Old Gods of Appalachia - Episode 37: The Other Walker House

Episode Date: June 23, 2022

Miss Belle discovers her roots in another dead town.CW: references to deaths of parents and siblings, reference to death by monster, frank discussion of historical sex work, bodily injury and disability, emotional trauma, minor self-injury, blood.Written by Steve ShellEdited by Cam CollinsNarrated by Steve ShellSound design by Steve ShellProduced by Cam Collins and Steve ShellIntro music: “The Land Unknown (The Pound of Flesh Verses)” written and performed by Landon BloodOutro music: "I Cannot Escape the Darkness" written and performed by Landon BloodSeason Sponsor: Sucrebeillle – Visit sucreabeille.com/products/nightshade and use the code LOVEGODS. Spend $25 anywhere in the store and add a dram of Nightshade to your cart and get that dram free.LEARN MORE ABOUT OLD GODS OF APPALACHIA: www.oldgodsofappalachia.comCOMPLETE YOUR SOCIAL MEDIA RITUAL:FacebookInstagramTwitterBlueskySUPPORT THE SHOW:Join us over at THE HOLLER to enjoy ad-free episodes, access exclusive storylines and more.Find t-shirts, hoodies, mugs, and other Old Gods merch at www.teepublic.com/stores/oldgodsofappalachia.Transcripts available on our website at www.oldgodsofappalachia.com/episodes.Support this show http://supporter.acast.com/old-gods-of-appalachia. Hosted on Acast. See acast.com/privacy for more information.

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Right about now. From D&T publishing comes a tale of doomed love and paranormal southern gothic horror. The debut novella of author Christoph Meso, Scream of the Butterfly. Handsome, gifted young James Laurent has a story to tell you. His father will likely be the next governor and his own future is bride, but James carries a dark secret. He's a sociopath who's done terrible things and doesn't know how to love. That is until he meets Morgan, a strong, beautiful farm girl who captures his heart.

and turns his world on its ear. But Morgan harbors secrets of our own, and as James will discover, creatures far darker than he walk the earth. 2016 Brahms Stoker Award winner John Langan says, Christoph Meso wraps big questions about the nature and limits of love in a propulsive narrative that punches above its weight class. A strong debut.

This novella both delivers on its own promise and marks Mesao as a writer to watch closely. Scream of the Butterfly is now available on Amazon and godless.com. your copy today. Old Gods of Appalachia Season 3 is brought to you in part by Sukrabe. Sucrabe is a woman owned and operated fragrance company dedicated to increasing the visibility and accessibility of products made by independent women makers. With a website packed with stories and lore connected to their dazzling and fantastically named fragrances, Sucra Bay provides a truly immersive experience for those who wish to carry the sense of

whimsy and darkness with them wherever they go. Their vibrant and engaging Facebook group brings the whole package together, allowing fans to become family and you know how Cam and I feel about family. As a special thank you to old gods, Ken folks, follow the link in the show notes, spend $25 and use the code, Love Gods, L-O-V-E, G-O-D-S to get a free dram of fart kitten. Sit notes include candid peonies, green tea, floral aldehydes and cucumbers, Egyptian musk, and a drop of animalistic stink. Sukrabei. Welcome to the Dark Side. We smell awesome. Old Gods of Appalachia is a horror anthology podcast

and therefore may contain material not suitable for all audiences. So listener discretion is advised. Miss Bell Calloway was no stranger to the open road. Not even counting the days spent running from the restless dead of Barlow, Kentucky, Annabel Calloway had logged more than her share of miles between leaving the husk of that burned out and ruined town before coming to settle down to teach school in Baker's Gap. From the time that her aunts plucked her from the less than tender mercies of an orphanage,

the girl who had been known until that time as Sarah Avery had traveled all over Appalachia. Marcy and Ellie Walker had taken her on an impromptu tour of the region. staying in safe houses or the homes of family friends along the way to make sure that no other things would be able to find the girl. Sarah had told them about all the things that had hunted her through the woods and the things that had not been her daddy nor her. She'd spent time in Esau County where she slept for what seemed like a week at her Aunt Ellie's house.

