Old Gods of Appalachia - Episode 1: Old Number Seven: Barlo, Kentucky 1917: Part One

Episode Date: November 7, 2019

Darkness comes to the tiny town of Barlo in the form of the worst mining disaster in Kentucky history. Young Sarah Avery runs.CW: Frank discussion of historical racism, explicit gore including facial ...and eye mutilation, death by industrial disaster, desecration of dead bodies, reanimated dead, discovery of a body dead by hanging, endangerment of a child by monsters.Written by Steve ShellSound design by Steve ShellNarrated by Steve ShellIntro music: "The Land Unknown," written and performed by Landon BloodOutro music: "I Cannot Escape the Darkness," written and performed by Those Poor BastardsLEARN MORE ABOUT OLD GODS OF APPALACHIA: www.oldgodsofappalachia.comCOMPLETE YOUR SOCIAL MEDIA RITUAL:FacebookInstagramTwitterBlueskySUPPORT THE SHOW:Join us over at THE HOLLER to enjoy ad-free episodes, access exclusive storylines and more.Find t-shirts, hoodies, mugs, and other Old Gods merch at www.teepublic.com/stores/oldgodsofappalachia.Transcripts available on our website at www.oldgodsofappalachia.com/episodes.Old Gods of Appalachia is a production of DeepNerd Media. All rights reserved.Support this show http://supporter.acast.com/old-gods-of-appalachia. Hosted on Acast. See acast.com/privacy for more information.

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Starting point is 00:00:01 Well, hey there, family, if you love Old Gods of Appalachia, I want to help us keep the home fires burning, but maybe aren't comfortable with the monthly commitment. Well, you can still support us via the ACAS supporter feature. No gift too large, no gift too small. Just click on the link in the show description, and you too can toss your tithe in the collection plate. Feel free to go ahead and do that.
Starting point is 00:00:26 Right about now. Old Gods of Appalachia is a horror. anthology podcast and therefore may contain material not suitable for all audiences so listener discretion is advised or i can't stay down and lands on it's better i will walk so i can feel the winds now on your ghost chapter one barlow kentucky 1917 it used to be a schoolhouse Lent's day it was a place of windows and sunlight rife with the small winged things of spring singing through them like tiny comets
Starting point is 00:01:58 These days the front steps sag like a bespoiled altar Bode and warped by seasons Because we have those here Fall rich with rot and the sodden burn Of flame-kiss leaves Twilights of mist and rain And fair nights that leave everything soft Winters that will reach into your joints
Starting point is 00:02:19 and teach all of us what getting old is about. Spring and eventually summer, months of stinging flies and nights of open windowed dreaming. The only condition of the air is it being blanket-like. Now all of these conspired to dissolve the only schoolhouse in Barlow, Kentucky, like a cherry sucker you'd get at the bank. A long and slow process, where the temptation to bite is almost too much to bear.
Starting point is 00:02:47 The air here is heavy. If you breathe it too long, your lungs would fill with a fetid floral sweetness, and you'd probably be sick. There are no school books. There's a Bible moldering in the bottom desk drawer of the wreck of a thing at the front of the room, but that's it. The chalkboard still haunt the walls. The ghosts of any lessons taught long since consigned to the wisdom of the owls who nest here.
Starting point is 00:03:16 The floor creeps. hungry and unsteady and the number of snakes that have called that under dark home are legion so step careful the ceiling is not the room opens to the rafters into the holes in the tar of the roof this place is a rotting tooth in the mouth of the holler but it is the only molar remaining the town of Barlow has been gone for over a hundred years and Town is a generous word for what Barlow was. Collection of a post office, a dry goods store, a church, a school, bank, and two or three other businesses that were concerned more with paper and signatures and actual work.
Starting point is 00:04:01 Outside of what was half-jokingly called the square were the modest tract houses and older dwellings that the local folk built themselves. And up the road and around the mountain were the mines. The mines were the only run. reason anyone was here. Central Appalachia as a whole was a closed hand to most of the country. We had our God and our land, and that was just fine with us. White, black, native, malungian, as long as you minded and kept to your own, Sunday would come and the creek would stay where it was. When the northerner started coming, talking about mineral rights and offering up what seemed
Starting point is 00:04:41 like literal buckets of money, that closed hand opened right up. Mines went in, deep and dark and seeking. Coal was what they wanted, and coal was what they took. It was coal that started taking us as well. Everybody knows you don't climb into the dark earth without her swallowing a few of us whole. Her dark kiss planting seeds of decay in our lungs and blood. You do not take from the mother without her taking back. It was fair trade though.
