SmartLess - "Jake Tapper"

Episode Date: May 24, 2021

Mr. Jake Tapper surprises & delights us this week. Journalist, CNN lead anchor, author, cartoonist, and cardio-enthusiast, Jake shares workout secrets and his love for Teen Wolf Too. Welcome back to another episode of SmartLess: your ticket to learnings.Please support us by supporting our sponsors!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hey, Will. Welcome to the show today. Thank you so much, man. Yeah. Do you ever want to be a guest on the show yourself? Oh man, what a privilege. Thank you for having me. What do you want to know? We don't have room. We're all booked. I just was wondering if that was ever a fantasy of yours. This is a great first question. It has always been. That's fine. Hey, let's start the show. Welcome to Smart List. I thought I was already on it. I've been listening to a lot of Duran Duran lately. Why, are you dating a 70 year old? Here we go. There it is. I have my search is Duran Duran, Life on Mars, David Bowie, Volcano Choir, Flaming Lips. Oh, Flaming Lips. I'm just saying it's eclectic, but Duran Duran lately has been really

getting me there. Really? Yeah. Where are you going? Are you taking like a step class or something? When I say where it's getting me, it's getting me to, as I explained, it's getting me to like a blazer with the sleeves pushed up. Yeah. Okay. And I'm just tapping on my steering wheel as I'm blazing through the hills. A little white powder. Are you cuffing your pants? And my pants are very baggy. They've got a nice pleat in them. Do you cuff them at the bottom? And I pop out, but my hair barely move. I got a nice one lock hanging down, but the mousse keeps it so tight. Yeah, mousse. Is that one lot go over one eye? What happened to mousse? I used to do so much hairspray in my hair. You couldn't

even move it with, I used a L'Oreal Spritz. No, you're going to get a box of it now. Yeah, here it comes. Here it comes. I don't know. It'll be tough to spray it through the baseball cap that you usually wear. I know. Look, it's even pretty tough now. You could be totally bald and just sew in a, just a rim of hair around the edge of your cap and no one would ever know because you'd never take off that hat. That's all I used to, my dad used to cut my hair. He literally just put a ball on my head and cut around it. Your dad, not your mom, huh? My mom always used to cut my hair. Oh yeah? Yeah. Hold your jokes. Hold your jokes. Yeah, I've seen the pictures. It's low level stuff. First of all, your impression

of me is really insulting. I sound like an idiot. You haven't seen the best of it. Yeah. I saw a picture of Jason today. Amanda, his wife and I were texting this morning early. On a chain, it should be pointed out on a chain, but the pictures is of Jason in his bedroom looking out the window, trying to look at my house from the window. We'll just had to downsize to a trailer. There's a dirt road about a mile from my house. I can see out my bedroom window and that's where he's going to park it. You can now see my house. What are you talking about? He's moving and I can actually see his house across like a mountain range from my bedroom window. Sean, in the middle of all this craziness. Yeah,

you haven't even lived there very long. Well, four years, but like the crazy thing is in everything that's been going on that we've had a lot of stuff going on and we talk, we only talk like 12 times a day, the three of us. Yeah. And I forgot to mention to you over the last 30 times in the last 48 hours that I'm moving. Yeah. Wow. I didn't know that. That's crazy. But I honestly have always, one of my favorite movies is rear window and I saw it, I don't know what 20 years ago or something like that. And I've always thought about like, what would happen if you actually lived at a place where you could use a telescope to, to spot, like whenever I'm in New York, I'm amazed that people don't just stare across

at, into other people's window and just watch them all day long. How do you, like, well, you've lived in New York a lot. How are you comfortable living in a house or an apartment without the shades down 100% of the time? Well, where I, where I lived in New York the last 10 years, there was no other building right there. So I was lucky in that way, but I love that your instinct is like, you're trying to figure out how to hold yourself back from looking into people. I want to know what power telescope I need to keep an eye on you and gather information. Literally the photo that Amanda took is Jason doesn't even know he's staring at the window. So I got that to look for gauging distance. Well, so it's

very early and it's got to be because of our damn surprise guest must have something pressing later on. And that's why we're up early recording this. Let's get to it. Everybody looks great by the way for this, for this morning. Real puffy in the morning. I'm still wiping that sleep on my ass. It's not true. All right, gang, today's guest is one of America's great combos. Okay. He was as much of a print journalist as he is a current on air one. He's Ivy League educated, but is also a down and dirty jock. What? He owns three cats, but is highly allergic. He thinks the world is flat, but has an impressive collection of globes. He grew up around Detroit's auto industry, but rides a bike exclusively. He despises jazz, but was named after the

world's famous jazz drummer. He claims to be the writer of a new book about the odds of meeting your soulmate at a disco called Devil May Dance. And he's the current host of CNN State of the Union America. This is Jake Tapper. Jake Tapper. Yeah. Is all that true? Very little. Very little of what you said is true. Very little of that's true. I do have a book called Devil May Dance, but it's not about meeting your soulmate at a disco. Is it not? Let's read the first chapter. Let's read the first chapter. Actually, it might be up your alley. It's about Hollywood and the Rat Pack in 1962. Oh, I would like that. Oh, that's Jason Zara. Can we have a free option on it right now? Did you say free? We're just

going to shop it around. You can have the episode one free as long as there's a 10 episode commitment and it's through your Netflix deal. Wow. Look at this guy. Is it fiction or nonfiction? It's fiction. It's fiction. Jake, have you done the, did you do the audio record for the book on tape? The first one in the series, I did the audio and then the second one they hired a professional. Professional. Oh yeah. You got fired from your own book read. Wow. That's tough. I did. Well, you know, the thing is also the first one has a lot of characters from history. The first one takes place in 1954 has a lot of characters from history. And I did attempt to do the voices. Oh, you did? I did. I don't know if they, maybe they

