Life Kit - Create a ritual to honor your ancestors
Episode Date: November 21, 2023Your ancestors don't have to feel like a distant memory. In this episode, spiritual practitioners and Indigenous educators offer cross-cultural guidance on how to set up a special place to honor them.... Plus, how to dig into genealogical records.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
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You're listening to Life Kit from NPR.
Hey, everybody.
It's Marielle.
There's this kind of parable that gets repeated sometimes.
It's about a ham.
It goes something like this.
Mom's making a ham for a holiday dinner, and she cuts off the end of it and throws it away,
which she always does.
And her kid is like, Mom, why do you do this?
You know, you're wasting good ham. And the mom says, I don't know, it's what my mom used to do.
Now, grandma's not around anymore. So the kid goes to grandpa and says, grandpa, why did grandma
always cut off the end of the ham? And grandpa's like, oh, our oven was too small for the whole
thing. The point, my friends, is that we learn a lot of things from our parents, who learn them from their parents, and so on.
Behaviors and practices and ways of seeing the world that may or may not be serving us anymore.
Kamara Mary Rajabari told me a version of this story.
She's a licensed marriage and family therapist in Oakland, California, and she goes by the ancestral psychotherapist because she helps her clients understand how
their ancestors' lives affect their lives today. To try to understand what has been passed down
that's been a real gift for us and those things that have been passed down that maybe we are
finally ready to release. Kamara says learning about your
ancestors can be joyful and surprising. Maybe there was a long line of herbalists you didn't
know about or a long line of musicians. And that getting to know the people who came before you
can help you understand yourself. She told me about a philosophy called Sankofa,
which comes from a Khan culture in Ghana. Sankofa is often depicted as a bird looking over its shoulder.
And the bird, for many of us, symbolizes liberation and freedom.
And so in order to fly forward into the future and be free, be liberated,
there's something in the past that's important to take with you.
People from all over the world have traditions of connecting with their ancestors.
In Mexico, Vietnam, India, Egypt, Scotland, the Philippines, Korea, and so many other places.
Today on the show, why you might want to connect with your ancestors and how to do it.
We'll give you some basic genealogy tips, talk about how to process what you find, and help you come up with rituals and practices that feel right to you.
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And thank you.
So you want to connect with your ancestors.
A good place to start, and this is takeaway number one,
figure out your why. And you know, maybe it's super practical, like you want to understand
what medical ailments they had and whether there's anything genetic you need to know about.
Or maybe your why has to do with understanding your behaviors and not just how you chop ham.
As Kamara was saying, we inherit things from our ancestors, whether we knew them or not.
So we know that the way our parents experienced the world can imprint on us.
Like maybe your dad was always anxious.
So as a kid, you learned to walk on eggshells around him so he wouldn't get upset.
And then you took that behavior into your adult relationships.
You're constantly worried about triggering your partner or your friends.
The thing is, that pattern probably didn't start with dad.
It might have began with your grandparents.
It might have began with your great-grandparents.
Think of it as a chain reaction.
And depending on your family history, what your family's been through,
maybe enslavement, Holocaust, famine,
we can think of all kinds of major historical events that might have affected
family lines. Or maybe one of your ancestors was in a bad accident or had a sick parent for most
of their life and that caused a lot of anxiety. Kamara helps her clients understand these deep
roots. How is it that I can tap into their story and understand where it came from so that I can begin to respond differently, how you can
shape your life and your relationships differently.
For a lot of people, ancestry also becomes part of a spiritual practice. If you believe that life
doesn't end when you die, your intention might be to connect with family members who've passed on.
Alison Cox grew up in Australia and now lives in New York,
and they've had a lot of highs and lows in the past couple years.
So they started doing this thing,
imagining their ancestors supporting them.
She sent us this voice memo.
If I'm having a moment where I just have so much emotion inside of me
for either good or bad,
I sort of just envision that shooting out into the universe is like a signal.
And then if I'm successful and I've signaled them,
I sort of see all of these faceless figures
gathered around me.
They don't literally see their ancestors
with their eyes, by the way.
She's picturing them.
Allison is Chinese and white
and never really got to know
their Chinese side of the family.
Also, she moved to the U.S. alone as a teenager to go to boarding school and most of her family's abroad.
She says it's nice to have the numbers to bolster her in these moments.
To be able to be like, oh my God, 50 people just saw me do that amazing thing,
as opposed to just being like, oh, I'm going to text my mom and dad that I got an amazing job offer or something.
It also gives Allison comfort to think that death isn't the end.
