Morning Brew Daily - NPR, PBS Funding Cut & CBS Cancels ‘Late Show with Stephen Colbert’
Episode Date: July 18, 2025Episode 629: Neal and Toby chat about the Senate’s passing of a law that will cut federal funding for NPR and PBS. Then, CBS cancels 'The Late Show with Stephen Colbert'. Plus, tickets for Christoph...er Nolan’s upcoming film goes on sale…which doesn’t premiere until exactly one year from now. Meanwhile, Uber’s massive deal with Lucid Motors to expand their robotaxi service is the Stock of the Week. President Trump’s strong preference for real cane sugar in Coca-cola sodas causes shares of high fructose corn syrup producers to drop. Meet your local home loan expert at https://mortgagematchup.com/?utm_source=morning_brew&utm_medium=podcast Subscribe to Morning Brew Daily for more of the news you need to start your day. Share the show with a friend, and leave us a review on your favorite podcast app. Listen to Morning Brew Daily Here: https://www.swap.fm/l/mbd-note Watch Morning Brew Daily Here: https://www.youtube.com/@MorningBrewDailyShow 00:00 - Freebie Guy 3:30 - Congress Pulls NBR and PBS Funding 7:00 - CBS Cancels Late Show 12:00 - 'Odyssey' Sells IMAX 18:00 - Stock of the Week 21:30 - Dog of the Week Learn more about your ad choices. Visit megaphone.fm/adchoices
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Good morning, Brew Daily show. I'm Neil Fryman.
And I'm Toby Howell.
Today, what will happen to NPR and PBS after Congress pulled funding for public media?
Then Stephen Colbert is going to get an earlier bedtime because CBS is canceling the late show.
It's Friday, July 18th. Let's ride.
Good morning and happy Friday.
If you've got a birthday coming up, sure, you can spend the day refreshing your Facebook
while and inviting friends for a dinner.
Or you could sprint manically around town,
trying to collect all the freebies, retailers give out to people on their big day.
The Wall Street Journal profiled one guy, Clint Svatos, who's part of a community of competitive
birthday freeloaders. These people couldn't care less about your gifts. They care more about
maximizing gifts from companies, like a free Grand Slam breakfast from Denny's, handouts from
Sephora or Ulta, and popcorn from Regal. In all, on his birthday earlier this year,
Svato's broke a record with 40 freebies, including 10 free drinks, 14 free desserts, and 12 free food items.
Toby, is this a respectable way to spend your birthday?
First of all, this dude had it down to a science.
Here's his smartest ploy target shopping centers because they have multiple opportunities for freebies in one spot.
He also paces himself, you know, energy is going to be a big issue.
So he schedules free coffee at intervals to keep his energy up.
He's not alone either.
Denny said that 28% more people redeemed their birthday freebie in 2024 compared to the previous year.
So clearly people are loving freebies.
All that being said, according to the article, his wife won't go with him.
And his kids are kind of embarrassed.
He does it.
So maybe just don't do this.
Maybe just post on your Facebook wall instead.
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licensed in all 50 states in the District of Columbia. For more than a half a century, the U.S.
government has spent hundreds of millions of dollars each year helping pay for PBS, NPR, and other
public broadcasters across the country. Those days appear to be over. Last night, the House passed a
measure that strips nearly $1.1 billion in funding for public media, and President Trump is expected to sign it
into law today. The spending cuts fulfill a decades-long push by conservatives to defund NPR and PBS.
Spending, they've said, is unnecessary, wasteful, and fuels biased reporting in favor of progressives.
So what's going to happen to NPR, PBS, your local public media TV and radio stations?
It first helps to understand how government dollars reach them, and it's a somewhat complex journey.
Each year, $535 million in taxpayer money goes to the Corporation for Public Broadcasting.
the organization set up in the 1960s to support local TV and radio across the country.
The CPB then funnels more than 70% of that money to about 1,500 local radio and TV stations in the U.S.
