Old Gods of Appalachia - Episode 46: Lay Not Upon Us Innocent Blood

Episode Date: November 17, 2022

It is the summer of 1941. There is a boy looking for answers in the deep woods of Kentucky. You should pray to the god that made you that he doesn't find them. CW: Death of a caretaker, financial distress, eviction/foreclosure, child endangerment. Written by Steve ShellNarrated by Steve ShellSound design by Steve ShellProduced and edited by Cam Collins and Steve ShellThe voice of Rachel: Sara Doreen MacPheeIntro music: “The Land Unknown (The Pound of Flesh Verses)” written and performed by Landon BloodOutro music: “Panthers on The Mountainside” written and performed by Jon Charles DwyerSpecial equipment consideration provided by Lauten Audio.LEARN MORE ABOUT OLD GODS OF APPALACHIA: www.oldgodsofappalachia.comCOMPLETE YOUR SOCIAL MEDIA RITUAL:FacebookInstagramTwitterBlueskySUPPORT THE SHOW:Join us over at THE HOLLER to enjoy ad-free episodes, access exclusive storylines and more.Find t-shirts, hoodies, mugs, and other Old Gods merch at www.teepublic.com/stores/oldgodsofappalachia.Transcripts available on our website at www.oldgodsofappalachia.com/episodes.Support this show http://supporter.acast.com/old-gods-of-appalachia. Hosted on Acast. See acast.com/privacy for more information.

Well, hey there, family, if you love Old Gods of Appalachia, I want to help us keep the home fires burning, but maybe aren't comfortable with the monthly commitment. Well, you can still support us via the ACAS supporter feature. No gift too large, no gift too small. Just click on the link in the show description, and you too can toss your tithe in the collection plate. Feel free to go ahead and do that.

Right about now. Old Gods of Appalachia, It's a horror anthology podcast And therefore may contain material not suitable for all audiences So listener discretion Is advised Hardbuckle Kentucky 1941

In every mountain community across these old and blessed hills that we call Appalachia There are folks who stand ever vigilant and watchful Against what? Against what they would not tell you, not under threat of death nor torture? Bloodlines that are touched by neither the green nor the inner dark directly, but are well aware of both. Ordinary folks, walking and living in plain side,

who would never once give you any indication that they have brushed shoulders with things beyond the understanding of their neighbors. Folks whose families pass down the duties of keeping watch on things that shift through the shadows of small towns and remote hamlets, wardens of dark beings that might bring harm to the good folk that inhabit those precious homesteads. In the towns closer to the cities, it often fell to the elder folk

who had a hard time in this age of science and industry to convince the next generation that haints and buggers and witches were real. That old Miss so-and-so back up in, booger-holler actually knew what she was doing with all her granny medicine and hex marks. But young folks just didn't want to live. listen to Mamma and Papaw talk about the old times when there was such an exciting new future just around the bend. But out north of Harlan and out west of Hazard, Kentucky, and the tiny

community a hard buckle, the eyes and ears of the north fork of the mighty Kentucky River were fortunately a fair bit younger. Regina Davis and Pamela Robertson, the former, an assistant librarian at the Perry County Public Library, and the latter, a secretary for Trace Fork mining, were both in their 20s. The two young women had each called in sick that day and made their way out to the low-line patch of land that folks called the devil's cradle. The cradle was a crater-like indentation

situated between the bosom of the mountain and the river itself, and you couldn't see the small compound of rustic bunk houses and neatly laid vegetable gardens that sat within it until you walked right into the middle of them, and that was no accident family. Greta Ambergie had to be done. kept her little farm out of the public eye for as long as anyone could remember.

Granny Ambergy, as most people called her, took in children that no church home or orphanage would. If you had a young man that couldn't stop hitting the others or cried all night or spoke in a tongue that no man has ever spoken that made the fires burn low and the milk turned sire, well, you called on Granny Ambergy. If you had a little girl who had seemed the worst of what man or God could offer and didn't talk to more, who sat all silent and scared all day long, and who only made a sound when the moon fell new in her shape and shadow change to something massive filled with teeth and eyes and vengeance. Well, then you called Granny Ambergie.