Another reason you might want to know your ancestors is to tap into some of their wisdom.
You know, how did they live? What lessons could they teach you?
This concept that we talk about in Native communities is known as generational thinking.
Thash Collins comes from the O'odham, Osage, and Seneca Cayuga tribal nations. We're thinking about what we're doing here and now today has that impact, has a ripple effect for the next seven generations.
So I think that that's why it's important for
people to acknowledge who they come from.
Tosh co-founded Well for Culture, an Indigenous wellness initiative, with his wife, Chelsea Luger.
They've got a podcast and a book. Chelsea is Anishinaabe and Lakota. She says that growing up,
her community talked about ancestors all the time and absorbed lessons from them.
For instance,
My Lakota ancestral teachings have a phrase called midakayasi,
which means we are all related or all my relatives.
And it just means that everything is connected,
living and non-living, humans, plant life, animal life.
Everybody is a part of this greater web and nobody is greater
or less than anybody else. Chelsea says her ancestors' philosophy helps her understand the
world, to raise her children, to be a good partner. That's important to know because
Chelsea says there's often this misconception. People wonder whether we as indigenous people are stuck in the past,
but what I wish people could recognize is that in fact we're so future thinking and that's why
we talk about our ancestors. We're very determined to create a better world for the future generations
and for our grandchildren and great-grandchildren and their descendants that we will never know.
Chelsea and Tosh think of themselves as future ancestors.
And as you dig into your family lines, maybe that idea resonates for you too.
Okay, so once you know why you want to connect with your ancestors,
it's time for takeaway number two.
Learn about them.
How do you do that?
You dig. You dig, you dig, and you dig,
and you dig. So you start to look for clues. Yep. Roll up your sleeves and get out your notebooks,
detectives. Micah L. Anders is a professional genealogist in Minnesota. She says one of the
places a lot of people start is Ancestry.com. Ancestry has a subscription, but if you go to a
lot of your local libraries,
you can use it for free. And there are other options too, like MyHeritage.com, which has a
free basic subscription. And there are a lot of state and local records available online.
Micah says you're looking for three main types of documents. First, the vital records. Your birth
records, marriage records, death records.
Second, the census.
The government releases the detailed records, with names and everything, in batches,
but not until many years later to protect people's privacy.
The most recent documents available are from 1950.
Oftentimes that's a place you can see the name of the mom, dad, and all the kids if they had more of a traditional family structure.
Sometimes you see second marriages.
Sometimes you see parents living with their kids in terms of like adult children.
Sometimes siblings, adult siblings, live together.
It just gives you that snapshot of what their life was like.
And third, you can look at newspapers.
The Library of Congress has a free database of historic newspapers called Chronicling America.
And there are paid websites, too, like newspapers.com and newspaperarchive.com.
Now, all the little details you'll find in newspaper articles can help you get a sense of what your ancestors' lives were like beyond names and dates.
It'll say, oh, Sarah and her Aunt Jane went to
Milwaukee for the day to visit their cousins. And then all of a sudden, you get to know, oh,
Sarah had an Aunt Jane. Why would Sarah and Aunt Jane have been traveling together? Oh,
Sarah lived with Aunt Jane. Oh, who's in Milwaukee? Oh, that's where the other branch of the family I
never knew about because there's no records tying them together. But this random little newspaper blurb in the society section, as you will, will tell you that.
Another tip from Micah, go horizontal, not just vertical.
I always tell people, you know, focus not just on your immediate parents.
Like that's not even telling a full story.
For instance, Micah's grandfather was one of about 16 kids, and he was a chemistry
professor, but she learned that a lot of his siblings became nuns and priests. Now I'm learning
more about that whole family and sort of their devout Catholicism. Now when you're doing this
research, it is very possible you will hit a brick wall, especially if you come from a community that
has a harder time accessing records. Like Micah specializes
in African-American genealogy, and she says if you are African-American, you might think you'll
only get back to the late 1800s, post-Civil War. But that's not necessarily true. Maybe your family
is not listed in a census, but maybe there are. It depends on where they lived. It depends on if they were a free person of color or if they were enslaved in the 1860s. So think outside of the box. Where would I look for these
kind of records? Okay, if they were enslaved, maybe I need to figure out who their enslaver was.
And by finding that person's records, I will find documentation of the enslaved family as well.
Some places you could look for those records?
State and local archives. Also universities, like there's a big project at the University of
Virginia where they're finding the records of people who were enslaved by the school.
And also Facebook. There are groups where people whose ancestors owned slaves share these records.
