Test Match Special - #40from40: Ben Travers
Episode Date: March 30, 2020Brian Johnston chats to playwright Ben Travers in the very first View from the Boundary interview. Look out for memories of watching WG Grace amongst and many extraordinary tales....
Transcript
Discussion (0)
This BBC podcast is supported by ads outside the UK.
To embrace the impossible requires a vehicle that pushes what's possible.
Defender 110 boasts a towing capacity of 3,500 kilograms,
a weighting depth of 900 millimeters and a roof load up to 300 kilograms.
Learn more at landrover.ca.
BBC Sounds, music, radio, podcasts.
Classic View from the Bound,
on BBC Sounds.
Hello, Jonathan Agnew here to welcome you to a very special series
of classic View from the Boundary interviews
as we celebrate 40 years of this iconic radio feature.
The concept of a consistent view from the boundary feature
came about after the first celebrity interview had taken place.
Then producer Peter Baxter was walking to broadcasting house from St. Pancras Station
when the name came to him and it's stuck ever since.
As we launch our series on BBC Sounds, it only seems right that we include that very first interview
and what a remarkable discussion it is. Ben Travers isn't a name that will necessarily be familiar
to all listeners, but for the majority of the 20th century, he was one of the most prolific and
acclaimed writers for both stage and screen this country has produced. We'll hear plenty more
about his career, but it's his cricketing memories that really stand out. Born in 1886, Travers
was 93 when he climbed to the old Lord's commentary box in 1980.
He began by telling Brian Johnston about the first first-class game he'd watched.
Well, the first test match, I think it was the first class of the first class match I saw.
The first test match I saw was at the Oval in 1896.
I was nine years old.
And my father took me.
It was three-day matches, of course, in those days.
It started on a Thursday
and it rained most of the
Thursday. They didn't start until after tea
and WG Grace
and F.S. Jackson
opened for England, followed by Ranji.
Ranjit's ginger.
Rather, it chose the crowds
were still enthusiastic in those.
I remember when Ranji came into bat
they started singing.
I think he only made seven.
It was a very low score.
match. And that was my...
What did W.G make? Do you remember?
24. Court Trot Bull Giffin.
And
he was out first
and then Jackson played very good enough.
England won an adventure.
It was Bowler's wicked.
And that was...
And then later I saw WG
when he left
Augusta, he started
London County, the Crystal Palace.
Think of his own
club of his own
He used to get all the first-class cricketers to come and play for him
on their days off against the Countess and that sort of thing.
And there I saw him make a hundred with Ranji the other end making another hundred,
a very fine partnership.
And then I saw him again, the Hastings Festival.
Oh, and I saw WG in one of the only two matches in which he played with Jack Hobbs.
or which Jack Hobbs played with him
if he used to take the London county team
to the Oval
right to the beginning of the season
this was Jack Hobbs first play
I saw Jack Hobbs play his first inings
in first class cricket
made 80 on
I must tell you a bit more about WG
Well I want to ask what would he like
as a man oh well of course
he was a big thing about
WG in his time was he was
the great predominant figure of cricket, more so, I think, than any other individual since his time.
He had a rather odd stance in that he cocked his left toe up.
He had his left heel on the ground, cocked his toe up and stood,
and he also, in those days, stood and awaited.
the delivery of the ball
when the bowler was half well
through his run, fast bowler
with his bat off the ground
and that has
some comments have been made in recent years
about
modern bassman who'd done that
Tony Gregg and Amos
and Brearley and so
and Gooch that was now
but he started that
or he did it in his day
did you hear him talk
yes he had
he had a
Like another very large man, G.K. Chesterton, he had a curiously, a falsetto voice coming out of so huge a frame.
He was also, incidentally, you know, he was a practicing doctor.
My mother was born and brought up in Clifton, and W.G. Grace was their family doctor.
None of them lived very long.
Oh, except one who...
Well, he was always playing cricketing.
No, she became on that.
Did you ever see him disagree with an umpire?
I mean, he's got this repudence.
Disagree.
