Old Gods of Appalachia - Episode 33: Special Delivery

Episode Date: April 14, 2022

Polly Barrow and her Hollow Men, Mr. Crain and Mr. Churchman, venture into the heart of coal country to make special deliveries to those who deserve them.CW: References to occult phenomena, unnatural ...means of reproduction, sounds of a woman in psychic pain, a baby fussing and crying, massacre of a family, monster noises, appearance of (but not actual) child endangerment.Written by Cam Collins Narrated by Steve Shell Sound design by Steve Shell Produced and edited by Cam Collins and Steve Shell The voice of Pretty Polly Barrow: Tracey Johnston-CrumIntro Music: “The Land Unknown (The Pound of Flesh Verses)” written and performed by Landon Blood Outro Music: "Pretty Polly” as performed by Landon Blood and John Lee BullardSeason Sponsor: Sucrebeillle – Visit sucreabeille.com/products/nightshade and use the code LOVEGODS. Spend $25 anywhere in the store and add a dram of Nightshade to your cart to get that dram free.Back the Old Gods of Applachia TTRPG Kickstarter at mymcg.info/oldgodsrpg.LEARN MORE ABOUT OLD GODS OF APPALACHIA: www.oldgodsofappalachia.comCOMPLETE YOUR SOCIAL MEDIA RITUAL:FacebookInstagramTwitterBlueskySUPPORT THE SHOW:Join us over at THE HOLLER to enjoy ad-free episodes, access exclusive storylines and more.Find t-shirts, hoodies, mugs, and other Old Gods merch at www.teepublic.com/stores/oldgodsofappalachia.Transcripts available on our website at www.oldgodsofappalachia.com/episodes.Old Gods of Appalachia is a production of DeepNerd Media and is distributed by Rusty Quill. All rights reserved.Support this show http://supporter.acast.com/old-gods-of-appalachia. Hosted on Acast. See acast.com/privacy for more information.

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Starting point is 00:00:01 Well, hey there, family, if you love old gods of Appalachia, I want to help us keep the home fires burning, but maybe aren't comfortable with the monthly commitment. Well, you can still support us via the ACAS supporter feature. No gift too large, no gift too small. Just click on the link in the show description, and you too can toss your tithe in the collection plate. Feel free to go ahead and do that.
Starting point is 00:00:26 Right about now. Don't let them in. Don't let them touch you. The archipelago is shrouded in mist, dense forests, rocky shorelines, frail towns. Ernest, welcome to the archipelago. How can so many people be missing? And no one knows what's happening. Ernest, it's not that simple.
Starting point is 00:00:54 The archipelago isn't like anywhere you've ever been. There are things here. Things no one wants to believe exist. There are people who are trained to deal with these sort of things. Do you have any idea what's in these woods? Little boy, this place will be. eat you alive. My name is Earth Marsha. I'm a park ranger in the football archipelgo and I'm going to save you. Dark Tides is a bi-weekly actual play audio drama series. You can find Dark Tides
Starting point is 00:01:20 seasons one, two and three wherever you get your podcasts. For bonus episodes and ongoing miniseries check out our Dark Tides Patreon. This episode of Old Gods of Appalachia is brought to you in part by Sucra Bay. A women owned and operated perfumery unlike any of Other. Sucrebeye not only brings you the finest in small batch perfumes. Their website is a virtual treasure trove of stories and content including odling tales, a podcast where they read you stories from the site. Heck, they even feature another podcast called The Fearless Broadcast,
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Starting point is 00:02:32 Welcome to the Dark Side. We Smell Awesome. Old Gods of Appalachia. is a horror anthology podcast and therefore may contain material not suitable for all audiences. So listening to discretion is advised. It's called to flesh. Treads off my friend into the shadow. To cross the mountains of West Virginia. The sky, twinkling blanket of stardust in the years before the ubiquitous light pollution of the modern world hid most of them
Starting point is 00:04:51 from our view. A long black Cadillac drove through the night, navigating its way around the treacherous switchbacks as it slipped into the heart of coal country. Bower County was dotted with numerous little coal towns of varying levels of prosperity, every one of which was owned, lock, stock, and barrel, by the Barrow and Lock Mining Combine. It was nearly morning by the time they reached their destination. A squat-log cabin buried deep in the woods outside a thriving coal town called K-Burra. B&L had claimed the structure after its former occupant,