Whatever your background, Micah says when you do this digging, take your time. You're not
going to piece together your entire family history right away. Really, the biggest thing in genealogy
is it can be kind of like a wild goose chase. Like, oh, I found something. That's exciting. Oh,
I found something else. That's exciting. And then you don't even really know what you found at the
end. It can help to zero in on a particular person, do a deep dive.
For example, in a census record from 1940,
I learned about Maria, my bisabuela, or great-grandmother.
She was born in Puerto Rico in 1862,
and she was una comadrona, a midwife.
I asked Camara, the ancestral psychologist,
where I could take it from there.
She had some questions.
I would say Maria possibly was doing a lot of education in the community.
Would you imagine that Maria was helping women with planning their fertility?
You know, like not only was your grandmother birthing the babies, but she may have been a very integral part of women's health. And how
did that kind of funnel down to you? Now, I'm a journalist, not a midwife,
but Camara says there are echoes of Maria's work in mine. You may still be midwifing,
but you're midwifing something else. Do you get what I'm saying? Like your midwifery might be making sure that
people have information. Especially when we do episodes of Life Kit that talk about reproductive
health, you know, birth control or egg freezing. So maybe you find out that you came from a long
line of musicians. How do you connect with that? Do you play music? Do you value creativity?
Or maybe your great-grandfather was a farmer. What do you imagine his life was like? Do you play music? Do you value creativity? Or maybe your great-grandfather was a
farmer. What do you imagine his life was like? Can you relate? Maybe it's time to plant your own garden.
That brings me to our next step. You've collected all these beautiful details about your ancestors,
and that information doesn't just have to sit in a folder on your desktop.
Takeaway number three, get physical.
So I told you about Maria.
Turns out my dad's cousin has this old black and white photo of her sitting in a chair.
I printed it out, and it's now displayed on my bedside table,
which also happens to be my ancestral altar.
I didn't call it that at the start.
At first, it was just a couple objects and photos.
My grandmother's prayer book, a mass card from her mother's funeral, a candle. But it evolved over time.
Now it's filled with other objects. My abuela's address book, a ring that belonged to my great
grandmother, the lenses from my grandfather's eyeglasses. Also art and found objects like a
tiny wooden shot glass carved with the Taino symbol for the sun.
If you want to make an altar, you can use your bedside table or a shelf, a cupboard or a shoebox.
Kamara says whatever space you choose.
It's a representation.
It reminds you, depending on where you have it in your house, that you have this connection,
that you're not alone in the world, you're not alone
with your problems. There are lots of ways to fill your altar. First of all, see if your family can
help. Maybe your mom's cousin is sitting on a treasure trove of ancestral tchotchkes, or maybe
somebody inherited all the childhood photos of your great-grandparents. But if not, it's okay.
Anything can represent an ancestor.
A stone that reminds you of their eye color.
Or a seashell.
Chelsea Luger's Lakota grandmother would always wear a very specific type of Givenchy perfume.
And so I got a bottle of that.
And, I mean, the smell, of course, reminds me of her.
But also even just having the bottle, it's a way of connecting to a more recent ancestor.
You can also make an object, a doll, a drawing, and sometimes the objects will find you.
Jeff Stout lives in Salt Lake City, Utah, and he sent us this voice memo. This is regarding my son, Eric. On the day of my son's funeral, and he was 31 when he died,
I was getting ready and I heard something hit the floor. I looked down and there was a blue
dye, as in dice, on the floor, which I had never seen before. And my house is very clean and
clutter-free. So it was as if it fell from another dimension onto the floor, I never did
figure out where it came from. But as far as I'm concerned, it came from him. So I keep this dye
in a black dish in the bathroom where I'm getting ready for work each day or for whatever I'm doing
that day. I see the blue dye and it reminds me of him. And it's just the last gift I ever got
from my son. Chelsea says, by the way, you don't have to build a physical space to connect with
your ancestors. The outdoors can be your altar too. Maybe if people don't have necessarily an altar at their bedside table
or in their living room somewhere,
they can think of a certain time of day that feels particularly sacred to them,
such as when the sun is coming up in the morning or setting at night,
and they can step outside and try to visualize
and think about their ancestors, their descendants,
and sort of expanding their intergenerational community
and thinking about themselves as a part of that.
Okay, so you figured out your why,
you started learning about your ancestors,
and maybe you've created a space to connect with them.
Next up, and this is takeaway number four,
create some rituals.
Tosh Collins says sometimes we need a gesture.
A sort of set of actions that help us to acknowledge things that are very sacred and special to us.
Rituals can help us feel grounded.