When he made his hundred,
he, well, I saw him make his hundred.
He was caught at short leg by a pro called Brockball,
a silent pro off the morning of Lockwood,
for 24, 22 or something.
And he made out that this was a bump ball.
He hit the ball on the ground before.
And he went towards Brockville,
flourishing his bat over his head.
head, as if he was going to fell him.
And, of course, the umpire at Peel
stood there, utterly intimidated,
not like what, it gave him a lot out,
and he went on to make a hundred.
Well, that was WG,
wonderful character.
Of course, you must remember
the days he lived in,
quite apart from cricket conditions.
You must remember WG never saw an aeroplane.
WG never saw an aeroplane.
I mean, she never saw any type of motion picture.
They were very...
How did they arrive at the ground in those days?
Well, I should think
some of the professionals probably were on bicycles and tricycles,
and certainly horse-room carriages.
Handsome cabs were the stuff.
Yes, but handsome cabs not so much outside London.
They were sort of a motor vehicle.
Then I must say, if I may, that your performance in scaling these stairs to the commentary box
which flaw me, and I've done for three seasons, I think it was a prodigious effort,
arrived in full puff too.
Well, I don't take more exercise than I can help.
I take immense amount of mental exercise, perpetual mental exercise,
but not more physical exercise like that.
I don't want to be unkind, but I think I'm rather...
like some of the English batsmen.
I take a lot of mental exercise,
but not much physical exercise.
Are you brutal exercise? Are you
broody at the moment? Are you writing a...
I'm always doing it. I'm writing my latest.
Oh, yes, I've got two or three waiting.
However, we don't want to talk about cricket.
I do, I do.
But what a wonderful life it must have been
before the First World War, a life of...
What about Jessop?
Would you like to tell you about that?
I love it.
Because I think I must be rather unique.
I can't be many people about now
who saw Jessop's classic 104.
The Oval in 1902?
The Oval in 1902.
Took it out of my mouth.
And, oh, it was a wonderful occasion.
That was a very interesting test match.
The Australians had already won the Ashes.
And this was the last test match at the Oval.
and in the last innings
it wasn't particularly bad wicked I don't think
but there was a bowler there called Saunders
a left arm fastish
sustainable
sort of predecessor of Davidson
though he wasn't as good a baller
as Davidson a few people were I think
and at the second innings
England had to make 263 to win
and the first four bats were on the English side
were McLaren, LCH Pallaret, J.T. Tilsley and Tom Hayward
and Saunders got them all four out
for respectively 2, 6, 0 and 7
and this was just about F.S. Jackson then went in
and stayed there, pretty good,
but this was just about the luncheon interval
last day.
And these four wickets were all down, all to Saunders.
The other end, old Hugh Tramble was bowling.
He'd had eight wickets, 64, in the first inning.
So he was a menace.
And some, I remember, sitting on the right of the pavilion.
And old, or rather elderly, members,
left the ground disgruntled.
They couldn't bear to see England so humiliated.
Well, Brombe came in with Jackson Laplace was immediately out for two, and in came G.L. Jessup.
Jackson, well, up a wonderful, the presidency performance, but most sensible innings.
At the other end, Jessop went absolutely crazy.
He, this many Saunders had already dismissed all our salmatsmen.
Joseph hit him for four falls.
A huge trouble was bowing the other end.
Joseph hit him onto the awning in the pavilion.
The ball came back, he hit him there again, the next ball.
And so he went on.
And in those days, the enthusiasm was...
Of course, England had utterly no chance at all.
But hadn't they?
They, this thing began to dawn, this paint up with this man going crazy.
And in those days, the Bota Hat was the fashion.
Everybody wore a boater hat.
And I remember when Joseph made his century, stayed citizens in the...
Removed their bowler hats and threw them like boomerangs into the earth.
Unlike boomerangs, they didn't return to the only.
A severe loss in those, a great sacrifice.
They must have cost at least three shillings a time.
Oh, a wonderful sight.