Starting point is 00:05:17 She fed her kids, built newer, nicer houses, and paid more per hour than we could ever hope to dream of, and all she asked in return is that we die slowly without complaint. A lot of us are pretty sure the mines are what started it. See, the places we dug were places that had ever been opened. The things that were there had never seen the sunlight and were never meant to. for later though. The low things, the deep things, there's time for them. Just not right now. Right now we have to talk about the school. That's where it started. There were 15 little babies, as Annie Messer would call him in her first through eighth grade class at the Barlow schoolhouse
Starting point is 00:06:10 in the summer in 1917. Well, they were just a few days out of summer and into the school year when the worst mining disaster to ever happen in the state of Kentucky heralded the doom of Barlow. The number seven mine up on Greasy Creek which had been on strike for the past month had vomited gas and fire and 62 souls were lost.
Starting point is 00:06:33 Some grumbled had been a blessing that most of the men who died in the explosion and the eventual collapse had been scabs, non-union workers who'd come down from Cincinnati and other places not here and crossed the picket line. lines to do so. The fact that 51 of these scabs were black men who come here looking for work made the loss all the lesser to the inhabitants of Barlow. It's hard to believe you could segregate
Starting point is 00:06:58 a place so small, but there you are. There's no way to describe what was left of the men pulled from the mine, but we will try. Flesh was charred. Bones splintered like busted kindling. The faces of the men who died furthest from the blast were melted into slag. Teeth were blackened. Eyes reduced to a viscous running of gelatinous tears. Yet the Bible had had the number seven disaster in it, hell would have been a lot more convincing. When the undertaker ran out of coffins, the bodies of the black miners were dumped two and three at a time into rough-cut crates and lowered into unmarked graves well outside of town.
Starting point is 00:07:48 If digging too deep into the mines was the first mistake, this was the second. Somewhere in the underneath, a barrier cracked. Memories awakened. Bones and flesh defiled, burnt, and offered invitation, an invocation, an invocation. Worship, a darkness stirred, and the path to the world of men stood open. The schoolhouse had rocked and swayed with the force of the explosion and the rattling of the earth.
Starting point is 00:08:35 Children had raced outside to see the plume of smoke erupt over the ridge line, cries of fear and worry tearing from all assembled. When the men of your family work underground, you pray for the earth to stay cool and steady, for the dark to remain tranquil and clean. This was the worst-case scenario that every wife and child feared. Mothers came running to the schoolhouse. Children was collected and families went up to the mines. Praying beyond prayer, their husbands and daddies would emerge sooth-faced and shaken but alive.
Starting point is 00:09:09 Every miner who was walking the picket line that day lived. In fact, very few were even hurt. Two of the striking miners, Ed and Pinky Avery tried to go back in and an ill-fated rescue attempt and were never seen again. They were hailed as heroes. Foles, but still heroes. The residents of the town counted themselves relatively lucky that day
Starting point is 00:09:34 despite the body count. The mine was cleaned up, and the dead such as they were were grieved and life went on. A ten-year-old Sarah Avery, daughter of the late Pinky, hadn't been back to school since the disaster. This was hardly unexpected, Miss Annie thought, as the little girl had lost her daddy and might not be ready to come back to school,
Starting point is 00:09:58 or her mama might need her at home full-time to help with chores now the Pinky was gone. Pinky Avery, by all accounts, was not a bad man, a quiet man, perhaps. But when you had the sort of crushing stammer Pinky had lived with this whole life, quiet was understandable. The Avery family lived way back over,
Starting point is 00:10:18 over in Goshen Crick on the far side of Barlow. So far over, in fact, it could barely be called Barlow. Goshen Crick, or just the Crick, as most people called it, was backwoods and isolated. The Avery's and the Holbrooks were the only two families who stayed up that way, and the Holbrooks were just about gone. Isaac and Norma being the last two up there, and they barely even come to church anymore.
