Table Read - Rooms Of Experience - Act 2

Episode Date: July 21, 2026

Rooms of Experience, Act 2 By Steffany Sommers Starring Patty McCormack as Ada Wells and Dan Lauria as DA Harvey Davis Dana tries to outrun the case. Literally. But Ada Wells keeps following her home.... At Teddy’s funeral, Ada collapses. Alexis asks for mercy. Dana refuses. Harvey warns her not to go soft. The medical examiner confirms it was homicide. Then reveals Ada could have hidden it. No visible trauma. No obvious cause of death. No reason to test for helium. But Ada left everything in plain sight. Detective Curtis admits she never tried to escape responsibility. Gina cares for Ada as her health begins to fail. Ethan offers Dana a life built on trust. And the blue envelopes hidden inside her desk keep demanding the truth. Then, at Rebecca’s birthday party, Dana is handed a baby. A little girl named Molly reaches for her. A child with Down syndrome. Molly touches Dana’s face. And something buried begins to surface. The prosecutor who insists there is always a choice can no longer avoid the choice she made. By the end of Act Two, Ada Wells is not the only mother being judged. Starring Academy Award nominee Patty McCormack (The Bad Seed) as Ada Wells with Dan Lauria (The Wonder Years) as DA Harvey Davis Craig Parker (The Lord of the Rings) as Detective Curtis Nicholas Gonzalez (The Good Doctor) as Carter Nora Zehetner (Heroes, Everwood) as Rebecca Alyshia Ochse as Dana Jeffries Candice Coke as Alexis Martinez Eileen Grubba as Gina Gordon Alain Uy as Ethan and narrated by Sarah Elmaleh Table Read is executive produced by Jack Levy, Mark Knell, and Shaan Sharma. A Manifest Media production.See omnystudio.com/listener for privacy information.

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Starting point is 00:00:00 What's up fam? I'm sports journalist Ari Chambers. Hey, what's up y'all? It's your girl, Sam Jay. And we're the host of Everyone Watches Women's Sports, a new podcast from Together and I Heart Women's Sports. We're breaking down the biggest headlines. Naomi Osaka, showing out. Shoutouts to you, Naomi. The viral moments. I've been obsessed with Kashan Rock's boxing journey.
Starting point is 00:00:17 She looks good. Her combos are swift. And the stories everyone's talking about across women's sports. Because everyone watches women's sports. Listen to everyone watches women's sports on the IHeart Radio app, Apple Podcast, or wherever you get your podcast. This is Chelsea Handler from Dear Chelsea. Every week, the news gets worse. The world gets crazier, and Yamanika is here to tell whoever's responsible,
Starting point is 00:00:38 you're the problem. Do you know I just found out who Sidney Sweeney was? If he got a bunch of women, then I should have a bunch of men. Do better or do less, so I don't have to do so much. I'm Yamanika, and I'm out. Listen to You're the Problem with Yamanika on the IHeart Radio app, Apple Podcast, or wherever you get your podcast. My first guest is
Starting point is 00:01:03 Peres Hilton Shakira, Luke and Yerrin Have surprises Many surprises Welcome to the Sweet 305 Podcast where the group check comes to life What on? You're the only person I know
Starting point is 00:01:15 That loves a yellow starburst It's lemonade This is Sweet 305 Here, oversharing is encouraged Listen to Sweet 305 With Lele Pons On the IHeart Radio app Apple Podcast or wherever you get your podcasts
Starting point is 00:01:29 On Raiders of the Lost podcast, we explore cinema like no one else, including huge interviews with stars like Ryan Gosling on Project Hail Mary. It was like the Jaws shark. Didn't always work, came with its own problems. That's what made it great. The cast of obsession. On set, there was so much magic happening with each scene we were putting together. Deep dives into classics like 2001 of Space Odyssey or Fight Club, plus weekly episodes on all industry news. Listen to Raiders of the Lost podcast on the IHeart Radio app, Apple Podcasts, or wherever you get your podcasts.
Starting point is 00:02:06 And for more, follow at Raiders of the Lost podcast and at TikTok Podcast Network on TikTok. After the death of Teddy Wells is initially treated as a possible suicide, police discover clues that suggest something more deliberate. Ada, his 89-year-old mother, makes a quiet but startling confession. She took the life of her adult, nonverbal autistic son, not in a moment of panic, but with intention, care, and love. Detective Curtis brings her in for questioning. Despite her age and fragile appearance, Ada doesn't waver. She admits what she did and insists she was fully aware.
Starting point is 00:02:47 Alexis Martinez, a sharp and compassionate attorney and former ADA, is brought in by Ada's friend and neighbor Gina to defend her and quickly moves to suppress the confession. But Ada, dignified and unwavering, stuns everyone when she calmly insists. I want to have a trial. Not to escape punishment, but to explain why. At the DA's office, Dana Jeffries is handling the case. She's ambitious, polished, and eager to prove herself.
Starting point is 00:03:15 Harvey, her boss, makes it clear. This is a political hot button, and she's been chosen as the public face because she looks good and plays by the rules. It's not about justice. It's about optics. Still, Dana accepts the challenge, supported behind the scenes by her longtime loving boyfriend Ethan. As Dana steps into Ada's reality, her black and white worldview begins to blur. The haunting truth of what life was like for Ada, alone for decades with a nonverbal child who is completely dependent on her, throws Dana off balance. The burden of judgment is now hers to carry, and it's heavier than she imagined.
Starting point is 00:03:52 It's not just about law now. It's about meaning, legacy, and the right of judgment. to define your own story. What looked like a straightforward mercy killing becomes something deeper and messier, a public courtroom battle over the meaning of caregiving, autonomy, and dignity. Interior Dana's house, foyer, night.
Starting point is 00:04:12 Dana closes the front door behind her, sets down her briefcase. The sound of laughter floats in from the living room. Interior Dana's living room, continuous. Dana enters to find Ethan with two other couples, Izzy and Marshall and Corey and James. all in their 30s. They stand in chat, drinks in hand.
Starting point is 00:04:31 Appetizers and plates adorn the coffee table. Everyone lets out a cheer at the sight of Dana. Yay! Wait, hold on one second. There's only five of you in the room. 11 of you that cheer. That might have been too many people. Everyone lets out a cheer at the sight of Dana.
Starting point is 00:04:50 Ethan walks over to give Dana a kiss. There you are. I totally forgot. I'm so sorry. I'm so sorry. I'm late. I'm sorry, I'm late. They move into the group. Martin hands Dana a glass of wine. Not to worry, darling.
Starting point is 00:05:03 We all know how hard you work. The least this slacker can do is keep us entertained in your absence. Interior Dana's living room. Later. The three couples sprawl on the sofas, board games on the coffee table, along with dirty plates and half-empty glasses. They finish a game of cards against humanity. Okay, final round.
Starting point is 00:05:22 What gets better with age? Oh, you mean beside you, huh? Ooh, nicely played. No, I just don't age, period. It's true. I mean, she's been 29 for, what, six years now? Izzy gives Marshall a playful backhand. Everyone looks through their cards, reads their answers. An ice-pick lobotomy.
Starting point is 00:05:40 Ooh, pretty teens. Jennifer Lawrence. Izzy gives Marshall a look. What? He shrugs. Okay, Ethan. What gets better with age? Full frontal nudity.
Starting point is 00:05:54 Oh. Ew. I was saving that one. Dana, finishes off. Not funny. It's the only card I have left. Yeast. Dana and Izzy grew.
