The Daily Stoic - Sharon McMahon on The Unsung Americans Who Altered the Course of History
Episode Date: October 30, 2024“The people that history smiles most kindly upon, are the ones who just kept doing the next needed thing.” These words from Sharon McMahon remind us that making a difference is not accomp...lished through fame or fortune, but by taking consistent action. Sharon joins Ryan today to talk about the stories of hidden trail blazers, unknown symbolism in the Statue of Liberty, and the change-makers she chose to include in her new book The Small and the Mighty: Twelve Unsung Americans Who Changed the Course of History, from the Founding to the Civil Rights Movement.After years as a high school government teacher, Sharon McMahon now runs the non-partisan, fact-based Instagram account @sharonsaysso. In her book The Small and the Mighty, Sharon proves that the most remarkable Americans are often ordinary people who didn’t make it into the textbooks.Check out Sharon’s podcast Here’s Where It Gets Interesting and follow her on Instagram @SharonSaysSo and X @Sharon_Says_So📚 You can grab signed copies of The Small and the Mighty by Sharon McMahon at The Painted Porch. 🎟 Ryan Holiday is going on tour! Grab tickets for London, Rotterdam, Dublin, Vancouver, and Toronto at ryanholiday.net/tour✉️ Want Stoic wisdom delivered to your inbox daily? Sign up for the FREE Daily Stoic email at https://dailystoic.com/dailyemail🏛 Get Stoic inspired books, medallions, and prints to remember these lessons at the Daily Stoic Store: https://store.dailystoic.com/📱 Follow us: Instagram, Twitter, YouTube, TikTok, and FacebookSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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I've been traveling a bunch for the tour that I'm on and I brought my kids and my wife with me when
I went to Australia. When I'm going to Europe in November, I'm bringing my in-laws also. So,
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And if you haven't used Airbnb yet,
I don't know what you're doing,
but you should definitely check it out
for your next family trip.
We've got a bit of a commute now
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Welcome to the Daily Stoic Podcast, where each weekday we bring you a meditation inspired by the ancient Stoics, a short passage of ancient wisdom designed to help you find strength
and insight here in everyday life.
And on Wednesdays, we talk to some of our fellow students
of ancient philosophy, well-known and obscure,
fascinating and powerful.
With them, we discuss the strategies and habits
that have helped them become who they are
and also to find peace and wisdom in their lives. Hey, it's Ryan.
Welcome to another episode of the Daily Stoke podcast.
I didn't people think that social media only surfaces the worst stuff, that it's bad for
you, that these tools have ruined the world,
ruined society, broken our brains. And I would agree to a certain extent. The algorithms prize
engagement, high valence emotions, conflict, extremes, also just the platforms themselves,
like what fits in a tweet, how a thumbnail has to jump out at you. It doesn't incentivize necessarily
the best stuff. I've had to figure out with Daily Stoic, you know, how a thumbnail has to jump out at you. It doesn't incentivize necessarily the best stuff.
I've had to figure out with Daily Stoic,
how do we use these platforms
which have enormous audiences for good?
How do we harness that algorithm to spread stuff
we want people to hear?
But it's a tough sell, right?
An obscure school of ancient philosophy
going up against internet memes and fails
and thirst traps, all the stuff
that social media prioritizes.
There's an even bigger uphill battle,
which my guest today has conquered at a level
I can't even comprehend.
Sharon McMahon is known as America's government teacher.
She spent years as a high school government teacher
and she now runs this nonpartisan,
fact-based Instagram account, Sharon Says So,
that has millions of followers
and has reached millions of people
and about government, right?
The thing that we, we love politics as a society,
but we hate government, how it actually works.
And she's reached this huge, like super diverse audience.
This is how unique her audience is.
I've had the honor of having like so many cool people
on the show, huge movie directors and athletes
and billionaires and celebrities and actors and like doers.
It's been awesome.
But my in-laws who live down the street from the studio
have only asked to come meet one guest.
Rod and Karen, they're amazing.
I don't know if I could do all this stuff that we do
without their wonderful support and help,
but they are big fans of Sharon McFann.
