Old Gods of Appalachia - Episode 34: On Oak Mountain

Episode Date: April 28, 2022

Polly Barrow and her boys make another special delivery, this time to the Underwoods of Oak Mountain. Discoveries are made.CW: References to historical racism and law enforcement, happy baby sounds, blended Appalachian witchcraft and Christian practices, supernatural manifestations centered around a baby.Written by Cam CollinsSpecial script consultant: DJ RogersNarrated by Steve ShellSound design by Steve ShellProduced and edited by Cam Collins and Steve ShellThe voice of Granny Underwood: Stephanie Hickling-BeckmanThe voice of Nina Jennings: Shasparay IrvineThe voice of Tobias Underwood: DJ RogersThe voice of Polly Barrow: Tracy Johnston-CrumIntro music: “The Land Unknown (The Pound of Flesh Verses)” written and performed by Landon BloodOutro music: “I Cannot Escape The Darkness” by Those Poor BastardsSeason Sponsor: Sucrebeillle – Visit sucreabeille.com/products/nightshade and use the code LOVEGODS. Spend $25 anywhere in the store and add a dram of Nightshade to your cart to get that dram free.Back the Old Gods of Applachia TTRPG Kickstarter at mymcg.info/oldgodsrpg.LEARN MORE ABOUT OLD GODS OF APPALACHIA: www.oldgodsofappalachia.comCOMPLETE YOUR SOCIAL MEDIA RITUAL:FacebookInstagramTwitterBlueskySUPPORT THE SHOW:Join us over at THE HOLLER to enjoy ad-free episodes, access exclusive storylines and more.Find t-shirts, hoodies, mugs, and other Old Gods merch at www.teepublic.com/stores/oldgodsofappalachia.Transcripts available on our website at www.oldgodsofappalachia.com/episodes.Old Gods of Appalachia is a production of DeepNerd Media and is distributed by Rusty Quill. All rights reserved.Support this show http://supporter.acast.com/old-gods-of-appalachia. Hosted on Acast. See acast.com/privacy for more information.

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and therefore may contain material not suitable for all audiences. So listener discretion is advised. Sits like a jewel amongst the glory of West Virginia's mountains, lush and green and untouched by the destructive hand of industry. For three generations now, the Underwood family has made it their home, and they tended well, protecting this land from the avarice of loggers and big coal alike. When the logging company had knocked on Marigold and Dock Underwood's door, with an eye to stripping the mountain of its eponymous oaks,

the couple had politely declined. And when the slick lawyers from Barron Locke came sniffing around, looking to expand the Kingston mining operations, into the coal deposits beneath their feet, making their promises, and later threats. The Underwoods had stood firm. In return, the mountain had helped keep them safe through all manner of trouble. Today, trouble has found its way to the family's very door. In the deepening shadows of an autumn dusk, a long black Cadillac.

Whines its way up the twisting mountain to the tidy, well-maintained wood-frame house that Marigold Underwood and her late husband, Doc, built decades ago in the early years of their marriage. Its white wood cladding and blue front door and shutters are clean, painted within the past couple of years, and the picket fence that stands around the yard straight. A red mailbox rests at the Gate set onto a sturdy iron post, the porch is lined with well-tended beds seated with flowers and fragrant herbs. A child's rope and board swing hangs from a stout oak in the front yard. Soft, welcoming light glows from behind sheer curtains hung in the windows on the first floor. It is a place that speaks of comfort, of safety, of home.

And of power. It's a subtle power, though. The Underwoods are not showy or flashy folk, and thus it goes unremarked by Polly Barrow and her hollow men as Mr. Churchman pulls their car to a stop just by the mailbox. Down the hill from the house proper, it's a sizable house, Polly muses, on a good piece of land. A foreman, maybe?

Well, there was nothing about it in her notes, but perhaps they'd uncovered a traitor in management. The thawnd makes her smile. The three are silent as Mr. Crane steps from the car. He reaches back inside to heft a woven basket laden with what at first glance might be a load of blankets. He wraps himself in shadows and proceeds silently up the drive to deposit their unexpected gift on the Underwood's front porch, just as he's done before. He returns to the car and closes the door quietly. There's no good place to hide the car on Oak Mountain Road,

a narrow, twisty mountain track that winds itself up around the mountain and back down the other side, but the house is isolated. The underwoods, as it turns out, on the whole damn mountain and have permitted no other settlement here. No one will hear any disturbance in the night and come running to investigate. And thus far, all has gone to. precisely to plan. They've grown confident in their methods.

