The Daily Stoic - Adam Grant On Hidden Potential And Measuring Yourself Against Yourself
Episode Date: October 28, 2023Ryan speaks with organizational psychologist and book author Adam Grant on seeing things in the context of where they actually sit, learning to be pleased but not satisfied, current sports cu...lture and his new book Hidden Potential: The Science of Achieving Greater Things.Adam Grant is an organizational psychologist at Wharton, where he has been the top-rated professor for seven straight years. His pioneering research on motivations and meaning has enabled people to reach their aspirations and exceed others’ expectations. He has been recognized as one of the ten most influential management thinkers and Fortune’s 40 Under 40. His books have sold millions of copies, his TED talks have more than 30 million views, and he hosts the podcast Re:Thinking.IG: @AdamGrantTwitter: @AdamMGrantwww.adamgrant.net✉️ Sign up for the Daily Stoic email: https://dailystoic.com/dailyemail🏛 Check out the Daily Stoic Store for Stoic inspired products, signed books, and more.📱 Follow us: Instagram, Twitter, YouTube, TikTok, FacebookSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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Welcome to the weekend edition of the Daily Stoic. Each weekday, we bring you a meditation inspired
by the ancient Stoics, something to help you live up
to those four Stoic virtues of courage,
justice, temperance, and wisdom.
And then here on the weekend, we take a deeper dive
into those same topics.
We interview Stoic philosophers, we explore at length
how these Stoic ideas can be applied
to our actual lives and the challenging issues of our time.
Here on the weekend, when you have a little bit more space when things have slowed down,
be sure to take some time to think, to go for a walk, to sit with your journal, and
most importantly to prepare for what the week ahead may bring. [♪ Music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in background, music playing in I've got this author. He has some questions about something. Could you get on the phone with him? And I did. I don't remember why exactly I did, but I did. And I got on the phone.
It was the one and only Adam Grant, who was a great author then and is a huge author these days.
But we kicked it around for an hour. I gave him some advice on marketing stuff. He did a lot of it.
And that was me giving, right, to quote his idea of give and take.
But what I was really impressed by in the year since is all the things that Adam has given
back.
I get an email from him every couple of months.
Hey, this person's awesome.
I think you should meet them.
Hey, this person has a great new book out.
I think you should support it.
And I probably get emails from publicists, even more consistently,
that are like, Adam Grant, blurb this new book. I think you want to check it out. Adam has always
been a super generous advocate and a super generous advocate of other people's work. Even in today's
episode, I had him on the podcast about his new book, you know what he was doing? He kept quoting,
inciting the studies and research ideas from other people's works,
because like me, like Seneca, I think he realizes that it doesn't matter where the idea comes
from, what matters is if it is good, if it moves the needle, if it helps people. And I think
that's a through line, through Adam's wonderful books. He is the writer of originals, option
B, think again, give and take. And he's got this new one, hidden potential,
the science of achieving greater things.
His books have sold millions of copies.
His TED Talks have millions of views
as a great podcast called rethinking.
And he's one of the most influential management thinkers
in the world, he's fortune 40 under 40.
And he's an organizational psychologist at Wharton
where he's been a top-rated professor.
And I think that rating thing, I'm saying he's top-rated.
That's something that comes up in today's episode, something that I took out of this episode
that I'm going to start using for sure.
You've got to check out Adam's new book, Hidden Potential, The Science of Achieving Greater
Things.
You can follow him on Instagram, at AdamGrant, follow him on Twitter, at AdamMGrant.
Go to his website, add Adam M. Grant, go to his website
adamgrant.net. I think we've got a bunch of his books at the Payton Port also, so thanks to Adam
for doing the podcast. Enjoy.
Bit of busy promo cycle so far. The heating up. Definitely.
You know the job.
You were just at the 90 second street, why, right?
We got to next.
Ah, OK, I was there yesterday or day before yesterday.
They told me we'd see that coming or had just come.
I interviewed Arnold Schwarzenegger on stage, which
is a surreal, unusual experience.
Amazing.
Did you challenge him to, to like an arm wrestling contest?
I absolutely did not. I just figured I'd lose. So even though it was also, you know, he's 76.
Like in my mind, he's just the same age all the time. I picture him like, he's aged a little bit.
He's like 48 now, right? Yeah, exactly. Well, this is awesome.
Okay, so I wanted to start with,
there's this Greek expression,
I'm sure you heard it when you were working on the book,
but there's this Greek expression
that character is fate, right?
Or the other way of rendering is that character is destiny.
And I have found that largely to be true,
especially with other people.
And yet, what we write about, to be true, especially with other people.
And yet, what we write about, what we do is predicated on the idea that character can change.
So how do you think about that?
Well, leave it to Ryan Holiday
to begin by quoting the ancient Greeks.
I would expect no less.
That's my job.
I love it.
Yeah, I guess I have trouble with any argument
than anything is destiny, because it
robs us of our agency and self-determination.
I think my view on character has evolved.
I used to think about it as a set of principles.
Now I see it much more as a set of skills for translating your principles into practice.
So I think that in that sense, if you take character as a set of learned skills for enacting
for you, as opposed to just sort of claiming it, I guess you could say, I don't know,
Destiny or Fate is still strong to me.
I would say it has big consequences
and those consequences are underappreciated.
What do you think?
Well, I would certainly agree that character is predictive
in the sense of like if you are trying to look at someone,
like investors talk about this, right?
Are you looking, are you betting on the idea
or are you betting on the founders?
And I think most investors talk about how
if you find great people,
eventually those people will succeed.
Perhaps not on the first iteration of the idea
or even that idea as a whole, it'll change and adapt,
but if you found the right people,
eventually they will be successful. And so I think of character in that idea as a whole, it'll change and adapt, but if you found the right people, you know, eventually they will be successful.
And so I think of character in that sense as being predictive.
Like if someone has the skills, if someone has the values, if someone has the commitment
to being a certain way, more often than not, that's going to determine where they're
going to end up.
And I think that's actually not a contradiction to agency in the sense that
you decide what you're going to cultivate and that determines who you're going to be.
Right? It's like that Churchill line about how we shape our buildings and then our building
shape us. It's like we shape our character and then that character shapes, you know, sort of who
we're going to be and what we're going to do in big situations and small situations.