In fact, they were going to see her live
at the Paramount Theater.
Sharon was doing a talk in Austin that night
and they came to meet her while she did the show.
So they wouldn't have to wait in line
as she signed books for thousands of people.
She's awesome. I've been following her, I think, since the pandemic. My wife turned me onto her
and maybe she discovered her through her parents. I don't know. But Sharon's awesome. There's all
this misinformation and polarization out there. People just don't understand how the government
works. There's a quote I love from Kennedy. Kennedy was saying, you know, parents want their kids to
grow up to be president, but they don't want them to be politicians.
People don't understand how the system works,
that being a politician is how you move
the levers of government.
And so many of the Stoics were politicians,
but in the sense that they understood
how the levers of power worked,
they were functionaries in the government.
They weren't all emperors. Cato has these boring jobs in the levers of power work. They were functionaries in the government. They weren't all emperors.
Cato has these boring jobs in the sort of machine
of the Roman Empire.
Seneca does too.
A bunch of the middle Stokes,
we talk about lives of the Stokes, all did.
And that's what Sharon is a world-class expert in.
And going into an election, that's what we need more of.
And she has this amazing new book.
Like, I loved this book.
It's called The Small and the Mighty.
She looks at the lives of 12 ordinary Americans
who actually weren't ordinary at all.
They did extraordinary things.
And they changed not just their own lives,
but the lives of people around them.
And we live in a world that they helped create.
I really love this book.
It touches on a lot of the same themes.
And in fact, even some of
the same people that I talk about in Right Thing Right Now. I so enjoyed this conversation. I was
so excited to see her and we need more people like her, people who are charismatic, people who are
smart, people who are caring and compassionate, but also understand how these social media tools
work. They can surface the ideas that the basic civic knowledge that
we have to have to be able to operate the machinery that is government. I think
it was Barney Frank, a Democratic politician, who once said that, you know,
government is the name we use for the things we choose to do together. That's
how you have to see government, not as this negative nasty thing that Ronald
Reagan said, you know, government is the problem, not the solution to the problem.
No, government is the things we do together.
Sometimes we do them well, sometimes we don't do them well.
Sometimes we don't do them together when we should.
And Sharon talks about that amazingly in her new book.
In this conversation, we talk about this idea
of contributing to society, how history favors the doers,
as the Stokes would say, act in non-verba,
and how we can actually make a difference.
I think you're really going to like this.
She was awesome.
And you can grab signed copies of the small and the mighty at the painted porch.
I'll link to that in today's show notes.
You can follow her on Instagram at Sharon says so, and you can check out her podcast.
Here's where it gets interesting, which I will link to in today's show notes.
This episode was so good.
We split it up into two parts.
So I'll bring you part two in a couple of days.
Look out for that.
By the way, if you don't have a plan for voting,
get it together, find out where you can vote early.
Absentee ballot deadlines probably already passed.
Check your voter registration.
This is a consequential election to say the least.
And as we've talked about, Astolic participates
and let's get after it.
Well, I loved your book.
I thought it was a great idea.
I think that's the heavy lifting too, is like, okay,
so you have a huge social media following.
How do you translate that into a book?
You have to, like, I think books are one of the hardest
mediums to compete in, because you're competing
against the greatest books
of all time that have such staying power.
And so how do you come up with a unique angle
to talk about?
Yeah, you're absolutely right.
Books have a legacy that other types of media do not
that I can post all day on social media
and that's gonna be gone from the algorithm in 24 hours
or maybe one week if you're really lucky.
So yes, this idea that like books are somebody's legacy
is something that it's not a fact
that's not lost on me at all.
And yes, how do you compete in this vast sphere of books,
Ryan?
All of these books, this wall is a graveyard
of exactly what you're up against.
So Portfolio did send me about five,
I was like, give me one of every one of your titles.
And so I used that, but mostly I use this company
called Book by the Foot.
You've heard of this company?
Yeah, yeah.
So these are all books that were really popular
and then nobody wanted anymore.
Yeah, like L. Ron Hubbard.