Starting point is 00:05:37 an employee who was crushed in a mine shaft collapse, left his surviving family heavily in debt to the K-Burro General Store. It had been used since then as a base of operation for visiting management. The little bungalow was situated a bit far from the rest of the coal camp to assign any of the workers to live there, but its isolation suited their needs perfectly. The caddy bumped up the narrow, rudded track that led to the secluded cabin,
Starting point is 00:06:09 and Mr. Churchman pulled around the back of the house to ensure that no one would detect their presence. Although anyone who'd made their way up the drive, which was mostly hidden from the road by overgrown brush and was more than casually curious would be dealt with in a swift and final fashion. Mr. Crane hopped out of the car to open the door for Miss Barrow, while Mr. Churchman went around to the back of the car
Starting point is 00:06:35 to unload the large crate they had obtained from Barrowhouse. The dimensions of the box were somewhat awkward to manage, but it was not especially heavy, and Churchman needed no assistance. assistance maneuvering it inside the cabin, where he deposited it in the middle of the empty front room. Now, despite its outward appearance, the little house was quite clean. Someone had swept the dust from the corners of the front room and wiped down the kitchen countertops recently. The double bed that had been squeezed into the cabin's single bedroom was laid with clean linens. The small
Starting point is 00:07:12 lavatory wedged into an old closet behind the kitchen, a more recent addition, clearly, appeared to have been scrubbed clean. Cranes still gave the place a cursory sweep and wiped down the chairs at the kitchen table wouldn't do for Miss Barra to get dust on her skirt now. But he and Mr. Churchman had visited the cabin not long ago, and they were always careful that their work spaces were scrubbed of any sign of their presence. Polly Barrow stepped inside and dropped her handbag on the kitchen counter, She hung her coat and hat on a hook by the door and took a moment to look around. The quarters were a bit cramped, and it certainly lacked the creature comfort she was accustomed to, but the cabin would more than suit their present purposes.
Starting point is 00:08:07 One thing it did not afford her, however, was privacy, which was what she required at the moment, so she sent the two hollow men out to sit in the car for a while, until she'd done what was needed here, Holly, She kicked off her shoes and settled herself on the floor of the cabin next to the blackwood crate. She crossed her legs in front of her, making herself as comfortable as possible on the hardwood floor, and rested her hands lightly in her lap. She focused on her breathing.
Starting point is 00:08:45 Slow, counting the seconds to balance each one in. One, two, three. for until soon she had no need to get Polly's muscles relaxed. The hardwood floor drifted away. The words were hard to pronounce. Would have come impossible to any human tongue. She had practiced him since childhood and had barely had to think about him anymore. Her daddy had taught her very well.
Starting point is 00:09:35 She spoke. The voice took on a steady rhythm and cadence born of long practice. and her body began to rock along with it. Her voice rose and the words drowned out everything else. Her nerves frum and in her mind open and the darkness. And suddenly she was someplace else. Daddy, I'm here. Polly called into the darkness and her father.
Starting point is 00:10:14 Holly had established the ability to speak with her daddy from outside the walls of Bearer House early in life. and it was, as she understood it, not a talent either of her brothers shared. Polly and E.P. could even communicate privately while in the same room with Conrad and Benuel, and it was in this way that the Barrow Patriarch had directed her to make contact with him for further instructions once she arrived in West Virginia. He asked after her first. Had she made it safely to West Virginia? Was everything at the cabin in her? order. Did she have questions about her mission? He seemed unusually curious about her reaction to the assignment
Starting point is 00:11:10 at hand. It seems an unusual choice of vessel, yes, but I bow to your wisdom, as always. Polly didn't question her daddy. She was his most faithful disciple, his most dutiful soldier, his steadfast ally in all things. And Polly did, as she was told. And she reaped the rewards of that loyalty. She had designer dresses and glittering rings to adorn her fingers. She had beautiful combs for her hair, carved from the bones of those her family had conquered and painted with gold. Was there a price to pay? Of course, power always comes at a cost. But the strong, the ruthless, are willing to pay the bill. Today, the account would be paid.