Starting point is 00:06:06 The men laugh. The laughter dies off. I know. Not funny. But kind of true, actually. Who won, Izzy? Who always wins? Ethan, of course.
Starting point is 00:06:17 Corey raises his glass to Ethan. Everyone else cries. Always the nice ones you have to look out for. Ethan feigns being hurt. Who? Me? Dana gathers up the cards. The guests finish their drinks, stack plates and glasses, retrieve their belongings.
Starting point is 00:06:32 Dana stands with Ethan to see their guests out. Marshall pats Ethan on the back. Another fantastic evening, my brother. Izzy gives Ethan a kiss on the cheek. Ethan, you are the best host. You too, Dana. Ethan, thanks again for the auction items. That training camp experience is going to fetch a pretty penny.
Starting point is 00:06:52 Oh, I'm happy to do it. All I did was make a call. Well, I appreciate it. We'll see you both there. Where was that? Remember on the gala for Alzheimer's in honor of Corey's dad? It's next weekend. That's right.
Starting point is 00:07:07 Of course. Sorry, it depends on where the trial's at, but I hope so. Me too. Hugs and goodbyes all around. Ethan waves as he closes the door after all the guests make their way out. Interior Dana's bedroom, night. Dana and Ethan sit up in bed. Dana rubs lotion on her legs.
Starting point is 00:07:27 That was a fun evening. Yeah. What? Your friends don't really like me. They just tolerate me because of you. What? Babe, why would you say that? Besides, they're your friends, too.
Starting point is 00:07:44 No, not really. I gained them by default. And you knew them before you met me. I mean, if you and I weren't together, they wouldn't still be my friends. Like, nobody likes lawyers. He grabs her. pulls her onto the bed. Well, I do.
Starting point is 00:07:58 He kisses her neck, tries to get her in a good mood. In fact, let me show you how much I like lawyers. This one in particular. They kiss more intently. It moves his hand up her thigh. She rolls over to get up. I just, hold on. He tries to keep her in bed. She squirms out of his embrace. Oh, come on. It'll be okay. Just this once. Just leave it.
Starting point is 00:08:17 Oh, I'll be right back. She heads to the bathroom. You know, it wouldn't be the end of the world. He flops back on the bed, groans. Exterior Ada's backyard, day. Ada sits at the patio table, a thick plastic-covered book open in front of her. She gazes out at the garden where adult Teddy, a figment of her imagination, expertly tends to the plants. He is tall and broad with an innocent, open face.
Starting point is 00:08:44 Soft brown curls dance in the light breeze. Teddy turns to her, holds up a perfect, red-ripe tomato. I don't know how you do it, Teddy. Every year they're better than the last. He beams at her. Ada? I'm outside, dear. Gina emerges through the sliding door.
Starting point is 00:09:05 There you are. Is someone here? I thought I heard you talking. Ada looks at the garden again, then back at Gina, shakes her head. Just getting some fresh air. Thinking about Teddy. Gina gives her a squeeze. Sees the book on the table.
Starting point is 00:09:22 Is this his baby book? Yes. May I? Of course. Gina sits next to her, flips through the book. Such a handsome boy. Do you think about having children? I used to, but I have endometriosis and couldn't get pregnant. I think that's why I became a teacher.
Starting point is 00:09:49 I get 30 new children every year. Well, I'm sorry. So many expectations. around being a woman, being a mother. Yes, there are. That's why my husband left after only a year. He knew I couldn't ever give him the son he wanted so badly. That wasn't your fault.
Starting point is 00:10:12 He didn't see it that way. Ada puts her hand on Gina's. They look through the book together. That's the only photo Teddy's father ever took with him. He tried to distance himself. as much as possible. I couldn't give him the son he wanted, either. Close on a photo of young Ada, seated with baby Teddy,
Starting point is 00:10:38 an unsmiling man, stands behind them. We were more alone when he was here than after he was gone. What happened? Unless it's too painful to talk about. There's nothing that can hurt me anymore. Jack, my husband, blamed me. just like the doctors did. He said I babyed Teddy too much
Starting point is 00:11:03 and that he needed to start acting like a normal kid or else. I was afraid Jack might hurt him, especially after he'd been drinking. One day, Teddy woke from a nap, screaming. He screamed for hours. Nothing I tried would make him stop. Jack flew into a rage,
Starting point is 00:11:26 yelling he couldn't take it anymore, and that it was Teddy or him. I guess he could tell by the look in my eyes what my choice was. So he left, never came back. I hated him for a long time. Until I realized I didn't have the energy for it anymore. Sometimes I even felt sorry for him. I can only imagine.
Starting point is 00:11:59 what he experienced in the war, just to come home to another. Are you sure you wouldn't rather stay with me? Teddy sits beside Ada, puts his head close to hers. She smiles. No. Thank you, dear. I'm all right here.
Starting point is 00:12:18 Okay. I'll check in on you a little later. I've got lasagna in the oven for dinner. I'll bring some over. Hmm. That sounds well. Wonderful. Thank you. Takes Gina's hand.
Starting point is 00:12:33 You do such a beautiful job taking care of others. There's more than one way of being a mother. Gina gives her a hug. Interior Office of the District Attorney, Day. Dana enters from the street, walks towards her office with a paper takeout bag. Her assistant runs up. Dana! The Emmy called while you were out since he's got 15 minutes for you if you can get there.
Starting point is 00:12:59 before one. Dana checks her watch. Here, enjoy. Hands the bag to her assistant, heads back the way she just came. Interior Medical Examiner's Office, Day. Dana sits across from the medical examiner, flips through the report. What exactly is asphyxiation by helium? Breathing in pure healing to prize the body of oxygen. If the body is unable to take in oxygen, it starts to die within minutes. Helium speeds up this process. When the gas fills the lungs, it creates a diffusion gradient that washes out the oxygen. In other words, each time the body breeds in helium, more oxygen is sucked out of the system. The body's oxygen level can plummet to a hazardous level in a matter of seconds. Could Teddy Wells have killed himself this way without any assistance?
Starting point is 00:13:47 It is possible for someone to perform death by asphyxiation unassisted, but given Mr. Wells' substantial development disabilities, it's highly improbably he would have been able to do this by himself or even agree to it. So definitely homicide. Yes. The curious thing is, though, helium is nearly undetectable in toxicology probes. Meaning... One more time.
Starting point is 00:14:12 Toxological. Toxological. Toxological. Toxical. What did you say toxical. Soxical. So definitely homicide. Yes.
Starting point is 00:14:27 The curious thing is, though, helium is nearly undetectable in toxicological probes. Meaning... Meaning if the defendant hadn't left the hood and the tubing out, I wouldn't have checked specifically for helium. With no signs of visible trauma on the body and no determinable cause of death, I wouldn't have ruled it a homicide. She could have walked, so why does she confess? Dana breaks the examiner's gaze to look back at the report.
Starting point is 00:14:53 Interior Police Station, Front Desk, Day. Dana approaches the desk sergeant, flashes her credentials. I'm looking for Detective Raymond Curtis. Is he available? Interior Robbery Homicide Office, Day. Detective Curtis greets Dana. Is Jeffries. How can I help you? Hello, Detective. I'd like to see the interrogation tapes for Ada Wells, please. Of course. This way.
