The Blindboy Podcast - Analysing Class structure with Darren McGarvey
Episode Date: September 20, 2022Darren McGarvey is an award-winning writer and rapper from Scotland whose work addresses social class, politics, and emotional resilience. His most recent book ¨The Social Distance Between Us" is out... now. Hosted on Acast. See acast.com/privacy for more information.
Transcript
Discussion (0)
Bola bus you freshly shorn Haurigans. Welcome to the Blind Boy Podcast. You might notice the sound is quite different this week.
I'm trying to record this podcast in transit. I'm trying to record this in a hotel room right now.
I've got multiple pillows and quilts over my head because the hotel room has got disgraceful acoustics. I thought that I was
going to be back in Limerick this week, back in my studio, where I could deliver you all
a properly recorded podcast with the fidelity and sound that you're used to. But alas,
this is not the case. Now, you know I have a rule, and that role is I will never not put out a podcast. No matter
what happens or where I am, I sound like I'm going to cry. I just, I had something in my throat.
I wasn't going to cry because I couldn't record a perfect Fidelity podcast. But you know I have a rule and that rule is
no matter what the circumstances
a podcast will go out.
So what I'm doing this week is
I have a magnificent conversation
that I had with a guest on this podcast
a few months back
and I'm going to put that out for you this week.
I usually don't do two interview
podcasts in a row. That's something I've never done before. Last week we had the magnificent
Sharon Lambert, Dr. Sharon Lambert, speaking about trauma. There was wonderful feedback for that,
by the way. I'm glad you all enjoyed that. Thank you to Sharon for coming on the podcast,
and it was a pleasure to
give a platform to the shit that she was talking about not just give a platform but to give her
the space and time that was necessary to speak about the important issues that she was speaking
about that's kind of what I want what I want to do this week also I don't want to do a monologue podcast for you this week.
Because like I said, I'm hunched over in a hotel room with a quilt over my head.
And I don't think I could deliver a good quality full-scale monologue podcast in this situation.
So I'm going to give you a live podcast that I recorded in Glasgow a few months back.
And the reason I'm choosing this as well is
because of the news cycle this week
with the death of the English Queen.
If you live outside of fucking England,
that funeral is insanity.
On the one hand, you have an old lady called Elizabeth
who died and her family are very upset.
But then on the other hand,
what you have is a profoundly irrational and massive spectacle,
which is not a funeral for an elderly woman,
but a huge display of power for the British state
and everything that represents.
So I think it's appropriate for this week's podcast
that the guest who I have on, who I'm going to speak to is a fella called
Darren McGarvey and Darren McGarvey who's also known as Loki who's a rapper from Scotland but
Darren McGarvey is a social commentator a very astute, deeply intelligent person who communicates with a terrifying level of
concise clarity. He can speak like people write. So I had a chat with Darren McGarvey a few months
back. It was a live podcast in Glasgow. There was like 3,000 people in the audience. It was an amazing night and it had everything that I want to achieve
from a live podcast and what I want from a live podcast is intimacy. My goal for a live podcast is
even though there's a few thousand people in the audience, can myself and my guest create conversational intimacy that feels like it's
just us in the room and we did that there was electricity in the room you could have heard a
fucking pin drop we had a wonderful conversation about class structure, about art, about masculinity. At times it felt like a fucking
therapy session. As well as being a rapper Darren McGarvey he's written two books. One of them's
called Poverty Safari. He has a book out right now called The Social Distance Between Us. His writing
has been compared to George Orwell. He just did a really successful Edinburgh tour
at the Edinburgh Fringe of The Social Distance Between Us and in the coming weeks he's going
to be announcing a tour which I think is all around the UK of A Social Distance Between Us
which is his live show spoken word show about the book you can find him on twitter
on an instagram i'll tag him on instagram but without further ado here is the fantastic chat
that i had with the brilliant darren mcgarvey are you all right there i don't have to worry
about you with the mic you know how to use mics yeah i'm good man i'm good yeah that's that's
always a fear with guests is do they know how to use a mic or do they not?
But you have MCing experience and that's the best mic use possible.
Yeah the worst thing that you can do with me is pull out one of those headsets.
I mean that is just, I really lose all respect the minute that I get hit with a headset.
Just give me an SM58 and let's fucking go, do you know what I mean?
Now here's an interesting, I get hit with headsets as well
now I have a beautiful excuse
I have a plastic bag on my head
you can't put a headset on my fucking face
or I won't sound like I'm talking
I will just literally sound like someone opening a packet of crisps
do you know what I mean?
but I'm guessing now
when you're doing like book events
or you're moving away from the space of rap
and into public speaking,
they come out with these shitty little fucking headsets.
Do you know who ruined them as well?
H from Steps.
One of many things you could argue he ruined.
I have a lot of sympathy for H from Steps
because his real name is Ian Watkins.
Because in fairness, poor old H from Steps, right, that's terrible to have that name.
Second of all, I remember growing up, I don't know if you had this in Scotland, but
there used to be these kind uh kind of like manholes
on the ground but they were for fire hydrants and they just had a giant h on them did you have them
here so we just walked past them going h from steps is grave and I just kept imagining these
little miniature h's just him consistently dying, like multitudes
of him. Quantum death
and just burying him all around Ireland.
So there was that.
That didn't help. I was never
a huge fan of Steps' music
and then he ruined those
things for me. It's like, why aren't you using
a mic, H?
It's the banality of
Evo, isn't it?
And immediately you feel like you're in a musical so when I announced that you were going to be my guest and people were thrilled people
were very happy I got wonderful questions but so many loads of the questions are about class
right how do you define if someone is middle class, we'll say here?
What does that mean in the geographical island of Britain?
Well, there are different ways of looking at it.
The basic way is what is your relationship to the labour market
or as a Marxist would say, the means of production.
So do you offer your labour in exchange for a wage that you live on but
have no real autonomy over the conditions of your job, what the price of your job is
unless you're part of a trade union? Shout out to Mac Lynch and the RMT. And so yeah,
I mean obviously unless working class people are highly organised and determined, then they won't come off well in that exchange.
Middle class people or the middle classes, I mean, it's interesting because in the UK, there is this kind of denial of class as a metric by which you can measure things but also there is this deep commitment in terms
of how we structure our economy that we maintain certain entrenched privileges for specific social
classes so when you talk about property one of the advantages conferred on property owners is
that they don't have to be politically active for politicians to look after their interests
so we see that in Lancaster West Estate,
where the Grenfell fire happened.
The people who lived in that tower were campaigning for years
for better fire safety,
whereas the people who lived in Notting Hill and the surrounding areas,
they didn't have to campaign for anything,
but they were having the exterior of this building changed
just so it was more pleasant for them to look at.
And so that in itself is a kind of microcosm of the wider problem
which you can replicate that basic dynamic and education criminal justice culture um and on and
on and that's that's that's what a lot of my my work has been concerned with so your definition
of of class there was very much the marxist. It's about where your money's coming from, your sense of autonomy.
However, you would get people
who come from middle-class parents,
university-educated,
and they now find themselves working in a coffee shop,
so effectively working a working-class job.
But then these people,
if they refer to themselves as working-class,
you could have people who would say grew up in a council estate who might say no.
So where does that come into it?
Good question. And this is a very contentious issue because it's important not to have a kind of reductive view of what a working class or a middle class person is like.
And most people resist that kind of categorisation.
