas, where adquired value in dollars. His aspect rustic and their impurestice

was made more barata than the erotia asiatic and much more accessible for the trafficants that moved

to California and Texas. The expansion of the goma in the years 70 not only assured

the subsistency of millions of families campesines. Also, sent those bases of a red

that connect the sierras Mexican with the market the American's

the mountaines down blockes blacked and the other side

the other side the fronter was a new that never would

be that would be there well well I think

they're to start to put like because what what is

a moment historical. A moment very strong in the program. Vierro, you know what I'm saying, it's not a minute. So, so he said to Vicente,

the rey of the Gomeros. Because that was the industry NAR of that moment. Between Mariac, music, it's like, in

some, in some, the narco-corridors after. And, until today, we have great exponents as for Pluma, more known

in the Kano and all of what you know. The truth is very strong to hear of this story

and many other stories of Mexico that never kept very clear. You asked

a few years me metier in the television TVisa a

series of Vicente Fernandes made by Juan Osorio with Pablo Montero on other

other other other a Sceka and a company of streaming with Caracol

Television putt another history of Vicente contada with the

character of Jaime Camille the of Jaime Camille did the

family Gerardo and the family Fernand the other did a telemista a little bit to castigar

some of the things that not were clear that the family Fernandes no he liked, there were possibilities of the blocker of demand because he's based for the book of

Olga, the Argentina who gave a book about the book about. But I go to go

to the GENES at the NIDO of the Mariachi to Manetcher tapatio a place iconico where the

mariach most grandes of the world can't there. If you I said

many times to the administrator of the place was the mother of

George Regner and there's there there there was a marriage

the number one there was the voice fiscal of the

manifest tapio was the sir Philippe Arriaga Is it with us

And I'm going to And I'm going to give the Welcome to A someone Very special What is No No

No Ah, wait a minute We're putting Images Pellipe Arriaga He was in Ammancer Tapatio This place

Jenno of mariachis Discovered a Vicente, in some moment, you I told me to say, and he said, come, come with me to this place,

and can't be the voice of the mariachi. Finally, a day that is a man who's and Filippe

and gets there there, Vicente and Felipe to a postado. There was a war,

a tradition, and a story that was the death of Philippe Arriaga that was desvivided

in the door of your house. Obviously his mom and his

his children were very preoccupied. There's there, there's Felipe

Arriaga Felipe also with Lucia Mende. Lucia Mende knows much of

this. As I told yesterday was the composer Federico Mendes

that also was part of those three quates that

were very amy there are many questions Serianita I don't know if you have

some questions to put them to put them questions of the public for the idea of many

they're people who are others are for first there's look look

put it put them put it on great wow wow wow wow

that this this look what what was that that

Felipe Arriaga other other artists that went for

there I many many not those I know

most Riyaga of Reynosa Oh, well look at these images that we've received in

archive. There are many images in Google of this story that finally very,

very, very very very and they're so much so much but are

working not for this well Seniors Seniors Philippe Arriaga

and Vicente terminate they're in the end of seora of seora of seorettes you're

there's there's ladies, the icca of Felipe Arriaga Tomacia Arriaga very very

a little name now we're going to let's talk to me to me

I'm a little eh yeah that well well but Donan

Anci Tonatsin. Oh, L'A. Javier, how are you? How are you? How are you?

How are all the serianitas and serianitos? You are you a d'erianita or no? Yes, sure. Always. Guerito consentido.

Oh, yeah, Tonancy, a good to have to have my program super exclusive. Thank you for the confidence. They're very wapa, eh?

Oh, thank you, thank you, well, I want to start for, first I think that's preparing

a disc, I know that there are many things that are to come to a little

to be a bit to back. It has has gone much water in the

last years, because series of Vicente Fernandes and you do a question you

for the part of the commences of Vicente and the relation with your father? Tubist

contact with these people, what you were the series? There were

realades or there were there? Look, Javier, first that, much thanks, I'm so content that

me you've asked that you've got to do you know, I'm thank you in this time and in this moment that

were the two series, I felt like kind of frustrated because I said, for why nobody

me buska, for there, why there, why there's because there there's there many diffamations

in relation of the career artistic and the legado musical of my father, not? So, about for the form, for his murder, etc. But, well, I thank you much. I'm happy.