Starting point is 00:15:17 Motions for her to follow. Interior Detective Curtis's cubicle, day. Dana and Detective Curtis sit at his desk, a laptop open in front of them. You're looking for anything in particular? Honestly, I don't know what I'm looking for. She watches the screen. I didn't want him to suffer. Were you trying to make it look like a suicide?
Starting point is 00:15:38 She presses pause, faces the detective. The Emmy told me he wouldn't have checked for helium if she hadn't left the equipment out. It wouldn't have been ruled a homicide. She could have gotten away with it. It didn't appear she was trying to get away with anything, though. She didn't try to hide it at all. She gave us permission to enter and search the home, the hood, the tubing, everything was in plain view. Her fingerprints were clean, no attempt to wipe anything off.
Starting point is 00:16:04 Would you find her guilty if you were on the jury? I'm a police officer. Well, that isn't an answer. I've known Alexis, Ms. Martinez, as a long time. I was close with her brother growing up, played ball in school. I worked with her when she was in your position. Which means what exactly? She's good people.
Starting point is 00:16:29 She only takes cases she believes in it. That's why she didn't last at the DA's office. In all my years assessing murder suspects, Mrs. Wells' actions indicate she didn't believe she had done anything that needed to be covered up. So I'm guessing the defense is arguing capacity. They are.
Starting point is 00:16:52 He shrugs as if to indicate he, agrees. I think I just struck you from my witness list. Gives her a sympathetic look. Interior Dana's office, day. Dana takes a bite from a sandwich, studies a brief. Harvey breezes in with Alexis. Dana swallows quickly, wipes her mouth, stands up.
Starting point is 00:17:11 Look who I found wandering the halls. Twice in one week. If I didn't know better, I'd say you were trying to get your old job back. You'll be the first to know, Harvey. Well, I'd love to stay in chat. but I've got a meeting. Go easy on this one. I don't want to lose another pretty face.
Starting point is 00:17:29 He nods his head at Dana, leaves. He's a peach, that one. Dana does not respond, tries to wait her out, then. Was there something I could do for you? No, I was in the neighborhood and thought I'd drop off our witness list in person. Pulls a folder from her briefcase, hands it to Dana. Thank you.
Starting point is 00:17:48 I plan on reaching out to them. I'm counting on it. They're all more than happy to speak with you. I think you'll find what they have to say very enlightening. She makes no move to leave. Well, if that's all. That's all. Have a nice afternoon, Dana.
Starting point is 00:18:05 She leaves. Dana peruses the list, reaches for the phone. Interior State Department of Public Health Building, Day. A staff member leads Dana down a hallway to an office, shows her inside. Mrs. McCarrio, 60s, wears an American flagpin on her lapel, stands and greets Dana, offers her a seat. I thank you for seeing me. I know it can be awkward talking to the other side.
Starting point is 00:18:30 Not at all. I've testified on both sides. Facts are facts. What questions can I answer for you? You've been Deputy Director for the Center for Healthcare Quality for how long? 38 years. This year will be my last. Congratulations on your retirement.
Starting point is 00:18:46 Thank you. What exactly is the role of the Center? We play a critical role in the protection. of patient safety by evaluating health facilities, agencies, and professionals for compliance with state laws and regulations in order to license, certify, or register them. Dana smiles at her, tries to win her over. You've said that a few times, I guess. Indeed. We also investigate complaints, compliance with federal laws and regulations, oversee the education, training, and criminal clearance of nursing home administrators' assistance and home health aides.
Starting point is 00:19:18 The abuse cases are the hardest part of the job. I would imagine. How many complaints do you receive on average? Around 6,000 a year. Physical and sexual abuse sometimes patient to patient. Inappropriate use of restraints, medical or basic needs, neglect, patients going without food or lying in their own waste for days. That's concerning. It's criminal.
Starting point is 00:19:42 Most of the victims are not physically or mentally capable of speaking up or defending themselves. So if there aren't any living relatives to monitor their care, the abuse can go unchecked. for years. With budget cuts year after year, it's just not possible for us to reach every facility on a regular basis. It's sad to say, but the defendant's fears of her son being abused in an institutional setting were not unfounded or unreasonable. In total, how many patients are there in the state, approximately? A little over 300,000. So 6,000 out of over 300,000. That's less than 2%. Spoken like a true lawyer. I mean, still, less than 2%.
Starting point is 00:20:25 That makes for a pretty small chance of being a victim of abuse, wouldn't you say? Did you know that less than 1% of our nation's military was killed in the Iraq war? No, I didn't. Mrs. Macario turns a framed photo on her desk towards Dana. It is a young man in military dress. Less than 1%. That's a pretty small number, wouldn't you say? Unless, of course, that number included your child.
Starting point is 00:20:51 then that's still too many. I'm sorry for your loss. Thank you for your time. She gathers her belongings. Stans to leave. Hey, I'm Ruby Carr, the host of the podcast, Encore. Check out our brand new episodes featuring music from the show that everyone is reheating as we speak.
Starting point is 00:21:10 Heated rivalry. Join me as I go behind the songs that brought Shane and Elia together. I'll tell you the stories of Fice, My Moon, My Man, wolf parades, I'll believe in anything, and tattoos all the things. things she said and how they all became a part of this global phenomenon. Stream encore on IHeart Radio, crave, or wherever you get your podcasts. What's up, fam? I'm sports journalist Ari Chambers.
Starting point is 00:21:33 Hey, what's up, y'all? It's your girl, Sam J. And we're the host of everyone watches women's sports, a new podcast from Together and Iheart women's sports. Because let's be real. Women's sports is giving us way too much to talk about these days. So Kelsey Finler, she became the first female solo rower to go from California to Hawaii. My first thought is, like, what's up with the snacks? Like, what are we eating? The highlights, the rivalries, the breakout stars, the moments that take over your
Starting point is 00:21:59 entire timeline. And the conversations that start during the game and somehow keep going all week. Every week, we're breaking down the biggest stories across women's sports. Naomi Osaka, showing out, she beat. Sabalinka. Shout out to you, Naomi. You get the palm, Naomi. You get the palm for that.
Starting point is 00:22:16 Because we're not just interested in what happened. We're interested in why everyone's talking about it. Because everyone watches women's sports. Listen to everyone watches women's sports. On the I Heart Radio app. Apple Podcasts or wherever you get your podcast. My first guest is Harris Holtin, Shakira, Luke and Yerrin, Samira and Gracie. I'm so excited.
Starting point is 00:22:42 On the bouncy bed. You have surprises. Many surprises. Welcome to Sweet 305 where the group chat comes to life. What a fuck. It's like a way to say like, hello, amiga, hello, my God, hello, her man. What up. Look, never I've ever had to have to be able to have
Starting point is 00:22:58 except with my kids, my kids, if you know. I'm sorry. Uff! Oof! Punch! That incredible! Yeah, the telenovela! You're the only person I know
Starting point is 00:23:10 that loves a yellow starburst. It's limited! No, there's someone. Like, you say, I'd like to collaborate with this person. This is Sweet 305. Listen to Sweet 305 with Lele Pons as part of my Cultura Podcast Network
Starting point is 00:23:26 on the IHart Radio app, Apple Podcast, or wherever you get you. your podcasts. This is Chelsea Handler from Dear Chelsea. Every week, the news gets worse. The world gets crazier and Yamanika is here to tell whoever's responsible, you're the problem. If you come over here to play games, I'mma check you. Okay? If you do some in the news that don't sound good, I'm going to play you. Join Yomeneika Saunders as she breaks down the week's most problematic stories on her new podcast. You're the problem with Yamanika. Do you know I just found out who's Sidney sweetie was. New episodes weekly every Wednesday is part of my new network, the dear Chelsea Network.
