Life Kit - OMG how embarrassing! How to stop feeling so awkward
Episode Date: March 11, 2025Cringing at the time you gave a speech with spinach in your teeth, or accidentally liked an ex's picture on social media? Still reliving that incident in the fourth grade when you called your teacher ..."mommy"? Awkward moments have a tendency to haunt us – even ones from decades ago. This episode, Life Kit reporter Andee Tagle breaks down why we get so embarrassed about the things we do and how we can experience those feelings a little less.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Transcript
Discussion (0)
Here on Shortwave, we believe that science is for everyone and that every question is
worth asking, no matter your age.
My name is Willie and my question is, is magic real?
Our podcast is for the curious at heart.
Come embrace your inner child when you listen now to ShoreWave from NPR.
You're listening to Life Kit from NPR.
Hey everybody, it's Marielle.
I think we all have memories that make us cringe, right?
Something we did that was just really embarrassing or uncomfortable.
They tend to play on repeat for me when I'm trying to sleep.
But enough about me, let's talk about this other guy's awkward memories.
I had got in my head before middle school that the key to my social success was to be
professional and mature.
This is tied to Shiro, a psychologist and a social scientist.
He says as a kid, he was inspired by the character Alex P. Keaton on the
80s sitcom Family Ties. He was kind of this old soul who carried around a briefcase and more
press khakis and starched shirts and so that's that was exactly what my wardrobe looked like.
Good idea in theory but I kind of look like a 40 year old accountant at age 12. So Ty
remembers pulling up in the car with his mom on the first day of school. And as we were driving
around the roundabout, I just saw like the kids were like heavy metal was very popular at the time. So we were in like leather pants and like these cut up halter tops and wild hair.
And I'm like, I have no idea
what's going on or how I navigate any of this.
Ty says this is one of many times
he's felt awkward in his life.
One of many times he's struggled to maneuver
through the intricacies of social interactions.
By the way, he's also written a book on this topic. It's called Awkward, The Science of Why We're Socially Awkward and Why That's Awesome.
That's a very positive spin on it, Ty. I like where this is going.
I think awkwardness tells us a lot about just how important social relationships are to us.
As humans, we're so reliant upon other people for our survival and for our well-being.
And so over time, we've evolved to have brains that are incredibly intricate at understanding
social situations, at deciphering other people and what they might be thinking, and then
also wondering about, hey, what do I need to do to be a cooperative and helpful person
so I can fit in and be a part of this group?
Ty says that is why it can feel so terrible when you do something awkward or
embarrassing, even if it's a small thing, like you have spinach caught between your
teeth or you forget to zip your pants.
In the moment, it sure feels like it's a huge deal. And we do have those physiological reactions,
the flushing of the face, the rushing blood,
and that feeling of panic that we really need
to fix what's gone wrong.
But he says these feelings can give us intel
about who we are and who we wanna be,
if we can learn how and when to embrace them.
On this episode of Life Kit,
what to do about all those awkward moments in your life?
Reporter Andy Tagel is gonna break down
why we get so embarrassed about the things we do,
talk us through how to manage these moments when they arise,
and give us tools to maybe, just maybe,
stop reliving that moment from the third grade talent show.
You did your best, kid.
Let it go.
This message comes from Wyze, the app for doing things in other currencies. Sending or spending money abroad, hidden fees may be taking a cut. With Wyse, you can convert
between up to 40 currencies at the mid-market exchange rate. Visit Wyse.com. TNCs apply.
Okay, who's ready to get comfortable with getting uncomfortable? Yeah, me neither.
Deep breath. To start, let's acknowledge we all suffer moments we wish we could instantly
undo. But the pain of embarrassment, social missteps, can be a lot more severe if you
struggle to interpret the norms everyone else just seems to intuitively understand.
Eric Garcia is the senior Washington correspondent at The Independent and the author of We're
Not Broken, Changing the Autism Conversation.
He says that the social pressure he feels, not knowing the rulebook, can have big ripple
effects.
For example, some neurodivergent people experience something called rejection-sensitive dysphoria.
And it's something you feel very viscerally.
It's more than just the normal,
I got rejected, this is terrible, I feel embarrassed.
It's like, it's a physical thing.
Now, you don't have to be neurodivergent
to be hypersensitive to rejection or failure.
And struggling with social cues
doesn't automatically mean you have autism.
There's a gray area here,
and likely a lot of overlapping struggles
between neurodivergent and neurotypical people, according to Tai.
His research points to three traits that awkward people may experience.
Trouble communicating, trouble executing and navigating social skills, and obsessive interests.
And so yeah, you know, there's variability across all three areas, and it actually forms
this nice bell curve.
So the average person in the population has a few awkward characteristics and folks who
are socially awkward just have more of them and they have them more intensely.