So Polly, Crane, and Churchmen drive back down the mountain and into Kingston for the night. From behind the curtains in her foyer, Ms. Marigold Underwood watches the black car drive off down the road.

When its tail lights have faded and she can no longer hear the crunch of gravel under its tires, as she opens her door and steps out to see what the three strangers in the caddy have left behind. Her daughter, Nina, hovers protectively inside the door, eyes sweeping the darkness for any further signs of mischief. Well, now, I've had poison pies, boxes of roaches, and all manner of nastiness left on my doorstep.

But this is a first. What is it, Mama? As Miss Marigold kneels down and carefully lifts the swaddled bundle up from the basket. Nina Jennings hears the unmistakable sound of a baby's curious babbling. Surprise, she peers over her mama's shoulder. Oh, sweet

Jesus. Is that? Mm-hmm. Somebody's dumped a little white boy on our doorstep. It's off, my friend, to these shadows. Before somebody sees. Ms. Marigold carried the baby

into the house, and Nina grabbed the woven basket from the porch and hurried inside, casting one long, measuring look around before quickly bolting the door behind her. The fancy black car was gone, and she saw no one else around. She felt no gaze upon her. Still, her senses were tingling. Aside from the fact this was obviously a trap of some sort, the latest in a long line of attempts to run the underwoods out of Bower county or worse, something was not right here. Not right at all. She could feel it, a subtle tickle of dread just under her skin. Her mother had taken the child to the back of the house where they could get a good look at him under the bright kitchen lamps. He was a sturdy, healthy looking baby.

Just past the one year mark of Nina was any judge with fair hair and green eyes. and something weird on his skin. Miss Marigold had peeled off the boy's shirt and was peering thoughtfully at the spiky, swirling designs that stretched across his back and down his arm. What is that, Mama? Is it paint? The two women looked up at the sound of an engine chugging up the driveway.

Nina peered out the side window anxiously, but relaxed as she saw a familiar green truck round in the corner of the house and the glow of the back porch line. It's just Tobias. Tobias underwood was Miss Marigold's nephew, one of Doc's brother's sons. He'd lost his parents in a housefire when he was 12 and had come to live with his auntie Marigold and Uncle Lee.

He'd gone to work in the mines in Kingston when he was grown, though not at his auntie's insistence until after he'd finished school. Although lately, like so many others, He'd accepted a job at Barrow-en-Lock's operation over in McDow County. Once a thriving community, the Kingston mine had recently begun to decline. Years of excavation had destabilized the local mine shafts leading to a few unfortunate collapses in the past few years. There was more coal to be had, but it would take time to reconstruct and reinforce those tunnels, sending folks looking for work elsewhere. Tobias had rented a room in a boarding house near the mine in McDowell County,

but his address of record was still the house on Oak Mountain. And lately, he'd taken to driving up after work. Sometimes he'd just stay for supper, and other nights he'd bunk down on the sofa in the front room. Word had gotten around about a series of unexplained deaths around Barra County. While Auntie Marigold always assured him, she'd be fine, just fine. Well, it didn't hurt to be. Be cautious.

He's come to join us for supper. Nina, baby, can you check on that chicken in the oven while I look after this little man here? Miss Marigold settled the infant on her hip and went over to the icebox to see how much milk they had on hand and what else might do to feed a child his age. Nina grabbed a pot holder from a peg near the stove and peered into the oven, fill in the kitchen with a heady aroma of a family favorite. Chicken and rice bubbled away in a creamy sauce. under a golden layer of cheese. Cornbread and biscuits baked on the lower rack. It was rich fare these days.

Times had grown mighty lean in the past couple of years, but Nina and her husband raised chickens, and a local dairy farmer had brought marigold a good block of cheese after she helped with his wife's latest and most difficult baby. I give it another five minutes of so, Mama. Heavy boots clumped across the back porch, and a key turned in the latch as Tobias Underwood let himself in through the kitchen door. He was a solidly built man in his 30s, just over six feet tall, with smooth, light brown skin,

warm eyes, a few shades darker, and a trimmed beard, which was unusual for a miner. Most of the men who spent their days digging up coal for B&L kept their faces clean-shaven on account of the dust, but Tobias was mighty proud of that beard. so he didn't mind the few extra minutes it took to clean. He had an open smile, an infectious laugh, and a kind heart. Of all her cousins, Tobias might be Nina's favorite, at least of the menfolk in the family. Mmm, mm, something smelled good in here.

Evening, Nina, auntie? The cheerful greetings stilled on Tobias' lips as he caught sight of his auntie Marigold sitting at the kitchen table with a little white child bouncing on her knee. What the? Miss Marigold shot him a look. Heck, what's going on here? Who baby is that? What is he doing here?