This, and, for suppose, that here I'm to serve you. No, me convocated in any one of those two. I mean, me

it was that no there was, like, an investigation as a, in any one of two series. And, but

I, this, I've been in the industry, no, this,

and I someone, me comment, he's going to do a series and they're going to person

to your father. So, I mean me gave a lot no, this,

and I did, oh, God, because at final, I think that the legado

musical and the trajectory, the trajectory artistica of my my father, well,

like they had done cartes Javier. So, well, me did

the task to investigate who would to be the person

of my father in caracol because in that in that

not was programmed that was in the one of Juan Osor in

television so so I'm I'm I'm know that

that he he was he was he Rul Sando Al and

then then well me do you the task to ask them

but unfortunately for me also I'm there people in the

production of the series no so it was something that was

a great a great because I've the fortune

to start of the production so so well I

I get a little time because you have

some some there and this and well I put

to the orders of the director of Caracol for if I wanted to collaborate in some

those in some they've lived for example in a fractionation where my mom

currently so there I we're we're we're going and my mother

regress yeah a viuda and solo to the department then

then I was I was I'm padrissimo to give this toque

the reality and I want to cooperate with them with some

locations for that were a little more real no and

well I get the production and they have

grabbed so the of the aman tapatio and

however I did my luch and I get

to the house that they have in the

beautiful because there commenced all the story of us with the family Fernandez. So I was

I was very little bit I was a total is that I get a in this sense

and they've had grabbed many things and have been grab things of the mancette

Patio that too that was it was very important to collaborate for the story as

as a manseer tapatio that was a grand restaurant this three-pissos no, he had three-pissos, it was an restaurant iconic in the

city of Mexico one of grand, cantantes, etc. Total is that he got a time to

the production and I, I, and I'm a man that was a man that was

in the production me contact and this Raul was a professional Raul's

we saw some of those some videos for that to interpreter well referring to contesting your

question well really I'm more closer of the production of Netflix and of Caracol

this of Netflix and caracol so you know you had a good relation with Gerardo

and with the Fernandes, you had seen a lot of time, or a little, for all what what happened, no? Cogam in the grand. Yes, fichita that my relation

with all the family always was, and it's very, I'm, I love much, because at the final, I've been a life with them, not, we've been together, many years,

until the day of today, I, I've, I'm a very good relation with all of them. And, well, this, uh,

uh, a lot of, that's the I mean, I know, equal to Alex, with whom I'm doing

more, and I'm a more close with Vincente and with some other because always we

have said primos of carino, no, and for all the shared and what I

have lived. So, well, my relation is good with them. Let's let's get

to, we're, we're going, how you know, you can't that your father is

desvived in the door of your people were there, How was that situation

that was very dramatic? If, look, you know, I'll tell. Definitively was the part most dolorous

of my life. And I I'm a sentiment. That's the 3 of November, my father will to

eat with a comrade Ramiro. They were to eat and regressor, uh, regressarion

for there at the six of the time. I think I'm sure um, I'm sorry

I'm gladiated with God because my herman was a carada, no had because to be in the

house, I had things to do to do do the school. At final it was a

moment, Javier, in the we've been the five together, no? And,

that no would be to be a day, common and corrient. So, they're getting to this

food, Ramiro, he's a new, okay. He's, he, and he's a

my father, that he he's got to to buy. So, so, at regress of this

food, we're, we, we're, we're, we're, they're on the

studio, and I remember very because I said, I mean, then all the dialogues those dialogues

I've seen Ramiro he asked Ramiro he asks to my father he asks

where I can't get a smoking total is that my father subes

for the smoking to the recamara my my brother was

in his recamara my my her was going with

his man in this and this and and of

and they heard some like coetes, no? And when I'm asom, I was talking by telephone, I listen to

my, to my brother, oh, pardon, but this is important. In that moment of that my brother, of that my papa was up for the smoking,

at the moment to do, he said to my brother, I'd like much that you'd like to back you, because I want to be the coach

that he's that he bought Ramiro for now. Because, you can it, you can could

regal in that I wanted to motivate to my brother they're going to

get the car in this moment it is the noise

of the cohetes we we're we're thinking in

this moment and when we when we we

hear my man oh but but we we

we we we heard papa desperated I'm I'm talking

I'm I was talking by the phone and I'm he was thrown and I'm back down front of the

house so then it was the value most the value my life and

but well I I don't I don't have the value of I was a very, very young. My mother, my mom, my mom,

back, no? This, my, my, my, my, my, my, my father in the my brother, for what I'm going to the past of the time,

because at the final, at the final, was a situation so dolorousa, that, unfortunately, there are people that we know we know

manage and that every we've lived like for separate in question family

no my my brother in this moment also he got

to get at the studio I wanted to get to the

people who were on that came this definitely

was a situation that the dim and the

internet and all these stories that they said

that was Felipe Ariaga how I don't know Philip Riyaga, well, I'm here

to clarify to them. Effectively, if they're done the the lot of because my brother was