She'd come in her wagon or later on in her long white sedan and pick the child up and carry them off to the devil's cradle out between Hartbuckle and the Virginia State line. You wouldn't hear another word about or from them. people seldom ask what happened to children like that. As a result, the young ones were able to live without fear on Granny Amberghys farm, where they'd learn new skills, maybe a trade of some sort, and Granny's gift would keep their individual peculiarities in check. Over time, some would gain full control over whatever they carried within them

and would eventually rejoin the outside world, making places for themselves in the greater community. Others would go on to live their adult lives mostly in Iceland, insulation, building their own little homesteads in the shade of the mountains where hopefully they could be left alone. Greta Ambergie was known and well-locked amongst the elder witches of Central Appalachia. She was as no nonsense as a Tisley, as patient as an underwood, and as stalwart as a walker. She was also older than most of the matriarchs of all those revered families, and she'd lived her life rescuing littleins from the works of darker beings.

Most of the time it was the doing of their own kin folks. Parents caught up in some deal with a thing that come creeping out of the undergrowth, offering wealth and prosperity in exchange for their firstborn. Folks who signed their families over to the company they served are worse still. Folks getting in bed with the things that writhed and burned beneath the mines they dug and the tracks they laid. These children never asked for none of this. And so Granny Amberg, he took them in, and did the best she could.

Now, her considerable gifts had kept her alive long past any reasonable expiration date, but even the power of the green is limited in how long a mortal body can carry on. In the summer of 1941, Greta Ambergi, known as Granny, most people, went to bed one night and just didn't get up the next morning.

Her body had been discovered by Joyce Holiday, a local woman entrusted friend who had helped Greta around the farm these past 20 years. And there was only a handful of young folk living out in the cradle at the time, and Joyce had worked swiftly to bundle the seven youngest children and the farm's care off to homes that could see to their unique needs for a while. Before she could make arrangements for the remaining older children, two boys and a girl, all in the awkward transition from childhood to their teenage years,

well, the bank showed up. Upon Granny Amberghys passing, the wards that kept the farm hidden failed. and the tax assessors and process servers who'd come looking for the long and arrears property about once a month finally found it. The law was brought in and the property seized, buildings were shuttered, and capitalism slipped another tendril down the collective throat of the hollers of eastern Kentucky. Bruce Horn, vice president of something or other down at Perry County Bank and Trust, was there to oversee the proceedings, and it was to him that Pamela Robertson and Regina Davis brought their questions.

Bruce? Hey, Bruce! What's going on out here? We heard Miss Greta passed? What's happening? Called Regina as she waved to get the sweaty little man's attention. Oh, uh, hey, Regina, Miss Robertson, where y'all doing all the way out here? Well, we heard through the ladies' auxiliary they might need help with, well, with some of the youngs. We know she worked with a special sort out here, babies with health issues and all, We thought we'd come to help, finish Pamela Robertson. A tall woman whose polished secretarial phone manner's voice carried a little extra help in a gravitas. Oh, Joyce done got all the little ones off to the church group she works with.

Said they was folks that could take care of children that need that special care. Say, did you know there was a baby out here born with the heart on the outside of its body? I mean, how is that even possible? I mean, Bruce, Regina Davis cut him off. What about the older children? we heard there was at least three or four of them might need some special assistance. Bruce Horn scowled. He'd been out here all morning, sweating like a pig on a spit,

finally foreclosing on a long, long, outstanding mortgage, and the last thing he wanted to think about was trouble-making teenagers lurking around the bank's new property. Oh, them. Yeah, we got a boy and a girl trying to break into Greta's cabin after we done sealed it up. And looks like they got a few things out of there, but nothing of monetary value. Scotty said they grabbed some sort of big book and took off towards the woods. He sat off after him. He didn't get too far.