You're taking a babysitting, Auntie? No, I am not. And we don't know who he is or where he came from. Somebody left him on my porch like they'd dump a stray kitten. Tobias eyed the two women. Auntie Marigold sitting calmly at the kitchen table playing peekaboo with the naps. to entertain their unexpected visitor. His cousin Nina pulling plates and cups down from the cabinets and setting them on the countertop

as if the only thing she had to worry about was an extra place setting at the supper table tonight. And y'all don't find that? Now a bit suspicious? Nina favored him with a look that suggested he just asked if they knew that water was wet. Well, of course, it's suspicious, Tobias. But what do you expect us to do? Just leave him out there in the cold? Tobias lifted his hands and surrender.

Fair enough. What's he got all over? From what I can tell, it's paint. A very particular kind of paint. Can you get it off him? I can. But I think we'll leave it where it is just now. I'll take a closer look after supper.

We'll have to be careful if we want to remove it safely. Tobias knelt down and peered at the strange symbols painted on the boy's skin. The child gazed back at him curiously out of clear green eyes. He frowned up at Miss Marigold. There's some hoodoo shit, ain't it? Tobias Underwood. Sorry, Auntie. Hoodoo stuff.

And in front of this child, I ought to wash your mouth out with soap. But to answer your question, and you know I don't like it when you call you. It's all it that. Yes. It looks like somebody's worked a curse on this boy. Can you help him? I think so. But I need some time to look at it. You can do more harm than good if you're not careful.

And then what? What are we supposed to do with him? You know whoever left him here only done it to cause trouble. I do know. Thank you, Tobias. If this were a simple case of child abandonment, you might think they'd go to the police. go to the police. But the sheriff of Bower County was no friend of black folks in general. It had long

been rumored that he was part of a certain fraternal organization fond of running around in bed sheets looking like fools, nor the Underwoods in particular. If they reported their fine, they'd just be accused of kidnapping the boy and arrested. Or worse. Those Underwoods up on Oak Mountain are stealing white babies was the kind of rumor that could get folks killed. This situation alone was dangerous enough. But the unusual symbols painted on the boy told Miss Marigold that this was more than just the latest in a long history of attempts to run them off their land. I have some ideas, but right now it's time for supper. Run down to the cellar and fetch me one of those old high chairs out of storage before you get cleaned up, would you?

Tobias knew that tone of voice. Auntie Marigold had a plan. That much was clear. But she wasn't going to discuss it until she was good and ready. He'd just have to trust her, which wasn't hard in spite of his worry. In his experience, Marigold Underwood was rarely wrong and usually operating about five steps ahead of everyone around her. So he went downstairs and rooted around the storage room, a space filled with trunks of children's clothes, old cribs, toys, and all manner of things that would get past to the younger generations of the Underwood

as the need arose and returned to the base. basement when they were outgrown. The room was neat and well organized and it didn't take him long to locate a sturdy high chair that had no doubt served countless dinners to Nina and her siblings when they were babies. He dusted it off with a cleaning rag, hung on a peg near the door, and took it up to the kitchen before heading back to the bathroom to get cleaned up. By the time he returned, the table had been set. And Nina was dishing fragrant scoops of supper on to Auntie Merrigold's rose-pattered dinner plates. The little blonde boy had been settled into the high chair with a bowl of cereal,

and Nina set a frosty pitcher a sweet tea out on a folded towel, and she and Tobias took their places at the table. Ms. Marigold said Grace, and for the moment, everyone let the matter of their current predicament drop. They talked about Tobias' day at the mines, and the most interesting articles in the local newspapers, which Nina brought by for her mother every morning. Then the conversation turned to the beating heart of small town life.

Gossip. Who'd been on the prayer board at church? And who'd been absent from services on Sunday? Whose children were getting married and who was having babies? Whenever one had eaten their fill, and Nina had given up fussing at her mama that she should eat more, Tobias volunteered to do the washing up and Miss Marigold was free to turn her attention to the problem at hand.

She asked Nina to heat water to fill the tub, and then went to the narrow room off the pantry that she used as her workroom, peering at shelves full of dried herbs and fresh ones hung up on pegs, and put a few things she thought she might need in a small basket. She pulled down a few jars of dried herbs and added a couple of spoonfuls of each to a clean cheesecloth tea bag, which she tied tight at the top. She went back through the pantry,

pulling a few items from those shelves and added a good knife from the block in the kitchen. She looped the basket over one narrow wrist, gently pulled the baby up out of the high chair, and headed for the bathroom. Mama, you need help with anything else? Nina called as she passed through the living room. No, baby, I'm fine. You put your feet up. I can take care of this young man.