Even working class people who you're often arguing in defence of will say no
I vote Tory because, because, because
and you know they can make quite compelling arguments
sometimes, but when it comes
to a situation like that
where you have an economy that's no
longer even as valuable as it was
for middle class people and the
cost of living crisis is beginning to
place a strain
on their incomes, the difference between a barista who is from a middle class family
and a barista who is from a working class family
is that the barista from the middle class family
will have a certain margin of error,
which means if they lose their job quickly
or they are involved in some kind of dispute in the workplace
or, you know, they develop an addiction,
maybe they become a cokehead for a wee while,
whatever it might be, their family can get around them.
They can liquidate some assets
and they can provide the material and emotional resources
required to support a person like that.
Whereas a working-class kid
who maybe comes from a single-parent family
with a dad in prison,
they've probably already got the criminal
justice system on their back, they've probably
already had to show
their criminal record to an employer
and go through that whole humiliating rigmarole
and then because their
surplus labour
is so available in the surrounding community
then it means that
someone can sack them knowing that someone
else can replace them straight away
so there's that inherent insecurity
in every area of their life
and I would say that that's the big difference
and also too
the role of trauma
within certain communities
someone who comes from a neighbourhood The role of trauma, we'll say, within certain communities,
someone who comes from a neighbourhood with high ownership or whatever
is not going to witness or be a part of community trauma,
community violence,
and then the impacts that that has on their self-esteem,
their mental health,
and how they see themselves going forward.
Absolutely, and then it's also important,
I quite enjoy inverting sometimes the discussions around things like this
because I'm as interested in looking at the trauma of the people
who are going to the highest fee paying schools as well
and how this is expressed through the psychopathic disregard
for human life that we see all across our society.
And so you have trauma at every level of society,
and then it's a case of how vulnerable are you
to the material conditions around you.
So what we see at the bottom of the food chain is
if someone grows up in a particularly troubled environment,
what you would call a dysfunctional environment,
maybe an alcoholic parent,
they're already disadvantaged by their class position
and that of their parents in terms of their access to health services
because of the inverse care law,
which, cut short, basically means that there's a disproportionate relationship
between where most health care is needed and where it actually is.
So just like education and property middle class people get better quality healthcare and they get even more time with their doctor they're often presenting with less complicated
problems so basically a kid that's grown up in a poorer environment they're dealing with health
inequality educational inequality they're dealing with criminal justice inequality, they're dealing
with cultural inequality, as in
when they look at TV or they go out into the
city centre, very rarely are they
going to see someone who looks and sounds like them
unless it's the Jeremy
Kyle show or some other
idiotic depiction of a stereotype
and so really
there are just so many different forces
bearing down upon them
that actually they they may actually find some kind of solace in defining themselves by their
trauma they might think well this is my identity you know and so without the proper support to
help somebody work through that um then then a person can get caught up in addiction which is
often the solution that a lot of people reach out for because they're dealing with uh they're dealing with a an acute and constant sense of dis-ease
um about other people's intentions towards them uh constant exclusion constant um punitive action
from institutions around them i mean people who are in the prison their social exclusion begins
in a classroom and an educational environment that is not equipped
to accommodate their diverse learning needs
and emotional needs.
And so really what this society does is, unfortunately,
it makes life hard for those kids in the beginning
and then continues to make it harder as they struggle.
So if someone descends, it becomes harder and harder
and it's a bit like being caught in a pool of quicksand.
The best thing you can do to survive is stay completely still and then when you can stay
completely still and don't do anything the traumatized etonians will point at you from
the side of the pool and they'll say you lack aspiration because look at you you're not moving
you lack the aspiration to get up and go like me a psychopath with lots of money yeah do you read
are you familiar with
Dr. Gabor Mate
I am I did an event with him
a couple of years back yeah
because Gabor Mate
who'd be quite left leaning in his views
quite yeah he takes Gabor Mate, who'd be quite left-leaning in his views...
Quite?
Yeah.
He takes a trauma-informed view of society,
and Gabor Mate, too,
if you ask Gabor Mate about...
If you'd say to him, Boris Johnson, Donald Trump,
he will refer to these men as highly traumatised individuals.
Yeah.
And he's speaking about their,
the trauma of their privilege is expressed
as normalized psychopathy, as you described.
Has that helped you to arrive at that type of mindset?
Yes, and also the fact that I have a recovery
from alcohol and substance misuse
that I need to manage on a daily basis. And one of the things that I need a recovery from alcohol and substance misuse that I need to manage on a
daily basis and one of the things that I need to watch out for is resentment and anger because
as justified as these emotions can be sometimes when I when I'm not in a in that elevated state
of consciousness I can just become those emotions and I can only sit in that discomfort for a few
days before I start thinking do you know what I could get a box of soap with Dean Maxx a box of Nurofen plus take five out of each and watch the
boys you know and then two weeks later I'll be in rehab so I need to kind of watch that now
obviously being on the left maybe not as far out in the left as some of my comrades but
certainly on the left sometimes that's seen as a kind of weakness
you know, you're not emphasising the
dehumanising language, the scum
and all of that sort of stuff
and I recognise where that
anger comes from and I also commend
anybody who is in an emotionally
regulated place where they can
live with that anger every day and
express that anger every day but I can't
so I have to take a more magnanimous approach but in turn through doing that so that's compassion you
have to like radical compassion radical compassion for you to speak about the trauma of an Etonian
yeah that's a lot that takes a lot yeah that's quite an unpopular thing to say. But I appreciate where you're coming from.
You're coming from the point of view of, I must.
It's quite Buddhist.
It's sending the love outwards as a way to understand.
Because, like, the reason I say it's Buddhist,
there's this Buddhist parable I always fucking speak about, right,
when it comes to the emotion of anger in particular,
because anger is a cunt.
Anger will really, really make you not want to it anger will can anger can confuse you into thinking
that you're doing something purposeful and it misdirects your purpose yeah and there was these
two buddhist monks and they were walking along the road and the thing with these Buddhist
monks is they were full-on fucking monks so they had to live by rules one of
these rules is that they could not touch a woman they could not physically touch
a woman in any way that was the fucking rules so the two Buddhists are walking
along and there's a flood and they see a woman and she can't get over a flood river that's just developed. And
she's there, and she has all her groceries with her and everything. So the Buddhist monks walk up,
and they say, what's the problem? She's like, I can't get across the river. So one of the Buddhist
monks says, hop up onto my back, and I'll take you across the river. So he does. She gets over to the other side. Everyone's happy. The two Buddhist
monks continue walking on. The other one is silent, fucking furious. He says nothing for the rest of
the journey. Really tense. So the fellow who carried the woman says to him, what's the problem?
And the other fellow says, you fucking put her up onto your back.
You know the fucking rules.
We can't touch women and you carried her.
And he turns around and he says,
I carried her for two seconds across that river.
You've been carrying her for the past two hours.
Yeah, yeah, that's a wonderful story.
Isn't it?
Because that's anger.
Yeah, and that's a really,
that's a very deep way of looking at it
and even i think some people will be operating at a certain frequency emotionally where they might
not even understand the deeper meaning of that because they're not receptive to it in that moment
but i i've i've found a success in my personal life and i think that it's part of my nature
actually to to always be looking for
the possibility of a reconciliation or the possibility of a deeper understanding
and I think it's partly because of the environment I grew up in you know I don't talk about this a
lot because it's Glasgow and I don't want to scandalize myself but I was raised in a Catholic
family we were all Celtic daft my granny was the kind of Celtic
fan who not only believed
that every kick of the ball
up the pitch was
a sporting advance but also an ethical
victory, do you know what I mean?
