Knowledge Fight - #784: August 9, 2013 (Live)

Episode Date: March 10, 2023

Today, Dan and Jordan take on night two in Milwaukee, where the initial plan was to cover Howard Dean's scream.  That plan fell through, and instead, the gents discuss how Alex spent multiple days in 2013 whining about the Matt Damon film Elysium. The Dreamy Creamy Fundraiser is back live! Click here if you want to support

It's 3-3! March 3rd, Trident! It is March 3rd, March 3rd. And it's 3-3! The third day of March. I don't believe it's already March 3rd, March 3rd. No-No-No-No-No-No-No. Yeah!

atted his time. This time no great, respect the knowledge, right? Knowledge and value. I'm so imposing as if there's a good guy that has to change me or the bad guy's knowledge. I'm fine. Then enjoy the knowledge.

Fight me. Be, be money. Andy and Tanzas, be a Tanzas. Stop it. Andy and Tanzas, be a Tanzas. Andy and Tanzas. It's time to pray. Andy and Tanzas, you're on the earth.

Thanks for holding. Hello, Alex. I'm Alex. I'm calling him. He's a huge fan. I love your world. Knowledge fight. No, no, no, no, no, knowledge fight.com.

I love you, I love you. Hey, everybody! Welcome back to Knowledge Fight. I'm Dan. And I'm Jordan. We're a couple dudes who like to sit in front of a very full room of people. Worship at the altar of Celine and talk a little bit about Alex Jones.

Oh, indeed we are, Dan. Jordan. Dan. Jordan. Quick question for you. What's up? It's your bright spot today, buddy. Why don't you go first?

I got to plug in this computer. Don't wait for the signal. My bright spot today is that my wife is here. She made it! She was here at our very first live show. Well, she wasn't here. She was in Chicago at our very first live show with the other 10 people.

Yeah, she was a significant percentage of the audience. Yeah, yeah, yeah, yeah. If you removed her, we're in trouble. Yeah. That would have canceled the show at Xamese. She left. But yeah, so I went and picked her up. She took the train to get here because I'm a great husband.

And so I went and picked her up. And Milwaukee is an impossible place to drive. Is that right? Yeah, you cannot drive here. You're coming from Chicago. Yeah, I know. Notoriously shitty driving city. You don't understand.

Chicago. Grid. Grid. Sure. Grid. I tried to take a left turn out of three possible left turns. There aren't enough degrees in 90 to fit three different turns. But isn't that kind of fun?

It's like a game. No! Oh. I misunderstood. Especially not because, I mean, well, I mean, it was because it was about an hour ago. And every time I missed a turn, I was like, well, I'm going to be late. I'm not going to make it out of time. So then whenever I did pick her up, I yelled at her like a good husband.

Right. About how hard it is to be in Milwaukee. And instead, she loves me. So that's my Bright Spot. Woo! Quite, quite bright. How about you? What's your Bright Spot, buddy?

Well, my Bright Spot is, you know, I love novelty. There's someone last night brought this bizarre beverage, which is chocolate lemonade. And I am going to try it in front of all of you and give you my sincere reaction. This is not necessarily a Bright Spot. It could be. It could be. You know I like to ride that razor's edge. We're rolling them bones.

Yeah. Yeah. No. No, it's bad. Before the show, I was really holding out this hope of like, no, maybe it's going to be fucking awesome. I don't know why. I don't know why you believed that.

Have you ever had a lemonade that seems like it has a little bit of chocolate melted in it? That's what it is. You drop a Cadbury in there? I've always liked putting together milk and sour fruits. That was always a favorite of mine. I used to put sour lemons in a glass of milk. I still feel it.

That's chocolate lemonade right there. So Jordan. Yes, Dan. We have an episode to go over today. That's true. Yeah. We are contractually obligated. So as people who are up to date on the podcast know, it was my intention to cover the Howard

Dean scream tonight. Yeah. That plan fell apart. Nope. Didn't happen. Yeah. So instead, today, what we're going to be doing, Jordan, is we are going to be talking about August 9th, 2013.

2013. What a random date. What was going on in your life back in the summer of 2013? Oh boy. How old was I then? That was 10 years ago. So I've been 25. So I'd been doing stand up for about a year and a half.

Killing it. No. Not funny. Not even close to funny. It was a shock that I continued doing it. I think it's a shock that most people continue doing it. That's a good point. That was a little too salty.

We both quit. So this makes sense for us. So you were just getting those first sets. I was in that zone as a comic where you're like, I'm doing this. So I was going out every night trying to do as much stand up as possible. On the grind. Did not know what was going on in the world whatsoever. Well, you can flash back to that state in your life and know that this is what was going on

on Alex's show that day. But before we get down to business on this episode, Jordan, let's take a little moment to say hello to some policy walks. That's a great idea. I'm a policy walk. I've got this little frog friend here. I'll pull some names out of this. Hmm.

Kwan said he should get a walk. And everybody here at the X-ray arcade, everybody, all the staff, you are all policy walks. I'm a policy walk. Thank you very much. We named the raccoon that got us out of our lease, Alex Jones. You are now a policy walk. I'm a policy walk. I'm a policy walk.

Thank you very much. I think Alex Jones, if the raccoon was really Alex Jones, he would side with the landlord. I think we all know that. That's true. Next, I wore my vitamins and I'm ready to beat my neighbor's ass. Thank you so much. You are now a policy walk. I'm a policy walk.

Thank you very much. And Julie Jo Josh from Louisiana. We love you. Thank you so much. You are now a policy walk. Thank you very much. I'm a policy walk. Louisiana.

Yeah. Down in the bayou. You know dentures down there? You know Charles? You know Louisiana dentures? Did anybody come from further than Louisiana? Thank God. No, there are people.

Oh. You don't understand our audience. They politely held up their hands. I was looking for a woo and I appreciate the politeness. Florida, you said? Oh, Nellie. I don't know anything. Is that in the panhandle?

Yeah, panhandle. Sweet. Trying to get away from Florida. That little part is just like, ooh. We're not the dip. Thank God it wasn't. We're from Belgium. We flew in.

We got a visa to be here. Yeah, that would have been a rough sell. Like, oh no, we decided to stay for a week in Milwaukee. Oh, no. We turned it into a vacation. No, you did not. No. Oh, I'm just kidding.

So, without further ado, Jordan, let's jump in here. Here is how Alex begins the show on August 9th. All right. It is the ninth day of August 2013. I'm your host Alex Jones. We're going to be live here for the next three hours. Now, coming up in studio, we're going to have former Dallas Cowboy and most valuable player,

Drew Pearson in studio. And, of course, I grew up watching the Dallas Cowboys, and I like football. I just see it as a political distraction, a new religion. Don't need to tell us this. But at the same time, it's important to talk to people from those environs of society, because we can get their perspective on the world.

Yeah, man. Football is evil, and it's a globalist plot to demasculinize the society and sublimate men's war instincts. But also, if someone who plays football is willing to talk to me, I am thrilled. Totally, 100%. That guy's famous.

Come on, my show. Yeah, fucking sweet. I just like that the justification winds up ending in some sort of like anthropological, we must speak to those strange people. We must understand the football player culture. Yes, despite their strange ways. I'm writing a book on football players.

Look, no shade on Drew Pearson. He was a great player, but he was never the MVP. That was a little bit of a grandiose thing on Alex's part. What did he play? He was wide receiver on the Cowboys. He is in the Hall of Fame now. He is? Yeah, he was an all-pro.