on the side of him and Ramiro also. So my papi came in front of the

house, there were two, there were two arboles gorgos that

tap about, at times the visibility of the people that were not so big, not so

not big, but so. total is that my brother, when I was going to be

going to out of the trees, these two people, and my man, he halla my

pap of the camisa and he said, "'Cuito! And he he'll call it because

he'll get to the a, to the reja, well, at the final, protect him. But my

papy was, oh, it was so, like, how you could say, so pacific,

so tranquil, that what he bolted, was, was, he went, uh, attack him, they were,

they were, and he, he, he, he, he, he, he, was a cause,

was a locust, was a lotpura, was a pesadilla, it was the poor that had tacked to live in the life,

a, at the two years mourn my brother, this, but, well, enfocados

to the of my my papa, this, if it was super doloroso, I I was back when she

had been because I heard that my mom was up and me me I asked

a sabana blank. No, I felt that all I was but I well

yeah it passed and then so here we're not? To my

father me Pardon? There was all the family there, that's impressive. All the family. To all the family. All the family was there.

And they got patrujas, got on patruthers, they got on the ambulance tarned on

getting. I, I, I, I, I, I, I was, I was,

I was, I was, I was in the recamara of them, two resating that that no she was

and that's he was super dolorous super dolorous wow Tonzi that was he was

it was clear that he he'd not a Ramiro and to your brother

he was resunio a ball this was a pedid to eliminate

to Philippe Riyaga of the Fas of the Tierra Nancy

Nancy your mom received a cassette of the police with the investigation Fickate that my mom

after this rollo her casabed much they had like very very fresh the death

of Victor Piruli that had had been in front of his house and And the

really is that it was it was, it was, they were, they'd, they'd, the,

those, the, the, the, the, the, the, the,

the, the, the, I mean, me, me, me, I'm,

they're not, involocer me so, but the acos that received my mother and

my brother, no, was brutal. So, So, I, I,

I'm, I'm, you know, you can't repeat, what you asked? No,

I think that your mom, oh, pardon. Pardon. Pardon. I mean,

I don't, this, I go, this, I, a collation, because, well,

at the, 15 days, the 16 of November, that's, so, so, so,

so, is, live, Federico Mendez, my mom was going to the fiscalia to have to have, I, um, I'm, then I, was,

they'd, and a my brother, no, frequently for the, for the, for the, for, to do it, so, I, I,

I, I, I think, that, that, this, this second, goal, no,

because, too, we're, we're a relationship, very I was very close with Federico. It was the third quater, no?

Yes, it was the third of the three Mosqueteros, as I said my Tio. The three Mosquito,

Vic, and Federico, that finally Federico, said that's the suicide. Yes. So,

a me impacted much, it was impacted much because I had seen Federico in the belorio

and he was very bad. So, Federico took a in your heart in the

heart and he was a penient of what we

needed to what need and we're and all and

so well yeah for us was very very

the suicide Federico total is that I think I think

for what my mom me and all what was

in that he had had had made some

some casets no this the really is I know I know

I don't I know I don't say that I'm in those cassettes but

my mom so no my mom so my mom Yes, it was very

for all. I've wanted to contact to the family, no, I don't I'm going to

there was much, there was much, much intention of part me when passed on these two

series, to look to ALE, to look a Federico, to look to Juan

Carlos, not, the children of Federico, a Lupita, his, his, his biuda,

because my mom, she'd be yeah, to have to have to have with a

little bit. So, well, never so it's so it. The life

passed, and unfortunately in some moment of this situation, they're in the case

of my father, they're they're and I remember, in that,

in those moments that that my kid comment that that I

had that had had the because it was it was what

were what accosable to my mom and it was too

what were to my man and I kept with

that so the case no it no comment

to me Koy Vicente, and there he's kept. And they they're a carpetazzo to his life and a story and to all

his trajectory, because my father was a man who was a man who had 25 discos, he was 22 films, no? So, with

Vicente, with Juan Valentin, with Pedro Infante Jr., Beatrice Abriana. So, So, Ihole, of the

point, if passed on the years and for me it was much more impactant, to be that

the past of the time, well, you know, they're like the grand

cantante that was, the grand, with that voice extraordinary, with that addiction

extraordinary of the day of today, there are many people, many, people,

people, you know, so you're how complicated is grab to your father. That's

me full of good, but well, they've lived a

father physically and desivier to your father musical because no I'm not

not as had to be recorded as the first and official mariachi of ame

tapatio we're to go to get to Janice let let's

let me don't tell don't talk so that because not you

don't tell me don't don't no no my your

your your father was your was Mariachi, the rei to Ammeneer Tapatio,

a voice and a timbre inconfundible and Unique and was there reigning and he knows a