Mr. Horn. Pamela Robertson cut in, touching the man's sweaty hand to hold his attention. Where are the children now? Oh, ma'am, I rightly don't know nor do a care. They all looked healthy and able-bodied to me. They took off through the woods back that way after they pushed Scotty down the side of the hill. You all right, Scotty? Bruce Horn called to the older, heavier man who sat on a nearby, stump given a statement to a sheriff's deputy.

The older man threw a thumb in the air to signify that he would live. Lucky they didn't kill him. Scottie's old. Regina Davis rolled her eyes and slapped her second cousin the bank officer on the arm. Hard. So you're telling us that three of Granny Amberghys' older children, children everybody would just assume not remember her out here are just off on their own in the woods,

around Lost Mountain where anything could happen to him? Bruce shrugged. I guess so. I mean, like I said, and they didn't seem like they had anything wrong with them. They just took off. Look, Gina, I don't have time to worry about no youngans running away from home. I got work to do here. Hell, maybe they'll find work and learn some responsibilities

to let an old woman work herself to death taking care of them. I mean, really, what's the worst that could happen? Regina and Pamela exchanged a look as they hurried back down the path to the main road in their car. There were phone calls to make, messages to send. yet the worst was going to happen The best they could do Was be ready It was called to flesh

For a dreads off my friend To the shadow Boys stopped walking for a moment And looked back over his shoulder and listened He strained his ears and peered into the darkening woods Nothing back there as far as he could tell At least his time summer hung heavy on the dark banks of the Kentucky River

The humidity was just a smidge under drowning And because the sun had gone down Didn't mean it wasn't still hotter and stickier than tree sap on a spider's leg Oh, it had been a miserable day Granny died and Miss Joyce having to pack all the babies And littlings off with strangers The only place he'd ever called home Suddenly turned upside down by outsiders and lawmen

He didn't really know what to think about it or what they were going to do, but they couldn't stay there. This whole life, Granny had told him they'd better not go into the woods north of the cradle. There's panthers all up in them hills, Granny had said. Panthers, haints, and worse things if you go too far out towards mountain. If the living don't get you, the unliving wheel. Sometimes grown folks tell you in stories like that to keep them within the earshot of home so they don't get in too much trouble, but that wasn't the case on Lost Mountain.

Jonah had heard the big cat scream in the night. He'd seen the lights that shifted on the far hillside when the leaves were off the trees. He knew they weren't alone out here. The mountain loomed in the near distance, and the evening in its shadow fell on the cradle like a purple bruise. Granny told them that the worst boogers came. down from that old mountain at night looking for young ins to gobble up or carry off. He knew there were bad things in them woods.

Granny had never lied about that at least. She'd lied about other things, but not that. They'd high-tailed out of there the first chance they got in the early evening when the bank folks and police started showing up at the cradle and made their way out towards Butcher's Rock on the north side of the ridge. It was the furthest any of them had ever dared go into the woods. Butcher's Rock was a huge mossy boulder that jutted out of the ground about 200 yards from the cleared boundary of Granny Ambergh's land. It had become sort of a refuge for the older children in the cradle.

Its mysteries and location passed down from the farm's previous residence to the younger kids come of age. It was a place to go and hide if you were mad at Granny, but not mad enough to run away. It was a place to smoke, if you had something to smoke. And the world would be a horrible place if such a prime secret location wasn't utilized for the occasional romantic rendezvous between youngsters as those urges struck and required exploration. There was a cache of jerky, it was canned fish, and other things skimmed from the kitchen pantry in the event that anybody wanted to hide out there long enough to make Granny worry by staying out overnight. In truth, it was near impossible to make Greta. Ambergy worry. She could track any child that had spent any time on her land pretty much anywhere, and Butcher's Rock, though seemingly a world away from her little farmer outcast, was well within her

wards and thus under her watchful life. Jonah had watched as Miss Joyce's people come and took Little Conroy, Melissa, Jackson, and Elijah in one car, Mason, Patty, and Sweet Tater and the other. Nobody seemed to pay much mind to him and the other older kids. But, how always seemed to be the way though, right? You hit a certain age, you'd help raise the littlings, and pretty soon they didn't see you as a kid no more. You were just another set of hands to help make supper or change diapers, and nobody got to stay young long when there was work to be done.