Very well put.
I would agree with that.
But at the same time, I also see like when you go in sports, like, is the kai reurving
experiment in Dallas going to work, I would say no because it hasn't
worked anywhere else because that character is that character, right?
And I'm not even making a judgment on him as a person necessarily, although he has said
and done some important things. I'm saying more like, he's a guy where drama and conflict and ego follows.
And so wherever he goes,
that's what will follow because character
is destiny and fate in that sense.
Yeah, that's really interesting.
So, I'm tempted to wax poetic on Kyrie
and what impact he's had on head on these things. Please do. But no, but let me broaden out a and what in fact he's had on had a piece too, but
But no, but let me let me broaden out a little bit and say there's evidence on this
so
There's a study of NBA teams
Looking at what happens when you put a narcissist on the court
And it turns out that the more narcissists you have on your teams the
On your team the more likely your team is to stagnate
over the course of the season.
So the average team improves,
teams with a lot of big egos don't,
and that's especially true if you have a narcissist
in the point card role,
who tends to control the flow of the game.
So I think it's fair to say that if you have somebody
who puts their own ego above the team's mission, that particular deficit of character is going to wreak havoc on the
group. And whether that's true of Kyrie, I will leave it to the basketball
analyst to judge.
Well, no, you said leave it to Ryan Holliday to quote the Greeks, leave it, of
course, to Adam Grant for me to make an off-handed sports observation. And you
have an exact study that confirms or contradicts that very idea.
That's amazing.
Well, I mean, it's in the job description, right?
But credit to Emily Grihalva and her colleagues for doing that study.
It's amazing, by the way, I should say.
It was so clever.
They actually coded player narcissism by coding their tweets.
So they found, lo and behold, it turns out that some players
write things like, when I look in the mirror, when I see staring back at me, it is greatness.
And different Raiders agree on what tweets signal narcissism and then also,
you know, if you had a shirtless photo of yourself on your feed, that was a signal that
you were pretty special.
And the fact that you could take those data points
and learn something about people's character
and then track the growth or stagnation
of their teams based on that,
to me that's astonishing.
It is fascinating.
And I think about this,
like, is it the problem of the individual athlete?
So you bring on a narcissist
and is that narcissism then contagious or actually, is it something much more simple where
it's the organization saying by hiring this person and then tolerating that behavior saying,
hey, this is an environment in which narcissism is acceptable, right?
So is it, I think this is actually what you see when, you know, when a team makes an exception and brings on Antonio Brown or brings on, you know, someone who's been, you know, recently arrested or gets in trouble all the time or it hasn't worked in every other place they've been, you know, is it actually that person that is the problem
or is it the organization stating its values and principles?
Saying, hey, we've always talked about being a team
of culture and doing the right thing, et cetera.
And then now this guy who just got arrested
for domestic violence is cheaper on the market.
So we're gonna go ahead and take advantage of that opportunity.
You're now saying something about your character as an organization.
You think about the Cleveland Browns and the signing of DeShon Watson,
giving a guy who was just caught up in some really nasty, gross,
exploitative stuff, the largest guaranteed contract in the history of football.
That's also making a statement about the values far more than
Dishon Watson specifically would be doing.
I think it's a really good distinction,
and I think there's a case to be made for both.
So I think empirically,
the study I just mentioned clearly supports the former.
So there seems to be a spillover effect
of the player's own ego or lack of character on the rest of the former. So there seems to be a spillover effect of the player's own ego or lack of
character on the rest of the team. So one of the reasons the team's with a bunch of narcissists
or narcissistic point guards don't improve is that they struggle to coordinate. So the
narcissist hogs the ball, you have a lower rate of assists, their plays get predictable,
and you can track that in the data. I think what you're pointing out is probably a longer term risk,
which is that a signal is being sent about what the enacted values are,
which are different from the espoused values.
So we say we stand for one thing, but we don't walk our talk.
And over time, that means that players who have strong character
are less likely to want to join the team.
They're less likely to want to join the team. They're less likely to want to stand the team.
Their influence is stifled.
I had an interesting conversation with Mark Cuban
about this.
We were talking about chemistry and culture
and these dynamics.
And he said, look, you can have one knucklehead on a team,
but not two.
At least, in basketball.
I can reign
in one narcissist, particularly if I have a strong captain or if there's a star or a role model
that everybody else looks up to who's going to stand for a different set of principles.
What I can't do is contain the influence of two of them because then they start to take over the team.
I have noticed that with the sports teams that I've gotten to know are the coaches that
I've talked about, talked to.
There is, it's probably both a virtue and a vice that people in sports, especially the
higher up at the different levels you get, they get really good at accommodating, adjusting
for weird personalities, right?
Because talent is so often coordinated with,
you know, other extreme issues or personality traits.
You know, I'm impressed in some other cases,
dismayed with their ability to sort of see that person
to isolate different personality traits. with their ability to see that person,
to isolate different personality traits, like whereas me as a human being,
I go, that guy sucks, right?
Or that I hate him or her
because of this thing that they did.
But because I don't need anything from them
in the way that a coach needs something from them,
and I'm not scouring the talent market,
I don't need to sort of compartmentalize
the way that sports teams need to do.
And I've always found to sort of in the talent world,
managers and executives ability to compartmentalize
is really interesting.
Well, it's interesting that you call it compartmentalizing
because I wonder if there's a different way to frame it.
So one of the things I've learned
from personality psychology over the last decade
and a half or so is that most of us talk about people
in terms of their traits.
So, you know, we can call them in on one player
whose character we admire, you know, being full of grit,
discipline, determination, pro
activity, being pro social, putting the team above self, and then other players maybe
lacking those qualities.
But one of the things you see is that over time, as people get to know someone up close,
so if you think about teammates with each other or a coach with a player, and this is true
also in our own work lives, in our own friendships, even in our marriages
and relationships between parents and kids.
The better you know someone,
the less you see them in terms of their static traits,
and the more you see them in terms of if-then signatures.
So instead of saying this person is lacking grit,
you would say, well, I noticed there are certain
situations where they're extremely tenacious and persistent and others where they seem
to be lazy and my job is to figure out the if that brings out the then that I want.