For going on Info Wars? Yes. He's the only professional football player to go on Info Wars. He's Info Wars' all-first team. See, this is before cancel culture, though, you know? Yeah, absolutely. They still let him in the hall. Yeah, we're not going to talk about him at all.

We're not even going to get to the part of the episode where he shows up. Dan Rugg pull freezing. Yep, that is what they call me. Or at least you just did. So here is what took my attention away from an NFL player. And it was like, wow, here's the episode. And also, we're going to get into, they say the House Republicans are going to vote to gut the border entirely

and take us fully into the North American Union. And I saw Elysium last night. It is literally the most anti-white racist BS I've ever seen. It was unbelievable. Stay with us. Oh, Alex saw a movie. Oh, no. All right.

So, of course, number one most important issue for me is obviously the border. Yes. Obviously the border. And Republicans are going to gut it. Oh, those Republicans. No border. I saw a movie, though. And it is so anti-white.

I hate those anti-white movies. So, yeah, I was thinking, you know, we're here on a Friday night. What do you do back in your young days? You find the person that you're sweet on who go to the movies on a Friday night? That's what you do. What better thing to do than to talk about Alex's weird feelings about a movie? I mean, yeah, obviously. Perfect for a Friday night.

100%. Now, as I prepared this, let me be clear. After I had prepared this, it dawned on me that there was a potential problem. And that is that I don't know if you folks in the audience have seen Elysium. Has anybody seen Elysium? Okay. This is a pro Elysium crowd. That's enough.

Jordan, you had to watch it for homework last night. Yeah, yeah, yeah. So last night after the show, it was several hours. It was, what, like midnight? Give or take. Yeah, I was exhausted. I had had plenty of beers. And you were like, we're going to watch the whole thing.

You have to. So, so I remember it in a way. Yes. In a sense, I know what happened. It's borderline cheating a little bit with our premise of Jordan doesn't know anything about the stuff we're going to be covering, but I panicked about the idea of me being the only person in this entire room that knows the plot of Elysium. I've never seen it before.

Nope. Yeah. And here's the reason that it's not full betrayal. Uh-huh. Because in the state I was in, let's face it, I still don't know what the movie's about. You might have written a totally different movie. I think it was better. Yeah.

From what I saw. I could have. Spoiler alert, I don't think Elysium's that great. I think it's clunky. I think it's just too anti-white. Oh, someone's going to agree with you quite vociferously. So if anybody hasn't seen the movie, essentially the, oh boy, how the fuck do I make this plot brief? Yeah, hear me out.

It is overly complicated. Matt Damon. Yes. Former car thief wants to go to Elysium because they have med bed technology that will magically cure him from a radiation poisoning that he suffered on this job where he builds robots. I'm lost. Specifically, robots that build other robots. Yes.

No. He is making robots to build other robots. No, no, no, no. No. The robots could build robots, but he's building robots that will then be mean to people. Right. But he doesn't, does he not understand, well, I suppose the writer of this movie perhaps doesn't understand that we have robots who build robots now.

Well, see, that would have solved the problem. This is not a futuristic movie. That would have solved the problem of him being overly radiated because then it could have just been a robot that, who cares? Yeah. So he wants to get to Elysium to get cured, which is a space station that's up in the sky that the rich people live in. Right.

And so some weird drug dealer criminal boss friend of his gives him an exosuit that makes him super strong. That's right. Yeah. That's how he got that exosuit. You forgot. No, I remember him having an exosuit. I forgot why or how he got it.

He gets the exosuit in order to do a crime for his drug dealer buddy, where they have to steal information out of a rich person's head. Now, simultaneously, this rich person is involved with Jody Foster. Yeah. Who is the Homeland Security person in Elysium. And she wants to pull off a coup against the president. And so they do it, or they're planning to do it with malignant code that's inside the guy who Matt Damon's going to Rob's head.

It makes no fucking sense. The plot is similar to three left turns in a 90 degree, in a 90 degree. Yes. You live the metaphor. Yes. Jody Foster's accent comes and goes. Oh, she's supposed to have a French accent. And it is not Tribbian.

Trimal. Yeah. So then there's a guy hunting him because he wants to get the information in his head and then, I don't know, fuck it. How did it end? Did he win? Matt Damon dies. So no.

Spoiler alert. His drug dealer friend apparently knows, oh, he's a drug dealer slash human smuggler, too. We should be clear about that. Right. But he knows how to use the code that's in Matt Damon's head to make everybody citizens of Elysium. And that means that everybody has access to the med bed technology.

But in doing so, he has to hit a button that will kill Matt Damon to extract the information. Yeah. Matt Damon's like, I get it. I'll do it. Right. He's going to die anyways. Yeah. And then the girl he wants to have sex with his child, he wants to have sex with the adult,

not the girl. The girl's child. Yeah. Her daughter. The girl whom he wants to, okay. Her daughter has cancer and is going to die. Right. And so she gets in the med bed right at the nick of time, thanks to Matt Damon making everyone

citizens. Okay. That's the plot. So now everybody who hasn't seen it, you kind of have. What he should have done though was also organize rides. No. The human smuggler was doing that. Right.

Right. Right. But like there's a lot of people on the play. Well, but you might have missed this because you weren't paying attention or you were too drunk. That's possible. But the, at the end of the movie, they bring down to earth the med bed so no one needs a ride.

Oh, okay. Yeah. So anyway. Great movie. I was thrilled because I was like, I love it when Alex talks about movies. He never understands metaphors. It's just the best. Some of my favorite times, like with a matrix movie that he screwed up, I was great.

His obsession with oblivion oblivion is heavy in his heart at all times. Yeah. So I was pumped about this. I was even more pumped when I found a video of Alex and his buddies right after they left the theater. Okay. Okay. They shot a video of them leaving the screening.

And so you got like this great info wars crew of like Rob do Darren McBreen, the guy who cried at the deposition, Kit Daniels, I think I would, I think I would, I think I would watch that show. Like if that was after Cisco and Ebert, I'd be like, yeah, Cisco and Oh my God, David Knight. How old am I Cisco and Ebert? So we get to hear the thoughts of some of the info wars employees. And so we're going to start here right outside the theater right after seeing it, Rob do

Alright, folks, Thursday night, we just saw the premiere of Elysium Rob do your take. Well, it was another in the line of many dystopic futures that we that are facing us if we let the elites win. And what we saw is Obamacare on earth is not nearly as good as Obamacare and Elysium, where you get everything. You're not exempt like Congress unless you're on Elysium. Exactly. That's the way it works.

So there is definitely a cast. Everyone with blonde hair is bad. Everyone blonde hair is bad. Everyone who speaks with the Spanish accent or Hispanic accent is very good and deserves citizenship. So it has that layer. Yeah, it has that layer. That's that layer.

All right. That's that layer. Those those people who I ostensibly felt pay those for while watching this. I was supposed to. Yeah. Yeah. No, they go to great lengths to be like these are your heroes here. And now I'm very mad that a number of them are Hispanic.

Okay. Maybe that's your problem, Rob. Oh boy. Oh boy. I thought that some of his thoughts were a little bit stupid, but I think that the you know, it's it's the closest you really get to actually reviewing something that's in the movie. Yeah.

Because there is Medicare medical care kind of metaphors that are going on. Yeah. I think comparing it to Obamacare is a little bit silly. It's kind of a dick move. But that's what was hot in 2013, man. Yeah. You've got to pretend everything's Obamacare. Yeah.