You have what we would call a big Irish head
Yes, yes
he noted that
to me in the dressing room and I did concur
immediately. It's something that we use if we're in a foreign country and we need directions.
We can look into a crowd and you see that big Irish head.
It's Dylan Moran once described it as a person who's just received two very important conflicting pieces of information.
Yeah.
very important conflicting pieces of information.
Yeah.
Well, that kind of links into what I'm saying because as much as I was raised in that environment,
I also went to a non-denominational school
where religion wasn't a big thing.
And all my best friends were Rangers fans
and all their families were brilliant,
working class people who often kind of sought refuge
in their homes when we were having tough times,
and mine.
And so I never
quite chimed with that analysis that you often get where a lot of of us on the the green side of this
situation that stereotype of the Rangers fan yeah it didn't it did not ring true with my experience
so I always resisted it but I think in those early days what that taught me was you can't really know
a person's intentions or character or
motives until you have had a face-to-face and got a sense of them you can speculate and you might be
right some of the time but when you're making big conclusions and thinking about society in terms of
social classes and and these big concepts you always have to temper that with the humility
that you're really having a guess at it and that you have to sometimes change the lens and look at it in a different way and I find that that actually adds a kind of
richness to a class analysis which is more emotionally intelligent perhaps than than
than what many of us might have experienced before and in speaking there about uh addiction struggles you know um we know addiction in ireland uh
i would say even in ireland addiction has become completely normalized i didn't realize that this
until like i go to spain to write and I go to this city,
it's like 300,000 people, and I slowly realized
that I'm the only drunk person in the whole city.
And I'm like, I'm not drunk, I'm just having seven pints.
And then the Spanish people are going,
why are you having seven pints?
I've been drinking one pint for the past hour.
And what I'm doing there is I'm abusing alcohol.
And I don't see that as abusing
because my culture says that is not abusing.
That's how you use alcohol.
The alcohol industry says that is how you use alcohol
and that becomes the culture.
Obviously in Ireland,
maybe you could make some exceptions,
particularly as well in Scotland.
But I always say that when we talk about our culture.
Our culture is shaped.
And you've talked about this a lot with your mental health stuff
and being susceptible to advertising messages and things like that.
Even this, man, and this is the fucked up thing about Guinness,
because Guinness is the national drink of Ireland.
Have you ever heard of the penal laws in Ireland?
No.
So around the
1600s it would have been post Oliver Cromwell when we became fully colonized
so the penal laws were brought in which were deeply sectarian racist laws that
meant an Irish Catholic could not get an education could not own property could
not have a weapon could not vote property, could not have a weapon, could not vote,
couldn't own a horse.
A systematic disenfranchisement of a population based on,
they said religion, but what it really meant
was native people of the land.
And was this regardless of social position or class?
It was just, if you were Irish, that's what happened.
If you were Irish Catholic, this is the fucking law.
Right.
So that's one of the things that,
that was 200 years before the famine.
That's what laid the foundations for the famine.
When people go,
Jesus, would you not have eaten a carrot instead?
It's like, no, no, no.
200 years of people not having land education,
anything meant that we relied
upon one staple crop while everything was being exported. But while you had
this systemic racism disenfranchising the whole population, that's the same
time that Guinness started as a company. And Guinness was, they were Protestant
supremacists. These were very wealthy Protestants who a Catholic could not work in Guinness up until the 1960s.
That's the truth.
Like Mr. Guinness, I can't think of his name,
Arthur, hated Catholics.
And I just find it ironic.
What I often compare it to is,
if you look at the crack epidemic in America,
crack cocaine was introduced to African-American communities
at the exact same time that resources were being pulled
from African-American communities.
So the system created a perfect environment for addiction
while the substance was coming in.
That happened in Ireland with Guinness,
and I do think it's kind of fucked up that...
A pint of Guinness is like a little Catholic priest
you know it has that
collar
that's when you know
you've had drank a lot of Guinness
yeah but it is we're here
drinking priests with this
company that hated fucking Catholics
that came from the fucking
the penal laws and where I'm getting that really is one of the
reasons we have a very toxic drink culture in Ireland and how alcoholism is
normalized it's intergenerational trauma now you can say epigenetic trauma which
is you literally inherit trauma to your true your genes and there's evidence for
that and they've looked at that,
especially with Holocaust survivors.
But for me, like, I've got terrible anxiety,
and I'm only, like, three generations removed
from people who lived in the famine.
So do you find, like, as someone who's from Irish heritage,
do you look at not only the trauma that you witnessed
and grew up with firsthand,
but also trauma possibly passed down to you intergenerationally?
Yes, absolutely.
Both my parents, my mother, God rest her,
her father was Irish.
My paternal grandfather was Irish
and they both
came over
for work in the
in the 1950s
early 50s
as did fucking most of Ireland
and
so
I
was a kind of
fruit of that labour further down the line
in 1984
and I remember
my grandfather
he worked all his life
he was a plasterer
and he liked to drink
he was the kind of Irish guy that says
I'm going for a pint
and you know there's no'm going for a pint.
And you know, there's no such thing as a pint.
No, no, no, no.
And basically, you know, the older I got,
the more I began to recognise that he was disturbed.
He was disturbed in some way by something.
And I never got to the bottom of it, but it was always when he fell asleep in a drunken sleep,
the things he would say in his drunken sleep were upsetting.
He would apologise.
He would ask God for forgiveness all the time in his sleep.
And physically, he would be almost convulsing as he'd done it.
And we all got kind of used to it,
to the point where we were just like,
OK, that's just old Tommy.
But I remember very close to the end of his life my grandmother passed away suddenly she contracted a
flesh-eating disease in hospital when she was being treated for something else
and really he he it was that point you know we were talking backstage about when someone's
getting palliative care and you know they're getting doped up with heroin. It was a bit like that with us,
when his drinking really just went off the deep end.
It got to the point that we stopped saying,
we're not going to the shop for you to get another bottle.
We understood where things were going.
This was his medicine.
This was his medicine, and, you know, that was it.
And I think he had a lot of regret and things as well.
You know, I don't think a positive, romantic way of being a man was modelled to him.
And so he might have had those impulses, but didn't know how to act on them a lot with my granny.
And neither did she, to be honest.
I mean, pretty tough life for them both, you know, in many ways.
And tough for people generally back then.
But I remember very close to the end of his life he confided in us about
an incident that occurred in his
childhood and I won't
go too much into it
because I don't know how
he would feel about it but I remember
when he went back to his hometown
with a family
friend
he got up in the pub
the local pub and he gave the whole pub it straight
about who it was that and his words ruined his life yeah um and so trauma is absolutely
passed on not just necessarily epigenetically as you describe but also we learn how to manage
our emotions and how we confront certain situations from what is modelled to us.
And so if we adopt an emotional posture towards life,
which is actually making it more complicated,
you know, by being defensive,
by adopting a certain attitude of distrust,
then we might think instinctively
that this is to protect us,
but it cuts us off from what we really need,
which is the best medicine of all,
which is full full authentic social connection
with other people
and an honesty that brings a certain self-awareness
and a sense of connectedness
which is a panacea for all of the health problems
associated with poverty and just trauma
but unfortunately as you've noted many times
we medicalise that very quickly and we don't
look at the next part post medicalization so we've got a lot of people walking around who don't even
realize that their whole mental outlook on life is a trauma response and they self-medicate uh
because the society is plentiful in that regard in terms of you could just walk out of here or
not even out of here and you can get something to kill the pain right now um these guys are lovely they'll clap at anything i told you they'd be
fucking sound um yeah it's interesting what you speak about there because one thing i remember
growing up and one thing i definitely i would have seen in my pals, right,
and very much a male thing, was the expectation of being hard, being a hard cunt.