Where you fall on that curve likely plays a role in just how much cringing you do it
yourself in everyday life.
Which makes sense.
That's what that feeling is programmed for after all.
See, embarrassment and awkwardness aren't universal.
They're uniquely formed by our culture, our social context,
and our sense of self to help guide us back
to the safety of our clans.
The thing is, our sense of self
can be a surprisingly slippery thing.
Take away one, you're not who you think you are. But that's not as
big a deal as you think.
A lot of people talk about how they like hate hearing the sound of their own voices and
like you do hear yourself differently than other people are hearing it.
Melissa Dahl is a writer and the author of Cringeworthy, a theory of awkwardness. She
taught me this really interesting idea about our self-identity, called the irreconcilable
gap.
This is a term coined by psychologist Philippe Rochat out of Emory University.
It works like this.
Most of the time, we exist in our own heads.
So we see ourselves a certain way.
How we carry ourselves, how smart or interesting we are.
And we might assume that other people see us in that same way. How we carry ourselves, how smart or interesting we are, and we might assume that
other people see us in that same way. But the reality is, there's usually some distance, that
irreconcilable gap between your own self-image and an outsider's perspective of you. Melissa's theory
is that we cringe when there's a big disconnect between those two selves. The moments that make us
cringe are the moments that trigger a sense of like, oh my gosh, I think I'm putting myself out there one way,
but other people are seeing me in this other way.
Think back on any recent moments of embarrassment or awkwardness.
Forgetting someone's name, going in for the hug at the same moment they reach for the
professional handshake, accidentally liking your ex-boyfriend's, new girlfriend's Instagram post
from 10 years ago.
The pain you likely felt was perhaps the result of the collision of those two yous.
The flawless self you're supposed to be, and the self you were instead.
But supposed to be is the operative phrase in that sentence.
Because our self-conscious feelings aren't always accurate.
For example, Melissa
told me about this famous study. It was on something called the spotlight effect.
And it's basically like, we assume more people are paying attention to our faults and our
embarrassing missteps than they are.
So in a study from Cornell from 2000, they put a bunch of participants in a room and
then had one person show up five minutes later.
And they made them wear a really silly t-shirt.
As I don't hear, it was a t-shirt with a large picture of Barry Manilow that the researchers
had pre-interviewed students about to confirm it would be sufficiently embarrassing.
Anyway.
And then afterwards they asked them, okay, how many people do you think will remember
that you're wearing this ridiculous t-shirt?
T-shirt wearing participants guessed that the number would be about half.
In reality, less than a quarter remember who was on the shirt.
Which kind of cracks me up because the advice typically goes like,
oh, like no one's paying attention to you anyway.
And like, that's not actually what the study found.
Like some people are, just not as many people as we think.
What the study reminds us is that we're all the main characters of our own story. In our heads, the spotlight always shines more brightly
on us. But the science says otherwise. Those researchers found that we tend to
overestimate both how deeply we're being observed and how much others care about
what we do. So relax. Even if you do walk into that meeting with lipstick on your
teeth or a rip in your pants,
chances are most of the people in the room didn't even notice.
And that brings us to takeaway two.
Lighten up.
Diffuse awkward moments with acknowledgement and levity.
Okay, so now that we've all gained some perspective about our self-conscious feelings,
let's talk strategies for dealing with awkwardness in real time.
All of our experts agreed.
If you run face-first into an embarrassing situation, just face the thing head on.
Put it all right out on the table.
You know, I say, oh wow, I am so sorry you've had to look at that smidge between my teeth
for however long this has been going on.
That was awkward now It shows to the other person that you understand what the social expectation is and it
You don't intend to continue being awkward in that way and it allows you to move on from the moment
Whereas if you don't put the awkwardness on the table
It has this weird way of lingering through the rest of the conversation
When you say fall on your face in front of hundreds of strangers,
it's easy to want to just curl up in the fetal position and will yourself to
disappear. But Eric says,
don't underestimate the generosity of other people in those most cringeworthy of
moments.
If you can show that like you can pick up from your hiccups,
people have a large amount of grace with that.
You know, like you play a bomb note in a song,
like you just kind of just keep pressing through.
You get the point.
Leaning right into it, laughing it off,
and taking your foible in stride is a far easier,
far smoother road to social recovery than say,
completely avoiding that you accidentally sent
that risque text to your mom instead
of your bae.
Or giving up your absolute favorite coffee shop because that barista caught you spill
your entire latte down your front.
And you can—and should—apply this lightness to your embarrassing memories, too.
Have you ever been minding your own business, laying down to sleep, driving down the road
and a familiar song comes on and bam,
you're hit with a mortifying flashback from sixth grade?
Melissa uses a fitting name for this, a cringe attack.
The things that stick in our memory
are the things that make a deep cut emotionally.
A time that you were really, really afraid or really angry.
