Javier Ceriani - Marco Chacón en vivo - Abee y Abdul, ex manager de Emiliano ¡aquí! | Javier Ceriani

Episode Date: June 9, 2026

Vamos! Iniciamos la semana con tremendas exclusivas impactantes!!! En vivo llega por primera vez Marco Chacón! Cara a cara con el águila! Además tenemos todas las voces del escándalo de Emiliano Aguilar!! Llega su ex representante y la cantante Abee !! Tremenda BOMBA de LCDLF a días de la gran final todos saben quién es la gran favorita para ganar! Nodal empieza a limpiar su nombre con periodistas vendidos!! Hoy más pruebas de ello!! Paco de la O al descubierto una vez más con tremendo audios!! Esto y mucho más en el mejor show de YouTube! ¡Vamos! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

To make the To make the rodar the farandula At the rhythm N'B After a scandalo of a year

and a half where this channel did covertura special about the case Imelda Chacon and

Maribel today Cara to Marco Chacon with us for first first

Also, we have all the voices of the scandal of Emiliano Aguilar. Today, he gets Abdul, ex-manager, that Emiliano lepidio, he asked this end-of-since-of-simmoner. Abdul in vivo in our studios, imperdible. Tremendda bomb of the Casa of the Famosos, a days of the grand final. All know who is the winner, before what's suede.

No.D.E.N. and then, and then he's a new vision, and this end of

the end of the end up the time the time the limping general commenced and here

we're going what's what's what manager of Nadal he

had had an great a patichapoy these things

that not they're getting for ethics periodistic and

also from the The Spain, romp the silence, the of the daughter of Sergio Andrade,

we're the details, how is the program. We're going to to do

the spectacle. Hello, Serianitas, how is it? Here we are ready to start the

first to start the time. We're a tremendous exclusive ladies, ladies,

it's the ex-manager and also there's Abby, the cantante that was with Emiliano Aguilar. All right.

All right. Sen. Sen. And then you're going to share these. How I'm doing? I'm doing this. I'm doing.

Look, beautiful. That's the photo of the big show. There is a big show. Seniors, we're going to. Well, seniors,

gentlemen, well, to the salutations of the because today the program is a chacon

is ready to and not they're not they're not because we're going to start we're because we're

about the time time bombes time no there's so we're we're sure we're sure

the people of the Agila rapidito here here's sirs an exercise

incansable the really incredible these serianitas that are unyingos and

are going to do make sure that's there's there restructuration of

the So, so many people are working parallelly the to what we're in the air, sovita, Irma Guilera, Valencia, Adiland, Ammanecer, 54. That's in the age, my love. Carolina 26.

Lina Contrera, Jacqueline Pasmino, and the Chica, all of them are in the Airs with Javier Teriani, and Cumpli. Where are the Cumpalions? Ah, Lister, Calderon,

Ruby Lopes. But look, that there's so there's that there's this is for you're doing all the day

for you. The exercels the year to celebrate the yearnions of our series, Anita,

that's the best, and all the those that all the year, a month of a month

important. Come, to come here, come here, come, here, come, and parate

here, here, so, so, a of some I'm in a

some light that no me know me know that I'm and I'm know how

it's all when we're when we're back to the 2026 I was I was going to be

the 2025 and that he was tap all the didy the of the

menendend you remember that when he said he was going to go to

a year to a much change a mountain rusts well

it was the Worldia, the festivaler. How we're going to say? No, we can't say the word of the what is, the Fiesta of the football, we're going to say. The Fiesta of the football,

is it happening to do-to. There's a tiroteo in Kansas City, all the assassino that's in the Van Orte, in the stadium, the extraterrestresres, that are going to

go to the first part of Mexico with South Africa, and, gentlemen, we have the Fyta the Fytee this time and we

have a new collaborator that will give us the glamour of the the fiesta and we

going to start with Fathema to give the first America not Paraguay is it

goody because it's the the first inaugural with Kattyperi Annita with all

but you can't you you're going to buy to me we're going to

we're to doble we with Min-in-Me. Let's Arrankment Let's let's

let's let's there see a big yeah let's see a

B'all in the Bacchal Car to look with the agal of

represent a day of the end of the grand final all know

that I'm to start I'm I'm nervous because

after I'm After a year and a year and you know, you know, you know,

you know, when I'm about the thing of Imelda Cunio, Maribel Guardia, Marko Chacon,

Julianne Figueroa, is the first time that I going to interview to make

a market, and you have a lot of you have you are the time, to hear

to talk to all the information that I did, I know I know I'm

I'm that we know we're we're we're the program that

more information has had that that case to ask to

ask you to do this so today who is the tutora because

we we're we got we're we're not we

don't you know and what he was so I'm

so I'm so I'm that was that was

not that he was he got and he's

all you don't you don't get get me to

get me of you, to know, to you know, because the regalal that's because the

people are in the world of we can't receive rapidito, Senora and we're going to go. Let's go.

A- let, we're going and they're going because they're there they're

the announcement and obviously ladies there's there is a piece pluma

we're we're going to let's let's let's let's we're

to share we've decided we've decided conclude our relationship the

which terminate with love, respect, and in the best of the very terms. We've

prioritized our privacy and integrity and we're we're we're we're

very much of the time. We're we're that their decision and

privacy during this moment personal. Thank you and Hassan. Well, a

let's say we let's say let's let's confirm that confirmed pes or pluma a

There, there's. There's no, Ikehna-os, menora of the signores, there's, they're separated. So, well, and Mark Anthony,

the baby shower, rapidly with these notices, let's see, for a favor, to be, a baby shower there,

oh, that's, oh, they're not, Cereanitas, how is, fashion or no? Is it fashion or no?

That fashion, or no? That's cool, all the glamour, all of rosas, as me, using. So, so, well, there is the baby shower of this sir. Musicita, sir, and, gentlemen, let's go. Baby shower. That's good. And we're going to, the

Friday, I threw the bomb of the cancellations of the visa. Let's say that I was going to do this mom, because it's passing, that are canceling concerts, announcing the arroggiator when no can't enter, Banda MS, Pancho Lizarraga, and now the coyote, tremendous lyo that I threw in a clusive,

now, fickence, they're saying, they're saying, we're going to be. Well, there is. What lio that's arm, pago, plato, no,

thanks. You, no, you're doing a favor, it's all, all right? I'm Lisarraga, to the grito. The place not

was not even no the people don't have to listen. The people will be

to be to be the people want to and have to be listening this

work to be the not that not much the people have lavott

and many and many programmers and they're doing payola they're

getting this chaos at final they're millionary those pacholeros

millionario the promoters and the artists now don't don't

where Mexico is insecure and The US US no they're the visa, it's going to

to terminate the regional, if not they put in the pile. Now, they're the help to

those who cobroughed money, and that were the radios and the promoters, because the

musicians, not have the people, the music want to and the public want to

get to get to get to this bomito aggressive between managers and

and the people, this is what the people with the people with the

people, with the people, Oncema, they have to go to want to these, and they're going to with the trombone

of the middle. For favor, do you know, the things well, I'm going an answer and me make

in case. There's the thing. Well, Senora and sir, I'm a year, I'm going to

tell, you're going to tell, you know, what's going to be going. Thanks, to God,

this program has been of a lot and has taken many the realities. And I you let's pereanitas that have patience. In the

life, the truth not always is said in the moment. I, for denunciar the accuser of millions and millions in Univision me I'd

seven years. Seven years, because if not, if had the denuncia in the 2008, when I'm intero of what was going to

the girl of the flaca, not me to believe, me going to to plastar, and the really was to turn to something that

not going to get to get to get to get to get to get to get back to

the endance to Alvis, producer of the Gold of the Placa. The truth,

Serianita, always will be to see, the out of the out of the

out of the but take patience. Because not never the really

the moment that one want, a sometimes have to wait

the Adela Misha had to wait a year to have to see a a treasoner

stafador a preza and a sometimes have to be to call out and a

sometimes have to be in silence how did Adela cackadita

met press to her socia so so so here was the

first program the first program you that Adela

romp the silence to to talk, that Susan, that is today presa, he had staffed in his platform the saga,

with Maca, the ex-amigua of Galilea Mortyho, that also she also she has been. Mate, wait, what I do the hackke

Mate, because I just am I just still being there was a qubrantu important for, for collaborators. Here, all

are we all are collaborators, all we've collaborated for the last seven years, since I opened

the saga, I always think we were a group, now we're we're

we're we're doing to do and I'm so I'm that

force to to continue to front to this adversity.

There was a qubrant an a important a, an

abuse of confidence is all what I can say and I'm going to say

how I'm saying, I don't know, I don't I'm I'm really

disillusioned, me I'm very deceptionada, I'm I'm, I'm, I'm,

in the case of, there's there's been there's five people that were to go to

get to collaborate because, I'm here, I'm, I, I,

I'm, I think, I feel that, of some way, I think, oh, and, of a point, is very patetic what you

see, no, and very hypocritia, and very little solidarity, and very

little sororah. I'm going. Well, Senora and gentlemen, saw, your socia,

paid a prestamos in the saga, of the productora, and, and obviously,

it's a fraud, no? Millions of We'll see the informer for that you understand how you're trying Adela Mitcha.

Adela was denunciable, Adela was, separated to his socia in the same time

that I'm separate too. And the two rompies the silence. I, a little could have

to be because a few can't because the abogates and they say,

no, and in that moment Adela me put to what I put to

what I did my ex-sociocios and to them I could to take what I could, of Susan. One year and a

half, he was to expect for justice. Imagine let's the things that we're that we're that's

the psalas are the most they're just the people who who has a person or to someone who does anything

or that nobody he doesn't, nobody he's molester. Why molest in the who he's,

it's always with a type that has a person and a and make an effort to have a salon, and there's a peluquerie and he wants to to tumble the peluqueria.

It's always the gulfed state. The gulp of the industry and in the work. For that's, to get to your house, to your family, to your company. There's a part of the

trai-a-te-te-tele-televisa, was her a friend, was her soci, let's see what happened really with this case. For favor. We've learned to Susan N., who is investigated for

your probable participation in the deletive of use of document false, derivated of the fact that have been affected the patrimonial

of a communicator. The investigation in June of 2025 after the victim, who identified different documents

elaborated in the 2019, that contained firms attributed to her, but that was sure not have

subscribed or not authorized. Between these documents is a contract of mutual,

with a Hippotecharii, mediated the which was an purchase of a million of a

payment modificatorio and a payer for more to one million of the

decision. Dachuergment's documents were used without the consentiment of the victim and

they were obligabing to assume compromis and the personal the result of

the investigations the imputata was localized and the 4 June

of 2026 in coordination with the Fiscality and was transferred

and ingressed, and the Center Feminine of Reinsertion Social, Santa Marta, Akatl, where it was to the authority judicial.

Well, the reality is that was a traition, not is the only a in the spectacle

this this is what she did, Della, a position political or not.

Adela, not not par to even in his vacations, go and transmit from where it's it's saying, why always she's coming to

come to the he's a lot? Because, a ver, this lady was a man who will go to go to the

carcels? What is the ganance of to mordered to what is the gainance? Let's say me,

what is the gainance? In what moment they think that nobody is going to know what

he was? Susan He said He was He was He was He was That the

That the life not He was to gobrar Tard or tenprone Some Some are

to be And other They're Not going to Because the Cuella With this Cuelly

Withte Because Mured To get Toer And he He's He's

He'd He'd He'd He'd You know, you have to medir the consequences to what you do. Not is what you can't take out what you're going to

what's going to pass the next year? What's going to what you're going to go to be your life when you get to the

periodist most famous of Mexico? I mean, to be a man, Adela, who investiga

to all the corruption of one of a other we know we know, but no important,

investigate, and know to investigate, how not to get to I'm going to grab, or

the time. Because Adela was a little, because I know, I'm a little. I'm

I'm doing because you are doing, making, and, and not you know you know a

lot of things of the people that you're saying, oh, I'm, I'm doing,

I'm doing, I'm working much, and she obviously, when discover this,

and the other is where is where Maka? You remember when

Maca was the saga, how you're a bigger Maca, he says, but you

can't be able to be able to Adela. In serious? Yes.

