Old Gods of Appalachia - Episode 16: Between the Unburied and Miss Belle

Episode Date: November 19, 2020

She recognized the naked fear and rawness in their respective gazes. Something had happened to these boys. She could see their hearts and minds were pink and pricking red at the edges where their inno...cence had been torn away with such force they'd not even had a chance to bleed yet.CW: Rain sounds, references to supernatural prophecy by a child, bullying, references to death by firing squad.Written by Steve ShellSound design by Steve ShellNarrated by Steve ShellIntro music: "The Land Unknown," written and performed by Landon BloodOutro music: "I Cannot Escape the Darkness," written and performed by Those Poor BastardsLEARN MORE ABOUT OLD GODS OF APPALACHIA: www.oldgodsofappalachia.comCOMPLETE YOUR SOCIAL MEDIA RITUAL:FacebookInstagramTwitterBlueskySUPPORT THE SHOW:Join us over at THE HOLLER to enjoy ad-free episodes, access exclusive storylines and more.Find t-shirts, hoodies, mugs, and other Old Gods merch at www.teepublic.com/stores/oldgodsofappalachia.Transcripts available on our website at www.oldgodsofappalachia.com/episodes.Old Gods of Appalachia is a production of DeepNerd Media. All rights reserved.Support this show http://supporter.acast.com/old-gods-of-appalachia. Hosted on Acast. See acast.com/privacy for more information.

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Starting point is 00:00:01 Well, hey there, family, if you love Old Gods of Appalachia, I want to help us keep the home fires burning, but maybe aren't comfortable with the monthly commitment. Well, you can still support us via the ACAS supporter feature. No gift too large, no gift too small. Just click on the link in the show description, and you too can toss your tithe in the collection plate. Feel free to go ahead and do that.
Starting point is 00:00:26 Right about now. Old Gods of Appalachia is a horror. anthology podcast and therefore may contain material not suitable for all audiences so listener discretion is advice. Bill Calloway had been the teacher at Baker's Gap School for going on three years now. She was a grown and mature woman at the ripe old age of 20 and she was a bit of an anomaly for this part of East Tennessee. Miss Bell, as her students called her, was not a native of Baker's Gap for one. She had kinfolk in the general area, but so did everybody else. She'd
Starting point is 00:01:30 spent her early days up in the Cumberland, and then traveled all over the whole state of West Virginia, learning about animal husbandry and the proper management of bloodlines from her extended family. When she was 16, she went down to North Carolina, got properly educated to be a school teacher, and it was rumored that in that time, she even saw the ocean. Compared to the average folk of the gap, she was a world traveler and a nomad. Downright worldly, like many schoolteachers of the day, she had no husband, and no man had dared to try his hand to court her just yet. She was pretty enough by their standards, though some rougher tongues might call her plain.
Starting point is 00:02:23 She kept her dark brown hair cropped scandalously just below her ears. A cut more of practicality than of high fashion, though. In the summer months, she helped some of the local farmers with their stock, and the delivering of calves and foals was not a business that lent itself to the long, flowing locks that many of the local women clung to as vestiges of their femininity.
Starting point is 00:02:47 Her eyes were what caught attention, though. A deep dark brown, so deep they were almost black. And there was a thoughtfulness there. A constant calculation, all those miles logged, learning the ways of the road in the classroom and the barn, they'd etched a story into those eyes. In the front of the classroom, however, they sparkled and shone, drawing children into lessons on reading and history and geography
Starting point is 00:03:16 and how to figure arithmetic's and the rights and responsibility, they'd need to understand to become outstanding and contributing members of the great American nation that was but a few years from choking on its own greed. She was a true and called teacher, and the children loved her.
Starting point is 00:03:39 Miss Bell lived alone in a small cottage on the very edge of town that was provided for the school teacher. The geographical gap, the little village's name reference, was mostly just a town, of wild wood dotted with tiny homesteads, a place of dark green shadows, rumors of witches and a certain house of ill repute. It was a blaze most town folk didn't go unless they had reason.
Starting point is 00:04:05 The town of Baker's Gap sat on a flat stretch of land cut up by the railroad and the businesses that would attend it. It was a pleasant little walk from her front door to the schoolhouse and on most days an easy one. But this particular Sunday evening, A storm had dropped out of nowhere and pushed the evening into an early night. Rain slapped the ground like leather-souled shoes and the wind pried hard at shutters and doors. And still, Miss Bell stepped out into the rain to make her way into town for her Sunday evening routine. Before each school week began, she'd go in and clean the schoolhouse in preparation. Wap had cleaned the new slate blackboard they'd just got the year prior.