In truth, Miss Marigold didn't want Nina or Tobias anywhere near when she started taking this ex-exam. off the boy. She hadn't wanted to alarm them, but she had a hunch that the runes inscribed on the child's body were, at least in part, some sort of spell of containment. They had been meant to suppress something. She couldn't tell what, but paint was an odd choice for this sort of working. Although she'd intimated to Tobias and Nina, it would be difficult to remove and thus require

extra care. In point of fact, she thought she could wipe the stuff off with a wash rag and some warm water. Why would someone choose a method so ephemeral if there was something about the boy that required that sort of preventive measure? She suspected she was not going to like the answer. Miss Marigold set the boy down on a fresh towel on the bathroom floor by the big clawfoot tub. Then she began adding the various items she tucked into her basket. It was mostly simple stuff. White vinegar, salt, fresh peppermint leaves, a bit of bacon soda. Next came seven cloves of garlic, which she mashed a bit with the knife handle before dropping them into the tub.

Finally, she added the tea bag she filled with herbs from her workroom. She said a simple prayer while she stirred the mixture together gently with a her hand and let the herbs steep for a few minutes while the water cooled to a temperature she judged suitable for the little one. She asked the Lord to guide her hands to help her cleanse and purify this innocent child. Then she picked up the baby and gently settled him into the tub, watching his reaction. Ms. Marigold wasn't overly prone to superstition, but a tiny little part of her had worried the boy might start screaming at the touch of the blessed water, but no. In fact, he seemed delighted at the fizzing concoction wrought by the combination of vinegar and

bacon soda. He smiled and burbled away like any other baby. Seven times she scooped up handfuls of water in her cupped hands and gently poured them over the boy's head, reciting the scriptures all the while. He giggled and splashed. Then she grabbed a bar of soap and gently began scrubbing the paint from his skin. It took some time to get all the paint off, and the little one began to tire of this new game. As Marigold worked to remove the last of the stain from between his toes, she noticed the boy's attention seemed to be caught by something.

He stared into a corner of the room at, well, nothing, really? All Marigold could see over there was a little pegs. she hung her robe on when she took her own baths, but the child seemed to see something. And as she watched, he turned his head curiously and reached out a hand. The temperature of the room of Miss Mary Gold's neck rose. She heard a low whining sound, which began to grow louder. Sir? She said sternly, as she grabbed the boy's hand and stood.

filled his tiny flexing fingers. The little one stared up at her with wide eyes for a long, frozen moment. And then he giggled, and the strange noise was gone, and the warmth rushed back into the room. And Mary Gold let out a shaking breath she didn't realize she'd been holding. Well, all right, then. That's fine. I guess we know what to do now, don't we? She said to the cheerful, good-natured, very happy and very,

dangerous little boy. A few hours later, after she and Nina and Tobias had taken turns entertaining the child until he was well and truly worn out, Ms. Marigold settled him into one of her grandbaby's old cribs and tucked a blanket around his sleeping form. And then she and Nina got to work. It took hours, and by the end of it, both of them were exhausted. Ms. Marigold's head ached, but the binding would hold. It would be far more stable than the painted working someone had placed upon him,

probably the folks in the car they'd seen on the road when he appeared on their doorstep, but all spells erode over time. A working needs to be fed to be sustained. They wouldn't be able to do it. The child couldn't stay here. That would be too dangerous for everyone involved, but Marygold knew someone who might be able to take the boy in. So in spite of the late hour, she picked up the phone and dialed some old friends.

There was a woman over in Kentucky who occasionally took in foundlings with special challenges. She had a kind heart, and moreover, she owed Marygold Underwood a favor or two. She said she'd be happy to take the child. But she didn't drive, so Marigold would have to see to the travel arrangements, and that was fine. She made another call to some folks down in Tennessee she'd worked with a time or two. They were only too happy to help. By lunchtime the next day, the mysterious, nameless child was gone. Packed off in the arms, the people Miss Marigold knew would see him safely on to a new life.

And all trace of his presence had been removed. The old crib and high chair returned to storage. The bathtub scrubbed. The tools and materials of their work. working, cleansed, and tucked away, it had been a long night in a busy morning, and Mary Gold and her daughter had just settled into the rocking chairs on the front porch, with a couple glasses of lemonade and some pimento cheese sandwiches, when a long black Cadillac turned slowly up the drive. The two women sat up straight as the driver pulled to a stop by the porch,

and the windows rolled down. They could see there were three white people in the car. Two men up front and a woman in back. Marigold called out to them. Afternoon! Can I help y'all? You lost? The woman leaned toward the back window and smiled out at them. She was pretty, beautiful even. But her eyes were cold and her teeth looked sharp. There was something unsettling about her, a darkness that Marigold could sense lurking beneath the polished surface. Yes, maybe you could. We're looking for the Underwood House.

