The Blindboy Podcast - Arse Children Part 1
Episode Date: July 9, 2019A reading of my short story Arse Children Hosted on Acast. See acast.com/privacy for more information....
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Bend Enda's Bed Knob, you feathered Duncans.
Hello, welcome to podcast number 92 of the Blind Boy podcast.
I speak to you this week from a position of incredibly heavy jet lag.
I haven't slept in 24 hours, I'm just off the plane from Toronto.
And I'm at my studio.
And I feel like I've been hit into the face with a hammer made out of time.
I'm so exhausted that I have that type of hyperactive energy.
Do you know what I mean?
But, yeah, that's the crack.
I have been in Canada for the past week, as you know, if you were listening last week,
doing some gigs.
And firstly, the gigs were fucking fantastic.
They were a lot of fun.
It was two Rubber Bandits gigs, two live podcasts.
Thank you to everyone for fucking coming out.
They were sold out.
It was fantastic,
it was a pleasure, also for anyone interested, there's two live podcasts in Dublin this month,
at the very end of July, in the Ivy Gardens, at the Vodafone Comedy Festival, look that up,
come along, I think they're mostly sold out, but a few tickets left. That would be good crack. Because.
I'd be picking my guests.
From the line up.
Of the festival.
So that should be.
Promises to be fun.
As you also know.
Look.
I was.
Up the walls.
Busy as well.
So I didn't really get to.
Thoroughly enjoy.
Canada.
On a social level.
Which was annoying. Because. We were brought over by a cannabis seed company who sponsored the whole thing so they put us up in in like proper five
star fucking hotels um so while I was in Toronto for three days I had the pleasure of
staying in my room all day having to work on bits of my book and the BBC thing
while Mr Cromant, DJ
Willie O DJ were on the
roof
in the pool of the five star drinking cocktails
all day in gorgeous sun
so boo hoo
but em
yeah
I
I told you that this week's podcast was going to be me speaking on the side of the road from Toronto or Vancouver, like I'd done with San Francisco.
So in the eight days that I was away, I had recorded two separate podcasts for this week.
So the first podcast...
Yeah, I've been unlucky.
So the first podcast that I wanted to put out today,
there is a musician called Devin Townsend,
who's an absolute legend of heavy metal,
like a seriously heavy hitter, do you know?
Someone who would be seen as a pioneer
of the extreme metal genre.
And Devin is,
he's been a Rubber Bandits fan for a while,
and we chat back and forth on the internet,
and he lives in Toronto, so I said to Devin,
now we organised this at 12 o'clock at night after I
just finished a gig and I was I was half cut and we were to meet at 10 a.m the next day and record
a little podcast on the side of the road so we did um found a cafe I had my my lovely stereo mic with
me and I also had I had another I brought a condenser mic with me on an arm and I basically
set up a professional radio studio setup at a cafe on the side of the road with the sound of
traffic and all of this um and it sounded fantastic in my ears when I was monitoring it
but when I listened back my microphone recorded but Devin's didn't so it means that his voice in
the background is quite faint now that doesn't mean the interview is lost what it means is it'll
require a few hours of me with some trickery in the studio to make it listenable so it's not lost
it's just not the best it could be so I couldn do that. Then as soon as I got to Toronto.
I found a park bench.
And took an hour out of my day.
To record a podcast for ye.
Completely unedited.
Just talking.
And.
I don't know.
I wasn't feeling it.
Firstly there was no bird sound.
Where our hotel was.
Was kind of weird.
It was quiet. So I didn't get. Many kind of weird. It was quiet so I didn't get many people walking past.
It didn't have the ASMR thing I was looking for.
It was just disturbed every so often by a motorbike or a helicopter.
And here's the thing.
I was very happy with that San Francisco podcast a few weeks back.
Because it had what I'd call congruence okay when I went to San Francisco
I lived and breathed it I had to I walked around I confronted it I really truly
uh was affected by San Francisco it had a deep effect on me.
And when I got to, you know,
seeing all the homelessness,
being in the Tenderloin District,
I was transported, I was a fish out of water.
And when you do that to yourself,
and when you're curious,
and you're a fish out of water,
you absorb everything.
So when I did that San Francisco podcast,
I managed to get a lovely little mindful space where I was emotionally congruent and emotional congruence means that
what's in my heart and what's in my head are identical so what you end up getting is a very
passionate honesty and passionate honesty is what will lead to a good podcast. I had that in San
Francisco. With Toronto, when I sat down for an hour in that park to record it, I just wasn't
getting that same congruence and I think it's because I didn't really get to experience Canada.
I spent a lot of time in my hotel and even when I was leaving the gaff to go to gigs, we were going there in taxi.
So I didn't live and breathe Toronto.
And it showed in that recording that I did.
So here I am recording a new podcast this week in Limerick with Severe Jetlag.
Now I'm not saying Canada wasn't crack.
It was.
I loved it.
It was good.
It's always nice to throw yourself out of your comfort zone and go somewhere new.
But what happened?
I got vicious sleep paralysis as a result of sleep deprivation.
Which was interesting.
I don't get sleep paralysis that often,
but I sometimes will get it, definitely, if I sleep on my back,
so I made two mistakes.
I was heavily sleep deprived from work and jet lag,
and my hotel bed was very comfortable,
so I slept like a starfish, fully on my back.
So then I woke up in the middle of the night,
frozen solid, hallucinating and
wanting to scream and believing that there was an entity or a presence in my room which i haven't
had yet with sleep paralysis i've had sleep paralysis where you wake up and you can't move
and you're trying to scream but i've never had the entity in the room but it was enjoyable
it's even though that sounds terrifying I woke up and knew I was in sleep paralysis so I was
able to observe the entity with a critical eye I didn't see anything like I said but I felt
something in the room and and what that is really is
in the room and and what that is really is it's almost like it's it's not not too far off tinnitus or a phantom limb when you wake up from a deep sleep and your brain is still still in dream state
but your conscious mind is awake you experience that it's threatening because you can't fucking
move and your brain fills in the gaps and invents menacing figures
so I had sleep paralysis
so
that sounds really negative
but it was kind of like
that was kind of class
so I was kind of happy
to get sleep paralysis
then what else
cannabis is legal
over there so
I got given a ton I got given a giant bag of fucking free weed
like i didn't get to go near any of it and i was like why are you giving me a fucking
this big a bag of free weed i distributed it to whoever would take it then even on stage when
when it was either gigging or the live podcast people kept throwing joints of pure weed up on stage at me
and I was
taking them and giving
them to people because I just wasn't in the mood for smoke over there
and then
yeah when I
got back into Shannon Airport there they had
the fucking sniffer dogs
so I was shitting it that
some weed had gotten into the inside of my
tracksuit pants.
But luckily the sniffer dog did not sniff it out.
So that's good to know.
But it's just crazy.
Like being in a country where cannabis is fully legal.
Everyone smokes it.
You know, have a big giant bag in your hand and it's grand.
Stinking of weed.
And then you come back to Ireland and there's dogs at the airport.
Bit odd. last night in Canada
was great crack
did a live podcast with a fella
fella's called the Monsters of Schlock
which
I don't know if this will be a good
podcast to listen to but it was certainly
brilliant to attend
the Monsters of Schlock are like
scientists slash circus freaks so i interviewed
them at the podcast in front of it's like an audience of about 600 people but during the
interview they also did kind of freak show stunts so they stuck syringes into their hands into their
faces they stuck their elbows into clamps one of them stuck
hooks into his eyeballs and
lifted a can of
beer off the ground
their whole thing is
kind of
testing the extremities of the human
body, they have a load of
world records for
sticking hooks onto the skin of their backs and
pulling a truck and shit.