didn't like that. Maybe they give us a taste. Let's hear. Let's hear. Well, there's Robert Kennedy who's really, he's got a higher voice and then there's John F. Kennedy, which is a deeper kind of more, slightly more refined. That's pretty good. Not terrible. Not, I'm no, I'm no will or not, but it's, I didn't think it was horrible. No, that is very good. So are you fascinated with that, that era? I mean, what, why did you? The whole, yeah, the fifties and the sixties up until the free love generation starts. Yeah, because it's this really, it looks so romantic and it is completely menacing and awful, but it looks fashionable and lovely with the, with the martinis and the bourbon and the smoking and

everyone looks stylish. And it was like the birth of, of, of what we do now, basically it feels like. Yeah. Is there a current equivalent to that? Do you think like what, what area it doesn't even, what industry, like where, where are the cool sort of martini swelling may be associated with, with, with organized crime group of fancy pants is. Biomedicine. It's all biomedicine. Are they having the swanky parties in the pharmaceutical world? The menace is all reported on now. Whereas back then it was like, Oh, isn't that funny Sinatra's hanging out with a mobster? Right. And you can't really prove it nowadays. You can get pretty close to it. Yeah. Yeah. Now, where do you find time to sit and write a

novel when you are having to stay up to date with everything around the planet? And, and that is that, that's a, and that's literal. Yeah, that's true. That's an accurate statement by you. Do you have, do you have a staff of thousands of people that, that, that just tell you what to say every day and you're like a robot and you know nothing about world politics. And there's nothing in between these two options. Right. Yeah. You're just a dumb novelist and, and they put this copy in front of you. I'm just one of the two. I do have an amazing staff for my show, my daily show on CNN and my Sunday show. They're amazing staff, but no, I'm not just reading what they put in front of me. That's not accurate.

Yeah. Because like when I was a kid, I ran, I ran into my algebra teacher at the Kmart and I was like, Oh my God, that's, I just picture you inside your TV, never doing anything else other than journalism. Yeah. I'll tell you something. Writing the book was a great escape from the real world. The fiction diving into fiction and writing about the rat pack and Sinatra and the Kennedys was a big relief and a big escape from covering the world as it was while I was writing it. But I'm literally curious, I'm curious about where you'd literally find the time. My rule is if, if you're writing, if you have a writing project, if you write at least 15 minutes a day, then you, everybody can find 15 minutes a day. But you don't need

an hour to get into that 15 minutes of, of, of space. Like you can change gears that quickly, but also the 15 minutes needs to actually be writing, not just thinking. It can't be goofing around. Jason needs a couple hours in the trailer before he starts getting into Marty, you know, when he, when he gets on the Ozark, he needs two hours in the trailer, an hour to yell at the assistant and then an hour to put on his hair. And then he's, and then he's Marty. An hour to put on his hair. Yeah. Well, no, I got one with a zipper now. So I cut in half. That's your sport piece. Jake, let me ask you this. I've always wondered, so you do your show every day. What is that? Because as Jason said, you have to be up on

everything. So you're constantly downloading information. You're constantly getting stuff in real time. I imagine quicker than we are because you're, you're right in the, at the, at the center of the, you know, the nerve center of news worldwide. So what, what does your day look like? Like before we see you on air, how much before that are you in the office and are you engaged the moment you wake up? Is it a 24 seven engagement in what you do? It feels like it must be. Yes. There's a 24 seven engagement about stories and what's going on and what we're planning for. Like for instance, I was just, I just got an email from my executive producer about stories that we have in the pipeline stories that I'm

assigning. Um, he wanted to be kept more in the loop, which is understandable. Um, cause you know, I'm just like sending notes to people like, this is a good story. You should do it. And then they come back to my executive producer. Here's the story. And he's like, what, what is this? What do you, what do you, I don't understand what this is. And then, and do you, are you obligated since you're, you're one of the main anchors at one of the main news sources around the main anchor at the main anchor of the world. Great adjustment. Great adjustment. Yeah. It's better, better said. The world's anchor. Um, are you obligated to go to a committee for lack of a better word to decide what leads and what

doesn't because that can affect the national discussion, which could affect the priorities of policy because it's in the zeitgeist more like, do you feel a responsibility to, to decide what leads and what is at the end of the show, giving, assigning importance to certain issues? Um, the, there's a morning, uh, call with my executive producer where we talk about what we think will lead. No, obviously at eight 30 in the morning, you know, what is going to lead at four o'clock and five o'clock for our two hours, um, might change. But you know, here's what we're thinking of today based on the schedule of the day and based on what's happening. Then there's a morning editorial call where the executives

share their views of what are the most important stories and what are important elements of those stories. And then, um, and then it's really up to us, me and my, and my team. Yeah. What is that process? I would be burdened by the, uh, responsibility of directly sort of implying, uh, what is more important than another thing? And how do you gauge that? How do you, how do you just, that is the big challenge of being an anchor and running a show is like, what do you lead with? What do you, it's really more, what do you leave out? Because as long as you tell a story of like, as long as, oh, this happened with veterans today, I want to cover this, but it doesn't necessarily have to lead the broadcast, but

it's in the hour or the two hours. But that said, the stories you leave out are the ones that are, that are the heartbreaks and you're right. It's tough. Are you ever put in a position where somebody reaches out or how often are you put in the position where people reach out, people who are like Jason says, potentially policymakers, politicians, et cetera, who, who are reaching out to you and saying, Hey, you should be covering this in order to serve their own, uh, their own needs. Does that occur? Do you have, do you get those calls where people, cause they, they realize the power that you have? Meaning if I called you up and I said, Jake, you need to be covering more about me.

I want you to lead every hour with stuff about me to keep me in the conversation, which by the way, is reasonable. That's a completely reasonable price and my passion, my passion, by the way, is Duran Duran, but if you could, We got it. Yeah, I know you're hungry like the wolf. Does that, does that, but Jason is the wolf. Do you, Teen, Teen, Teen, I saw that in the theater, by the way. Two, two, no. I saw that in the theater. I saw a Teen Wolf.