Starting point is 00:04:51 sweeping up the floor and cleaning out the little bits of trash and detritus that come in the natural wake of children. She loved the quiet of the classroom when it was just her. There was a piece that came over her that she could not obtain elsewhere. She had come here a near stranger and won over the superintendent to land this job. And in the time since she had built strong bridges with the parents and the families. Baker's Gap School had a grand total of 35 students. 35 students, ranging an age from 5 to 15. She taught the little ones in the mornings in reading, writing, and arithmetic, while the older
Starting point is 00:05:31 ones took lessons with Mr. and Mrs. Shelton, who showed the boys Smith and an agriculture in the back lot and the girls' home cared cooking over in the church fellowship hall. Then the little ones would go home after lunch, and the older bunch would come in for their book learning till two. This storm did not bother to scare her in the least. She always felt that the rain was the world's way of washing away what needed washing away, and who was she to complain about that? So through the dying light and fallen rain she walked,
Starting point is 00:06:07 drinking in the dark and sovereign beauty of an evening gully washer. The walk to school was wet and cold, but as she saw the familiar clapboard building, she smiled, knowing she could dry off by the stove and start her weekly ritual off right. As she drew nearer to the door, though, her smile faded. The main door of the school stood slightly ajar. Its simple lock had clearly been worked loose. Someone was in school. Now, being a town on the tracks, Baker's Gap was no stranger to travelers and near-de-wells seeking shelter in between hopping trains.
Starting point is 00:06:49 Miss Bell's hand dipped into the leather satchel she used to carry her school supplies and found the narrowble. blade knife tucked into the bottom. Her fingers playing across the handle in a nervous twitter before gripping the knife properly. She knew the kind of men that could break into buildings looking for shelter and they were the kind of men she did not want to encounter alone on a dark and stormy night. She heard the unmistakable sound of a child sobbing and her reservations abated. Bell quickly climbed carefully up the steps and rushed into the school's main room to find not a band of hungry train jumpers. But boys, she'd known since they were in the Littland's class her first year in the gap.
Starting point is 00:07:35 Archie Stalard, Shane and Dallas Shepherd, Curtis Kilgore and Floyd Absher. Dallas Shepard's blind old Beagle Sam woof softly as she come into the room and patted up to her for pets and ear rubbins as was his custom. She automatically knelt down to provide said services as one does with a good boy like Sam. Miss Bell Archie Stallard stammered We didn't mean to break in Miss Bell We were just over at the lake when the storm coming
Starting point is 00:08:05 And we we got scared So we ducked in here to wait it out We're real sorry Archie Stallard was usually the smooth talker out of this bunch A master of excuses And academic procrastination Even at his age She knew Archie took pride
Starting point is 00:08:22 And leading her off topic during lessons asking questions about her travel and where she was from and such, but now Archie was stammering, tripping over his words, anything but his usual confident self. She ignored Archie for the moment and looked for the source of the sobbing she'd heard, and she found Shane's shepherd crying hard into his cousin's shoulder. Dallas didn't look like he knew what to do with his hysterical smaller cousin, but he was patting Shane's shoulder and doing his best,
Starting point is 00:08:52 given that he looked like he'd been through something just as rough, wide-eyed and vacant. Kirk Kilgore sat against the far wall hugging his knees, trembling and shaking in a way that had nothing to do with the cold. Floyd Absher stood at the window across the room. His eyes swollen and lips trembling as he absently wiped snot on his sleeve. Boys, what's going on here? I don't mind you getting out of the ranch.
Starting point is 00:09:25 Shane, but... Shane, honey, what's wrong? Dallas? Upon her asking, Dallas Shepard joined his cousin in his tears and was suddenly inconsolable. Archie, what's wrong with them? What's happened? Archie tried.
Starting point is 00:09:43 We was out on the lake past the cliffs on the island, and we were just getting ready to come home, and then Kurt's daddy coming, and he was getting real big, and then the blind wolf come, and we just, and we just, and we just... Archie was trying real hard to make some sort of sense, The bell couldn't make hiding her hair what he was talking about. Kirk Kilgore's daddy had been dead for a long time,
Starting point is 00:10:02 and there weren't no wolves in the gap. At least not any kind that would come as close to town. Not anymore. But she recognized the naked fear and rawness in their respective gazes. Something had happened to these boys. She could see their hearts and minds were pink and pricking red at the edge. where their innocence had been torn away with such force, they'd not even had a chance to bleed yet.