Real macabre stuff.
But incredibly intelligent, interesting, funny lads as well.
So the audience was treated to these two lads torturing themselves on stage as such for entertainment. And the reactions and the screams from the audience was incredible.
So I'll have to listen to that back.
Because essentially what you're dealing with is... The reason i wanted to do it as i was thinking
wouldn't be interesting to do an audio podcast where you have you're you're listening to a visual
spectacle happen on stage and you're listening to people's screams so that could be a bit of crack
but on that night um because i just want to give a shout out we'd finished the gig and we ended up
in the owner of a a tea house came to the gig and met my tour manager and said did the lads want to
come back to my tea house i'll cook a lot of fucking food and they can hang out and we did
so we went to a place i thought i'd call Martin and his girlfriend sorry I can't
is his name Martin?
his name might be Martin
and
I can't remember his girlfriend's name
but
the place is called
Bampot Bohemian
in Toronto
and
they were very nice to us
and they took us in there
and we had a little bit of a sesh
not even a sesh
tell you what
we'd finished the gig and we were kind of half thinking fuck it we're flying in the morning
let's not get pissed but we went back to this tea house and they served us delicious food and
chai tea masala tea with whiskey in it which i've never tasted and i urge you to give it a lash I've never tasted it before I love proper masala tea I call it chai tea but that's ridiculous because chai means tea in Indian
so essentially I'm saying tea tea it's like when you say ATM machine you're just saying automatic
teller machine machine but masala tea is black tea that you normally drink in Ireland but brewed
with like cinnamon and cardamom
and these lovely spices and you have it
with a load of milk that's very sweet
so it's this sweet spicy tea
but where we were in Bampot Bohemian
in Toronto
they were throwing whiskey into it
and it was just magnificent
that was my best experience
of being in Toronto, that lovely
relaxing last night
so there you go
how much of a rant was that?
12 minutes
I wanted this to be a quick fucking introduction
anyway here's the crack
this week
I'm too tired to do a podcast
I'm too fucking tired
I need to go to bed
I haven't slept in a day
now I don't want to
give you a live podcast
because I gave you a live podcast this last week
and I don't want to go
into a hot take because
I'm too tired and there's no research
so I'm going to give you a fucking very very special
treat this week
a very special treat
I'm going to
I'm going to play play one of my short stories
which i haven't done since jesus the first episodes of this podcast so i'm going to take
a short story from my book the gospel according to blind boy something that i pre-recorded and
you'll know as well what i'm trying to do with these stories is
it's not just me reading a story I also create a soundtrack to go with it so like I play
I play and produce instruments that describe the mood of the story so it becomes this new thing where it's half story half song do you know so i'm gonna
play for you part one of a story from my book called arse children and arse children is now
this this is all intended to go on a fucking audiobook but i don't know what the crack is
with the audiobook or when it's coming out. It's up to my book company.
So I'm going to put out part one of Arse Children.
Arse Children is essentially, first off, it's probably the most popular story in my book of short stories. It's the one that gets the most reaction from people, that people say they like the most.
It's essentially a novella i think it's
about 30 000 words in total what i'm going to be reading to you today is part one which is about
15 000 words and i'll have to give you a content warning about it to be honest so Arse Children
like I love it, I'm very happy with it
but it's
what can I warn you about
a lot of people listen to this podcast
but like their parents
or shit like that
or their family sits around
or some people will listen to the podcast and work
this story is
rather sexually explicit
so there's graphic depictions
of sex
another thing with it too which is important
is I'm only playing
part one of this
I won't be playing part two because I won't be allowed
by my book company there's no way
I'm going to get away with that
if after hearing this you need to hear part two get your hands on the book
gospel according to blind boy either buy it it's not that expensive anymore or one of your friends
might have it a lot of people bought it so yeah this is here's here's the fear that i have by playing the part one of arse children
arse children is written in the style of the unreliable narrator it's it's it's fiction
in the unreliable narrator style it's not blind by its characters that i have created and these
characters are you know it's going to be
it's slightly problematic
because the characters in this story
are problematic
the other thing too
there's historical inaccuracies in there
they're deliberate
what I don't want basically next week
is a shit load of emails and DMs
from people going,
here's several things about that story that are inaccurate.
Or here's several things about that story that were problematic.
Okay?
In order to understand Irish children, it has to be kind of viewed as a whole, as an entire.
There's a thing with, always say about storytelling storytelling often
follows a very simple three-act structure set up conflict resolution and the overarching
story of our children as a whole what you're only getting today is set up in a conflict and i am not
giving you the resolution because the resolution is part two now you can have many three-act structures within three-act structures
so ask children that i'm part one is a three-act structure but it's two acts of an overarching
three-act structure if you get me so that's kind of the shtick. So reserve judgment for part one of Arse Children
until you take it upon yourself to read all of Arse Children.
I've said Arse Children a lot there.
Christ.
A lot of people ask me, what's the story about?
All I can say is
look it's about
Eamon de Valera and Michael Collins
and
one theme that has been
prevalent in
anything I've done since I
started
back to rubber bandits when I was fucking
15, 16
I've always been fascinated, deeply, deeply fascinated with
Irish, figures of Irish republicanism.
The IRA, Michael Collins, De Valera.
I've been fascinated with these things as a man from Limerick.
Not, how we'll say De Valera and Michael Collins and what they mean
and their what they are the idea of the mean to Irish masculinity when I grew up in Limerick
the IRA De Valera Michael Collins what they meant to us culturally as teenagers, these were signifiers of Irish manliness and being tough and being hard.
And slowly over time, this is what started to fascinate me.
Because we lived in the south of Ireland, the free south, the free state, the IRA existed in Limerick when I was growing up
the IRA were present
but they weren't very visible
like if you wanted to get in contact with the IRA in Limerick
when I was growing up
you'd really have to go out of your way
but that's very different
in the north of Ireland
where in certain areas
the IRA essentially act as the police of Ireland, where in certain areas the IRA essentially acted as the police of communities.
So I grew up at what you'd call, I suppose, southern privilege.
We would write IRA on a wall or a bus stop, and we wouldn't even know what it meant.
We just knew this is what you write when you're a teenager and you're trying to find your masculinity
and you're trying to show your friends that you're tough
you write IRA on a
wall and all you
really know is that they're big men with guns
and they're Irish that's it
in Limerick
if you did that you got away with it
if you're up in Belfast or Derry
and you write IRA on a wall
someone might
have an issue with that and go
hold on a second
who told you you could do that
the IRA might have an actual
fucking problem with it
do you get what I'm saying
so we grew up with this
completely detached idea
of republicanism
where it
culturally as a teenager
it was not political
it had nothing to do with
we knew nothing about
the fucking politics we knew that about the fall of fucking politics
we knew that michael collins was a big hard man who died by a bullet and devil era less such we
didn't really idolize devil era but definitely michael collins definitely the ira the rat these
were considered cool things we didn't know what they were they were all about masculinity and finding your toughness
and your identity and they would enter what I used to fascinate me was how
the IRA would effortlessly within our culture and the codes of our teenage masculine culture how the IRA would effortlessly flow within something like NWA or Snoop Dogg
or Bob Marley or Tupac so we lived in a world a world of cultural codes where our masculinity we
were trying to find our masculinity and our identity and masculinity in Limerick was about
how tough and hard you were and how not
afraid you were so our totems of this were tupac bob marley snoop dogg michael collins uh ira
balaclavas and these things all intermixed and they didn't as i got older i used to look at it
and go fuck this is nuts like you'd see graffiti and limerick
of a drawing of bob marley and he's got a speech bubble that says up the rat bob marley has nothing
to do with the ira the person who would have made that drawing did not know that it what the
commonality was is that all these things mean i am a man i am a masculine irish man that's what
these things mean so from an early age creatively I was always fascinated with this.