And so death panels. Oh, they were going to kill grandma. Yeah. Jody Foster wanted to kill grandma to hire a teacher. So that was Rob Dews thoughts. And I was like, how can this get any better? And then Darren McBreen steps up and has an amazingly dumb point. I had McBreen.

I was disappointed in the fact that AK 47s in the future suck. Oh, there you go. That is his whole review. Yep. The movie takes place in 2154. And he's mad that modern day weapon technology is outdated. Great. I can relate though.

He loves his gun. Somebody watching the Jetsons being like too high, too high up in the air. I don't like it. That's my review of the Jetsons. Sure. So he is not very insightful, but cool. That leaves us more time to hear from David Knight, the snoozy old man, David Knight. David Knight.

Citizenship fixes everything. Free health care, the whole works. Well, that's my whole point when we get to me here a minute, is that the idea is like America is Elysium like Shane said in the start of the movie, but what's the idea that made America great that all these other countries are imploding? The idea is that made America great are being extinct in any ways, so we're collapsing as well. Yeah.

Shut up, David Knight. I'm confused. I'm confused. Is David Knight going to speak at all in this video? Nope. He just says that citizenship fixes everything. And it's true that citizenship does fix everything if the problem, the totality of everyone's problem is they need these magic medical things, but it doesn't fix everything.

Everybody's still got a whole lot of problems. Also Elysium isn't the United States. It's legitimately rich people. Yeah. It's just rich people. It's not a subtle metaphor. Nope. It might as well not even be a country.

It's like a gated community is all that it is. Yeah. The notion of it being the United States is really, it tells you more about the reviewer than the material, I believe. And yeah, I also think, was listening to that clip, it's really weird. I mean, this is 2013, and Alex has repeatedly using make America great in there. This is before Trump even came along, or you know, that was their big catchphrase. I don't know.

I don't have a point. That's the only thing. Just a thought. I mean, yeah. That's crazy. Or it's unoriginal, and it's been the exact same slogan that conservative assholes have used since... Wasn't it like...

Yeah. It was, wasn't it the Nazi who flew around the world? Whoa. Yep. Yep. What was the Nazi who flew around the world's name? Charles Lindberg. Yes.

Yeah. There we go. We got there. Yep. Sure did. So, after Alex rudely cuts off David Knight and does not ask him follow-up questions, Jakari Jackson is there. Okay.

And he has some thoughts. What's his take? All right. Yeah. How they got to this future where Earth is all torn down and they have this big Olympus in the sky being Elysium, but the thing that really caught my attention was the mark of the beast. They put it on the right wrist, and then after you get the mark of the beast, then you get

the keys to the city. You get the free healthcare. You get all the goodie bags. And what McBreen said, the only gun that jammed in the future was an AK-47. That's right. And in trendies, they will shoot a gun one time, hit the target, and throw the gun away. That's right. The whole technocracy is you buy into the transhumanism.

You get everything. Yeah. But okay. They love that gun. They love an AK-47. What is it with the gun? Nobody's watching Star Wars being like, God damn it, I wish those guns shot bullets. Fuck.

Oh, man, when Picard pulled out a revolver, it was so outdated. This is an insult to pistols. Let's all start out with a compliment here for Jakari, and that is that like, you know, the citizenship is burned onto people's arms as like an ID, so that is kind of like the mark of the beast. No, that's fair. No, no, no, I'll take that. Except, isn't the March of Beasts like about buying and selling?

Yeah, yeah, yeah, yeah. It's supposed to be the commerce. But I mean, the access to Elysium does kind of serve that function. There is no indication of any commerce going on on Earth or in space. There's only smuggling people or other shit. The only money you ever see is people waving it in the air trying to get on the human smuggling ship. Yeah.

Yeah. So there's some problems. Great movie. Jakari's kind of frustrated that you just throw down the gun after you use it once, but like, that's quicker than reloading. Yeah. If there's another gun right there, you can grab. No, that's why you do it.

Yeah. But more importantly, they did explain how the world came to be in that dystopian setting right at the beginning of the movie. The world is suffering from disease, overpopulation, and pollution at the end of the 21st century. At that point, the rich people took off and took their resources with them, which obviously would have devastating effects on national and international infrastructures. The plot of the movie takes place in 2154, so that's like 150 years after all the rich people left the planet.

So I guess they don't tell you exactly what happened, but the implications are crystal clear. And I think being too granular would make a really boring beginning to the movie. You get just bogged down. I feel like now I have the complete opposite take of these people. They should be fucking impressed that the AK still works in 2156. You bet. That was out of production immediately after the rich people left, at least.

Or it would just be like a vintage, weird antique. Yeah, yeah, yeah. You don't see people using a fucking musket now. And if somebody used a musket in a movie, and my review was like, that musket could have been better. Musket could have been better. Muskets are shit. But you know what?

Also, like anybody who uses a musket nowadays is either somebody who has like an old timey YouTube channel or is a real weirdo. Is a real weirdo. So I assume anybody who would use an AK-47 in 2150, probably a real weirdo. Also Alex is complaining about the transhumanism of an ID thing, but like in the movie, Matt Damon gets a fucking exo suit. He's an exo suit that allows... He's half robot.

He's half robot speed. Yes. He is a cyborg. That's a better example. For all intents and purposes. Yes. I think. So we got Kit Daniels coming up next.

He has some thoughts. Oh, yeah. Here we go. He of course is the person who wrote the article, The Faming. Yep. No one died at Sandy Hood. No, that was Don Salazar who wrote those, the Parkland shooting. But he comes in and he has some other thoughts that I think are incredibly trivial.

Kit, Daniels, infowars.com, Ryder, what is your take on this? What caught my eye was the sophisticated spy tech which was seen in the drones, which was basically normalized. We already have a combination of spy satellites used domestically as well as drones that were used domestically as been revealed by the EFF recently. Yep. Well said. Sure.

Okay. Okay. You know, I've been trying to get myself in the headspace of somebody who can watch a movie and have any of these takeaways as being an acceptable thing to respond to a movie with. Yeah, yeah. You insane people. But then I was like, that's right.

They think all movies are real. Sure. So it is a real problem for them that their grandchildren won't be able to fire a good AK-47. That is an issue they are concerned with. They take that personally. Yeah. They don't clearly.

Yeah. Yeah. But even more than that, the trend that I see is like these are observations about things. It's kind of like if you asked a child, like, what was your favorite part of the movie? The spy stuff. There's no analysis of it. There's no like, what does this mean? What is that?

How does that serve the plot? What is it saying? It's like, no, I got a bunch of spy things. Drones. What was your favorite part of a Moby Dick? There was a whale. The end. Okay.

Can't argue. Can't argue. There was a whale. There was. So there's one other person there who was along and has a review. And this is a guy named Shane Steiner, who, I don't know what the fuck he does at Infowars. He was around for a while and he was like a big, muscly guy who they would get whenever they needed a commercial for their like testosterone products.

Right, right, right. Because he was really, really muscly. Yeah, that was his job. You're our pecs guy. Yeah, yeah. And so he has a review and I honestly think that he is maybe the best film critic of the whole group. Okay.

Steiner, final word on Elysium. Well, I thought I was, you know, how easy it was to solve like cure cancer and stuff. You just land a bed. It goes over the top, again, it fixes you and it just, how easy that is. Like if you had that technology, like you just, like they were just being jerks, not sharing it with the, with Earth and everything. And also how they would shoot it like an AK-47 and then you'd run out of bullets and they'd just throw it down.

Well, and then Matt Damon has his kids in private school, but we shouldn't be able to. That's right. That's right. Yeah. I mean, I mean, overall very sophisticated movie. Great action, though. It was really good. Yeah.

