Old Gods of Appalachia - Episode 5: The Boy: Barlo, Kentucky 1917: Part Five

Episode Date: December 19, 2019

Who speaks for the young dead lost beneath the fair earth? The Boy comes to Barlo.CW: Frank discussion of historical child labor and depictions of injuries/death as a result of child labor and intentional harm, death by industrial fire, traumatic memories, references to a period psychiatric hospital, explosions.Written by Steve ShellSound design by Steve ShellNarrated by Steve ShellIntro music: "The Land Unknown," written and performed by Landon BloodOutro music: "I Cannot Escape the Darkness," written and performed by Those Poor BastardsLEARN MORE ABOUT OLD GODS OF APPALACHIA: www.oldgodsofappalachia.comCOMPLETE YOUR SOCIAL MEDIA RITUAL:FacebookInstagramTwitterBlueskySUPPORT THE SHOW:Join us over at THE HOLLER to enjoy ad-free episodes, access exclusive storylines and more.Find t-shirts, hoodies, mugs, and other Old Gods merch at www.teepublic.com/stores/oldgodsofappalachia.Transcripts available on our website at www.oldgodsofappalachia.com/episodes.Old Gods of Appalachia is a production of DeepNerd Media. All rights reserved.Support this show http://supporter.acast.com/old-gods-of-appalachia. Hosted on Acast. See acast.com/privacy for more information.

Well, hey there, family, if you love Old Gods of Appalachia, I want to help us keep the home fires burning, but maybe aren't comfortable with the monthly commitment. Well, you can still support us via the ACAS supporter feature. No gift too large, no gift too small. Just click on the link in the show description, and you too can toss your tithe in the collection plate. Feel free to go ahead and do that.

Right about now, old gods of Appalachia is a horror, anthology podcasts and thus may contain material not suitable for all audiences so listener discretion is advised barlow kentucky part five much has been said and written about the brave men of barlow men who dug deeper and earlier than a lot of the jobs that riddled the coalfields like a brittle decay. Well, there's a whole memorial set up at the state capital and a whole wall of pictures and news clippings back up at B&L's offices in PA. On B&L, of course, being Barrow and lock mining and railroad combine, one of the earliest and riches collaborations to ever extract minerals from these here mountains. We'll talk about them another time. Just not right

now. See, we don't need to talk about them or the men of Barlow. We need to talk about the boys. Now it's no secret how quickly boys are expected to become men here. Mountain boys are tough, resourceful. They work hard. Mountain boys do what's best for their family no matter how hard or how painful, and this went double, sometimes triple in the minds. Hordes of boys from nine and ten years and up,

working as greasers and tippers and other men. mine bogglingly dangerous jobs miles underground. Boys hauling buckets of hot engine grease by hand. Working in the direct path of the mine cars. Boys sorting through coal with little to no breathing help or even proper tools. The number of boys who never came home was astounding. We were literally feeding our children, our babies, to the bloody maw of old coal, and teach them that it was all that there was.

There's no wonder the boy came. Now, if you live anywhere near Goshen Creek or Barlow, hell, maybe even as far north as Sandy Ridge, you've heard about the boy. Some say he's a ghost. Others say he's a harbinger. Still others say he's something else in tire. Roy Absher out on Rooster Branch saw the boy one time.

Roy lost all three of his boys in the mines Roger and Kyle before they was 15 and little Thomas before them who made it all the way to the ripe old age of 11 Roy had been sitting on his front porch talking to the Lord with the assistance of a self-distilled jar of the Holy Spirit if you know what I'm saying

and right around sundown he said he saw a young boy out at the edge of his property said it was a little feller, barely ten years old if that, wearing work overalls that were a mite too big for him, and all the thing was he was carrying a lantern. I hollered at him and told him he oughtn't have that out there playing with it. He might burn himself. Get on home!

He just stared at me. Stared like I wasn't even there. So I walked out and got a little closer to him, and God help me. I saw his eyes. They were black. Not like somebody hit him. Not shiny black or like they were inky black.

They were the color of dust. Flat and dead. He didn't look right. Now, it was getting dark and I was tired. But there was something about him that made me step back. You know, I asked him his name. He just looked at me. I asked him who his daddy was.

He just looked at me. Then he said, You are. And his voice, his voice, that was a man's voice. And I thought, I don't know why I thought it, but for a minute I thought it might be, it might be Tommy come back. So I stepped off the porch, and he held up that lantern, and I saw past him.

And I saw, I saw all of them. All the boys, all the ones we lost, all the little ones that died screaming for their mommies and went down and never come back up. But mostly I seen my three. Cold dust smeared across where their eyes should be. And then that boy, he just tipped over that lantern and it went out. And I couldn't bear it. It was so dark. I couldn't.