And I wanted to express.
Because I found it surreal and hilarious and funny.
To use totems of Irish republicanism.
And see how far you can stretch it.
How crazy can you make it.
Can you put Tupac beside Michael Collins. collins fighting in the irish war of independence
and for that to feel okay how far can you stretch that can you write a song about the ira but
quentin tarantino is a member of the ira or uma thurman can you fuck with these
this codified language to a point and bring in really surreal references
and put it over a hip hop beat so that when you
listen to it
it doesn't make sense but it does make sense
so that's always fascinated
me and
going back years more than
10 years back to songs like
Up The Ra or even Prank Phone Calls
before that that dealt with
fucking Tupac
Bob Marley fucking playing handball up
against the wall
loads of stuff like that
playing with different
totems of masculinity because they're
detached from their actual meaning
it's hyperrealism
it's hyperreal
we did not in Limerick
experience the provisional IRA
we experienced the hyperreal IRAa which were an ira
that did not exist they existed only in the heads of limerick teenagers and the hyper real ira and
the hyper real tupac and hyper real bob marley all existed in a codified universe where they could
fluidly move within each other and that was okay and this is always fascinated me creatively so
i suppose this story arse children it's just i would have written this in maybe 2015 2016
it's just a continuation of that ongoing process that i keep coming back to in my work and i think
what it is it's a it's masculinity that's what I'm getting
at you're not aware of these things when you're doing it if if you're if I was to approach a
piece of like back when I was a fucking kid writing up the ra I didn't go at that going
oh this is a this is a probe of Irish masculinity uh played out through hyper reality I didn't know
that I was going with what felt right
in my heart and what made me feel or achieve flow and what felt good and i was like fuck it this is
banging and it makes sense and it's funny good so i was happy with it looking back i'm able to go
that's hyper realism there's a bit of semiotics in there um it's it's a study of masculinity i can
look at it now and go that's what was going on in my unconscious mind.
But that's how it works with anything you create.
When you're in a state of flow,
you're going on feelings alone.
You trust that the cognitive, intellectual part of your mind
that's done the reading and done the knowledge
is working in the background,
but ultimately you're chasing feelings.
And if you do it right it just comes out
so yeah here's a bit of
Arse Children for ye
part one of Arse Children it's nearly an hour long
you're in for a treat
yeah content warning
very sexually explicit
you might want to listen to it loud
listen to it on your own
it's problematic
consciously problematic there's historical inaccuracies You might want to listen to it loud. Listen to it on your own. It's problematic.
Consciously problematic.
There's historical inaccuracies.
It is the set up and conflict.
Of a larger story.
And if you want the resolution.
Go and seek out part two of Arse Children.
Yart.
Oh fuck.
Ocarina pause.
Alright.
Hold on. yart, oh fuck, ocarina pause alright, hold on is to be the mother. Mother of what?
Is the most terrifying.
Six, six, six.
It's the mark of the devil.
Hey!
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okay uh this podcast is is is funded and my life is funded and supported by you the listener
who listeners who become patrons if you would like to
be a patron of this podcast you can um patreon.com forward slash the blind boy podcast and you can
give me the price of a pint or a cup of coffee once a month if you're enjoying what i'm doing
and if you're listening to this every week and i'm entertaining you here's a way that you can really meaningfully
pay me back and make a real change to my life if you're someone who can't afford that that's grand
then you listen for free maybe somewhat sometime down the line you might be able to be a patron
but this is how we do it this is a model that's based on kindness and soundness
and it's working fine so far.
There's people who are patrons and there's people who are not patrons.
I'm not complaining.
Working great for me.
Alright.
So I don't think, let's keep that going.
Right.
Here is Arse Children.
I am happy to play for you, Arse Children.
Oh, one last thing.
Yeah.
The reason why I'm giving a content
warning on this the story has existed in my book since 2016 when the book came out i haven't had
one complaint okay it's universally people like it no one found it problematic that's because it's a book on a page when you read a book right and it's sound and it might be
offensive or dodgy or whatever when you read it in in your own head it's your own voice so you
tend to have a bit more compassion for your own voice when you're reading it but i'm switching
mediums now so now i'm reading arse children for the first time so contextually it changes it slightly
so it might not be problematic on the page but hearing me essentially do a radio play
that might contextually change it a bit and then it becomes
something that people might have an issue with but like I said, listen to the whole thing get your hands on part 2
30 minutes of fucking talking
and I wanted a quick intro, alright
God bless lads
Chapter 8
Arse Children
Part 1
Eamon de Valera
bent his weak chest out over the
alabaster windowsill of the mansion house
and cast an anxious eye across the crawling
November fog on Dawson Street
which had sauntered up the liffy
from the fat smog flumes
of the Guinness Brewery with that
dog food smell
it was close to 11pm
and he awaited the glimmer man
who would extinguish the gas lights
and drown the cobbles in a covert darkness.
A slight man, with veins,
ticking, that cut like canals on a map, up to his eyelids.
De Valera had the appearance of a sun-bleached star corpse,
who'd been tailored in a Savile Row suit.
On his long nose rested circular-framed brass glasses,
with thick lenses that magnified his pupils comedically.
Young children would single him out as he walked down Sackville Street and make jovial quips about his gigantic magnified eyeballs.
This hurt him deeply, and the pain would often resurface when he scolded his subordinates rather brutally with a thin length of copper wrapped in damp hessian.
A great trouble was coming to Dublin City.
Eamon's chattering teeth exhaled pops of tepid breath that became visible in the frigid air of night
and spelled out doom as they laddered up towards the sky like demons escaping hell.
Eamon de Valera, President of Dáil Éireann, had been waging a successful war on the occupying
British Crown forces in his country. But the British had had enough, and Prime Minister
Llyde George himself had dispatched a specialist group of undercover intelligence agents
to crush the aspiring Irish Republic.
The IRA were cornered
in a Turkish bathhouse of their own creation.
Eamon de Valera was wearing neither breeches nor underpants
as he ogled Dawson Street
in anticipation of the Glimmer Men.
But had opted to keep his shiny brown brogues and black socks on.
Behind him had stood a large man.
A younger man, in suspenders and slacks.
His proud torso and stocky arms imposed a presence on the empty boardroom of the first
doll.
This man was General Michael Collins.
Normally resolute, confident and stubborn
tonight Collins had the look of an abandoned child
his sweat rose from his pits
and had the faint tang of black current jam
a man gets when he's stressed
this honk congested the boardroom
he approached Dev and rested his chin on his shoulder, with one hand on the cord
of the Venetian blinds. Not a word was spoken between them as they waited passively for
the Glimmer Man to extinguish the Dawson Street gaslights. The gloomy boardroom was irradiated
tangy by the citrus green haze that penetrated the window through the slots on the open blind,
casting the exploded projection of the two men against the palace head, which was a horrid
omelette of papers and different coloured strings of twine pinned down where relevant.
Photos and documents smuggled out from the intelligence catacombs of Dublin Castle were
sliced up with horizontal lines of shadow that sang a slow song to the Cairo gang.