Then those local outlets pay NPR and PBS members' dues and licensing fees for the rights to air shows like all things considered,
morning edition, and PBS News Hour.
To review the flow, government, CPB, local stations, national organizations.
It means NPR's mothership in D.C.
gets only 1% of its funding through direct federal grants, and far more about 30% from its member stations
sprinkled across the country. The rest is made up from donations, returns from its endowment,
and corporate sponsorships. So NPR and PBS will suffer financially, but not nearly as much as the
local stations, particularly in rural areas that are on the front lines of the funding pullback.
If Trump signs the measure into place today, as expected, get ready to hear fundraising campaigns
immediately. Yeah, you got some opposition along the way here because as Republican Senator Lisa
Murkowski from Alaska said in a speech on Tuesday arguing against this, these local stations are not
just your news. It is for your tsunami alerts. It's your landslide alerts. It's your volcano
alert saying the important place that these stations occupy in smaller rural communities.
Because you are right. Some of the bigger stations are going to be able to plug those funding gaps
with other things either by raising money or through sponsors,
but these small rural shows are the ones that are under the most pressure
when you pull the rug of funding out from underneath them.
A day after Murkowski said that in the Senate,
there was a 7.3 magnitude earthquake off of an Alaska peninsula
that triggered tsunami warnings on local public broadcasting stations.
So kind of her words went into action just day after she testified in the Senate.
The NPR did release a report back in 2011 warning of what could happen if Congress were to cut off funding to the public radio system.
Again, this has been a threat looming over NPR and PBS for decades.
NPR's internal report found that up to 18% of the roughly 1,000 member stations would close with Midwest, South, and the West affected the most.
And then nationwide, up to 30% of listeners would lose access to NPR programming.
And that's because if this funding dries up to these smaller stations, then they're not going to have as much money to pay NPR and PBS for the programming that they put on their airwaves.
So you might see a lighter slate of NPR news programs or other shows on PBS or NPR because of these funding cuts.
And this is part of a broader rescission request, which is coming for the first time in more than 25 years.
It's a little bit of a controversial political instrument to do this because,
you're actually clawing back money that's already been allocated by Congress,
which is something that doesn't happen.
I mean, it hasn't happened in a quarter century.
So as part of this broader package, Trump wants to claw back about $9 billion in total spending.
$8.3 billion is tied to foreign aid programs that, you know, fight famine,
fight disease around the world.
So clearly this was something that was the very finest of margins.
It barely got through the Senate, barely passed the House last night, completely,
party lines. And then if you zoom out to these $9 billion in cuts, a lot of opponents were saying
that adds up to about one-tenth of one percent of the $7 trillion federal budget but has
far-ranging impact for something like a rural station. That was some of the pushback we saw to these
rescission requests from Congress. Last night, Stephen Colbert sat behind the same desk he has
for a decade and told viewers that his show was coming to an end. No, he wasn't being replaced
by a younger, snarkier host.
The late show as a whole is going away next May due to what CBS called a purely financial
decision.
It's a pretty seismic shakeup for a show that's been on the air for 32 years, but it's struggled
recently along with the rest of late-night TV.
The genre has been fading in relevance for years now.
And as of 2023, revenue across the top six late-night programs was down more than 60%
from its peak in 2016.
Following revenue is tough to swallow for networks because late-night shows are expective.
to produce. According to Axios, top hosts like Colbert and Jimmy Fallon are making north of
$15 million per year, while the late show employed nearly 200 people. One other factor in Colbert's
departure might be related to Paramounts pending $8 billion merger with Skydance Media that requires
approval from the Trump administration. Colbert had expressed his frustration with the $16 million
settlement CBS paid to Trump to settle a lawsuit tied to 60 minutes coverage of him, a settlement
that also led a long-time producer Bill Owens to resign,
citing a loss of editorial independence.
