Old Gods of Appalachia - Episode 35: More Harm Than Good

Episode Date: May 12, 2022

The people of Bower County have had just about enough of Polly Barrow and the boys, and decide to do something about it.CW: An armed mob, references to witchcraft practices, fire, house fire, burns / ...injuries incurred from those fires, non-graphic mention of a gunshot wound, strangulation, smothering / difficulty breathing, death by blunt force, explosions,body horror, ghosts, supernatural attack on a woman by a man, monster violence, ageist language (used by a villain), death, sounds of a woman in psychic pain.Written by Cam Collins and Steve ShellSpecial script consultant: DJ RogersNarrated by Steve ShellSound design by Steve ShellProduced and edited by Cam Collins and Steve ShellThe voice of Polly Barrow: Tracy Johnston-CrumThe voice of Granny Underwood: Stephanie Hickling-BeckmanThe voice of Nina Jennings: Shasparay IrvineThe voice of Tobias Underwood: DJ RogersThe voice of Franklin Moses: Dr. Ray ChristianIntro Music: “The Land Unknown (The Pound of Flesh Verses)” written and performed by Landon BloodOutro Music: “Pretty Polly” as performed by Landon Blood and John Lee Bullard and a second version performed by Stacie Sexton.Special guest voices (aka The Churchman Ghost Chorus): Cam Collins, Laura Hampton, Manda Alley Leonard, Jordan Shiveley, Kelson Stallard, Amerie Helton, Tonya Woolard, Nathan Cavicci, Jason Strength, Fiona Chamness, Colin Bulla, DL Armistead, Mortellus, Eric Daniel Pavey, Renee Hill, Grant McCracken, Dayv Cole, Terhan McDaniels, Monique Bouchard, Tyler Childers (no, not that Tyler Childers, the other one), Jékksyn Ícaro, Joshua Huntsinger, Theresa Daniels, Sarah Leary, Dan Craley, Edwin Maldanado Jr., Nikki Nelson-Hicks, Layla Cruse, Lindsey Deel, with thanks and apologies to Billy Howell, Mayor Preston Blakely, D. Travis Brandel, Tonya Downing, Josh Roberts, Susan Fox, and anyone else who sent in files!Season Sponsor: Sucrebeillle – Visit sucreabeille.com/products/i-come-from-a-long-line-of-terrifying-women and use the code LOVEGODS. Spend $25 anywhere in the store and add a dram of I Come From A Long Line of Terrifying Women to your cart and get that dram free.LEARN MORE ABOUT OLD GODS OF APPALACHIA: www.oldgodsofappalachia.comCOMPLETE YOUR SOCIAL MEDIA RITUAL:FacebookInstagramTwitterBlueskySUPPORT THE SHOW:Join us over at THE HOLLER to enjoy ad-free episodes, access exclusive storylines and more.Find t-shirts, hoodies, mugs, and other Old Gods merch at www.teepublic.com/stores/oldgodsofappalachia.Transcripts available on our website at www.oldgodsofappalachia.com/episodes.Support this show http://supporter.acast.com/old-gods-of-appalachia. Hosted on Acast. See acast.com/privacy for more information.

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Starting point is 00:00:01 Well, hey there, family, if you love Old Gods of Appalachia, I want to help us keep the home fires burning, but maybe aren't comfortable with the monthly commitment. Well, you can still support us via the ACAS supporter feature. No gift too large, no gift too small. Just click on the link in the show description, and you too can toss your tithe in the collection plate. Feel free to go ahead and do that.
Starting point is 00:00:26 Right about now. This episode of Old Gods of Appalachia is brought to you in part by Sucra Bay, a women-owned and operated perfumery unlike any other. Sucra Bay not only brings you the finest in small batch perfumes. Their website is a virtual treasure trove of stories and content including odling tales, a podcast where they read you stories from the site. Heck, they even feature another podcast called The Fearless Broadcast, featuring interviews with other women business owners.
Starting point is 00:00:59 And family, did I mention that Sukrabe is also responsible for a massive indie marketplace, mostly consisting of other women makers? If you look down in the show notes family, you'll find a link to their vibrant Facebook group, as well as a link for a special offer for Old God's family members, spend $25 anywhere in the store and add a dram of, I come from a long line of terrifying women. Sit notes include a swirl of rosewood, whiskey, and amber, with a sprinkle of gunpowder, a drop of goyak wood, and tobacco absolute.