Under each photo was listed the name and address of each of the IRA's potential judge, jury and executioner.
Dangerous men, who served their time dismantling revolutions in the most exotic stretches of the British Empire.
Lieutenant Henry Anglis, 22 Lower Mount Street. The most exotic stretches of the British Empire. 28 Pembroke Street Upper
Names like vandalised gravestones on the wall.
Dev jolted as a flicker hit the inside of his glasses. The Glimmer Man had arrived.
Dressed in a wax trench coat and well over six feet tall, he extended his wooden pole
up and down the footpaths and attended to the Georgian lampposts. They were always tall
men.
He opened the little glass door, 15 feet in the sky,
with the hook on his pole,
and duly turned a switch that extinguished the flow of gas.
Michael Collins watched as his ulcer played up and was reminded of his time working in the Welsh mines as a gas buy,
holding a canary.
The gaslight flames looked like little yellow canaries in cages
getting doused to death
in black paint
heralded aloft
Dawson Street
like puck fair goats.
Glimmer men did this
all over Dublin City
and by the time
they were finished
it would be morning
and they'd have to turn
them back on again.
Glimmer men didn't sleep.
Soon Dawson Street
was in complete darkness.
A dark so dark that your ears take over
from your eyes and turn up the volume of distant
horses trotting and the hollers
from late pubs a few blocks over.
Devon Collins
stepped back from the window.
What are we
going to do?
We're going to take the fuckers out
I have my best men ready to go
they know their faces
they know their names
we have the pistols
you got from the yanks
I'm on it Dev
your men
ha
your men
the twelve apostles
is it
what could they do to anyone
half of them Connolly's ex lackeys
the other half with the smell of cow shit
on their collars
ah Jesus Dev
what am I supposed to do
the fucking squad Michael
get real
the Cairo gang have faced worse than the squad
they've taken down moors in Algeria
who wouldn't think twice
to strapping dynamite to themselves.
De Valera removed his
shoes and socks. Michael Collins
dissolved into a leather swivel chair
as Dev crept across the room
towards a minibar, completely
naked from the waist down.
Caprahina, Michael.
Go on,
I'm sorry, Dev.
De Valera began to crush fresh limes in a rocks glass
with the end of a bar spoon.
He sprinkled sticky brown de Marera sugar
onto the pulpy zesty juice.
He reached into a bucket to retrieve ice cubes,
which he basked with his fist
and danced into the glass with long fingers,
upon which he poured 80 proof Brazilian
Caxacha, a white
rum variant made from sugarcane juice
he shook the glass gently
and while maintaining eye contact with Collins
stirred the drink with a steak
knife, which he pushed
deep into the
back of his throat and pulled slowly out
savouring the limey, sugary rummy concoction that finished on his lips.
He handed Collins his caperahina.
Before you take the swally of that caperahina,
remind yourself that Cromwell sold your ancestors to Barbados.
Your pint?
He sold them as slaves,
treated worse than the African on the sugar cane
plantations. Up and down
South America. That Caprahina
you drink is an Irish man's drink.
Alright, Dev,
I will.
I've a better plan to take out the Cairo
gang. No need for the squad,
Michael.
Michael Collins' face jdered with sheer bemusement
at De Valera's assertion. What did he mean? What clan could be better than getting the
squad to take out the Cairo gang? What plan could be better than the blood anger of Joe
Leonard, Paddy Griffin or Frank Bolster, the greatest guns of the IRA? Collins had already
given commands for the assassination to take place in a week
to coincide with the All-Ireland Final
and provide some civilian cover.
That shit really confused the Brit soldiers.
They broke down when a load of tip lads arrived on donkeys.
The wheels were already in motion
and he didn't want to risk countermanding his orders
lest a dispatch be intercepted by the G-men. The wheels were already in motion and he didn't want to risk countermanding his orders,
lest a dispatch be intercepted by the G-men.
What do you mean, Dev?
Fine notes of coconut on this cachacha.
An oak barrel they had it in, I'd say.
Maybe even ash, judging by the nose.
Have you ever had reason to acquaint yourself with a cooper, Michael?
Dev, the squad, tell me what you meant.
There's things I haven't told you, Michael.
I have powers.
The whiskey?
No, powers.
Catechistic powers.
Dark knowledge that I attained from my time with the Carmelite Order.
They ushered the compassionate heart of our Holy Mother under the auspices of St Berthold
to grant special abilities on my body
in the name of Ireland and her noble destiny.
Fuck you, Annabelle Dev.
You haven't gone balling's mill on me, have you?
I've been granted a womb, Michael, in my body.
The General crossed his legs with an uncomfortable disbelief and a desire to leave the room.
However, despite his frustration with De Valera's loose grasp on reality and increasing inebriation,
Collins was a resolute professional, in full awareness that his President was addressing him in the offices of Dáil Éireann.
He took in a large portion of air and remained calm while De Valera explained further.
The Carmelite order asked Our Lady to grant me the ability to give birth,
and she answered this plea.
But, but you have male equipment dangling off you, Dev.
I'm looking at it now, before you.
No, Michael.
In my bowels.
Our lady grew a womb, just underneath my lard intestine. It allows me to give birth to two foot tall warriors from my hole.
Several in one go, if I wish.
For a time like now, when Ireland needs it most.
However, I need darkness to do this.
That's why we waited for the Glimmer Man.
Is that why you took your pants off?
It is, Michael.
These arse children, I can birth them.
Do you know the way I've been asking the volunteers to skin dogs on the north side?
Because they might be Protestant.
Of course.
Well, I've been hoarding their pelts
for a day like today.
I'm going to give birth to my Carmelite Arse children.
We'll dress them as dogs
and put guns in their hands
and they will assassinate the Cairo gang.
We can't do it with the squad.
It's too hot out there.
Every G-man from Dublin Castle
is watching us, watching our volunteers.
We need to do something
that's never been done.
This is the plan that's going to unfold.
It's the only plan.
I don't know what to say
to this, Dev.
This is a lot to take in.
It's perfect, Michael.
You tell the squad to hold back they can stay in their beds
the arse children
will take out the spies
then when the right time
comes we'll credit the assassinations
to your squad, every paper
will believe it
the men will be heroes for centuries
the truth would be too much for Ireland The men will be heroes for centuries. The truth would be too much
for Ireland.
The squad will be shot
if they go out next week.
Please trust me, Michael.
Dev,
we've been through a lot together and as mad as
this sounds, I'm listening.
Thank you, Michael.
But the birth of these arse children
isn't easy.
I need your assistance.
Whatever you require, Dev, I'll be here.
I'm your servant. We'll do it for Mother Ireland and for the men who died in 16.
No, Michael.
I need your assistance.
I can only carry these arse children
and expel them from my rectum.
But they require a father.
A father who is a warrior.
A warrior that can trace
his blood back to the ancient high
kings of Arran.
You must father these arse children, Mick.
I have a short gestation
period. Approximately
six to eight days.
We need to get working immediately
so that our arse children can
perform the assassinations next week. Any longer and it'll be too late. The Cairo gang
will have gotten all they need to take us out by then.
De Valera's mercurial eyes said it all. Michael Collins was faced with a dilemma. The only
way to save Ireland was for him to have anal sex with De Valera.
He had a queer feeling all night.
As soon as the Dáil adjourned,
De Valera had removed some clothing for no apparent reason.
Collins found this ritual peculiar.
However, Dev was a strange fish
and had spent his time in Borland's Mill
during the Easter Rising wearing only pyjama bottoms.