You can be able to be an young. And you can't do it

and can't do you get Maka. He went to the

side of Adela and disappeared for always is a

a fossil of when they did they were a maca, that could

be like Adela. Because not is only be famous and to get to YouTube with 30, 40 years of career that has, or

we're, and in the other is to sustain a company. I was a company of Adela. There's,

there's a person of 20 people working. There are to pay the taxes, have to

pay the impuels, we're to pay the law. It's all very beautiful,

no? That's little chakket that use Adela. But, not do

I'm sure that Adela no doorme, because at the 2 of the morning, the day of the day of the day, and say, tomorrow we have to pay much, tomorrow have to pay, have to do the

money, I mean, I'm getting, so, in what moment Maca, you think you could be Adela Micha?

Where is Maca today? Do you? Do you know, how bright on the side of Adela? No,

they have to sun. The sun you can't be able to the sun, you're freeas. And, and a few

you congelas for always. Welcome in Lune and it's a program

a program so. He's going to tell what coming. The minute is

is aligned to enter in a minute. Marks Chacon Spos of Maribel

Guardia. Never I've never took the pleasure to interview not before

and during and now after after after after this program

is the program with more content investigated on both parts we've investigated to all the ex of Imelda Toon

to all the ex-amigos of Julian Figueroa all what was in the Casa of Chacon for some reasons, many cucarachas, people that was

who went, personal, that could filter some information of what had passed. I was the first in

to get the pilot that was a primo of the Bruja Verde, amante of Jose Manuel Figueroa, the pilot that metio Imelda

to the room in front of this man, Marko Chacon in front, a pacito in front,

and then he made an extrano a man, and I, I, I was, I talked with him,

He, Victor Manuel, was a pilot of aviation, and finally, he was a primo of the Brouja Verde. I know it's so. No, no,

I don't know, because nobody me it, the contrary. With Sophia, you know, the Bruch of the Verde,

that is the mante of the life of Cuerna, of Jose-Manuel Figueroa, that I talked with

her, that is very good, is the prima of the pilot that went to the

Casa of Maribel to do a trio with Imelda and a miguito gay, borrachos and discontas. Senora of the sirs, Marko Chacon

to be the serianita if you have any a question for him, I'm to go to asker a question of

the public, okay? So, so you're going to you're going to Mark Chacon?

You're remember they're so, well, Senora of Seniors, here too

here too in minutes, is studios, Abdul, the manager, the first manager that we we know, there's Abdul. Do you know, is Abduh. You, you know, he's a rocker, was Abdull and Emiliano.

Abdul was separated in a moment of the life of Emiliano and was accused of rob. Emiliano, he asked this the end of the same of a Abdul, that that he's not rob. Today Abdul came to romper the silence over those

disculpas. The accepter, no, he'll accepter, what he thinks to this, a man who has

negotiated to the house of the famous, a man that's all the secrets of all, and of what

was the way of Emiliano in the moments of Tijuana and of all the time.

Well, Senora and ladies, and then he's, Abby, Harley, the guazone,

Abby, the cantante, that's If you're going to the team of Rockie will be

to be going to us also Abby is the company of going

by you go by by you the company of Emiliano in the

video of Harley and the blue and you

remember that you said that she she she

she I know the I did the interview

em no no they didn't the will be

Possibly another, there's, there, there the, there's the, the Pelo Verde, will be with us today, here. And, and, another more, seigneur, and, seigneur, other manager more of Miniano,

came here. In minutes, another manager more of Milano will romper the silence. Today is the program of infarto. What is going

with Nodal and Telemundo? The same past, me done the pitazzo, that Nodal I had negotiated with Univision with Aless

Roderis, with Yomari Goiko, with all the programs of Univision and that needed a Piente

was direct with Sandra Smesber and he was contracted for an event of the

Worldial Ayer Nodal Arregland periodists today I'm to say

what what you gave Patti Chappoy attention because that is a poeotic. Jorge Ramos

not would have received. No, a serious, receive a great gift a caro with the case that they

did, you know, to all the people, that's not. They gave to Patti and Chapo

a gift an extra for below of the mess. Ventanian no.

What did the manager of Nodal for that you speak well Seniors and and

and a one of the house of the famous that's in two days who is who is

who is a one of the one of the one of the surprise and also who is

you know you know we're we're more of what will be to the house

of the Famosos Mexico and an an explosion that

it's, it's, it's, it's, it's, it's a light in the car of the

public, the real of this reality. Well, seora, the years, before you know, to say, to say,

that's very very very, and to me a me a lot of this, many times, no,

that I'm to know to a person without not to have a, and, and,

and, and, never, never, ever, ever, is interviewer, as the case of Kasu.

That maybe a Kasu not ever but when one has a position, when one has investigation proper, can open and

can look the truth no, that's who can't even I've got with Imelda I'm

I texted with Imelda and Imelda me bused many times and many times me reconnoce

some things. So, for the first the history, after a year and a minute, of this person, I'm going to

have to be a car to. Welcome to the husband of Maribel, Guardia, abogado Marco Chaco.

Hey, Javier, how is? Mark, a good. How are you? Well, yeah,

honestly, I don't have the good to know the person, only a through your emissions.

And, and, and, there were much people inhojada and ardida, because you investigas,

because you lookas, and all the reduced to the most simple, no? Uh, to the most

absurd. But exactly, that, that investigation that you did you, was for me very impactant

because I had an idea who was that person. I mean, I had no, I had a

form of to know. And you, for your contact, for one interview that ligated with another, and you're using pieces of a rompecabes, and you've got to, even,

with the person, point of the family of the person, that was there in the house, I don't know what I'm going to be or what they're not, not my thing, but what I do is, that I did get to take from the house and that

was in a state inconvenient, no? and, let's that would be intrascendent. There are people that the affan is to be able of one person.

That would be absolutely intrasendent if there's a minor de the only that's the only that's important

and for what that situation is transestant because every who every does with your life what he

is, on a major of age that is not a theme me, to me not me

incumbe. What if was that that's that's not that's not curi in the

case. Number one because they could have been had been in other city, in plain liberty, that not occurred in the

house and that would be made a man who could be expected of these situations. So what

is the that's the only that important is protect a and is what we don't to forget

because at these altrues and as you, after you after more of

a year, much people have that that is what is what important and that

was what us motivated. Because imagine that Maribel is a person with a career intachable, with more of 40 years of trajectory, with more of 40 movies, with more of 15 telenovelas protagonics,

with multiple series, with programs as as a, multiple programs in conduction. It's an artist absolutely vigent, that all the time is, if it's not an opera of theater, is an opera musical, and there there brink a

teleserie, and there a movie, and there and he goes to the theater. Maribel is the

famous. I don't know so. I'm not famous. I don't know a carer apart. Tampoco

is famous this person. We're we're going preponderance to part of that we're about the

life of Maribel, but no we can't confunding and think that we're the people are the thing of

stupid and and tonto, the famous is Maribel, and the famous was Julian. We're not people alleged to them, that, in some form, for that sercania, we've been able to live

in some situations that have been to be with the life of Maribel, because if Maribel, not sergible, not she, neither, I, I'm here, because I'm

doing, because I'm claringing things and signalements pointes that are made of Maribel. So, So, going to the point and

having as an time and rescatting that the important is a minor and the

integrity both physical and mental of a man of a day pastos after a

little more of a second a representation legal of this senior reduced

all to that was a matter of a so then it a

person that a trajectory of 50 years, with a success total, put in risk, your life, your career, nothing because

they want to someone. It's an absurd total. It's an absurd total. The people can be or not

be in what he said Maribel. What is, is that the only reason for that he did was for

to protect a minor new newt. No, he had any motive, no other type of

motivation. And when they're confunding this, with the theme the

herence of Julian, there's to be clear and very pointuales that the testament

of Julian signana as a individual no, Maribel, no, a Marco,

no, a Tia Panchita, to nobody more. The child is in the

Voluntal his leader universal. And the mama and is the mother,

not to then we have to this, because there people say, no,

it's the interest of the people we don't We don't have any interest in the heresia because, for

to start, not we're not having no, no type of benefit or interest. At the contrary, for us this situation has made to gastar money that we're going to recover, never. Why? Because we, we invest in abogados, in juries,

we have put eight demands, diverses, and we're just we just we gastam. The people that is investing in the contraparte, it does as an inversion because they pretend recover.

They pretend they're they're that money with the idea and the

herence of the child they're to do a percentage very

ample to the abodado. So, who have the

interest economic? The abogados that are to get with the

patrimon of a child, we're we're we're not we're there

and that there's a only just a one of the eight

that we we're we're we're percied a fifth a one person

no it's very bad to be a good but when they're in that

position and you know that they're just like a strategy for that that's

that that you can't that we're not we're not we're so

so so it can't the situation I'm I've maintained

I'm never I'm I'm I visit programs from

I a career and expone this to the media, is the mother of the reason or

without reason. I don't I'm not here to say that I'm not to say, to know any person, but

is she the that the that is she the banketa in the fiscalia, pudient to be in a

officeina or putting to be in a coach as we're we're in a carinetta

in a televista that we was presto a production. We're in a van with the

videos polarized. There We're still at the 7 of the morning. From the day earlier, we're there

and we're in instead of doing and she was doing not as the days of the next she did go to make notes,

to do you, make some, make some, to say, that we've got to the child, that we

had us got us got to be the school, when who who's should try the

the fiscalia of the children with the people, with the

fiscal okay? So, this This is an act of authority in that we don't have nothing to see if we have to be in the denunci.

It's not we're going to be the man. We're not, no, no. Every one, no, no. Every one, his responsibility. Maribel put a denunci a part of the actions

in which she thinks that the child is going to risk. And, other way, we'll forget the north, what the important that is the child.

A part of that denuncia and certain proofs that the present, the Fiscality decide, they decide, even in an act of authority,

to go to the then. So, I'll repeat, this woman is a dedicated to give interviews,

tomorrow, afternoon, and noche, to the consulia, to the house, outside of

the places, he's going to give a, that has a, that has a visit a media, and sit a

media, and then you start interviews, and interviews, and interviews, and interviews, and interviews, and interviews,

and there are, phrases, phrases, say, like that in my life and consumed and never

will be able to or the phrase of that's the brain of if it's true, I'm with two

friends but those two are gays and a series of she is she's she's

she's the not we're not we I'm saying these programs

and we have the program's and we have in video of these

expressions vertier for her that not for us okay

after all those phrases, or even the Cerebre program of Gustavo

that he has a problem toxicological and that is positive. I'm the I'm the

did the program? No. I'm the who did the did the did?

Who did? Adis Tune and Gustavo Infante he has an problem

toxicological in the media that they want in it

can include but that they photo, to the pantagiazo, and they're

to get, after they're saying that they're not the people and they're to get the time and they're

to say they're to accept that the proof had been positive. Okay, I'm talking of things that

no inse, that they're that they're two expressions of her and a problem toxicological that

she's real she has in the program a friend with the with the with the

have packed exclusives. and that are their boceros official. That's they've done to them.

So, after this series of things, Maribel decided to do a conference at

press. And now it's, according the abogado that is what he has been

that Maribel is that he is using a direct of a declarations

that's many declarations multiple declarations every days, morning, tard,

and night, and after that we have we're a burbando media, with a campament of periodists in the

house of us outside, in an acosal total for the note, and piddiness, to all those exclusives, to all those people, we negam the exclusives. All those periodists, serious, no, that no, that's that you say, that no, an exclusive.

