Old Gods of Appalachia - Episode 0.5: The Witch Queen
Episode Date: November 6, 2019They say there's a witch in that valley and you'd do well to stay away from there. Join us as we journey back to the settling of the central plateau and witness the power of mountain women.CW: Religio...us fundamentalism, death of parents by illness and implied suicide, child abandonment, offscreen attempted romantic coercion, shapeshifting, description of monstrous animal, discussions of mortality.Written by Steve ShellSound design by Steve ShellNarrated by Steve ShellIntro music: "The Land Unknown," written and performed by Landon BloodOutro music: "I Cannot Escape the Darkness," written and performed by Those Poor BastardsLEARN MORE ABOUT OLD GODS OF APPALACHIA: www.oldgodsofappalachia.comCOMPLETE YOUR SOCIAL MEDIA RITUAL:FacebookInstagramTwitterBlueskySUPPORT THE SHOW:Join us over at THE HOLLER to enjoy ad-free episodes, access exclusive storylines and more.Find t-shirts, hoodies, mugs, and other Old Gods merch at www.teepublic.com/stores/oldgodsofappalachia.Transcripts available on our website at www.oldgodsofappalachia.com/episodes.Old Gods of Appalachia is a production of DeepNerd Media. All rights reserved.Support this show http://supporter.acast.com/old-gods-of-appalachia. Hosted on Acast. See acast.com/privacy for more information.
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Right about now.
Old Gods of Appalachia is a horror.
anthology podcast and thus may contain material not suitable for all audiences.
So, listener discretion is advised.
In these woods, there are two queens.
You notice I said woods and not forest?
No one says forest around here.
These are the woods and you damn well know it.
Anyway, the queens.
The elder of the two knew the ways of the wild and used them to live far beyond her years
to bend half the land to do her bidding.
They say her dwelling sits in the middle of a valley
so overgrown that men cannot walk it
without being torn to bits by sticky vines and brambles.
Their blood leaving an easy trail
for the greater things that serve her.
Her part of the woods smells of the rotten cucumber of copperheads.
And the air carries the sound of bears popping jaws
and every other warning that these woods are not safe.
hanging food from a tree branch will not save it nor you if you are foolish enough to try to camp here
both will be scented found and taken she watches you here she is snake by and mailed bodies
she has never known death and probably never will yours will only feed her and make her even
younger and full of sap she is not to be sought and we call her
The Witch Queen.
Long before there were towns in the
Strait between Kentucky and Virginia, there were settlements and camps, handholds dug into the side
of a mountain scrambling for purchase. Desperate church camps and abandoned doghole
minds that more often than not
dried up and passed back into the dust
without anyone ever noticing.
The end of this story
starts in a place like that.
They called her a witch.
They'd found the signs and the books.
They'd asked her the questions and
she was as guilty as anyone
ever was.
Problem was that the good people set out to
found a religious settlement and what would
eventually be Jacob County, Kentucky
called themselves the blessed folk
of his unending and undying
and gracious love.
Well, they didn't have the heart for hanging or burning.
So she was allowed to gather her things,
load them into a cart,
and be driven into the wilderness to be abandoned
to God's unflinching justice.
Put a bag over her head to keep her from knowing where she was going.
They spun her around 12 times once for each disciple
to make sure she was good and dizzy before they loaded her up
and done the same when they unloaded her,
this time saying the Lord's Prayer.
See, they expected her to have been one of them, a Bible-beating sheep that would surely wither and die outside of the comfort of their godly encampment.
But she was not.
She had been raised by her mothers who brought her across the ocean as a little girl,
and she, like her mothers, knew the waves of the stars in the sky, the plants in the ground, and the song of the earth.
And like her mothers, she could make a poultice that would close a wound, a draft that would ease you.
your head and she could make sure more babies made it into this world safe and whole than any
physician could. Now this last and most valued skill would be what's in her family west.
Scandal had erupted on the Virginia coast when the two pretty dark-haired sisters successfully
delivered twins to a local official's wife who had lost three children in childbirth under the
watch of the well-known and respectable local doctor. The doctor in the time-honored tradition of men,
who had been exposed as incompetent,
had promptly called them both witches
and called for their blood.
And thus Edith and Catherine Dooley
had taken their daughter and set out to find
a quieter life in the mountains far
from the good folks of Williamsburg.
They found a caravan of kinder
and significantly poorer folk
making their way to the Cumberland.
A week into the mist and rain of the long trek,
Edith took sick.
Her skin went salla
and her breathing grew wet
and sadly she was dead not long after.
Upon her death, a pall fell over the whole company
as she'd been a bright light on a hard road.
Meals were somber and talk was scarce for days
after they buried the bright-eyed girl that everybody called Edie.
Catherine, her wife, broken-hearted and malnourished,
pressed on with the rest of the party.