Starting point is 00:01:29 See the link in the show notes. Just use the code. Love Gods, L-O-V-E, G-O-D-S, Sukhribay. Welcome to the Dark Side. We Smell Awesome. Old Gods of Appalachia is a horror anthology podcast and therefore may contain material not suitable for all audiences. So, listener discretion is advised.
Starting point is 00:02:19 crane was not having a good day. He had been riding around for hours, searching the hills and hollers and back roads of Bower County, West Virginia, for a house that seemed to have disappeared out of thin air. His employer, Miss Barrow, was angry. Very angry. He could feel the force of her rage radiating through the car from the back seat, the chill raising the hairs on the back of his neck like standing in front of an open icebox was making him. Mr. Churchman pulled the car around the back of the cabin. The three had been using as a base of operations, and Crane hopped out quickly to hold the door for Miss Barrow. He was rewarded with a flat stair as she stalked from the Cadillac and proceeded through the kitchen door. Glass rattled as she slammed it behind her.
Starting point is 00:03:21 Crane and Churchman shared a look and then cautiously followed her inside. Polly Bearer stood stiff and silent by the kitchen window. She'd board herself a drink and set it on the counter beside her, but it appeared untouched. Her mouth was set in a grim line as she stared out the darkened window. Crane gave his partner a subtle nod, and Mr. Churchman produced the map of Bower County.
Starting point is 00:03:50 they'd been using to locate their targets. He spreaded across the small kitchen table. The two men peered at it as though it might somehow contain the secrets of the universe. Mr. Crane traced the route for what felt like the thousandth time and shook his head. It just didn't make sense. He turned to Miss Barra, who stood with her back to them, hand now held to her forehead as if fighting off a mighty headache. Miss Bedrow, if you like, Mr. Churchman and I can split up, and Polly turned rubbing her eyes. Her tone measured and severe like a cold bullwhip.
Starting point is 00:04:30 And do what? Wander around in the dark until one of you finds a hole to fall into. That would be vastly preferable to what will happen if we go back to Barrowhouse without the weapon. Daddy is not a patient man, Mr. Crane. He's wondering why I haven't reported back to him about the Underwood family. I can feel his impatience weighing on me. He wants this done. Does Mr. Barrow know the child has been misplaced?
Starting point is 00:05:06 I believe the word you are looking for is lost, Mr. Crane. We lost the child capable of bringing death and destruction to all those around him if not properly contained. We have lost the child who could do much more harm than good and throw many of my daddy's plans into disarray. And to answer your question, no, I don't think we'd still be standing here if he had any inkling the child was lost. So there's that. I still do not understand what happened, Miss Barrow. My sense of direction does not fail. That house should have been right there, and a grand house it was too big enough for a proper family. Not some ratty old shack with one old Oma and her daughter, sending us into the woods for another eight miles.
Starting point is 00:05:58 It should not have happened, miss. Agreed, Mr. Crane. What was that? I believe we have company. Would you be so kind as to welcome them, Mr. Crane? It's called to flesh for... and gold sunlight of that autumn afternoon as the sun began to kiss the tops of the trees. Mary Gold Underwood had stood in the kitchen of that grand house on Oak Mountain,
Starting point is 00:08:00 sweeping the last few moats of dirt into her dustpan and considering supper. It had been a long day and she wasn't all that hungry, really. She was thinking she might just lie down for a bit, maybe even turn in early. There was Tobias to consider, of course. He might come for supper tonight as he had been lately and maybe even stay over. But she could heat up the leftover chicken she'd made last night and leave it in the oven for him. He wouldn't mind. He was a good boy, her nephew.
Starting point is 00:08:32 Miss Marigold had dumped the contents of the dustbin into the garbage and gone to the sink to wash her hands when she heard the front screen door slam. Her daughter's frantic voice floated down the hall. Mama, Mama, where are you? Girl, you're going to slam my dough right off the front of my house. You know better than that. What's wrong with you? We got trouble, Mama. I just talked to Miss Moses down at the dry goods.
Starting point is 00:08:55 She said her husband Franklin and Tobias and a bunch of them boys that have been trying to organize or going out to the back end of Pascoe looking to confront people from the company about what happened to the Capriottis and all those other folks. Somebody said they saw a fancy black company car out near both houses before they found everybody dead. It's them, ain't it, Mama? The ones that weren't people.