A part of the moment that he's a man, he said, no, I'll give an exclusive, no we're going to talk to say a media, no we're going toopenceeer a process. He, then, so, he goes to the contraparte, arm a impact of exclusivity and

it's a war mediatic of of them against Maribel what did do a replica in a conference of press in which

he cited all the media is being being Maribel artist exclusive of a television for more of 15 years, not

was with that television and he gave the exclusive. No, it was with a television a great,

let's see a steka, no, he's a conference in the press in the that he gave the same place and the

same space to ask to all the media, Telemundo, Univisian, Televisa, Azteca,

image, all the YouTubers, all have the same space to question and Maribel

with the same respect those he took to this. After this this conference to be

a question, in virtue, in virtue, of all the expressions and all the declarations that she

had been repeated occasions, And, after a gossip mediated and that

all of all of all of a lot of a contestation Maribel does and the

tunded to napal us a monos one do you know, and they

did you to do, well, well, is that you have you you have a

and with a camera out of the door of my house. And

now you come you because I know, when you have been about two times

to pay me me a exclusive and you I've said to you're a disc

and it those for equal, then there's tound her because

what they were to they're they're but in exclusive. So, this

abogado has more of a time, and a purpose of that

this process initial, the of the children and that a

part of that that denuncia so it's because not

was not the investigation. For what reason not

not so could do a cause because the the fiscalia

the did a maribal the care the not the guard

the the child for 90 days. They go

with a court and not nocturna okay interp

in a process special family that is the restitution

of men that that is that usually for

when a father a child a with this case

to the that was a that that's the judge and

he's going to do it. They're that this case emita an order

judicial for that nobody understand how the police federal and not

the police of the district federal of the city of the

city of that's the night at the hour in that Maribel is in the

time they're in the they're they're with violence tumando

the the door to the was with an official of with Marybele. That's a minor, and passing

for the of the fiscality and of the Diff, because they said to the consang of the that had been the,

the fiscalia in the that he had regressed, meant it was the the fiscalia, the the fiscality

was in contra of that act in that moment. Okay? A. A court, does the

order, they're, they're, they're, they're at the time that Maribel

is in the theater to a audience, waiting to them that they can get

the aben at the 10 and the and the last and

the mariebel could get and waiting 10 minutes

for the we we're we do the representation

two and we do and we not not no no

no he no no no the access to

with a power with Maribel he did get

10 minutes before, I'm going a file of this time of the fiscalia and another of this

time of the DIF. So, I'm doing to the judge for that the judge says that no,

that no, that not they're going to be we're going to let us and get him the time and that we'll

have to be an audience on the one's and a third to resolve. So, we're

going to the next, meantime, the the time, he conceded, with

an interview of 15 minutes to the the child, being that the

fiscalia and the DIF had more to 15 hours of interviews. There had to

get to two times for a month, while was under the care of the

little an interview express of 15 minutes, they're restitue to the

mother in a process that I'm a time, it's for when a father is

not when the law a woman in a child, the restitue and in the

Monday we're going to the audience no us accept the other way and in best to valornas and receive them decide

resolve. What is what the same? Restitue the man. Very well I don't

come here to criticate this process although the suspicion that's a matter natural.

Oh, okay? The manner natural. But the 90 days that had

programmed of investigation initial Oco, because they'd they'd be prorrogarce. The

two 90 days, it's a single one one way for the fiscalia.

The fiscalia is to get in the other and after the

year, more of a year, more of a year, that the man, and that

the fiscaler had been interrupted his process, he was quothed and he

said, in a dictamine have to do with what they have, and what

they're very little, because the the little the little

with that with that information brief, the fiscalia, more a perit

in psychology of the facility, determine that the child that the and that

that's the process, not it is the process. But it clarer that the

the child that the child thanks to the red of the

community. This is, they A new has a red of a Poye in the that has a tia with

the time in the time has a manna that he's all the day to the school, in the that has a

little the day that he will be to do the school. In the that he has a man said

an tio that's in charge of the pay to be to be the current with the

collegeatures the the pagos of taikond the the pay of the carate the

the pago of the the the not evita that the child can't have

an affectation to where the investigation of the fiscality. In virtue of that dictam, and not for other reason,

it's determined a week a week and a exercise of the action penal, because it has no, it has a investigation.

First, because the new new has a new and second, because the dictament with the

little information that has that he has to that the and of this doesn't that it's

that's the This is the lawyer, of who if I'm referred to and who he's

he has a interest economic, he he's to say that all what he said,

because the the fiscalia determined the process of the exercise. No, sir, no,

not say, that's not a reason Marybel, not a woman that to expose his life,

his disgraces, those problems of his son after the child, that no

he has to superer the duels of the death of the person, not a need to

expose your life to this form. If it did to be the

pain it's because was in risk his his and because I want

to protect him. It's the only reason for that that he did. And no of the signalements that he did

before a or in one a denuncia front of the fiscality of the ninsinous, none is a minute.

None. That for other reason distinct, that I'm going to repeat, if it

has determined in an exercise of the action penal, that, there, there,

there, there, there, there, we've, we're thinking in

to have it with an anti-un-the-cest-control for that you revises what not is because not it's not that

that's retorical to say that a woman like a man a man

a excellent explanation of what what happened in that what is

what is what is that that's that's that may-and- that's-en- because Maribel

does the work and have to do a function of the theater. No, there's nothing more abicable.

A me, the demandas me get to the theater because it's the most easy to find a

artist, she has she has to go and the other in the theaters. The

theaters where I'm to find a Maribel to ask to ask or to

ask you a declaration. Now, it's clear Chacon, that all that all when we

know we when we got a place in the house, it's

your that's that's that's that's This Mr. Victor Manuel is

Ingress a to your house Chacon He's desnuda and he

and he can't in the camera with your with Imelda

I discovered who was this man he this

guy this he didn't him Mpto in that

moment and you you you don't so so

so this now there was much more more more

that is the only opportunity that I've asked when I'm interested to Fernando Gamboa Gamboa to me what me says that when

they're three days consuming Tussi Gamboa and Imelda and there a camera in the dispatch of his father

there where Imelda confiesa something in this interview and also me it

confirmed off the record that what Imelda he says in those three days

that they are incerated there. Chacon Imelda intended embenerate this is what

she says she's a Gamboa where he enter in chaos and he says a

a myrcle in the state of Tussi alcohol and in a detradoes

he he intended to kill that's a thing that I have

I've been I have I didn't refer to

him in your moment, or not I don't don't either, let's it's a

thing of that I want to know, it's a situation very that I

can confirm that that is so, I went to go to go five

days at hospital in the principle because it was

that I would be a that a thing that

the expedient medical, this all the part, even when when it's disbigh the

attention about what first were investigating the doctors that were that first, first,

they were all the examines that they made to get a liquid rachydio and the liquid

rakidio observed an inflammation cerebral for the over the 60% and as

as, as they, as they thought they they were a virus that's they were

to to be in the hospital, in those five days that I've stood with corticoides for the inflammation cerebral and with retrovirals. When I you had three days to start in the hospital, an amigo of Julianne, he called to Maribel and he gave a news that changed our lives. Since then, well, what most changed

in our lives, was the fallacement of Julian. But, we're going to be the fallacyment. this is a second this is a second goal that can be our lives

a part of the information that he this this man of the family, a friend of

Julian, a friend of his spouse, a part of that information that we

know, we're we're in chaos and started to occur many

things in the house but we we we're we

after the fact that is our consign to concentrate on the name, concentrate on

the integrity of the child, in help us, in rescatling, and not we don't think about in no

sense, we think we in the then. So, it's a thing that I'm

there are, my hospitalization is, I'm not I'm to come here to

say to no, I'm I'm I'm, I, I, I,

I received that notice. No, you're saying you, I received that notice. Then Maribelita

me confirm if you accompanied to the hospital and that you've been hospitalized, me, the

record medical is a complete. There's much information in the story of medical,

that in his moment he said that's he was but I think that no,

it's not it's a thing to, let me say, to change the rumbo of this

and make to believe to the people that not the here, we have to see the

most important and the most transcendent that it was always in me. And if

a part of what, of what he is, even, even, we know, that,

we have, we've encountered, the response that was a Maribel, that was that if someone needed or

required of help, if attended, for that was in the best position to create a child, that was what was what was to do that was to do

a investigation, that would be able to regard the interests of the mother for that was in the better disposition to be with his and that was

what we always we've always we'd like, and right not me would like, let me would be able to that position. Now,

again, to what you about, how did do you do? If Meldon had been, to his

tia, prima, no, I know, that has the same name, but

never seen photos of her in the past, of Adi's un, a period

was lucubes in-exclusive, with a Gustavo, that was a very low, of exclusive,

How do you have done these periodists to Imelda to continue exacerbating a monster that came for more

to attender in a recap that's to putner publicly how much how do you did they

did you to the cause if not had had been that he said he said

he Gustavo I have a lot of things with himelda you do you

do this in exclusive and Gustavo and of hungry, ambrient or exclusive, convicts, convict in this in a circus that did much damage. To me, me, they're accused of the sequestrador,

to you invented 200,000 things, ensucied the cancha terribly, talking, about the Worldial, ensucio all, and how much damage they did that now they're just because now with what

said Jose Manuel Figueroa is imperdonable, you know, when AdiX confirm that is Imelda, the that's the Mendes, audio, accusation a Jose Maria,

is terrible, no? That's how that you have to use to you also, Jose Manuel,

Professor, Jose Manuel Figueroa. It's terrible, no? So, how do

do this people, those who were, I know, that they've many things,

Chacol, entraned people to come the video where the drug dealers were,

how you were going to be in pass? How are you are you quite? When the world, all

Mexico, know where they were? A garita or a pluma that was vulnerable, because the

Dr. Rott-Degler were with complicity of the plume or or with who was, all the front of

your house, entrava people to the pilot, because the pilot no, was the house of

Maribel Guadda. And the the type had all a night. How much people

you enter, there is there's a Imelda looking drug, is to say, how you supported all this? Tu,

internation of five days, Maribel, that has to get to get to work,

and then they're to get to get to the new to make to a form very

violent, that to the little to give to give to I'm I'm,

I think this is the only is the little also is the An infirm unnecessary,

we have been a inferno terrible. I'll repeat as to the fallacy Julian, and then

with all these things, we've been going and it's but we know we

know we're we're always and always and it was the petition of Maribel I

also give the credit to that he no Merce Maribel me

said to me always Mark, that that's a man that's a

man, that he can separate to the mom. We have to

concentrate in rescat the child. So, me he said,

Maryvel, from when I've found, from the hospital, and

we've made that the house was in risk, of that were

in the people, that were in the madugated, that passed by the

plumber, look, the absurd. In the novenary of Julian, the pluma of the casetta in security of the street, he neged the access to Olivia Collins, to Lorena Herrera, to Yadira

in the night. I, at the day next the day next, I recontrap the life, and how they're trying to negate the entry to the people, that not only

are friends, and very dearied for us, but, also, they're not, they're not, they're who is and you neags the access? Olivia,

explain me that. But in the madrugat, at the 10 of the night, at the 11, at the 1, at the 2, at the 3, at the 4, entraven at these men,

in these carrito blank, that then they did they were an operative and they, they were they,

they're all the expedient, those appresar. And then the chaparito this of the menty, that he's

an autonomer of the exclusives, but it of the meniders, says that they're because it was

a manned for the Lord, the soltower in their infinite ignorance and

in some nullas ganas for investigate and just just say what the

the the abogats they are information but the abogates they're for defending

a position you you know for you investigate that's your job

not that's people these are they're they're living the process in liberty, not because

you have determined that are innocents. Okay? That is a reason additional for that we're going to risk when this house. Because these people are, that they're not in the house all the madrugated and the nights, and that they're preys and that are and that are taking the project in liberty and that

know where we've, could return in any moment. But, for Of course, and more as repressalia or vengeance, the C4 the C4 it's

from the judicial from imputation. That's no there's there's there's so that

not come nobody to say that not was that. Oh, oh'all I would have

the power I'd to move fichas and make that they're to pay

to the people that I don't have to be to be to be a proposit

that in the videos they're the people of the ministerial public

that had an investigation of something of something they'd in that carpeta like the

dealers of the freezes as they were they're people attendian people

of Polanco attendian people of the condesia and attendian people

that people that had an investigation they're in the car in the video

in one in special that to me look at the caros. Look, you know, those dealers but they're not, yeah, it's,

you, for a favor of, if I'm a lawyer, I don't have to be with these materials, I know nothing, I declare an ignorant of the matter of penal, of the matter of family,

I'm a doctor, do consultorian in the right of author, the property intellectual, patented, markers, there's nothing to do with this.