Really good. Really good. Great. Sophisticated movie, lot of action. Yeah. I mean, Shane Steiner kind of gets it. Yeah. No, he does.

People are jerks. They have magic medical technology and they won't share it and it wouldn't cost them anything really to share it because money doesn't seem to be real. I feel like the stakes are higher than just jerks. Oh, look at those jerks committing the Holocaust, a bunch of assholes, like no, it's more important, dude. They're meanies. Yeah.

Yeah. He does sound a little bit childish, but at the same time, good point. No, he's right. He's right. But there was like, I don't know, six, seven people there and three of them had complaints about AK-47. I don't understand that. I don't.

They are Second Amendment people. I know, but I just don't understand. So their reviews have wrapped up and they decide to celebrate having seen the movie. Yes. In the only way they know how. It was a beautiful movie. I got to go see it again just to break it all down. What?

One time. One, two, three. Matt Damon. Matt Damon. What? There you go. So we just get rid of the borders and let everybody, the billions in from around the world. Free healthcare for everybody.

Free healthcare for all bankrupt and the globalist will live on Elysium. Yeah. Absolutely. So there you go, folks. Well, that's the report on ElysiumPrinfoWars.com. What was the movie about? No one has any clue. It was about the need to have appreciation for AK-47s.

It does appear that way. Yeah. That was a big, big part of it. And I got to tell you, I'm not showing you the video here, but they looked so happy when they did that Matt Damon thing. They were over the moon to be in a group of people who were like, oh, God, it was great. I have rarely in my life been as happy as they were. I feel like they had a lot of negative things to say about this movie.

And then immediately after that, well, obviously it was great and I'm going to go see it again. Yeah. Immediately. Obviously I need to study this film. Yeah. Yeah. What it is, is I don't like the film, and that's why I got to watch it four or five times.

Yeah. And buy a copy on DVDs. Yeah. Absolutely. As soon as it comes out. Oh, chant Matt Damon with my friends. So we get back to the show itself on August 9th, and Alex has had some time to sit with it.

Yeah. Because I don't know if I mentioned this, but he went to see the Thursday midnight show on the day before it came out. He hates sci-fi. He hates this movie so much, but he's got to see it the minute it's possible. He was dressed as a Gandalf. So 2013 was different for him. Disagree.

He had an exo suit. Brought it from home. All of the Enforced crew have exo suits. That would be so cool. Just a bunch of weirdos at exo suits going, Matt Damon. Back when I worked at a movie theater, if I saw that, I'd be like, you guys got to go. You guys got to go. You're too drunk.

Get out. Go to the 12th theater thing. We can't do this here. So the movie Elysium was directed by Neil Blumkamp, whose previous film was District 9. And I thought this was a pretty surprising revelation from Alex. Okay. Detroit Rock City. We're going to be looking at that and tying it into Elysium.

I tried to give the film the benefit of the doubt beforehand. Was a big fan of District 9, even though it had its own political messages. This film was incredibly well done. This director is a master, and he is a total globalist pawn. This was a piece of anti-white, race war, anti-American, anti-free market, anti-capitalist propaganda. And again, I mean, the way it sells it, you want to be a communist. It's not that I side with the bad guys in the movie. It's that it is a projected fraud.

And the fact that Matt Damon and the director would come out and say there's nothing political about this insulting, insulting everyone. So I kind of agree, like when Alex is complaining about the comments that Matt Damon and Blumkamp made, they made comments about the movie not being political, and I think that's kind of disingenuous. Yeah, obviously. But it was in response to like the right wing trying to cause like a giant cultural war over this.

They were doing some kind of damage control, but like, I mean, come on, they wanted to make money with the movie, and these right wing media figures were all being like, and then going to see it on opening night, and then seeing it the next day. It is so like the best way to make money if you've made kind of a shitty film is to make right wingers mad about it. They have to go see it to be angry at it. Financial strategy. Maybe that wasn't in place.

Maybe Elysium started that. I don't know if it did. No. Also, to be clear, Alex definitely sides with the bad guys in this movie. 100%. Yep. Also, I mean, I don't know if it's telling you to be like making you want to be a communist, but if that comes with like, you're not hoarding magic med beds, I feel like that is the right

side to be on. Yeah. What I find interesting, all right, so movies are real. Okay. We just all have to accept that movies are real. So now we are there, and he's mad at himself for being empathetic to people. Yeah. He's like, oh man, this movie makes you realize when bad things happen to others, you should

care. Yeah. No. Yeah. And he is not siding with the bad guys. No, no, no. The good guys are the ones that make people die painfully. Right.

And to the point of the bad guys, it's also critical that we point out that they are all white. And Alex is furious about this. But also they're not. Folks, you know I'm all about unity and stuff, but the so-called left is not going to allow that. Okay. And they are the racist.

It's beyond that. They're the technocrats. But this was unbelievable. The only good white guy in the movie is Matt Damon, but every other white person is an devil that has to be killed. Afrikaners, Dutch whites are just demons. Yeah. Yeah, 100%.

I mean, it is just, I'm imagining a movie where all the bad guys are black people. I mean, that basically is what this is. Unbelievable. Don't believe it. Oh man. Because the president of Elysium is an Indian guy. Yeah. And if you actually pay attention, the tribunal that has oversight over Jodie Foster's character

is five people, and it includes a black woman and a nation woman. While they may not be as openly cruel as Jodie Foster's character, they are active participants in propping up the system that she uses violence to maintain, so they're definitely villains in the movie. 100%. Beyond that, there are three investors who scold William Fickner. William Fickner's out there doing William Fickner things, being a bad guy. He's all, ah.

Yeah, he's Matt Damon, the CEO of the company where Matt Damon gets radiated. And like, there's three investors who scold him to make more profits from his earth factory. And they are Elysium citizens, and they are not heroes in the movie. One's a white lady, one's a black guy, and one's an Asian dude. There's an implied diversity on Elysium, but the film is pretty limited in what it shows on the actual space station. One of my notes from about an hour and ten into the movie is, not a whole lot of this movie is taking place on Elysium.

And there's probably a reason for that. Like if you create a larger, more complicated world in Elysium, that doesn't really help the plot of the film. It would probably make things way too complicated. Elysium exists as an aspirational place, not as an actually fully realized world. The pictures that you do see are overwhelmingly white, and the reason is because most of them are scenes that take place at the home of Jodie Foster's character, and it's not a huge leap to assume that she just might be a racist.

Her character is introduced in her sort of defining qualities that she wants to shoot ships out of the sky, people trying to get to Elysium. So there are debatably no white people who are the good guys of the movie because there really aren't many good guys. And part of the reason for that is because there aren't many good guys period in the movie and the climax happens by accident. There is nobody who plans to make everyone citizens of Elysium. It is all people doing crimes, and Matt Damon trying to save himself, and then they accidentally

reboot the system of Elysium, whatever the fuck that means. It's silly. I mean, so what I find troublesome about Alex's review is that all of the main characters who speak the most are white, like Matt Damon speaks the most, Jodie Foster speaks the most. Those are the two who speak the most. What more do you want? A couple of Matt Damon's buddies, maybe? I mean, isn't he just going to be like, can't we have all white movies?

It's what he's saying, right? It's a little close to that. It's so close to that. And if you have one white villain, you have to have two additional white villains. Is that the ratio? Yeah. I think that's what he wants. It's very bizarre.