Starting point is 00:09:17 I'm going to skin that boy alive and something else don't beat me to it. Bring the car around, baby. I got to get some things together. Dang, fools gonna get their self-kill for nothing. What you wait'n' on? Get? Yes, ma'am. Nina ran back outside to start the car,
Starting point is 00:09:34 and Marigold took a moment to collect herself. She'd known they'd have to do something about them company folks, sure enough, but she thought they'd have more time to plan. She told Nina they could sleep on it and then talked things over tomorrow, but it seemed this day might never end. Marigold shook her head wearily, then she squared her shoulders and stood up straight. She went into her workroom and bowled out her little basket again. There was no time tonight for contemplating options and carefully portioning out herbs and oils and tinctures. This was not the time for subtlety.
Starting point is 00:10:09 She tossed in whole jars of anything she thought might be useful, and then she reached for her sickle. Its wooden handle gleamed with Patina, worn smooth by decades of use. Marigold could feel the power of hundreds of workings coursing through it lending her strength. Its weight was a comfort in her hand. As she walked into the kitchen, she gave it an experimental swing, a smooth and practice. motion and it sang through the air. Marigold smiled. Some days you get time to plan and some days you just have to act. And Marigold Underwood had always excelled at thinking on her feet. In another part of Bower County, just off the road that lit out of Cabrra, a group of men
Starting point is 00:11:11 crouched behind a thick stand of switchgrass and watched as a long black Cadillac slowed. then nosed its way through the weeds and up a narrow rudded dirt track that led through the woods to a certain cabin known to be used by the company from time to time. The sun had just sunk behind the mountain, painting the sky and flaming streaks of orange and red and the shadows of oaks and elms and hemlock stretched long across the ground. As the fancy company car rounded a bend and disappeared at a sight, Tobias Underwoods, slowly rose to his feet, motioning to the other men that followed the disused path into the trees. There was a dozen of them, all who worked in the mines, all men whom Tobias knew and trusted.
Starting point is 00:12:00 Some were longtime friends. Franklin Moses, the eldest of the party, was married to a good friend of Nignis, and his brother was the pastor at Auntie Merrickold's church. A couple of them had lost family in the strange and terrifying recent attacks, like Christoph Mesao, the seventh of their group who had yet to arrive. Christoph was supposed to meet them there nearly an hour ago with guns and lamp oil. Few of them had firepower, Franklin had his hunting rifle, and Tobias had bought his uncle's pistol, but not enough.
Starting point is 00:12:34 In the face of the current economic crisis, a lot of folks have been forced to part with shotguns or rifles, sometimes passed down for generations in order to put food on the table. As Tobias gazed into the trees watching for some sign of Christoph, Franklin peered at his watch and sighed. Tobias, where the hell is Christoph? How are we supposed to get anything done without some firepower? I know he always laid for work, but he can't even be bothered to show up for this?
Starting point is 00:13:02 Christoph was a skinny white kid who worked in Pascoe number three. He was a bit of a flake, always clocking in just a couple of minutes later, or forgetting his lunch, or needing to bar. a spare shovel and he always had some story to tell about how those circumstances had come about. The boy seemed constitutionally incapable of keeping his mouth shut, truth be known, and Tobias had at first hesitated to include him. But Christoph was a good boy, and he was useful. His granddaddy was a gunsmith and amateur chemist who liked to tinker around with homemade fireworks. Christoph's aunt and uncle had also been found brutally and inexplicably murdered,
Starting point is 00:13:42 in their home in recent weeks, and it hadn't felt right to deny him a place at their side. I know, I know. He should have been here hour ago. I'm starting to get worried something might have happened to him. I told him to be careful, but you know how he is. That man can't keep his mouth shut for nothing. He probably told his pastor he couldn't come to service because he had a house to burn down. He gets caught. We'll all be hurting. Tobias was considering the wisdom of leaving the group to go check on Christoph when, finally, they heard the sound of a panel truck chugging down the road. Tobias peered through the trees and watched as a truck drove past the turn that led up to the cabin
Starting point is 00:14:24 and continued on down the road, just past a stand of trees. Good man, Tobias thought. He'd warned Christoph not to come up the narrow track that led to the cabin, and its occupants might hear his truck. Better to pull off the road a ways down and come through the woods. A few minutes later, they heard a rustling in the underbrush and the sound of heavy breathing as Christoph Meso lugged a crate of guns into the trees. Tobias felt his shoulders slump in relief.