And I'm a cathedral in the same ram. What is... Now, Now, of these abogados that has discovered the alliance of determined areas of the power political, to abogados that have contact with judges,

contact with presidents of tribunals, that have gained many demands for Gustavo, and that have atormented not only to you, to Sergio Meier, to a me, a lot of people, with amazasas of the, that the control of the country, it seems that they have these advocates,

amigos of the Polack, friends of people who are very are very the DEA and they

asked, 20 people more that have to go to go to the United and it

has to have to do you have to and I know, and I know,

and I'm that's in the mind, what you think you think of this no,

no, no, no, no, does the father of Imel in the marina,

I, when went to me to to be to be in my not even in the maleta

or the people don't imagine Chacon what we we've been to do to continue

in our postura because you could have been able to say well yeah or

they've came with eight demand to me also because we have

we have to want this when we we're we're the we're the side of the

well Well, it's very Diss, one I'd that the problems that could be given with a fundamental

in the justice in the law in the argumentation in the process but unfortunately and all Mexico

I'm I'm saying something I'm saying something I'm saying something there's there many there are

that not that may that they're in other forms different and it also

there there's abogados that not litiguan with arguments, that not litigant with the law,

that litigant with the influences. And then there's despatches that in instead of

dege the knowledge they degen, amistances and gain so the

things. I, the truth, I don't want to say a signal point of

someone but what is that is that an abogado no

should be fact to have I've been because the law, the

justice, no, can be so you as a good, you're to

have been to some of some that would be absolutely normal. So,

if you you do you do you pressumes of that you're a

abacto that has never has a case, or if you're

a periodista that you have demanded multiple times, diverse characters of the

media artistical, 10, 15 or 20. If you demand them so that you're doing bad.

And if no, you know, you're not one only of the cases, not,

not normal. Something something is there, something that that person, also, has been

an arrogance with the that is impune, because who is impugn? Why does it?

Why is it impune? Because he they're for example measures of protection and the

durala? And so they're going to do you? Why does that? Because

because it's impuner. Totally. So, so where comes that

this sentiment of impunity? I don't have the response. But I

don't know the question. Of where comes that sentiment of impunity,

that's a sentiment of, to say, I go to what I do the person

me do the way, because I know that going to happen because I fulanito

of the tal, I'm I'm all the demands. I just don't

I'm, I don't respond. Mark, between the campaigns that were in

a country normal, and excuse me, in the United,

for example, the first is a suspectoso of the murder of the person that's the

person that's here is the way that's the house when you're and the culpables are

what Julianne he's three months after you're the manna the gardener less the

person that was there in a in a country normal and Melda has always

always is a because it is familiar direct the relation was wrong and because we had a video

of her assaulting hysterically in a violence physical to her where

denotes a problem mental. So, now the problem is what you did you

when was when was who who killed to Julian or how Julian was and

definitive the that was the was in the States would be

the subpechos number one for much years, can't

continue being the suspicious. Why embarrant in the can't be the

case? Even even Julian, they're really that's a man

SEO of the death of the but normal because in

the United would be very clear of who we

should we should what did what he did all the

people the people had had would have known and be in the would be alive

and say me said they're doing so it's that's rare well I'm the fact that I'd

speculate of that form on a event so that so

so so as the partida of Julian but but also and

also I'm and also I want to be irresponsible and I'm

to know and the people know that Julian had

problems of addictions so if one want be objective in the

life and he wants to the people understand our position the last that I'm

doing is signamients or without a proof that is what that much people do they say

they're they're without and without for us for a decess of Julian

was a event very traumatic of the we we we're

we're we to pass the page for the that was the that we don't, no, no, we put us attention

for the dolor that we're living of many things, that were going to do with many things that even Julianne us said and that we don't we don't we believe in some moment precisely for the same theme.

Look, the people with addictions then, they can pass moments in those that are men, it's normal, the life of the addicts, the The is present in

diverses, in diverses moments of the life. Julianne us told about things that we're not

we're not we're not. Many times and others we're not because he started to grab a

video. Then we said, no, Julian, no, Mient. Julian, he said the

truth. And he he started a series of videos. Some were reveled.

There are others that have been reveled and that are there,

and that I hope I, that never to rebel, the fact because they're very dolorous. You're saying

that there more videos of how put a compo pan to be to get a about,

you know, you'll say that this, there, there are many more things of

this? There's there. There's more that's, but of Julian relating,

relating, redating, this, aggression, of Julian relating things feas

that were when when was to Monterey and he he's he's he

related to a person for if there something he'll have there

there there is in the he's an manna he

he he he's he does she does he's

recording and he he he he he he

about some on those events that he in Monterey

and they say a person for we'll think we

don't to be with your responsibilities there there there are various

videos that are that's and I repeat going to the question

I I think I could not could be a life and the

life and the room that the truth is that I

would say what does if he knows or

no he doesn't know no What I see is that Julian was a person vulnerable, very vulnerable. It was a person very intelligent, very capable, very talented, but in the problems that he had,

he was he converted in a person vulnerable, manipulable, in many senses, no? A proposito of the problems that he had, in those problems, he not would be so. For that's that many times, we're not a conclusion that we've got to, we say we've got people that there were people that

were people who were vulnerable because he, in his five sentities, no was a person manipulative. I understand. I didn't perfectly

what you said. Adi's Tunion. Tutora, Alvacea, who is the Albacea and the of Jose Manuel Figueroa and,

and, the herencia of Joanne Sebastian was, what was going to to pass with all this? Because this type, that we know what has to know what has, never

was a photo of Addis with with Imelda in the past, no there was any type of relation, it ends up being an albacet, to begas where he's with his department, that put a guarantee, that we don't know how it he got it, is the tutris. It's the albacet. Who will

be going to be the abogations who want the herence? I don't know, because they'll They'll have to give a terna that, probably they're given and if the

judge me remove, that is very probable that I did, I said this from the year past. If the judge me remove, the judge

will be to choose of the term that they present. They present them three names, so for the tutora. They've put to have presented

three names as a term as the personan, they're they, nobody more. And then, and then the judge

decide with that term so the judge not the person of the manga the

the judge of a question to the term decide between those three

persons and that same way they're to do in some moment

with the so I'm I'm removed and I'm

removed and and after the last because today

not they're not notified but after the last

not had notified to Mario that they had been removed and that the new tutor is a disdunion. So, we're nothered to the program

of television of this signora in the she's out in the court with information

confidential information confidential of a that has to the has access in virtue

It's It's going to give this is a conflict of interest because is a

person to use information to the charge that they have done to have 10

minutes and in the place to put to study what is what is

what what is what is in the in the other to have

a vision more more objective that that can

under the interests of those interests, always have been the of the child, to be the good to get

the best of the best of the confrontation objective of the causes and in virtue of that intent, with a

little of empathy, to look the interest of the new, in the place to do that he's going

to do you do a program of television to give an exclusive in virtue, I'm repit of information

confidential that obtience a proposite of the cargo. and then they hack them to say

that's that's that's that's not he has that's that's

that's that's that's but it has been an lucro of the exclusive

in the channel of television for the he and

then in the programs of YouTube like the the chief

that monetize so so even even even even

a money a remuneration in virtue of the

car still is obtaining a lucre in the truth of the exclusivesives. And also, a proposito, of the monetization that obtains that's exclusives.

And, and also, miente, miente infirmisement because he gets of the judgeado, we know we

know when she gets to the program of television and he says that the abuel has been notified. Imagine

in what just got, you know, we'll be the Mexico, of America Latin, from the Patagonia,

to the Rio Grande, tell me you in which juggard of America Latina you're notified you're noticified no let me

do you know because they're that Mark Chacon miente here is the paper of the resolution of the judge

no, well, so that chingon that you have got us because to not they've

been to they're not a program of television and they're going to some terians you have

there's there's there that are the monosone the secondons of chaparito and that they say what they're

and then these tenets they're going to that they're going that those tenets you know the resolution we're still

no it's a it's a locura but the the court when the court when he gave to the

child emmelda says the the and not can lucre with the with the

new in the news in the social and the tutora the tutotrice the first

does to say to give to give to give to give to her chef to say she's a good point

that's terrier that are that they're that's lucre that's apart of a little serious no

a a fact a lack of a no, no, and now so, with all respect

for your seniority, with all respect, no, in what they were in what they're

thinking, in what they're, that this woman can be a tutor appropriate. A tutor appropriate,

a woman that's , calubing to the abel of the little, it's that the woman.

It's not, it can't be she. No, it can be. The child, the child, that the

The child has a father and has a family paterna. The tutora has to be there for the

interest of the child not the mother. It's another conflict of interest. So this

is a tutor a friend of the mother, con pinch of the mother,

comadre of the mother. As you know it in Mexico is the tutora

carnala. Because it's the carnala of the mom but that

tutor that place is designed to protect the interest of the child front of the mom because the mom is the mother is the

child. So the little needs a tutor that vene for his interest and that's not for the mom

because the mom has a dispatch chingong of, of abogados with influences that come of the

politics, of the most of the free, that move in his palancas and their influence,

the mom has all that tramado that he has and the the child who protects them? Nobody.

Who protects the then. So, put in one a tutor, that in the other than do you what it corresponds,

that is protect the interest of the child, and that's family, the mom, but that's a comat,

but that is comrade, that's a year, denostating to the old, the little to not being, to me, with

my character of an old political, that I did I did I, and I was I living

with me from me from me from the six years of to the age, until the eight years.

In all that time, the abuel maternal he was two or three times maximum. Total. A woman. And then this is

that this old is the interest, that that that is a right to because that is a

a right of the the child. The man has to come to be your abel to

an abel of a one that probably when when you're great and you're not and they're going to be and then you're going to be

and convivir with with a senior that he gave all what he has to the eight years of age. But not only it's the

economic, which is the most important. He gave his love, he gave his time, and he gave

his life. Also, the new in your house, the new was in Montereyrey,

but they came with us, he came to us, the first year of age, it was in the house and

all the year's, until the seven, that was two months before, before the whole year,

all the year, and the one to the old was her old oldies, and all the holidays, and all the

days of the little the festivities, and all the holidays, and all the cello' and all she

was her always, an abel that went to the house of the mother,

and Imelda and they were they had to they were Maribel go to the Red Carper

and he'll and so he put her and Maribel for that her newer has a little bit of

a work, so even the good leech to her and she he was

to her the people don't have memory yeah what

what Maribel did for Imelda is something because also they were

they did you do it did and I'm him because so Maribel

comes the And Maribel I was the Strenor to Appoyed to Imelda

That's That's a lack of dementia of memory that I of who was Maribel

also for Imelda even after that's after he was a Chacon, something more

that's showkeated because if you been you've been in some

programs this this thing we we have got from from

from because I discovered the pilot you have I want to say to

something that you know what you know that you know, but she'll say you know, I'm not.