Collins was always very sensitive
of Dev's rattly disposition.
But this time it was different.
The conviction in Dev's face
when he spoke about the Arsechildren
was otherworldly in its intensity.
This didn't appear to be a stunt
nor a cry for help under intense duress.
This was real.
It was happening.
And Collins knew he'd have to discard
any personal heterosexual inhibitions
to secure the freedom of Ireland
and the safety of his men.
With the broad awkwardness of a 40-year-old man at a Debs,
he offered his services.
Well, how are we going to go about it then? Will you have a lemon daiquiri, Michael?
I will. Dave advanced to the minibar and procured a shaker into which he placed two fists of ice
cubes. Expertly, he poured nine parts white Cuban rum, five parts of fresh lemon juice,
three parts sugar syrup, a dash of Angostura bitters
and flaringly performed a theatrical shake
before decanting the bitter amalgam
into two cocktail glasses
and garnishing with lemon zest
and a maraschino sherry
from a jar belonging to Erskine Childers
Ah Dev, we'll never hear the fucking end of it
if you go taking Erskine's cherries
Tonight is an exception Michael Well then put my one back in the jar Ah, Dev, we'll never hear the fucking end of it if you go taking Erskine's cherries.
Tonight is an exception, Michael.
Well then, put my one back in the jar.
I'll just have the lemon for the garnish, no need for the cherry.
More for me.
De Valera greedily placed two maraschino cherries on the side of his daiquiri,
with a flagrant disregard for Erskine's ration.
The daiquiri is a special drink, Michael.
It comes from your ancestors,
who fought for the Mexicans against the Yanks in the 1840s.
Adiv, come on.
Hear me out, Michael.
The sweet daiquiri was the only thing that cooled their lips in the hot adobe cottages of Santiago
as Yankee cannonballs whirled overhead.
Men with names like McCarty and Scanlan.
Meditate on that when you take the first swally of Daiquiri.
A wildeve.
And they were called gringos,
the Irish soldiers who fought with the Mexicans.
Do you know why they called them Gringos?
Can we move on to the issue at hand, please, Eamon?
De Valera stumbled forward and whispered the next phrase into Collins' tired face.
Because they were always singing, Mick.
Singing.
Green grow the lilacs when they were fighting that war.
Fighting in white alkali desert flats, scattered with beige cacti,
and not a blade of grass to be seen for years.
That song was their sad cry for Aaron.
The Mexicans misheard it and thought they were singing green grows.
Ever since it means foreigner over there.
Say it with me, Michael.
Gringos.
Now have a drop.
Dev, can we get down to business, please?
Because, get your hands off my collar, man.
We need a very serious discussion
about how the mechanics of this operation will work.
And I'll be honest,
I'm very uncomfortable and a bit frightened.
Fucking sit down opposite me there and we'll plan it out.
Will I make a pair of martinis?
No, sit down to fuck.
Dev fell back.
Collins heard the familiar squelch of bare arse on leather
and got a shudder of reality.
As far as he knew, he was fully heterosexual
and resolutely devoted to his girlfriend Kitty Kiernan.
He'd had his knee tremblers in Soho during the stint as Apostle Clerk.
But other than that, he was quite inexperienced.
He was a Catholic, more out of duty than faith, but a follower of Rome nonetheless.
He knew that relations between two men was a mortal sin, punishable by hellfire,
but the occupation of Ireland by the Brits was a sin too.
Who was he to measure up sins?
Dev, on the other hand, was staunchly Catholic, at one point even considering the priesthood.
Collins anxiously pondered how this situation was to sit in De Valera's moral lunchbox.
Cite is between two men is a sin, Dev. Is killing not a sin, Michael? Have you not tugged the
trigger of your luger at many assassinak? This is war, Dev. There's no sin in war. Exactly,
Michael. And you'll be fathering these children in the efforts of war
they'll be more useful
than ten thousand rifles
or a hundred bombs
or a thousand dead British soldiers
then I suppose
shouldn't we kiss first
or do some ghost petting
Michael Collins grappled
the milky white daiquiri in his paws
and necked it back his craw,
aching for a vessel of more significant purchase.
He sequestered the bottle of white rum
and took brutal command of several inordinate gulps.
To the disdain of De Valera,
who urged him to at least take a squeeze of some class of citrus zest
out of respect for the candour of the neat spirit.
Take off your top, Dev, for fuck's sake,
ushered Michael,
who had internally resolved the materiality of ensuing copulation
by appropriating the hawkish zeal of a team captain at a county final.
Tug off to fuck!
Collins clapped his sweaty hands and paced aggressively, pausing at intervals
to hop up and down on the spot as he removed his clothing and yelped. Then De Valera unbuttoned his
white cotton band collared shirt with his bony hands jittery from the drink. The room smelled
like men. Azure moonlight trailed in to reveal a torso like a splatter
of dog's vomit that a child had flicked old hay pennies in, a pale sunken chest darted
with malignant black moles and the occasional jutting rib.
Collins spat on the rug and eyed Dev up as he would the crossbar of a stolen bike.
He launched forward and shouldered Dev as if they were competing for the high ball.
Dev's much smaller frame battered off the wall behind him,
the force of which disturbed the mounted portrait of Thomas McDonagh.
Grounded and staggering from daiquiris,
Dev attempted to repel himself up by the cord of the Venetian blind. He swung
pendulous like a frantic cat for a short moment, then tugged the blind loose from its fixture,
down on top of him in a fierce loud crash of aluminium corrugates.
Jesus Christ, Dev, you will alert a bailiff or a sergeant with the knives. Do you not know the G-men are always posted near?
Gin, said De Valera
as he splayed out on the
floor naked in a metal Venetian gown.
Collins
dutifully swiped a bottle of cork-dry
gin, took a few gulps himself
and poured a skinful down
into De Valera's open mouth
which splashed off his protruding teeth.
Water bored me with gin Michael pleaded Dev
I can't have you passing out either Dev
warned Collins
Turn over
De Valera rolled over
so that he was belly down
on the corrugated aluminium blinds
Collins
shook off his own slacks
and removed his long johns.
He drooped down over De Valera
as if he was to perform 100 press-ups,
his flaccid penis dangling like a greyhound's tail,
grazing up and down the crack of Dev's arse.
Well, what now? Are you ready for it?
You're the president, said Michael.
You'll have to kiss my neck or I won't be able to receive you, said Dev.
Collins lowered his chest so that it was pressed against Dev's back.
He obediently protruded the tip of his tongue and darted it all along the inside of De Valera's ear and hairline.
Dev could smell the vinegar tang of his saliva
and was becoming uncomfortable with the
Venetian blinds sticking into his ribs.
Collins too was deflated
by the oily fortnight of human
hair grease banging up his nostrils.
Get up, this
way isn't working for me, said Dev.
Collins leapt to his feet
and pulled Dev up by the hand.
Well it's not well it's not
it's not great for me either Dev
to be honest and plus
whatever about you getting relaxed
I'll need to get excited so what are your thoughts there
I'll have to take your prick in the gob
that's the most judicious approach
that might calm me down too
and we'll be off then
said him and De Valera
plan B so said Collins That might calm me down too, and we'll be off then, said Eamon de Valera.
Plan B, so, said Collins.
The two men moved the procedure to a sturdy writing desk situated near the minibar.
Dev retrieved the small brown apothecary bottle of bergamot oil that he had been using to add body to single malt whiskies and bourbons.
Right, I'll commence a gobble.