We were told their house is on the left side of the road after you turn down this road. But there's nothing there. These mountain roads, so many. twists and turns and old hunting trails. And you know men, they hate to ask for directions. Could you kindly point the way? Hmm, Underwood. Underwood. Was that that family lived halfway up the mountain? It might be. But it's been years and those folks moved on ages ago. I heard they were headed up Chicago way? Anyway, they've been

gone a long time. There's no underwoods around these parts anymore, miss. Are you certain? We have it on very good authority that the man we're looking for Tobias

Underwood, to be specific, lives on Oak Mountain Road. Miss Marigold shook her head and smiled. I'm sorry. It seems like somebody's giving you bad information, ma'am. I know everybody on this mountain and there's no one by that name. Are you sure it wasn't Mountain Oak Road? That one's about eight miles back in the other direction.

The woman in the car ground her teeth, but she kept the smile plastered on her face. Well, that's unfortunate for us then, isn't it? In that case, if you could point the way, it would be a tremendous help. We seem to have gotten a bit turned around. Oh, surely, you just turn left out the drive there and go about half a mile. Then you'll come to another road that turns off to your left by an old barn. Take that turn, then drive another mile of a side. so and you'll come to a T intersection.

Just turn right there and it'll take you back to the highway directly. Thank you. Mr. Crane, shall we? Miss Marigold gave them a little wave, and the two women watched as the fancy car wound its way down the road and out of side. Do you know who those people were, Mama? They gave me the shivers. Those were not people, baby.

I don't know them, but I know who they are. Did you notice that Pennsylvania license plate? I bet you a dollar day from B&L. I think we know who's been causing all this mischief around these parts lately. Merigold Underwood settled back in a rocking chair and sipped her lean. lemonade and nibbled at her sandwich. She was pretty sure she knew why that baby had been left on their doorstep, and she had a feeling other folks around Bower County had met the little fella in recent weeks.

Folks who'd been trying to organize the workers at the mines owned by Barrow and Locke, just like her nephew. She didn't know the people in the Cadillac, but she knew they were trouble. they would have to be dealt with. Well, hey there, family. Thank you for coming back with us here all the way to Oak Mountain in southern West Virginia, here on Old Gods of Appalachia,

spending a little time with the Underwoods up in their homestead. And we got a little bit more road to go in this particular story arc. And I hope you're enjoying the fine work that Cam Collins is laying down. down for you this first story arc. That's why we let her do the evil things she gets to do because she's so dang good at it. Family, we want to thank everybody who has joined us in supporting the old gods of Appalachia tabletop role-playing game over on Kickstarter with our friends at

Monty Cook games. The response has been tremendous. We met our funding goal of $50,000 in 11 minutes. Currently, we are over $1.3 million with a little bit of time left to go. closes out on May 6th, 2020. So if you wish to get in on that and acquire all the cryptic arcane tones and other good bonus items you need to create your own old gods of Appalachia stories, head on over. The link is in the show notes. Super, super exciting stuff coming in these last stretch goals.

Trust me, you do not want to miss it. And also, hello and shout out to all the new patrons on Patreon who have joined us because of the role playing game or finding us. discovering their way home. You too can throw your tith in the collection plate and gain access to exclusive stories like Build Mama Coffin, Blackmouth Dog, door under the floor, and a whole lot more over at patreon.com slash old gods of Appalachia. Family, we invite you to complete your social media ritual by heading over to Old Godsvapalachia.com and following us in your social media platforms of choice, which we think should be all of them. But, you know, hey, the Discord server is there as well. Should you choose to join the congregation over there?

family, the level of love and support and attention the show, and thus Cam and myself have received over the past. A couple of months with help from our friends at Monty Cook Games has been absolutely just stunning. And we welcome all our new family members. No matter who you are or where you come from, welcome. We're happy to have you. And also to remind you that Old Gods of Appalach is a production of deep nerd media distributed by Rusty Quill. Our intro music is by our brother Landin Blood, our outro music is by those poor bastards. Today's story was written by Cam Collins with special assistance and consultation by DJ Rogers.

The voice of Granny Underwood was Stephanie Hickling Beckman, the voice of Nina Jennings, with Chasperay Irvin, and the voice of Tobias Underwood was DJ Rogers. Talk to you soon, family. Talk to you real soon.