That's the have robbed oys, he has robbed a carterer, they have met people

what you, what you have, have, have, have, have, been,

I know, I know, there's that's, not, they're not to be never,

but it's really a infirno, and that still still still. So, then we

send him to Maribel, for to be to be a interview and if you're imagine

the day that were to denunciate the fact that was a whole of things, that's they're all

to get of a lot of things, because Maribel us told that the mucamas

when the little opened the door to a woman in your own own in your

own the nana those did not to clear that they're not you any type of act of no living.

This this man, he was going to with all respect for him, to him give a disculpa,

because I know I saw that the back to the house, but I first I

did that he was he said, I'm in a man, I'm a question, he's not

he didn't the he's not he didn't that he was in our house, he not

he didn't know a he was not of this, but what is certain and Victor, of all

heart, of all I'm a good carouson, I'm a I'm sorry I'm I'm I'm in

after the I'm to the mother and to the I'm so I'm so I

said they they're they're in a in a I'm I was at the night of the

and that had been to a person to that I'm I'm not I'm going to think that he's not

in some sense or in the form in that someone more could have been before I'm not in the people, but

I'm still want to give a good heart to Dr. Manuel because I I said first to them to

him to get a house and they're just on the house. How are going to do you? And I

went to that the room in that he was doing in calsones and he I said

that for favor to be that he no respond. and he said to me in the state in that

he was going to be because he was an invite of X person and then I was taken in Pugons of the house and now with the time

after that's me passed the courage and I'm not I'm doing that I'm not that's well

but but well there's people that you're when you're you've put into this case and they said

well and what they wanted that Chacon no invite to to have to have a little chilequilis. But he opened

three people in the camera. Yes, that was what was the nana and the same that was the

menor, those mirro you, I don't say a thing different. Repet, if I want

that the people, I don't, I don't go to come to mean to not. I'm going to

make a now, every can make their cluncutions, no? What

he was the mom and the mom and the mother was one, one, a man he had

been to the house, never had been to the house, in the his father. In the his father,

in the fourth that in the quarter that was the three years of age, in that

in that he felled because Julian felled in the court to a Julian,

he was in his own to his own court, and he went to to live

the court of visit but that quarter in the that the man went

and he he was and he wrote and I'm and I'm the room and is the room and it's the

there was there was there was a a gymnasium or a storach or what he was he

he was he was he was from a year before he was he was

he was he was doing in a quarter of visit in No, in

a storach or or it was a room of not, that was not

not conditioned because they were a little closet where he not had been

in his clothes so his stuff was in the house

room. There had some some some some chapats

and but that not the fourth oculan the is this

in the the was the the was the

He was the pilot. I'm I'm trying I'm I'm sure exactly what you're saying Chacon

the fact the fact that the people are impacted they're all people and all you

to your family you functioned as you have to you know that Julianne you

adorable you're your manager his tutor his his abogado

and I'm your father I'm I'm I did you

my I was from the two years of the day in that he fell in he was he lived

with us for your voluntat not for what the people people that was that he was

he was a man and had a character and had two of those of those those

Figueroa as a like all those Figeroa and with all respect and a salute

for them was a person a person of a character okay a man

a man well-en-en-en-en-hechews and that had his convictions, that had his ideas, but that also had problems. And for the problems that he had, and he always decided to be to be able to be with us.

Because he was always with us. He felt that we'd and he, he, so he seemed always a good, and standing with us and to us

and we'd like that was because we and we'd love us and we had to his son. Addis, your union, has a department in Las Vegas, that he put it in guarantee, but it's selling, now is in this moment in Las Vegas, and is it the cause of the herence,

you're going to support to the family of John Sebastian, to the brothers, to the children, well, the brothers, no, to the children of John Sebastian, this is the department that put Addis in guarantee, that we know how it was the situation with Alan Tatcher, And this still,

all the battles that you have Mark and Maribel are and something more that you want to clear,

here we give us well, you're taking reference to the family Figueroa and,

you know, what I have to clarify is that I was that the representant of Julian

until, not the Alba-Bassian, representant of Julian and that sucession and

me have I've won't have woned the carino and the respect of all the brothers of Julian that he was he had from the

relation that they were on testigues that they had because they were testigued of the carino

that Julian me and that me be and that me be I being them of Julian

of the father me and respecta in that in that postura

and that carino so in those these have participated in this association. I've been,

since overr, never, of the succession of Joanne. No, I'm not I'm talking about the Julianne, of the succession of Joanne, I've been a assessor in the terms of property intellectual, always I've

assesorated in the terms of the right of author and of property intellectual. A me has to go to join with the vizqueras and those things, because they have creed in me,

in the knowledge that I can't have in that matter, in that material, and, and, I've been

on the them and many of them have paid a second in questions of their

lives personal because me have a question and me have a

respect that is reciprocal for me and for all the family Figuera

so I know I'm a Macallen because me they're even they

even I said because the origin me the albacea me it's Sarelia me it

Marcy I'm I'm I'm I'm I'm if all all of

I remember and I put in a chat that they're all access to and from from him, that he said, I want to come as the last, that's of the Yavre, all of us,

and Alina, that is the mom, that is the a pair of Joanna, the moment of her Mouin, the mom of Marcelli and

Jave is the parieja of the the Mr. Figueroa at the moment in that he and from

many years before his death, she and all of them and all of them. Much of the people say, and say,

man, and what I'm going to do they they're in there, I don't have to explain it. But it about the

good question that they have the but they're about. But it's that they're so I'm.

So, so it's the reason for that I'm and always that they're asking me they're

asking, I will be to be there for for a reason pointual and very specific.

And the that he seems and the not he does exactly the

because I do for Julian because Julian is what he had wanted

that's totally if in some moment Jose Manuel Figueroa

needs the where really he really he didn't he did his

himel could be testigues you and Maribel or the employees

domestic that here no happened nothing between Julian and

his brother well it's more simple that that

Joseph Manuel never conviv with Julian in our

never okay perfect I understand so so so

so we don't we don't nothing nothing to

nothing and that he didn't never no nothing

similar to what he assured that he was the person, because he was the he was the

he put the person who's the responsibility of who the information, that's not there's no, there's that we're

in any sense. Okay. Because they're not they're not their techo.

How does this? Imelda no will change. In some moment we will be

to look to look to a man dangerous, like the Fernando Gamboa, or a bottle of or a box of Tussi,

or a situation violent where another time the child let's say, to the mother, if it's that the mother no

can be, the mother not has the mother not has has been the war, and he has

the cameras. So, how it is this? Well, how good to clarify to the

first, that point, because I want to be very point in the fact that I am I

here because I'm doing a reply to the declarations of the abogated

of her that's grimio in the program ventanian for that I'm

to say to say every that every that I do that I'm going to do

I'm a fifth okay? And here I'm here and I see I see again

I'm where I do I'm just to be a or not I'm not. There is where I'm where I'm a little bit of peace. But every

that the abogado go and he has done, venturosas, like the one of the same exacts, I'm going to give five replicas. Okay? Because I'm can't say to be

callied and to be just a dignity of signamations. Yeah me can't so. So, that's, for one side. Where will to stop? I don't know.

are they those who are the notes are they well the of this abogado

was curiousissimo before of this last time that was one day they're in the

program of the chaparito of the men they're they're saying they're

to say that we don't do a process what they're they're they're we're

we're all the day the the program to give a replica

to the not a of them and we're in the other calliated and said no,

because this strategy of Chacon and his phrases of the politics and he

a nieheas of the the Lord, you know we've said we don't

we're not we're we're we're we're we're things

that things can different if to this sir his argues

the subterfug the those the art the luxues that

can to get process he function, that the traves of the politics, I

know I know I'm know a great because I'm not going to do you

say it's really bad and they say very bad with his phrases of the politics

and of the plaza public and his tontteries he's really bad sir

and if I thought that that as we're that we don't us exist

our because that's what is our pures miserias if thought that

as we don't us to exhibit us not we don't we want to contested

it's very equivocal we're going to let's we're to

keep so where will do know they know

we we know we we we we we

times in four moments in four moments of the abacement was

very clear in saying that they are to

where to top and you I don't know because he is a percentage of the herenia

then he's not he's a real I don't see if the family Bilel don't know

if they're concerned of this the abogado want to get to the

because he was the percentage that they a herencia of a of a child that was

his patrimonio of life what with with so that with

his was to he was is what the abel of abelos, the papa of Julian and the abel of Jose Julian, he thought, and with so much effort, he was to work, and he was going to be to get for his stirp. No, he will have to stop with his stirpe.

He'll have to have in the man of a . Chacon, when you can't how to do you gov'rower this bureau of the abogados, the papa of Imelda, the mom, the abuelita, that, I don't see, is alive or They're going to They're like a

light and the people are the people. In a demand, no, no,

they're not a demand they're all they're all the people. Markos, you

thank you, thanks for having been been having been much that this

public was waiting to hear you, like a Maribel in some moment

because if there's a channel, a media of communication that has the history

complete is this channel. And it was a There you have to say that you you're to be

looking for looking to look at the child or the pilot I don't know

who is I didn't know I didn't I you discovered you you

I didn't you I mean I didn't you know you you know you know

because you know his prima and the interviews I'm

I'm I'm I Oh, I'm saying, he's my Primo, it's a pilot. And he went to the version of him. No,

she to tell him that was his and that's gay, it's unjust because it's not a gay, and it's a airline

serious. Yeah, in really, me, I'm a much a pain that that he has been involved

in this. No, well, and, so, I say, and I repeat,

Victor, no, you know, you know, you're the fault to have to have

met you in this, he he I know that there was a manor in front. I mean, he invited a and he knows what he was in what he was getting.

No, no, no, no. He was a victim of this situation. I know the victim of this situation. I know he can't bad in having to have put in pukhones of the house. In the state of inconvenient. Marco Chacon,

much thanks. To you. And a salute to all your public and one more, thanks for your objectivity and to say that you're a journalist independent, that

has a opinion of these things and that even many times the opinion that you've been not my and there

there's a people who have to understand that you know a bit of you know sometimes you

know that's that you did originally of the pilot me was you're trying to me and it's

perfected no doesn't no pass nothing but there there people who

the the leon thinks that all are of their condition

totally totally I know I'm that I never did exclusive

to you but to him if he's they're not so you tell me

that's the obvious with who you're with who you're with a time

to do a single to be or you or you never in my life

I did in an interview it's the first and I repeat I don't

I know I don't I'm in person the the that has

a person to the public in general who can't

a photo of an event of a place Miami, Los Angeles, Mexico, Costa Rica,

in the way I stay in the same recinto, neither at the same recint, that the sir, Faber Serial. No. The rat.

No, exists. No, exists. Because I don't have a lot of to know. I've interviewed.

I've interviewed. And, not even, not, not you've been not used in no in any

place. It's something but so it works, the new periodism. It's

It's a very Lamentable And I You know the I need to I need to I need to I'm

The protagonist Myroup is the investigation It's the And the That's the That's the

That's the Thank you Marko Chacom Thank you God to you Thank you

Godin' Thank you Thank you Thank you We're Thank you Firmirm God Mio

Godin' Yes Abduh here eating, comying some donas. Yeah, Abi,

connected, a million, I'm sorry, but no be sure in that there's there. The program

just begins. Well, Senora and people, we're in minutes, we're going in a

serianita that is in a situation of emergency. Sandra Bonilla, we're to be

to do you want to need to get to see that Abby no listen. There's

his So, Texas, seniors, the primed Ryan Folley, the last time they've seen in Cleveland

around the two. There's a telephone there. I have many people in Texas that me see.