And, of course, the most threatening thing of all,
the finish of that, because when he was out and Rhodes came in to join her,
as they wanted 15 runs for the last wicket.
one of the most tanny bit of bowling
they made them gradually
and threw up to the score was a tie
and huge trumbull from the pavilion end
would bowled right through the evenings
263
both 31 over there
and he had a chap called Duff
a very good opening Australian batsman
He had him deep long on, on the right of the pavilion at the Oval.
What later always became known as Sandham's Corner,
because Andy Sandham used to say.
And he served Wilfrid Rhodes up with a slow half volley on the next time.
Almost any bachelor, anybody in the world would have said,
Ah, here we are, crack, wallop, hid it into the air and get caught by that.
Not a bit of it.
Wilfred Rhodes
gently tapped it
past square leg
and ran the one run
and there to be there.
You've made a lot of tours
of Australia, haven't you?
Yes, I've been to Australia
several times.
I was there
very luckily
in 1928,
29, when
Bradman first,
I saw Bradman
place his first innings
at Brisbane.
Yes.
And against England,
English bowling, that is.
And, of course, a wonderful side, England had probably one of the best day ever,
Percy Chapman was there, and Jardine's taking, making his first tour, Farmer White.
Those were the three amateurs, the days of amateur and professionals, and Jack Hobbes, Suckliff,
who made the greatest.
I always say, Brian, that I think the greatest innings I ever saw the cricket, the test match, anyhow.
was an innings played by Jack Hobbs at Melbourne
at the last days of 1928
was a test match, a third test match at Melbourne.
And Jack Hobbs made 49.
And I think that 49 was the greatest innings ever.
It had a terrific...
Of course, the wickets weren't covered in those days.
The mercy of the elements.
And there had a tremendous thunderstorm on night before.
and the Australian sound came out next morning
and fairly big to the wicket
and Australia had two or three wiggins to lose
Farmer white polished them all
in a couple of overs
and Jack Hobbs said
I'm afraid we should
this was lunch
at the start with late
and Jack Hobbs said I'm afraid
we'll all be out by tea time
and at the end
Tietam he had Suclip was still
there. And that was
the worst, that must have been
the most, the worst batting
wicked. Anybody
could ever conceive. I went
and saw it at the end of play.
It was like
concrete with great lumps
and holes in it. It's utterly terrible.
What about the best batsman?
Have you ever worked out who you think the best batsman
have ever seen the best bowler? There are two kinds
of batsmen, aren't there?
Surely. There's the
batsman who says, I'm going to slaughter
to you and the batsman who says, you can't get me out.
I think the greatest slaughterer, I ever saw, undoubtedly Don Bradman,
the greatest you can't get me out of was Jack Hobbs.
And, of course, there were others like that.
It's the approach to the game, not merely the execution, but the mental approach to the game.
I think, you can't get me out as, of course, they can't.
make to play
excellent scoring innings
past in and circumstances
arise but
there are sort of a general
attitude to it
Hutton
Woodpour
Bill Lorry
you remember John
you remember Bill Lurie
a boycott
and then of course
on the other slaughterers there are many
well we had one yesterday
it's hard to believe
watching that innings yesterday
that there could ever be a better slaughter of cricket
but I think Dun Bradman must have been tops
and of course the greatest all-round I saw
Gary Sobers, I don't suppose of much argument about that
No, not all.
Bowers?
Well, the traditional greatest burly is Sydney Barnes
I suppose the Australians would put in a case for O'Reilly
and we had some
all these very good medium bowlers
Morris Tate, Alex Denzer
well it's awfully hard to say
of course the greatest classic
bowling performances like Lakers
and
Verities at Lords
at 1934
they've got 15 wickets
I love and detract from the
brilliance of their
performance, but surely they were done under circumstances which helped the bowler.
Absolutely straightforward. I suppose it doesn't, hasn't stopped improving altogether, I hope,
cricket. This garden is a pretty good bowler, isn't he? He's pretty useful, yes, and of course
the fielding is better now, isn't it, until it's ever been before?