It's the Fibonacci sequence of white people. That's how it works. Yeah. That makes sense. He makes a fair enough point about the Afrikaner character in the movie, but that's that way he's the villain because Neil Blumkamp is from South Africa and the guy who plays the mercenary who's hunting down Matt Damon is Cherito Copley, who starred in Blumkamp's District 9 and then he went on to be Chappy.

Yep. Chappy. He's Blumkamp's muse. Any Chappy fans? All right. That movie is transhumanist as hell. Yeah. That one.

I wonder if he's reviewed all of it. He should do like a marathon of Blumkamp movies. I would love it. If he loves District 9 and somehow has been like, well, there's clearly no political message there that I could be mad at. That one's just about prawn aliens. Which, by the way, I really think comes down to the fact that the guns all worked in District 9.

See, if the guns all work, there's no reason to get critical. Right. That instinct doesn't kick in. That gun jammed this movie sucks. So essentially what I assessed is that Alex has an issue with race and he's projecting that onto the movie as opposed to seeing the movie and interpreting it. We'll accept that. So we jump off talking about Elysium for a minute because Alex has to get a little bit

petty about something and I always find this quite delightful. Support those local sponsors or if you're a local business, sponsor the show today. That's how we're growing all over the nation and how we go on Sunday and a few months later we go on at night and then six months later we go on Primetime Live. That is the pattern on these stations and we're reaching more people exponentially out there. It's great to reach people on the internet and be rated number three talk show host on the internet after Glenn Beck and somebody else by Talkers.

Really folks, we're number one or number two. I don't even care about ratings, the point is it's just not accurate. I like Talkers magazine, they're nice folks but I'm not the number three internet talk show host in the world. I'm at least number two, probably number one but the point is that that info is out there but M&F'ing is so special. Oh, it's so special. One, two, three, Matt, Dave.

Look, I don't care about ratings but god damn it, I'm not number three. I'm probably the best. I love that. Oh god. That's delightful. That is good. That is someone who doesn't realize, he's very mad about people thinking he's number three and it's transparent.

So thank god we got a little break from Elysium Talk. I'm sure he's not going to go back to it, right? Matt sells it like every white person is a murderous evil robot that feeds on the angel Hispanics and angel black people and the only good white person is really Hispanic himself. He just looks, you know, what you'd call, you know, like a pure quote, Anglo and that's Matt Damon and he sacrifices himself as the Christ figure. Because of the evil white people. I mean, it is unbelievable and it's anti-European, it's anti-Dutch, it's anti-French.

What? America is basically Elysium and Germany and France and England and it has subliminals in it. I got to go see it again. I mean, take notes and not when it's midnight for the first showing. God damn it. I was also tired. Fuck this movie, it's anti-white and it says subliminal suggests, I got to see that again.

Maybe it did have subliminal suggestions and it's like, Alex, you have to see this again buy another ticket. Man, I was at all the things that I was expecting. Matt Damon isn't white enough is not one of them. Never in my life have I been like, oh, I wish Matt Damon were whiter. Yeah, man. It's crazy. I thought that was troubling and I'm glad that you all did too.

Because apparently Alex thinks that he's not really white. He's kind of not white because he has a bunch of Hispanic friends. Great. Basically. That's how you do it. Yeah, that sucks as a mentality, but not too surprising for Alex to believe. Yeah, you know, it's weird to think that in 2013, as long as you didn't say a racial slur, you could say incredibly racist things like Matt Damon's not white enough and people are

like, hey, hey, hey. That's a little bit problematic, but yeah, go for it. I mean, Alex is still doing that now. So Neil Blumkamp is a director. He makes movies, but apparently he is going to go down in history as the world's worst propagandist. Blumkamp, Neil Blumkamp is makes Joseph Goebbels look like a lobotomized rat. I mean, this was just propaganda hammer and also the Black Ops teams when they're in

live satellite stuff, they're blurred out even as they're killing people just like Google blurs out when you have a lot of subtle stuff in it. Jakari Jackson, who went with us, he picked up the Mark of the Beast stuff. Yeah. It was truly amazing and it also sells, you know, like a scum gangster Latino culture as if that's the Hispanic culture, but what tries to brand that that that's the cool thing doing drugs party and that's really tough and wonderful as so like in this 13th really sexy.

So it was also meaning to brand a gang culture for Hispanics as a psychological warfare weapon to hurt them. It was this guy made me the front guy. I mean, this this this said armies of psychiatrists and people working on it. Yeah. I'm realizing that that's a take. I'm realizing that my biggest problem now with the movie Footloose is that Lithgow never gave us a review of another movie.

Too much partying in this movie. Yeah. So Neil Blumkamp, worse than Gerbils, worse than Gerbils, worse than Gerbils. Yep. Didn't Gerbils make at least more movies? I think so. I mean, what he said, like five or six for Blumkamp at this point. Chappy. He's got a lot of work to do. Yep. Don't think I agree with it. Although I do love the take that Alex has where it's like he's probably the front guy. Probably the front guy.

The team of psychiatrists wrote this movie. And I mean, I guess it would make sense if this movie was written by committee because it's very convoluted. Right. The plot is meandering. But I don't know if it was a team of psychiatrists. I don't understand how you can both describe someone as a master of filmmaking. And then in the next breath be like, Oh, terrible.

Hate this movie. I'm going to go see it again. Hey, this terrible movie. Well, because it's so evil that he must study it. He must study. It's not because he enjoyed it. He does a great action, great action, really fun movie, but I must study it. And I'm not going to enjoy studying it. I have to learn. Let me tell you this.

I don't like Star Wars. No. OK. No, no. I don't like Star Wars nor football. Go watch Empire Strikes Back. That's a really great movie. So I had a little bit of a concern coming into this this show that maybe some of Alex's critique was a little one note. And you'll be surprised to learn that it is.

And yeah, I hope you like hearing Alex complain about how anti-white Elysium is. And the globalists see the numbers. The world's what you'd call seven percent white was just nine percent just a decade ago. It'll be like three percent within another 30, 50 years. In fact, it's predicted that, quote, white Caucasians will be extinct within 100 years. But there will be no white people and they teach in college. That's good. Get rid of them. We're bad. You know, whatever you do.

And my whole issue is is that I'm sitting here as a white guy. Yeah. Yes, you are. Being told I'm just inherently evil. But the only reason that's happening is the globalists are trying to play our countries off against each other. They're trying to play our religions off, race off all that. In the name of fighting racism, they're selling it and pushing it. And this is hardcore branding for all Latin Americans

that all the whites are out to get you and they don't want to share the stuff they've got with you. No, no, no, the rich people. Yeah. So let's say we kill all the white people. Get rid of all those business owners. I mean, you just see what if I wasn't here and I got people of all quote, races are all human beings working here. I mean, will that help them if I was gone?

Would it help somebody if I didn't go to say Hispanic on restaurant without help him of the gringos dead? I mean, this is unbelievable, ladies and gentlemen. This is kill all the gringos and then 20 million people can go live on a space station that a hundred thousand can live on. So that's our issue now. Yeah, I mean, I think he missed some of the point. Yeah, maybe, maybe a little bit.

I think he's so angry about immigration issues that he doesn't realize that no one goes to Elysium like at the end of the movie. It's not like everyone is flooding into the space station. They bring those med beds down to earth. I mean, but you realize that his essential critique of the movie is that Elysium needs stronger borders. Yep. Mm hmm. I also I also think it's wild that his sort of complaint

about like white people disappearing is like, what about my employees? What if I hired multicultural people? What would happen next? But if I'm not here as a white boss, would that be better for them? Yeah, maybe. I mean, working for you clearly sucks. Yeah, we have lots of corroboration on that. Yeah. So this next clip, I feel like Alex was incredibly close to getting close to the point.