When you feel that you can keep your prick up,
you rub a fist of this bergamot oil all over it
and then go straight up my hole when I turn around.
Is the consecution of these constituents clear, Michael?
Tis, Dev.
De Valera dropped to his knees
and took Michael Collins' floppy dick into his mouth.
It was dry, warm and had a rubbery degree of stretch to it.
He began rolling his tongue around the foreskin,
which ushered into existence a slight promise of tumescence.
Collins, with eyes closed, tried to imagine his days back in Soho,
when he would get a two-bob gobble from the East End girls behind the theatre,
with the smell of perfume and talcum rising up to meet his nose as their heads bobbed him to climax.
His mind drifted until he heard a muffled
You're ready now
from Dev.
Collins pulled out and drenched his hands and penis in slick bergamot oil.
The room began to smell very strongly of Earl Grey tea.
De Valera stood up
and climbed on the low writing desk
prone on all fours
with the cheeks of his arse spread as wide as possible.
Now, get in now.
Grab my lad while you ease in.
Tug it like you're ringing the bell to stop the tram.
About that speed to dilate my hole
Collins obeyed instruction
like stone penetrating cold wax
he forced his dick into Dev's arsehole
ah go handy go handy
screamed Dev
you'll have to just take it
whatever way it comes Eamon
I'm concentrating on staying hard
said Mick
throw the rest of the bergamot oil at it
loosen it up
Collins poured oil on the slow thrusting penis
and his pelvis slapped against Dev's hoop
like an open hand
on the hide of a cow at Mart
tell me I'm George V Dev
what?
tell me I'm George V
and you're her highness Mary of Tech
and you want me to fuck you
I'll fucking lose my horn if you don't
Come on
You're George V
Fuck me, Your Highness
Tell me you're Mary of Teck
I'm your devoted wife, Mary of Teck
Make shite of me
I will
Tell me what you want me to do to Ireland
Tell me
I want you to crush them, my powerful king.
Crush the ungrateful Irish swine, your highness.
More.
Starve the people of Ireland.
Let their children die.
Send in the soldiers to kill their leaders.
Who?
Michael Collins, George.
Send the finest soldiers in the empire
to murder Michael Collins and drag his mutilated corpse through Saxville Street on horses.
As a message to the Hindu and the Arab who dare to follow his example.
A dark presence descended upon the room which seemed to strip it of air or smell or time.
De Valera's rectum rejected Collins' penis as it began to close over completely.
De Valera's rectum rejected Collins' penis as it began to close over completely.
A deafening roar, like a distant bell, shook the parlour
and knocked all photographs of the Cairo gang off the wall
where they were stuck.
De Valera's torso lit up with an intense glow
as if he had swallowed the bulb of a lighthouse.
It's happening.
It's working? Is it?
It's happening, Mick.
It's the hand of St Berthold,
acting in vicarage of Our Lady's Immaculate Heart.
The conception of my womb has begun.
My arse-child pregnancy has started.
The room returned to normality.
Both men sat sweaty and naked in the dark,
while the overpowering stench of bergamot oil
in the hot clammy sex air.
I'll open
the window, said Collins,
who lit up a sweet Afton cigarette
while looking out over the darkened Dawson
Street with mixed emotions.
He felt comfortable
with having had sex with his good friend
and president. It was a new experience
and had opened sexual horizons for him
however
his mind poked at the open sore
that was his climactic vision
of being King George V
raining down a fist of steel
on the poor Irish people
who Collins had worked so hard to liberate
why did such a contradictory
window of voyeuristic power
excite him sexually in that way?
Why had this part of him laid dormant for so long
before emerging tonight?
Why did he associate colonial brutality
with heightened sexual arousal?
He began to feel an empty loneliness
for having the burden of such internal revelation
and also for being
unable to express it to another soul. Not even a priest in confession, he felt embarrassed
for having discovered this fantasy in the presence of his comrade, De Valera.
It's kicking already, Mick. De Valera sat on the edge of the writing desk, wearing a
shirt and holding his back.
De Valera sat on the edge of the writing desk,
wearing a shirt and holding his back.
Mick, I can feel it in my back.
They've started to grow already.
Make me a Mai Tai.
What? Are you serious already?
It's a speedy womb I have, Mick.
I'll be showing in the morning, with the help of God.
I'll have a litter of about sixteen.
That gives us a clear error of margin if one of the assassinations goes awry.
My ties, please, Michael. We need to
celebrate.
Collins opened up the minibar.
Dev, you're the man for the drinks. Can you not make it
yourself? I'm pregnant in a bad
way, Mick. I'll tell you the recipe.
Reach up there to the cupboard
and fetch those two tiki glasses.
They're the brown ceramic ones with the design
said Dev
Collins fetched both vessels
which had a type of Polynesian or Maori design on them
almost like the sculptures of the giant heads on Easter Island
we'll do a poor man's version Mick
you wouldn't have the skill for the shaker
half the juice of a lime into each glass
teaspoon of the almond or yatch syrup.
Then two shots of the white rum.
Collins followed
Dev's instruction to a tee.
Now this bit is important. Lob in
a teaspoon of the
demerara sugar into each glass.
Give a small stir and fill
up three quarters ways with the crushed ice.
Alright, is that
looking okay? Said Collins.
Tis. Now the last
bit, a dash
of the blue curacao. It's the
orange smelling stuff. And on top of all that
a nice generous slurp of
that dark Jamaican rum.
A straw in each, a slice of
pineapple and a few of Erskine's
cherries. Dev said
with a cheeky wink. Ah Jesus Dev, not Erskine's cherries. Dev said with a cheeky wink.
Ah, Jesus, Dev, not Erskine's cherries
again. He'll box you into the face.
Michael scolded at his
president. He wouldn't hit
a pregnant man, Mick. Not even
Childers would chance that.
Both men laughed and sipped their
Mai Tais.
So how is this going to pan out,
Dev? Over the next few days, I'll grow bigger and bigger as the arse children develop.
I'll start to grow a bump on my back and will only be able to situate myself on all fours.
As you saw, my anus has closed up completely.
It will remain like that for the next week.
So a liquid diet is essential.
It will remain like that for the next week.
So a liquid diet is essential.
I suggest daiquiris, white russians, negronis and the odd old fashion to balance it out.
I'm not complaining, Dev, but that's a full-on job.
Could we not, like, get a few of the men to chip in?
No, Michael.
The men must never find out.
This is an immaculate conception.
It's like quantum mechanics.
Have you heard of that?
It means the incubation can only exist when it's not being observed by an unfaithful party.
It is imperative that only you and I stay in this room for the week.
No one must find out about any of this.
What will I tell the men?
I'll instruct the doll to take the week off.
You'll tell the squad to prepare for assassinations as normal.
They're all just...
They'll think the two of us are preparing to take out the Cairo gang.
And we're sorting logistics. It'll be grand.
I'll need you here, Mick.
We can communicate to the outside world with the telegraph.
This is our bunker for the coming days.
Collins raised his palm towards his face
and moved it in a wiping motion
from his nose to his chin repeatedly
in internal disquiet.
He was impressed with the level of foresight
and planning that Dev had envisioned
for the birth of the Irish children.
But sure then again he'd been preparing for this day for many years.
What is it, Michael? You're looking a bit shook.
I said some stuff, Dev, while we were conceiving.
I said some stuff about King George V,
about wanting to be him and to crush our countrymen.
And I played along and pretended I was the Queen, so what?
It frightened me
It frightened me to have gotten such
sexual pleasure off that role play
It frightened me that I had
that I had that inside myself
Have you ever heard of a man called
Fried Michael?