Starting point is 00:15:00 Christoph what took it so long? I... Auntie? Nina? What y'all doing here? Tobias's eyes widened as his auntie Marigold and cousin Nina. followed the skinny white kid into the clearing. Nina was helping lug a couple of jugs of what must be the lamp oil, and Miss Marigold carried a small woven basket over her left arm, and a familiar sickle in her right hand. Tobias turned to glare at Christoph.
Starting point is 00:15:28 What are you doing, bringing my auntie and cousin into this mess? What was you thinking? It wasn't like that, Christoph stammered. They flagged me down, and, well, yes, You try arguing with them. Christoff threw up his hands and shrugged helplessly, his eyes darting nervously to the two women. Nina Jennings had set the jugs down and folded her arms over her chest.
Starting point is 00:15:51 Her mouth set in a grim, determined line. An expression Tobias knew all too well. Auntie Merrigold raised an eyebrow. The young man speaks true. Nina got word of what y'all were up to here and came to me. Tobias Underwood, what were you thinking? What were all you fools thinking? The woman known to all of Bower County,
Starting point is 00:16:14 regardless of familial affiliation as Granny Underwood, cast a stern look over the assembled men, meeting each one's eyes in turn. Young and grown, black and white alike, they all eventually looked away. Some ducked their heads or shuffled their feet. No one said a word. Auntie, the men,
Starting point is 00:16:38 in that cabin. They're the one responsible for all them folks been killed lately. They've been spotted, drawn around, on a company car nearby everywhere. Something happened. We know it's them. Of course it's them, Tobias. I saw them as well. They drove up by the house this morning
Starting point is 00:16:54 looking for you. They dropped that delivery off at my house. And they knew it's your address. Me? Oh. Yes. Oh. And y'all think,
Starting point is 00:17:08 you gonna just run up on folks like that and do what box their ears and send them packing miss marigold shook her head use your head tobias them folks are dangerous we got to do something auntie we can't just let them keep killing folks of course not but you boys ain't gonna go running in their half cocked if you do you'll die hear me you will die she cast her gaze around the group of men again and slowly the They nodded, all but one. Franklin Moses raised his chin and spoke up. No disrespect, ma'am. But why should we be listening to you?
Starting point is 00:17:49 This is men's business. What do you know about it? Franklin Moses, you old enough to know better. But here you are encouraging these youngans in their foolishness. What do I know about it? You didn't question me when your grandbaby had the croup last winter or when you moved into that house that needed a good cluelessness. Cleansing. Heard any most stomping footsteps in the night?
Starting point is 00:18:13 Got cabinets banging at all hours? Uh, no, ma'am. It's been a peaceful house since you visited. Well, then. Don't ask me how I know, Mr. Moses. I know. Yes, sir. Fair enough. Merrigold nodded and turned her head from Franklin back to the rest of the gathering. Now, if we do this right, we can run them company folks out of our cash. county and we'll all go home tonight. Y'all gather around now and listen close.
Starting point is 00:18:45 Here's what we're going to do. Mayor Gold Underwood nodded. Satisfied as she put the final touches on the hasty sigils, she dug into the ground with the point of her sickle. It was sloppy work by her usual standards, but it would help keep those company folks contained, and the fire would do the rest. She stood and stretched, working the kinks out of her.
Starting point is 00:19:15 of her back and then nodded to Tobias, who had followed alongside her as she worked her way around the cabin in the woods, filling the symbols she etched into the ground with a mixture of lamp oil. And some of the more specialized herbs and flowers she tossed into her little basket, the sort of things she kept on a high shelf out of the side of prying eyes and the reach of curious fingers. They had been able to work in a tight circle, staying as far clear of the surrounding trees as possible with the aid of her daughter. Nina was a deft hand with a cloaking spell. It wouldn't keep them hidden from anyone who looked directly at them.
Starting point is 00:19:55 But it was handy to deflect a casual glance out of windows, saying, allow them to move all but silently. Now Miss Marigold and Nina, Tobias and Franklin and the other men, gathered around the outside of that circle. One positioned at each of the 13 sigils Marigold had carved into the ground, around, the men all carried guns. And as Marigold nodded to the youngest one, Christoff, he lit the torch he carried. And then those of the two men on either side of him, the assembled miners passed fire to one another. When the last of the torches had been lit, Tobias silently raised a hand.