I could hear Tommy crying. And I could hear Roger stop breathing. And I heard Missy crying when I told her about Kyle. And it was too much. It was too much. Roy stopped there. Stared off at something up into the right in the distance.

Settled right back down. His mama takes care of him most days. Sometimes his sister's come in to give her a reprieve, but he ain't left that house since. Says if he leaves a yard, that boy and his lantern are going to be there waiting for him.

Mertil Hooper said, She saw the boy once. The Hoopers, you probably heard of them, were known to be a drunk and violent lot that lived down in Sars Town, stretches shacks and shanties about five miles south of Goshen Creek. Myrtle had always been a jealous thing.

Never shared with her little brother, never gave him more than a good smack when she was mad enough. It was whispered when she was 12 or so. She and her little brother had gone out playing in the flooded edges of the creek. the little Briney Hooper didn't come home. Wouldn't come home till they found him floating face down

about a half mile away. Back of his head bloody and nodded like someone smacked him with a rock. Myrtle, of course, didn't see nothing. She looked up and he was gone. He wandered off. He probably fell and hit his head. Probably.

Now, years later, the night before Myrtle's wedding, day back in about 1912. Mertl had the jitter something fierce and so went for a walk down by the creek, coincidentally ended up not far from where little Brian had been found. I wished I could tell you she was missing her little brother and dying with shame inside for her part in his death, but she wasn't. Myrtle remained a jealous and bitter woman right into adulthood. So when she rounded the bin and saw a lot glaring in her eyes in the distance, she cussed it, held up her hand and asked who was on her daddy's land and what they thought they were doing. Whoever was holding that light up,

better put it down. Whoever was holding it up did lower it so she could approach. If she got closer, she could see it was a little boy. He looked to be about Brine's age, and he was dripping wet. He was wearing a cap and overalls. And for a moment, Myrtle was 12 years old again. Her little brother had taken her sucker and run off with it, and she was so mad she picked up a rock and she... And she... Well, he knew better.

She stepped gingerly toward the boy trying to soften her voice. Hey, little man, what you doing out here? Are you lost? Are you looking for your mama? The boy's expression never changed. "'You're not my mama,' he said. "'You're not anyone's mama, and you ain't going to be. "'Never.'

The boy stared at her with dead eyes the color of shovel dust as he lifted his lantern and lit the water around them. As dozens and dozens of pale, child-sized arms rose from the creek, the water swelling and chilling as they groped their way towards murder. tangling in her dress, catching her ankles, climbing up her thighs, clutching at her waist as the crick began to rise. Higher and higher, the hands pulling her down, and the last thing she saw as water started to swallow her screams was that little boy tipping that lantern over. Extinguishing the last light she thought she'd ever see. They found her the next morning.

Washed up on the bank. still breathing. There never was no wedding, though. Not after that. Myrtle's eyes had gone permanently wide and wild. She could not bear the dark for one minute. Last I heard, they found a private hospital out near Lexington that took her in. Earl Hamner had been with B&L Coal and Rail for 40 years.

He'd come south with the operation from up in Pennsylvania, right by the, Barra, the home office. Earl wasn't liked by many, and he didn't have no family or kin down here, so it made sense that he didn't much like nobody neither. Didn't have to. Earl had been a day boss when he started in Barlow, and he oversaw the early shift that ran in number seven, and he was a cruel taskmaster to the men and boys who abandoned daylight to sink nearly a full mile beneath the earth to provide for their families. He had no sympathy for sickness or injury. Back in PA, he'd been the man who'd ordered a 10-year-old boy back to work after his mama tried to take him home with a busted foot.

The boy died of blood poison a week later. After the boy's daddy and about 12 other miners followed Earl home the night of the boy's funeral and dared him to come back to work, Earl had been moved to another job side over an Ely near the West Virginia line. Earl ended up all over being L's territories from across the northern coalfields for years

before what happened in Avalon. See, in Avalon, the main ventilating furnace set fire to the woodwork in the main shaft. That's a catastrophe in case you don't know. On the morning of what would end up being one of the deadliest mine fires in company and state history, Avalon's stable boss had gone down to feed his mules and discovered the fire. Within minutes of giving the alarm, the mouth of hell itself devoured the Avalon mine, suffocating and cooking all the men inside. Thousands of relief workers poured in from surrounding counties

but found themselves helpless in the face of a god set on burning up timber, coal, and all the air a man could breathe. The stable boss had made it to safety and stood frozen and helpless as he watched countless men and boys burn alive as he walked out unhurt and unbothered. His eyes, stony and set, never shedding a tear. It was said that he went home that night and had a steak dinner and drank himself to sleep.

My stable boss's name was Earl Hamner. Now a boss in his own right, Earl Hamner saw the day-to-day operations of old number seven and was responsible for its safety and compliance with company policy. As far as the ledgers note, they'd lost the expected number of workers, mostly boys, to accidents and gas. That Mullins boy lost his foot, but he'd live. He was well under quota and he felt all right about that. In the early morning hours, well before dawn, Earl woke up with the sour and bitter stomach.