For favor, Serianitas, help. We're doing obviously support of community, that for

that's serve to have a fandom more than more than to help us to us and

the serianita that we send us a minute, anem to advise the authorities as as you can't. Also, we know, the authorities are a little of

the need also. So, helpence. And there, there is a telephone. If no, I'm going to let's just, they're just on listening. 8187440036. 8187440036.

For favor, apposhen to our serianita, that is passing a bad moment. Seniors, what is the time is, Abdul's he came five donas,

and sheiore and yeah will be with us because it's the man of the moment who's been waiting the ex-manager of Emiliano Aguilar

will be here with us over. But before, sir, and, I'm with, so that I looked,

let me, I asked, I was, a little bit when I'm to interview Emiliano Agilar and

me like her color of people. Ladies, Avi, is with us welcome. Abby.

Thanks for the show. Hey, how we are very an good. A missus of Mexico.

Muchism thank you. I thank much for giving this space and I also also want to

be here to be here to be going to the poster of the video did you did a

video with Emiliano Guilar that's called Harley the Guason

this video musical Avi that has been a It's a video, right? Yeah, the video we're

in Teepito, and my equipment of family and mafia, that is part of my sello discographic, Diablo Neger Entertainment, were those who who meted to Teapito to grab the video. I had, I had understood that,

that was part of your family who had been because not easy. No. It's a place unique in the world, as the Perla in Puerto Rico, or are places that you have to enter

with the permission of the and then with the protection for not that's

not that part of the is that is that the end tepito right?

Yes, sure that is and all the support that did you did

an mural in Temito in where was the vicinity where we

we're the video musical and and all this

is thanks to the family and mafia to

Kache Biker that is the that's the that he's the

and so it's super a great very much there there there's there

a post that a little a thing about about about about what you

say you you want to the reason for the I don't

I'm I'm but if you you want to you do you I'm

I don't you do you and that's a pender that

I'm to who is a I don't know because Emiliano sub-uio that publication. In fact, I in that interview me had made

blockyed on the radio and I just was talking that I didn't know because he was he had done, and the fact, I don't know and I don't have the certainty of why he's subed that publication. Because, in reality, I don't have done.

against him and well if it's for the song I I mean all the what was the logistic of the

song the the gravation the gravation of video musical all was of the Diablo Neer Entertainment that is the

company of my mom and for example the master of the song was under

well and we firm all the contract of the spreadsheet and the master is of Diablo Negro Entertainment,

so I don't know what problems have with me. Abby, you have you had to present in Univision

or in Telemundo, I remember, you're there's been there, you did you get up

that you did you that was the first or the second that were not the

first in Desperta America happened that was he was you did you

did you did you in those occasions I had paid all my biaticos and,

and, well, and, a me it's made very rare because normally they're

as part of the featuring, as part of the song, then they're like there to the deriva,

no, you'll buy your and if want to come to so, then it

was very first because, the fact, I'm to get a Miami and they

didn't get to get to get to get to get to get to get

to buy s and all. But the second time, it was when we're going to the hotel and also happened things very very rare.

It was a moment is a greatable for you? Yes, the fact yes. No, was Trump who was he chose from the hotel,

I think that I, well, I want to believe that no. I only think that maybe were conflicts between the

television. If Telemundo you pay the hotel and not you're going to telemundo you're not because they're

not even they're to get to get to univis Avi you're

to demand to Emilian Agil for the moment no there

no I'm demanding no there no there of

that of the style of my or part of my

company but if he's doing things in the

on the Redes, and saying that he's saying that he's about about me, and if

I'm like that those things maybe are things that are things that not are

if I'm to take cards in the issue and also if want

to an work about about about about the video

musical about about of what was that was a idea

a creative me obviously the composition was of

the movement of Los Angeles, that my mom he said that we did a can't a can't be a man, he us let's do

and the manned and the we're in the studio with my producer of house of seven years. And I,

as I'm, as I'm a person, then the industry, I said, Emiliano, me,

you know, me firms this paper, here comes, that Harley Guasone is an over, well,

the Diablo Neer Entertainment, and there every who has his percentage. Sure. I

I'm cruised with the woman of Oshi and I said, because he

he's he's a person, and he attacks the social, if they

are all people, they're all the people, and Patti and Rie me

says, is that Avi he he he robbed all the production

to Osh and now you're you're you're saying that

the production is your. Yes. Yeah, because if were the production of OG the movement in

questions of beat well, it's that talking of music, I mean, there are many people that are going to understand, but there are many things that are very

important in making a song. For example, the that he grabbed the voices was my producer of here of Mexico and that's the credit to him.

Wow. O.G. we send a maqueta and the letter of the song but the maqueta

us is the map 3 that format no or zero to do it to put

to make a beat you have to create a bit to so

for that you can't put the and yeah that

the part of the the master that also also

also other that is of my producer because he

did the master So my producer does and he makes sonnions to this song and OG wants

to doignarse of all the master and not want to put or involuntary to my production in the

and to say that he was he the producer that is not a you're going to the demand

of rock that against Emiliano in really right I don't

I know of what the demand and, well, and, then it would be

to be informed, but until the moment I'm not going to demand to a Emiliano. If he

decided to say things that not are certain about me or attack me after all

what has passed, then I would have to take cards in the issue contra

him. I'm I'm because a domingo me sitan in a

species of warehouse of galpon of the downtown of Los Angeles we're just down

you're you're your mom was Serianita and no me did the interview it was

a moment very very very very you that that night

no and for me too I'm I'm much a pain that

you and then you went you you went what what's what's

what's also I was not clear that is what is what was what was happening and, of actually, also was someone more there

doing a interview where it's supposed that they were to give them to give them to me and then they're saying

that you know because, I don't know, because, no, I've been molested, something

and I've been never made an interview, like many many times that never me never they never made

like my the place in the in the song, but then, that day was very rare and the fact a part of my,

of part that you have you have had to go. No, is that we're talking about the first impact

of Magali Ortiz that was giving an interview and was the publicita to say not me going to

give the interview and I said, I didn't I'm put me, I was very, I

saw the with what was going to what was going to but the idea

was to be to you and what I see there

and what I did me and my my my and

Ibi I I think I I'm I'm I'm

am a men a and he is an attack

direct to to his company of the video

that another that was the what have made, Emiliano, you're

prepared for this war? I'm sure. I'm sure that any, I mean,

whatever thing that said, anything, no, I would be like a

no, I would be, like, nothing to have to have to have

to be to say, because of my part, here, we're we're

we're we're we're we're we're, we're we're, like

the star that is, super grateful for this song, because if you're or no, he gave visibility and she

he's so he so I don't because he's attack now. And it makes very

very because we we're more projects together, for example, the song of

the Worldial that's two days was emiliano and empovado and there

was the so when this we days. He had to have yet had to have yet

we've got to have done the provostes of the and all. And no he was when we

got to we're that he decided to change of management and that he not would be

to be present and that not be to be part of the song and we

we've we've got we've been all all we're where we we're

we're the video, the cameras and all all right so this the song, then two days, and no, it's going to be with Emmian Aguilard.

Not because no we're going to, but he decided not to be. Ah, no, is there Emiliano? No. Wow, what's what's going to do. It's like a thing,

it's a rompecabesa that me, me, I'm a problem. Avi, I can't make a question for casuality and with all respect, eh?

You know, Pamela, the, the, the, the, the, the,

she's, the, I'm, like, I'm about of everything, you know,

you know, you know, you know, and you know, I'm a ex-pareja of a

other, well, we're not, we're we're just last, and we together together

three years. Look, how good. And, that's a tremendous productora. It's one

of the most of Miami, and the really, the fact, like, never

I've never had been about of her, she, simply she

She had very, well, there are many reasons for the while I did that relation, because I went to that house where we'd live in Miami, because she had there, there a little, a man, that was an abuser, that

was a violenting to women and a women, he'd go to visit me, and the truth is, that was something that I didn't want to have part of his participation, or could be in a house where there violence and much less against a woman

and Pamela no did anything even being a woman in the industry knowing that in this industry the men, well, at least there are things that are things that, and there are

many people like I who are that in the places where they're going to do things and no does nothing and I took the decision to go from there. Wow. And now is very big to

Paulina. Practically was defending of what can be according to Pauline he pego to his his wife and

we're now in front that she's accompanied to be a woman who was a violent in his

house is famous or no no you can call an artist not is an artiste

still as as you can call it I think have very few pieces out and the

really is that well is that I I was like, so, he, because he, in his moment, he said,

is that you have got because Pamela he likes more my project, my music. When, then, he's a

woman, how I'm going to get to be a man? A, man, no, I mean, every one does

what's the thing, every one, every one, and yeah, but, but, but,

but, but, well, he, well, he's, well, he's the

person, and, what what happened in this interview that I did because I'm

I'm sure and affirmed that I said could be that they could be a relation

because they put like the pieces of rompe and obviously me asked me

asked if I had something I was I was I was there

there many many things that passed in our relation that

me gave like a red flag of that could

be something of what's what's said. Because, for example, before that I'd have my relation, Paulina Rubio, he marked and he was in speaker. So when he mark, he said,

the first that he says, oh, yeah, and you still have novi? Or three years with her? And Paulina Rubio, he still have you, you know what I'm said, well, Paulina, although no we know we know we don't know, no, no, no, no, I did any other,

but in my mind was that, Although we don't know, you know, you know, you know, you know, I've been three years with her. So, like, why the question, no? It was like a red flag there.

I'm like, why the question? Well, and Paulina has been very good novias, Glatina, this, another that was

a, a, her, a, she's very very strong what you're trying,

because we've to this woman, your ex-pareja as practically , like, quiteically, the nalgas

of Paulina, in all the to the no, no, she pared and

Paulina no, look, look like the got her no, the garra

like that's a part of the right no? Yes, yeah,

yeah, and apart of that also, also, there were, like,

she me said that she was going to go to grab some

things and to work to and they were much

time together creating music and a sometimes I was

like the morning the And then, well, the really, me never was a lot of the moment.

Until right that I'm open up those eyes like, like, you know, you know,

you know, and I was like, like, how do you? And then come in the records and I said,

I mean, and I'm, and I was, and then when she was like, the day the next,

I was, I was, I'm, yeah, let, let me, let me, the can't

know, I mean, I'm know, no. And, Abby, abit at you.

And it was like, like she she said, no, well, the truth we're

just only we're going in the house, that's chilling, and I feel like

like, okay, then there no, there's well, well, well,

well, wow, how strong, Abby, what you're talking, Abivate, Avi,

Abivate, Abivate. Oh, well, what you're very what you're saying, we're

we're that you're done all the Emiliano, because to make an exit, a video that call me the attention,

after so that's that you had a lot of your time, that's a great-in-a- music, but you're part or almost the

that's the production ahead, and you invite to Emiliano practically, or you decide to do that, that's that's a collaboration,

because Emiliano no has production, but you know, you can't join us and can't get us and the fact that they're the song. We've got.

I'm gladysida with all the people that still listening Harley-Wasone and the fact is that with all

the projects that were in with Emiliano I'm, I'm, I'm very very very very

because there was a project that we we're doing after this exit of

of Harley Watson that that's that's this project that I have registered by the end of author because

everything always I do like as it's, as it's, the project is called Cumbia land and they're going to be a

album complete of pure Cumbia. I mean, I love. The cumbia. I'm the Cumbia is the maximum.

Thank you, Abbey, for being with us to be a response in a day like today, like,

that super neuralgic, the post of Emiliano and thanks for you're because you're

us. Much of Arianna. Thank you. Thank you. Good. All right, you know,

these six Donas. He's has come to Abdul. It's prepared. You know

Abdul? That's he's still with us. Practically we know we

know to Abdu to Adul at the Adul, at the last of this question.