Starting point is 00:10:34 She had no idea what she could do here. But getting them home would be a start. Well, the least I can do is call your parents and let them know you're all right. The telephone was a recent miracle to Baker's Gap, and not every household had one, of course. But the town proper was all wired up, and she knew that most of these boys' families fell well within the bounds.
Starting point is 00:10:57 Curtis Kilgore might not, but the Stallards across the way could run and tell his mama he was safer too. She went to her desk and pulled out the roll for each child's name, address, and newly penciled in phone exchange if there was one would be listed. No, you can't do that!
Starting point is 00:11:16 Royed Floyd Absher from the window, and as he raised his voice, the storm kicked up a thundercrack and a blast of wind that rattled the jimmied front door open. It flapped like a busted bird wing as Floyd went on. You can't call Mommy and Daddy. We ain't going back for him yet. I was supposed to watch out for him.
Starting point is 00:11:33 I was supposed to take care of him. I was the big brother. I was the big brother. But he fell, Miss Bell. He just got hit so hard he fell. You can't tell him yet, Miss Bill. You can't. The door slammed hard in the wind and settled closed into its frame. Floyd, what are you on about?
Starting point is 00:11:53 Wait. Where's cowboy? Floyd? Did you lose cowboy in this storm? The storm seemed to swallow itself as the silence fell on the schoolhouse for just a second, only to be broken by a small, quiet voice from over by the door. I'm right here, Miss Bell. As the storm abated, the boys made their ways home. Shane's papal on the direction of his wife
Starting point is 00:13:38 came for him in the work truck and agreed to drop Dallas and Sam on the way Archie and Kurt vanished into a shortcut through the woods with Miss Bell's umbrella that she lent them through the walk through the dripping trees that left cowboy and Floyd to walk home on their own Are you okay little brother? Floyd managed to ask after ten minutes of walking in silence
Starting point is 00:14:05 I think so You hit that tree awful hard. We thought you were don't, said cowboy gravely. Floyd had never seen him so serious. Don't you say what you thought I was? I'm not that. You understand? I'm not.
Starting point is 00:14:28 Okay. Well, we should probably get you checked out, though. You're head... I'm fine. I'm cold, though. Let's just... Get home. Don't tell them what happened, Floyd.
Starting point is 00:14:43 Please. Okay, little brother. Floyd agreed reluctantly. You sure you're okay, though. You're awful pale. Cowboys stop suddenly and turned to his adopted brother, looking up into his handsome face. I'm not like you, Floyd.
Starting point is 00:15:05 I'm not like any of you. I can pretend to be. And I like pretending. pretending makes it easier. So we went to the lake and we got caught in the storm. I fell down. But I'm okay. Okay?
Starting point is 00:15:31 Floyd suddenly felt like the littler brother in this situation. Okay, cowboy. I just, I'm fine, said cowboy. As they turned up the hill and came into their own yard, I'm just cold. Deborah Absher made a mighty fuss of getting the boys dried off and looking at all their respective scrapes and bumps. Cowboy had a whopper of a knot on the back of his head, but I fell.
Starting point is 00:16:01 It was his only explanation. Floyd was fine, good as new, once he'd dried off and at the supper his mama had kept warm for him. Cowboy only ate a few bites of his dinner. To him, the food tasted of ashes and rain. He could taste the drained life of the pig and the ham. He could taste the earth And the bold taters
Starting point is 00:16:27 He could taste the dead things in the earth That had made it rich for the growing of food When he went out to the outhouse before bed He quietly emptied himself of all of it His body not wanting to hold that much death at once Sicking up into the hole So nobody would find it He did not sleep that night
Starting point is 00:16:52 His eyes were drawn to the window of his shared room with Floyd where he watched the night, watched the trees in the distance bloom, thrive, wither, and die. See, in cowboy's eyes, the world rotted away. Every moment of decay and into motion, he could tell you where every grave marked and unmarked lay across their family's property and across the road to the Collinses. If he shook his head and closed his eyes, it all went away, and the world looked normal. But if he looked, really looked, he could see the death that waited in everything. He'd fallen out there, into the literal weeping and wailing and gnashing of teeth.