Common occurrence from me in his age and one that was getting worse. He stumbled out of bed and out to his outhouse to see if his body would rectify the situation when he spied a lot at the edge of his yard. Now the gate into Earl's front yard was right off Main Street in the square, and to see somebody out in this part of town at this hour was peculiar. Earl's body called louder than his curiosity though so to the outhouse he went and from in there he saw that light moving all around the edge of his yard but no footsteps carried it there it went back and forth when Earl emerged and came around the side of his house to investigate

he found the light was back at his main gate a ratty picket thing with a single metal latch and when he squinted through the light he could make out the form of a small boy. No older than 10 or 11. A lantern. A work lantern. Dangling from his hands, he stood there, dressed in city overalls and a cap. His face smudged with coal dust and grime. Who is that? Earl growled in his boss's voice. Boy, what are you doing with that light away from the job? You're going to set the whole weeds on fire sneaking around here with that. Where's your mama at? Who let you out? The boy stared mutely at him. His face emptied. His face emptied. his eyes

Not Boy, what are you doing out at this hour? I've been looking for you, Mr. Earl. Well, you've been looking for me for... I've been looking for you for a long time now. Boy, you better make yourself plain before I... They called you Bobby and Avalon. You done changed your name.

The boy tilted his head a little. Maybe that helped you hide. Earl Hamner, whose first name was indeed Robert, called Bobby by his mama, froze and pale as he heard the name of the place. You've been back to Avalon lately, Bobby? Earl realized then that the voice coming from the child was that of a grown man, rich and deep. Places hainted, they say, since the fire by there's a sleepwalker. Walking around like every day's a dream, but it ain't a dream, is it, Bobby? Can't got your time? Oh, you think you're dreaming now, Bobby?

The little man lifted his lantern in the streets of Barlow came into sharp relief, and Earl could see the boys. Rose on rows, on rows of boys. Some ghostly pale, some mutilated with burns and misshaping skull, Others were missing hands or legs. Earl's mind reeled and detached. The present horrors seemed to fade because Earl Hamner was back in Avalon now.

And Avalon was burning. He was holding a pitchfork. Of all the ridiculous things to be holding underground, he was holding a pitchfork. He'd been expecting to find his mules and little Jacob Erskine waiting for their breakfast, and instead he found them suffocated and dead, found his own chest tightening as he threw down his fork full of hay and made to sound

the alarm. And out of the corner of his eye, he saw little Jacob stir. Jake was alive. Maybe he could, and then a wave of heat and fire erupted and Earl ran. Somehow he outran the angel of death that visited almost every house in Avalon that day and managed to stand blood spattered and smoke-stained, but a lie, just like a high priest in the Bible. He discovered the fire, so most assumed it had been his fault, but they couldn't prove it. His daddy had gone to school with Old Man Barrow's brothers' boys, so again they looked after him and got him reassigned, sending him south this time to the middle of God-Blessed nowhere Barlow, Kentucky.

Avalon was supposed to be a memory. ghost. But he could see the edge of that town burning just as clearly as he could see this legion of dead boys who were beginning to slowly trudge toward him. A slow wave of vengeance in the pre-dawned darkness as his heart hammered the inside of his ribcage and a slow scream began to build in his throat. An earl screamed and sat bolt upright in bed. As the first light of morning streamed in his window, his sheets soaked through with piss. and fear. It's been a dream. He crossed the room

and looked at his window to the street and saw the day beginning. The carts bringing in the men from the hollers and the town men starting on the walk to work. Some of them moving like old trees in a stiff breeze. Places hainted, they say. Since the fire, everybody there's a sleepwalker. Walking around like every day's a dream.

But it ain't a dream, is it, Bobby? Earl shook himself and got up and cleaned and got himself smelling good enough to go to work and arrived on the job site where he was greeted as he had been for weeks by miners on strike. Not anxious to argue with Billy Watts or any of the other union boys, Earl pulled his hat down over his eyes and managed to make his way through the gate and into the site proper. Being management did have its advantages like knowing where the real holes in the fence are. Honestly, he just couldn't let go of that dream I mean, he'd been under a lot of pressure

with old number seven on strike and bringing them colored men in from Ohio maybe it just stirred up too many memories too many ghosts You think you're dreaming now, Bobby? As if on cue A fire bell sounded Men shouted and called

And for the second time that day Earl Hamner pissed his pants old number seven was on fire A half hour later Earl and a small crew of volunteers stood around the remnants of a small structural fire on level three of old number seven Panning and coughing but breathing sighs of relief It had been a small thing and fairly easily managed

A couple boys got burned when a patch of bad gas went But all in all it was small and contained The all clear had already been given and the scabs all headed down into the belly of the mountain to get back to work. Earl wasn't surprised when he looked at who he was left down here with. Ed and Pinky Avery, Wayne Connors, Noah Garvin, David Elkins, all Union boys from the picket lines. Good men who weren't going to let other men die doing their jobs.