And I think that that's a lot of what coaches are trying to do. They're trying to say, look,
character skills can be situation specific. If I change the situation, I can activate some hidden potential
that was not visible to a lot of people in this person. So the sports example that comes
to mind for me is something Joe Dumeric did on the pistons first with Dennis Rodman and
then later with Rashid Wallace. And what was neat is he got to do this as a team captain
and then as a general manager. I think the sheet example is the
the clearest one. So, you know, Wallace would commit a technical foul in the second quarter and
and then, you know, sort of everything goes downhill from there. And then occasionally he would just,
you know, he would sort of flame out toward the end of the game and blow a game for the team.
And Dumaer sat him down and said,
listen, I just can't have you committing a technical foul
in the fourth quarter.
If you need to let off some steam earlier in the game,
if you lose it in practice, okay,
but this is the boundary I'm setting.
And that was trying to set some,
I guess some ground rules in place to say, look,
he does have the capacity
for self-control.
It's not easy for him to exercise willpower every moment.
So let me try to focus and channel a little bit.
Let's get the best of him in the fourth quarter.
That's when we really need him.
I think that kind of thinking is probably less common than it should be.
Yeah, that's true. is probably less common than it should be.
Yeah, that's true. I guess where this all comes back to sort of real life,
the version of this that we do,
is we go, I can fix him or her like in relationships,
like yes, they've cheated on me a million times
or yes, they treat me poorly,
but I can fix them. They can change,
right? Or the person part of what part of their sort of cycle is they do stuff and then they go,
I'm going to change. But then, you know, for the most part, people don't change. And so where
character is this tricky thing is like, for the most part, you know, we're probably fooling ourselves. If we tell ourselves that this person at 52 years old is going to become a
transformatively different person, you know, their past behavior is probably going to determine
their future behavior. And yet, as individuals, we want to and need to be able to believe
that we as a 52 year old can get our shit together.
We can stop drinking, we can lose weight, you know, we can start pursuing our dreams, we can become less,
you know, intimidated, whatever it is, it's like this idea that I guess this is also a little compartmentalization.
We have to be sort of pragmatic and realistic about other people and yet we want to believe and
need to believe deeply in our own agency and ability to change or else what point is there
and waking up every day?
Well, that is a paradox for sure.
I think though that the fundamental problem is that we forget it's not that other people
are unwilling
or unable to change.
It's that they rarely want to change
in the way we want and at the moment we want.
Yes.
And so we confuse the fact that we're bad at motivation
and persuasion when it comes to other people
with the conclusion that people don't change.
And the reason that you can, I think, maintain the belief
that your capable of change is that you have full control over your own behavior unlike
other peoples. And you also persuade yourself with reasons you find compelling.
Like every time you make a case that somebody else should change, you're
actually persuading someone else, which is you, and you're listening to someone you already like
and trust. So I think the big question that raises then is, given that we only have control
over our own character, how do we develop it? And I guess when I was writing hit in potential,
there was an almost endless list of character skills we could have dove into.
I was sort of overwhelmed by, okay, where do you draw the line? Which ones are important?
Which ones aren't?
And what I did was I ended up reviewing the evidence on the character skills that are
most important for sustained growth, for allowing people not just to achieve their performance
goals, but to maintain progress over time.
And there were three that stood out in the research over and over again.
And I've come to think of them as seeking discomfort, being a human sponge, and becoming
an imperfectionist.
And I think these are skills that we can develop at any age.
The evidence is clear that we can even teach entrepreneurs in their 40s and 50s to embrace these skills
and that their businesses actually grow at faster rates when they learn them. And we can
talk more about that. But I'd love to dig into seeking discomfort and being a sponge
and being an imperfectionist a little bit and see where you come down on these because
I think there's some stoic overlap.
Well, I agree. And I would say I think you actually, you actually just there gave a pretty good definition of stoicism or at least practical stoicism when you said, we can't control other people's
character, but we can control our own. And so we might as well focus on that, on improving ourselves, which to me, you know, there's this idea that stoicism is kind of pessimistic and that we kind of make certain assumptions about other people or we resign ourselves to certain facts about the world.
But I actually think it's paired with a kind of an optimistic view of our own agency sort of inside that. So it's this idea that, hey, I don't control other people,
but I control how I respond to other people.
You know, I don't control what's happening in the world,
but I control who I'm going to be inside of that world.
I think there's something really great about the idea of like,
look, I'm going to leave other people's character to themselves,
however they want to do it.
And I'm going to assume that I have
a pretty good sense of possibilities inside my own, and that's where I'm going to spend
the vast majority of my energy.
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I think that makes a lot of sense and I think, you know, at some level, it's the best way to influence other people anyway,
which is to manage your response.
Of course.
Yeah, I mean, that goes to the culture thing we were talking about earlier, right?
It's like the handful of cases where you have seen a problematic athlete thrive in a new city
or a new team, it's usually not the environment where the whole system is revolving around
them.
Right?
It's usually they are plugging into a strong culture, a strong system, you know, a strong
tradition or legacy, and they're
subsuming themselves in something larger than themselves.
And they are watching those ideas be modeled by their teammates and everyone else in the
organization.
Exactly.
And I think what's unfortunate for the rest of us is that most of us don't have the chance
to plug into that kind of system. And so we have to create it for ourselves. And I think some of that, you know,
is the direct work of building character skills. And some of that is being able to
piece together the coaching and mentoring that you need to fill gaps in your own knowledge and
expertise, which is not not quite as complicated as I think it feels in the moment.
is not quite as complicated as I think it feels in the moment. Well, let's start with embracing discomfort,
because I would agree,
most good things are on the other side of work
that you're willing to do or risks that you're willing to take.
And I could see how that is a predictive character trait.
A person who is seeking out new things,
new situations, new opportunities, they are going to grow more, a person who is seeking out new things, new situations, new opportunities
they are going to grow more than a person who sticks with what they know and where they're
comfortable.
Yeah, I think, you know, it's often, I guess a lot of people have made the point in various
ways that discomfort is necessary for growth.
I think what we overlook there is there's a knowing doing gap.