And having to be a hard cunt as a way to, within a male group, this is how you get value within that group.
But if you're a hard cunt all the time,
like I knew lads
who, they might have been
selling drugs, they might have been
getting involved in gang stuff,
they couldn't
show laughter.
They couldn't be seen to laugh at a
joke. They couldn't dance.
They couldn't do anything that would be seen as silly play.
Playfulness is an essential part of being human.
To be authentic and to play in the moment.
They fucking couldn't because they had to be hard.
And if they looked like they were laughing or dancing,
they're going, someone's going to look at me and I look soft
and I'll get my head kicked in.
And how they were disconnected completely from that part of themselves and the lads I know who
used to have to do this a lot of them aren't here anymore and the ones that are here are now in
their 30s deeply deeply struggling with addiction yeah and I I remember them before puberty having
crack having a bit of a laugh.
And then as soon as you hit a teenager and you have to be hard, that just disconnected.
Yeah, I identify strongly with this.
And I'm afflicted by this to a certain extent.
I've got as far as getting into music.
But being creative is also weak.
Yeah, no, that was where I had to stand my ground as a kid
in Pollock because anything that did not conform
to the pre-established parameters of behaviour
was mocked.
It was mocked out of fear.
It was mocked out of fear.
But for me, I stood my ground.
I got into hip-hop.
I found a way to channel that energy
but still I'm afflicted by it
you know there's been
occasions where I've
got myself into conflicts
of some description or another
because I understand the
game theory of
those male dynamics and I understand
that 90% of fighting is sounding like you'll
go ahead with it and sometimes that backfires on you, sometimes it doesn't but I always
feel regret after it, I always feel, even in a fight that you win I always go away just
feeling like I've beat myself up anyway but even now there are still aspects
where I'm afflicted by that toxic masculinity and I think that's the correct term and there's
context to use because I deny myself an awful lot of joy in life yeah I can't even sing in the shower
and that sounds funny right that sounds funny but I can't I can't even sing in the shower because
there's something about it that is so embarrassing to me.
And it's because it's gentle
and it's because it's being free.
And there's something about me
that's still not let go of that wee boy then
who had to behave in a certain kind of way.
And this was policed usually with homophobic language.
Yeah.
And this is what I want to...
Yeah, reading in academic, that was always seen as gay.
Gay, yeah.
And inverted commas for anyone listening around the world.
Absolutely.
Just going to pause the interview right there
so I can do a quick ocarina pause.
Again, apologies to everybody for the chaotic nature
of these little recordings between the interview.
I am recording this in a hotel room underneath a quilt.
I don't have anything to do in Ocarina
Pause with this. I've got to vape.
I'm going to vape a little bit
and when I vape
you're going to hear an advert for something, right?
I can vape
in stereo with this particular mic I have.
Actually, it's a stereo mic.
Rock City, you're the best fans in the league, bar none.
Tickets are on sale now for Fan Appreciation Night
on Saturday, April 13th, when the Toronto Rock
hosts the Rochester Nighthawks at First Ontario Centre
in Hamilton at 7.30pm.
You can also lock in your playoff pack right now
to guarantee the same seats for every postseason game,
and you'll only pay as we play.
Come along for the ride and punch your ticket
to Rock City at torontorock.com.
Will you rise with the sun
to help change mental health care forever?
Join the Sunrise Challenge to raise funds for CAMH,
the Center for Addiction and Mental Health,
to support life-saving progress in mental health care.
From May 27th to 31st, people across Canada will rise together
and show those living with mental illness and addiction that they're not alone.
Help CAMH build a future where no one is left behind.
So, who will you rise for?
Register today at sunrisechallenge.ca.
That's sunrisechallenge.ca. That's sunrisechallenge.ca.
Bit of ASMR.
There you go, left to right ASMR, you greedy cunts.
He's vaping into the microphone while you listen to advertisements.
he's vaping into the microphone while you listen to advertisements all right support for this podcast comes from you the listener via the patreon page
i'm also whispering because it's two in the fucking morning all right support for this
podcast comes from you the listener via the patreon page patreon.com forward slash the blind
boy podcast this podcast is my full-time job.
This is how I earn a living.
This is how I pay my bills.
I adore doing this work.
I adore doing this work and I respect this work so much
that I won't allow anything get in the way of me even putting out a podcast.
I'll figure out a way to do it, no matter what my circumstances.
But if this podcast brings you joy, solace, entertainment, laughter, intrigue, whatever the fuck, please consider paying me for that work. All I'm looking for is the price of a pint or a cup
of coffee, once a month, that's it. If you met me in real life, would you buy me a pint? Well you can,
That's it.
If you met me in real life, would you buy me a pint?
Well, you can via the Patreon page.
But if you can't afford that, if you can't afford to be a patron of this podcast,
don't worry about it.
You can listen for free.
Because the person who is a patron is paying for you to listen for free.
Everybody gets a podcast.
I get to earn a living.
Just some live podcasts coming up.
I'm going to be in Vicar Street on November 1st.
That's almost sold out.
We're down to the last few tickets.
I'm unsure whether I'll add another date.
I might do if the demand is there.
Also, on the 31st, Halloween night,
I'm doing a live podcast at the Polka Festival up in fucking County Meath.
Go to polkafestival.com.
I probably have another gig that I'm supposed to promote.
But alas, I'm underneath the Continental Quilt in a fucking hotel room with no phone or laptop.
And I don't, I can't remember any other gigs.
All right.
So lay off, promoters.
Nothing else to talk about
let's go back to the wonderful interview with the fantastic
Darren McGarvey
because that's the other thing too
with notoriety
having approval from people can be
very very dangerous
that can be a very dangerous thing and it can keep you
it can remove you from your
fucking art.
Because the thing is, to make a piece of good writing or a piece of good art, it's a dialogue with yourself.
You have to make it for yourself, and if you do that properly,
it will communicate with other people.
But as soon as you start thinking about an audience,
what will they like?
And as soon as you start...
For me, I can't allow myself to get a buzz from positive praise
because if i allow myself to get a buzz from positive praise i will focus very much on any
negativity and the struggle for me all the time is how do i just keep it about myself
if i do a podcast if i write a book it's only successful because I'm doing this for me and then if I do
that it will communicate effectively
what's your relationship with praise
wow
because you get a lot of it man
yeah
I'm trying to learn
I'm trying to
learn that it's okay
for me to
think of myself as a
generally good person
who generally has decent
motives most of the time
but there is also
that shadow self, do you know what I mean?
that I've over identified with over the years
that everyone has
and so part of my recovery has been about
learning to separate the two and embrace
the two. And
for me, here's an
example, right?
Second book comes out, right?
And I'm not saying this
I hope people understand
I mean this genuinely. It doesn't
if you don't understand how
genuinely I mean it, that that's fine i can't change
how you think right but this is the second time my work has been compared to george orwell's work
yeah right and that is intensely surreal because that praise is not dished out often but it's also
serial to be that person right so you, what have I to make of this?
I didn't go to Eton.
I didn't have that kind of privileged heritage.
I mean, he took the name George Orwell to purge that guilt he had from that background.
And then you can start looking into it and going,
is this a comparison? How
does that, what does that mean about me? And then you realise, no, no, no, no, no, no,
no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, of writing on social inequality in Britain, that you have to go back to a guy who had his heyday in the 30s
to find a comparison with somebody who was born in the 80s.