I appreciate your cash. Teen Wolf two. Jake, Jake, you'll know that years ago, we used to, Jason and I and Sean played in this card game with Kyle Gass, uh, one half of Tenacious D for, for many years until we all lost too much money. But, uh, Jason's To Kyle. Jason's Nickname was T Dub as in Teen Wolf and he was, that's a great nickname. By the way, may I ask, is there a scene in Teen Wolf? And I haven't seen it since Two.

When did it come out? Already loving the area. Sorry. Teen Wolf two. I apologize. Teen Wolf two. It's worth a rewatch. Michael J. Fox was in the first. Jason was in the second. Teen Wolf two. Did that come out in 86, 85? I want to say 87 because that's the year I didn't graduate high school because I was working long hours on T Dub, T Dub two.

T Dub T. Really? Yeah. T Dub T. T Dub T. Is there a scene in that where you're in the locker room and you look down and you have an incredibly long chest air and you're like, what the hell is this? Or is that T Dub one? No, no, it was T Dub two and we had to cut it. Uh, you may have seen it on the, uh, the DVD extras. We had to cut it because of its, uh, um, unclassy, uh, sexual implications.

Wait, wait a second. You just established that Jake is really busy and you think he's watching the DVD extras on T Dub? Yeah. No, he's got, he could manage his day. We established that. That was definitely the original print because I, no offense, I've only seen the film once in a theater. So maybe at the Ballokinwood Pennsylvania movie theater, there was an errant copy, a secret unedited version. It was because of that screening. They cut it.

This dovetails nicely into my next question pulled from your Wikipedia page. Um, you're, uh, you dabbled with, uh, the idea of maybe going into the entertainment industry while you were at SC studying cinematic fine arts. That's true. I went to Dartmouth and then after Dartmouth, I went to the USC graduate school and film and I did one semester there and what, what happened? What did you fire yourself from that too? Um, there were a number of things that happened. One of them was I found Los Angeles, uh, an incredibly isolating bleak place.

Oh my God. Thank you for joining us today, Jake. Thank you. Well, maybe if I had been hanging out with you, Jason, maybe if you were my friend then I would have. Yeah. I mean, we could have been like partying with Dana Plato and Quinn Cummings. He was a very fair weather friend back in those days. You're lucky you didn't know him. I get it that Los Angeles is a tricky place to find your, uh, your, your tribe.

The truth is I was sitting in film production class listening to the Clarence Thomas hearings on my yellow Sony Walkman and I thought to myself, maybe I'm more interested in something else than I am in film and also the film production producer left the class in the middle of the semester to go, I think he was the DP on Harlem nights. Oh my God. Wow. But, uh, you're kind of tangentially, uh, involved since your incredible books are, uh, at least one that I know was made into a movie what last year, yes, the outpost. That's a nonfiction

book about Afghanistan that was made into a film by Rod Lurie starring Caleb Landry-Jones and Orlando Bloom and, and Scotty's good. And they did a great job. Yeah. Did you get on set? Were you involved at all in sort of the, the creative? Yeah. I was an executive producer and I went to Bulgaria to visit the set. Um, and it was an interesting experience. Did you enjoy it? A lot of Bulgarians. More than you'd think. More than you'd think. More than you'd think. A lot of Bulgarians

there. Were you involved in like, uh, uh, kind of writing the script or looking or playing around with editing or giving creative notes on set? Like how involved did you get? I was more involved in, um, being a conduit between, because it's a real story, being a conduit between the people making the movie and the people who the movie's about. Right. Um, you know, I would offer notes. I saw early versions of the film. Um, there was a whole decision that the book takes place over a course of four years. Uh, and the movie is

really focused just on like the last month. Right. And there was a whole kind of controversial decision within the community of the people who actually served there about whether or not we should, whether or not people from earlier years could, their stories could be told in the same narrative, even though they never actually served together. Right. How much latitude could you take with, with, with, yeah. Exactly.

So I was part of that. What's that responsibility like to, when you're telling a story like that where the stakes are very high and you're telling very personal stories of people who are in really, uh, intense life, I don't even know how to say it, you know, just things that were, you know, stakes couldn't be higher. What, what is that? Like, do you feel a sort of a burden to, in that way, to really tell, make sure that your story reflects what actually happened and served all the people who, who, you know, sacrificed, et cetera. It's a great question. And the truth is I, I'd burdens not the word for it, but I had,

it was an immense responsibility and we took it very, very seriously. We even had like an early screening and flew people who had lost family members at the outpost to Washington DC to see an early cut of the film. It was almost done. Uh, there were some special effects that weren't in there yet, but it was almost fully completed. And I was a wreck. I was an absolute wreck because I didn't know, I mean, I'd seen the movie and I knew how I felt about it, which is I thought it told the story respectfully and somberly. It wasn't gratuitous, but it also didn't whitewash what happened and the like in, you know, and there were some liberties taken in terms of near, in terms of the timing, the time people who served in 2006 were put

in the narrow of it in 2009, but generally speaking, it was pretty, uh, accurate. And, but I was terrified because, you know, A, I've never served. So I didn't know it was going to be like for the veterans to see this be, I, the people who had lost family members, I wondered like, what are they going to feel like watching? You know, in the case of Ken and Beth Keating, whose son Ben Keating was killed in Afghanistan and the combat combat outpost was named after him, they're going to watch Orlando Bloom play their son. What's that experience like? And then they're going to watch Orlando Bloom as their son die. What's that experience going to be like? Like, so, but ultimately it was very, uh, it was more

of a relief than, than anything else. But afterwards we went to each family member. I walked around and, and every one of them thought that the film had been fair and respectful and they were honored. Oh, that's great. Did you feel that same responsibility, Sean, in Three Stooges? Yeah, I did. Thank you, Will. I went to the families of the descendants of the Three Stooges and, uh, What are they? Did they poke you in the eye? Yeah. Let's talk about Body Slam, the Jesse Ventura story published in 1999.