So we may all recognize that that's true, but we don't put ourselves in enough uncomfortable situations.
We don't do it often enough, we don't do it intensely enough to really move the needle on our own learning and development.
So maybe to take a personal example, when I was a teenager trying to become a springboard
diver, despite a severe lack of talent, you know, I would come out of the water and my
co-charic best would give me a change to make, and I would probably make 10% of the adjustment
that he would ask for.
And I wouldn't make a bigger change because it felt too uncomfortable.
You know, I think a simple example would be
when learning to do a reverse one and a half,
so you jump off the board forward
and then you do a backward flip and a backward dive.
I would have my head back trying to see the water behind me.
So that would land on my head as opposed
to a back smack or a belly flop.
But if your head is back, you can't get into
the smallest ball and that slows down
your rotation, and so you don't make the dive as well. And so Eric would say, put your head in.
And what I would do is go from leaning my head straight back to maybe tilting my chin down a tiny bit,
but I'm still in this wide open position instead of in a tight ball. And after watching me do that over and over again, Eric would say, make it feel wrong.
You have to make it feel wrong in order to get it right.
And I was so caught up in the idea of not feeling uncomfortable that I wasn't willing to
make the correction.
And I think what I learned through that experience is that most of the time when people give us constructive criticism or even coaching, we overreact to it. And then we under correct because of the discomfort.
And if instead you can say, I'm going to over correct, I'm going to take the feedback to heart and do the most uncomfortable version of this, then I may actually miss the mark, but at least then I can find
the sweet spot in the middle, whereas if I'm constantly undercorrecting and avoiding
this discomfort, the progress is going to be much more incremental and I'm actually
going to stunt my own growth.
Yeah, it's like you're getting zapped for being over here.
So then you go over here and you're getting zapped.
So the person's like, I'm just going to stay over here.
I'm not going to, I'm not, I'm not, you, I think you're worried about overcorrecting because by definition, it implies needing to
be corrected again. Yeah, it definitely implies that. And it's also just uncertain. It's unfamiliar.
I don't know what that's going to feel like. I, you know, in the diving case, I might get lost in
mid-air. I might, you know, this might really hurt. And I don't
want to, I don't want to have to grapple with, okay, it's either bad or it's uncertain.
Like, both of those are undesirable. What I'm overlooking is that if I keep undercorrecting,
then I'm never going to make a fundamental leap. No pun intended. And that, I think, stands
in the way of progress.
Well, one of the tricky things about this is like when you're younger and when you're earlier in your career, people have more power and control over you. Right.
So you have teachers, you have coaches, you have your parents, you are constantly
sort of submitting for approval and needing approval to do what you want to do to get to the next level.
But the sort of paradox of success is that you get more and more autonomy, more and more independence, more and more control.
And we tend to spend that capital that we've acquired on comfort, right?
Like I was just thinking about this as I've done all my books with the same publisher
and my editor at that publisher
is now the publisher himself.
So basically nobody can tell me
what to do with my books anymore,
which is something I thought I always wanted, right?
In the sense that I don't like it when someone says,
do it this way or I don't like this.
I didn't like, you know, getting tons of notes back on every man.
You scripted having to fight these battles about what I wanted to say and how I wanted
the book to be and look.
So as I've succeeded and sold more and more books, that has gone away.
But that also puts you in the pleasant but also dangerous situation of having fewer guardrails
and checks and fewer things that challenge you
and you get better for making that challenge.
So I've had to, now I'm now in the process of going,
okay, how do I bring in coaches or outside editors
or more feedback to compensate for the fact
that my success has afforded
me less feedback and more comfort.
Well, I think the mistake that a lot of people make in that position, and it's a fortunate
position to be in, so congratulations Ryan.
It's a luxury that very few people get to enjoy the comfort up, but I think the mistake
that a lot of people make in that position is they realize, okay, I need feedback.
And they start to ask for it.
And then they end up with basically two categories of useless information.
They end up with a bunch of praise from cheerleaders who are only celebrating their best self.
And then a bunch of complaints and objections from critics who are only attacking their
work. We're self. And I don't think either of who are only attacking their work. Sure.
We're self.
And I don't think either of those are conducive to growth.
I think what you want is not a cheerleader or a critic, but a coach, which is somebody
who recognizes your hidden potential and then helps you become a better version of yourself.
And the big question is, how do you get someone to coach you?
That's the hard part, right?
You can ask an editor to do that,
but you might get a bunch of praise
or a bunch of criticism as opposed to a bunch of development
and the research that I've been reading on this
has a really simple and useful technique,
which is instead of asking for feedback,
start asking for advice.
When you ask for feedback,
people evaluate what you did yesterday.
When you ask for advice,
they tell you what you can improve tomorrow. And it's, it's a, I think it's probably more powerful than a lot of people realize
because we're usually in the habit of assuming that whatever people tell you about your
existing work is going to feed into what you're going to be able to develop as you move
it forward. But it's a very different question to say,
evaluate what I've done and tell me what's right about it
or wrong with it, then it is to say,
well, what suggestion do you have for me?
And I think it's much more actionable
to frame the question that way.
So, curious about whether that's how you've approached coaching
or whether you have other ways to get people
to give you a useful input.
Yeah, I often ask people when I send them my books, I go, what do you think I should cut?
What isn't doing it for you? Where do you feel like it's dragging?
It's not helpful for me to hear, oh, it's great. I love to all of it. That's not information I can
do anything with. And so it's not that I'm exactly looking for criticism
in the sense that I can, I'll get random criticism
from people on the internet that don't like me.
I think you're right, that's a useless category of criticism.
But I do want to be challenged.
I obviously think it's good or I wouldn't have written it.
So it's helpful for me to hear from people
what they think isn't up to the same level or standard
because maybe they're right, maybe they're wrong,
I'll have to make that calculation.
But I wanna hear more about what wasn't working for them
and that's uncomfortable for me
than it is to hear about all the things
that were going great for them.