I'm happy that people say those nice things,
but it's better that other people say them
and I don't start saying them about myself.
And so it's getting that relationship, really,
with understanding, look, I'm delivering the goods.
What do the readers think?
What do the readers feel
and you know what if I go with that barometer that's much more grounded in reality so I get
people coming up they tell me I went to university off the back of reading your book I became a nurse
off the back of reading your book do you know what man that's a buzz for me yeah that's a big buzz
for me because like I'm all about class politics and I'm all about radical reform of society but I'm all about
fucking grab the bull by the horns
in this society if you want
and fucking make the most of what is around you
don't just wait for the revolution
you know like just get out there and do your
thing and forget anybody
who's trying to bring you
down because of the way you speak or the way you
sound, you've got millions of people in
Britain who don't realise that they are bending over backwards to speak properly, to accommodate
the inferior communication skills of privately educated millionaires. There you fucking go.
There's kind of parallels between our two careers in the sense that we both started off with hip-hop and then we developed more into kind of social commentary.
For me it was the difficulty of Horse Outside to then speaking with sincerity about mental health
and doing it from a perspective of like i know i'm silly but i can speak about this thing in a
serious way even though i'm still being silly and i'm assuming with yourself even though your
lyrical content was quite serious and your message was present in your lyrics. When you're a rapper, they don't take you seriously.
Yeah. You know?
How did you find that transition to
going, I'm not rapping now, I'm
speaking and what I'm saying is
worth listening to?
See, I just
refused to accept those terms
in the beginning.
So I don't accept,
it begins with me saying I don't accept that I don't accept... It begins with me saying,
I don't accept that you don't accept this.
And so let's see who budgies first.
Yeah.
And, you know, I'm kind of stubborn that way.
And really what it came down to was
the consistency across all of the work that I've done,
because I'm a qualified community practitioner.
And you studied journalism as well.
I'm a qualified journalist, broadcaster,
writer and
hip-hop artist or rapper.
And the
consistency between all of that is that
I always have the same message
to carry. It's about
making people who haven't
experienced the stuff that I and many
people around me have experienced
understand something of that experience
and through all these different
mediums you can speak to different audiences
and different demographics
so with my hip hop audience
I have possibly the most intimate relationship
with them
so that's why, and you'll understand
this as well, that's why and you you you understand this as
well that's why like if you were back and listen to my early work i'm very unguarded in how i spoke
and we lived in a different time where there were different it was a different lexicon different
subject matter was in there so if i go back and i was to listen to some of that stuff then i would
think well i wouldn't talk about that subject in that way now. Or I wouldn't talk about it in that way in this kind of context.
But the hip-hop audience, they've got a lot of,
and you'll probably know this as well from your own experience,
they really kind of, they're watching me
and they feel like I'm still representing them.
And that's good because I know like
if the cultural gestapo
just bust through the door right now
and just went like that, McGarvey it's over
the Orwell thing was a
fucking joke
your writing is pish
you're the Richard Madeley of social commentary
right
if they came in and done that
do you know what, the-hop community would be there and
they would be like right like what's happening let's make some music and so there's a certain
kind of comfort that comes going through exploring all these other avenues and a confidence that
comes where you can look the culture and the angle i don't care if you think this is ridiculous
i'm gonna turn it up until you start to listen to what I'm actually saying and and part
of that confidence comes from knowing that in a Scottish wider hip-hop landscape then um you know
I'm I'm I regard it with a lot of affection and and I think I'm regarded with a lot of affection
as well fair fucking play to you man um I need to
you're being kind of ungenerous about your own
work as well I know what you mean
I've difficulty saying the word qualified
like I
like for me what it comes from is
I recently found out I was artistic
so I spent my entire
life being told that I was a stupid cunt
in school I had a terrible
time in school I failed that I was a stupid cunt in school. I had a terrible time in school. I failed school.
I was really branded as bad from a young age.
And it's hard.
Like, this is what it feels like for me.
Like, my thing now is writing and short stories,
which means I'm trying to be accepted by the literature community.
And a lot of these people who gatekeep the literature or even podcasts or any type of serious discourse,
when I was a kid, I was smart.
However, I was bad and I was put into these classes
and I was misbehaving.
I really, really wanted to speak to the smart kids
I wanted to go up to those classes in school that I wasn't allowed to and I wanted to speak to them
about the things they were interested in and they had a certain way of bullying me it wasn't physical
it was a look or a sneering comment and it hurt me deeply yeah and now as an adult the
same people that are gatekeeping literature gatekeeping discourse they
use that same language so when I get a shitty comment from them like I get
right-wingers attacking me the whole time right-wingers just going you're a
stupid prick with a bag in his head I don't give a fuck water off a duck's back
but if it's someone who's very well educated very well read and they give a shitty comment to me
I'm right back to being a child and it hurts yeah and I have to learn to try and take ownership of
that and be able to say like you're saying I'm'm qualified, I've done things, I've earned my position to be here, to write, to do what I want,
but I have a lot of trauma to get over.
Yeah, well, I mean, I'm feeling it for you as you're sharing that.
You know what I mean? I'm feeling that.
And I don't identify with the additional learning needs aspect of it
it was ADD
I got diagnosed with
it's similar stuff
I got diagnosed by Gabor Matty
that's my claim to fame
Gabor Matty
10 minutes in a dressing room with me
and he just took me outside and he says
I hope you don't mind
but I'm diagnosing you with attention deficit disorder
but that's better than that that's that's like uh in our language that's like a knighthood except
not from a prick yeah yeah yeah gabber matty fucking diagnosing you with ADD I know it was
he's also been quite open about his own experiences But to kind of go back to what you're saying,
because I think it's an important point,
and I think it's good to hear someone being that kind of vulnerable
and talking about that openly
and seeing that you are damaged by that sort of stuff,
and that's not your fault.
The thing that I developed was a contempt for people who treated me like that.
So it did affect me.
I want their approval.
Yeah, see, it did affect me, but it also made me focused.
So the weird thing about me is I don't know if it's the ADD
or if it's growing up in a kind of occasionally hostile kind of terrain.
But I experienced what I can only describe as perfect concentration when I'm in a conflict with someone.
It's why I'm effective as a battle rapper, it's why I'm effective as an MC, it's why
I'm effective in the heat of the moment, a heated exchange.
It's why I'm quite handy in a debate on TV.
You don't get emotional.
I get emotional, but it's like a blackout.
It's like a blackout. See when you get
a blackout from drinking? I get a
blackout and a conflict where
I sort of, I just kind of
go, no.
This is not going to happen the way you want it to happen.
And then something else takes
over. I kind of am just sort of there, sitting, watching it.
And then I come back in once it's over.
And it's weird because it's a sort of trauma response almost.
There's a disassociation.
There's another part of me or my ego that handles the conflict
and then returns me back to sort of deal with the aftermath of it.
But a lot of people,
when they find themselves in a conflict situation,
will freeze and then they lose their cognitive brain and then they can't argue.
And then afterwards, they're driving home in the car,
furiously angry about what they should have said.
Yeah, but the thing is,
people always regret what they didn't say,
but it's far better than regretting what you did say
because I'm not proud of some of the dressing downs
that I've dished out over the years, to be honest.
One of my worst defects as a person,
it's less now because I understand the damage,
but I could be very, very cruel with my words, you know,
and really feel justified.