Hell, he'd seen a bunch of older boys come and go from the cradle. Orlin and Timothy had gone to work in the mines over on the far side of Lost Mountain when Granny said they were ready, and they weren't much older than he was now. he was 15 or so he thought time passed strangely in his life his memory was a patchwork of birthdays and sudden shifts and jumps but he was sure he was at least close to 15 granny had called him jojo when he was little and that changed to jonah as he got old enough to learn to read and write but he didn't remember who his folks were or how he'd come to live in the cradle with Granny Ambergie, but he'd been here as long as he could remember.

Now that she was gone, so was the only home he'd ever known. The other two weren't like him. They'd come to live with Granny after they were at least partly grown. Rachel had come two or three years ago, maybe, and skied her the year after her. They were all pretty close in age, he figured.

Rachel had lost her mommy in an accident that involved a collapsing bridge, a car chase, and a big explosion. Pleased to hear her tell it. The girl's story got wilder and more fanciful every time she told it, so Jonah took it with a grain of salt. Everybody wanted to have a fancy story about where they come from when they don't know where they come from or too ashamed to say. Rachel's mommy might have just dropped her off and never looked back for all he knew. Skeeter, on the other hand, didn't have no story at all. He just woke up and he was at breakfast one morning.

His big eyes and slightly darker complexion made him stand out from the other inhabitants of Granny's place, but he was one of them just the same. As of late, Granny and Miss Joyce had been teaching him how to make biscuits in the kitchen in the early dark of the morning and how to can vegetables down in the cellar until almost suppertime. Everybody got to learn how to do at least a couple things. is living here.

But if you ended up with Granny Amberg, it usually meant people didn't want you or couldn't do nothing with you, so out you went. They all knew how that felt. When Little Mason touched the boy's arm and asked him why his skin was so dark, Skeeter just smiled and said,

Wee's Portuguese. And left it at that. That was one of the few times Jonah never heard the boy speak to anybody but granny. Skeeter was smaller in him and Rachel, but his eyes were so deep and cold. Like many of the children brought to this wilderness to find their place, he had seen far too much in his few short ears.

Once they realized that there wasn't a car coming to take them away to some church home or anywhere else for that matter, they'd quietly left their respective bunkhouses and made their way across the shared yard to Granny's cabin. Now, the bank people had locked it up and nailed a bar across the door, but Rachel made short work of that. The wood falling to pulp as she tugged at it with her slim fingers. Now they hadn't had a chance to grab much from Granny's house

before that old man from the bank came hollering after them. But they got what they come for, though. That would have to be enough. Skeeter had gotten his hands on the cigar box that Granny kept under the loose floorboard along the back wall. Rachel had managed to grab a stack of quilts off the bed, but Jonah only had eyes for one thing. Granny's Bible.

She had read stories to him from that good book, his whole life. Daniel in the lion's den, Moses part in the Red Sea, and his namesake, Jonah, swallowed by a big old fish for defying the will of God. But as Jonah got older, he managed

to get a closer look at that book as Granny thumbed through its onion-skin pages turned into her favorite stories. He peaked over her shoulder a couple times and glimpsed other pages worked into the book. Some were old and faded,

and had been stitched into the binding. Others were clearly more recent and looked like envelopes that held even more pages within. There were maps and drawings of things he was willing to bet work in any Bible you'd find in a church. He didn't think the good Lord made things that looked like some of those drawings. As he gained his letters, thanks to the patient lessons from Miss Joyce and her sister, Miss Laura, Jonah spotted names written on those other pages. names he knew.