It's a story thing, John. The fielding compared now, of course, that isn't one thing about this one day game,
which I don't think was cricket at all
apart from being awfully good fun
and entertainment
and you and Jim Laker
between you managed to make it very
interesting, exciting on Sundays
but
fielding and throwing
you know in the old days
I'm talking about the race
Jessica day
until quite a long time after
throwing to the wicket
always used to be on the long hop
people didn't throw
to the weed keeper.
And now, some of them
return, you see
Lever and people
that return the ball
you see
some quite good ones
this morning.
It's a delight.
I love watching
fielding.
That's one of my
things.
You use the word watching.
Did you ever play,
Ben?
Were you any good?
Oh, no,
no.
No, no.
But's too small.
Oh, no.
I love,
I think
Percy Chapman
was the greatest
all-round field,
I don't think.
There have been
so awfully good
come.
Do you remember
before Randle,
Do you remember that chap bland?
Well, Clive Lloyd went in a little bit, a year or two ago.
Phil Sharp was the best slip cash-wise.
What about Jack Hobbs at cover?
Offly good, awfully good.
So was Jessup.
Hobbs, wasn't all that good when he started.
He taught himself to be a great cover.
Very good return for the mother.
Yeah, he was very good.
But to go back to Matty for a moment,
I think I've always pleased
but, mind you're a spectator
I don't in a moment
pretend to be an expert or connoisseur
secretly, like all cricket
as I secretly think I am myself
but I never tell anybody
but elegance
I loved elegance in bad
the most
graceful, elegant batsman I ever saw
was Alan Kippex
to watch it was
absolute joy, his movement.
And we've had a
calm graveness. Do you see Trumper?
Oh, yes.
How great was he?
He was great, but he wasn't
all that graceful. He was supposed to
be very, he wasn't. He had an extraordinary
stance with his right
knee bent
in front of him.
He was, of course, terrific.
When I saw Bradman
play his first eddings
and he made him
at Sidney, and Sidney
in 1928
and he made a glorious
cover drive
and an excited member
in the Australian stand
jumped up and said
Trumper
blasphemy
Did you think
then that Bradman
was going to be the great player
did you think
when you saw him then?
Well yes
we'd been told beforehand
there were two
chaps who were up and coming
great cricketers
Archie Jackson
and Don Bradman
of course poor Archie Jackson
would have been
I think. But he had that
consumption. Died young.
But, oh, Bradman.
Yes, he was terrific.
Do you like watching wikikeepers?
Who do rate as a great wiki-keepers?
The greatest week-kib I ever saw...
Oh, of course, I think Alan Nott.
Bertie O'Field, my younger days,
always supposed to be the best.
And then he was superseded by Evans
and now Alan Hott.
But it was a very strange week-kiver
in my younger days.
who's still going strong, not weed-keeping still, but still going strong.
You know him, Howard Levitt, Hopper Levitt.
He used to stand up for France Bowler.
Of course, he couldn't do it today, unless he wore a pair of stills.
That could rather handicapped with weed-keeping ice things.
But he was an amazing chance.
Oh, yes, there was some...
Just one more question, Ben, if we can.
You wrote one farce about cricket called a bit of fash.
A bit of a test, yes. I did that really.
It was often expected to appeal to a very large public.
It was after Douglas Jardine's tour with Loudwood and the bodyline row.
And it was a sort of skit of man.
What was Ray Flynn? Was he Captain of England?
No, I'm Fred Robinson Hare.
He went in first with Rayford. Yes.
And Tom Wals? What was he, the villain?
No, Tom Wals merely produced, I think.
I don't think he kept asking it.
I used to have a great fun with Robertson and Cruising.
You know, Robertson Glasgow, dear old Crohnardt.
Oh, what fun, you know.
But then, you know.
When he was taking me, doing, picking a world team of those you would like, of world's history,
you would like to see playing cricket, playing in a test match.
I had a wonderful opening pair, Beethoven and John the Baptist.
Look, on that note, Ben, we've got to...
And then we had Attila.
hum, am being the fast-bowl, and talk for Marder, the spinner, and took glory some powers,
Judge Jeffries and Pontius Spiler.