Starting point is 00:10:42 The Avery family was Pinky, his wife, Carol Ann, their daughter, Sarah, and Pinky's Uncle Ed. They had a cabin up on the hill overlooking the creek, and they kept to themselves mostly and didn't care for church. If Pastor Garvin wanted to make the trip all the way over to the creek to witness to the Averys, well, he never seemed to get around to it. But with Ed and Pinky gone, though, someone needed to look in on the Avery girls. It took a little convincing, but after a day's hard ride in the pastor's cart, Garvin and Annie arrived at the house in Goshen Creek.
Starting point is 00:11:15 Carol Ann greeted them at the edge of the yard, she swung, bloated and purple, the end of a roughly tied noose. Flies buzzed about her face and bulging eyes and the contents of her bowels stained her house dress and ran down her leg to mark the earth beneath her. The yard looked as though horses had ran through it in the middle of a thunderstorm. The earth churned and ripped, and what grass was left was coated in a greasy black residue that Annie could only think of as wet soot. The house had been ransacked. It looked as if animals had torn open the front door and destroyed and befowed the house. The windows and the walls smeared with excrement and what looked like fungus.
Starting point is 00:11:59 Annie began to call for Sarah, praying that the child was in one piece and that whoever or whatever had done this had not found her. Sarah Avery had never been scared of much. She hadn't been scared when her papaw died and she saw his body all bloated and fat in a box. She hadn't been scared when there were tracks in the yard that didn't belong to a dog and were too big to be anything but a bear. She wasn't scared now as she ran through the woods behind her house. The sound of whatever had come through the front doors and the window and the chimney echoed behind her. She felt like a rabbit being hunted by her daddy's old blue ticks, but the sound she heard behind her sounded nothing like dogs. Still, she wasn't scared.
Starting point is 00:12:46 She was angry. She was confused, and she was hungry. None of those things were the same as scared. Sarah ran and ran and ran some more until her heart was a panicked mouse inside her chest and her breath came cold and burning. The noises had stopped. This did not mean she was safe. The things that came in the house were not something you could see, she didn't think. It was like the light didn't know what to do with them. So instead of wrapping around them and showing her whether they were, they were not something you could see, she didn't think. It was like the light didn't know what to do with them. So instead of wrapping around them and showing her, whether they were dogs or dog-shaped or animal-shaped or whatever, they seemed to be not quite shadows, but bent light. Like the light you'd see bounced off a mirror glass except for the size of a small horse
Starting point is 00:13:30 and apparently hell bent on catching her. She had woken up that morning to find her mama in the tree out front. She knew her mama, Mr. Daddy, something awful, and figured she just went to find a way to be with him, and Sarah sort of understood that. She also wanted to yell at her mama too because who was going to feed her now and take care of her but what could she do?
Starting point is 00:13:53 She wasn't going to be scared. That was one thing. Sarah moved as quiet as she could back to the main road and hoped she could just find a grown person to help her. She could hear someone calling for her and if she could just get to them she might be all right. She started up the road and that's when she saw her daddy.
Starting point is 00:14:14 Her daddy was walking up. The road covered in soot and ash and partly on fire. This last part didn't seem to phase Pinky Avery as he lurched and lipped toward his only daughter. He's sugar pup. He slurred. His mouth partially burnt, partially melted into what was left of his teeth. Don't look so scared. It's just your old daddy.
Starting point is 00:14:42 The thing that was not daddy laughed at this. black smoke wheezing out of the various holes burned in his body. You just come home with me now and I'll get you home to your mama. It said, forgetting to stammer this time. Mama's dad? Said Sarah. Well, ain't that a shame? Said the thing that wasn't daddy.
Starting point is 00:15:04 I can still get you to her, though. She'll be right glad to see you. And with that, the thing lunds for her. and Sarah screamed. Old Gods of Appalachia is a production of deep nerd media. Our intro music is written and performed by Land and Blood. Our outro theme is by those poor bastards. The voice of Miss Annie was Alison Mullins.
Starting point is 00:15:50 Today's story was written and narrated by Steve Schell. Follow us on Facebook and Instagram as Old Gods of Appalachia and on Twitter at Old God's Post. If you would care to become a patron of our particular type of dark arts, consider joining our Patreon at www.com slash old gods of Appalachia. For a few meager dollars a month, the forces of darkness and shadow could find their way to your mailbox on the internet and in this world.
Starting point is 00:16:22 For more information about the show, including cast and creator bios, source material, and exclusive original bonus content, Head on over to www. old gods of Appalachia.com. Join us next time for Barlow, Kentucky Part 2, The Schoolhouse, here on Old Gods of Appalachia.

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