Starting point is 00:20:38 Across the circle from him, Franklin Moses raised his as well, so that any man from any point around the circle of wards would be able to see. the signal. At Tobias's nod, he and Franklin both dropped their arms, fingers pointing down, and every man lowered his torch to set alight the symbol etched in front of it. Power thrummed through the ground as the sigils came to life at the touch of flame. It coursed down the double lines that connected each sign, gathering power and forming an impenetrable wall of magic-kissed fire, startled the men shuffled back a step or two. The Miss Marigold Nina and Tobias held their ground, and the others quickly settled. Standing straight, faces set with determination.
Starting point is 00:21:26 The blessed fire bathed their faces in a righteous golden glow, and their shadows stretched long behind them. Tobias opened his mouth, ready to give the signal for the next part of the plan, when the cabin's front door opened. A short white man with a scar over one eye and heavy muscles packed into the cabin. to a finely tailored suit stepped on to the porch. He gazed through the flames of the local men with their guns and their torches, and the two women who stood among them, and smirked.
Starting point is 00:21:59 Well, well, well, what have we here? Can I help you, gentlemen? It was the smile that did it. The pompous expression on the face of the man who'd brought so much pain and heartbreak to Bayer County, Tobias Underwood couldn't abide to smug. bastard. Yeah, you can help us all right to murder and some bitch. We know what y'all did is the Capriades and the pastor and all them other folks. You and your boys can come out here and face us like men. Oh, I don't know about that. There are but three of us here. But I'll
Starting point is 00:22:36 be happy to summon my boys because you are corrected one respect, reached out before him. His palms turned toward the ground, and he made an odd grasping motion with his fingers, twisting his palms around and jerking his clasped fist upward, and there was a brief moment where nothing, and the gathered men simply stared at him, unimpressed by the strange gesture, and then their own shadows rose up around them. It was like fighting smoke, except the shadows carried an unaccountable heft and weight that defied the nature of such things, They twisted around the men's legs like vines, pulling them from their feet, then twist away when the miners reached to pull them loose. The shadows threw punches like champion prize fighters, shattering jaws and cracking ribs, but faded intangible as a bad dream when the men struck by.
Starting point is 00:23:48 They were, however, no match for Nina Jennings. When her own unruly shadow rose up before her, she shook her head firmly, grasped it in one hand like a troublesome haint, and reached out with her gift. it was almost like banishing a ghost. But instead of sending the writhing mass of darkness away entirely, she focused on the power that animated it. It felt cold and slimy against her senses, and she shuddered at its touch, but then it was gone. And her shadow returned to its proper place at her feet.
Starting point is 00:24:21 Nina hadn't been entirely certain it would work, but as soon as it did, she moved to her mama's side, did the same for her, leaving Miss Marigold free to direct the burning war. and then she moved on to help the others. Good work, baby. Keep it up. Yes, ma'am.
Starting point is 00:24:37 Nina worked her way through the swirling mass of shadows and bodies, banishing the writhing specters and helping her friends and neighbors to their feet where she was needed. She was so busy at first she didn't notice the thin. Mr. Crane smiled as his compatriot stepped on to the porch. A little assistance, Mr. Churchman. that girl is a bit troublesome. Mr. Churchman gave a stately nod and turned his attention to the young black woman on the other side of the plane.
Starting point is 00:25:17 Johann Churchman had never been a man of words. And he had spent his life before joining the ranks of the hollow men, spreading. He had strangled over 200 men, women, and children by the time he found his way to the hall. of Barrowhouse. Some joked there wasn't much soul left to hollow out of the tall, silent man, that some called breath-steeling. His hollowing had left him nigh voiceless, and it altered certain aspects of his physical forms in unsettling way. He raised a single hand toward Nina Jenney,
Starting point is 00:26:05 which stretched considerably wider than any normal human mouse should. It looked as though someone had slit the corners of it and installed rows of thin bones to hold it open like a haunted whale. His teeth were black and serrated, and a foul stench
Starting point is 00:26:25 bled from the man's he drew in a deep breath. The air filled with the sound of a thousand collapsing windpipes and the hiss of a thousand more death rattles as he began to draw the air from around Nina Jennings. The fires are around her died from the lack of oxygen, and Nina swayed on her feet, her eyes wide with fear,
Starting point is 00:26:49 as her lungs emptied and could find no air to refill them. Terrified, she reached out with her gift in panic. Who would speak for this man? She gasped, reaching into the darkness around her, calling out to whatever spirits were tethered by destiny to the looming form above her. and the spirits they came pouring through the darkness in droves. Their wailing voices
Starting point is 00:27:20 restored to them by death rising to a shriek in Nina's ears. The sucking pressure in her lungs disappeared and she gasped, drinking in oxygen gulp after greedy gulp. She watched as the furious dead swarm the tall man surrounding him in a seething mass. They seemed to almost blend together so that it was hard to separate one from the next.