There were days when she'd work in the garden or play with Aunt Ellie's cat Vespitalio and things would almost feel all right. But then the horror and the grief of the things she had seen and Barlow would come crashing over her like a wave. We and Daddy were gone. She'd seen her Uncle Eddie give up his life and maybe even his soul to give her time to escape. She'd seen the dead rise and the town burn

and somehow, somehow in the middle of all of it, she'd called the rain to put it all to rest. She hadn't understood how or why that part had happened at the time, but her aunts had done the best to fill in the blanks. She was a part of a long line of gifted women, and even if her mama hadn't born a true gift, she was certainly showing the signs of one. After the things she'd seen in Barlow, she had no trouble believing what her aunts told her. She had seen the darkness up close and watched it swallow her whole family. After their stop at Ellie's house in Glay Morgan, they had traveled to visit with other grannies and friends of Mamma Sheila, who had also shared their wisdom with her.

They'd spent a few days with Mr. Jasper up in South Fork, who showed Sarah how to find water with nothing more than an itchy nose and a dowsing rod. They'd stayed for a long two weeks out near Isaac County with Miss Hester. Who Aunt Marcy had known before she'd moved to Tennessee to open the house in Baker's Gap, Miss Hester was a kind woman. with short black hair who seemed cut from much the same cloth as her Aunt Marcy. Miss Hester had a large collection of pistols, rifles, and long, pointy knives that she had shown off to Aunt Marcy with great pride. Sarah had learned a lot about how to kill or unmake the things that come from underneath the mountains from Miss Hester in those two weeks.

Miss Hester had also talked a lot about her own memo, who she called Granny Alice. Granny Alice kept a place just on this side of Hazard, Kentucky, where she took in young folks with the true gift who'd lost their families one way or another and helped them sort themselves out. As Hester had offered to write her memo and ask her if she had room for one more, but Ellie and Marcy had demurred.

Sarah still had a family, they told her, no offense to Granny Alice. As Sarah grew older, Aunt Marcy would send her to visit with cousins and other family members who helped her pursue a more mundane sort of education. Working on farms, learning about the breeding of stock and the tendon of crops, and when she was older, she had taken correspondence courses in literature and mathematics, and thus gained her credentials to teach in a classroom. At the wizened old age of 17, Sarah Avery rechristened herself Annabelle Calloway, a name chosen in memory of her own school teacher Annie Messer,

and her best friend Daniel Calloway, and which would offer her a measure of anonymity and protection from anyone or anything who might come looking for the last Avery girl. Now, West Virginia had been good to her, but she missed the company of the women who'd been there for her when no one else was. So she moved to Baker's Gap to answer an advertisement to teach at the local school. She settled into the house, provided for the school marm, had stayed in touch with her mother's sisters, but had done so somewhat discreetly,

disclosing their blood relation to only a select few who would need to know. Until now, she had managed, with a few notable exceptions, to avoid any of the dark and shadowy business that seemed to seek out those barren walker blood. She had been determined to live a quiet life, teach the children of the town their three hours, and be content. Up until this point, she'd mostly got her wish. But now, the road was calling again. Belle Calloway had.

All her travels, she had never been to her mama's hometown of Turniquet. There'd never been a reason to go. By the time she'd been old enough to know the truth about her family, Ternicott wasn't even a town anymore. Just the name of an awful place that her mommy and daddy had left to start a new life, and now here she was. Less than a mile from the beast that birthed her whole bloodline into the world. Ternicott had stood empty for more than ten years, and no passenger rail had run since long before that.

Her Aunt Marcy had arranged for Mr. Blevins to drive her up the newly opened Route 23, turning off onto the county road to the courthouse from whence the notice. of the town's demolition had come. The man behind the counter seemed surprised that a young woman would be answering the notice. He told her that a handful of men from various coal companies had come and gone in the past few months,

but only one other family had replied to the notices and they'd stopped in on their way up to tourniquet a few days prior. He doubted there'd be anyone up there at all by the time she got up there today. Was she sure she felt safe going up there alone? and Belle assured him that she had someone driving her up to the house, and the clerk shook his head. Oh, no, no, honey. You might be able to get a vehicle up onto the main drag, but you try to go on to some of them old backroads where the private houses was.