Neil, feels like the rug was pulled out from what was typically the highest-rated show in late-night.
Right.
CBS executives wanted to stress that this was, quote,
a purely a financial decision against a challenging backdrop in late night.
They also added,
it is not related in any way to the show's performance,
content or other matters happening at Paramount.
And that seems to be a wink and a nod to that.
settlement that Colbert called a big fat bribe. On the one hand, you can see why this is an
understandable decision. And on the other, you can see why it's a bit puzzling. The understandable
part, as you mentioned, revenue for late night shows has been cut in half over the past eight years.
If you look at the Emmys, Emmy nominations that we just talked about a few days ago,
the number of late night shows that were nominated was three, Kimmel, Fallon, and Colbert.
Just a few years ago, there were six. So you're starting to see the podcast.
shrink. So those are the reasons. And you, as you mentioned, these shows are very expensive to produce
and they're bringing in a lot less money. Now, here are the reasons to be a little bit puzzled.
Colbert was the top late night show on the market. So even in this smaller pie, he was the top dog.
And then in other instances where networks have canceled late night shows, they've done it with
a big shebang. They've announced it at the upfront weeks in front of advertisers. Because if you know,
this is going to be the last season, then you want to squeeze as much juice as possible.
So when Johnny Carson left the Tonight Show on NBC in 1991, that was in a huge presentation
to advertisers.
David Letterman did the same when he left the late show on CBS.
It was a huge celebration and announcement in front of advertisers so they could, you know,
spend as much money in the final season as possible.
So because of those reasons, TV executives say perhaps this was a hastily.
made decision. Yeah, but the writing's been on the wall because for a long time,
these late-night shows were the cash cows of the network because they were the ones
bringing in the younger audience. They were relatively inexpensive to produce. They had a larger
ad load compared to primetime TV, but now that is entirely the opposite of what they are.
They have an older audience. They're not getting the desirable viewers that advertisers want.
All those desirable viewers are actually watching on a YouTube. And if you look at these late-night
shows, YouTube channels, they rip.
views, but it's just not as lucrative.
You can't justify the production expenses when you're only getting YouTube views.
So it's totally switched because the cultural cachet has shifted to YouTube and TikTok in away
from these late night programs.
We kind of saw a similar thing go down yesterday in the sports media landscape as well.
Fox signed a deal with Barstool to bring their cast of carriers onto their pregame show,
replacing some recognizable athletes in the process.
It's the same thing, trying to tap into more culturally relevant face.
and distribution models.
Sports media is trying to survive.
Late night, he's going to have to find a way to survive and adapt as well.
Moving on, last week I went to see the new Jurassic Park movie in theaters,
and I got goosebumps.
Not because the dynos were especially hair-raising,
but because right before the movie started,
a trailer for Christopher Nolan's adaptation of The Odyssey came on,
and boy, does it look good.
But a trailer for a movie that comes out next summer in 2026 feels a bit early, right?
But Nolan didn't just stop at trailers.
He and Universal actually put tickets up for sale a year in advance of opening night,
something that has just never really been done in the movie industry.
They came with a caveat too.
Tickets will only be available at movie theaters with 70mm iMac's screens.
For Nolan lovers, that comes as no surprise.
The Man Behind the Batman movies, Interstellar Oppenheimer and Moore,
is obsessed with iMacs in its gold standard 70 millimeter format.
In fact, The Odyssey will be the first movie.
movie ever shot entirely on iMac's cameras, an achievement made possible only after Nolan
hounded the company for smaller, lighter models, which IMAX was happy to provide,
given all the money Nolan brings in. Of the nearly billion dollars Oppenheimer gross, 20%
came from IMAX screens. And it's not just a Nolan thing either. Apple secured some IMAX
cameras for its F1 movie and brought in a quarter of domestic ticket sales from the format
so far. Neil, IMAX screens make up less than 1% of total.
movie screens worldwide, and yet they are responsible for major portions of big box office halls.