And what you're doing here is being a sponge, which I love how naturally you
segue it into the second character skill. I think a lot of people, the image of
a sponge conjures up this idea of absorptive capacity that I just, you know,
I want to soak up every piece of information that's available to me. If you
study C-spunges as everyone should do, clearly. What I think you find
is that they're not just good at absorbing, they're also good at filtering out harmful particles
and keeping in nutrients, and that's part of how they survive. And I think that in the process of
trying to learn and grow, we all need good filters. So you just described one example of a filter,
which is you're seeking targeted advice. You're worried that the book is either too long or there's content that's
not going to resonate. And so you want to know what should be cut. And you're asking people
basically to filter for you in that sense. You could also think about filters in terms of,
what are your sources credible on? So there are some people that you're probably going
to go to for insight on your sports examples who are not going to be quite as qualified
on the entrepreneurship ones and vice versa. And I don't think we're nuanced enough when
we think about getting feedback. We tend to sort of weigh all opinions equally as opposed
to saying, how well does this person know the content? How also well do they know me and my goals or my audience?
And then some of those perspectives can be discounted.
Others are going to be much more relevant.
Yes, that's right.
I think about this with people getting advice from their parents.
And now I think about it now that I have kids is like, the number one goal of a parent is
to keep their child safe.
So when you're asking your dad for advice
on what you should do with your career or whatever,
at the end of the day, you know,
they're not thinking,
how do I help my son or daughter maximize their
fulfilling their potential or maximize for happiness?
You know, at the end of the day,
their advice is usually gonna to be colored by,
how do I make sure that they're OK?
And so that's really helpful advice.
But you need to counterbalance your parental safe advice
with the advice of a mentor, the advice of your friends,
the advice of professors, et cetera.
You've got to understand the agenda,
and I mean that in a positive way,
the agenda or the priorities
of the people that you are consulting about this thing. Yeah, I think that's, gosh, it's amazing
how common this is for parents to give advice that's essentially avoiding downside risk and missing
out on upside potential. And I think the hard part is that there's not one metric for a potential.
And so you often don't know what's the opportunity cost here.
Given that I might have lacked talent in this area today or this task is hard for me or I haven't
achieved success yet, is that a good predictor of where I'm
going to go in five years? I don't know. And I think this is probably one realm in which it's
helpful to have in addition to coaches some judges. So what I want in a judge, and this comes right
out of my diving days, and this is the last diving example I will give you. I promise is,
days and this is the last diving example I will give you. I promise is I found it enormously helpful to every time I came out of the water just to get a score zero to ten. And when I
transitioned from sports to the world of work, I was like, where are the judges? I don't know
if this is any good. And so I started asking people, I would give them drafts and just say,
can you rate this zero to 10? And then I started doing it when I would give speeches too.
I'd come off stage and just say, what was your score? Zero to 10. And then my job, whether I got a
three and a half or a seven, was to ask, how can I get closer to 10? But also, I was taking that
information as an indicator of how close to my potential am I here?
If somebody gave me a 3.5, that's a sign that I either need to make a dramatic overhaul,
or maybe I'm not quite in the realm where I have the highest possible ceiling on what I'm capable of achieving.
If I got a bunch of six and a half sevens,
I feel like I'm in the ballpark, I can tinker more,
and I'm not completely missing the mark
of where I'm focusing my energy.
I think a lot of people don't ask for that kind of judging
because they're afraid of the answer.
And the thing to remember there is,
if people are making those judgments in their head anyway,
it's helpful for you to have that gauge
so you can figure out, it's like a compass. It tells you for you to have that gauge so you can figure out,
it's like a compass. It tells you whether you're on a good path or not.
I actually, I'm going to borrow that from you because I have found specifically with speaking
given that it is a thing that most people do not like doing and are very intimidated by.
It is, and they're sort of like, I'm glad you're up there instead of me,
right? It's extremely hard to get good feedback on it, right? This sounds ecotistical, but like,
if you just walk off stage, most people are going to go, you were great, right? And they mean,
yeah, almost everyone says that.
And yeah, you're professional.
Right. You you are much better at speaking than the average person.
So that's not an unreasonable comment.
And maybe their expectations are standards are low.
But also it's polite. They're following rules of politeness.
Yes. You just got on their stage.
They don't want to hurt your feelings.
And to your point because of the self-consciousness that a lot of people have about public speaking, they're especially reluctant to maybe be a little
more candid with you.
Yeah, and so in the absence of that feedback, you don't know what's working and what's
not working, right?
And this is, you know, I think there's a lot of areas where this is true, you know, how
often is an employee going to give the owner or
of a company or their boss honest feedback about how they're doing, right?
No one's going to tell Vladimir Putin that he's doing a bad job.
No one's going to tell Joe Biden that he's doing a bad job to his face, right?
He might be able to get it in a poll or might be able to get it from a critic, but for
the most part, you know, when you do something that's hard, it is inherently isolating
and inherently reinforcing of that kind of comfort zone of, you know, feeling like you're
doing well.
And you may be doing well, but you're missing out on all the areas you could be doing
much better.
Exactly. And I think there, I mean, I've had this experience
time and again, I had it yesterday actually.
I got off stage and I said, how did that go?
And the first three people I saw I said,
that was great, you were great, and I really loved it.
Yeah, of course.
I just started laughing and said,
how is that helpful to me? I'm here to figure out how I can loved it. Yeah, of course. I just started laughing and said,
how is that helpful to me?
I'm here to figure out how I can get better.
And also, the next time I speak here,
I would like to know how I could improve.
And I didn't get a lot at first.
And then I said, okay, give me a rating.
And then, you know, somebody said, eight. I was like, okay, thank you.
But that's not a 10.
So clearly you see room for improvement.
What's the one thing you would change if you were me?
And then I started getting a couple of suggestions.
I got a, oh, you might want to diversify your examples
and images for an international audience.
As one example.
I'm like, okay, good.
Yeah, I can definitely work on that. And then I started getting a few other suggestions. And then people see your first reaction that you're actually taking it as an opportunity to improve as opposed to defend your ego.
And then they're like, okay, it's psychologically safe from me to challenge this person a little bit. Now let me give my point of view. And then hopefully the cycle continues from there.
Well, one thing I thought of earlier when you were talking about, you know,
sort of comfort zones and then now we're talking about being this bunch.
Again, maybe a more relatable practical example.
I would think about it's like somebody starts a company, it succeeds.