Starting point is 00:24:06 If he got a bunch of women, then I should have a bunch of men. Do better or do less so I don't have to do so much. So join Yamanika each episode as she answers one question. Who's the problem? I'm Yamanika and I'm out. Listen to you're the problem with Yamanika on the IHeart Radio app, Apple Podcast, or wherever you get your podcast. exterior office of the district attorney day Dana exits out onto the street dressed in running clothes takes off towards the surrounding park at a fast pace Interior Dana's office day
Starting point is 00:24:43 Dana enters flushed from her run dabs at herself with a towel Harvey sits at her desk she startles at the side of him sir apologies didn't mean to surprise you just stop by to see how the case was developing things must be going well you have time to spare.
Starting point is 00:25:01 It's threatening. It clears my head. Helps me think. Well, don't let me impede progress, then. He rises, moves towards the door. Thank you, sir. She slinks down on the vacated chair, goes through her messages, stops, grabs the phone, punches in numbers. Mr. Unger?
Starting point is 00:25:20 This is Dana Jeffreys from the district's attorney's office. Thank you so much for returning my call. Today would work? Four o'clock, yes. The address is in the file. Thank you. I'll see you then. Dana grabs her gym bag
Starting point is 00:25:33 to change clothes and freshen up. Interior Dennis Unger's office, day. Mr. Unger, early 60s, with a kind but tired face, rises to greet Dana. They shake hands. He indicates for her to sit.
Starting point is 00:25:47 Mr. Unger, I appreciate you agreeing to meet with me. I won't take too much of your time. I see in the notes, you have a brother with autism who lives in a group home? Yes. My twin, Leo.
Starting point is 00:26:00 And how long has he been in the group home? This one, four years. There have been other placements. Oh, yes. Well, over a dozen, probably closer to 20 now. I'm sorry, did you say 20? Yes, over the past 40 years. My father passed away when my brother and I were only 22.
Starting point is 00:26:21 Heart attack. My mother, if she couldn't handle Leo on her own, He was too big and too aggressive. She felt incredibly guilty about not keeping him at home, but her health was also failing. The stress was just too much. I'm so sorry. Why was your brother moved so often?
Starting point is 00:26:42 Well, every time we'd visit, there would be a new bruise, a missing tooth, sometimes even a cast. The staff would always dismiss the injuries as self-inflicted and tell us they needed to add another medication to the mile long list he was already taken. Their way of controlling him was by keeping him incapacitated. That's very unfortunate.
Starting point is 00:27:05 I would have thought that that kind of mistreatment is isolated or rare. Well, not from what I've seen. Leo has limited functioning and is completely nonverbal. And to be honest, caring for him is exhausting. Many of the staff, they work long, hard hours and a grossly underpaid. It's a recipe for a disaster. It's easy to take out your frustrations on someone who doesn't have a voice. Yeah, but surely now, I mean, with all the safeguards and regulations, abuse can't just go unchecked.
Starting point is 00:27:38 It's always a concern for vulnerable populations. I know it's hard to believe if it doesn't directly affect you, but you don't think systems fail? Just read the news on any given day. It happens all the time. That lady, the one you're trying to... to convict. That'll be me in a few years, facing the same decision she did
Starting point is 00:28:01 because I'm the only one left to care about what happens to my brother. He gives her a pointed look. Interior Dana's car, night. Dana parks outside her house, punches a button on her cell. Close on phone in her hand, reads Mom's Cell, puts the phone to her ear, sounds of a voicemail greeting come through,
Starting point is 00:28:23 then a beep. She hesitates. Ends the call without saying anything. Interior Dana's living room, night. Ethan sits on the couch, watches TV. The front door unlocks. A few seconds later, Dana comes in, still in her coat. She drops her briefcase on the floor,
Starting point is 00:28:41 crawls into Ethan's lap, curls into a ball. He turns off the sound on the TV. Tough day? She nods. Mm-hmm. Do you want to talk about it? She shakes her head, curls up even tighter. He nods to himself, loosens her bun, strokes her hair.
Starting point is 00:28:58 I'm here. She closes her eyes. Interior Ada's kitchen, night. Ada and Alexis sit at the table. Folders stacked on one end. Gina clears plates. Ada's looks like it has been barely touched. Are you all done, Ada?
Starting point is 00:29:15 Oh, yes, dear. It was wonderful. I just can't eat much. Alexis reaches over, grabs one of the folders. Ada coughs, takes a sip of water, smiles at Alexis. Down to business, then. What happens next?
Starting point is 00:29:33 Once jury selection is complete, we'll likely start trial the day or two after. We can go over some of your testimony now if you're up to it. Of course? She continues to call. Jaina shakes her head at Alexis out of Ada's sight line. Alexis looks at her watch. Oh, I'm so sorry, Ada. I forgot. I have another appointment.
Starting point is 00:29:53 We can talk tomorrow. She stands, gathers the folders. That would be... Ada doesn't finish her sentence. Instead, she cocks her head and smiles. Oh, that's a new piece. What do you mean, Ada? Ada stands, moves to the living room.
Starting point is 00:30:15 Alexis and Gina exchange looks. Follow her. Interior Ada's living room, continuous. Teddy plays the piano, a virtuoso. Ada takes a seat on the bench next to him, closes her eyes to listen. Alexis and Gina enter, watch her. Ada? Ada continues to listen.
Starting point is 00:30:34 Teddy finishes. Ada applauds. She turns toward the women brightly. Oh, such a talent. I often think he could have played at Carnegie Hall, if only... She looks up, sees their concerned faces. Her animation drains away. Well, anyway, thank you for dinner and for the company.
Starting point is 00:31:02 Gina moves to her, puts a hand on her arm. Why don't you relax in your chair? I'll make you some tea. It'll help you sleep. Oh, yes, that sounds nice. Thank you. I'll let you rest then. Good night, Ada.
Starting point is 00:31:17 Sleep well. Ada gives a small, tired wave as Gina helps her to the chair. Interior Dana's office, night. Dana sits on the edge of her desk in the near dark, watches the news on a screen on the wall. She looks tired. Jury selection concluded today in the case of the South Pasadena woman who allegedly suffocated her adult son because he had autism.
Starting point is 00:31:39 Autism is a neurological condition. She lowers the volume as Carter, late 20s, highly efficient but perpetually anxious, enters with a stack of thick files. Here are the briefs you wanted. Thanks. She stays focused on the screen. He glances at it.
Starting point is 00:31:54 Looks like we made the news. Mm-hmm. Are you happy with the jury? We'll see. It was surprising how many people in the jury pool know someone with a disability. Probably close to 50%, wouldn't you say? Yeah, something like that.
Starting point is 00:32:10 There are a lot more disabled people out there than I thought. I guess it's the kind of thing you don't really pay attention to, unless it happens to you. She finally looks at him. I suppose you're right I guess we're lucky then Lucky? How so? I just mean it's
Starting point is 00:32:30 It's good that we don't Yeah I mean Well you know what I mean She remains silent Okay well if there's nothing else I'll see you in the morning He makes a hasty retreat Interior Dana's bedroom
Starting point is 00:32:45 Night Dana lies in bed in the dark room Stairs up at the ceiling. Ethan is sound asleep beside her. She looks over at him, eases out of bed. Interior Dana's home office, night. Dana sits down at her desk, turns on her laptop. Her fingers hesitate over the keyboard.