OK, very close. That's exciting. But he's still away as a field from from coherence. See how close he can get. And this is all financed by ultra rich that are exempt and are offshore. And Google funds all this open border stuff while they're building floating cities and space stations that they say they're they're actually building Elysium and they're using our money to build it. And they're going to all have his fight with each other.

You don't fix the world with new science, new inventions, new technology coming together around a culture of liberty. No, no, no, you you fix it by with gang tattoos and drinking and smoking pot and killing white people. And just if there's religion in it with the nun speaking to them, you're going to change the world time. I mean, it is pure liberation theology, probably foundation written. Yeah. This is unbelievable.

So he kind of starts to get like there's these corporations untaxed and all this. They're building Elysium. Yeah. Hold on. Oh, shit. But then he just keeps getting caught up in the race stuff. Yeah, yeah, yeah. That's tough. Yeah. Yeah. So how do you how close do you think he got? I mean, I from what I recall, rich people are the villains in the movie.

Right. The only other thing I recall is that the bag I got his face ripped off at one point and then he got in the med bed and fixed his face. Yeah, yeah, yeah. So those are good fucking med beds. They proved it. They clearly can resurrect. Yeah, yeah, but then they can't bring Matt Damon back at the end. So what I don't what I missed, right, is when they put him in the med bed, half of his brain was missing at that point.

So the med bed is able to perfectly recreate the brain. And he looked better. And he looks better. Yeah, younger. Yeah, right. He took a grenade to the dome. That's the kind of injury we're talking here. Like my real problem now is like, if you have this technology, why even go to Elysium? Nobody's going to fight. You can just resurrect people within seconds.

Well, he was on Elysium when he had that med bed. Sure. But I mean, say a hundred years before this. Well, let me let me double down on your thing here. OK, if the people on earth have the ability to give people bizarre exosuits that make them super humans. What what are they missing? I don't know. Seems like they everyone is insanely technologically advanced.

I mean, how do you not also figure out how to make your own med bed at a certain point? Right. You can make superhuman exosuits. Yeah, I mean, it's like a hop, skip and a jump over to that. Yeah, if somebody invents technology in one place and other people know that it's possible, then even if they don't get the schematics for that thing, they still can recreate something very similar to it.

You'd think. Yeah. Yeah. This is a problem. Med beds suck. Call call Blumkamp. Who's got his number? Somebody get here. Call the foundation psychiatrist that wrote this movie. Dan, I'm starting to think that movies aren't real. No. What a bummer.

So Alex went to the Thursday midnight show. He recorded a video with all of his buddies talking about the movie. One, two, three. Matt Damon. Hell yeah. This is why you do a live show. Only that. Only that. There was a really small part of me that's like, well, what's going to happen to three? So he records this video, puts it out,

goes on his show on the ninth on Friday, complains about how racist Elysium is. Right. And then he finishes his show. Sure. Then he doesn't see Elysium again. I assume. Nope. Oh, sits down in front of a camera and records a special report about Elysium. Of course, it's about Elysium. Oh, God. Yeah. What an amazing human being.

I hit the wrong button, buddies. Oh, no. Here we go. Last night, I took some of the M4 Wars crew out to see the midnight showing of the film Elysium, Big Fan of Science Fiction. And I like Matt Damon as well. I've got to say, it's a beautiful film. You just said it an hour ago. It's beautiful in the way it's shot and presented. It's very entertaining.

It is a very ugly film for what it is pushing culturally. Yeah. So no shit. Alex likes sci-fi. That's definitely we got that for sure. I find it a little weird about that part where Alex says that he likes Matt Damon, though, because he shouldn't, you know? Yeah. Well, it seems like Matt Damon's exactly the opposite of what he likes. Right. I mean, what I don't understand is how only an hour ago

before this, you can be like, well, Matt Damon's not wide enough for me. And then an hour later, be like, I love Matt Damon, though. I generally like his work. Why? What are you talking about? Yeah. So in preparation for this episode, I ran across Alex doing a review of World War Z. He's very he's very obsessed with that movie as well. I want to play a little bit of it. OK.

In spoiler alert, the movie is racist against white people and is all about globalist open borders agenda. So basically the same type of review. So here's a little clip of Alex sharing his thoughts about a certain actress. OK. Yeah, as is often the case. I saw some emails coming into the office a few days ago. I saw some comments on YouTube last night. Hey, Alex, why aren't you covering and doing a film review for World War Z?

What? You know, this is incredible propaganda. So I went and watched the trailer. Cool. And I went and found they've got the full synopsis online. They're not hiding that it is basically an adaptation of the book. And is the book broken into three? And having my background knowledge, I immediately knew what was happening. This is a United Nations World Government acclimation event. Angelina Jolie.

And we have some shots of her up on screen for TV viewers. Radio listeners is typing Angelina Jolie. You in. Think about Angelina Jolie's photo ops. Claiming she's trying to help Africans when she's pushing the African invasion of the mass murder of Libya and handing it over to Al Qaeda. Now the 20 month attack on Syria using Al Qaeda. I mean, she is a world government front lady

consciously and because there's nothing worse than being a pro war thug. Obviously. And then saying you're a humanitarian. I mean, it's like Obama, the Peace Prize winner. I mean, Angelina Jolie is really bad news. So you might be thinking to yourself, hey, that's weird. Angelina Jolie isn't in World War Z. Extremely weird. Yeah, you'd be correct in that thought.

About two minutes of Alex's six minute review of the movie is him complaining about Angelina Jolie being a UN ambassador because her husband at the time is in that movie. I bring all this up because Matt Damon also does a bit of work with people who Alex believes are in the employee of the devil. For example, in 2006, Matt Damon participated in a trip to Zambia where he was learning about the UN anti poverty projects going on there. He called it a, quote, life changing journey.

He founded a charity called water dot org that involved him engaging in, quote, high level meetings with institutions like the World Bank and World Economic Forum run by Klaus Schwab, who wants you to eat bugs. One, two, three, Matt Damon. He attended Davos and spoke at the World Economic Forum multiple times. And you can easily find a bunch of pictures of him in front of UN and WEF backgrounds.

And yet somehow Alex doesn't have the same victory all towards him as he does towards a very public and outspoken woman. That seems out of character for Alex. I can't think of any reason that they're different. Yeah, I mean, because both Brad Pitt and Matt Damon were in Oceans 12. So you can't differentiate them that way. Sure. Like they're both they're both carrying that sin. That's a sin. Yeah. Oceans 12.

Oh, yeah. Oceans 12. We all know why Alex Jordan thinks that's a sin. I'd like to apologize that I'm sweating from my face. We might as well address it. I got a sweaty forehead, generally. And you know what? It's it's kind of an accessory because it makes me shiny. What's great is against all odds, pits, no stains, no stain.

That's unbelievable. Jordan learned his lesson after Austin and got Botox and his pits. Yep. Yep. 100 percent. Um, so we get to Alex continuing his special report. And what do you know? It's just more racial complaints. Record that the federal government is helping finance the production of this message that the, quote, Latino nation south of the border,

700 million people total have a right to come into the United States under a racial system and take over and attached to that. And liberation theology pushed by the federal government for the last 60 years. And the Ford Foundation is that basically all whites are bad and that Hispanics are God and the saviors of everyone. And that those Hispanics are socialist, communist, collectivist. So they're tagging on the idea of liberty to communism and basing it around racial identity.