But her despondency only deepened.
She ate less and less,
and on the darker nights could be heard having full confidence.
conversations with her beloved Edie, many of which would end with incoherent pleading and sobbing.
And when her daughter ran to the place her mother lay while she'd find her dead to the world,
the mark of the shadow was clearly on her, though.
So when they found Catherine's bedroll empty the morning they were to begin the last push of the trip,
no one questioned where she'd gone.
There were cliffs and steep drop-offs that were easy enough to get to, and they'd never find her body.
I just hoped that she was at peace and with her 80.
And the company moved on, taking the pair's almost adolescent daughter with them.
A quiet, intelligent girl, quick with chores and gray eyes that saw through most people.
And you doubtless notice that we've not said the daughter's name, even though this pretty much is her story.
It's not that we don't want to tell you, we...
Well, we can't.
No one ever wrote it down, and nobody ever passed it down.
There's no family Bible.
and where this story's going, that's probably for the best.
So bear with me now.
The Monroe Company, as their little caravan, was called,
never made it to the Cumberland Gap.
Attacks by the inhabitants of the surrounding mountains and sickness
picked off the rest of the troop,
except for the Dooley's little girl and an old man named Marvin
who wouldn't make it much further than that.
They made it almost to the gap, though,
when they met up with the good folk,
who were on their way west to claim
some of that land of tomorrow for themselves.
And after Marvin passed and was given a Christian burial,
young daughter Dooley was taken into the fold
where she lived for a year
before they found out how she made Miss Dorothy's leg better
with just words and ointment.
They found the charms she carried in the bag
and the mysterious books that they could not understand.
And when the pastor's boy had tried to kiss her
after prayer meeting one night,
and he come home all scratched up like he met a catty wampas,
babbling that that girl,
could change her shape, and she was going to try to hunt him down and kill him in his sleep because
he wouldn't kiss her when she wanted. Well, things took a turn. The boy was a liar, of course,
as many boys are. She wasn't going to kill him, and she didn't change her shape that much.
She just needed him to know she was not for him. So the next morning, the church elders came for her
and named her a witch. Now, this, of course, was something she already knew about herself,
but it was nice to have it out in the open.
She was left to fend for herself in a deep valley far from a known trail.
Some say it was on the eastern side of the Cumberland,
closer to what ended up being Glaymorgan, Virginia, and Esau County.
Others would argue it had to be on the western side in Jacob County,
closer to where the kind folk were thought to have died horribly by their own incompetence.
Some say you can't find the place where they left her.
Some say that place will find you if it wants you there.
She had brought with her the two trunks of books and stores that her mothers had packed
and what clothes she had.
When they'd come to her and asked her about the things they could not understand,
she had answered their questions honestly and without fear.
Since that day, though, she had not spoken.
She stepped off the cart, her head still hooded,
and listened as they unloaded all those things into the pitiful little shack they'd built for.
See, the folk were not cruel,
and in fact it broke their heart to put her out,
but they were faithful,
and superstitious and stupid.
So they did their part.
And to their credit,
they did not try to keep any of the fine clothes
or jewelry from her mother's chests.
Nor did they try to burn or destroy any of her books.
They feared witching far too much for that.
So here she was left,
and here she set about making a life for herself
alone in the deep wilds of the valley.
For a year and a day,
she fished, she grew a small garden,
She knew the ways of the wood
And the ways seemed to know her
As Rustic Living went, she did all right
The big predators seemed to give her little shack a wide
Birth
The markers and totems she set about her property
Doing their job quietly
She sang and she worked and crafted
And danced beneath the moon
Solitude suited her it seemed
She burned quietly and brightly
With the powers her mother's left her
And like all light that burns
Eventually, she was seen.
Oh, was she seen?
The first night was just after the winds had shifted, and the night started cooling.
The moon stood half full when the girl woke to the sound of someone calling her name outside.
Lighting a candle and stepping into the darkened yard,
she saw a figure walking just outside the boundary she'd marked.
At each corner of the land, they cleared for her domicile.
she'd buried small glass jars, each filled with three nails from each side of her shack,
rubbed in a mixture of her own blood and a few other things we won't talk about.
She knew what or whoever this was.
It would not be able to cross.
Hello, my love, said Mama Edie from the other side of the property line.
It's good to see you.
Mama Edie's voice held on to a little bit of the old country,
and it made her heart ache to see her first mother's face.
but she knew that Dad was dead and this was not her Ma.
Whatever this was, though, it thought it was clever.
Oh, hello, Ma. Been gone a while, have you not?
Yes, child, we've missed you so, your mama, Catherine, and I.
Oh, you've got to try harder than that, she said,
cutting off whatever this was as attempt at being her first mother.
He never called Ma Katie anything but Katie since I was born.
Psh, Catherine, what are you? Her priest? Try again, spirit.