Yeah, yeah.
Right, because they give a lot of those away.
But like, there are Shadow Divers by Robert Kirsten,
incredible book, but was a huge book 15 years ago.
So he probably sold a million hardcovers.
And then those people died and their kids were like,
or they moved to a smaller house and they're like,
well, I don't want this anymore.
And they all end up at Goodwill and this company goes
and gets all these books.
So these are what I sometimes kind of ego is the enemy.
I kind of look through and I go,
yeah, this book was like a cultural sensation
for a brief moment and then I bought it by weight.
Is that different though than any other kind of media?
No, like I think about this,
like if you listen to like a Spotify playlist,
best of the 90s, you've heard of 80% of the songs.
Then you go 80s, you're like 60%.
Till you get to a decade where you're like,
I don't know any of these songs.
And those are the, that's a collection
of the biggest songs of an entire era.
They've sold millions of copies, they've been in movies.
And you're like, nope, none of this is registered.
And so how far do you have to go back
to get to that oblivion?
You think it's gonna be like the exercise they do
in politics is like, they'll go,
who is the vice president, three presidents.
And you're like, wait, and that was the second most famous person in the world.
Right, right. Or whatever.
Yep, yeah.
So, but I mean, like, is this idea
that you're supposed to be competing
against all titles of all time,
is that an idea that's worth, like,
holding onto, exploring, like, feeling bad about
if you don't compete against all titles of all time?
Well, there's a passage in Mark Cirulis' Meditations
where he goes, Vespasian.
He goes, how many people know who that is?
And Vespasian was the emperor, like five emperors
before Marcus.
Actually, the only reason, I think there's a,
some language, Vespasian is the root word for toilet
because he created public bathrooms in Rome.
That was his thing.
But so, this is the most powerful, important person in the world, ruled as an emperor god in the biggest empire
of the most famous empire in history, and nobody knows who he is. And Marcus Aurelius was saying
that just a couple of generations. And so his point was not, okay, so you have to really conquer
a lot of territory to be more famous than Vespas.
And he was saying, this is a race you can't win.
So opt out.
So yeah, I think when I look at this,
I just go every, it's like Shakespeare,
out, out, brief, candle.
All of these people had their little moment
and probably most of their moments
were bigger than my biggest moment.
And so if you're going to take your
identity and worth from surpassing them, even if you do it, you're going to lose.
I like thinking about it more in the sense of what somebody said about a character in this book,
and as Mulholland after she dies, they say something to the effect of, no work for liberty
is ever lost for it becomes part of the fabric of the nation.
And I love thinking about contribution in that way instead of how long can my name be
in headlights or in spotlights?
How long can my name be in the spotlight? I think it's like a, perhaps a healthier way
to think about things in the sense of my contribution
becomes part of the fabric of this society.
Yeah, there's a famous World War I poem
and he has this line, I used it in the Justice book.
He says, to you from failing hands, we throw the torch.
If you see the figures as a person who moved the ball
forward or carried the torch a little bit,
but that it was part of this continuous battle
or this perennial march, then it's beautiful.
And each one of them was significant.
If you try to attribute it to any one of them
where you go, this was the person,
each individual accomplishment is not that great
and ultimately can be cut short,
whether it's by assassination
or they have some personal scandal.
So yeah, I think it's about making your brief contribution
with the resources you have in the moment of time
that you're in and then seeing it as part
of this larger procession.
That's the only way to do things
and to do it not motivated by it.
Yeah, I totally agree with you.
And I think the people in this book
are great examples of that.
Yes.
Yeah, where their contributions
are by and large lost to history,
either by virtue of the fact that they died young,
they didn't have descendants to keep their memory alive.
They were intentionally excluded from history
because they were the wrong color
or they were the wrong gender.
And yet it didn't, it does not negate what they did.
No.
And I have really been enjoying sort of excavating
their contributions.
Well, and what they did is actually in many cases
more significant than a lot of people you've heard of.
Exactly, exactly.
And I think it's actually tremendously encouraging
to people who feel, I'm sure you've heard this many times,
people feel like nothing I do matters,
nothing I do makes a difference.