Starting point is 00:12:23 And that was fine with Polly. Her pain was only a small sacrifice in the face of her father's ambitions, and in any case it was necessary in order to fulfill her mission. her daddy needed to impart some knowledge to her. The complexity of which would boil any holy human mind in its skull like an egg, and Polly had been built close enough to human that it would cost her. But she could handle it. She could always handle it.
Starting point is 00:12:56 Ah, I see. Yes. Yes. Yes, Daddy. I'm ready. In a language, she could not. yet read, though she recognized some of the symbol as those adorning Barrow's town sign, and knew it must be the same that her daddy had used long before her birth to crack the skin of the
Starting point is 00:13:31 world and establish his burrow deep beneath Barrowhouse. Her brain was flooded with the strange symbols, barbs and swirls of some alien geometry that did not quite square with physics, and she felt her, her mind might shatter from the terrible beauty of them. She clutched her hands to her head as if she could physically help hold it inside her skull, and her body began to tremble and jerk, and she found herself on the floor, her heels beating against the floorboards, until finally she let loose a scream. And then all at one, blessed darkness in her head, the reassuring clarity of purpose.
Starting point is 00:14:24 The native tongue of the inner dark field of her. Entrancing her with its chaotic intricacies, and she took a moment to revel in it before she began to collect herself. She pushed herself back up into a seated position. One hand held gingerly against her aching head, the other reaching to swipe at a trickle of blood that seeped from her nose. Yes, yes, Daddy, I have it now. It wasn't long before she heard a hesitant tap at the cabin door.
Starting point is 00:15:13 Crane and churchmen roused from their exile to the car by her screen, no doubt. They were typically the most obedient of servants and would not otherwise have disturbed her, but the sound of potential trouble was enough to motivate them to stretch protocol a little bit. Polly decided she would allow it just this one. One's. Caught her breath and called for them to enter. She waved off their questions, but allowed Mr. Crane to help her to her feet. Then she retired to the lavatory for a moment of privacy. She washed her hands, splashed water on her face, and smoothed her hair. She straightened her suit and feeling more herself rejoined the hollow men in the front room. Now that Polly had the knowledge
Starting point is 00:16:01 she would need to control their unusual weapon. It was time to have a look at it. Churchman fetched a hammer from the toolbox in the trunk of the Cadillac and pried the nails from one side of the crate. He and Crane carefully lowered that side of the box, and Polly knelt on the ground again, peering into the darkness within. Come on. Polly called into the shadows of the crate.
Starting point is 00:16:33 Come here, little one. Come on. That's it. Good boy. And slowly, in response to her coaxing, a tow-headed infant toddled out of the box. He appeared to Polly's untrained eye to be a bit past a year old, maybe 14 months or so, with bright eyes and he was dressed in a white shirt and a neat little checkered pant with suspenders. From beneath his collar, peaked the spiky, swirly characters that had flooded Polly's mind only minutes ago. She could see that they reached down his hands and around his tiny fingers and crawled up the curves of his ears, and two perfect little sigils adorned his face, one on each rosy cheek.
Starting point is 00:17:28 Unsteady on his feet, he nearly toppled over, but Bolly scooped him up. bouncing him on her knee. It's... It's a... A baby? Miss Barrow? Crane stammered. Somewhat shocked.
Starting point is 00:17:43 Yes. He's a good little weapon, isn't he? Yes, he is. A new brother, ma'am. Certainly not. What Barrow have you ever known to have green eyes, Mr. Crane? This little one is... is a loner, shall we say.