I haven't met his acquaintance, no
He's an Austrian man, a psychologist no less
I've read his work in journals.
He has very interesting things to say about
sex. He says we all
have these deep, dark urges for
murder and writing.
And that we keep them locked down.
Because they are too frightening for us to think
about. That if we could
think about them, we'd go stone mad.
So they
find other avenues to express themselves that are more acceptable to us.
How does that explain my urges though, Eamon?
Well, Mr. Fryde reckons that the desire to kill and the desire to have sex are very closely linked in our minds.
It wouldn't surprise me at all that a great leader and patriot such as yourself
would get sexually aroused by the potential for
absolute power.
There's an eroticism to the control one
would have in that situation.
But I wanted
to destroy my own people, Dev.
I wanted to be an arrogant bastard of a
king. Mick,
I would imagine that your repressed
desire to murder your countrymen
has sublimated itself into an organised passion
for destroying the colonial powers of the British Empire.
As a defence mechanism, that would be my verdict on the issue
based on the work of Mr Freud.
But does that make it right, Dev?
When Ireland is a free country, then it'll be right.
And damn any man who says otherwise.
Sure, fuck it, Dev.
Now here's me thinking I'm a freak, you know.
And you sitting there with arse children
growing out of a womb in your bowels.
You're correct as usual.
Get up the yard to feck.
That night the two men fell asleep
in the offices of Dáil Éireann
in the mansion house on Dawson Street.
Collins experienced very intense
and strange dreams as a result of
uncovering hidden and threatening
material from his sexually repressed
unconscious mind.
He awoke with a splitting cocktail headache
and the morning sun stinging his eyes.
In his ear he heard
very heavy breathing.
As he looked up, De Valera was laying on his side with a tumour of roughly two metres protruding from his lower back,
which was veiny and translucent.
As he inspected closer, he could make out tiny shapes like pupae, their little veins and beating hearts.
These were the Arse children.
De Valera's face was strained and red as he attempted to puff out words.
Vermouth. Hold on. Vermouth.
Collins fixed a glass of French Vermouth, which he poured into Dev's mouth.
Dev's back pulsated ecstatically as the alcohol flowed around the spine sack
and into the arse children
There was a knock on the door
It was Cothell Brewer
I've a dispatch for you General Collins
Not now Cothell
Myself and Dev have important business here
Go home for the day
said General Collins
But Mick
It's about the movements
of the Cairo gang,
Brewer exclaimed.
Go home for fuck's sake and await
our next orders, Cottle.
We have it under control in here. Tell this squad
to stay away from Darlaren
unless there's news of a raid by Dublin Castle.
Will do, Mick,
said Brewer, as he
descended the staircase
and left through the front door
Dev
if your back is the size
of a sow after one night
what will it be like after a week
brandy or
port please Mick
as the week passed the pregnant
tumour on Dev's back grew to be
several metres long
by day five it was the
length of three men and two metres wide. De Valera's fragile body was merely a brittle appendage
on one end of a bulbous, translucent sausage-like mass. The arse children began to take shape and
had little scrunched faces and black eyes as they kicked and grabbed at the skin of their gigantic womb.
When one moved, the rest would follow
and the whole addendum would undulate like a sick lung.
This would cause De Valera to groan in intense agony
and the acidic green bile would trail out his mouth
as his internal organs pressed against his ribcage.
It was upsetting for Michael to watch this happen to his dear friend. Collins began to cover the appendage
in warm, red cotton towels, as this kept the arse children docile.
As acting Minister for Finance, as well as General of the IRA, Collins was growing concerned
with the amount
of Ireland's petty cash that he was spending on liquor and cocktail ingredients, which
were delivered every evening by van. New bottles of spirits arrived in crates at the back door
of the mansion house, when the previous night's empty bottles were left for collection. The
Arsht children had inherited De Valera's appetite for tiki cocktails. Collins
had developed significant skill in churning out several Mai Tais and Singapore slings at a time.
Eamon's face was frozen in petrified misery as Collins poured drink after drink of sweet
alcoholic mixtures into his mouth to satiate the pans of the shit litter.
The room also smelled very strongly of faeces.
Dev's rectum had closed up at conception and would not open again until the moment of birth,
resulting in a backlog of excrement that acted as an amniotic fluid.
It did, however, leak into De Valera's bloodstream,
where it was expelled as breath and sweat that smelled like an open sewer.
By day seven of gestation what was left of Eamon De Valera
was merely a solitary face
protruding from a pulsating mass of thin flesh
that had taken up 80% of the boardroom.
Collins had come to realise that the pregnancy
was going to most definitely kill Dev
if it was allowed to go on one more day. He recognised that these arse children were a parasite who would likely
feed upon Devalera when born, like the offspring of spiders. He searched the mass of skin for
his friend's face, which was now just an unfamiliar arrangement of mouth and pupils
in a wall of flesh.
I can't watch you like this, Dev. This is killing
you.
I'm cutting them out to save you, Dev.
I don't give a fuck.
It's you or those children and I'm choosing you.
If giving birth to them
means you dying. No!
I'm doing it, Dev.
I'll take a blade to them.
No, you must never abort.
Ireland will not succeed
without these children.
Let me die.
I can't, Dev.
I'm cutting them out.
If you cut them out prematurely,
they will die, Michael.
And all is for nothing.
I must die
for them to be born
I kept this from you
as I know
you would not cooperate
let me go
for Ireland
Collins burst into uncontrollable tears
at the agony his companion was experiencing
do not cry Michael He cried in horrible tears at the agony his companion was experiencing.
Do not cry, Michael.
These children will save our nation. Let me go.
Collins raised his hand to his forehead and saluted his president for the last time as life slipped from de Valera's open eyes.
The twiggy remains of his hands and legs went limp and floundered.
At that, the appendage thrashed and bounced,
as the rectum at the end burst open with a flurry of slurry that spilled on the carpet.
Collins pulled the sleeves of his shirt up to his elbows
and proceeded to deliver the arse children at the request of his dearly departed friend and ally.
quest of his dearly departed friend and ally. One by one they burst forth and started to gorge on the shit and skin of De Valera's 15 meter stretched body. Each arse child was roughly two foot in
height. They were round like Gaelic footballs with skin like dry cured pork. They had tiny legs,
no bigger than carrot stumps and full-sized human hands.
Their scrunchy faces bore an uncanny likeness to both Collins and De Valera.
They waddled around the room, not forming words or even vowels,
but bleating melodic noises that sounded like West Cork accents as heard through a locked door.
There were twelve in total, slightly less than Dev had hoped for.
One to perform the duties of every member of the squad.
That night, as Collins fed them all drink, he showed them the addresses and photographs
of the members of the Cairo gang. They seemed to have a sense of deep understanding and
determination about these instructions, and were quite clearly natural-born killers in
every sense of the phrase. They swarmed around the room in geometric formations, and were quite clearly natural-born killers in every sense of the phrase.
They swarmed around the room in geometric formations,
and communicated positions and instructions to each other.
Only a few hours old, they were behaving like commandos,
who were highly experienced in all areas of military and counter-insurgency tactics.
Collins began to feel less heartbroken about de Valera's death,
as he realised that it was steeped in purpose and meaning.
He was sure that the Arsht children would complete their mission with brutal efficiency.
Collins issued dispatches to every member of his squad which detailed the cancellation of the following day's planned assassinations of the Cairo gang.