This format and this company are on fire. Let's talk about the ticket sales that resemble something
like Oasis or the ERISTor. I walk in here yesterday morning. The first thing you show me,
you go, IMAX is sold out for The Odyssey, and I was like, when's the Odyssey? You're like a year from now,
and these tickets were going nuts. They were very hard to find. And then, of course, a secondary market
It has popped up some prices for one seat was going upwards of $200.
Someone was selling a package of four Saturday tickets for the AMC Lincoln Square in New York City,
starting at $1,000.
There are not a lot of IMAX seats.
There are a lot of people clamoring to get seats for this movie,
having no idea what their schedule is going to look like a year in advance.
So there was an absolute, it was absolute pandemonium for these IMA seats.
and for the Odyssey a year in advance,
and you can see why is Christopher Nolan and IMAX is a match made in heaven.
Yeah, and it is just something that has a rising tide floats all boat situation
because IMAX's CEOs are just happy to do whatever Christopher Nolan wants
because this company hasn't been ripping recently.
Consumer tastes have just shifted towards that premium experience.
We keep talking about how you have to differentiate the experience from just sitting at home
with a buffet of movies at your disposal from streaming services.
How do you do that?
Just make it an immersive surround sound, a giant screen,
this crazy 70-millimeter format as well.
The CEO of IMAX is forecasting $1.2 billion this year at the global box office.
That is 33% higher than last year.
It would be a record.
And shares of the company are up 60% over the last 12 months.
It is just a crazy company that is bucking every other trend in the movie industry
and doing much better than its peer.
Meanwhile, the other movie theaters chains are like, well, how do we combat this?
They have a weird frenemy relationship with IMAX because they pay IMAX a licensing fee
to have its technology at their movie theaters.
But they're saying, hey, maybe there's a more profitable way.
So a bunch of these companies like Cinemark, Regal, and Marcus are huddling up together in backroom saying,
okay, how can we sort of channel what's going on in IMAX and also make it best for us?
they are thinking about jointly marketing their premium large screen formats, which don't rise to
the level of IMAX, which has spent 55 years perfecting this technology.
But they're thinking of maybe creating an umbrella brand that makes it easier for consumers
to say, or to just look at something and say, okay, that is the IMAX equivalent for these
other companies.
And that's their way of seizing on this trend.
It makes sense, too, because Cinemark calls their big screens XD.
Regals are called RPX and marketses are called MT-X.
First of all, not the name recognition of IMAX at all, and also just horrible naming formats in general.
So I actually do think they have a branding issue here.
So they're behind the eight ball.
It's a big, tacit catch up to IMAX, especially because IMAX has this camera monopoly that it's building.
All the filmmakers want to use IMAX cameras right now because they say this is the best way to view my product.
Christopher Nolan's obviously the biggest one, but Ryan Cougler of Sinners.
Talked about his love for the format as well.
the F1 movie Mission Impossible.
These were all movies that made uses of these cameras as well.
So IMEX both has the consumer side of it,
but also has filmmakers on their side.
So it's going to be tough to dethrone.
All right.
Up next, we have Stock of the Week and Dog of the Week.
Welcome to Stock of the Week, Dog of the Week,
the segment where Toby and I pick one stock
that was a sky full of stars and the other will try to fix you.
I won the pre-show attend a Coldplay concert
without anyone noticing contest,
so I get to go first.
My stock of the week is Lucid.
Remember this company?
Last week, you heard on the show,
it set the world record for longest EV drive on a single charge,
and it's earned a spot this week after inking a massive deal with Uber for self-driving cars.
Lucid stock jumped 36% yesterday after Uber said it would invest $300 million in the electric vehicle maker
and commit to buy at least 20,000 vehicles for an upcoming Robo Taxi rollout.