My first book. Yeah. What drew you to the story of Jesse Ventura? I mean, he's certainly an interesting guy, but, uh, was there one thing that was like, hang on. I need to, uh, really get in the cave on this one. I would say Body Slam is probably the Teen Wolf two of my career. No, you should be so lucky. They came with a check and I needed some work. Yeah. It's the check part that was minus in mine. Look, I, I had done some writing about sports and I was a, I worked for Washington city paper a free weekly in DC and a publisher came to me and said, you know, Jesse Ventura

was just elected. They, they need somebody to, to do a book and they need it done in two months or something like that. How old were you when you've got your first on-camera journalist job? On-camera, like paid journals job, 30, you know, were you doing some amateur stuff before? Uh, in the valley, just some, uh, it was, uh, CNN. Actually, I had a, Hey, so what's CNN? Yeah. It was a, it was a show called take five where five young pundits sat around and talked

about the news and they put it on, they put it, uh, the time slot was exactly when young people want to watch young pundits talking about the news Saturday night at 8 30. Oh man. Sure. Yeah. That's what all the cool kids are watching. That's when young people are watching TV, looking for news. I love, by the way, any, any time you use the term young people, you're immediately not hitting that demographic.

Yeah. Hello, fellow young people. Was that thrilling? Was it like I've arrived? This is what I wanted to do. No, it was, no, because I was still a full-time print journalist and it was just like, this is interesting. This is fun. This is interesting. I'm sure it's all super cringe. Who, who are your co-hosts? Um, again, it was a show by committee, like a camel as an animal by committee. So it's take five. So it's five people. Great.

Uh, the, the, it was me, Michelle Cottle, who now writes for the New York Times, Robert George, who now writes for the New York Daily News. And then for the other two slots, they were rotating seats. Each seat had four people that rotated within them. You just put them like on a spinning, kind of like a, there was like a lazy Susan. Lazy Susan, yeah. It was more like, um, the prices right where you They bring them down. Yeah.

And like who's going to, who's going to show up and, oh, How did that not survive? John Dickerson. How long was that on? Six months. Uh-huh. It's quite a run. Six months. And our last show, I believe was on September 8th, 2001.

Oh my gosh. Wow. Oh my gosh. And then we were all waiting to find out if it was going to get renewed. Sure. Yeah. And then something happened in the intervening days that made the show seem rather, rather trifling.

Yeah. And so, uh, Jake, you enjoy, you enjoy now that once you dabbled in that, uh, and on camera thing now you really enjoy it. And it's something. I love it. I love it. You love it. Do the news.

And I love, and what the stuff I love is, um, here's a brilliant reporter who just spent a week in Myanmar and here's her story about the coup there and like how oppressed the people there. And here's nine minutes. Watch it. Right. And people have been pretty good. They've been watching it.

And so it's been exciting. Right. I mean, you're genuine, sincere interest in, in all of these things. Uh, it is infectious. I do, I do. And I love your stick to it. Of this one, when, when, uh, when people try to wiggle off the hook, you keep them on it and you, you, you see if they've got two or three answers to that same question or

if they just been perhaps with one retort. And whether people think it or not about the separation that has been kind of put out there of Fox news is only Republican CNN is only, you know, left and, uh, which has always been such a misnomer. Yeah. You, you, you, I don't think of us as left. No, right. I think of the MSNBC, but I know what you're saying there.

Yeah. No, no, no, but you, but you within CNN, to me are truly center. You really, truly think about both sides. You report the truth. It's not what you said before. It's not what you said before the show. Before the show. What did I say?

We weren't recording that part though. You said, no, no. We'll not. The truth is I don't, I don't think either party has all the answers and, and, and, and I just, I'd be really honestly don't. So when governor Newsom, when your governor came on the show, I asked him some tough questions about that, uh, ill-fated meal he had. Did you ever get him to admit that he needed to sweep the forest and rake them up?

Somebody needs to hold his feet to the rake on that. Nice. Well, you, so listen on, on that, can I, I don't want to get into a huge sort of political thing here, but we can. But, but, but given media and people know that you are behind Caitlyn Jenner's campaign for governor. People are. We're going to, we're going to get on that in a second.

Um, or is it Mary Cary? Do you, do you foresee, do you force, do you don't share a hanger, right? You're in, you're in the next hanger over. Is that true from Caitlyn? Where do you park your, your, your cars and your jets? My jet? Yeah. Yeah.

In the valley with Mary Cary. Yeah. I like to keep my cars near my jet always. That's first of all, that's, that's just good business. Jake, do you ever see a time when, uh, when media or I should say news is obligated to have a sort of a vetting system, a, uh, a threshold beyond which, uh, these media companies may or have to go before they report something. In other words, we do, but it's an unregulated standard.

Isn't it? Let's say New York times, Washington Post, they have to have like two or three sources before the editor will say, yes, you can go with that story, but it's sort of self-regulated. Do you think there'll ever be a national or international, like an objective body where you know it's not fake news? No. There will never be an objective body because, uh, A, the First Amendment precludes that sort of thing.

People can publish whatever they want. Right. But you have to label it as opinion as opposed to how they try to frame it as fact. Well, no, because then you would have lobbying on every, on every side to like who gets to sit on that committee and who gets to decide that. And then ultimately that very committee will become sullied by politics. Like that would be impossible to regulate. The answer is, no, I don't see that happening, but I understand what you're driving at because

I've thought about this a lot, especially after the election lie, um, was repeated and, and quote unquote reported so often on, according to you, on Fox and some of the other networks, uh, Newsmax or whatever, which is there are no standards. There is no requirement. There's no professional organization you have to get certified by. So when you have a news organization that runs with a, a, you know, totally bogus story, like Joe Biden wants to regulate you to one hamburger a month. Right.

Um, there goes my weekend, but it does beg the question, where's the beef? And I think that that's something that people are, you are always dropping some clear peller. You always love to drop the peller. One of the insurrectionists is literally claiming, um, that they're claiming literally Foxitis, I think, I think it's literally what, what, what their, what their defense attorney called it. Um, whereby they're trying to find, um, um, an excuse because they were pumped so much information that it caused them to do that.