Vicente Fernandez and he's and he's also the voice of the mariachi. Let us in that

moment. How is he know the Felipe and Vicent? We're to enter

to get to Genesis. We're to to enter. Justly, my father gets to the

city of Mexico at the 16 years. And it's formed the Maria H. Aguilar that encrza my Tio, the brother, the brother of my father, then they get at the manseptapatio. First, they're like in Garibaldi, in the bar Azteca,

which is where he knows Javier Solis, my papa. They did very good friends, for certain, very chavito those two. Then, it's a manseer tapatio,

and the amazer tapatio that I'm that I'm going to that's, was a place iconico for and a cuna of various

cantantes. This, oh, how barbaro, where you get that's all this? You see?

Vustim of the Lala. This is very good. Look, there's my, there's my my nina chui, because

Madre, my abuela, well, tell you the you're going to you're there's

there's there's there alex there in your yes we're

there we're in the arms in the woman the woman

the of the dwe the tapatio so oh that

so we're a little one of one of one of the one

was was Aurora Esquel abuela of Jorge Reinoso

that administrava and the man tapatio historical. Well, tell me,

then. They're in Garibaldi. No, then they're to get to the manseer

tapatio with the mariache Aguilar that was the mariachi of my father and

my Tio Jose. My Tio Jose Mue my papa has kept as a tant

to the mariachi. So he came in that moment Vicente to

to pay to pay for down, she kept as a solista

of mariachi. And so in this restaurant that was so an iconical passed

empresarios, politicians, many artists, because until they televised on the domingos

of variety, I told that was televised my account, my mother. I,

I, I, I, took the fortune to know the place because it's

some years that they're they're demolier. But they're

there and then they're going in the executive was a lot

people when in those years fall Javier Solis regress

at the annes tapatio and that is the story that

I have that I have and get they're getting there and they're looking

to Vicente that more or less for the decitura of voice had like the rango and this boasted

of the voice of Javier and then they're invited to grab to the CBS in the today Sony Music

so I'm so I remember this detail that my mother me told that he had had been and he was

like he was like Javier Solis oh Javier Soli wow Gloria Mexican. And, this

and well, there, yeah, when he had a he, he, he said, he's your moment. Or so, the opportunity

only takes one once in the life, d'all. So, so he's going to grab and, and

at the time, he regress, and he says, Luis, my Papa, his name of Pila

is Jose Louis Aguilar and he said Louis Aguil so Felipe Ria was when

my father started in CBS so then he regress Vicente to the

restaurant he says well now you talk to you so that you

that now he took to you then then when my father they're

they're they're they're they start a par no

Vicente and my father to my father no he put Louis

Aguilar because he existed in those years the Gaiio

which was Louis Aguilar the contemporary of Pedro of also of these

grandissimiss yeah and so and so so so the discler he put

Feliparriaga because she used Louis Agilarn so that had had been

on one for complete, and they put in Felipia Rehanna. And it's when a career at the par, no? This is when my papa

begins to grab various, in various, in various songs, the second of my Tio, this, he said,

De Vicente, the, of Vicente, and they're at a carer to a par, grab my papa, and

there are, there are, those two, this, doing, well, the fact is that,

his duetos and their second always were very really little and after the moment that

that my father they're to give to the card of retiro of CBS

like for the 84 more or less or the letter the card

of my my father no Javier I don't I've seen in my life

so trist my papa was my papa was a summently no noble sentimental and he was he hered I see

that's but how how they're going to retire if they they gave the

card of retiro and my my papa went discon or consterned

confunded because also his songs just were they were doings in the radio

and I had a level well, I had one a two, three songs in the radio.

And of a point, and of the card to retiro, my brother me said that

my dad no, he said, my father was, he was, he came the world

on the man, my papa, he suffered, he was when, when he, when he,

when, when, he does a, I mean, in this transcurs that's that's

that they did the card of retire and them, there were movies, they're

not, with always in domingo, with TVisa, also they've been to televisa

and then never we never knew because and then you know, he did

a turn his career that, that of a point he's been deprimed and

he's done my life as as a cantante, pardon, I?