You're practically begging to get stuck in a ditch or swallowed up by a sinkhole. You be careful up there, miss. Remember, county ain't responsible for any injuries or anything else that might happen up there. You don't want to be out after dark up that way either. No telling them what might be out in them woods nowadays. The main road into town had once been paved with smooth black asphalt pulled dark and soft from the gramite mines a few counties north. It had been a marvel of modern infrastructure at the time, but now it lulled like a desiccated black tongue from the mouth of a corpse. Her mind couldn't help but wander to her last memories of Barlow.

Comparing that living nightmare to the within. hush of a town that lay before her. But Barlow had been a town pulled screaming into hell, filled with the stench of burnt flesh and the agonized cries of her dying neighbors as the wrong dead took their vengeance on the place and the people who had sent them to die in the dark. Turnicent was more like finding old bones in the woods. You could tell something had died here by the scattered pieces and maybe the smell,

but you were probably never going to know the true horror of what had happened. You were probably better off not knowing. Most of the structures that composed what was left of the main drag wouldn't need much help from any demolition team. Apart from a few brick buildings, most of the old saloons and alehouses had suffered some form of damage over the years,

be it at the hands of vandals and looters or the occasional fire not quite snuffed out by careless squatters. None of these abandoned places interested. Miss Bell, though. Marcy had drawn her a clear and carefully annotated map that directed her away from anything that resembled a street onto the quiet, shaded side roads, that led away from the still blackened heart of this place

and out into the thin vestiges. It didn't take her long to find it. A prim house with a high porch and dark gray walls that had faded in the sun to a lighter shade by time. But which still matched a little bit of the, description passed on to her by her mother's sister. Belle could feel her family here. The wards that surrounded the Walker House and Baker's Gap felt like a welcoming

embrace to her. The time she visited there felt like coming in from playing down by the creek to a warm supper on the table and the sound of her mama calling her daddy and Uncle Eddie to come eat. She knew now it was because her aunts had not only saved her from an awful fate back at the home as it was called. but because they'd been there for her birth, had set the wards around Mama and Daddy's house,

had performed the rites that eventually avenged her mother's death at the hands of whatever had done for her. The Walker House felt like home to her because the same love and life was poured into the wards protecting both. Bell could feel an echo of that power here. It felt a little different, like the difference between her mama's cornbread and Aunt Ellie's cornbread,

one was a little drier and one was a little softer, but either one would make your bowl of soup beans a thousand times better if you crumbled into it all the same. The walk up to the steps of the porch was made of four large, flat, rectangular stones, cut and laid out like a proper sidewalk. Bell bet if you flipped them over, they'd be rife with sigils and workings that were even now keeping the house safe. You see, while other buildings within the bounds of tourniquet,

were like rotten teeth jutting up through a dead man's jawbone, Miss Sheila's charm school for well-instructed ladies, stood like a long-sealed hope chest, gathering dust in a spinster's attic. The windows were all intact. The porch steps were not rotted through nor broken. The rocking chairs on the front boards were weathered, but still looked stout and functional.

The front door stood dust-covered, but untouched. It's rich dark wood grain evident in the afternoon sun. The Charmer School looked for all the world like a fine hotel that had closed for the season more than anything else. Belle Calloway stepped to the first of the four stones of the path to the porch and said, as her Aunt Marcy had instructed, The first day was the same as the last. The house is empty, but there is hope. the air shifted a bend a breeze blew

and the light in the shaded yard dimmed slightly Bell stepped to the next stone and felt it pulse with power as her heart began to race and called out Gerald was loved and John was kind

the overgrown yard seemed to inhale and hold its breath around her as she spoke Her first words had announced her presence, but this litany, which Marcy made sure she could recite from memory and would not explain,

had gotten the place's attention. She felt as though she had woken a bear. Or something much, she swallowed hard and stepped to the next stone and went on, Nathaniel wasn't worth two shits. Theodore lied at the end, and we don't talk about,

Kenneth. Something moved in a second-story window and drew her eyes upwards. One of the old rocking chairs on the porch began to gently seesaw back and forth as if occupied. Marcy had told her how the house's wards might respond and that she had to be ready. She stared at the rocking chair as if addressing its occupant and stated plainly with only a slight quiver in her voice. John Philip left his knife. and Harry died too young. He'd probably have been proud.