Anything that's like emotionally heightened
is gonna stick in our brains.
So it makes sense that embarrassing moments stick with us.
If you find that you're frequented
by the same intense embarrassing memories,
there are some things that might soften the edges of it.
For example, in her book, Melissa wrote about a study
showing that if you can shift the focus
to other details surrounding a cringe attack, like what did the room look like? What else happened that weekend? You might
be able to lessen the strength of the emotion tied to the memory. Also, going back to that
spotlight effect, it might help to remind yourself those past moments probably weren't
as big a deal to everyone else as they were to us back then, and almost certainly aren't
now. But you could also, you know,
just try giving yourself a break
or maybe even a pat on the back.
Just thinking about, okay, thank God
I'm cringing over my past self
because that suggests some personal growth, hopefully.
It's a reminder of how far I've come.
Like, I really hope looking at my writing 10 years ago
makes me cringe because otherwise
I haven't gotten any better.
In a different light, you might see a cringe attack as an old friend back for an unexpected
visit.
Like, oh, you again.
Nice to see you, old me.
Weren't you hilarious?
So glad I know better now.
And now that we've widened the lens on ourselves, let's turn that curiosity outward.
Takeaway three, challenge the source of your social discomfort.
So my name is Pilvi Takala. I'm a visual artist and I make mostly video work.
Okay, so this is a technically accurate description of what Pilvi does, but I'd argue her actual medium is awkwardness.
In the form of what she calls performative interventions.
Essentially, Pilvi goes into a space with certain rules or social structures—a subway,
an art gallery, an amusement park—and then finds a way to publicly but subtly challenge
those social contracts. Like the stroker, for example, in which she lightly but consistently
invaded people's personal space in an office setting.
Confusion and discomfort usually ensue.
The main thing in my practice that I have grown is the muscle for dealing with awkwardness
and being in situations that are uncomfortable.
One of the works that had the most lasting impact on her is called The Trainee.
The premise was simple.
Pilvi would secretly embed herself in a financial services company for a month. With the blessing of a few higher-ups in the company and in
collaboration with the museum, posing as a trainee in the marketing department. For about
the first two weeks, she played it straight. Just took some time to learn the company culture,
understand what was what, where the break room was.
And then I stopped doing anything.
No, really. anything. For hours.
For days.
I was just sitting.
I didn't touch my phone.
I didn't have a pen or paper or fiddle with anything.
I was just sitting and people did find that very uncomfortable.
If anyone asked her what she was doing, she simply told them brain work.
Sounds pretty tame, right?
But see, like many corporate workspaces, Pilvi observed
that busyness was an assumed part of the culture, even if it wasn't productive or work-related.
Texting a friend, going on Facebook, everyone just had to be doing something. So when she
did nothing at all, things got awkward.
It was funnily lack of contact rather than some kind of conflict.
Instead they like stopped asking me for lunch and I could feel it was in a very small little
gestures and I caught like some people like looking at me in the background and so on
but it was very minimal.
Then some emails started to go to my superiors like, hey, what's going on?
What Pilvi was pushing against
was this norm of performative busyness.
The way you work, especially office work done on computers
without any physical products, needed to look.
Why is it more okay to spend an hour of company time
gossiping in the break room with a coworker
than to sit quietly at your desk looking out the window?
Where's the harm?
I kind of reached the goal of that there's an unwritten rule,
but there's not really a consensus
of like why this is a problem.
Even though entirely peaceful,
Pilvi says her lack of activity
was threatening to some people
because it didn't fit in with a general order of things.
If you can stand to sit in it a while though,
Pilvi says awkwardness offers space for growth. It can help you act with intention, not just on reflex.
And if I don't want to be uncomfortable, then I don't learn so much about the world.
So instead of immediately running and hiding the moment you, say, realize you've been
rocking a price tag sticker on the front of your sweater, you let out the world's loudest
sneeze during a solemn moment of silence?
Or you blurt out exactly why and how awfully your day's going when that, hey, how are
you?
Was clearly just a nicety?
Try to take a pause and consider the context of the situation instead.
Is the rule you feel you broke one worth following?
Did you cause any actual harm?
Sometimes, the answer to those questions is yes, and making amends is in order.
Other times, maybe it's best to shrug those cringey feelings away or to actively ignore
them.
Research has shown, for example, that fear of embarrassment can get in the way of health
and safety.
It's been shown to contribute to unsafe sex practices when people don't want to ask for
advice or can't work up the courage to buy condoms.
It's kept people from flagging potential medical issues for fear of looking foolish in front of
their doctor and can make bystanders less likely to help a stranger in need if there are others
there to judge how they act. Which is all to say, pausing to question and weigh out the risks of
those awkward scenarios is always a good idea. If you never feel embarrassed about anything and
you always think you're like fantastic
at everything and do everything perfect, then I think something must be wrong.