Starting point is 00:17:52 He fell, and he should have stayed down, but for some reason he hadn't. He looked and saw. his daddy on the porch smoking a cigarette, tired and aching from working on the railroad, all the live long day is the song went. And if he looked hard enough, he could see his daddy's heart and know that it would give out right after Floyd moved out of the house and into his own place seven years from now. He knew that his daddy would lay down after cutting some wood or doing some other chore and that his big old blacksmith's heart would just quit knew it as well and as true as his own given name his daddy had some time left but cowboy knew how much and that's a burden no child
Starting point is 00:18:57 should ever bear finally cowboy lay back down in bed turning his back so that he would not look at his brother as he slept bell calloway didn't sleep much that night either. She'd been relieved when Cowboy had turned up safe and sound and not drowned it or lost out by the lake, the lake that had claimed any number of foolish souls over the years, but something was off and the way the other boys had reacted to him. This should have been their moment of relief, their moment to calm down and tell her what really happened, and instead they seemed, well, frankly terrified.
Starting point is 00:19:47 Shane had started to say, hey cowboy, but Dallas punched him in the arm and shook his head. And she dressed in the pre-dawn darkness and got ready for her walk to school. She made a promise to herself that she'd watch the boys today. If something bad had happened out there, she and other adults needed to know. Her morning with the little ones went smoothly enough, but she could feel an itching. Sort of feeling in her bones that told her the day was about to take a time. And sure enough, it did. Joshua Cook had come back to school.
Starting point is 00:20:32 The cook boys were trouble. No easy way to say it. Jerry and Jackie were old enough not to come back to school, but Joshua had one more year before the state left his poor old mama alone about it. Now, Bell didn't believe that boys were born bad or cruel. But the cook boys were almost certainly an exception. Bell had secretly been grateful when the truant officer couldn't produce Joshua at the first of the school year. Joshua knew everybody in the school, and pretty much everybody in the town knew everybody else,
Starting point is 00:21:04 as was the usual case in a place the size of Baker's Gap, but he did not know Cowboy. He'd heard of the Abshers foundling, but he didn't know he was so small. Didn't know he was such a runt, and he liked that word, runt. and predictably a school let out. He started in on Cowboy and Floyd. Hey, Absher, why'd your old man let this little Runt follow you home anyway? Hey, Runt, why you got a glum on to old Floyd here anyway? Ain't you got no people?
Starting point is 00:21:40 I heard the found you eating cow pies out in old man college of field. Is that true? You like a good warm cow pie, rut? I bet you do. You know what? I bet your mommy and daddy were bums. Hobos right off the rail. I bet they was so hungry.
Starting point is 00:21:58 They threw you out so they wouldn't at you and just keeled right over in a box car. Their bones probably still out there riding the lock line all the way up to the coal mines. Joshua squawked. His mock and laugh like a rusty nail against a broken two. Cowboy looked dumbly at the boy. No one had ever talked to him like this.
Starting point is 00:22:22 certainly nobody had ever talked about his first family that sort of thing just it just wasn't done his mind spun a hawthorn tree a dark grove of pine a cold damp kiss on his cheek his hand rose to that cheek
Starting point is 00:22:46 and came away wet Joshua had spit on him Floyd had finally had enough. You take that back, Josh. You ain't no better. Your daddy's deader in a doorknale too, you know. A hushed, ooh, went through the schoolyard. This could be good.
Starting point is 00:23:05 Everybody knew that Floyd wasn't to be trifled with, and everybody knew how rough Joshua was, and they hadn't seen a fight this even in a long time. My daddy was a war hero. He died fighting the hunt in France while your daddy stayed here and made horseshoes. You chicken shit, pretty boy. Josh bellowed.
Starting point is 00:23:24 Say something else about my daddy if you want to go. He was a hero, damn it. Cowboy wiped the spittle from his face and stared at it. And took the measure of Joshua Cook in his whole line. No, said cowboy placidly. He wasn't a hero. Was he, Josh? He barely made it to France before he deserted.