Starting point is 00:27:42 Next, Nina clutched her head as their cries filled her ears and visions of their deaths filled her mind. So many deaths. So many terrible, terrible deaths. She shuddered. Oh, this man had a reckoning coming. I don't know who you used to be, mister, but I wouldn't want to be you for the world. You better hope you live a good long time. To her left, Nina heard the sound of breaking glass,
Starting point is 00:28:12 and she looked over in time to see the next torch sail through the broken window. Another landed on the porch and fire raced across the sagging, weather-worn boards. Meanwhile, Mr. Churchman continued battling the hovering ghosts, manipulating the shifting currents of air to direct them away from him. He caught sight of the young woman who had summoned the annoying spirits and spread his jaws wide in there. His eyes alight with unholy glee. and Churchman watched in satisfaction as she clutched helplessly at her throat, swayed,
Starting point is 00:28:47 and dropped like a puppet with her strings cut. Oh, no, you don't! Merri Gold Underwood swung her sickle back behind her shoulder and swept it around before her in a precise, furious arc. The cur of her blade gathered power before it, a whirling ball of air that combined with the flames before her and grew. At the end of her swing, a six-foot fall of fire
Starting point is 00:29:13 whipped across the yard, barely into Johann Churchman and blowing him through the front wall of the house. Sad. Panting with the effort and then turned her attention to her daughter. She spotted Nina on the ground some 15 feet away. To Mirigold's relief,
Starting point is 00:29:31 she was already moving. Rolling to her side, coughing, struggling to get up. She had taken one step towards her daughter when a bloodthirsty roar split the night. A woman, shadow stepped through the ruined front wall of the skinny white man who had attacked me. Marigold could see now, and pale, and her eyes glowed with amber light.
Starting point is 00:30:10 Marigold could see her face in the firelight, and she was clearly the same woman they'd seen in the black car that afternoon. But earlier, where she'd had dark hair styled and neat waves, a swirling mass of whipping shadows like tentacles, now cascaded over her shoulders and down her back. The burned remains of her dress hung from her shoulders and tatters, and from the neck down, her body was covered in armored plates made of articulated bone and streaked with soot. Her hands were encased in thick studded gauntlets tipped with razor-sharp claws, her feet in more of the same.
Starting point is 00:30:56 She raced to the edge of the porch, much faster than anyone so encumbered should be able to move and leapt to the ground, bringing her heavily armored fist down before her in a whoosh. A shockwave rolled across the ground around her, spreading in a wide circle that knocked the crowd of men and women from their feet. The bone woman stood, gazing around the devastation in her midst, and her eyes lit on Miss Marigold. Already gripping her sickle and struggling to her feet, a cold smile spread across Polly Barrow's still pretty face.
Starting point is 00:31:35 It's you! The old bat from the shack on the mountain? You puny, meddling, mortal bitch! The mouth on you. Why, your mama ought to tan your hide. Don't see her here, though, so I guess I'll have to do. Mary Gold Underwood squared her shoulders and planted her feet. She swept the sickle before her and the smoldering ember of her wards left into flame once more at her command. She smiled grimly as Polly Barrow stepped towards her,
Starting point is 00:32:10 and in her heart she sent up a prayer. that Nina and Tobias and all the other good men here would make it home safe tonight. The bone woman, she pulled back a heavily armored fist, nearly the size of Marigold's head, and then suddenly she stopped, rocking back on her heels. She dropped her fists. Her hands going to either side of her head as she cried out. She stumbled to her knees, clutching her skull.