To get the video of Elianian Pididid to give to give calentando

for favor? Because Abdul yeah here with us today we're not we're not we're not

we're not this this video was a little difficult because I'm only do this

but it's a carone to recognize when someone someone is bad this I want

to give a public to Abdul a blue famous look I

I think he had he had I've had said all he had told me

he had told me to me rob no one centa he's always he really, um,

I got in for penit me, I'm I'm that I did get to me influence

them other people but just, but just just said

that really Abdu never never never never he did and

I'm and I did you make a machin and also so,

so just, just, I just just I'm I was going to say me had robbed and all, and just

it's to commit that the ratita no, he no me robbed. I'm, I did get to get it for other people who are in papura. Well, there are,

Seniors, Abdul will be here sitting at my, in minutes, signory, and giving, and giving the lot, and the bombs,

and, and, and all the Nodal, that arreliol, that arreliol that arreliol, he,

As he had arrageded with Univision, arreliol now with Telemundo. Telemundo, he was going to an event to year, here in Los Angeles, a event a worldist,

where there were other artists, also, aburridism, the event. I was, I was, I was done

to do that I'm put a series of Netflix. Senora, the, sir, is rapidito, before that

came to here, to sitars to talk to all, attention. Nodal arreglow

with Telemundo with Sandra Smesbair to do a concert to yesterday aburriedissimo the concert I saw I saw a plomazzo

this event I think that he was more rating in Univision and I know I know I was

I was I'm having because as they're all along because as they're so marigoiso they're now

with Telemundo they're going to know all the channels of World, because it's the arreggl of the lavadero of your image. They're putting much, much

effort to laver to lavary the image to Nadal, and so was with Sandra Schmesbair, ex-de-Asteka, who is the responsible to get all the entertainment of the telemundo. Senora and,

you know, do a car to N to all the journalists, Delamich, a Maxin, to me also me also me made a lot of cactus, and this

also did it also received Pati Chapoy. but here here here the bomb sirs

and sirs and with the cajita to patty chapoy only

he gave the payola the pussola the pastola the he gave

the thanks for laval the image angelita he came for the because

a mik casu no Casu no no a chorizo no morcissa

nothing me a mackett because Casu no manned to

those journalists but I'm in conditions to confirm

that Alex Jimenez he had had had I

had a Pati Chapo attention a a box

of Hermes Hermes that had had had had

had the famous perfume more carer than all the world wants to have the perfume

vacar ! Senora and ladies, here is the Pago for the

senior Chapoy of the Nodal and of the Aguilar. This

perfume look what costs 13,000 164 760 dollars? Here?

Accus, me says that's the perfume French because he was going to to look at rubies to France and then perfume seigne. And, sirs and gentlemen,

$700 dollars, considering the of 100,000 litters, would more car or to?

Millilitros, no, I know how many litros has. This is the regal of Alex Jimenez for part of the family Aguilar and Nodal. For lavarly the

image, Floor Rubio, it's, yeah, it's, yeah, it's over Ales, some perfume of Tom Ford, the regalos for the to laval the image to the cancelled. Nodal and Angela. Diggam me,

Senator Patti Chapo, if accepted this, you're going to be an anti-periodista, Because a periodist not can receive a discondid to a present in a girl.

I receive a galio but a me, nothing, nothing, neither, they're not,

they're in any they're to pay you on the same. Always me all

the same. Bombasa! Seniors, gentlemen, men, the of the little,

the daughter of Sergio Andrade in Spain and Karina

Japor and the scandal, still, I'm many, I'm much

bombs for But I think it's It's time to receive it because it's very nice. He uses this perfume No, this perfume that says, Seniors,

Let me the photo or the pirrole when we knew Abdul for the first. Let's see it, for favor. There is. There is, gentlemen, gentlemen, let's.

There, that was the first interview that gave Emiliano Aguilar and we saw a un a tranquillito

and a good amy that was in the sombra was there

was there and seora of see you see let me let

let me let us let us we're we're with we're we're

we're we're okay Abdul partate parate no it's

very I think the serianites enloquesen. Abdul Welcome to the studio Abdul for what

what's for what Nigeria Nigeria Nigeria? No no I don't because

for from Mexico but you're for Mexico but you're where you were born in Los Angeles

in Los Angeles and your family is my father of Nigeria has been Ah you're of Nigeria

is right my dad my dad my wife how much me says, Emiliano, I was saying,

I'm sorry. How? How? How many. Of course? 1.99. 1.99. Serianitas?

We can't rifar. Is soltero? Is it? Is it? It's available. You can't attend to the serianita

the end of the weekend that are alone, to get to get to get to get to

get to do you? You? You're paying a speciito, a perfume a? well,

sitate. He's always the price of the perfume. You know, you know, you know, these characters are, this is the personages, how do you know, how do you know, of the perfume?

I'm a pretty tallyist. A lot of titherto? I like, I love to buy the perfume. So, that's, you know, you use, Fatima and Belinda use this perfume. De La Herrera, how is that?

Coralina Arrera. Oh, so, that you'll be regalas to your novias a lot of thing. Well, Seniors, welcome Abdul to the program.

The people think that Abdul is just the manor of the ex-manager of the manager of but he's

very known in the industry. You're working in real and you're doing things. You're doing doing, well,

does music also. Where did you you? I started, well, I started here, obviously,

I'm here in Los Angeles of the producer that at the 14 15 years that were produced and,

and, well, from here, my flight to San Diego, decided to go to San Diego. I finished my first year of the prepa, and I continued producing, but during this, during this, I know a, a noviour of Masatlan, in the Sinaloa.

Oh, my. And I, I'm, then, I, well, to, learn the Spanish with her, and then, and then, and I, and I'm, and I'm, I'm, I'm, and, I'm, I'm,

We got a little where we separated, but I still going to Tijuana. In that I go to the Santos and I met with a young, in that time, it was a young, that was being my manager. He was the first one

he was the first one person, and then, and then, from Mexico, then the music, me were looking those of the people of the films of when I began to play in the musicas,

that, for sure, are in 2B, they're all over all the other and then they're from the AIMC for the Fiat Woking Gade. Ah, my love. There was when I started to be. So, that you were talent, you're a producer musical,

cantas, also, does shows, and influencer also. You're working on some of things also of television? Well, I went to the series of Cedena in Netflix. Ah, I remember. Yes, yes, yes.

And then I went to be inamorand-nors. Yeah. Enamorand-nors. I was in Casso-Carrado. In case, I remember. I was in many places. And how do you know Amiliano-A-Gilano?

Amelano, I know know in Tijuana. In the Poblito, as we always know, the public, you know, the people. And, well, and I got to-a-not-a-re-reepened

and by there and by-ca. And, you know, I'd be around, obviously, also, because it was very, and I'm very viral in Mexico. And, well, Then, he starts the time, he starts to

sign, I don't I'm going to tell, I don't, well, that's a chingon, but to see, no. And I looked, of a sudden, that he'd went very well. And in that, I was in the reaction, I'm going to, I'm going to, Medellin, me go to Cartierena and then

I'm going to Spain, I, went to Thailand, and from the return of Thailand, I, I got to with the event. And then you're just, he did do the encounter, the re-enquentro. And he said, He said,

You know, and he said, all right. And then, I said, I'm going to my house, I got in my

malice, and I'm going, and I'm going to and I'm going to work with him. So I'm here here in Los Angeles, but I'm

here. I'm going to I'm going to say that the first time that we're in the

program, that we're the first program that was the first program that was thanks to the Barbie

and the Barbie starts to talk with Abdu and Abdul decides confi to be confiard

in this channel and in this program, in a servitor for that Emiliano romp the silence

that was good that was good that's because the people are him to

you're there, and you get us and the people and the people

he accepted very well and then we're to go to Guadaraara and were

with Oscar and Christi with the so the so the so

we know We've known to Rockett. And finally, then, then, then you of Abry, of Emiliano,

what was what what was. Ah, well, so, music of ten. Well, was a good

in the gana, we started to work there, we know, we know, to know,

we know, to the band, and, and, and, and, I started

the sound of the sound of the name, a sound for them, to

give a sound for them, And, we've been doing many events, many shows, pop-ups, and a party, and things like that. And, what I can say? A-be-a-be-be-a-be-vis people, or I can say that the people

are sometimes not going to be able to get in the class. Maybe there are many of the things. You know, one, as a manager, has to carry with many things, and at least, the other people also carry with the new problems. I do that just because they're cargare many problems. I can't say, I know there's many people who

want to manage, but much not know is to manage it, not just to manage it. It's a good person and all, but if you know, it's a lot of, and you know, you have to know, you know, they can know to manage it. But I, I don't know, Well, the pressure, there was a much pressure, and he

not was in the mind correct, like to make the decision that he did. It was like very rapid. And then I, in best to go, investigate, and hey, to be, what on? Decid me more. For that he's calmer. But you molestabas, and someone said,

you have to take Abdul, and you invented that you were, you're you're I'm I'm sure I'm

so I'm something it's something that I'm know but I never

they're no I know I know but I always I always I

always I was I'm hey what I do you I'm and I'm

I'm but I never I never I never and even even

every that a event once I did you know

you wanted to contact a so all all

he He said who's Who's who invented That's I'm sure who he invented and I can't confirm exactly

who because there's many people around and are many people and they're so, right?

Well, the day yesterday or Saturday or I remember, or the Wednesday

Emilio he does know that you had robed, that they had met

in the quote, as a moment they were they left the the mule, as

the mule, as the Cubans, and they say, look, he said, and he said, and he's not. And then the same with you.

We're going to repeat the disculps. Demiliano, Agilar, he pique disculpas, Abdul,

that never had robbed. This, this video is a little difficult, because I only do this,

but it's the cabron and recognize when someone is not. This, I want to give a

disculpublicly to Abdul, Abdul, to him I thought he had I thought he had done all that I had told

I'd have told that no never me he robbed any one he never really I got

for penit me I gave me that I did that me influenced

that but but just just just that really that really Abdu

never never never never never he did the I did I did

I just made a machin and me also just, um, just I'm just I'm saying because I feel that I'm

saying that he had robbed and all just to admit that the realta no,

he not he no he didn't get to get to get to people uh,

jude accept the disculp yes you? You're with him? I'm able to

him. I talked with him. What's been? Well, if you can't. Well, hey, what's been. Hey, well, no, I'm sorry. Well, you know, I'm a bad influence. And, well, the past, the past.

But how you go, how are you? And I said, oh, well, here, and I'm, well, I said, oh, well, that's what, what's nice, it's, that good that I, that I, I can't, I'm about to talk with you. Because, the, the real,

my, my, my friend, but I think that I had robbed, but I got a birthday, I came to when I came here, and now I know, I know I'm robes. So, I'm sorry.

There's a problem. I'm a person that knows to forgive, know, accept. When somebody... But, also, the most gracio, well, you've been for Los Angeles,

you kept in silence, no, you talked, very caballero, um, until he he has, And I suppose that you're going to be

you're looking to be a rocket How? Roquee you're looking someone more you're looking

to everybody I'm looking everybody I'm looking I don't know I made a message has much wanting to collaborate

with Midian in that then I don't know I don't know I said that I said that no it was a moment

for that yeah that's what that all all Because there had, you had things. So I think that right, and if, yeah, so, so the artist has a

his, has a, you know. Abdul, you are a type that, well, when one to go to Mexico, there's to have to have much respect to the country that were. You'd call more

much the attention, obviously. And you're at at a side of Emiliano in a moment where they were armando many things. You think that in a moment you entered in a

area of a working with him no no no no no

I'm not in the area because I'm a person very sure of me yeah

but the people is like I said I yeah but well I have

a how can say a fund of the job like

as like the government so so when a person wants to do

I know I can't when I'm in trouble when I'm in a so I'm not

I'm never any other in a period with Emiliano but when when

it was then I'm in a because because ohho

we get together and it's and the never he gets

only so that so let me so I'm so I'm so

there there I mean, I mean, is logical. Extranger. Visible in Guadarajara. With all the tendals

of things that could not have left Emiliano or someone who was that was around Emilio. It was possibly

a good blank, a good a good for, no, this, there's,

there's a, there was a there, there was a, there, there was the Culp. Who Tired?