I'm in the number one, my papa in question in the radio and all this thing. Total is that

was very disconcertant and very very dolorous for the life of my father, my

brother no he didn't because my brother he was and then my

father had to give to his music and is when he's when he was when

he was when he was so it was very very

very really and that he received and he and he

so because never knew what he had passed no

my family and the family and so. He decided to grab Norteo and

band and he's and he go to States and to

South America because because yeah I said, it started, it was so, it was like, so,

yeah, no, I don't have a lot of work. Well, they're well,

in those years, in those years, my, my father said, in those

years, my father said, yeah, no I'm not I don't know to the

people, no-so, I know, I know, that's, that's called blocker. Blockio

of gals, seniors, what we mean we saying, so, the people the people

open the people, understand that so it was and we have meted the music

that they did not the people wanted to because your papa to the people had

got to the TVisa it's they've got of the stations of radio they're

they're they're they're they're they're they're they're they're

before before to live to the door to the house yeah they're

they're because that was the there's there there a

ball, that is, eliminate it artistically. I don't know. I know, the fact, I don't know. I can't say that I

see only the suffering of my father, because he didn't that was what was what was the for my papa

was like he he, the that he had liked. And, and yeah, no, I mean,

it's, at the United and South America, and triumphs with some Northean.

But he's a and he was and he was and he was a music Mexican it's like a music

rancher now now he says to be Mexican but it's

music rancher Dona this famous story of that he

he got laringitis and he said to he said to

my place and that Vicente one copy the

timbre that had to that was like was a very

iconic Fidate that, well, my mother me says that, that there was a moment in that felted the person that was, that he was he did, and it was from there, that's,

that's include in the mariachi as a solist. That's so, that is, my mother, me confirmed. Yes, that is. And he begins to can't and unfortunately, I mean,

a little bit for my I mean, because my Papa had a timbre very special. A me me me can't how

he's a very, but my papa had a a touch very special and a

and a timbre that nobody he could have ever had because to the same

Raul Sandova that he did my papi he, he, he knows

they're they're all certainly very very well, this I said tona,

what I'm cost to grab to your father, so so the

voice of my pap, that the alkanse and that how he was,

it was impressive. Impresional. It's the worst that's the same in the series.

In the series, boy. Well, well, I, that I, that I'm,

I'm telling that I'm talking, that I'm talking, that I'm kind of coaching, no,

I don't want to say to the 100%, but, well, and I'm partying to Raul and expressions of my

Papa this well I did that in the transcurs of the gravations one day

Raul me says Tona in the series no the death real of your father

in a hospital no yes so so frustra, horrible, because I had in the head that was, that it was like the story

narrated by my Tio, no? So, so, all no quadrava, no quadro never, never, Federico in the series, to my papa, my papa, my father, moire for an assault, that no, that had absolutely in any of

the sense, so, then I'm, I'm I don't know, tristently for me that no, this, and the feches also, not quadrable

nothing in the caracol, pardon, my loyalty and my love infinite to caracol, because I

said I'm close of Jaime and I'm about it. Oh, but no, because I'm in

Colombia. But no, then I did a question that that at final, me tranquillice

a little and I said, well, well, it's a story very

beautiful. But it It's a biography. How are you going to mention in an issue historical, that has to be with his coate, his best friend, it was the chapter most important for me.

It's saying, how are to put those who are in the hospital? It's a balacea at the door of his house. It's terrible how they're

in the media. Yes. It's been because there was a lamentable, because there was, that one, that at the

most not terminated, a little bit my tithe to describe it, if he was, he was, he was, he was

writing or no, if not was like, the other side, that

not they have to be to be because first in the those

there were many many there. This so, so, no,

no, no, no, no, no, it was to do, it was

to say, to tell the the story as the question

to Tona, the funeral of your father, assisted Vincent

Fernandez? No No I was in the US I don't see if was in Las Vegas

oh San Antonio New York for there no no no he did time to

get to to get to at at the belorio and he

he he went to like the three four five days

the I was in shock I was in this world and

And he went to the misas that they did nine days. In one of those misers, I think, like, for the fourth or fifth day. They're all to the misas that they did

to do they do to my papa. But no was there in that moment. With an an avion private, so it gets a very rapid, Mexico to get to the He was in, I think.