Starting point is 00:32:42 She called out to someone. Someone no one else could see. Daddy? Daddy, no, I've got this. And fascinated horror. The armored woman seemed to almost flicker as her scream echoed through the night. There was a sharp popping noise.
Starting point is 00:33:19 Like the sound of displaced air, just gone as if she'd never been. From behind the cabin, which was blazing merrily along, an engine roared. A moment later, the black Cadillac, swung around the side of the house and screeched to a stop. The tall man, his face, a weeping mass, a burned flesh and exposed bone, was behind the wheel. He reached behind him to throw the back door
Starting point is 00:33:49 open and the short stocky man, who someone had shot in the leg, and good for them, staggered across the yard and threw himself into the back seat. The door slammed behind him and the caddy tore off down the dirt track and into the night. Marigold Underwood sagged with relief. dropping to her knees right there in the dirt. She sent up another silent prayer of things. It was over. It was over. Nina Jennings carefully pushed herself to her feet,
Starting point is 00:34:27 carefully assessing herself for any broken bones or other serious injuries. She found only scrapes and bruises, and she looked around and spotted her mother on her knees several feet away. Nina leapt up and hurried to her side. Mama! Mama, you okay? I'm fine, baby. Just got the wind knocked out of me, Zaw. Give your mama a hand with you. Tobias was on his feet as well, carrying one of the remaining torches to help him pick his way around the burning patches of grass, searching out each of his friends. Christoph Maso was dead.
Starting point is 00:35:03 Tobias had seen the kid go down fighting the short man, had heard his agonized scream, a sound that would live on in his nightmares for the rest of his days. Another man had smothered to death under the influence of whatever hoodoo the creepy tall man had been working. Tobias shuddered at the thought. As he helped a man with a broken arm to his feet, Tobias heard a low moan coming from a few feet away. He squinted into the shadows, holding his torch aloft, and spotted Franklin Moses lying near the smoldering remains of the cabin's front porch. Tobias ran to Franklin's side. and dropped to his knees next to his fallen friend.
Starting point is 00:35:49 Franklin had been caught in the fire. The dark coveralls he'd worn earlier had been burned away all along his right side from the shoulder down. It was hard to see with just a torch, but the burns looked. Tobias reached out and laid a gentle hand on Franklin's chest, trying to avoid the injuries but to keep the man still so he could get a better look. Franklin, shh, hold still, ma'am. Let me go look at you. Hold.
Starting point is 00:36:16 Tobias trailed off mid-sentence. As the seared skin before him seemed almost to shimmer. As he watched in disbelief, torn flesh knit itself back together, and burns began to fade, then heal. As the pain faded, Franklin quieted, and took a deep shuddering breath, he stared up at Tobias in awe.
Starting point is 00:36:42 Tobias, what did you do? I don't know, man. Man, I was trying to see how bad it was. Behind him, Tobias heard footsteps and turned to find his auntie Mary Gold and Nina had joined him. Well, Tobias, I always said you took more after your uncle than your own daddy. Auntie? What was this? What was that?
Starting point is 00:37:10 How did I do that? It's all right, baby. You just got that hoodoo shit. Don't you worry now. Everything's going to be fine. Just fine. There's some other folks need your help now. Come on. I'll show you. It took Mr. Crane and Churchman, a solid two days to reach Barrow, Pennsylvania. The two men were injured and exhausted from their laborers and spent most of the first 24 hours after they escaped Bower County. May they never return to that foul place. Parked under a bridge. bridge, one asleep in the front seat, the other in the back, allowing their wounds to heal. Then they had spent some time pondering whether it would best serve their interest to return at all. The Barrow family was not known for its tolerance of failure.
Starting point is 00:38:12 In the end, they had determined that they would be tracked and hunted and die like animals if they chose that course. and so they turned the black card north and headed back to Barrowhouse. Mr. Churchman steered the car that had belonged to their mistress up the winding drive that led to the front door, and the two men stepped outside. The night was silent. Not a cricket stirred, not an owl hooted. Nothing living lingered long in Barrow. The slap of their hard-sold shoes on the marble steps was the only sound as Crane and Churchmen made their way up the steps to the front door of Barrowhouse and let themselves inside. They found Conrad Barrow waiting for them. Welcome back, boys. Have a good time in West Virginia.