Starting point is 00:33:03 Then she types. Close on computer screen as Dana types in Christopher Morland and hits enter. Multiple listings and images pop up. Dana scans the results for a moment, then slams the laptop shut. Interior Dana's house, foyer, day. Dana stares absently at herself in the mirror,
Starting point is 00:33:23 choose a nail. Ethan enters with a travel mug of coffee. You look great. You got this. She takes her hand away from her face, turns to Ethan with a wan. Wan? Wan? What was that bell?
Starting point is 00:33:36 Wan? Juan. Juan. She takes her hand away from her face, turns to Ethan with a wan smile. Thanks. He sets the mug down on the hall table, rubs her shoulders. Hey, you're not nervous, are you? You never get nervous, not my gal.
Starting point is 00:33:54 Do you think I did the right thing? What do you mean? Nothing. Never mind. I'm going to be late. Thanks for the coffee. Gives him a quick kiss on the cheek, picks up the mug and her briefcase. Exterior courthouse day. Several dozen people, many in wheelchairs, pick it by the front steps. The protesters chant and, and carry signs that read Remember Terry Schiavo,
Starting point is 00:34:18 compassion and choices, voice for the voiceless, etc. Interior Television News Studio Day. A newscaster is on air. Opening arguments are underway today in the trial of Ada Wells, an 89-year-old woman who took the life of her adult son with autism. Disability rights organizations clashed with pro-Euthanasia groups as they picketed outside the courthouse, and emotions were running high.
Starting point is 00:34:44 Some protesters were very, strong in their views. Intercut, Courthouse Television News Studio. I'm the father of a very severely autistic child. We have always gladly taken care of him, and we always will. There is absolutely no excuse for killing an autistic
Starting point is 00:34:59 person. Whatever the circumstances, there is no excuse. Period. While others were more undecided. I think the whole story is heartbreaking, just so sad for everyone involved. Caring for someone day in.
Starting point is 00:35:15 and day out for that many years. I just hope something good can come out of it. Jennifer Carr, an advocate for the right to die non-profit choices in dying, spoke to our reporter outside the courthouse. We continue to fight for a time when every citizen of this nation is free to live and die as they choose, according to their own values. This case does not exemplify the usual end-of-life decision for a terminally ill person, so we cannot condone the actions of the defendant.
Starting point is 00:35:45 However, we do recognize that suffering is not limited merely to the physical body and can affect one's quality of life as a whole. Now more than ever, we need support systems for our aging population and for people with disabilities to avoid repeats of such tragic events as this. And prosecutor Dana Jeffries from the district attorney's office had this to say. Dana strides up the courthouse steps. A reporter follows, thrusts a microphone at her. Condoning a crime of this nature is a lethal danger to the disabled population. Interior courthouse security checkpoint, day. Ada and Gina passed through the metal detectors, head towards the courtroom. Alexis puts her briefcase on the conveyor belt.
Starting point is 00:36:26 Dana pushes through the front door, walks up behind Alexis, places her personal items in a bin. Alexis glances over her shoulder as she removes her jacket. We could have avoided all this? The crowd outside seems to indicate otherwise. Is that what you're concerned about? No, no. What I'm concerned about is what kind of message it sends if we allow people to people. to murder other people with impunity.
Starting point is 00:36:48 You know full well it wasn't murder. Call it whatever you want, but either way, he's dead. And if she really wanted what was best for him, she would have given him up. That was the right thing to do. I'm sure that will sound wonderful on the five o'clock news. She steps through the detector. Interior courtroom, Day.
Starting point is 00:37:07 Ada sits at the defense table with Alexis, coughs quietly into a handkerchief. Gina sits in the gallery behind them. Dana and Carter occupy the prosecutor's table. The judge enters from her chambers. All rise. Everyone rises. The judge sits, raises her hand. Be seated. In the matter of the people versus Adelaide Wells. Is the state ready to proceed? Yes, Your Honor. Defense? Yes, Your Honor. We will now hear opening statements, beginning with the prosecution. Dana rises from her chair, smooths her skirt, addresses the jury.
Starting point is 00:37:42 Euthanasia, mercy killing, assisted suicide. These phrases bring to mind terminally ill patients begging for someone to end their suffering. Despite what you may have heard or seen in the media, this case is not about that. Victim, Theodore Wells, was not terminally ill, clinically depressed, or tired of living. Yes, he had autism, but that's not a rare disorder. without treatment options. By some estimates, one out of every 54 people in this country have it. Look up autism on the internet, and you'll find hundreds,
Starting point is 00:38:22 if not thousands of resources, support groups, therapies, all available to help people and their families who live with this common disorder. All the defendant had to do was simply pick up the phone and call one of them. Help was just a phone call away. Does that sound? that sound like a hopeless situation to you?
Starting point is 00:38:45 Does that sound like a situation so bleak that you would murder your own child? No matter how well-meaning, they try to tell you that the defendant's intentions were, the fact is she planned and carried out the murder of her son. The victim's life wasn't worth any less because he had autism, and his mother had no justifiable reason for killing him. murder is murder no matter what and that is what the state will prove
Starting point is 00:39:15 thank you she takes her seat Alexis stands walks to the jury box leans in 65 years ago autism was a completely misunderstood disorder
Starting point is 00:39:28 so much so that it took Ada Wells nearly 40 years to get a diagnosis for her son for almost four decades doctors told Ada that Teddy's condition was her fault that she had done this to him because she was cold and unfeeling.
Starting point is 00:39:43 A refrigerator mother, they called her. Nothing could have been further from the truth. Those doctors, even her own family and friends, told Ada to put her only child in an institution and walk away. Forget he'd ever been born. Can you imagine? But Ada would have none of it. Instead, she dedicated her entire life to making sure Teddy
Starting point is 00:40:06 knew he was loved and cherished. and she did this with almost no support. She lost her husband, her friends, her entire life as she knew it. Turns to give Ada an empathetic look. Ada lived confined within the walls of her home, giving up everything she wanted for herself. 65 years of complete selflessness to protect her child. 65 years.
Starting point is 00:40:32 She lets that number hang in the air, then returns to the defense table, squeezes Ada's hand. Will the state call its first witness? The state calls Dr. Martin Cressler. Dr. Cressler steps into the courtroom, takes the witness box. Dana straightens her notes, approaches the doctor. She glances out into the gallery, sees Ethan, who gives her a nod. Interior Dana's dining room, night.
Starting point is 00:40:59 The table is set with flowers and candles. The lights are dimmed. Soft music plays. The front door unlocks, footsteps as Dana enters. Ethan pops out from the kitchen to greet her. Surprise! Oh, what is all of this? Oh, I just thought I'd give the warrior returning from a battle a much-deserved welcome home.
Starting point is 00:41:20 He takes her briefcase, sets it down, gives her a kiss. I didn't know you were going to be there today. Yeah, you seemed like you maybe needed some support. No, I'm fine. I was fine. But thank you. Sit down, relax. Dinner's almost ready. Here, give me your job.
Starting point is 00:41:38 He removes her jacket, steers her towards the table. She sits, spots the glass of wine in front of her, takes a long drink. Hey, I'm Ruby Carr, the host of the podcast, Encore. Check out our brand new episodes featuring music from the show that everyone is reheating as we speak. Heated rivalry. Join me as I go behind the songs that brought Shane and Elia together. I'll tell you the stories of Fice, My Moon, My Man, Wolf Parades, I'll Believe in Anything, and tattoos all the things she said.