The only good white person in the entire film is Matt Damon. And he is a white Latino who basically grew up in a Mexican orphanage. It is incredible. Yeah, he really does think that he does. Did he say that Matt Damon was raised in a Mexican orphanage? Yeah, at the beginning of the movie, he's raised at a mission. Oh, I thought he meant that Matt Damon. The human. Yeah, yeah.

Because that would make more sense. Why he thinks that the Matt Damon human being is not. Well, I mean, still. But Matt Damon, the actor raised in an orphanage. Why not? Rises to the top. Why not? I think we would know that story. If they would imagine so, he wouldn't be so associated with Boston. Yeah.

They put more like they oh, look at that orphanage in Mexico. They have great coffee. Yeah. So I'm going to go ahead and skip the next clip because honestly, it is more just complaining about how at least he was 80 white. He spends a lot of time on that one thought. It's exhausting. When it's when it's not even the most important one.

The AK didn't work, man. Right. What are you doing talking about race? There are more pressing issues. That was such an important point immediately. Immediately. And then it's sort of like, wait, I have more time to think about this. I am angry about race. With time to ruminate, I have decided that being angry at a gun is a bad idea.

Well, and he can go home and check on his AK and make sure it's cool still. You know, OK, it's OK, baby. I'll keep you safe for 154 years. I'll keep you safe. You're safe here. Keep you safe from the gun grabbers. I'll never take my daughter, but you're coming fishing with me. Yeah.

See, these are the kind of jokes you can make when your pits are dry. That's what I'm saying. So there's a lot of propaganda in this movie, that's for sure. But there's also some truths. And that's what makes the movie so dangerous. Very sophisticated film. It points out that there is breakaway civilization by the technocrats. It points out that Homeland Security is putting in a robotic control system.

Over the people and that a technocracy is rising. That's what makes this so dangerous, is that it has a lot of truths in it. And that the West, at least the corporations in the West, have been exploiting the third world to a certain extent. So there is a lot of truth in it, but it just brands it in anti-white as if white people are the source of evil on the planet. He will like I really did not come away from the movie with that feeling. Not at all.

It's it's not that he is so hyper focused on. No, now I'm coming away. One of the things that I took away from that movie is that somebody. So the robots that keep people in line are real dicks. Which means that somebody had to program the robot to be an asshole. Like nobody like there was somebody writing the code. It was like, I'll be a real dick to that guy. Like what? Why?

And here Matt Damon is a robot probation officer. And this probation officer is sophisticated enough to be able to detect sarcasm, but still talks like, are you talking to me kind of robot? Like, what the fuck is going on here? Exactly. At what point did they were they like, we need to have robots get an attitude, you know, like one problem with robots. They're not cruel enough. They're they're objective.

Yeah. Oh, man, they would treat everybody the same way at the border unless you programmed them to be a dick. Also, Alex isn't supposed to think that corporations are exploiting the third world. Yeah, that's a good point. That's kind of against a lot of his stated belief. So it's weird to see him slip that in there. If you love capitalism, it's hard to be mad at that. I mean, there are there are some I mean, maybe some things in the movie

about like surveillance and stuff that maybe you can take away from. But like the idea of breakaway civilization, it's not like people are trying to build a space station to live on. Not right now. Like that. That's a metaphor. Yeah. Yeah. It's that the rich are so far from the rest of us. It's inaccessible. And they don't understand our problems.

And they don't understand why we would want those med beds. Yeah. And they don't care. Yeah. Yeah, absolutely. Yeah, there's a lot of that. It's easy to not care. So here's what I would say about this movie. OK, so if you're thinking about rich people, right, it's easy to not care if you don't see the damage that you're causing, right? So imagine if a rich person were to watch a movie

called, let's say, Elysia, right? And they saw all of these people struggling and dying and miserable. And they were like, oh, empathy, right? But then they saw Alex and he's like, ah, no. Kill them for not being. White enough. OK. Yeah. Yeah. That took that took us to some places. That got dark.

I was I was talking and as I kept going, I was like, sad or it's sad. I think the problem is that you weren't yelling it. Like quite honestly, I think the problem is that your register went down. That is the first time I've ever received that criticism. Louder. There's no neighbors can't hear you. Right. So Alex has some closing thoughts for his special report about Elysium.

And that's what's so sad about this is that the propaganda is getting so slick that even when you're conscious of it, you want to give into it because it's so beautifully presented. So hats off to the people that produced it. You've got a really good chance of creating division and race war and making sure that you can brand collectivism as a form of rebellion to make sure that you destroy any middle class and any independent wealth that you don't control.

So you've done it. You are the new birth of a nation. The birth of a clansman. But this time you're trying to form a Hispanic Ku Klux Klan that will then serve the globalists in their new aims to make sure that America collapses like the rest of the third world. Oh, boy. Quite a take.

He's out here saying that this is the new birth of a nation. I don't think people cared about Elysium six months after it came out. I think I think what's interesting there is that essentially he is once again giving it up to the Somali pirates. That's awful. Hey, listen, I know you're planning on killing the entire human race, but that's a fucking great movie. That's a good action.

Yeah, I can't argue that. Yeah, I want one of those exosuits. Also, keep this in the list of bad predictions. Alex has made Elysium did not start a race war. Not the new birth of a nation. No, certainly not. So thankfully the special report is over. And, you know, you'd think that that's the end of Alex's spending time

complaining about Elysium. I don't believe you. I mean, I believe you, obviously. Shows over, guys. It was the end. No, because we're 800, but come on. So Sunday comes along and Alex has his show on Sunday and he is not there. David Knight is hosting and he's going to call in, isn't he?

Oh, he is. Oh, he's going to call in to complain about Elysium. No, no, Jordan, I apologize, but you are totally correct. Back to the Alex Jones show. I'm David Knight here in the studio. We have Alex Jones on the road. He had to attend a funeral out of town today and he's joined us by phone. And we were just talking just before the break about what transpired

this last week here in Austin. You know, there's been a worldwide terror alert to get people afraid. Yep. So that's that's that's theoretically the premise that they're going to talk about this worldwide terror alert that's to get people afraid, right? And then give away their rights, right? You know, and that is that that makes David Knight think of a time that they the government and the globalists didn't do that.

Get this, get this, check this out. OK, they said, even if there was a real threat of, say, a bomb and was going to kill five people, you've got a better chance of dying in their computers. On I-35 driving to Dallas and back, like I did today, basically, than I do by being killed by terrorists. So why is our entire way of life changing? I mean, in World War Two, we lost hundreds of thousands of people.

We didn't get rid of our liberties. I mean, in the Civil War, we lost 800,000 or something, 700,000. We didn't get rid of our liberties after that was over. I guess they showed us pictures of Adolf Hitler and said, OK, now we're going to suspend the Bill of Rights. We're going to stop the bill of rights. We're going to suspend the Bill of Rights. We're going to take away the Constitution because Hitler's pretty scary.

Absolutely, folks. Does David Knight not know what happened to over 100,000 Japanese-Americans during World War Two? We didn't give up our freedoms then. We took them away from people. Yeah, Constitution had some problems during those wars. No, no, no, no. So what I mean, well, of course, we didn't give up our freedoms

during the Civil War because it's a sellable price again. Yeah. You're exercising a considerable right of starting a war against the country. Right, right, what I now know, though, what I now know without a doubt is that Alex Jones went to a funeral, cornered somebody, and complained about Elysium to them. Yeah. And in my head, it's the family of the bereaved.