They believe that it was true. So when they can establish that reporting stuff that is not true will yield damaging results, you would think that shortly after that, some sort of regulation would follow because somebody might get killed because of the things that people are saying. And it's happened. They have gotten killed. Right. Yeah.

Uh, so, um, so what do you do about it? Yeah. Right. That's the question. So I did something I've been thinking about a lot and grappling with a lot. And you know, it's funny, the, um, after, uh, the broadcaster in England, um, said something nasty about Meghan Markle about how he didn't think that he didn't believe her. Sure.

Um, they have like a, an independent regulatory body that takes comment, I mean, the parliament runs it or points people and all that, but they have something like that. And Twitter had to put that in with Trump's tweets. Yeah. Yeah. They had to like label things as, okay, this is not true. You can still say it, but we get to put a label on it. That's just sort of like the, the half measure that I would think is possible where you can

vet something, uh, I've recognized a lot of news is live or a lot of opinion shows are, are somewhat live or, or it doesn't allow for as much time to vet something. Right now it's based on shame, right? Yeah. Yeah. And that obviously doesn't work if you're shameless. It doesn't. Right.

Like, so for instance, when CNN messes up and we do just like every news organization, we correct it. If needed, we apologize, et cetera. To maintain credibility for God's sakes. Right. Fox doesn't. So what do we do about that? And I don't think that a government regulation is the answer, but I do grapple with it.

I mean, one of the things that I think needs to be done is I think that there are professional media organizations, whether it's the white house correspondence association or, you know, just various other groups that need to, we need to start asserting ourselves within those groups. Like for instance, yeah, there's a, there's a thing that this is inside baseball and silly sounding, but there's a rotating pool, which is all the major, you know, Fox, CNN, ABC, NBC, CBS, PBS. We all rotate cameras if there's like an event that the government will only let us have

one camera. Right. And we all rotate. Right. Well, if one of those organizations, Fox, A, feels no compunction about lying or sharing falsehoods, B, I don't know if you saw, but Governor DeSantis not long ago signed a bill and it was an exclusive on Fox and Friends, which is crazy. That's like the definition of state TV.

If one of these organizations is not behaving the way that the others are, I think it's an open question as to whether it should be treated the way all the others are. Right. Of course. Well, and the defenses also on their part is that no, it's the five year old defense, no, you're lying. Right. So it just perpetuates for eternity.

That's what causes all of this is like, no, we're telling you, no, you're lying. No, you're lying. We're saying that eventually that perhaps somebody should be the adult and come in and like the FCC just say, okay, you don't have access to the pipe then. And if you want to get your stuff out, you have to, you have to come up just like, just like Twitter did. Listen, we're just going to shut you off from this. You can still get your statements out, you know, if you want to like issue a press release.

Jason, if that body had existed during the Trump years, what would have happened? Which body? This independent agency, the Bateman Commission. Right. The Bateman Commission. Yeah. If the Bateman Commission. It's a great name.

And it's linked with Corey Lewandowski and Seb Gorka. Right. Well, we wouldn't let those fellas in. We know we would, we would vet, we would have a big, huge community of folks to vote on it that's equally divided between left and right. But the problem is, you're talking about perspective. And even though two people can look at the same thing, they're always going to claim that they look at it a different way.

Whatever it is you say, it's going to be tough to move people on that because they're so indoctrinated with these other ideas and that might take longer than just, hey, you know, change your opinion right now. This is going to be a thing that's going to take a while to do because this is something that has been perpetuated. This other perspective has been perpetuated for so long now. I think the Bateman Commission is, is dangerous. Yeah.

That's what I think. By the way, you mentioned the thing about that, that reporter who was held to account in the UK. My favorite part was when that other co-host, the guy who BBC or whatever it was in that morning show, accused him of being diabolical as he stormed off and I thought that was the greatest assessment, he was like, your behavior is diabolical. Not a word you had in your pocket. No, but I've been using it a lot.

Diabolique. Am I allowed, by the way, to say, by the way, am I allowed to fangirl for a second and say that I'm a big fan of all your work, all three of you? This part will stay in. This part will stay in. This part will stay in. Guys, let him say that. I just want to say to Will, the Lego show that you did was brought us lots of joy.

Oh, thanks man. Because I got a big Lego fan or like Lego. My son is really into Legos. Really? So do you get to, do you, will you build sets with him? I used to, he's kind of aged out of it, which is by the tail end of it, we, it was just in time to enjoy Will's show. There's some really cool, challenging adult Lego sets, some of the architectural stuff.

It's very, it's very zen, right? It is very zen. And we have, what's amazing is we have so many, we just finished the, we got the second season coming up is how many incredible builders are coming out of the woodwork and making, and coming on the show. And we can't believe the stuff that they do. And they all say the same similar thing, which is not only they just enjoy it, but they also get, they find it very therapeutic.

We did a thing with, with some veterans where we were finding during the pandemic, a lot of veterans were using Lego to help them deal with certain aspects of PTSD, et cetera. And we provided a bunch of Lego sets. And that was really- You're the real hero, Will. I guess, I mean, I'm not, look, that word is thrown around a lot, but I'll, I'll take a lot of care. All his stories kind of end the same way.

Yeah. Well, they said that we don't need another hero, but I, I disagree. Nice. Jake, how are you, can, can you give us a, a sort of a, a breakdown of, of your day and how you delegate your, your, your time, a typical day for you. What time do you get up? How much time do you spend researching the newspapers? 10 a.m. out of bed.