Starting point is 00:42:07 and how they all became a part of this global phenomenon. Stream encore on IHeart Radio, crave, or wherever you get your podcasts. What's up, fam? I'm sports journalist Ari Chambers. Hey, what's up, y'all? It's your girl, Sam J. And we're the host of everyone watches women's sports,
Starting point is 00:42:23 a new podcast from Together and Iheart women's sports. Because let's be real. Women's sports is giving us way too much to talk about these days. So Kelsey Finler, she became the first female solo rower to go from California to Hawaii. My first thought is, like, what's up with the snacks? Like, what are we eating?
Starting point is 00:42:41 The highlights, the rivalries, the breakout stars, the moments that take over your entire timeline. And the conversations that start during the game and somehow keep going all week. Every week, we're breaking down the biggest stories across women's sports. Naomi Osaka showing out, she beat Sabalinka. Shout out to you, Naomi. You get the palm, Naomi. You get the palm for that. Because we're not just interested in what happened.
Starting point is 00:43:03 We're interested in why everyone's talking about it. Because everyone watches women's sports. Listen to everyone watches women's sports. On the I Heart Radio app. Apple Podcast or wherever you get your podcast. My first guest is Paris Token, Shakira, Luke and Yerrin, Samira and Gracie.
Starting point is 00:43:26 I'm so excited. On the bouncy bed. You have surprises? Many surprises. Welcome to Sweet 305 where the group chat comes to life. What a fuck. It's like a form of saying like,
Starting point is 00:43:37 Hello, Amiga, oh, my God, hello, What are! Look, never I've ever had to have I've evered with my My kids, my my son I'm gonna
Starting point is 00:43:48 Oof That's incredible Yeah, the telenovela. You're the only person I know that loves a yellow starburst It's slimated And there's
Starting point is 00:43:58 like you say I'd like to collaborate with this person This is Sweet 305 Listen to Sweet 305 With Lele Pons As part of my Cultura Podcast Network On the IHeart Radio app
Starting point is 00:44:13 Apple Podcast or wherever you get your podcasts. This is Chelsea Handler from Dear Chelsea. Every week, the news gets worse. The world gets crazier. And Yamanika is here to tell whoever's responsible, you're the problem. If you come over here to play games, I'm going to check you. Okay? If you do some in the news that don't sound good, I'm going to play you.
Starting point is 00:44:35 Join Yomeneika Saunders as she breaks down the week's most problematic stories on her new podcast. You're The Problem with Yomeneika. know I just found out who Sidney Sweeney was. New episodes weekly every Wednesday is part of my new network, the Dear Chelsea Network. If he got a bunch of women, then I should have a bunch of men. Do better or do less, so I don't have to do so much. So join Yamanika each episode as she answers one question.
Starting point is 00:45:02 Who's the problem? I'm Yamanika, and I'm out. Listen to you're the problem with Yamanika on the IHeart Radio app, Apple Podcast, or wherever you get your podcast. Interior Dana's dining room later. Dana and Ethan are at the table, plates pushed aside. Her shirt is still buttoned up, her hair still pulled back. One wine bottle on the table is empty.
Starting point is 00:45:28 Ethan reaches for a second bottle, moves to top off Dana's glass. She puts her hand out to cover it. Oh, no, not for me. I have to be in court early tomorrow. He gets up, clears the dirty dishes. Speaking of, you feel good about today? You know, I don't like talking about trial in the middle of. of it. I know, I know, but you're usually so fired up after a day in court, like there's
Starting point is 00:45:51 an electricity running through your veins. I know. I kind of like it. Truth be told. He comes up behind her, kisses her neck, unbuttons the top button of her blouse. I'm not used to seeing you so low-key. Is everything okay? It's just a different kind of case. That's, that's all. He rubs her shoulders. If anything ever happened to you, if you couldn't take care of yourself, How would you feel? What do you mean? Like, would I be upset? Yeah. Yes. I guess that's what I'm asking. Depressed, hopeless, like not wanting to live.
Starting point is 00:46:31 Would I still be able to make love to you? He leans down to nibble on her ear. She shrugs him off, turns to face him. I'm serious. He searches her face. You are serious? Pulls up a chair next to hers. Okay. Seriously. Life is great.
Starting point is 00:46:49 I wouldn't want to die even if things got tough. I think I could live with most things if I was paralyzed or something like that. You wouldn't be depressed? Well, I'm sure I would have low points, but who doesn't? Lots of people live with disabilities and have very productive, meaningful lives. Remember that piece I did last year on the Paralympics? Those athletes could do more than most able-bodied people. What if you were mentally determined?
Starting point is 00:47:16 I don't know. I never thought about that before. What level are we talking about here? I wouldn't want to lie around in a vegetative state for years and years if that's what you mean. I mean, that's why I have a DNR order. What is this about anyway? But at what point do you make that decision to walk away? Like, how long do you try before you just, you give up? I'm not sure. I don't think you can put an absolute on something like that. Everyone's situation is different. You might think you know what you do, but you can't really say until you've been there. I think you're right. One bottle of wine is enough. Come on. Let's go to bed. He stands, takes her hand. She gently pulls it away.
Starting point is 00:48:03 I'll be there in a bit. I have some work to finish up. Always work. Alright, don't be too long. I might pass out before you have a chance to take advantage of me. Ben's down to kiss her. She looks up at him, grabs his hand. Thank you. For what? for putting up with me. I know it's not always easy.
Starting point is 00:48:26 Well, it's not. But it's worth it. You're worth it. He kisses her. Your hands trail as he exits towards the bedroom. She finishes the wine in her glass, contemplates the second bottle, lets out a sigh and grabs it.
Starting point is 00:48:44 Interior courtroom, day. The judge enters from her chambers. All rise. The room comes to its feet, waits while the judge settles herself. There's a sense of expectation in the courtroom. Be seated. In the matter of the people of the state of California
Starting point is 00:49:00 versus Adelaide Wells, court is now in session. Counselor, please proceed. The defense calls Ada Wells, shuffling and whispering from the gallery as Gina helps Ada make her way into the witness box. Please raise your right hand. Do you swear or affirm to tell the truth,
Starting point is 00:49:17 the whole truth and nothing but the truth? I do. She sits, settles herself. Alexis approaches the witness box. Good morning. Would you please state your full name for the record? Adelaide, Marie Wells. Miss Wells?
Starting point is 00:49:35 Please call me Ada. Of course, Ada. Can you tell us about your son, Teddy? Yes. Teddy was my first and only child. He was born four weeks early. I always said it was because he knew I couldn't wait for him to get here. My husband, Jack, was stationed in Vietnam at the time, so I drove myself to the hospital.
Starting point is 00:50:05 That would be scary having your first baby all alone. Besides being born premature, were there any other delivery complications? Yes. I was in laborer 32 hours. Teddy was a breach birth and it was very difficult. I always wondered if that might have affected him. How did Teddy's development progress after that?
Starting point is 00:50:28 He was meeting some of his milestones at first, sitting up and crawling, but he never babbled, never cooed. He rarely smiled. He never seemed to look at you. It was more like through you. And he was so quiet in the beginning. He would get this faraway look on his face
Starting point is 00:50:54 like he was locked away somewhere no one else could get to. Insert, exterior Ada's house, flashback. Young Ada holds one-year-old Teddy in the front yard, points up at the sky. Jack, Ada's husband, sits on the porch, beer bottles around his feet. Look, Teddy.