And they're setting up their board of directors, right?
Are you assembling a board of directors
that are loyal to you and rubber stamp what you want to do?
In some ways, that's advantageous.
But as far as growing, avoiding potential icebergs,
having a good long-term vision, etc.
The leader needs to be challenged,
needs to be held accountable,
needs other sources of expertise,
advice, wisdom, experience.
And so there's this tension between
sort of who you bring on to give you advice.
Are you asking people,
are you hiring a group of cheerleaders,
or are you highlighting, are you bring you hiring a group of cheerleaders or are you highlighting are you are you bringing on, you know,
actually a team or a group of people that will make you and
the organization better?
Yeah, it's I mean, this is another knowing doing gap where
I think most leaders recognize the importance of having
those coaches ready to hold up a mirror and
then tell them how they can do better tomorrow, but find it really hard to put that into practice
on a regular basis, in part because it hurts, in part because they think they're often
focused on optimizing the wrong things.
So if you're soometric, for example, is growth as a company.
Like, all right, I want to maximize my, you know, my revenue.
Yeah.
Kind of tune out feedback and advice that's not relevant to that goal.
And I think one of the systematic mistakes that I see a lot of organizations make is they promote people for being goal-oriented.
And then they have a bunch of leaders who is they promote people for being goal-oriented and then they
have a bunch of leaders who are at risk for tunnel vision and who are great at hitting their
targets and forget that it's actually possible to fail by hitting your targets because they
were not the right targets or they weren't the complete set of targets.
Yeah, I mean, even putting this side goal, being goal-in oriented, I think this ties back
to what we're talking about with athletes.
But Uber is a good example of a company in my understanding that really just looked
at the results people were delivering, right?
And they hired a series of very talented, very ambitious, very driven, very successful
coders,
executives, et cetera.
But in the end, if we wanna say a character is fate,
set themselves up for a series of scandals and problems
because what wasn't there was any sort of larger
commitment to certain values, right?
Everything was about the bottom line which is good but can set you up for making
Ironically decisions that are very bad for the bottom line in the long term
Yeah, I think the the challenge of you know of seeing into the future obviously is
Is out of probably out of the wheelhouse of most leaders.
And I think, you know, short to,
I guess what it might say on this is that
it's really easy to get stuck in a short-term mindset
for reasons that the people are often unaware of.
So we talk a lot about the pressures
of quarterly earnings reports.
We talk a lot about the problems with short term metrics.
I think what we forget is that there's not a lot of opportunity
to try to figure out, OK, what failures are acceptable
and which ones are unacceptable.
So I guess we all managed to what's measured at some level.
This has been well established over many decades, but not all measures are equally important.
And I think when you get rewarded and promoted over and over again for being successful,
you start to feel to fear failure.
Not only fearing that you're going to feel like a failure, but also the image risk, the reputation, and career damage you could suffer is really hard.
And one of the things I've watched some organizations do is try to change the systems around that.
So Google X, for example, has a really interesting model where they,
when you're going to start a new project, if you were going to try to power, you know,
the internet via balloon, or if you were going to build self-driving cars, or as one manager
dreamed up, if you were going to try to turn seawater into fuel, some of these projects
are not going to pan out.
And what you don't want to do is fall into a trap that psychologists call escalation
of commitment to a losing course of action, where you bet on the project and then it becomes
your baby. And you can't admit that your baby is ugly. And you end up wasting more time
and more resources on it. So what X does is they ask you to identify kill signals, which
are signs that maybe this investment is not going to pan out. And you plan them at the
beginning of a project so that you can catch them if
three or four months in one of those kill signals is flashing that's a cue that it might
be time to pull the plug as opposed to wasting the next five years on this project.
And I think that those those kinds of incentives to me make a lot of sense.
Yeah, I'm sure you've heard a lot of companies in Silicon Valley say celebrate failure.
I don't know about you Ryan.
I do not want to throw a party when I fail.
I'm like, this would be the ideal moment to be able to turn into an actual bear and
hibernate for a few months and then come out whenever I've asked it.
But we could do a celebration.
We're selling zero copies.
Yeah, that would be terrible.
Like, nobody wants to celebrate that.
Yeah.
Yeah, you're not.
And especially if, you know, failure,
the actual shipping of the thing takes a long time, right?
It's like, how many books are you gonna write in your life?
Not more than a dozen probably, right?
And so to celebrate one of them failing,
you don't get that many at bat.
So it is also about, I think, finding those, as you said,
finding the things along the way that allow you to not
go all the way to the end of the road
to learn that that was a failure or that that was the wrong direction.
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Exactly. Simpsick can cause it instead of small wins, the strategy of small losses. And I think it's a great invitation to say what are the small experiments that I could
run where the costs of failure are low, but the benefits of learning are high. And so
this is, I guess for me, this is a big part of what it means to be an imperfectionist.
To say, I do not need to get a 10 on every project I do.
But I should have a different bar, depending on the importance of the project I'm doing.
So when I write a book, that's a massive project to your point.
My tolerance for failure is extremely low.
And so I won't publish it until my committee of judges independently gives
it all nines. But a social media post, like I'm perfectly happy to put out a six six and
a half and learn from that and iterate. And that's, you know, one, one sort of critic
cheerleader mechanism that I can usually surface some coaching from. But this is really
hard to do if you expect to succeed on everything
that you launch. And I think the expectation that you never fail is a sign that you're staying
too far in your comfort zone. You're not putting yourself in a position to really soak up any
new information. And a lot of that stems from excessive perfectionism, where I think the expectation is that if I have any
flaw, if I make any mistake, that failing is going to make me a failure.
And I think the sooner we can dissociate those ideas, the easier it is to experiment and
keep learning.
Yeah, I mean, with writing, you find, hey, if the book is the first time, you are surfacing
these ideas to a large group of people.
That's a huge bet that you just made, right?
But if you have been talking about it and making videos about it and having dinner conversations
about it and, you, and doing papers,
like if you have been workshopping that idea
in public for an extended period of time,
it's a much safer bet,
and you still could be wrong,
but the chances of you totally whiffing it
are much lower,
because you have been testing it along the way
as opposed to putting it all on this one giant shot
that you have perfected.