And is always the attention. So, you're an plan that's

to, to, if, if, if, if, if, if,

if, we're, we're, we're, always, we're, always, you know,

always, we're, we're, we're, and then, and then, and, and,

your, your, your work, you started, to lookkear, to know who you had you have worked even in

much, even in television. And, you'd to work with Emiliano Guil,

if you, as a producer, as he knows that, but not as manager, as a producer. No,

yeah, look, I, Emiliano, we're, we're, I know, his job,

he knows my job, he knows what I do, he's what I know what he knows, so,

what he's we're, we're friends, he's to come to something. Yeah, we know. Yeah,

we know some, so if he gets something, if he's up something, he'll make a,

if people of your people, I'm up something, you know, they're they're

that they're making, and what's, and then they're, and then out of the person,

a bit, I'm doing, I'm supposed, and he is, so he's, so, then,

so, so, he's, it's, they're, a story that's a, story that's

in the to cut and you know, I'm going to do you know, but it's that they're

an friend, you know, they're together, you know of what I'm going to

get to get to get to get to him, I'm trying, I'm to have

to have that's things that you're that one does that you know, because you

know, is that you know, because I'm, I mean, I do, I do

do it, I know, I know what, I know what I know, because I took the paper and still

I still have the paper. I know what I'm the important is an interview, to go to the airport, to be the time, I always always I always I always wanted to

the time and all for that he could make a better. They're like an animalito, no, that was a cotorra? The lechusa.

Where is the lechusa of Adull and Emiliano? Serianita, we'll look them the lechuzza. Where is the lechuzza? The coach. But how?

Because for ennojo? No, it's a very how for that so that I don't I don't

you know I think something it was a was a a lechusa? It was a lechua

a lechua how how she called? That's not that didn't know the name

to the lechisa. No, the lechus Sirianita let's let's let's six

seven a year yeah was a young little and the lechusa, you

you, to the department where I lived, no, it was a house. No,

but, of the actually, I think like, something, because I let's

two days before that me had gone. You felt an presage? An

something, something that I'm let me let's let's let's let's

let's because if if you, for example, that's to go to the

to the for the for the day, that's the that was the that's the

Tijuana. And no way to recuperate, for you, you know, to recuperate a milan to recover the lechusa? No, because no, I didn't put, no, I see. Ah, oh, God. If someone in Tijuana recognizes this lechusa, Terianita, for favor, lookenla, because

it's the lechusa of Abdul. No, that's lechisa, yeah, she, she's, my ex-novia, yeah, it's, yeah, it's a little, 22, 22. Your ex-novia,

that's good. Yes, because the the little that he had to eat to eat. Ah, well, that's a good. Yeah, so. You can't

ask her what he said. Yeah, yo. Yeah, Yo-yo. Like, like the jugueet Yo-Yo.

But this boob is the other lechus. Ah, Serianita, we're talking two things different. Wait, the lechuzza angelita

you can put it. Like the lechus, no, no, what's what happened? No, no. No. A little, we don't confund us of animals. This buo was a buo that had,

that's a new ex-novia, she was a jo-yo, like the yo-yo. The other is the lechusas that liberate, two days before, because they had that presage like Harry Potter

that that was a lechusat and was to get to the salazar and find out of the life and the felicity. Of what color that lechuzza? Those are blankas?

You like the black, you know, I like the Blanca Depends that Blanca but no I'm a person that I mean

me like the animals I want a shangut also I want to like Michael Ah a little That's a changito That was a chikos

That was a chimpalce Grand You're a You're a, I'm You, with the doctor Apollo adopt we adopt a Yeah, some

Some, one of Chiquio The Capuchino The Capuchino I think I They're so They're not They're

The murder of But the doctor Apollo I had He made a lot They're They're always They're always

In the hair Phaar How's it I remember Well, Changito Well, the question Is that

The lechus No, It's It's In a moment Two days Before that You're

You're You're Yeah Yeah What's What's What's What's

Now Can't be you Can't be Yeah To come A Cautorian

A To be a cotorriar, that. Or not, a cotorriotia, yes. No, if you're, one, when it's amos, amy-compa, compa, it's like all. I mean, they're going to pass things.

You're going to pass things, and there, just the question of that if you can't do you can't do you, there's a lot. There's when a my place, I was, I go. Very, very. So, he's,

so he, he said, and then he, and then he, but you know, But now manager and those things, no. That's arreggles between them

that's that's you're doing? You're you're just you're doing no no more?

No, no no. Well, if you get a concert in Texas, you can

get a arreggle, you know, I'm a few, that's that's, yeah,

so we're to be friends, we're friends, then, a, a, a girl,

a, I know, and look, and look, and look, that's, so, all,

all, look, that they want, to They want to collaborate here or something. Or he, he, me I'll say,

hey, I'm a bit, what's the song of Fulano, the time, what on. He's, he's, but he's

to try with him. But yeah, you know, he's his team. Yeah, he's got a

there, and it's there, there, there's, there, there, all the

people, you know, you know, to the obviously, I'm, I'm a little a rato,

a rote, a little, a rote, so What's what we're living, Abdul, accept the disculpals of Emiliano and possibly they're

together together. This is really a pleasure. There's a lot of, there's the rest of social, no? A bit. What you put? There's Marcella,

Iglesia. Aguante, Abdul. It's a good person. Don't Apologi accepted. So, you know, said in English, very well.

And I was, I put it, I did tell, that I put it too also because me disloquio. Oh, you know,

that's Marcela, Abdul, and Javier Seriani in the weekend in the time in the social, that

the caga the limpa, the limpa, the limpeas, so, we make a rorough, and it's

to get to get so, so, there, there's, Adul, accepting.

Oh, Oye, Abdul, well, what you would like to do now in the

future, Abdul, what you would be in the future? I, yes,

as, as, as, as, as, personage. You, you, you have to be a person who's you're going to be a

to work here. A bit you're going to work. A bit of you like. Serianita, what do we do to do? I'm going to be a cantalte. Well, can't but you can't but you can't

make a personage? Look, when when they're Reyes, the Reyes-Mago, this is, of Mechor, of Balthas. We're, we're, we're

Balthas. You know, that my Cuglia is the day 6th of January. No,

no, no, not it can't that come up you're the day of

the way to do you do do you do do do

see that. Oh, look. See, six de Nero. Yes,

six of Edd, for the World, you could be the

fan of Nigeria? You're going to know? No, no. I go

for Mexico. You're for Mexico. Yes, let me to put Abdul the camiseta of Mexico and it can

be a commentarista sportive or the people of Africa that can not much Oh no Sudafrica

Yeah And Nigeria And that And the And the party Mexico South Africa To who you

go to No Well, no Mexico For favor Serianita For favor

It's the first Partio It's a marvelous No First Partido

Mexico South Africa will be Maribel Sheubriending covering the racquet also. We're going to

sum up here to come to Abdul. Something we going to do you're going to do. No,

you're going to get my in Texas. I'm going to talk in Frontier Fest. Oh,

I'm going to play. I'm going to see. I'm going to see.

There's a there's a place. There's there's a place in there. They're

in the program. He's in the program? What do you? What? What?

What? Well I'm I'm I'm talking The people Me's I'm going to

Texas The serialita And then In Texas And then Abduh For sure Me

They'll They're They're They're And then And I'm In a You're

In fact In fact Andrall That After the To Let's Let's

Let's Let's Let's Let's The I The After

After all of what happened with Gloria Trevi, Karina Jopor, Yuri and Armando Gomez. From Spain, look, the message that's

a message of Sergio Andrade for us. Let's see. Let's see what is. We're going to know. They really

don't be for us there. There are languages more afiladas in this world that

the heartes and minds affiladas. Pinted Dedo, the daughter

the daughter of Gloria of Sergio Andrade. Antonio, from Spain you know I got her

like I got her like I'm like I'm the bocera of Sergio because Sergio

is a community with she and she and so well I'm a bad

news before to terminate the program Abdul me have

to informer and you know you know you know you

know music of tension we we know you

know you know you know Cesar Trevi of Start Talent us

just got to communicate that's commune with the Licensia Rincor to communicate

that he will to demand for the contract of exclusivity that has signed

with the US to manage Emiliano and also some

some some some I think you did in that when you

did it? Yes he was him? But he was him or he

don't you know you're gonna? With him? No, I think Cesar Trevinio, to me, he's called, my God, now in

more, in the States, he, man he, manage, I think, like a , but not was like,

not a contract serious. It was a contract, like to him, and no, he has problems

with, with, with the product, but no, no, I don't, I don't,

I don't, I don't, I don't, I don't, I don't, he was filmed a, a contract

of exclusivity. He said that finally he got some he said he never he co-created because he co-cbroughed the 20%

and that he was a relation with Roque, he had a relation with him in San Antonio

and is Cesar Treviio of Talent Star Talent who in some moment us talked to us

and said no now more all the of Emiliano is with me and we can to be

to be to be the of the empoly those empoly there was a show of the empolyano yeah but emmigiano is american and the emperadovado are in mexico so what's what happens is that when an artist American

I'm asking artists of Mexico they're to tramit the visa the visa so if so what's the problem what is what's in the last I want to think that that's what I canceled the visas of it or who

There was a concert in California. There's a bit. What are the question? The question is the video. The question is the doctor. Rinko. Or to start at the front of the buffet jurid of the emboldened

to be the sensation. Any other thing related to legal. The sir is officially our abugado and with all your buffet of our guests. Much more than.

There are. Those are the embolded. Avi, that's been with us. Rocky. and these are going to put a demand

with Gerardo Rinkong is a start talent but for other other side here we have a good friend of Emiliano

that is disposed to produce and you you are a star Abdul, you you

not are the manager of Milo you're you're and here we're we adopt

if some some serianita you want to get to

to get to to get there for that the tienta for the

you're it's available you're there you're on your Instagram

is my Instagram is Abdul Famos and also my YouTube of the

YouTube of Abdu Famos Abdu Famos Instagram on YouTube in your

YouTube to you put there Abdul the Mito the

Mito I'm I'm I'm I'm I'm I'm for me.

The serial people want to see what my my friends my my

my my my Barbie all all all all

all that but but but we we're not we're not of me

yeah there see there in the page no no the number of the

benitio oh that's no that's I'm going to have to have to have to take a day. Serianita,

Tarea for tomorrow. How do the bendition of Abdul? We're in a rango

for what he says, of 9 to 15. Tomorrow, now, now that we're going to

do you go to say, for that tomorrow to get in something. A

lunch, a one, an, a lunche, a lunch, a breakfast. A broochie. A.

A broochie. with an abrochette with an abrux with an abduh but well how do you like the more rubies, peli rojas, castaia, caustraia, red, red, cullas, Cullas, Sinaloa, we'll pass, let's say. Let's ask you,

ask you, for Texas, here we see. Look, Verita, verita, you're going to go, You're going to be. You'll be when when you get to Texas,

how you going to be going to get in in Texas in Frontier Helfth Ah, Frontier Fetre Fentrae

the people to call it if they're they call in if they're going to let me come,

let us thank you thank you us costed a billed we're all ush

ushid all sushi, donuts exclusivity an a limusina a car rohan, no?

It's we took from from there's from Calabaza where I live with the Cardallions

Oh, with the carthallon here that yeah, but no, they're going to

go out of no, you're going to get all the money. Why's one? There's

there, Instagram that Dool Famoso me you know they're they're

they're so they so we we're going to be so that's this was

a programas thank for thank I'm so because

Caso Serrado! Come, Ciao, Ciao, Chau, Chau, Chau.