We all need to bare our blushes sometimes.
So we're all in this together.
Take away four, all for one, and one for awkward.
There's power in the collective cringe.
To feel embarrassed, like it kind of means you're seeing yourself through somebody else's
eyes, which means you're kind of putting yourself in someone else's shoes.
It's a version of empathy that unfortunately is kind of hurtful towards yourself, but it
does suggest that you're able to see life from another perspective than your own.
Embarrassment and empathy have a lot in common.
So try to extend that emotive power outward.
Because we could all stand to trip on each other's proverbial shoelaces a bit more,
no?
Eric says, from a neurodivergent perspective, this is especially important to think about.
For all the talk that neurodivergent people are not empathetic, I actually think we are
incredibly empathetic because we're trying like hell to understand the rules so that
we can make neurotypical people comfortable
because we don't want to be embarrassed.
He says it doesn't take a whole lot to make more space for empathy and social awkwardness.
I think it's just about recognizing that not everybody functions the way that you do.
I think that what a lot of times you could do is you could kind of be a liaison for your
friends.
For example, Eric talked about a colleague of his who has an autistic son and helped
advocate for Eric at work.
Once his editors reached out to him like, hey, we really like Eric, but sometimes he can go on too long in editorial meetings.
What do we do?
He says, we'll talk to him about it or like have an invisible signal.
So like an editorial meeting if I was going on too long, there would be like hand signals or things like that.
That was really helpful. Like being a being somebody who's willing to interpret and guide can be really invaluable.
Beyond that, Melissa says awkwardness can be a signal of opportunity to do better in
larger, structural ways too. In her book, she pointed to the End the Awkward campaign
in the UK, for example, which works to combat the awkwardness people feel speaking with
or even just being around disabled people. And Hai says don't forget the unique strengths
of awkward people.
Like for example.
If I want an opinion about an outfit,
I'm not gonna ask my socially fluent friends,
you know, I'm gonna ask an awkward friend
because they'll actually tell you.
Like, you know, that looks terrible.
Also because awkward people have tendencies
towards obsessive interests,
that can also lead to extraordinary outcomes.
So there's this strong correlation
between social awkwardness and creativity,
social awkwardness and innovation.
And so awkward people can add to our professional lives
or even our social lives with these unique solutions
to situations through their obsessive interests
and through this unusual perspective
that they have on the world. The thing about these self-conscious emotions is if we let them, they can be really isolating.
But clearly we all stand to benefit from embracing the awkwardness in ourselves and in others and
doing what we can to make the most of our embarrassing moments.
These feelings are just so wrapped up in empathy and connectedness.
Even the like most outwardly confident presenting person
experiences these feelings.
I came to see these moments as potential moments
for connection with people.
Even if it's horrible in the moment,
you just have to remember that
it's gonna make a really good story eventually.
Okay, did that story go on for like, way too long?
Oh my god, so embarrassing.
I'm sorry.
Time for a quick, quick recap.
Takeaway 1.
Embarrassment and awkwardness are the result of the self in our heads being at odds with
the self out in the world.
This can be tough, especially if you struggle navigating social norms. But good news, no one notices or cares about your mistakes nearly as
much as you do. Take away two, lighten up and laugh it off. When dealing with awkward moments
in real time, don't ignore or avoid. Face them head on and with a light touch. Give yourself
as much grace as you would a friend and move on. Takeaway three. Challenge the source of your social discomfort. Before you let
your embarrassment take the wheel, consider the context of your awkward
situation. Did you actually break any rules? Did you cause any real harm?
Takeaway four. Remember, everybody's awkward. There's power in that shared
experience, in big ways and small.
power in that shared experience, in big ways and small. LifeKit. And if you love LifeKit and want even more, subscribe to our newsletter at npr.org slash LifeKit Newsletter. Also, we love hearing from you, so if you have episode ideas or feedback you want to share, email us at lifekit at npr.org.
This episode of LifeKit was produced by Margaret Serino. It was edited by Claire Marie Schneider
and Meghan Kane. Our visuals editor is Beck Harlan, and our digital editor is Malika Gareeb.
Meghan Kane is our supervising
editor and Beth Donovan is our executive producer. Our production team also includes Sylvie Douglas
and Sam Yeller-Horse-Kessler. Engineering support comes from Zoving and Hoven. Special
thanks to Joe Shapiro. I'm Mariel Segarra. Thanks for listening. Support for NPR comes from NPR member stations and Eric and Wendy Schmidt through the Schmidt
Family Foundation, working together to create a just world where all people have access
to renewable energy, clean air and water, and healthy food.
The Schmidt Family Foundation is part of the philanthropic organizations and initiatives
created and funded by Eric and Wendy Schmidt
to work toward a healthy, resilient, secure world for all on the web at theschmidt.org.