10 a.m. That's late. Seven, you know, seven up. What happens right at seven? Do we go right for the coffee or do we go right for the paper? Right for my phone to read the newspaper. Now are you in bed? Does that phone sleep next to you or are you disciplined about, or do you have to keep

it on in case something happens while you're sleeping? I have to keep it on in case somebody needs to call me to wake me up in the middle of the night for whatever reason. I, and I did that one time, by the way, one time I'd been only been on air at CNN for about a month and I was in Boston covering the Boston Marathon bombing and they had not caught the Sarnayev brothers yet. And then it was like 1130 or 12 at night and I was just sitting in the hotel room online and then people start tweeting at me the web address of the Somerville, Massachusetts police

radio scanner for the, and anyway, long story short, I spent the whole night up on air and there were people, I still hear from them every now and then who went through this experience with me where we're like, we were getting these reports and obviously this was the confrontation where one of the other, one of the brothers got killed and then the other brother escaped and then hid in the boat and all that. And we were all getting all this weird news in the middle of the night. Anyway, so just in case that were out to ever happen. But so you have to sleep, getting back to this because it's like right out of a movie,

right? Right here. But you're not, it's not, it's not buzzing or beeping every time email or text. So you have a specific number that is, that's the only one that will bleed through and wake you up. And that is, would be a hotline from your, no, it's my phone's on. I mean, if somebody wants to call me, it's just your phone is on. They could wake me up.

Anybody could. You could, Jason, you have my number. How often do you, do you erroneously have your, your flashlight on and you have to be told, Hey, granddad, turn off your flashlight. Oh, Jake. Jake, does that happen a lot? We're all getting old, right? It's okay.

Jake, admit it. Am I the oldest one on this call? I'm 52. I might be. I look the youngest. Are you older than, than 52? Cause I think I'm the oldest of the three of us, right? I'm 52.

You're 52. When's your birthday? March. Okay. Then I'm in January. So I'm the, I'm the oldest. You're the oldest. Interesting.

Interesting. This is the oldest. Do you want to know my day? My day is this. Yes. I get up early. I read, I read, I read. The kids leave the house at eight.

My talk to my executive producer at eight 30. And then from eight 30 until one, one, 30, I'm doing a combination of one, one, 30. A combination of interviewing, talking to sources, reading, exercising, and getting to work. Now, are you doing work on your exercise and when you're exercising, I'm imagining cardio on a, on a treadmill and there's some sort of either computer or, or in front of you or a phone. Wait, wait, wait.

Don't, don't, don't answer yet. Don't answer yet. Sean, you also guess, guess the exercise and then I'm going to guess too. Okay. So I've got them on a treadmill. You said treadmill. Sean, what do you think Jake does? High pace walking, high hands walking.

Sean, what do you think? It's a Peloton thing. I don't know. It's a Peloton. Okay. I think, I think elliptical. Okay. So he's got both hands moving forward.

Well, or he could do also just the steady hand. He doesn't. No, I, I want to change my answer. I think he just sits on a yoga ball and he calls that and he bounces slowly. He calls that exercise. He calls that exercise. Okay. He calls that exercise.

Jake. First of all, the implication is none of you think I look that good. No, you look incredible. I said elliptical. You look incredible. I mean, elliptical stuff. You look elliptical thin. Yeah.

Wait, wait, wait, wait. Shit. The thing is rowing machine. Probably. I think he's a row machine guy. How dare you? I'm switching. I'm switching before you.

The ERG machine, the people, the crew guys in college always look so good. That's what I thought because I thought Pennsylvania, you might be like a crew guy. Okay. Go ahead. So before the pandemic, it was like a, I had a trainer that went to a gym. It was like a lot of stuff. You did look great before the pandemic. So pandemic era, which is what we're in.

I will just answer that, which is you should have kept with Peloton, Sean, because it was Peloton. Okay. And I watched a movie. Watch a movie. I'm making my way through the Marvel Cinematic Universe now. Headphones or speakers? It's just speakers.

The nobody's, nobody's in, I have a little gym room. Yeah. Cause headphones get sweaty. What are you shaking your head? Jason's disappointed in me for watching superhero movies. No, I'm thinking about the will in his sweaty headphones. I just, I just, I can tell there's probably just sets and sets of them. I watched Teen Wolf two.

Oh. You had to get pumped. That'll make you sweat. With the long hair. You're writing a book. You're doing the thing. And you're going to the, like, is your family like, Hey, remember us? Good question.

Like, do they ever go like, Hey, can you're working way too much? Cause to me, you just, you work so much. But the kids are at school. Where's mom? Kids are at school at this point. Mom is working. She does some freelance consulting and stuff. I mean, I spent time with the kids in the morning and quick, what are their names?

Hey, listen, why'd your voice go up? We're not accusing you of anything, Jeff. So defensive. Alice is 13 and Jack is 11. Can you remember their middle names? Paul and Jack Raymond. Good for you. That's nice.

Really, really tight. Will quick. What are your kids' names? Starting with direction. And Sean. Yeah. I sold mine. Okay.

Uh, tell me work where, where, uh, illustration, cartoon drawing and all that stuff still lives or not in your, in your world. Oh, you know, so I wanted to be a cartoonist. That's what I wanted to do. And I spent years and years trying to be the next Gary Trudeau or the next Jimmy Kimmel. You know, he's got a pretty good pen on him. I know. He's, he's an excellent artist.

There's a better way to say that. He has a cartoon that I drew of him and I have a cartoon that he drew of me in our homes. Nice. Cue the love music. I love Jimmy. Jake, were you the one who provided the video recently of Jason on his first appearance on The Tonight Show? On The Tonight Show.

Yes. That's right. It really, it made it its way into an extended chain, a text chain that we have and Jason took heat for like an hour and a half. Of Joseph Bateman? Joseph Bateman's first appearance on The Tonight Show. Do you see, do you see how, a moment of self-indulgence, do you see how obnoxiously calm and confident that douchebag I was at 15?

Like why, why was I so comfy there in front of Johnny Carson? I mean, there's such a- Well, we know, we know why. Everybody, everybody thinks- Because you were two weeks removed from what? Oh yeah. What's that? Well, I became sexually active at 15.

You had just lost this. To put it, yeah. Yeah. You had just like two weeks before lost your virginity before you went to Carson? Yeah. I believe that about times out. No wonder you were smoking a cigarette. Yeah.

I was beat, yeah. But no, were you guys, do you guys remember being as fond of yourself at 15 as I was? I mean, there's- Well, none of us remember being on Johnny Carson when we were 15. No, but there's a blissful ignorance at that age, right? But that was your whole thing at that time. It's your move, right? That was what you were selling on The Tonight Show.