The curious pulls she'd feel sometimes before a storm broke over the valley back in the gap. That pull she felt that last awful night in Barlow when the rains come before anything else could happen. Bell stepped onto the final stone and said as confidently as she could. The last day has come and it's the same as the first. but there is hope I beg sanctuary and sucker and claim both by right Bell then pricked the pad of her thumb

with the short-bladed knife she carried and squeezed out a fat drop of rich red blood and let it fall onto the fourth and final stone the breath the overgrown yard had been holding seemed to the tension in the air and behind her eyes ebbed away. There was a click. And the front door

to Miss Sheila's charm school for well-instructed ladies swung open. The foyer was almost as striking in its forsaken state as it was when the charm school was in its heyday. Polished wood floors stared up through a shroud of dust and the walls gleamed with ivory and gold-flake wallpaper that spoke to an elegance far removed from the deep

minds of West Virginia. Bell carefully made her way through the rooms of the first floor. She tried to imagine them full of folks dressed as nice as they could be and out for an evening of fine entertainment, while keeping her eyes and ears sharp for anything that might be a threat or an item of interest. The grand sitting room with its player piano hidden beneath a white canvas drape seemed to cry out for folks to take to the empty floor and dance. Most of Sheila Walker's furniture had been sold at auction when the house closed

or else passed on to family and friends else where in the wide world. The side rooms where men once sat with cigars and bourbon and beautiful girls sat empty and cold as closets without clothes. The wall hangings and fine rubs long since rolled away and disposed of. Bell could sense something watching her, could feel the same presence that flitted from the upstairs window that had held its breath until she spoke the right words and shed her own blood to prove her birthright to purchase entry. The charm school. The house itself was watching her as she moved from empty room to empty room until she finally found the staircase. Two flights up,

one flight down. Marcy had given her specific instructions. There would be nothing of value in the rooms on the upper floors. They had been stripped and scrubbed and left sitting empty when the house closed. There was no point in trying to salvage any furniture left behind or anything large enough not to be carried out by Bell herself. If Melvin could have come along with the truck, that might be a different story, but the roads were in too bad a state for that, so Melvin waited for her at the end of the side road.

He knew enough to understand that as much as he wanted to protect Miss Walker's niece, that this was family business. And Melvin Blevins knew well some things could only be settled by blood. In any case, no one was overly concerned about a few old dressers and bookcases. The room that Aunt Marcy's eldest sister Rosie had expressed concerns about was the downstairs room. When the charm school was open for business, downstairs was simply off limits to everyone, except Sheila Walker. Her daughters knew they could stand to the top of the store. stairs and called down to her if they needed her, and she'd answer them as she could.

But often the work done in that room was dangerous, and of a nature that had little to do with the family business. Sheila Walker's private bedroom was on the third floor with her girls, but the downstairs room was her sanctum. But there was anything left behind that could be of value to folks who served the inner dark or the green, Belle would find it in the room at the bottom of those stairs. She placed her foot down on the first step and the walls. With the next step, the air grew heavy with the scent of rotten cucumbers and venomous slithering things that threatened to strike. As she placed her feet on the third step, a deep growl, rumbled. Bell sighed and stopped where she stood. You let me in here. You've had my blood. You know who I am? The growling,

the smell of snakes and befalled vegetation remained. Seriously? My memo is gone. The stairs groaned under her feet. Sheila Walker left this world a long time ago, and I am of her blood. I come in kindness and in service to her memory. If you want to play games with me, House, I will sit here until they tear you down, or I pick apart the protections by Mammal put on this place myself. The scent of potential snake bite faded. And Bell continued to the bottom of the stairs,

which ended before a thick, oaken door. She reached for the knob, which of course was stuck fast. Really? She asked the air as the brass doornaub refused to budge. Fine, she muttered as she squeezed her thumb to open the small wound she'd created earlier, smearing her blood across the keyhole. I am the daughter of Caroline Walker, granddaughter of Sheila Walker, mistress and keeper of this place,

and by the blood of my line, I command you to open to me, to keep no secret from me and to stand not between me and my birthright. Open and give me, what is mine. The lock gave a soft click, which somehow managed to sound resentful, and the doors swung open, and Miss Bell walked into her mamma's workroom for the first and only time. Her Aunt Marcy had simply instructed her to trust her gift to guide her. Bell would know what to take, what would best be kept in the family in the name of safety

and in the name of the grain she had assured her. In the face of all that awaited her in the downstairs room, it was little comfort. Bookshelves lined the entire west wall. Generations of knowledge lay amongst the pages contained there, and Belle wondered if she'd know truly which ones to take and which ones to leave behind. Best get at it, she thought, as she pulled a book of matches from her pocket to light the dusty candles that still waited in sconces along the walls, and in the cluster of candlesticks on her mamma's sturdy desk.