Seeing it as a retaliatory strike almost but realizing
that I've cut someone down so harshly so there is an element of emotional hijack because so in that
moment you're not fully using your compassion you're not thinking about how do my words affect
this other person yeah and and and I have more control over that now. I still black out,
but I black out in a way
that I can reach for facts and phrases
and ways of distilling a complex idea
simply for an audience
in a debate scenario or something like that.
But also, I mean,
I've shared this before in my book,
but when I was a kid,
my mum and dad had two totally different natures.
My dad was a diplomat.
If it was a problem,
he would be the person that would be trying to negotiate
with other parents and talk to them and all that.
My mother had a completely different
view and one which is born of those social
conditions she grew up in, which is
don't let anyone see that you're frightened.
Don't let anyone see
that they can get one up on you
because the minute that you do that,
then they're just going to take advantage of that.
And so I remember, you know, there were times I was coming home,
and this is just maternal love
and expressed in a way that some people might find shocking.
But if I came in the door and I'd had a run-in with somebody
and came off worse for it,
I was marched back out that door, you know what I mean?
And there's times I had to fight in
the street and all that um because she she would not accept uh me returning home and bringing any
kind of shame uh on on the name of the family obviously quite ironic because she was quite a
chaotic drinker at times you know what I mean but she it was her that was her expressing her love in its purest form it was
just a kind of it was a slightly uh it was slightly deformed kind of love but it was love nonetheless
and so I think that I still carry that I carry that kind of nah you're not gonna get the last
word not with me I don't care what your qualifications are and I don't care how badly
you want to win because there's just for me it's like a spider sense and I know one day if I overstep a line I'll receive retribution and my ego will be
whittled back down to a more manageable size and I'm comfortable with that as well but this is an
aspect of my nature that sometimes I don't have any control over so I can't even really take
any credit for it it just seems to be part of who I am. It's interesting, man, because...
So I had the exact opposite in that...
When I was a kid,
I'd frequently find myself getting in trouble with adults.
I would speak to adults in a way
that you're not supposed to speak to adults,
and I frequently found myself getting physically beaten by adults.
And I would return home,
and an adult has just kicked the shit out of me.
Like I remember, I went up to this woman and her child in a playground and I said that one day the
sun was going to expand and consume the entire universe. I was six. This was one of the things
that got me my autism diagnosis, but I just thought it was a lovely fact but it the kid
started crying the mother didn't like that the kid was crying and the mother beat me the way you'd
beat an adult and I was six and when I went home and this would happen frequently my parents kind
of went you did something bad and you probably deserved it yeah so I didn't get told go back out there or I didn't get told we need to find this adult and
have him fucking arrested or whatever because they beat a child consistently I
found that my childhood the message was because like my parents had their own
shit going on and they tended to believe teachers and believe positions of
authority so if they say that your child is bad
then your child must be bad so I didn't get that support at home it was you deserve that beaten
and you now need to hide yeah and that hasn't stuck to me as a fighting spirit so that's why
when I get taken down by people who I want the approval of I internalize it as so I can't say
I'm professional I deserve to be here.
I need to work on that.
What is it that you hope that they would say,
like, in an ideal scenario?
And that's bullshit.
Why do I want their fucking approval?
Yeah, but even, imagine someone's,
because what I'm trying to get to is,
could you even internalise the approval
if it was given freely?
So there's the thing.
So then you see the futility in looking for it
because it's just a cycle of self
hatred
absolutely
so fuck them, you know
not even in a bad way, it's just
it's like
repeatedly punching yourself in the face
in a certain kind of way, but it's weird
because if we did punch ourselves in the face, which I have
done a few times
we would kind of quickly go, oh is too painful but we seem to give us a
certain kind of continuity about revisiting the same pain and living in the same shame.
The thing with shame is you cannot, if you live in a shamed state for too long it becomes so
corrosive that it just self-replicates so then there's all
the things that you do to numb the shame it's okay i think a certain level of shame is appropriate
in certain scenarios and in our culture it's an important force to regiment behavior and
social norms and all of these things so you know if i if i have lost a rag on my son
which i have never i've never physically struck him,
but I've felt like it sometimes.
And if I ever physically did strike him,
I would experience a certain level of shame the minute the mist of anger dissipated.
And I would experience that shame at an appropriate level
because that would create a disincentive to behave that way again.
But if I drank on that shame,
then I'm not getting any insight
and it's true meaning I'm numbing it so it's not getting processed properly because basically our
body is partly just this kind of big biochemical emotional processor so when we numb stuff it
doesn't get that relief that release that we're supposed to get so it's just we we make it worse but I I I think um it's mad because you're very
successful and you're successful in a way that models to people like me what is possible so like
in Glasgow in Scotland I'm seen as successful but you're you're like you're you're a big successful
name and every single area that you've applied yourself and it's weird because even when
you're talking about your music you're kind of you're you're being ungenerous and a self-deprecating
funny way but at the same time we understood your music and the music that you made we understood
that to be knowing very knowing and its quality and had a satirical quality and and a knowing
quality that that something similar and aesthetic
could be done by somebody else
and possess no such intrinsic value.
So even the stuff that you're kind of fucking about,
you know what I mean?
That's all part of your integrity as an artist.
That's all part of your intelligence.
And unfortunately,
you could record this and play that,
what I've just said,
back to you over and over again.
And until you just stop fighting that negative voice,
then this won't matter.
No, you're dead right.
I mean, what I say, what I do,
I just try and have the self-compassion to go,
look, I'm not fucking perfect and I'm on a journey.
And what I can't do is beat myself up over it.
But understand, this is an issue I have
and this is something I need to consistently try and work on.
And compassion is the only key.
Compassion.
I know too, for me,
I know that I have to have compassion for the people whose approval I want.
As opposed to thinking, this person is above me.
Because I know, any time I feel that way, I'm just six years of age again, or I'm 15, and I'm back in school.
And what I'm experiencing are the desires of a child that are no longer relevant to me as an autonomous adult.
And that's the thing with a child that are no longer relevant to me as an autonomous adult. Yeah.
And that's the thing with a lot of trauma.
You're going back to, like...
I think that child needed that approval
because children do actually need external approval, legitimately,
because your brain isn't developed.
Adults don't need external approval.
We need internal approval from ourselves
and then a very small
amount of people that we love.
But it's weird because the approval's there.
It's just that you're looking... Oh, I can't see it.
The approval's everywhere.
I put the lights down dark because I don't want
to see. Like at the start
of the gig, remember I took a photograph
of all of you. Like that was for
me. That was for me tonight to go
a lot of people have turned up in Glasgow to come to my gig, I wouldn't have believed
that ten years ago and I kind of don't believe it now and it was for me to go
it's okay to do this you know. Yeah and the thing, absolutely, the thing now, the
thing I was hoping to get the chance to kind of convey to you also was that
there's a lot of people operating just now in our culture figures public figures entertainment figures who you know they
rely on um and sometimes I have myself you know they rely on a network of of of highly networked
publicists and mainstream media contacts to put a light on what they're doing but I think that
you've created something that's very much self-generating yeah and that's that is the that is the goal like what you've achieved that's the kind of holy grail
for for a lot of creators uh generally you know so never underestimate that because what what
you've done and your team are all great you know I mean all of you what you've what you've achieved
is real freedom within a highly commodified culture that's trying to get you to
be one thing and you're sitting here with a polythene bag over your head talking about
looking for the approval of this and the next thing which is just something that you couldn't
pitch to a BBC producer you know what I mean like well I've got this idea. Actually, they'd fucking love that, wouldn't they?
On the subject of conflict and managing conflict well,
something beautiful has happened on the geographical island of Britain the past week
and also in Ireland,
and this is the figure of Mick Lynch.