Starting point is 00:18:06 I see. What do we do with him, Miss Barrow? We don't have to do much at all, Mr. Crane. That's the beauty of it. We simply set him loose at an appropriate location. Our little friend here will do what he does. And we scoop him back up in the morning. It's rather genius.
Starting point is 00:18:35 But I will need to repaint these. Polly gestured toward the careful markings on the baby's face. Crane nodded. And that will require some rather specialized ingredients. Nothing that you and Mr. Churchman should have any trouble finding nearby. I'll make a list. Yes, ma'am. We'll see to it.
Starting point is 00:18:59 The following evening, as the sun began to sink below the gentle curves of the Allegheny Mountains, Polly Barrow's shiny black car wound its way down the mountain into the small but thriving community of Cabarrow. It was a bit before suppertime. When children had not been called in to wash up just yet, and their soot-smeared daddies had not begun to stagger home, exhausted from the day's labor at Pasco No. 3 mine. Home to 397 souls in County, Cabra boasted a rail station, a small but well-appointed family-run hotel,
Starting point is 00:19:41 a two-story general store, and three churches. Pasco No. 3 in the rail station were, of course, properties of Barrow and Locke, and employed put near every able body in Cabo. One would think the rabble would be grateful. Who provided the roofs over their heads, the food to feed their innumerable broods of children. My barrow and luck, of course. Polly's father had even approved construction of a baseball field, of all things,
Starting point is 00:20:12 to provide even an entertainment for the citizens of Cabrero in the warmer months. And still, they received reports of agitation from their loyal men on the ground in Cabo. Rumors of unionization meetings held in secrets and impending strides. abounded, and the populace was on edge. Crane and churchmen had recently paid a visit to Cabrra hotel and spent some time in its saloon, chatting with a local miner known to have a taste for gin, after which a bottle was purchased, and the cheerful party retired to the very cabin they had established as their current base of operations, and at that point the conversation had taken a less friendly but more fruitful turn.
Starting point is 00:20:57 and in good time Mr. Crane had persuaded the man to provide the name of a co-worker he had seen leaving coded messages and other folks' dinner pails around Pasco No. 3. Romeo Capriotti was the name this loyal company man had supplied Mr. Crane. Along with an address and everything he knew about the Capriotti clan, the Capriottis were a large family of the Catholic persuasion. and attended Mass at St. Barbara's every Sunday without fail. Romeo's older sister had taken her vows with the sisters of St. Joseph and served at an orphanage up in Charleston.
Starting point is 00:21:39 Their mama was known to make the best pepperoni rolls in Bair County, which she made for every church potluck and picnic and sold out of a little cart at every county fair every summer. Romeo, his three brothers, two remaining sisters and mother, lived in a sprawled old farmhouse out on the edge of Cabrero with their granddad. Romeo's daddy had passed a few years back with the black lung, but the Capriotti boys had followed him into the mines, and they brought in enough to keep the family afloat,
Starting point is 00:22:06 Mrs. Capriotti and the girls worked in the farm. Family was well-liked and well-respected in the community. They had influence. They would have to go. Mr. Churchman eased the Cadillac off the road into the high weeds, just down the road from the Capriotti's rambling old house. house. It was an ideal location from which they could monitor their bouncing baby bombshell while remaining unseen by the house's occupants. Mr. Crane waited until the sun had fully set,
Starting point is 00:22:45 and shadows spilled long across the valley, pulling at the base of the tree line and bathing the Capriotti's yard in shadow. Then he stepped quietly from the passenger seat. picked up a small bundle wrapped in blankets and moved silently through the tall grass to the edge of the road. As Polly and Churchman watched from the car, he slipped between the weeds, and just like that he was gone, folding the shadows around him, so that none could mark his passage or so much as even here his footsteps. He approached the house across the road. A few minutes later, his sleeping package deposited silently on the family's front porch,