Well, on that note, we've got to stop, Ben.
I've got a magnificent choice, and we've had 25 minutes of absolute magic,
and I tell you what, if it's raining at a test match, can we ring you up at your flat and say,
come round at once and entertainers?
Yes, as long as you don't come round to my flat, I would not move.
Thank you for some many delights.
father and the great cricket lover.
Thank you very much, Ben.
Extraordy memories from Ben, who sadly
died later that year at the age of 94.
There's so much to look forward to from the archives.
Let's get a taster of another real classic,
the James Bond director, Sir Sam Mendes.
I would say it was a good schoolboy cricketer.
I loved it. It was the thing I was best at at school.
I wasn't academically very strong at school,
and it gave me a kind of identity at school
in the way that often being good at one particular sport does.
captain of cricket for a couple of years, the last two years I was at school, I played
Oxfordshire Colts, you know, so I was a decent schoolboy cricketer and certainly as an
off-break bowler which I was took a lot of wickets. I think if you're a decent spinner at
schoolboy level I think you'd take a lot of wickets.
Whole straight, whole full, hit the wickets. And just I got a lot of people caught
at mid-off and mid-on but that kind of disappeared when I went to Cambridge I went
determined to play cricket and then discovered theatre
parties, girls, et cetera, and I got slightly distracted, and I never really was any good.
But then there was a brief flourish.
I have to say about 15 years ago, I started playing quite regularly across a couple of summers
for my local village team, for Shepton Under Witchwood.
And we got to the final of the village knockout.
And because the very first at Lords, this was, because my very first visit to Lords
had been for that weirdly, that's amazing thing.
It felt like everything had come full circle.
And from that moment, it felt like I'd sort of.
come to the end of my intense playing days.
And now I play maybe four or five times
or summer if I'm lucky.
But you played in the file, didn't you?
I did.
What was your memories of that?
In the dressing room?
I mean, it's a proper match here, isn't it?
Great tradition.
The England dressing room, which was a great thrill.
But unfortunately, it was, of all things,
the day that Princess Diana died.
And it was one of the strangest and saddest days,
well, I can remember.
It was very overcast.
And I think if we'd been playing a day later,
they would have cancelled the game, but they didn't really know what to do.
So the whole day was played under this terrible cloud.
So it was quite a strange occasion.
And we lost, which was sad.
But I think people weren't really understandably focused on the game.
No.
But you chose your spot in England dressing room?
I remember walking in there?
Oh, yes.
By the window.
I went to give by the window.
But it's amazing to be in there, isn't it?
Don't you think you feel...
Yeah.
You can't help but feel the tradition of the game
when you're in that laws with it.
Yeah, and it's very difficult to describe to those who don't love the game
and also those who don't understand the very subtle differences between grounds.
Why this place feels slightly different.
When I was a schoolboy, I came a couple of times on my own.
I must have been 12 or 13.
And to county games, you know, I used to come during the course of the summer.
And I remember sneaking into the old grandstand
and climbing over the metal railings that led to the boxes
and spending a whole day alone in a grandstand box watching.
And I remember it quite clearly.
It was Middlesex Worcestershire,
and it was the Glenn Turner era of Worcestershire.
And he was batting beautifully.
And, you know, he made a century that day.
And I just remember sitting alone and watching it
and being absolutely perfectly happy.
And it's a real golden memory of my childhood.
So to come back to the ground that has that personal significance,
on top of which the historical significance,
really it always gives me.
me through. Well, that full interview, along with so many others, will be shortly
available to download. To make sure you don't miss a thing, just hit the subscribe
button on BBC Sounds. The TMS podcast. Classic View from the Boundary.
Alan Shear and Ian Wright are in my kitchen. What's going on here? The all-new
Match of the Day Top Ten podcast, answering a huge football question every week.
This has not been easy, hasn't it? Like the Top Ten Premier League
Strikers.
Personally, I think it's really hard to have Shear anywhere near the top 10.
The Match of the Day Top 10 Podcasts.
Only available on BBC Sounds.