And we can incorporate our ancestors into them.
And Chelsea says these don't have to be elaborate.
My number one piece of advice when it comes to creating rituals is try not to be performative
or necessarily to think that it has to be this complicated thing
or something that vaguely looks like what you've seen people in other cultures do.
You can just close your eyes and say a prayer or sit in a different spot than you normally would.
Light a candle.
Alicia Lee lives in the San Francisco Bay
area. When she was 14, her grandmother died, and she has a ritual every year on the date of her
grandmother's passing. One, I free up the day, and I don't schedule any plans with anyone.
Two, I make these Korean zucchini pancakes called hobakjeon and just regular potato chips that
my grandma used to make for me whenever I went over to her place. And lastly, I write a letter
to her in my journal. This is because I currently live in the States and her grief is back in Korea
so I can't go there personally. But this is how I make it feel like having a conversation
with her. Imagining how she might respond if I tell her, oh, I'm dating someone new, or I got a
new job. If you have a conversation with your ancestors, you could say their names out loud,
tell them about your day, ask them to guide you, or tell them if you're still processing something they did.
Sometimes that conversation needs to happen with an ancestor who did things that were harmful.
Maybe you loved them, but they had problems that impacted your family.
Here's Kamara.
So let's just go with the example of alcoholism. What I would say is that you could write a letter and talk
about what you've observed in the family thus far. And if alcoholism has impacted you, you would talk
about that in the letter. And then you could seal that letter and decide to do a ritual where you
either burn it or you can go outside and bury it. You can take it to nature and read it and, you know,
seal it up and keep the letter. Kamara says this can be a helpful practice whether or not you're
spiritual. Even if you don't think there's life after we die, it can still help to process these
feelings as if you're having a conversation with the person. If you are spiritual, you could think
of this as helping your ancestors to heal too.
We can have relationships with our ancestors.
It's just another set of relationships we're building.
Relationships that you might miss out on if you don't look back over your shoulder,
like the bird in Sankofa.
Okay, time for a recap.
Takeaway one, figure out your why.
What's your intention in getting to know your ancestors?
Is this a spiritual practice?
Is it more secular?
There's a lot to learn either way.
Takeaway two, learn about your ancestors.
Start with the free resources and remember to take your time.
Also, go horizontal, not just vertical.
You don't want to miss out on learning about great-aunt Mimi and all her adventures.
Takeaway three, get physical.
Build a space that represents your ancestors with photos and objects that remind you of them.
And takeaway four, create some rituals.
You can talk to your ancestors, write them letters, wish them a happy birthday, play their favorite music, whatever feels right.
One parting thought from Kamara.
Many of our ancestors didn't get a chance to tell their story.
They didn't live in a time where their story was even important.
They may have not even been seen in society as having a voice.
And so this work is about inviting in their voice through you.
I mean, what a beautiful idea.
For more Life Kit, check out our other episodes. We have one on how to recreate a family recipe
and another on how to have more fun in your everyday life. You can find those at npr.org
slash life kit. And if you love life kit and want even
more, subscribe to our newsletter at npr.org slash life kit newsletter. Also, we love hearing from
you. So if you have episode ideas or feedback you want to share, email us at life kit at npr.org.
This episode of Life Kit was produced by Audrey Nguyen. Our visuals editor is Beck Harlan,
and our visual producer is Kaz Fantoni. Our digital editor is Beck Harlan, and our visual producer is Kaz
Fantoni. Our digital editor is Malika Gareeb. Megan Cain is our supervising editor, and Beth
Donovan is our executive producer. Our production team also includes Andy Tagle, Audrey Nguyen,
Claire Marie Schneider, Margaret Cerino, and Sylvie Douglas. Engineering support comes from
Neil Rauch, Stu Rushfield, and Hannah Copeland.
Special thanks to Janie Hsiao for help on background,
Uncle Manuel for sharing details about Maria, and also to Abuela, Grandma, Grandpa, Grandpa, Pop, Nanny, Uncle Jimmy, Uncle Ronnie,
Titi Margot, Uncle Santo, Henry, Maria, Jovita, Brony, Lati, Anna, Petrona, Anna, Lupe, Uncle Fino, Aunt Helen, Uncle Mike, Aunt Dottie, Omi and Uncle Eddie, Danielle, Uncle Frank, Craig, Uncle George, Pat, Tio Tivo, Marcial, Carmen Socorro, Marta Elba, Isabel, Manuel, Nelson, And all my ancestors whose names I don't know.
I'm Mariel Seguera.
Thanks for listening. Thank you.