Starting point is 00:23:58 broke into a woman's house and hid there till she was able to tell somebody then they came and got him your daddy died begging for his life in front of a firing squad of his own people your mama didn't even get a check from him dying did she I had to keep you from no one but you heard her talking to your granny about it
Starting point is 00:24:24 when they thought she was sleeping I know it's easier to pretend that's not true But it is, ain't it, Josh? Belle Calloway stood, stunned into silence on the front steps of the school. She'd remained perched there, prepared to step in if things actually came to blows, but how in the world would cowboy know about Frank Cook? Ever grown person in town knew about the shame of the Cook family. It was why Judy didn't come to town no more,
Starting point is 00:24:54 and it's why she didn't want to make her boy come to school, just in case the kids found out, and now they had. Her eyes fixed on Cowboys as he stared up at the much bigger, much meaner boy. There was no fear there. There was no hurt. Her stomach dropped as she noticed the shadows that clung to Cowboy, shifting and moving in a way no breeze could explain, stirring the earth at his feet like a little dust devil.
Starting point is 00:25:31 He wiped his hands clean on his breeches and looked placidly back up at the larger boy. Joshua looked like he was about to fly into a rage. Joshua Dean Cook! Miss Bell called in her best not to be contradicted teacher voice as she strode swiftly toward the boys. Leave them alone and get on with you. Then once she was closer, more softly, just go on home, Josh.
Starting point is 00:25:57 Ain't nothing here for you right now. I'll make sure this don't get brought up again, not here. Josh gazed into Miss Bell's kind face with a scow. But instead of lashing out, he turned and bolted from the school yard, leaving the whispering student body behind. Bell took a deep breath and motioned the smaller boy over. Cowboy, come here, sir. We need to have a little talk.
Starting point is 00:26:26 Cowboy obediently trotted over to Miss Bell, who nodded to his brother. Floyd, you can wait outside, please. Bell led cowboy into the cool afternoon shade of the schoolhouse and instructed him to have a seat at his desk. Rather than sitting behind her own desk, she took a seat across from him at Floyd's desk in the next row and turned to face him. Am I in trouble?
Starting point is 00:26:51 Cowboy asked, suddenly realizing he was the only student in the room. His affect slipping between dreamy and present. Not at all, darling, said Miss Bell. I just want to ask you some questions about the other day. I'm fine, Miss Bell. You fell. I heard.
Starting point is 00:27:12 Your mama told me you had a walnut-sized knot on the back of your head. It doesn't hurt, ma'am, Cowboy said almost pleadingly. Cowboy, has anyone you don't know spoken to you lately? Maybe when no one else is around. Miss, strangers. People who talk but maybe don't. move their mouths, ones that whispers especially. Cowboys shook his head.
Starting point is 00:27:47 What about shadows? Have you met anyone who didn't have one or had more than one? Are you feeling okay, Miss Bell? Because, no, honey, I'm fine. Don't you worry about it. Now, this is important. I need you to hold real, real steel for her. me sugar. Bell leaned over and took Cowboys' hand and then reached out with one of the many
Starting point is 00:28:17 skills she had learned on her travels, reached more with her heart and mind than her hand, and tried to know, to feel, if there was in fact a shadow or something marking the boy or following him. She focused her senses and the gift that rested deep within her and looked at Cowboy Abcher. What she saw shook her in a way that nothing had in a very long time. She saw a cowboy, but she saw him with a different name and in a different place. She saw him surrounded by death, by a cullen. In fact, his entire blood family simply wiped out. Only cowboy left standing. And then she saw, Bell saw Cowboy, once called Caleb, accepting the kiss of a bone white wraith woman on his cheek.
Starting point is 00:29:21 And in her mind, I, that kiss was like a heavy iron lock, fasting the boy to this world. She watched his little body break and die and then reform and break and die and then reform over and over again. A nightmare played out in her mind until she felt like she was going to unravel and scream. and when she opened her eyes, cowboy, was staring directly at her. His eyes were wide with what looked like a mix of wonder and near panic. I can't see you, he said, not like the others. Why can't I see you, Miss Bell? What are you?
Starting point is 00:30:11 Bell took a deep and steadying breath and went to the door. Floyd, I'm going to get the... granny lady who looks after me when I feel poorly to look at that knot on the back of cowboy's head. She lives right out in the gap. Floyd looked up, startled. Is he okay? He will be. Now you listen. I'm going to call your mama and let her know what's going on.
Starting point is 00:30:35 Everything's going to be fine. Floyd walked over to his brother who seemed in that moment as distant and strange as he did the first time Floyd saw him. He almost expected him to say, "'Cowse. "'Hey, buddy, Miss Bell's going to get your head looked at. "'Now, you mind her and do what she says. "'She's calling Mama right now. "'I'm fine, Floyd.