I did the things, I made the calls, I wrote the letters,
I did the voting, I did, you know, whatever it is. Nothing is changing.
Right.
And it can feel very discouraging
and it can make you feel hopeless
as though, you know, it makes you retreat into cynicism,
as though nothing you do will ever move the needle.
I think that's one of the problems.
It's not totally incorrect.
Some of the structural theories, critical race theory, these sort of
explanations for the interlocking systems of oppression and discrimination, how they have
shaped and informed history, how we're still living in them. There is, it's not a nihilism
that comes from it, but like the great man of history theory, at least gives people something to believe in
and aim for it.
So if you believe that everything is interlocking
and structural and it doesn't matter what individuals do,
that's also a self-fulfilling prophecy.
If you believe you can make it,
if you don't believe you can make a difference,
you will definitely not make a difference.
That's absolutely right.
Just because you believe you can make a difference
doesn't mean you will, but certainly believing that change is not possible a difference. That's absolutely right. Just because you believe you can make a difference doesn't mean you will.
But certainly believing that change is not possible
makes sure that it is not possible.
That's absolutely right.
Yes, if you believe you can't, then you're right.
Yes.
And I just, yeah, it's been tremendously helpful,
at least for me and from other people that I've heard of,
to sort of reframe this idea of what it means
to make a contribution.
And does not necessarily mean that your name
is on the side of a weirdly shaped rocket ship, right?
Or that you have an airplane emblazoned with your local.
Yeah, or that it was even appreciated or understood
in the moment that it was happening.
Sometimes if you're ahead of the curve,
you're probably not gonna be appreciated in your moment. Or you're not gonna be fully appreciated for the magnitude of what you're ahead of the curve, you're probably not gonna be appreciated in your moment,
or you're not gonna be fully appreciated
for the magnitude of what you're doing.
You might be appreciated by your small group of people
or your supporters or believers, but most people,
it's almost a sign that you're not that groundbreaking
if everyone likes what you're doing.
Yeah, I think that's totally true.
If you look back at some of the biggest change makers
in history, they were widely opposed, right?
Like the Martin Luther Kings of the world
had a lot of hate in his lifetime.
And not just from white people, by the way.
Like a huge percentage of black America thought
either Martin Luther King was too radical
or not radical enough.
And so, you know, in his own community,
he was considered, you know, two in the middle.
And so, yeah, there's something about being able
to stand alone and do the thing
because you think it's the right thing.
It's such a big ask for some people.
Sure. Right?
Like it's such a, I would love to hear what advice you have
for somebody who feels like they just,
like they just don't know if they can do that.
We think of change as this enormous thing
as opposed to, like I was fascinated,
I didn't end up doing a chapter about it
in the justice book, but like I was fascinated
with footnotes, like how many future Supreme Court decisions
the stage was set for them in like, by a footnote
in a descent from a much earlier Supreme Court decision.
And so, yeah, like it feels paltry and not nearly enough
to be dissenting in say, Plessy v. Ferguson.
But the argument that he lays out in that decision
is drawn upon a generation later.
And so, yeah, sure, would it have been better
if he could have convinced all of his colleagues
to not do this morally important thing, but he couldn't.
And so he did the piece of it that he could do.
And it stood there for a very long time.
More than 50 years, yeah.
Yeah, the stoics, like Cato resists Julius Caesar's
attempts to overthrow the Roman Republic. With the stokes, Cato resists Julius Caesar's attempts
to overthrow the Roman Republic. He is defeated.
And he, instead of,
Caesar almost certainly would have pardoned Cato,
and Cato found that subservience
to be morally unconscionable.
And so he kills himself
in this incredibly dramatic resistant way.
It's the ancient world's version
of the monk who lets himself on fire.
And it has exactly zero effect.
Caesar takes over, he's later assassinated,
but has nothing to do with Cato, really.
So philosophers would debate,
like should he have stuck around?
But like 2000 years later,
it's Cato that George Washington is modeling himself on. should he have stuck around? But like 2000 years later,
it's Cato that George Washington is modeling himself on
and the founders are modeling themselves on.