Starting point is 00:51:14 Look at the pretty bird. Teddy does not look. Makes no sound. Don't you see it? It's there, Teddy. It's right there. Look. Jack throws a bottle to the ground, gets up and disgust and goes inside, slams the screen door behind him. Just look, Teddy.
Starting point is 00:51:30 Please, just look at the pretty bird. Back to scene. Did anyone else notice or comment on Teddy's behavior? At first, my family and friends told me how lucky I was to have such a calm baby. Until they tried to hold him, Teddy would scream and... twist away so violently. I thought he would hurt himself if anyone
Starting point is 00:51:54 touched him besides me. How was he with his father? Jack was overseas the first year of Teddy's life, but then he was injured in a training accident, so he was discharged from the service and came home.
Starting point is 00:52:11 The pain from the accident. He would drink to make it go away. Things were difficult. Difficult, how? Insert, interior Ada's living room. Flashback.
Starting point is 00:52:27 Jack stumbles in the front door, clearly drunk. Little Teddy sits on the floor. Small toys lined in a row in front of him. Jack approaches Teddy, pats him on the head, then picks up one of the toys. Hey, buddy, what are you playing, huh? Teddy screams, repeatedly bangs his ears of those fists. Jack gets in Teddy's face, yells.
Starting point is 00:52:46 What the hell's wrong with you? Stop that. He kicks all of Teddy's toys. Teddy screams louder. Young Ada rushes in, scoops up Teddy, attempts to console him. He's not my kiddies. Freak. You made him a freak.
Starting point is 00:53:01 He takes a swing at Ada who ducks. He stumbles and falls. Ada runs out with Teddy. Back to scene. Ada coughs, pours herself a glass of water, takes a sip. Her hand trembles slightly. Finally, Jack left. for good. Our friends eventually stopped coming to visit. Family died or moved away, and then Teddy
Starting point is 00:53:28 started refusing to leave home. When I tried to take him anywhere, he would bite himself or pull his hair out. So we just stayed in after that. You were so alone, so isolated. How did you survive, what did you live on? A few months after Jack left, the police came to tell me he'd drank himself to death. I started receiving his
Starting point is 00:53:59 benefits along with my father's estate. It was enough to get by. What about human contact? Someone to talk to. Ada finds Gina in the gallery, smiles at her. I was blessed to have a neighbor, Ruth,
Starting point is 00:54:16 and her daughter, Gina. who looked in us regularly, brought us groceries. We had a doctor who made house calls, and our pastor, Father Weida, also came by until he got sick and had passed away. So in 65 years, you had contact with just four people? But I had Teddy. For every time he was unreachable, he was also a joy. He had a real sense of the earth, loved tending the garden.
Starting point is 00:54:51 Sometimes he would lie down on the ground and rub the dirt all over him. I think it made him feel connected to something. He taught himself to play the piano. He could listen to a song on the radio once. Then play it back note for note. It was truly a gift. The briefest glimpse of what his life might have been like, if only.
Starting point is 00:55:18 She coughs again, quite uncontrollably. Alexa steps closer to her. Ada, are you all right? Ada nods, still coughing. Several jury members cast sympathetic glances at her. Dana notices. The judge looks at Ada with some concern. I think that's enough for today.
Starting point is 00:55:41 Court is adjourned until 9 a.m. Monday morning. People rise, make their way out. Interior Dana's home office, night. Dana, still in court clothes, writes on a legal pad at her desk. Scribbles furiously, drops her head in her hands. Ethan comes in, steps behind her, puts his hands on her shoulders. She startles. I didn't hear you come in.
Starting point is 00:56:06 Still working? It's almost midnight. It is? Mm-hmm. He pulls up a chair across from her, sits down, lifts her legs onto his lap. You haven't even taken your shoes off yet. He slides off her shoes, massages her feet. Hey, hey, hey.
Starting point is 00:56:20 She tenses. Relax. She leans back in the chair. They are silent for a moment. Are you all right, Dana? She sits up, pulls her feet away. I'm fine. Why?
Starting point is 00:56:35 Oh, you've been on edge lately. It's just the case. Do you want to talk about it? With a journalist? No. Oh, it's me, remember? Your boyfriend? And I'm a sports writer.
Starting point is 00:56:48 That's not quite the same. You're not sleeping with the enemy. You're right. Sorry. Okay. I have an idea. Why don't we take a break and do something fun this weekend? I don't know.
Starting point is 00:57:02 I have a lot of work to do, Ethan. Oh, come on. Just for a few hours. It's my niece's first birthday tomorrow. My sister is having a barbecue. It'll be fun. And he would do you some good to get out for a bit. Just clear your head.
Starting point is 00:57:15 Besides, she's my only niece, and we've barely even seen her. She hesitates. He nozzles up to her. Oh, come on, come on, my... Just for a little while. We'll have some cold beer, gnaw some ribs. He leans in, bites her side in a playful manner. She laughs. He takes her face in his hands, looks at her with intent.
Starting point is 00:57:36 You know, it's good to hear you laugh. Okay. You talked to me into it for a little while. I know. I'm hard to reset. I know. He pretends to chew on her again. She shrieks in protest.
Starting point is 00:57:49 Stop! Stop! Exterior Rebecca's backyard, day. Tables and chairs are set up under canopies, balloons, and first birthday party decorations everywhere. One table is piled high with brightly wrapped presents. Rebecca, 30s, Ethan's sister, holds a baby girl, Sydney, dressed in a tiara and a frothy pink dress, talks with an older couple. Smoke rises from a corner of the yard. Rebecca's husband Kevin, 30s, wears a party hat, flips burgers on a large barbecue grill. People mill about, chat, drinks in hand.
Starting point is 00:58:23 Kids run in and around the adults with shrieks of joy. Ethan and Dana enter through the back gate. He carries a huge present. Where's my little rock star? Rebecca turns around. Ethan. Ethan sets the present on the table. Rebecca walks over to greet them.
Starting point is 00:58:38 Ethan kisses her on the cheek, takes Sidney from her, kisses the baby all over as she squeals and delight. Here she is. Now what on earth has your mother dressed you in, huh? You look like a birthday cake, not a birthday girl. He pretends to nibble on Sydney. Ha ha. She looks adorable. She gets Dana a hug. Dana, I am so happy you could make it. We haven't seen you in ages. I know how busy you are, though. We saw you on television. Such a sad case. Ethan shoots Rebecca. Look. Clears his throat.
Starting point is 00:59:08 Ah, Rebecca. Oops. Not supposed to mention work. You're here to have fun. Let me get you to a drink. I will be right back. Ethan continues to play with Sidney, catches Dana's eye, grins widely. Dana looks around at the partygoers. Her gaze lands on a family of three. Mother, father, and a little girl, Molly, just beginning to walk. It is a parent that Molly has Down syndrome.
Starting point is 00:59:32 She takes a few faltering steps, lands on her bottom, laughs. Molly's parents cheer her on. Rebecca returns with drinks, follows Dana's gaze. Those are our new neighbors. I'll introduce you. Isn't Molly just the cutest? Hands them their drinks. Here you go. My secret Hawaiian punch, definitely not the kiddie version. Cheers. Now if Kevin hasn't burned everything, I think we might be ready to eat.