You have gone over every single word,
every single sentence,
you're perfectionism was there,
but you may have been perfecting something
that was bound to fail.
And you don't know one way or the other
because you've been doing this all in private.
Spot on.
And whenever I talk with people about this, about the importance of kind of putting some
of your ideas out there, and then learning from the advice you get, and hopefully then
not taking the giant risk that you're describing, there's always somebody who says, but what
if somebody steals my idea?
And I'm curious about your reaction to this. My first thought is,
if you're afraid of somebody stealing your idea,
you probably don't have a lot of ideas.
And it's not a very good idea.
Yeah, it's not gonna work out.
There are very few people who have ever made it
having just one idea.
Sure.
Well, what I would say is, if the idea is stealable, it's probably not a very robust or ground breaking
or big idea, right?
So, you know, my books are not solely dependent on the concept.
It's the concept plus execution, plus my platform, plus a bunch of other things, right?
If it's just this sort of concept, well then yeah, I guess someone could steal it.
But I'm trying to do things ideally that actually can't be stolen because only I
could do them, right? Or, you know, there's that saying like, don't worry about people
stealing their ideas. If it's truly an innovative idea, you'll have to ram it down people's
throws, right? Like, understanding that actually most great ideas, most breakthrough things require a lot of convincing and a lot of salesmanship to get to pull off.
And so theft is the least of your concerns.
That your biggest concern is indifference or that you're wrong.
Those are the things that keep me up at night.
Is that I'm excited about something that people are not excited about or my take on
it is wrong for a variety of reasons. I'm not worried about let's say somebody else writing
a book about how ego is bad or somebody else writing a book about overcoming obstacles.
Like that's not what's going to make this thing succeed or fail.
No, and in fact, you would be the first to point out other people have written books
about those topics, but they didn't make the same points that you made. They didn't bring
the stories to life in the way that you did, and they didn't land in the same way that
you're as half. I mean, the number of people that I hear particularly in the sports world
quoting Ego's The Enemy on a weekly basis is stunning.
And that's a testament to the fact that you took
a timeless idea that has been talked about
for thousands of years.
And you presented it in a way that struck a chord
with people that many other attempts had.
That's very nice, thank you.
I think you made a note of that sort of early in this interview
and that you were quoting somebody else's research, right? Your books are not a hundred percent
the discoveries of Adam Grant and his team, right? A lot of what you're doing is making connections
between other people's work, right, which the best stuff does. So it's really not a stealable thing, right?
I think the best work is not stealable
because the best work is a unique combination
of things that only that person could have been interested
in or made those connections for.
Yeah, I think in that sense,
we probably put too much of a premium on discovery and not
enough on synthesis and explanation.
And I mean, there's so many examples of this in the idea genre.
I remember getting an early copy of James Clears book and asking, like, do we need another
habit book?
Like there was already Charles DuHig,
the power of habit, it was hugely successful.
I don't know that there's a market
for another one of these.
And I remember...
Well, you're a copy-slater.
Ficking.
Yeah, this is, this is,
it'll be really interesting to see what happens.
This book is extremely well done.
And I think atomic habits has to be the most successful This book is extremely well done. And I think Atomic Habits has to be the most successful
idea book of the last decade.
Probably, yeah.
And you're right.
I mean, James isn't a researcher,
a sort of an academic in any way.
None of the findings in there are,
you know, scientifically groundbreaking,
but the packaging and the idea and the platform
and the community, all the things that went into it,
that's what makes that book what it is.
Yeah, this is making me wonder,
I wonder how generalizable this is.
So, yeah, I think we're both strong believers
that execution matters more than people think.
And good ideas themselves don't go anywhere.
That I think that's true for entrepreneurs.
Certainly, you know, the research I've read on this and the startups I've invested in
and advised, I have seen many entrepreneurs with great ideas fail to execute and they go
nowhere.
I've seen lots of entrepreneurs with halfway decent ideas who are great at execution, who have built billion other companies. And I guess that goes back to
the point that you started on, which is I want to bet on the character of the founder more than
I do invest in the quality of the idea because founders with great character skills are going to
develop an idea that's decent into something that actually
has real potential.
Well, and I think that that should be a good reminder for everyone of the third thing you're
talking about, about not being a perfectionist.
If your view of the world is that things succeed because they are perfect or because they
were the absolute right thing at the right time in the right moment,
that's a much more intimidating bar
than the bar of, hey, actually no,
it's things being pretty good,
it's things being different, it's things being unique,
and then that person really hustling, really committing,
really developing the connections,
really building the community,
if you see it as part of a larger package,
suddenly I think it feels much more attainable to you,
but it's also much more actionable to you.
Like you can get started on that and start the process now.
Like if your view of atomic habits is that James Clear
is the single greatest writer of all time.
And that is the best written book of the last decade. You know, you're going
to spend a lot of time despairing at the keyboard. Then if you're like, no, James discovered
an intersection of a bunch of stuff, spent a long time building a really cool platform,
came up with a great title. You know, if you see it as this larger thing, all of which are, if not in your comfort
zone, certainly within reach for most people, then pulling something like that off feels
much more attainable and realistic than, you know, expecting, seeing it as some gift
from the gods. This makes me think about the common phrase,
the perfect is the enemy of the good.
And I think what you've just described speaks to that.
But I think we also need to remember that pursuing perfect
is the enemy of growth.
Because if your expectation is that you're going to deliver
something that's the best, then you're not gonna
try anything, that you're not sure how it's gonna work. You're not gonna tinker, you're
not gonna pilot, and ultimately you're gonna be stuck in the narrow zone where you're
already excellent and miss out on the potential that's not visible to you yet.
Yeah, look, I think this applies in all facets of life, right?
Like if you're trying to be the perfect parent, you're not only going to fail, you're not
going to feel very good about yourself.
But if your goal is to be a better parent than you were yesterday, to be a better parent
than you were a year ago, to be better than your own parents, you know, that is an iterative, actionable, and, and I think realizable goal.
And the best part about it is that it creates its own momentum in a way that comparing yourself
against the perfect is the exact opposite.