She took her time perusing the shelves. And eventually, as Marcy predicted, felt her eyes drawn again and again to a few particular volumes. There were a couple of obvious ones marked with binding sigils or fastened with straps and actual locks around their cover. A set of combs and a mirror that clearly bore her Aunt Ellie's handiwork rested on a nearby work table.

Now, those may or may not have been a value to anyone else, but Ellie might want them. So they went into Bell's Satchel as well. She was about to move on to the next bookcase when a slim hand-bound volume caught her eye. It was a simple, cheap thing with a well-worn cover stamped with the faded gilt print of a forest scene framing two words in curling script.

My diary Bell felt a sudden pang of nostalgia. This was clearly something intended for a young girl, the sort of dime store gift that would make her feel special with its fancy script and decorative cover, and more importantly, its suggestions that someone felt her thoughts were worth writing down. She wondered if it belonged to Priscilla Rose

or one of the older Walker girls. Curious, she flipped the cover open. her heart nearly stopped in her chest. There, written in a careful school-age hand on the first page, was her answer. Sheila, Marietta Walker. This must have belonged to her memo when she was a girl. Bell eagerly flipped past it and began to read on what she found between those pages. was a story she could have never.

Well, hey there, family. Feel free to curse my name. Go ahead. I know you want to. Now, we left you hanging there with Miss Bell holding what could be a lost piece of Walker family history that might just, I don't know, remake that part of the story as we know it. Well, don't worry.

You'll get that piece of the puzzle real soon. Just, uh, not right. now. However, family, I would like to redirect your attention over to the newly revamped, reborn, and reincarnated version of old gods of Appalachia.com, redesigned and reimagined by one miss Cam Collins, our own keeper of the coding cauldron, where you can complete your social media ritual, join us on the Discord server, or get in on the Old Gods of Appalachia tabletop role-playing game via backer kit if you didn't get your pledge in on Kickstarter. The link is right there. It's prominent. easy to find.

And if you care to write your name and our black book and support us in a financial fashion, well, you can head on over to patreon.com slash old gods of Appalachia, where for a reasonable monthly sum, or for a one-time annual purchase, wherein you save yourself 10%. You can enjoy all of Build Mama, a coffin,

door under the floor, and the newly completed. That's right, y'all, all 10 episodes of Blackmouth Dog. That's like two whole other seasons and a two-part slasher film. just for your patrons pledge of $10 or more a month. Also, exciting new content involving Steve, Cam, and some special guests demonstrating how we attempt to recreate some of the magnificent food you hear us describe here on the show.

Expect guest stars who have characters based on them to appear in the flesh and this new video series coming soon exclusively on Patreon. Just shot some footage making soup beans last night with the character you're going to recognize from Death Island. and it's a whole lot of fun. Now, in other exciting news, we did mention on social media that toward the end of summer, we'll be announcing a select handful of dates for live performances of a special Old Gods of Appalachia live show that will feature musical guests that you know, and very, very, very special guest voices live and in person in front of you.

Now, these shows will be relatively regionally closer to home for us. So don't start asking us to come to Texas, California, or in places like, way, way, way super out. They're around Appalachia. Okay, but that doesn't mean you can't travel and come see us if you're safe and doing it right, okay? As soon as we have information on advanced ticketing and online ticket sales, we'll make that known to y'all. And patrons pledging $15 or more a month will get first bite of the apple. All right, that's one of the benefits of being an upper level Patreon member. These shows will occur in a variety of venues of a variety of sizes and we'll probably sell out.

So stay frosty, complete your social media ritual, or join us on Patreon. to be first in line at the dance. This is your every so often reminder that Old Gods of Appalach is a production of Deep Nerd Media and is distributed by Rusty Quill. Today's story was written by Steve Shellen, edited by Cam Collins. Our intro music is by our brother Landin' Blood,

and our outro music is by those poor bastards. We'll talk to you soon, family. Talk to you real soon.