Thankfully, I thought it was never going to descend. God, we loved- I loved that show. Did you guys love that show as much as I did? It was a great show. Yeah. It was so good. I don't think it holds up.

Shawn, did you love it? You loved that it's your move, right? I loved everything Jason Bateman has ever done. It's your move was really good, but I don't recall it lasting that long. Am I wrong about that? No. It was less than a season. Yeah.

You know what, guys? I love it when I can shape an interview into something about me. I end up doing this quite a bit. It's a talent. I really started it because I'm the one that, and it's my fault because I sent that Johnny Carson clip to you. And it's just like wildfire. Yeah.

You did seem like a douche on Carson though. That's true. Right. Well, you know why? Because I pointed out on our chain the other day that he was, he was a douche because he was knee-deep in Valley Beve at that point. So he just had that confidence in Valley Beve. And also what was so amazing about it was, well, first of all, I thought Carson was kind

of, I thought the questions were kind of tough. He's asking you about whether or not you believe in past lives. Yeah. You're 15. You're 15. What the hell? Those were some real crazy questions. And then-

Would you ask, would you never ask somebody on your show if they believed in that? The question was based on the fact that he had fucked up Jason's name. He'd called him Joe. Yeah, I know. And then he'd try to crawl out of it. By the way, I revere Carson and everything, but to try to crawl out of it, all of a sudden he's acting as if perhaps he was actually Joseph Bateman and like, do you believe in other lives?

Do you believe in past lives? He's just fucked up the name, man. You got to admire the bailout, the attempt to get out of it with that. I mean, that's a pretty deep way to get out of it. Did we even say that when he introduced you, he said the wrong name? I don't know if he ever said that. Yes, yeah. He did.

Introduce me as Joseph Bateman. And then I- Oh, nobody said it on this. Yeah, because our phone lines were lighting up from Wisconsin. Do you think that this big lie has sustainability and will go all the way to the next election? Because I think the hardest-hitting question for a moderator in the next presidential debate is going to be directly at the Republican candidate and saying, do you believe that this happened?

But we'll know the answer to that already because that question will have been asked and answered. And what I suspect is you will either have somebody who is a full-blown election truther and says the election was stolen, or you will have somebody who tries to walk the line and say things like, I have a lot of questions about the election, a lot of states passed emergency legislation that I thought was in violation of their state's constitutions. I have a lot of concerns about it, which is why we passed such and such in my state. But I want to look forward, blah, blah, blah, blah, which is basically not denouncing the

election lie, not fully embracing it, trying to walk a line. And I suspect the next Republican nominee will do that and beat up reporters enough so that they stop trying to get a definitive answer. It didn't work. I mean, you can follow Trump and assume that there's enough voters out there for it to work. But it's been proven now twice that it's just simply not enough people. They got to put a different candidate up, right, or have a different...

I don't know. Theology. I don't know. I mean, as a general note, I agree with what you're saying that the future of the Republican party needs to be more expansive. They can't be kicking people like Liz Cheney and Mitt Romney out of the party. They need to embrace facts and truth and share their opinions and their views. But I don't know that they're going to do that.

And I don't know that that's the only way that they can win a presidential election. I don't know that. I mean, we'll see. I mean, it's possible that... I mean, Democratic voters are not necessarily hugely reliable. I mean, they are where you guys live in California, but in battleground states, they're not. We're a Hollywood elite, by the way, we're liberal elites. You don't like it when I just say California.

You want to make sure that I'm identifying Malibu, Venice Beach. By the way, I'm from Toronto, Sean's from Chicago, and Jason's from the Valley, which is at least a 40-minute drive. In rush hour, forget it, and I'm not coming. You're from the city of Toronto? I'm from downtown Toronto. I grew up, yeah. Yeah?

Yeah, it's a good town. I feel the rough, scrabble roots in your voice. Yeah, yeah. The hard-nosed streets of TL, T-Zero. I said something critical of Prime Minister Trudeau on TV and on Twitter, and... You got to be Canadian. Boy, those Canadians can be impolite. I learned.

They're very impolite. And also, I will say this, as a Canadian who moved down here almost 30 years ago, more than 30 years ago, when I came here, I had such a chip on my shoulder because you feel like you're the kid brother of the U.S., and so you have that thing, and I was so defensive about Canada for so long, and I'd be like, well, we do this, and we do that. We've talked a lot about it. We have William Shatner. Yeah, we have him.

I know. We're constantly calling out everybody who's a famous Canadian, like somebody will go, yeah, so I actually saw this great movie with Mike Myers. He's Canadian. We're like, yeah, we know, man. We got it. And... But there is that thing, and so I think that they're very...

They can be very defensive, and I get it. Because I went through that myself. You do feel... Are you an American now? I am, both. I'm both. You're a dual. I'm dual, and it feels like I'm bi, and...

Don't hang up, everybody. No. No, no, sorry. I'm not saying bi. No, no, no. It's just I'm bi, a citizen. But you feel like... And to make a hockey analogy, we feel like we're very similar in a lot of ways culturally,

but we're up against the glass kind of looking in like right at center ice. We got great seats. We got great seats. I like it. I like it. It is an incredible country. Do you guys like hockey? Are we still talking about Toronto?

Oh, sorry. Did we want to bring it back to fucking Teen Wolf 2? Yeah. Fuck's sake. We only did 11 minutes of it. Jake, I'm so sorry to have taken your time. I was... Anyway, my only point was I was amazed that Prime Minister Trudeau's fans were as loyal

and devoted to him as Trump's fans or Obama's fans are to him. Jake, this is my point. They're not. They're like those same people in their own conversations at home, but because you're American and you said it, then they're defensive. And that's true. And any Canadian who's listening to this who disagrees with me, you're lying. Jake, Eagles or Phillies?

Why do I have to pick? You have to pick. You have to. Guns to your head. The gun is right to your head. Well, you know what, Sean, you go first. Sean, you go first. Eagles or Phillies?