Starting point is 00:23:36 Mr. Crane returned to the car, lowered his muscular bulk into the passenger seat and quietly closed the door behind him. He was just in time. Not five minutes later, they heard the sound of footsteps, accompanied by the murmuring of several voices, coming down the road from the direction of the mind. A moment later, the porch lot of crowsy, the street snapped on, bathing the Capriotti's front yard in a soft golden glow, and suddenly an infant's cry split the evening calm. And there was suddenly much ado on the porch across the street,
Starting point is 00:24:16 as the four Capriotti brothers ran the rest of the way home in response to the sound, Mrs. Capriotti opening the door and stepping into view, and there were a few minutes of heated discussion, punctuated with gesticulating, but in the end, Mama Capriotti scooped the squirrel. walling bundle up and began gently bouncing the infant on her hip. His cries soon turned to giggles with her tender ministrations. Where do you think he come from, Mama? One of the men could be heard to ask. I don't rightly know, but a lot of folks got a hard rudder ho these days. Some poor thing, down on her luck probably. Just trying to find her boy a good home, she answered sadly. I'll take him over
Starting point is 00:24:55 to Father Murphy at the church in the morning and he'll know what to do, but for now. For now, Now, let's get this little one cleaned up. He's got something on his face, see? Polly Barrow smiled. A while later, lanterns were extinguished in the house across the street, and the moon rose above the trees, and the crickets began to sing. And for a long while, all was quiet and peaceful in Cabara, and softly, so, so softly.
Starting point is 00:25:31 Through the open window came to sound. of a little child beginning to fuss in the night followed by something like fabric Terry a noise heard more as an echo deep in the skull than anything captured by the ear the air filled with the smell of ozone on the back of Polly's neck and the crickets ceased their endless song and for a moment the whole world fell still as if some great predator moved among them. And then the screaming began. In the wee hours before dawn,
Starting point is 00:26:31 before anyone could be expected to pass by the farmhouse or come looking for Romeo Capriotti and his brothers when they didn't show up for their shifts at Pasco number three, Polly Barrow and the two hollow men stepped from the Cadillac and walked across the road to collect their charge. Nobody locked their doors back then. Not that it would have saved Romeo Capriotti and his family, so Mr. Churchman simply opened the front door,
Starting point is 00:26:59 ducking to avoid bumping his head on the jam. The house was a shambles. Furniture was reduced to splinters. The floors were soaked in blood, and the walls imprinted with wide red stripes and swirls. almost as if a painter had attempted to render some great stylized sea creature in a mural. Bodies or parts of them lay scattered in corners. The bottom half of a leg from about halfway down the calf had become wedged between the two rails on the staircase.
Starting point is 00:27:36 A gooey black substance dripped from the ceiling, and a strange dark fungus was climbing its way up the walls. Polly Barreho stepped gingerly over the devastation, mindful of her shoes, and gently scooped up the fair-haired child that Mr. Crane had left on the doorstep last evening. The little tie could plumb worn himself out playing with his new friends and didn't even wake on the ride back to the cabin in the woods. So it was no trouble for Polly to strip the boy down to his nappy and carry out the ritual required to repaint the sigils that the unwitting woman had washed from his skin.
Starting point is 00:28:15 And when her task was done, Polly dropped exhausted onto the double bed and fell into the fathomless, dreamless sleep. That was all she had ever known. In the weeks that followed, Polly, Crain, and Churchman would repeat this procedure in various cold towns scattered around the region, dropping off their special delivery where he might be discovered by either the unfortunate folks on their list of reporting. union agitators or by those closest to them. A childless woman discovered the precocious babe playing alone by the creek behind her house as she was hanging clothes out on the line and rushed him inside. A surprise, and perhaps a prayer answered at last, for her husband when he returned home
Starting point is 00:29:07 from a hard day in the mines. A pastor who was said to be offered up his church as a safe space for union organizers discovered the boy on the church doorstep when he came to open its doors for one such meeting under the guise of men's evening fellowship and so on and so forth. Folks in Bower County were becoming decidedly unsettled. What happened to the Capriottis had shocked the local community, no doubt about it, but it was generally assumed that the family had been murdered by some drifter passing through on the rails.