With a 5% stake, Uber is now Lucid's second biggest shareholder after the Saudi-P
public investment fund, which is also a major shareholder in Uber. The deal also involves Uber
investing in another company, Neuro, which is going to supply the autonomous software that'll
transform Lucid's SUVs into self-driving robot machines. Lucid and Neuro are one of more than a
dozen partnerships that Uber's inked with companies as it aims to become the platform of choice in
the fast-growing robo-taxy market. Uber once tried to develop self-driving tech in-house,
but it's decided that linking up with automakers like VW and software companies like Waymo is a more
profitable and honestly easier path forward. As for Lucid, its stock is still down 94% from its
2021 peak when it was somehow worth more than Ford and General Motors. Still, Uber's 20,000 car
commitment and the 300 million marks a vote of confidence for one of the few pure play EV
companies in the U.S. Yeah, this is great for Lucid because they have had a tumultuous couple of years.
They racked up $6 billion in net losses from 2023 to 2024. Their C.E.
and founder unexpectedly stepped down last year. And yeah, its stock is down just oodles and oodles
from its peak in 2021. The PIF, the Saudi investment fund also is breathing a sigh of relief here, too,
because they own 58% of the company now. They put another $1.5 billion dollars. They put in $8 billion
into this company in total. Its stake is only worth about $4 billion at this point. So to see a brand name
like Uber come in and do this minimum vehicle promise.
It is something that you feel like some momentum is building at this company that has had a
rough go of it recently.
And momentum is building for Uber.
Free cash flow doubled last year to $7 billion, freeing up some money.
It wasn't profitable for forever.
Now it is very profitable.
And it can spend on going on offense in the autonomous vehicle arms rate, which is absolutely
heating up.
When you think Robotaxies and the rollout of these.
things, you probably thought that this would be an existential threat for Uber with its human
drivers and the fact that it couldn't develop autonomous driving in-house. That was an abject
failure during its previous management. But it's been inking all of these deals with Volkswagen,
with Waymo, with other software and hardware and automakers to be the consumer-facing aspect
of their self-driving apparatus, their ecosystem. And it's been super successful.
This is another step for Uber turning what could be a liability and to an advantage.
My dog of the week dates back to a story we briefly touched on yesterday, and that is high-fructose corn producer Archer Daniels Midland, aka ADM.
shares fell nearly 7% yesterday after President Trump announced he had urged Coca-Cola to start using real cane sugar in their drinks sold in the U.S.
Another major sweetener supplier in Greidion saw their shares dip 7% as well.
Both stocks soon paired back most of their losses after Coca-Cola failed to explicitly endorse the plans laid out by Trump.
But still, the announcement has the industry on edge because Coca-Cola is one of the biggest purchasers of the sweetener dating back to the 1980s.
ADM stock dip is symbolic because this is a company synonymous with corn.
Former CEO Dwayne Andreas called the company the supermarket of the world back in the 80s.
A growing portion of politician in Washington, though, have been lobbying to get high,
fructose corn syrup out of our foods, which is going to be an uphill task.
Thanks to a combination of powerful government subsidies that total $10 billion annually,
support from the meat industry that needs corn, and protectionist tariffs on cane sugar,
HFCS, as it's called, is not going away anytime soon.
Neil, America is really a country dominated by corn,
so it's not going to let a big customer like Coca-Cola go away easily.
Quite an interesting reaction here from the corn-refuge.
Association, the corn lobby made themselves heard after Trump announced that they would be moving
away from high fructose corn syrup, which to stress once again, we don't know if that's actually
going to happen. We had the group's president, corner refiners association, president saying
replacing high fructose corn syrup with cane sugar doesn't make any sense because it would hurt
jobs around the country. About 90 million acres of land, which is larger than the entire
area of Greece is used to produce corn in the U.S. every year. About 8% of all of that land is used to
produce corn sweeteners, say experts. And when you're looking at 90 million acres, 8% of that,
that's a big chunk. That's with the corn lobby, which has had a very muscular presence in
Washington, D.C. for decades, is saying what could be lost should Coke a major purchaser of
corn syrup, go away. Let's talk about the nutritional side of things, because that's where a lot of
pressure on high fructose corn syrup is coming from. Nutritionally, there's not a ton of meaningful
difference between high fructose corn syrup and cane sugar. Both are made of glucose and fructose.