Names of children that had come and gone from the farm in the devil's cradle, including his and Rachel's. Before Granny passed, he'd been cooking up a plan to get his hands on that holy book to see what in the world else was in there. And now, as his whole world was being turned upside down, he had his chance. Jonah had snatched the book up, expecting it to be warm. When Granny Ambergy read from it, it seemed like an extension of her body. A beaten heart of stories and scriptures held in her weathered and loving hands.

That book was as much a part of her as the iron-gray hair she wore wound up in a tight bun or the sound of her voice when she'd soothe them in their times of hurt or sickness. But in that moment, it just felt like a big book. Bound in a yellow and white leather, fastened shut with a knob that held a leather strap across its overstuffed pages. They'd run. They'd set up camp on the other side of the road. rock and ate a meager supper of saltines and sardines from the stash there. They hadn't talked much.

They were all right sad about Granny and the quiet just seemed respectful. Rachel had suggested drawing straws to see who would take the first watch, but Jonah had insisted he wanted to go back and see if the bank folks were still down there, so they might as well get some rest. He carried the Bible with him as he crept back to the edge of the trees and peered back down at the farm. He could see his sheriff's car parked on the dirt. road, the deputy inside aren't reading a newspaper by flashlight. A voice that his shoulders startled him. Don't even think about it, Jojo. There ain't nothing left down there for us.

Jonah almost dropped the tone he was holding as he jumped back half a step. Jesus, girl! How you move so quiet? Rachel smiled and apologetically at him as she pushed her dark hair behind her ears. Just a little something mama taught me. Well, don't go sneaking up on me like that. You about made me soak my breeches. He registered what she'd said and scowled slightly. And don't call me Jojo. Rachel snorted a short laugh and then grew serious.

Right. I mean it, though, Jonah. That's not home anymore. Not for us. She tugged at his hand and let him back in the direction of their camp. She looked down at the ancient book as they walked. Maybe you can read us a bedtime story. Jonah looked at the cover of that old Bible, shining pale in the moonlight. He didn't know what all was in there, but he was pretty sure it wasn't nothing that would help any of them sleep.

He laid my mama to rest. The rich bowed its head, and I tattooed her name. On the top of my wrist, well, six feet too low. When her heart becomes cold, they'll sniff out her bones and see how bright she glows. See, I hear that time is a cold hammer's blow. And the days in this holler are her caskets to close. Well, I'll watch the sun sink, And praying may right.

Well, hey there, family. Welcome to the final act of season three of old gods of Appalachia. We brought you back into the woods of eastern Kentucky to follow yet another young person touched by the darkness as they search for their place in the whole wide world. Now, we've been waiting and been super excited to introduce you to young Jonah and his companions, but I promise you, you ain't expecting this story to go where it's going to go. So y'all just hang on now, right?

Now, I'd like to remind everybody that completing your social media ritual is the best way to keep up with us. And some new and exciting things are coming down the road. We got a brand new Patreon miniseries to announce in the near future. And there is some other exciting happenings brewing in the world of live shows for 2023. There's just a whole lot more I want to tell you about. But I can't. Well, it could. But I'm not going to.

Just not right now. So your best bet is to head on over to old gods of Appalachian. com and follow us on Twitter, Facebook, and Instagram. Join us on the Discord server to keep up with all of our dark adventures as they unfold. Now, this is your every dang show reminder that Old Gods of Appalachia is a production of deep nerd media distributed by Rusty Quill. Our intro music is by Brother Land and Blood, and this episode's outro music is Panthers on the Mountain Side by our cousin John Charles Dwyer. Look for it to drop on our bandcamp, oldgods ofapalachia.bandcom, real, real soon.

Today's story was written and performed by Steve Schell. The voice of Rachel was Sarah Doreen McPhee. Talk to you soon, family. Talk to you real soon. The freedom that comes and know in your bite. I'll sharpen my teeth, pray my nails become claws to finally dig out of this hole. home.