He went to his uncle's funeral and called in to the show. Like the crowd at the wake wasn't receptive enough to make a place. You son of a bitch, you got that first. So he wants to nurse his wounds with David Knight. Of course. Tell you what the political agenda is. America is Elysium. That's the analogy.

And if America won't take in the giant third world populations of the planet, then you're racist and bad. And I was sitting there with you and my other crew and friends, and my buddy Shane looks over and he says, how do you want to bet when this starts that America is Elysium, basically, and that all the bad guys on the space station aren't just white, but they're blonde-haired blue-eyed. Ladies and gentlemen, every bad guy in the movie is a white person. The only person on the space station that doesn't want to kill innocent people is Indian.

And again, my issue is I'm sick of turning on MSNBC and being told white people are inherently bad. I'm sick of hearing the establishment do this, and it's absolutely improper. It is improper. How can you watch that movie repeatedly? Well, you have to assume he saw it again. And be like, oh no, obviously the president of Elysium is like, let's not do this, guys. What are you talking about?

He's misrepresenting that the president didn't want to shoot ships out of space. Yeah, yeah, yeah. He was still... What a bleeding heart liberal. He was still presiding over a very cruel system. Hey, listen, listen, okay, fine, the president likes apartheid, obviously, but not enough to murder people randomly in the sky? He's got to shoot lasers at these ships.

Why can't you shoot down a ship with an AK-47? On the other hand, that is probably the ultimate repudiation of Reagan's Star Wars dreams, not shooting down planes in the sky with lasers, pathetic. So I didn't have this image in my head until you brought it up, but he obviously had to have seen it again, right? I mean, he has to have. Oh, absolutely. And so now I'm just imagining him showing up late to the funeral.

Sorry, I had to go see this race war propaganda movie again. It's so good, but I hate it. Oh man, this is Elysium's. He's watching it on his phone. Sorry for your loss. Oh, God, this is fucking garbage. They hate white people. Hey, did you know they hate white people in this movie?

Yeah, I'm sorry for your loss, I'm sorry for your loss. He has his phone out at the funeral, walking up to say goodbye to the casket, doing a special report. This is like the movie Elysium. Can you believe that all the bad guys are white? His uncle sits up in the casket like, what? I can't believe this. Neil Blum Camp is Kerbal's.

You know, sometimes corpse, I think you're the only one who listens to me. So we have one last clip, folks. Oh, no. Oh, I mean, I could have probably had like five or six more of him just complaining about racism, but we have one last clip and I don't know, man. This this clip ends weird. So get ready for that. Here we go.

He's so over the top that these people who have bodyguards put out these anti-gun movies, other ones, or these people that have, you know, bodyguards and their kids go to the best armed guard private schools like Matt Damon. What? Real quick, I love that moment where he's like doing these people have bodyguards, they have these pro-gun or anti-gun movies. Not, he has to throw in the, not this one, because guns are everywhere in this movie. More important than anything else.

Yeah, yeah, and to catch that. He's against you being able to have your kids go to a private school. It is so hypocritical. You know, I'll guarantee you if there was some space station with life extension technology off world, the public isn't going to be told about it in the future. And I'll guarantee you there's going to be rich Chinese, there's going to be rich Germans, there's going to be rich Americans, there's going to be rich Israelis, there's going to be rich Africans, there's going to be rich New World Order.

How dare them imply that inequity has to do with white people. When I'm sick of the West being bashed, all the things the West has developed, all the literature, all the art, the Magna Carta, the basic freedoms that became the model of the world, just because the West has been overrun by globalists and is corrupt now, doesn't mean I want to go live, say in some places in Asia, where you could off the plane over there folks, they karate chop you. Welp. Yep.

Okay, okay. I'm sorry. Yeah, I'm sorry. I'm sorry. Yeah, what? What do you see? Because here's, here's, I'm gonna, I'm gonna, we're, we're gonna do an act out. Give me a sec.

He's getting off the plane right here. No, no. Wait, do I have to stand up? I guess we're doing an act out guys. This is exciting. Oh. I'm gonna do a try. Yeah, that was a, that, that, I mean, look, years of doing this show have made me

encounter so many bizarre thoughts. Yeah. And it is a real testament to how weird his mind is that I can still be surprised by something like, something like this can come out of nowhere and like, oh, wow, that's pretty offensive. Yep. Well, I mean, it's a little silly. The most obvious problem, of course, is the one that everybody knows.

Karate is Japanese. Well, he said Asia. I don't think he said specifically what country. I thought he said China. We'll have to go back to the tape. When you land in the, when you land in China, you know what these people do? They karate chop you. That really is the offensive part.

That's pretty much the offensive part. So we come to the end of this again, folks. And, well, Alex did not like Elysium. Well, I mean, he did love Elysium, but he didn't. He didn't like it. He didn't like the message. He didn't like it enough that he spends three days complaining about it. His show, the night before that show.

A funeral. The funeral. Look, that's canon now. That's canon now. And then after the funeral, he has to call into his show that he is skipping out on. He's calling in that he's driving like, oh, maybe I'll listen to him. No, Elysium. Don't review Elysium and drive.

Yes. Especially if you're a rage, a holic like Alex and racist. Yeah. So, Jordan, what are your thoughts? I think that Elysium could use some editing, you know, like. So, so I say you, I say, so it was about two hours, right? Hour 45. Hour 45.

There is a good 80 minute movie in there. All right. Maybe you have to cut out at least two of the 17 subplots. Sure. I can handle 15, but 17 too many. Yeah, maybe there should be some recognition of how everything in the resolution of the movie is an accident. Yeah, that would have been nice.

I would have appreciated that. I almost kind of I almost kind of like that. Everything is a coincidence. OK, that's almost an interesting storytelling take because there's so many times where it's like a trite ending where it all wraps up perfectly. I do appreciate that this movie is committed to here's a bunch of random shit that happened. That's it.

Well, and actually I'm realizing thematically it's a perfectly appropriate thing for this episode of the podcast, which quite frankly came together quite accidentally was looking for the Howard Dean Scree. Didn't happen. I accidentally found a racial complaint review weekend, a weekend of his life. So I don't appreciate that the Dean Scream both run his political career and your episode tonight. Well, reverberates across time.

I'm not sure it ruined it. It was an extra bit of an echo of the Scream right now. It ruined a week of my life, for sure. Me neither. But but this this has been wonderful. Thank you all so much for coming. Thank you all so much. Big round of applause for Marty DeRosa, DJ Dan R.K., everybody at the bar.

Tip everybody to take care of the staff. Until next time, we have a website. It's knowledgefight.com. Yep, we're also on Twitter. It's at knowledge underscore fight. Yep, we'll be back. But until then, I'm Neo, I'm Leo, I'm DZX Clark. I am the juiciest ice cube.

Thank you all so much. You're right. Every night, I'm the fool. So, thank you so much. Big round of applause for Jim West. Desperado, rough rider. No, you don't want none. None of this.

He's gone and his brother running his buffalo soldier. Look, it's like I told you. Any damsel that's in distress. Be out of that dress when she meets Jim West. Rough next, go check them out at 5. Watch your step. But you weren't to hold the prags while you're bright. I'll let you live for your actions.

You don't want to see my hand real but heavenly. I'm the star of this run of the game, James West. Tame of the West, so remember the name. Now, who you got to call, GB? Now, who you got to talk, JWG? If you want to mess with anyone of us, get out before you get bum brushed. The only thing is, I am holding custody right now.

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