Philippe Arriaga was obviously he started that was that was I think that your

father did you know what was going for what they were they were they were

they were they started in the so a poct digited by an

apparatology created to to get to get to someone in that in that

rivalid there there was many many things and in a moment, they're not

they were, right? Yeah, fiftate that if there, if there were, if they were, if they were a little,

but also it was like the 100% because we we're going to the rancho, no, they were,

when he came, or he came to the auditorio and was and well yeah also when

this, felt my father, was so, but between my papa was,

is that, you know that I'm that Javier the most beautiful that I can't talk in

the world is people that he's, he's he's a lot of my own

with Angelica Maria. There they're there men men,

and the men, men, even they don't even they're they're to ask

to the woman her mose Angelica Maria if I remember to my

papa or a nobody or you're with Talina Mira Talina

oh that little photo No, no, no. With a little bit chiquita. This. Look, Lupita,

oh, my God. And sepigin. No, no, no, no. What impressionant, these photos iconics, seniors, and with Lucia

Mendez also me has shared much, no? Yes, with Lucia grab a video that's on YouTube,

that is this, for an amor where, because it was the Rostro of Lerald, and my Papa had received the Lerald. They were some

premiums, for there of the 80s, and I grab, but, in fact, I think that if you're a question today, if you know, my papa,

he said that no, no? So, all was very rare in the sense, because it gave a topetazzo to all, to all

his life, to his history musical, but all of their music, fortunately is now in platforms digital, and,

and in YouTube. So, but my father was always like always like a brother, our relation

for that was, and is a very, that we're not, Frim, my Tio, my

Tio, Viz, my Tio Felype, my Tiamode. So, so it was a relation super-strecha,

my papa always he's always he's like a woman, and at the most today,

today, that I'm a woman madura, that that was to be in serrars in his in his

despatche this, oh, I know tresteing. It was a time that I don't, no, I don't want to record, because,

my papa had much to do, much to give, I, and, well,

the things were so socied and it was something that I've always I've believed

in the justice adivina. And always I've said to God

know, that here I'm sitting at some day or know something more

there. In question of who was because at the final, the Fiscalia

discartor narcotracic that was what was what to me, the extreme of the series

of Juan Osorio oh yeah it, they put for all the people like a

narcotraficant that's what's what that's that's there's there

they're the scene very more reconstructed no this but

there so I'm in a catars super very I

remember that my mario me said no be not the scene

and I no see how no this and well

no I don't no those persons, to the, actors that did you know, my father

like Dan Figueroa or like Bastian, Mark, that's the little of Dyr,

very good actors, but at final, also, he noted that there was like

an investigation not even physically of my father, no, because Dan is Chinito,

Bastian also, and then is Chinito. And, no, no, So, we're just when I me

he was about the production, Juan Osorio, we're getting from the rancho, and me pite that if I wanted to, that if I wanted to have a, in the series, and evidently, he said that no, no? Very good, very good. That's, that he could do, and point, no? But, but, but,

but, if the story of Juan, for me, if it's all over a super barda, and it was very very no no they were

on the mercule you don't have the rights of Philippe could

use the things like so no there no

there no no in the in the in the case in the

of the Netflix this authoriz we we're we're not

an authorization for the of the actually if

well if you see in the series my

father is the the only that's called how was Philippe Ria ran no

Federico Mendes no all those involved no to us we're

to give an authorization and my father and my father

was I'm I'm I'm to say with much frankness with

I don't see if you serve of the but

but when you I mean the people the public Mexican as Argentino

and to get in the history of the music Mexican and

they've I've a very to look the truth

to look the real I I have years

I listening to many and many and many of

Mexicans that me scribe for Instagram, me they're

by Facebook, millions and millions of characters that are in the

sombras also composers and and always me about

your father and and always me said Seriani

you have to investigate this because all the

Mexicans know that Felipe Arriaga your father. It was

blocked for that he brilled Vincent Fernandes. Me

it's not it doesn't say it's you. Me it's

many and millions of serianitas that today you're you are

you don't you need you know I know I

have investigated has years I have interviewed to

much a much people that manage radios to promoters, expallelers,

executives of discleras, and I know the story of the above, for that I'm atrego to talk to. And I'm going to say something more. Tal best

could you tap up this story. But in the gerga of the people, in the barrio,

between the becines, the history is said, and the history still still talking after the years, why me to get me, here, to Los Angeles? Because the stories that

not are exorcisedas continue perpetuad as for life. They're both not are. But the is implacable, and

some day, it's time that she's was in that's you have to tell.

And I will say something more Donna. I know what said the

cassette that has your mother or had your mother.

No, it's not said it's but the caset told

the story how it was because your father not was a narcotraffical that that's

that's clear I see I I my to me to

me to dole much to get me to and see videos and

And see comments of the, I mean, so, that's horrible, Javier, in this sense, of the box populik. How do accusations that are such as much that, that no has permitted that my heart is contaminated, Javille.