And then she turned.
went back into her house and went to bed.
The next night the wind blew colder,
and a waxing crescent moon peaked in and out of the passing clouds
as the noise at the edge of the yard came again.
Again, she went to see who was there.
Ma Katie was sitting beside a fire,
set right outside of her wards.
Oy, smartass, come over here and help me put this meat on the fire.
Sure enough, Ma'Kady was struggling with a haunch of spitted meat,
unlike anything they'd had since they left the Chesapeake.
Oh, I wish I could, Ma.
But I've been living hard out here since you left me.
My feet and my back are all achy and stiff.
Why don't you come in and set a spell?
I could make his tea.
She smiled archly at Ma Katie, who glowered at her.
Are you a completely stupid spirit?
I made sure to think about how Ma Katie would love nothing more
than to roast me a bit of lamb all day.
And lo, here you are.
are. But you don't know her at all, do you spirit?
Ma, Katie, couldn't abide, lamb. She couldn't have it, couldn't smell it, made her so sick
she'd shit out of Bible she could. Come back tomorrow. Show me your true face, or don't come at all.
The fire went out, and the lamb, and Ma Katie were gone.
The next day, the girl took to double in the number of jars in the lines around her home.
She marked the door frames with iron nails and dabbed herself with oils from her mother's stores.
The next night the moon was new.
No wind blew, no leaves stirred.
She came out of her house and looked toward the dark green of the valley.
The dense tangles of briars and brambles, pickers and stingers,
swampy bits with snakes and looming tree shade thick with spiders.
The wood stirred.
The sound of something large came to her from deep within the grid.
louder and louder it grew until the largest buck she'd ever seen pushed out of the trees.
Its coat was black as soot.
Its hooves were wet with a viscous smearing brown,
its eyes burned with a foul blood-colored light,
but the things she could not look away from were its antlers.
They were amber, translucent and honey-colored, pulsing with a low,
poisonous smolder, bits of ash falling from them here and there. It came to the edge of her boundary
and reared and snorted, its wet hoofs snapping against the invisible barrier, and after a
moment it settled and met her eyes evenly. Hail spirit, said she, the voice that came to her
tasted old. Hail witch. And then, I am no spirit.
"'Hale demon then,' she answered.
"'The thing laughed and laughed that sounded and smelled like drowning.
"'You have not a name for what I am,' it purred.
"'Some would call me.'
"'And then the thing made a sound that might have been a word
"'but felt more like a blow and she flinched away from it.
"'I come to offer you much, little witch.
"'We see that you have kinship with this land.
we see it feed you
we see it keep you safer than the fools who put you here
aye she nodded
then you know who and what my mothers were
and what I am I'm just fine out here
and I've drawn my lines and set my house so there's nothing I need from you
and don't offer to let me see Mamas again they're gone
playing mummers with their faces is just cruel
and it won't get you anywhere
you said you had an offer
so say true or be gone beast
The great stag
paced the line of her marking
You speak true little witch
Death is death in this place
To the point that you speak and understand
But what if you never had to know it sting?
You sound like the church people?
She said
You want me to read your Bible
Sing in your choir? She teased
The black buck pawed the earth
And snorted derisively
its voice rolling back into her head like rancid milk.
There are more books than you could ever read, little witch,
and we could give you all of them and more.
We have knowledge of ages.
We have power.
We have tutors who could teach you things your mothers could never know.
More importantly, we could give you this land.
I got land, land beast.
Don't you see my fine palace and my super,
sprawling manner grounds, and she gestured grandly at her humble holdings.
The beast chuckled, a vulgar and carnal sound that made her tingle and blush.
You hold this little patch for now, child.
These lines you've drawn are impressive for one so young,
but they will fade with time.
Things do, and all we have to do is wait for best but you.
die, whether from age or from the worst things that are coming to this place, things you
cannot even imagine.
All of this splendor, all of this beauty ground to ash and blood.
This land to keep for us.
Or we could give what was left of you to this land and just wait for another like you to come.
come. It might be a while. But as I said, we are very good with waiting. But no, we will not offer again.
She began to sweat then. Her gut told her she was dealing with more than any forest haint.
And while it might have tried to trick her at first, it was not lying now. It could wait a thousand years if it needed to.
But it wouldn't.
What would I have to do?
She asked.
To live forever and keep this land.
Come, close.
Said the thing whose name sounded like Hornethead, but was not.
Let us talk of me.
We hope you've enjoyed this first full-length foray into the world of old gods of Appalachia.
It'll be a while before we return to these woods,
but we hope you keep our young witch friend in mind as we move.
forward. Old Gods of Appalachia is a production of deep nerd media.
Our intro music is written and performed by Land and Blood. Our outro music by those poor bastards.
Today's story was written and performed by Steve Schell.
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