Starting point is 00:31:04 "'Why can't I?' "'Floyd stopped Cowboys protest with a hand on his shoulder "'quietly so Miss Bell wouldn't hear.' "'You said, "'Buddy, we all know what happened on the island "'even if we don't understand it. You got hurt, Cowboy, real bad. Whether it hurts or not,
Starting point is 00:31:23 we got to make sure you're not going to... You're not going to fall again. Okay? Cowboy refused to look at his brother. What if I'm not okay? You trust me, little brother? Floyd asked. Of course I do, Cowboy begin.
Starting point is 00:31:44 Will I trust Miss Bell? Go on with her now. I'll see you back at the house real soon. Cowboy finally looked at Floyd, meeting his eyes full on, and in doing so, saw the years and years of life and living and children and love that his brother had ahead of him. He had time.
Starting point is 00:32:12 Floyd had plenty of time. Okay, big brother, he said finally. And then, I love you. I love you too, little man. Floyd hugged his little brother tight and then turned to Miss Bell. Miss Bell, it'll be dark before you can walk halfway to the gap, Floyd began. I can get a ride, honey.
Starting point is 00:32:38 Go on now. I just talk to your mama. She's waiting on you. Bell closed the door behind Floyd and walked over to the telephone on the far wall of the room. Picked up the handset and spoke to the office. operator. Yes. Baker's Gap
Starting point is 00:32:55 4575, please, Myrtle. Clara? Yes, it's me, honey. Can I speak to Melvin, please? I need a ride. The truck pulled up to the tall house and the gap an hour or so later. Melvin Blevins had been more than happy
Starting point is 00:33:20 to give the pair a ride out to the gap. He'd been meaning to get out that way, anyhow. Y'all wait right here. I'll let them know that they're. got company. You know as well as I do that surprises don't go real well out here. Melvin half-chuckled. Melvin, don't be silly.
Starting point is 00:33:36 Bell said as she opened the passenger side door and stepped out into the drive. Melvin turned to cowboy. You sit tight, young fella. Everything's going to be just fine. And Melvin popped out of the truck before Bell could approach the high steps to the main porch
Starting point is 00:33:51 and called out, Uh, Miss Walker, Miss Ellie. Uh, y'all got company out here just let me know so nobody is surprised or nothing marcy walker appeared at the top of the steps dressed in her choring clothes dirty from the thumbs to the elbows and rich dark planting soil melvin what are you on about well hey hey there miss girl this is a pleasant surprise hey aunt marcy it's good to see you you too. Ellie Walker came around the corner, also in shoring clothes and grinning. Mars, what's going on? Did I hear Sarah?
Starting point is 00:34:41 Now Ellie. Marcy Walker corrected her sister. You know it's Miss Bell now. Hey on, Ellie. We need y'all's help. Well, hey there, family. How do you feel about cursing my name now? I hope y'all enjoyed that one as we begin our movement into the next part of season two.
Starting point is 00:35:24 Y'all now is the time that I invite you to head on over to old gods of Appalachia.com to complete your social media ritual following us on Twitter, Facebook, Instagram, as well as the Discord server, which is open to the public. We do have some Patreon-specific events coming up over there. Speaking of which one of those is Saturday, November 28th, live on Discord, A performance of a brand new story set in the old gods universe by Cam Collins, The Door Under the Floor. Performed live by yours truly, Steve Shell.
Starting point is 00:35:55 If you enjoyed the Wolf Sisters readings that we did last spring, this is going to be very much in the spirit of that, just me, my voice and your ears and Cam's dark, dark, evil words. And it's going to be a good time. That's for patrons, $15 and up on Saturday, November 28, starting at 8 p.m. Eastern Time. All the details are there on the website. site or on our social media.
Starting point is 00:36:16 And if you're not a Patreon patron, go on over to patreon.com slash Old Gods of Appalachia. The door under the floor event is for patrons pledging 15 and more. But heck, that amount also checks you in for 17 episodes of Build Mama, a coffin, a completed full-cast
Starting point is 00:36:32 storyline set in the same universe as Old Gods of Appalachia, of course. Family, Old Gods of Appalach is a production of deep nerd media. Our intro music is by our brother Landon blood. Our outro music, of course, is by those poor bastards. Today's story was written and performed by Steve Shell. Let's meet. We'll see y'all real
Starting point is 00:36:55 soon, family. Real soon.

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