The squad were to remain in allocated safe houses
with nobody,
not even their wives or families, to know of their whereabouts. The next morning at 6.30am
the Arsht children were fitted out in the dog pelts that Dev had prepared, tailored and left
in the attic of the Dáil. Colt M1903 hammerless pistols were placed in each of their hands and
hidden under their pelts.
What looked like a pack of wild terriers left the door of Dawson Street to let a river of blood flow through the cobbles of Dublin City on the morning of 21st November 1920.
Michael paced around the empty boardroom and retrieved De Valera's flattened and rubber-like face
that he had saved from the hungry mouths of the arse children.
He took his old friend's remains to the back garden of the mansion house,
wrapped them in De Valera's Carmelite robes
and said a short prayer to St Berthold
before issuing an unmarked burial.
As afternoon commenced,
the news of the assassinations travelled quickly around the empire.
They had shaken the Brits to their very core. The British were unable to fathom how the IRA had not only identified their
crack team of Cairo gang members, but killed every one of them in their homes in the space of one
morning. In an act of cowardly brutality, the British took their revenge out on civilians.
At 3.15pm
Dublin and Tipperary were due to commence the All-Ireland Gaelic football final in Croke
Park before an audience of 5,000 spectators. A convoy of armoured black and tans entered
the pitch and murdered 14 civilians and injured 70. In the pubs of Dublin, whispers celebrated
the brave men of Michael Collins' squad who had taken out the Cairo gang as glasses were raised.
Men like Charlie Dalton, Sean Healy, James Conroy and Stephen Behan were toasted as heroes.
Songs were sung for the Twelve Apostles.
Collins later told the squad that the real assassins had been a team of American Fenians
sourced during De Valera's last US fundraising tour.
Men well accustomed to the bloodshed of New York gang life.
The squad were to keep this information private in exchange for handsome pensions and secure civil service jobs upon the establishment of the Irish Republic.
The Arsht children returned to Collins that night.
Their eyes blood-mad from the
English lives they had taken. Collins, extremely wary that their existence would be too strange
a burden for Ireland, and even the world to accept, made a swift decision. After they'd
handed back their weaponry and drank celebratory rounds of mojitos, he personally shot each
and every one of them. He burned their little rotund bodies to ashes in the back of the mansion house,
where no one would ever discover the dark cosmic secret that he and de Valera had shared,
except for one man. Stephen Fagan was a tall and skinny character from the Liberties,
a quiet and insignificant volunteer who bore an uncanny resemblance
to Eamon de Valera.
Collins approached Fagin
due to his appearance
and informed him that Dev had accidentally
shot himself with a pistol
but that his death could not be revealed
as it would be too damaging for IRA morale.
Collins offered Fagin a deal.
Collins would hide the death of the real Eamon de Valera
while Fagin would attend O'Leary's pub on Abbey Street that night and inform all friends and
family that he was leaving for Australia the next morning to pursue a vocation in haberdashery.
He would then assume the identity, accent and mannerisms of Eamon de Valera
with which would come an everlasting power over Ireland.
Fagin and Collins started off to a strained relationship
as Fagin did not possess any of the welcoming traits of de Valera.
Collins, in a state of mourning for his friend
would often attempt to prepare Mai Tais and Capra Hinas for Fagin
who would rudely decline as he was a staunch teetotaller
and control freak. Fagin was of little use as a leader or president and took a puppet role,
with Collins controlling almost entirely the orchestration of the ongoing war against the
British. They grew further apart, with Fagin becoming quite comfortable in the role of Eamon
de Valera and the trappings of power that attached the role.
He had, to all purposes, become Dev in his head too,
often walking past the old streets of the Liberties
where he had been born with no sense of familiarity
or recollection of his childhood or family.
He had repressed the identity of Stephen Fagin to his unconscious mind
and completely forgotten that he was anyone other than Eamon de Valera,
born George de Valero to Catherine Call of Limerick in New Jersey, 1882.
A phrase Fagan would replay in his mind perpetually.
This was who he was now.
However, this unconscious repression self-sublimated its energy
into an irrational and bitter hatred for Michael Collins.
Fagin was unaware that this loathing was because Collins was the only man who knew his true identity.
It simply presented itself as an intense anger whenever Collins was present or even mentioned in conversation.
Fagin began to plot and connive the demise of Collins.
conversation. Fagin began to plot and connive the demise of Collins.
The weeks passed and in July of 1921, eight months after Fagin became de Valera, a truce was agreed between the Irish government and the forces of the British Crown. Collins knew
that this transpired because of the assassination of the Cairo gang at the hands of his and
Eamon de Valera's arse children.
He pined for his friend,
imagining his joyous reaction to the news of the war's end.
But Fagan had other plans.
In October 1921, British Prime Minister Lloyd George called for the negotiation of a treaty between Ireland and Britain.
Fagan, having listened to the members of Dáil Éireann,
knew this treaty was a poisoned chalice
because the British had recently partitioned
the uppermost region of the country into Northern Ireland.
A united, independent Ireland was not going to be negotiable.
De Valera was invited to attend the treaty negotiation in London,
but instead chose to send Michael Collins as his representative.
Collins returned to Dublin, having agreed
to the establishment of the Irish Free State,
an independent dominion under
Britain, with the King at its head.
Worse,
Collins, as predicted by
Fagin, had failed to secure the freedom
of the north of the country, which would
remain under full British control.
This caused uproar around Ireland. Collins was demonised by half his men of the country, which would remain under full British control. This caused uproar around Ireland.
Collins was demonised by half his men in the IRA.
Fagin, as devil era, took the opportunity to break with the treaty
and a bloody civil war began, pitting brother against brother,
Fagin against Collins.
The civil conflict ravaged Ireland for several months.
On the 22nd of August 1922, Michael Collins was visiting his home county of West Cork
to inspect recently conquered territory.
He believed himself to be off-limits for assassination in his homeland.
It would have been unthinkable, disrespectful, to bring harm to him in Cork,
even for an anti-treaty enemy.
He was still the great Michael Collins
who brought the British to their knees
De Valera quote unquote
had found his moment
having heard unconfirmed rumours
that men close to Collins
were referring to him as Fagin the Changeling
Michael Collins was shot in an ambush
on the orders of Fagin that day
and Ireland's heart dropped into its mouth.
The sad and brutal death of Collins brought a swift end to the Civil War.
Fagin did not care for either Free State or Republic
and his secret had died with Michael Collins.
He was now free to spend the rest of his life as Éamon de Valera.
He founded the Fianna Fáil political party and spent long hours
poring over the personal diaries of the real Éamon de Valera. He founded the Fianna Fáil political party and spent long hours poring over the personal
diaries of the real Eamon de Valera, which had been kept in a safe in the attic of the mansion
house. These diaries contained musings on Dev's political leanings, his plans for a republic and
his opinions on the Catholic faith in accordance with his time at the Carmelite Order. One such
diary was dedicated solely
to the very specific instructions
around pregnancy, birth and abortion.
It outlined the miracle of conception
as the personal cosmic intervention of Our Lady.
It outlined explicitly that abortion
was to be never carried out,
even if the child of the mother was at risk,
that the survival of the child was to be the carried out, even if the child of the mother was at risk, that the survival of the child
was to be the only factor to consider.
What Fagin did not realise
was that he was reading
coded instructions for the birth
of the immaculate Ars children.
De Valera had prepared these instructions
for Collins in the event that the Ars
pregnancy had rendered him
completely unable to speak.
De Valera, quote-unquote,
went on to write the Constitution of the Irish Republic in 1937.
End of part one.
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