Starting point is 00:59:59 Exterior Rebecca's backyard, later. Guests eat, talk. Dana and Ethan share a table with Rebecca, Kevin, and Sydney. Molly and her family at the table across from them. Dana glances over repeatedly. Kevin, that wasn't half bad. I think it might need another plate. You know, I feel like he's rubbing his stomach. You know, I think...
Starting point is 01:00:18 I think the people are kind of accidentally as you're talking. Who's reading, Kevin? Nick, we want to throw it out there. I'll do it. Go for it. He's a party guy, huh? Yeah. Party guy, huh?
Starting point is 01:00:28 All right. It's David. So from Ethan's wine. Yes. Yeah, Kevin, man, that wasn't half bad. I think it might need another plate. I think it might have to join you. They had for the food table.
Starting point is 01:00:41 Time to get the cake. Dana, can you hold her for a second? Without waiting for a response, she hands Sidney to Dana. She's visibly uncomfortable, unsure of what to do. She awkwardly bounces the baby on one knee. Sidney babbles and claps her hands, which catches the attention of Molly, who stumbles her way over to them. Molly reaches Dana and Sydney, stretches out her arms for Dana to pick her up.
Starting point is 01:01:03 Dana looks around, ill at ease. Molly's mother comes over. Did you come to make friends, Molly? She picks Molly up, sets her on Dana's other knee. Dana stiffens. The two children interact with each other. Adorable? I have to get a picture. She steps away. Molly turns her attention to Dana, touches her face and hair. Dana's eyes are frozen on hers.
Starting point is 01:01:24 Molly's mother returns, snaps a picture with her phone. Say, happy birthday! Ethan approaches, smiles at the sight. Rebecca returns, scoops up Sydney. Dana, who knew you had such a way with kids? Dana gives her a faint smile, hands Molly back to her mother. Excuse me, I need to use the restroom. She hurries towards the house.
Starting point is 01:01:46 Interior Rebecca's house, bathroom, day. Dana sits on the side of the bathtub, bent over, her head and her hands. The doorknob rattles. She looks up, calls out. Just a moment. She stands, moves to the sink, finds mouthwash in a paper cup in the medicine cabinet, rinses out her mouth, catches her reflection in the mirror. Her face is ashen.
Starting point is 01:02:07 Exterior Rebecca's house. Driveway, night. Dana gets into the passenger seat of their car as Ethan hugs his sister and niece goodbye. Rebecca makes Sydney blow kisses as the car drives away. Interior Ethan's car, moving, night. Ethan drives as Dana looks out the side window. You've been quiet. You okay? She does not look at him.
Starting point is 01:02:26 It's a little too much secret punch. Yeah, it packed the wall up. It was great to see you loosen up for a bit, though. You were so cute with the babies. I think they fell in love with you. She stays silent. He glances at her. I've never really seen you around kids before. What do you think?
Starting point is 01:02:50 About what? About having kids. We've never talked about it. She sits upright. Yes. Yes, we did. When we first got together, it was one of the reasons we were attracted to each other. We were both happy with our lives and our careers, and we didn't want to change that. Sure, but that was what we wanted then, but that was a few years ago.
Starting point is 01:03:16 People can change their minds. I haven't changed my mind. I'm happy with things just the way they are. So you don't ever want to have kids? And now all of a sudden you do? I don't know, Dana. We're just talking. But maybe there's more to life than working 16-hour days.
Starting point is 01:03:34 I like my job. I like to work. Yeah, I know. What does that mean? He pulls into their driveway, shuts off the car. Interior Ethan's car continuous. Ethan turns to look at Dana. Nothing. It's just... You're so driven by work and only work.
Starting point is 01:03:52 Maybe you should take some time to discover other interests. Do other things. Like have a baby. Well, it'd be fun trying. Is that what you want? To have a baby? You're so smart and strong and beautiful. Can't you just imagine what a perfect little baby would make?
Starting point is 01:04:11 No. No, no. I don't want to... imagine it. I don't want to imagine it at all. Like, I can't have a baby. What, you mean, you can't get pregnant? We use birth control, so I just thought, I am so sorry. I, I didn't know that, Dana. He moves to comfort her. She pulls away. I just, I can't have a baby. I can't. Why are you bringing this up now? I don't know. I'm sorry. I'm sorry. I didn't mean to upset you. You just look so beautiful holding those little girls today. It seems so perfect. Just stop saying.
Starting point is 01:04:44 that stop it, stop it. I had, I had a baby. Do you understand? I had a baby, and she wasn't perfect. She was perfect. And I tried, and I couldn't do it. Like, I couldn't be perfect. She pushes open the car door, runs inside the house. Interior Dana's house, hallway, day. Ethan stops outside the closed door to Dana's office. He knocks gently, then opens the door. Interior, Dana's home office continues. Dana stands at the window with her back to the door. Ethan looks in. Dana? Can I come in? She doesn't answer or turn around. He takes one step in. You've been in here since last night.
Starting point is 01:05:23 There's a pretty big elephant in the room. Can we talk about it? She shakes her head. That's why this case has been so tough for you, isn't it? Why you don't ever talk about your family, why you move thousands of miles away, why you keep all your feelings bottled inside. Your baby. She shakes her head again. Slower this time.
Starting point is 01:05:45 End of Act 2. Nice. What's up, fam? I'm sports journalist Ari Chambers. Hey, what's up, y'all? It's your girl, Sam J. And we're the host of everyone watches women's sports, a new podcast from Together and I Heart Women's Sports. We're breaking down the biggest headlines. Naomi Osaka, showing out. Shoutouts to you, Naomi.
Starting point is 01:06:03 The viral moments. I've been obsessed with Kashan Rock's boxing journey. She looks good. Her combos are swift. And the stories everyone's talking about across women's sports. Because everyone watches. Women's sports. Listen to everyone watches women's sports on the I Heart Radio app, Apple Podcasts, or wherever
Starting point is 01:06:18 you get your podcast. This is Chelsea Handler from Dear Chelsea. Every week, the news gets worse. The world gets crazier. And Yamanika is here to tell whoever's responsible, you're the problem. Do you know I just found out who Sidney Sweeney was? If he got a bunch of women, then I should have a bunch of men. Do better or do less so I don't have to do so much.
Starting point is 01:06:39 I'm Yamanika, and I'm out. Listen to you're the problem with Yamanika on the IHart Radio app, Apple Podcasts, or wherever you get your podcast. On Raiders of the Lost Podcast, we explore cinema like no one else, including huge interviews with stars like Ryan Gosling on Project Hail Mary. It was like the Jaws Shark. Didn't always work, came with its own problems. That's what made it great.
Starting point is 01:07:05 The cast of Obsession. On set, there was so much magic happening with each scene we were putting together. Deep dives into classics like 2001 of Space Odyssey or Fight Club. Plus weekly episodes on all industry news. Listen to Raiders of the Lost podcast on the Iheart radio app, Apple Podcasts, or wherever you get your podcasts. And for more, follow at Raiders of the Lost podcast and at TikTok Podcast Network on TikTok. My first guest is Peres Hilton, Shakira, Luke and Yerrin. Have surprises?
Starting point is 01:07:39 Many surprises. Welcome to the Sweet 305 podcast where the group chat comes to life. What a fuck? You're the only person I know that loves a yellow starburst. It's lemonade. This is Sweet 305. Here, oversharing is encouraged. Listen to Sweet 305 with Lele Pons on the IHartRadio app, Apple Podcast, or wherever you get your podcasts.

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