Union or not, the dark can make brothers of anyone, Earl. It was the goddamn Avery boys who had the bright idea to check the auxiliary tunnels for any stragglers or anyone taken down by the smoke. Earl wanted nothing more than to get out of the mine and back to sunlight. When the dream whispered and nagged at him again, Avalon, little Jacob, all them mules. But that didn't happen here. He'd caught it this time.

Let the boys go looking. He'd go secure the entrance. That's what he'd do. As he crested the rise that was the final approach to the surface, It's a shadowy little alcove that you could only really see into as you pass through it due to the slope of the path and the increasing dark. His boss's instincts started to tingle. Something was off.

He was almost to daylight and thus what should be cleaner air, but something he came around the corner and as his brain registered the side of torn ventilation partitions, heavy curtains meant to direct gas out of the mine. Well, they'd been tangled up, knocked down. looped back in. One whole side was just laying flat on the ground. The mine wasn't venting right. Gas was building up. Well, it wouldn't take much to him. Earl saw two grown men passing by, followed by a little boy who was struggling to light a lantern with a flint as he walked,

trying to keep up with his daddy. Earl shouted and leapt toward the boy who jumped back, nearly dropping the lantern, causing Earl to land on his stomach at his feet, knocking the wind out of his exhausted body. Earl was shaking with rage and fear, and he readied his hatefulest boss voice and looked up at the boy, and withered where he lay. The boy's dirty face and cold-dust eyes stared back down at Earl with a cold smirk. The world seemed to fade. The sounds of work and recovery coming from miles away had seemed. The air felt tense. and tasted bitter. Earl's breath stopped as he looked up and around for help and realized.

He was surrounded by boys. No men, no mules, no sunlight, just blank-faced, dead-eyed boys. All ages. Five, six, ten. Still feel like a dream, Bobby. The boys all around, started to murmur the names of towns.

All places Earl knew. All places boys bled and died beneath miles of rock and flame. All places that had listed Robert Earl Hamner as a boss of some sort at some point in time, only to see him shuffled on to a new town sometimes with a new name. Bradshaw? Eli. Morganton. Cottonflower.

Samson Patch. We managed to do six before we found you. But we think seven is enough. Seven is always enough. Bradshaw? Eli. Morganton. Cottonflower.

Samson Patch. The swish of a flint. A spark. Far low. Good evening, family. So good to see y'all gathered together. again. Did you enjoy this trip to Barlow? I love pulling back the veil and showing y'all where we came from and how we got here. I feel it is important to examine our situation

from multiple points of view and multiple places in time. I mean if I've got that ability, I may as well use it for your benefit, yeah? I think so. There's still more for us to find in Barlow, but I ain't going to lie to you, family. Our time is growing short. But don't worry. Plenty more content to come. I believe I owe you all a holiday surprise. And I believe I owe you 12 Things of Christmas,

which I believe is actually going to be known as 12 Things of Winter. So I hope you're excited about that because I know I am. Old Gods of Appalachia is a production of deep nerd media. Our intro music is written and performed by our friend Land and Blood. and our outro music is performed by Those Poor Bastards, who happen to have a brand new album out on the Tribulation Recording Company called Evil Seeds. Find it on Spotify or wherever you can or at those poor bastards.com. Please support the artists that are helping us make this show possible.

Family, I see you out there. I've seen you at the edge of the yard wanting to come in. We'll come on in. The fellowship hall is open on Facebook. our fan and support group for those of us who can't sleep the nights the voices are too loud find us on Facebook

Old Gods of Appalachia the Fellowship Hall group there's tons of great discussion fan art fans songs music you folks have gone as I said the other day in an unboxing video

go look that up you guys go below and beyond in making me realize we have created something truly special in just a couple of short months holy wow or unholy wow your choice really And speaking of choices, if you'd like to truly choose the shadow and cast your 30 pieces of silver into our collection plate, head on over to patreon.com slash old gods of Appalachia.

For a few dollars a month, you too could unlock forces that you never knew existed. You can gain yourself access to a top secret storyline only available to patrons should you decide to go $10 or more a month. That's going to start in the month of February. We have a huge announcement about that coming, and it's going to involve our friends in another fantastic band called Blood on the Heart. I'm super tingly about that one, family. I'm not even going to kid you. So if you want to help us out, a few dollars a month, goes a long way into the shadow. www.

www. patreon.com slash old gods of Appalachia. For more information about this show, including cast and creator bios, source information, and the occasional exclusive surprise. visit us online at www. www. old gods of Appalachia.com. Today's story was written and performed by Steve Shell.