Starting point is 00:29:39 Nobody they knew would be capable of anything like that, surely. And at first, no one thought about Romeo Capriotti's union. dog. Ravel rousers had been known to turn up dead, sure enough, but not entire families. But as the rash of incidents continued, and the bodies piled up, the people of Bauer County began to connect the dots, and no one knew for sure what was going on. What on earth could even do that kind of thing to a human body, but everybody knew it must have something to do with unions and suddenly nobody wanted any part of that business. As the stars winked out and the sky began to fade from velvety black to deep blue to gray,
Starting point is 00:30:30 Mr. Crane collected the boy from what remained of a boarding house, catering to miners in a small coal camp called Nettleberg. He passed the drowsy child to Polly, who settled him in next to her on the back seat. Where to next, Miss Barrow? Bally Barrow was ready to return home to report another successful mission to her daddy, to accept his praise and bask in his love. What might her reward be this time? A new car?
Starting point is 00:31:03 A train ride up to New York for a shopping day. Perhaps a trip abroad. A cruise might be nice this time a year, but first there was one last name on her list. A man who, according to their local informants, seemed undeterred by recent events. Hmm. Oak Mountain. Our source there tells us a fellow worker is attempting to organize a union rally. A man by the name of Underwood.
Starting point is 00:31:41 Well, hey there, family. Thank y'all for joining us here on the best. back roads of West Virginia with us Polly Barra and her best friend's crane and churchmen up to nefarious acts and no good, but it looks like they're about to meet some real interest in folks. I think y'all need to come back and check that out next time around, don't you? I thought so. Family, I just got to get this out of the way first and foremost. I want to thank everyone who has pledged to our Kickstarter for the Old Gods of Appalachia
Starting point is 00:32:28 Tabletcha Roll Playing Game with us and Monty Cook Games. we met our initial $50,000 funding in 11 minutes. And ever since then, that's day one. Ever since then, we've been blasting through stretch goals. And there are some super exciting things that I want y'all to have because we're like having to think like what household appliances we can include at this point in time. So head on over to Kickstarter. There's a link down to the show notes.
Starting point is 00:32:53 This game looks absolutely gorgeous. We're working our tails off on it. And it's not just us handing our license over to it a company. to say, hey, go make a game with our name on it. Cam and I are writing. We are creating. We are consulting. We are doing everything to make sure this game has the heart of our alternate Appalachia throbbing, pulsing, beating, burning inside it. So please go check that out. Link in the show notes.
Starting point is 00:33:17 Also, we're humbled by the support that's shown up on the Kickstarter, just like we're humbled by our patrons on Patreon. A whole bunch of new folks signed up this time around. And that's super exciting. Patreon.com slash old gods of Appalachia. where you can find Build Mama a coffin, door under the floor, blackmouth dog, whose series finale is just around the corner, and a whole other bunch of cool features like exclusive Discord events, Steve reads, Cam reads, all that good stuff. Patreon.com slash Old Gods of Appalachia.
Starting point is 00:33:45 Also complete your social media ritual, hit up Old Gods of Appalachia.com, follow us on Facebook, Instagram, tweet into the void with us on Twitter, and join the Discord server and come be part of the family and say, hey, Cam and I stop by there pretty regularly. and interact with y'all. So always a good time. Old Gods of Appalaches, a production of deep nerd media distributed by Rusty Quill. Today's episode was written by Cam Collins. Our intro music is by our brother Landin' Blood, and our outro music is Brother Landin' Blood,
Starting point is 00:34:17 featuring John Lee Bullard on the banjo. The voice of Pretty Polly Barrow is still Tracy Johnson Crum. We'll talk to you soon, family. Talk to you real soon.

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