And, and it has been, it's oloroso, when I I'm going to be to have some video or commentaries that also, I think I've been to say that I've been in the industry and the comments, a sometimes are very very, and at the

more, my my, my heart, and my case, it's clavarse much in something that, that at final, I know, I don't see,

I don't know if if, if no, if, I mean, I don't see. I mean, for me, that's very strong because I don't my head not would be similar

in a situation like, the love so strong and the carino that my father took with him and with many people, because if I,

in the transcurs of the, the way, that me top with people, that they're about my papa is super really

for me is with what I'm with what I and I know I know in reality

what I don't see if in some moment she took to be or

no I know what I see is that I see is that I'm

to my father and I always I always I always

this and the justice of the situation and of how were the things and the justice like the grand artist that was and the recognition of

his short trajectory artistic because he had a very shortita like the majority of all the grandes that they're going and

and I I only only I just I just always that's always that not be me of my father, and that if

someone was, leal, amoroso, I what you can't say as a, but I had a companyism that not was said for me, but for all the people that I have to me around and that I still now with my

initial to honor to honor his legado and can't, because me part of many years, in some moment of the life, I'm intented, and he not was, Federico me said that he was

going to help, and he went, and, well, so, at the most, a more, a day, he'd to pay to my Tio, and if he said that the industry for women was very very strong, and that

no, I could help, because it was a woman. Vicent. And then, and then, and then, and, you no, but I, no, I could do in that moment, and And I think today that is, that

that never is tard to honor the memory and the legado musical of my papa, and it's for that now, I'm, I'm going to some songs, I'm going for more, because I want to honor the legado musical and the trajectory artistic of my Prince Purepecha, as you said, as Donna, you know,

you know, well, also also, they're to block you, no? You're the possibility now because

the world has changed, because you know there's that power that they

didn't, and because now you know, you know, there was more blockied,

no, in the family. Well, is that is that always always,

it's rumored things that sort of that that then like,

so, so, more, prefer, But, but, I mean, I know, no you know,

I know, there's there's more people and there's more people in the community,

more people that are in the people, and that's waiting their moment, and they're

waiting the moment of the time, because it's a moment in that after the

pandemic, all to be to be to do, even what what happened after

30, 40 years after after, so you know, don't, the fact

I'm really that Emotionally, you're very affected by this because it's something that you have been there your father

who was the generosity that no does nobody I've known to a great celebrities nobody

you don't very we're very we're not we're not we're gonna comey stay here

you're doing a space nobody regala nothing in this industry your papa he said to Vicente

of Beny, also the voice of a mariachi. That generosity today no

exists. Nobody to imputa to nothing. And nobody to do a job

for nothing. Because there's there and so fear that to

they're that they're that you don't know that your father not exactly.

Exactly. Yes. If, now, now, that I'm in this time,

if with situations that if if I don't have followers then I'm important for nobody

no nor not for the leg of a chickar that my father left

no so now now is different and so I've

a very little that I'm interviewed the Mr. Luna in Los

Angeles that perfect to my father and in this moment I was here

in clave with him And, also, they're so many Javier of my father. I mean,

oh, so, Lindo, all the redos that I've received in the pasto of my life,

in quite to the integrity, the honorability of my father and the grand, grand,

grand, grand cantate that was. Look, there's with Raphael. Yes, yes,

yeah, oh, yeah, so, okay, so- so, I'd,

I'd with this program and with this interview a little, to put a little a granite of arena to the truth and to the justice that never

see you. I'm going to say to the public that Tona is to grab a disc in this moment, in these days, and so Tona, we'll we'ller our music, your songs, that wills now for something more

more, alegre, musical that has to be with you, with your papa, too, because no, and I know, and I see that much people will start to romper the

silence, and they're going to stop many gals blockied. So, so

nothing, a pleasure to have Tona. That's kind of you're a little

person and I hope to hear your voice. Yes, sure

that I, I I think, and if me let me

let's your serianitas and me see in my redes

like Tonats in Rih Rager in all in

all the different in all the people. And, yeah, I'm going to see. Yeah, I'm going to see.

Yeah, I'm, um, this, me are supporting. I have some primos that me support. And the the time that I went to Guadalajara or the, that came to grab other songs. And, well, we're going, we're in

the way and with much illusion and all the love of the world for to continue onrando, Javier, the legado musical of my papa. I want to thank you with the

soul that that has been you the first the first medium so

so important that had been the interest of honor the legado of my

father and what was like being human and as a thank

I thank for all the and for me it's an

honor to have done my first interview with with

the guero consent the d'aglia, we're going to be told Tona that I had your telephone I was a lot of time.