So instead of waking up every day and feeling like shit, you wake up every day and you go
look at how much better I am, look at the progress I'm making,
look at how things are better.
And that's really, I think, the critical difference.
Yeah, I think the mistake that perfectionists make
is they review their mistakes and then they shame
their past self.
For getting that the whole point of reviewing your mistakes
is to educate your future self.
And I know it's easier said than done, but to
ask, okay, the things that I screwed up as a parent or a colleague or as a friend yesterday,
what can I learn from those to do better tomorrow? I think is a really critical question.
And it's probably one that requires a little bit of self-compassion, which I've always thought was a squishy word,
and a little bit of a fluffy concept,
but the research is pretty consistent,
suggesting that all the things that we thought came from,
the good things we thought came from self-esteem,
confidence, motivation, growth,
they're actually much more rooted in self-compassion.
Being able to say, I'm only human, instead of, like, wow,
I'm a mistake or I made a huge mistake,
everyone makes mistakes.
And that I think is what it means to be a daily stoic.
Well, in one of Stenic's letters, he's
talking to his friend, Lucilleus, and he says,
how do I know I'm making progress in philosophy?
And he says, I know it because I have become a better friend to myself.
And I find that to be so beautiful. You know, he's not saying, I know I've made progress because look at all these things I've accomplished.
He's not saying, I know I made progress because look at how many fewer mistakes I'm making.
He's saying, you know, I beat the shit out of myself a little bit less, right?
Like I, I, I talk myself up a little bit more.
I hold myself accountable because friends do that too.
I think self-compassion is a great word that you used.
You know, if your driving engine is how inadequate and inferior you feel,
you know, maybe that'll keep you going forever, but it's going
to be a miserable ride.
So it's more like you're motivated and inspired by the progress you're making to make more
progress.
Yeah, I like that a lot.
That's very meta.
And I think it reminds me of, I guess, of something that a lot of people struggle with
it.
I've struggled with a ton, which is, I feel like every time you achieve something, your expectations rise.
And then pretty soon you start to take for granted what you've accomplished.
So I remember, I guess I even was guilty in this, when my second book came out, a friend
asked, what are you doing to celebrate?
And I was like, nothing.
Like, I'm a writer, we write books.
That's what we do.
I'm just doing my job. I'm a writer, we write books. That's what we do.
I'm just doing my job.
I'm not going to throw a party for that.
And she said exactly as you were just saying,
like how many books are you going to write in your career?
This is a big milestone and you need to market.
And sure, I should know better as a psychologist,
but it hit me that I can't really stop my expectations
from rising.
And in fact, I want them to rise because that's part of what motivates me to keep aiming
higher and inspiring to improve and grow.
What I can do is get in touch with a version of myself that had more reasonable expectations.
So the mental time travel exercise that I've become a fan of is to ask, okay, if somebody had told me five years ago
That I was gonna publish a book, let alone a second book and that people were gonna read it. Sure. I
Would have been overjoyed and so right I
Can remember that I've made that younger version of myself proud
I can remember that I've made that younger version of myself proud.
Yeah, Michael Dell told me his motto is pleased, but never satisfied.
And I like the tension between those ideas, right?
Obviously, if you're never satisfied, you're going to keep going and going and going.
And that's what makes a champion, right?
They look at the Super Bowl. They just won and they go, but I was really bad in the second quarter.
Next year, I want to get better.
But if the reward for that engine is that you never get
to enjoy the rewards of what you accomplished,
you know, that's a pretty empty, sad way to live too.
So I love this idea of being pleased and content,
and at the same time, not being satisfied
and knowing you can and will do a little bit better.
And that tension is really, really where it's at.
That is such a compelling juxtaposition, please, but not satisfied.
I'm taking that one home.
I do want to call it one thing that I think people often get wrong, which is, you know,
you're super bowl example.
Okay, yeah, we won, but I didn't like my second quarter, so I want to exceed that next
time.
I think we expect progress to be basically an upward arc, but it's not, and it's not
just because, you know, everybody encounters setbacks.
It's because when you encounter a setback, just getting back to where you were,
demonstrating resilience, is that form of growth?
Sure.
Sure.
So I look at it, I look at it's on Brady, for example,
and people talk about a comeback in his early 40s.
I'm like, no, it is growth.
First of all, I mean, the objective growth,
his 40-yard-hate 40 was faster than his 40-yard dash at 20.
That's insane.
That is growth in the face of decline.
That should not be physically possible.
And it makes you wondering what the hell he was doing when he was 20, by the way.
That aside, it's also growth to say, given the various challenges I face, given the way that my body has
been peed up, can I get back to the level I was at a few years ago, that in and of itself is progress.
And I think too many people see it as a comeback as opposed to a moment of improvement.
Yeah, or they see, you know, so your your fifth book doesn't sell as much as your first book. Is that
mean it's not a successful? It's like actually know that you're still even
remotely relevant five books in is itself an accomplishment that you that you
kept going. You didn't get complacent and you know, rest on your laurels is
itself an accomplishment. And so yeah, it feels weird to say you have to
grade on a curve, but you you have to grade on a curve,
but you do have to grade on a curve,
and you have to see these things in the context
of where they actually sit,
not compare it against some perfect ideal,
and not compare it against other people.
But as you say in the book,
you measure yourself against yourself.
That's really how you fulfill your potential, right?
That's what we're trying to do.
We're not trying to fulfill objective potential.
We're trying to fulfill our potential
or our hidden potential.
And if we lose sight of that, I think it,
it makes us uncomfortable, but in a bad way.
Yeah, that's very well put.
Well, Adam, this was amazing. I love your stuff as always and hopefully we can do this in person someday. I will look
forward to that. Thanks for having me, Ryan. Hey, prime members, you can listen to the Daily Stoic early and add free on Amazon music.
Download the Amazon music app today, or you can listen early and add free with Wondery
Plus in Apple podcasts.
Okay.
So if you had a time machine, how far in time would you need to go back to be a dominant basketball
player of that?
I need to go to when Bob Coosie was playing.
I would, in the plumber days, 27-year-old Shay would give Bob Coosie the business.
He's not guarding me.
Hi, I'm Jason G'Zepzion.
And I'm Shay Serrano, and we are back.
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