I'll give you an out there. I will say for 2021, which are you more bullish on? Phillies. Phillies. Okay. Yeah, I'm really worried about the Eagles right now. I feel like everybody that took us to the Super Bowl is gone. I am too.

Sean, you share his concerns, Sean? Oh, God, yeah. Bobby Clark or Eric Lindros? Lindros. Really? Okay. Well, because I know Lindros. Of course.

Do you? Of course. I went to an Eagles game and met him. What's Eric Lindros doing nowadays? He's up in Canada. He's a... Do you know what he's up to? Maybe $280 to $298.

That's what he's up to. I don't know. I'm just... By the way, just kidding, I'm sure he's in great shape and I don't want him to beat me up. Jake, what does the rest of your day look like? It's Saturday. What are you going to do today?

Write a couple more books. Right after this, I'm doing an interview with the White House director of COVID. Oh, my God. Say hi for us. Just science. That's going to air on Sunday morning. Say hi for us. Then I come back and I'll prepare for tomorrow's show and play with my son.

Is there a part of you... I mean, I'm such a fan of politics. I just... I love watching the politics on the news and reading about it. Then by the way, you should read The Devil May Dance, which is... Oh, what is that? Is that a new book? Has a lot of politics in it.

This is about finding your soulmate in the disco. It's not. But I know it's a book that you're recommending all of your listeners to purchase. Is it a book that's available now? It's available now. Yes. It's a bookstores. You can get it on Amazon.

You can get it at Barnes & Noble. You can get it on jaketapper.com. You can get it. Jake, I'm going to read it. Of the three of us, I'm the only one who reads and I'm going to read that book and I'm not going to have any notes for you. Just know now. I really enjoy it.

You got a rave review in the New York Times today. I got a New York Times rave review. You never get that. No. I'm going to tell you... I think you guys actually would like it. It's about Hollywood in the 60s. Let me tell you why you would like it.

I don't like Hollywood now. Why would I like it back then? Listen, per the New York Times. The New York Times says, the gears of this thriller move expertly and fast. The seriousness of this book never gets in the way of the breathless fun. Tapper obviously enjoyed sourcing it, writing it and using, can you stop this gamesmanship from start to finish? Just when you think he's pulled the biggest rabbit out of his hat, he turns out to have

been hiding something even bigger. He also makes Margaret a wonderful role model for many people who will enjoy this buoyant book. By the way... Good for you, Jake. Come on. New York Times doesn't just hand out raves. They don't.

They don't. My review is be careful about wanting to tango in hell because the devil may dance. And that's going to end our interview today, Mr. Tapper. I'm happy to send you all copies. I was copies. Jason has my number. I would love that book. Oh my God.

You're going to get on a thread. You're going to want to leave immediately. Sean sends the greatest videos of little kitties on skateboards. They'll keep your day moving. Falling off with dogs on them. Kittens and puppies. Kittens and puppies. I'm happy to start like a, you know, a text chain.

You got it. Careful what you wish for. I mean, if you want. If you want to do it. Ready? Mr. Tapper. Toronto Maple Leaf News 24-7. I'm so excited.

I appreciate your time because we've established it's very valuable and very crowded. So thank you for sharing this bit with us today. By the way, I apologize that it was so early, but I... I'd just like to complain. When my assistant told me we were doing this at 8 a.m. Pacific time, I said, that can't be right because I'm pretty sure they'll all be sleeping. Well, at least Will's face is in a jar of ice still. That's why it's so beautiful and they're, you know...

Thank you, Jake. I've been up since 5.45. I've been up since 5.45 because I was watching Leeds Tottenham and Formula One Qualifying from Spain. Same. And same. Well, huh. Okay.

Thank you, Jake. Jake. Wow. Thank you, man. All right. Hit me up on the thread. And that Jake Tapper, you know, he seems like such... He is such a, again, I use the word adult.

Like he knows... He's so smart. He talks to all these world leaders. But when you talk to him like in this form, he's just such a regular guy and he's got his little hoodie on and his hair's all messed up. And he's... That's what I was talking about too, Jason, was like to... That teacher reference, right?

When you're a kid and you see a teacher outside of their environment and school, it's like, oh, you see, there's Jake Tapper with a hoodie on and like a regular person, it takes a while to add it up. Yeah, he's... I can't believe he smoked weed the entire interview, too, because I thought that was unbelievable. For a guy who covers the news. Did that much weed?

He really... He kept his wits about him. Yeah. And he kept saying, I got this sticky, BC bug. I got this sticky... But you know, in all honesty, he would, like he will, and I hope he doesn't get mad at me for revealing this, he will text me the most inane stuff in the middle of his show. Like he's able to juggle so many balls or spin plates or whatever the phrase is.

He's just... I don't know how he's able to do both. By the way, that's maybe someone like him, because he has to do that, he has to text you that. Like he's got to keep everything moving all the time, because if he doesn't, then the bottom drops out and then he's in the corner in the fetal position in tears. And that's what I want to see. And I want...

Same here, I want to see Jake Tapper in tears, but in the studio, on camera, I want to see it. You want it to be great? Yeah. Yeah. And you'd see all of his mascara running. Oh my God. Not a lot of people know he wears heavy eyeliner.

He wears a lot of mascara. And good friend of his. And the eyelashes are fake too. Are they? That's the majority of his time in the makeup chair. He's gluing on the eyelashes. Well, they make his eyes pop. I'll say that.

They really make his eyes pop. What a gig though. What a gig. His whole like makeup is great. I guess one would refer to that as the... Uh-oh. Here I come. Viola.

No. Viola. Hang on. You know what? I'm pretty sure you're wearing a mask. I'm wearing a mask. I've been wearing a mask for six times and I refuse that too. I tell you, the one...

Do you use that one already? You did. You did use one in the interview that maybe we can revisit now. I did. Yeah. About your citizenship. Yeah, but I'm not a dual citizenship. I'm a Bayee.

Bayeeeee. Citizen. Bayeeeeeeee. Smart. Right. Smart. Right. Right.

Right. Right. Right. Right. Right. Right. Right. Right.