Yeah.
I'd never heard of Mick Lynch. I'd never heard of Mick Lynch. I love the fact that he said that his hero is James Connolly, that's fucking fantastic. But Mick Lynch, he's
kind of doing what you expect, we'll say, traditionally the Labour Party to do.
Mick Lynch could be talking about a pot of do. I don't give a,
Mick Lynch could be talking about a pot of tea.
I don't give a fuck.
The way that he speaks, the way that he,
it's emotional congruence.
What Mick Lynch believes and what comes out of his mouth
are one and I can connect with that.
And it's so fucking inspiring.
What do you think of Mick Lynch?
And he gives me a bit of hope.
Yep.
He feels like hope.
Yeah, I mean, obviously,
he's been elected by the members of that union
to do the job that he is doing
and now they're engaging in an industrial dispute
and he's really rising to the occasion.
And it's interesting because a lot of people
on the left
we don't really like
the idea that
our kind of figures
are in any way kind of media savvy
or polished in any way
but the truth is
there's a lot to learn from someone like Mick Lynch
and the reason you're absolutely
correct in your analysis of the emotional congruence,
there's this perfect harmony between his experience,
his depth of knowledge, his being across his brief,
his understanding of democracy, the corporate sector,
and industrial relations generally.
He really deeply understands the imbalance
that's inherent to the British economic structure.
And so he doesn't
have to think
when he's answering questions
because he's not lying
and so then that creates an authenticity
yes
that creates an authenticity which in a
very sterile
performative media environment
is just transfixing
now this is
but it also does and this is what I love about him
the media
pundits lie to us all the time
but it becomes so normalised
that you can switch off and not see it as lies
when Richard
Medley was talking to Mick Lynch
you just knew
Richard Medley was lying
and anyone Mick Lynch talks you just knew Richard Medley was lying. Yeah. You just knew.
And anyone Mick Lynch talks to, you can see their fucking...
It's like their mouth moves at a different speed to their face.
Oh, no, no.
You're lying, and I can tell because this man isn't.
Yeah.
Amazing.
This is also why, and I argue this in my book,
hopefully persuasively, this is also...
Actually, what's the name of your new book that you have out right now?
The new book is called The Social Distance
Between Us. And actually, you guys
if you go to any Waterstones in Glasgow
before the end of June, you'll get a discount
by presenting tonight's ticket stub
at the counter.
So, do do that
before the end of June.
But I argue in the book
when trying to understand populism and Brexit and all of that, the end of June but I argue in the book when trying to understand populism and Brexit
and all of that, the reason that
people like Nigel Farage and Tommy Robinson
became so transfixing for many people
is because they're kind of authentic
to themselves as well except they're cunts
Yeah!
Like I believe them
Yeah, so it's like
you really are that racist
or you really do believe that.
And the thing is, what they do is,
the thing with Mick is he's just laying it on the line
because that's his job,
whereas the other characters,
they're a wee bit craftier on how they go about it.
What they do is they begin from a place of understanding
what is annoying everyone and what is upsetting everyone,
the strain of class inequality and all of these different things.
And so they say things that basically everyone accepts is true,
which society is run by elites who are running it in their interest and they don't give a fuck about you. class inequality and all of these different things. And so they say things that basically everyone accepts is true,
which society is run by elites who are running it in their interest and they don't give a fuck about you.
And because someone actually says that on a national TV show,
millions of working class people just go,
huh, that's how I feel.
And then they go, I'll watch him again.
And over time, they end up in this far right pipeline
where it begins with very innocuous observations
that anybody in the
political spectrum would acknowledge is true
and then you start getting into the immigration
stuff and then you start getting into the
Islamophobic stuff and then you start getting into
the other stuff and then you start realising
a person has been kind of graduated
along that process where somebody would
have shocked them if Tommy Robinson
had said that in the first instance
they've been gradually
acclimated to that level and so suddenly
they're so endeared to that person
that they actually protect them for all the
cunty things that they say
and with Mick Lynch I think what we're seeing is
the exact perfect kind of
specimen
of the kind of working class figure that you need
in a culture who really understands
what they're doing,
is very intelligent, but is not a prick,
and is really, understands what he's all about,
and is very, very sincere in how he speaks,
and that, I think, even the spectator was commending him,
that's how affecting that this guy is,
now whether they come after him,
for this, that and the third, or the James Connolly stuff,
I don't know, but I think a lot of them will think twice before they do, is, now whether they come after him for this, that and the third or the James Connolly stuff
I don't know but I think a lot of them will think twice before they do because he has
such a strength of public opinion behind him that newspaper editors will be weighing up
us or readers going to support us going after this guy because this guy actually is pretty
fucking popular and the example you gave there, too,
when you spoke about, we'll say,
Tommy Robinson or Farage, right?
They were effective because I'm a cunt
and I'm telling you this about myself
and they're actually being congruent with their badness.
Do you know who else does that?
Jordan Peterson.
Yeah.
Seriously.
Because with Jordan Peterson Peterson what you get is
we have a society
in the US, in the island of Britain
in Ireland
where mental health services are in shit
people are looking for someone
who can describe to them human emotions
to speak about human emotions
Jordan Peterson does
that well. He's a qualified psychologist. About 30% of what Jordan Peterson speaks about
is very sound psychotherapy. So people latch onto that and they go, wow, he's after describing
to me this feeling called shame, this feeling called anger, this feeling called anxiety.
Nobody has done this for me. Then you go down the rabbit hole and it's all women's fault.
Or it's trans people and it's the same shit. He is congruent up until a
point but you listen to Gabor Maté speak about, like here's the thing
with Jordan Peterson, he speaks very well about mental health but it's
never, he never uses the term
love, compassion or taking
ownership. He has removed
compassion and love from the
conversation about mental health. You
fucking can't. You have to have love
for yourself and you have to have other people
and if that's not present you're not going to heal.
Otherwise you're blaming people
and it's temporary.
I'm grateful to hear that kind of nuanced analysis of it
because that's pretty much how I feel about Peterson as well.
And he's an interesting case
because there's this video footage of him that you'll find
no doubt, no matter what it is
you put your YouTube on to fall asleep to, you wake up
to a Jordan Peterson video
the algorithm is pretty insistent on it
but you know what that is
because you're a man of a certain age
that's all it is
and so basically he
he has this
way of talking about working class men, right?
And in the context of it, what he's doing is he's pushing back against this idea of toxic masculinity,
which I agree when it's applied clumsily creates the wrong message sometimes.
You get guys who don't really, they're not even thinking in those terms.
They just think they're being called toxic.
So there may be sometimes in some instances,
not that we should always be framing discussions
about men to suit men but in the
discussions in the context
where it is appropriate we should be more
careful and sensitive right but anyway
that's the context of his
very rousing speech basically
what he's talking about
saying the men are this and the men are that
nothing in this society happens
without working class men.
Nothing happens, not a light bulb, not a...
They're down the pits, they're climbing up,
they do the jobs, they go and they fight the wars,
they do all the things and all that.
And it's very rousing,
almost kind of working class hero rhetoric.
But you always stop short of,
so let's fucking pay them well.
That's the problem.
He wants them to be held up and celebrated
as a beacon of masculinity,
but when you start getting into capitalism,
he fucking goes completely silent.
And so he doesn't care about them enough
to guarantee, you know, to argue
that maybe their employers should pay them more
and treat them more fairly,
which I think is really the actual key to a good life,
as well as all the taking personal responsibility.