I was behind of this investigation and I said a lot of the other day and I go it's the moment to call to Tona and you you're still

and you're still you're waiting because evidently there was a connection there very great and also

you had to answer to these series aberrante that they said that not didn't say the

right? And thanks, thanks for to be with me. An applause, Atona. Hi. With the valor of all my

serianitos, I'll in my heart and the two. Muchismas thanks. You

appreciate, to how to thank to to what came to this day of my

heart. And thank you have always a lot to have your credibility,

your credibility, and And all what you're consented Look, Tona, I'm going to put

Tona. I think your name Artistic will be Tona. Tona, yeah.

I'm saying Tona, eh? Ah, you're saying? Yeah. I'm I'm just

Tona. We're about. Here the people you're saying, we're saying

we're saying with much carino. Thanks, Tona for you. Abried the Almas and tell us

all right. You're going to say Tona says Cali La M-M and says Sussie. Brindando

much carino, and animo, force, no have to the tomb. The fear,

the need to exorcesal before to go to our soul to our other side. Thank you.

Thank you. A bit of the big. A good. Tona. Receive. See, thank you.

Tos. Yes, thank you. Bye. Thank you, thank you, the daughter of Philip

Arriaga, abriending your question, to the series of Juan Osorio, to

the series of Caracol. and I'm going to go with Casu and now I'm going to my editorial very small very small

of what we've got to we're going to rapidito because I'm to say something very very strong

of this case of Vincent Fernand I it's I'm to imagine

me so great because I think she will have to have a idea

and that the only that me is preserve his values. I would that was a person

this is what I would be that I want to be who want to but

that a person a person respectuosa that they important the world that he

the world, that her and it has a family that has that has that has

gooddad in your heart that that no succumb to the maldada or that the injustices not not derotten, so I think she'll

grow with a lot of of other type of injustice, no? Like the and that's her, and that's going to be a way that, I feel that's going to be a little like, constructing. No, I want to, I don't want to delantar, but

I hope that she's I feel I'm really of the mom that they have. Asu Abland

of Intin Senora and Seniors want to be something to read before

a grand final that I want to look so so it was

that did nodal sub to my am my

amor cosita oh oh my my little little

pedacit of my banquito lucero but for He does this, to the poor Nodal.

And someone of the production Saka the photo, and this is running on the media social. That's a verguessa. Me has to record to this group of Images. And also also, it's

put the banquito in the photo. Well, what is going to be? Chiquitito, my love. Nodalito. So,

so does when he is going to be to say? Angela is more high than Nodal or no? There. Well, but

no they're because then the father of the father

of Nodal but they're so they're so so they're so they're so they're

well there's sir to to read us a little remember that we're the

work of the tour of October that we we're we're we're

we're we're to the Austin look Austin is the Texas Tour Part 2.

That's a nice of October 18 and 19 to 754-25-25-9-46-46-422-2-2-2-2-4-2. In Ticketplay.com or the telephone at 754-259-4-6-4-2 No, you'll forget in Macal, in Austin, and the pass.

The boletos just are boling, so no they'll be jamar. Let's Well, Arturo The people disfut-muched much

the interview of Tona and I I'm I'm I'm I'm I'm

before that they're they're they're I'm I'm I'm I know

what I said before and what I'm I'm I'm I'm

I'm I'm I'm I'm I'm I'm I want to be who are you

who say, here in the chat, who think that was the who the who man who to the father Tona

Felipe Arriaga? If not were the NAR who who did make to disappear to

Felipe Arriaga for that no moleste more in this

world and that not another voice so are a

other can't a I Javier Seriani I see perfectly, because you know what I'm confirmed

the cassette that he left he gave him before suicide a days of when he was a day of his time, he got a the composer of Vicente and he leaves

some cassette that he gave to the biuda, to the mom of tona confirming confirming

who manned to the voice number one of

mariachi amman tapatio with that timbre that particular that

other can't copied of for a live I

don't I don't I You're going to say you're the

Mexicans that not they're in any mok that they're

they're because Los Casette received the mother of Tona the

biuda of Felipe Arriaga not only of Federico

Mendes Compositor of Vicente Fernandes and the same police that saw and gave

carpetas a carpet that's that's that I've had had televisa

the radios promoters the pasholeros the discleros the discler

the discera that the same that the same that he gave the

retiro for always to the voice principal of the mariachi

musical those cassettes appuntable to a one person

I know don't the family and the family and the primos, also know. And,

thanks to God, justice divine, the public Mexican also, until morning. I don't know.