Starting point is 00:39:17 Mr. Crane said nothing. churchman stood silent and implacable as ever at his side. Conrad Grinned. You two can head on down to the bunkhouse to wait for your next assignment. Miss Polly will be for some time. Father isn't very happy with her at the moment. Welcome to the end of Act 1 of Season 3 of Old Gods of Appalachia as we wrap up our time with Pretty Polly Barrow and the
Starting point is 00:40:20 Underwoods, 35 episodes. That's a pretty solid milestone, y'all. When we started this thing, I was impressed we'd made it to five. So here we are, episode 35, the end of Act 1 of our third season as above. So below. I want to take a minute to say thank you to everybody who got in on the Kickstarter for the tabletop role-playing game with Monty Cook Games. I don't know how anything that Cam and I have ever created raised just under $2.1 million.
Starting point is 00:40:48 but we promise we're going to use that funding to make you all an amazing game. We're so excited and Monty Cook Games is chomping at the bit to turn us loose. Y'all are going to be able to make your own holler. Make your own holler kit. That should have been a stretch goal. But anyway, thank you so much for everybody who contributed to the Kickstarter. And if you knew about the Kickstarter, that means you probably have completed your social media ritual, what you can do by heading over to old gods of Appalachia.com.
Starting point is 00:41:17 Tweet into the void with us on Twitter. us on Facebook, Instagram. Join us on the Discord server. Cam and I stop by there every now and again just to socialize and be polite. And also, you can learn about our new collaborations and our new partnerships. For example, we did tea before. Now we're doing coffee. Goose Bridal Coffee Roasters is a coffee company out of Kentucky,
Starting point is 00:41:37 and they are producing official old gods of Appalachia roasts. Old number seven and Morning Glory, the official coffee of Glory and Boggs. You can check down to the show notes for a link. and I learn all about it and get your hands on some brew. Y'all, here's a little bit of the hard news. We have ended Act 1 of Season 3, which means we are taking a little break so that we can breathe, finish the finale of Blackmouth Dog,
Starting point is 00:42:01 and come back refreshed with Act 2, which is going to melt your brain a little bit, I promise you. We will be returning on June 9th with the beginning of Act 2. June 9th. I hope you're listening to the post and not asking to the Facebook group. Okay, June 9th is the beginning of Act 2.
Starting point is 00:42:21 And this is your ever so often reminder that Old Gods of Appalachia is a production of deep nerd media distributed by Rusty Quill. Today's story was written by Cam Collins and Steve Shell with script consultation by DJ Rogers. Our intro music is by our brother land and blood. Our outro music started out with Brother Land and Blood accompanied by John Lee Bullard. We're finishing out with Miss Stacy Sexton with a version of Pretty Polly. Speaking of Pretty Polly, the voice of Pretty Polly Barrow is Tracy Johnston Grum. The voice of Nina Jennings is Shasperay Irvin. The voice of Marigold Underwood is Stephanie Hickling Beckman.
Starting point is 00:42:56 The voice of Tobias Underwood is DJ Rogers. And the voice of Franklin Moses. Yes, you heard correctly. That was Dr. Ray Christian. And I'm going to confirm right now, conspiracy, red thread people. That does not mean Franklin Moses has anything to do with brother Bartholomew. I just wanted to sneak Dr. Ray in there. Thank you, Dr. Ray.
Starting point is 00:43:13 Appreciate you, Big Brother. The ghost chorus in this episode included Cam Collins, Laura Hampton, Manda Ali Leonard, Amory Hilton, Jordan, Shively, Tanya, Wollard, Nathan Kiviki, Kelson, Staller, Jason, Stryff, Fiona, Toulah, D.L. Armstrong, Armsted, Mortellis, Eric Daniel Pavey, Renee Hill, Grant McCracken, Dave Cole, Terhan McDaniels, Monique Bouchard, Tyler Childers, no not that Tyler Childers, the other not famous one, Jekson Akaro, Joshua Hunsinger, Teresa Daniel, Sarah Leary, Dan Krayley, Edwin Maldonado, Jr., Nikki Nelson Hicks, Laila Cruz, Lindsay Deal with thanks and apologies to Billy Howell, Mayor Preston Blakely, D, Travis Brandel, Tanya Downing, Josh
Starting point is 00:43:52 Roberts, Susan Fox, and anyone else off of my friend's list that sent me a file after I'd already started putting that together. Thank you so much for wanting to die for us. We'll talk to you soon, family. Talk to you real soon.

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