He collects all the taking personal responsibility he collects
Soviet art
to laugh at it
seriously so he collects Soviet art
which was all about
unifying workers
Soviet art was based on Marxist principles
he views
Marxism as the most dangerous
thing possible as if you let
any amount of Marxism into thought what dangerous thing possible as if you let any amount of
Marxism into thought what it leads to is violent revolution so which I like I
like the revolution this but he hates that yeah so he will always stop short
short of anything that critiques capitalism every time yeah and also he
he believes capitalism to be perfect Darwinism. Oh, yeah.
He's... And actually, you know,
sometimes I'll find myself...
I mean, I don't...
I don't necessarily like talking about class or being
engaged in all these debates. I wish, actually,
I could look out into society and find evidence
you know there's not as much to worry about as I thought.
Sometimes I go looking for that.
I think, well, maybe I've got this wrong.
Let me read a bit of Steven Pinker. He says this is the best time to be alive. But my
friend just committed suicide a few days ago and my other friend is thinking about committing
suicide and I've got friends and family all around me and all sorts of chaos. But let
me just read some Steven Pinker. You know what I mean? And so the thing is, they're
always...
And Steven Pinker makes us complacent.
They're always making the critique from a specific vantage point
where they're not actually exposed to the harsher conditions,
so they can take that objective scientific approach.
But there is also something that occurs
when you are immersed in the front line
where the inequality is really sharp,
and that also informs your whole outlook
and this is the problem
that I'll also argue in the book about proximity.
There's a distance between the people
who frame what society is about
and the people who are actually struggling the most.
But Peterson, he is,
I can't deny it,
I've seen people
who off the back of reading his books have sorted their lives out
and so in a sense there is some value to some of the things that he says but then that's a difficult
line to broach in a society where because of some of the other things he said everything else he
said is automatically discounted and so I guess I'm in a place where if you can find something of
value in that for yourself then fine who am I to judge but for what I would prefer though is if
instead of it being someone like Jordan Peterson that they're listening to that it's someone like
Gabor Mate yeah who has a an almost identical message but with compassion and love yeah and
Gabor's analysis of Peterson as a fellow Canadian is,
I don't know if you guys have seen Gabor talk about it,
but he talks, first of all,
he focuses on Peterson's voice box.
He says his register is very high.
He's always up here somewhere.
And he says that that's because of the stress
placed in his voice box.
He says that that is a manifestation of Peterson
who contains so much rage.
And he actually, he's driven by a lot of rage
that he's very skillfully able to conceal
because he understands psychology
and how other people interpret things.
But underneath that, there's an unresolved trauma
within him, whatever it might be.
And it's fascinating to hear Gabor talking about that.
And interestingly,
Peterson has tried to performatively use rage recently.
In the past two years or so, he'll find himself getting angry.
But when Jordan Peterson gets angry, it's met with laughter.
Well, he's the guy that claps when the plane lands, isn't he?
Yeah.
But his anger, he's performing anger now.
He doesn't have congruent anger.
When he's angry, he's trying to be an angry person.
But it's not a genuine thing.
You don't believe it.
Because, and two,
Gabber would say that Peterson is a traumatized individual.
And Jordan Peterson had desperate addiction struggles
the past two years.
He got hugely addicted to prescription medicine.
Ended up having to do this crazy therapy in Russia.
We don't know what happened, but he disappeared for two years.
But you know yourself,
people don't struggle with severe addiction
unless they have unowned trauma,
unless there's something there.
They're self-medicating for something
that they're not taking ownership of.
And Peterson is not taking ownership
of a shitload of stuff.
And his anger is the thing that's keeping him from it.
Yeah.
One of the reasons I've adopted
a certain way of talking about Peterson
that sort of reflects a wee bit of the nuance
that you sort of began with,
is just because when we have a public-facing role
in this society, and we kind of think
that maybe some people might be better experiencing less of a certain ideology and maybe should come
over to where we are thinking I think part of the way of doing that is to acknowledge some of the
things that people find useful about a certain idea or thing that they're interested in and I
carry that into my analysis of capitalism I carry that into my analysis of capitalism
I carry that into my analysis of of even things like Brexit and all of that you know where my
position is clear but also I try to understand and pace the terrain of someone who views things
differently and and actually I think sometimes taking that emotionally sensitive approach where it's
appropriate is
a pretty good way of
getting somebody to go actually
you know there might be something in that
because if you're not fighting them
some people have to
some people have to and I think it's that
diversity of approach that matters
but sometimes
what you're trying to do is you're trying to to persuade someone you try to get someone to listen to you you try to
get someone to change their ideas no one does those things under the duress of
criticism or stress so even just the emotional reality of how do you make a
person neurologically susceptible to changing an idea you have to create an
emotional environment which makes that
possible so it can't begin
with you're a fucking arsehole
because he's an arsehole
now fucking get over here
and listen to me
but one of the issues here then is
quite a lot of these conversations are
happening on the internet
and in particular
Twitter is an example.
And in my podcast this week, I had a cyber psychologist on
and they were speaking about the impact of social media
on the human brain and how we behave in social media.
And when you're trying to have a difficult conversation
like that online,
where you're trying to get someone to empathise with you,
the online social media space doesn't provide the forum for that
to exist because having a conversation with someone online is a bit like being in a traffic
jam and screaming in a pair of cars do you know what i mean no one's ever going to have a nuanced
conversation if they just had a fender bender yeah but people the example i use often is do
you know when you almost bump into someone on
the street when you're walking it you never have a fight yes you laugh and you go yeah and that's a
beautiful thing but then in a car then people are screaming and shouting yeah because the car
provides us with the disinhibition effect it's called we feel that we're guarded and protected and we say whatever the fuck we want
yes there's no consequences so it's also it's also part of how we have evolved to communicate
so if this is the length of time that humans have been evolving this is the length of time that
we've been using language to communicate oh right and so there's a there's a problem inherent to our
communication software when we go on social
media because we're inferring meaning from text a lot of the time yeah text that's arbitrarily
limited constrained in some way according to whatever the social media gimmick of that platform
is and so in order to kind of feel safe and secure in that environment we jump to conclusions to
derive a sense of meaning and a sense of righteousness that
gives us that feeling of being part of our tribe
and I guess
there might be some kind of quality to that
in some instances for solidarity
reasons but in terms of just
understanding the world social media
is a tremendous mirage
because actually what it's good
for is arranging to meet up in the real world
to discuss what's going on and information digest.
That's really good.
But it actually leaves us feeling less connected, less understood and more confused, even though we use it for the opposite of all of those reasons.
Absolutely.
Okay, thank you there to Darren McGarvey for that fantastic insightful interview check out his book
the social distance between us keep your ears and eyes peeled for his upcoming UK tour this is the
final installment from underneath my continental quilt in this hotel room I'm going to be back next week and I'll be back in my studio
or my office
with a properly recorded
hot take
for all of ye
I have some stuff planned
alright
I'm going to bid you farewell
rubber dog
make eye contact with a swan
brush the hair
on a weasel's tail
and I'll catch you
next week
I have to go for
the extended ASMR
kisses there
because I have
the stereo microphone
dog bless
go fuckers. rock city you're the best fans in the league bar none tickets are on sale now for fan appreciation
night on saturday april 13th when the Toronto Rock hosts the Rochester Nighthawks
at First Ontario Centre in Hamilton at 7.30pm.
You can also lock in your playoff pack right now
to guarantee the same seats for every postseason game
and you'll only pay as we play.
Come along for the ride and punch your ticket to Rock City
at torontorock.com.