They are basically chemically identical. They have essentially the same amount of calories as well.
And then also the taste aspect, which is probably where a lot of fans of this decision are coming from.
In blind taste tests, HFCS is usually when this very in-depth study from 2023 did a blind taste test,
with canned cola from America facing off against bottle Coke from Mexico made with cane sugar.
88% of taste testers chose the American high fructose corn syrup coke,
but 85% preferred the packaging of the Mexican Coke.
So maybe what you are thinking is a better tasting Coke out of a bottle,
a better tasting Mexican Coke that uses cane sugar is really just because it's out of a glass bottle
and you like the form factor more than you like the can of American Coke.
So very fascinating psychological aspect to this as well that maybe cane sugar actually doesn't
taste as good as we all think it did.
Somehow Coke's earnings just became the most interesting earnings on the calendar.
It's happening next week.
I think everyone's going to tune in to see what they say about whether they are truly going
to be abandoning high-fructose corn syrup in their American manufacturing process.
I know these guys at the Cornerfiners Association will be absolutely glued to their seats.
Okay, let's sprint to the finish with a final headline.
British youth will soon have a new reason for skipping school to go vote.
The government announced yesterday that it would lower the voting age from 18 to 16 by the next national election,
joining a small group of countries including Austria, Brazil, and Ecuador that allow pimples at the polling stations.
The Labor Party, which is currently in power, says lowering the age is aimed at bolstering democracy
by getting citizens hooked on voting from an early age, hoping that they'll carry the habit with them as they get older.
Plus, many 16 and 17-year-olds work and pay taxes,
Prime Minister Kier Stamber said, if you pay in, you should have the opportunity to say how your money should be spent.
Just as a point of comparison, the U.S. lowered the minimum voting age from 21 to 18 in 1971,
partially due to public outcry that men as young as 18 could be conscripted into the Vietnam War but couldn't vote.
Yeah, one of the aspects of this, too, that Britain is worrying about is just participation in elections in general.
the 2024 general election was under 60%. That was the lowest since 2001 and down almost 8% from
the previous election in 2019. So if you're looking at a representative democracy and no one's
turning out for vote, that is a bad thing because that means that a lot of people are not having a
say in their governors and in their rulers. And so how do you expand the voting pool,
make pimples come to the polls, as you put it? This has happened before the last time that
the government expanded the voting pool was in 1969.
That was also implemented by a left-leaning labor government at the time,
who then lost the subsequent election.
So if you're wondering if this is just a political ploy by the Labor Party
to get more voters to support them into the voting pool,
it didn't work necessarily last time it happened.
Right.
Polling of 500 people in Britain, age kids, age 16 and 17,
showed that labor had the most support with 33%.
Reform UK had 20%.
conservatives had 10%, but half of those people thought they should not be allowed to vote in the first place.
Self-awareness.
Self-awareness.
All right, that is all the time we have.
Thanks so much for starting your morning with us.
Have a wonderful Friday and an even better weekend.
Give any thoughts on today's episode.
Send an email with questions, comments, or feedback to morning brew daily at morningbrew.
Let's roll the credits.
Emily Milliron is our executive producer.
Raymond Loo is our producer.
Our associate producers are Olivia Graham and Olivia Lake.
Yuchinawa Ogu is our technical director.
Scoop's Dardaris is on audio.
Hair and makeup is on an Odyssey, and there's no telling when they'll get back.
Devin Emery is our president and our show is a production of Morning Brew.
Great Saturday, Neil. Let's run it back tomorrow.