And so, yes, sometimes you do this thing
that you're trying to inspire others or send this message.
And you're thinking like,
I hope everyone around me sees this,
but it may stay dormant for a hundred years.
It could stay dormant for a hundred years. It could stay dormant for a thousand years.
So I think the idea of like, hey, I'm going to do what I think is right here and I'm going to send
this message. To me, the stoic part of it is I don't control whether the message is heard. I only
control whether I say it and let's see where it goes. Yeah, I love that. That's really interesting.
I'm Professor Cezanne Lipscomb and on Not Just The Tudors from History Hit, we do admittedly
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My wife read your book and loved it. And then my in-laws both read it and loved it.
And I was like, I was waiting to read it
till closer to when you came.
And I was trying to like guess who was gonna be the figures.
Were there a bunch that you didn't include
that you wanted to?
Yeah, yeah.
And there's also stories of the figures
that I wanted to include and couldn't.
You know, like I think that's always true
of any sort of non-fiction writer
is that you have to, you end up with stuff
that you wish you could have included
and you just couldn't make it work or whatever.
There was one aspect of a story in this book
that I am still convinced is true.
Okay.
I just couldn't find the documents to prove it
after years of looking,
which is that one of the characters in this book,
my hypothesis is that her family was involved
in the Underground Railroad.
And-
Which one is this?
Anna Jeans.
So Anna Jeans lives in Philadelphia
and she's in the right place, she's in the right time,
she's a Quaker, she has the right right place. She's in the right time. She's a Quaker.
She has the right belief system.
I can put her brothers,
she's the youngest of six surviving adult siblings.
I can put her brothers in the same room
with very prominent workers on the Underground Railroad,
like William Still.
They're in the same room together.
They belong to the same sort of abolitionist societies.
And the Jeans family was very wealthy.
And there's almost no chance that the people
who were raising money for the Underground Railroad
were not hitting up the Jeans family, right?
There's almost no chance.
But the other sort of piece of the puzzle
that I became really intrigued by
is the fact that the Jeans family has a country home
that is where they can just kind of go in the summer that the Jeans family has a country home that is where they just kind of go in the summer,
that they abandon.
And at one point, their country home is robbed,
and somebody steals a painting off the wall
that Anna had painted,
and Anna had an attachment to that painting
and she wanted it back.
And so there's this big sort of investigation
into who broke into the household, et cetera.
And there were reports in the newspaper that talk about how there was food left on the
table as though people had left in a hurry.
And that's not something that the Genesys would have done, right?
So to me, it makes sense that they had sort of said, okay, you can go ahead and use our house.
You know, go ahead and like, if you need to use it, it's yours for the using, that somebody
had been there who needed to leave in a hurry for whatever reason, because why would the
genes have needed to leave in a hurry? Why would they have left food on the table? And,
you know, there were not reports that the house was trashed or that vandals were living there or anything of that nature. So that's a whole storyline that I
ended up writing up everything that I knew about the Jeans family and about how I...
The evidence that I was able to compile about their involvement in the Underground Railroad.
But ultimately, because the Underground Railroad was intentionally secretive,
and because the Jeans family was intentionally secretive, and
because the Jeans family was intentionally secretive, they believed in this sort of biblical
edict that you should not let your right hand know what the left is doing and that you should
give in secret and your reward will come in heaven later. And so they purposely did not
attach their names to things. They purposely were not like courtesy of the Jeans family,
you know, like that was not their vibe. They didn't even like courtesy of the jeans family, you know, like that was
not their vibe. They didn't even allow their picture to be taken. You know, like they were
very, like hardcore, very hardcore about it. Yes. So there's that aspect. And then there's
also the aspect that the underground railroad was also intentionally secretive. They're
not like, and we stayed at this house. So there's just no documentation that I can come up with that is the
smoking gun that says, and we stayed at Stapley Manor, you know, outside of Philadelphia,
Pennsylvania, as much as I looked. And the other thing that's quite possibly true is that the
people who were on the Underground Railroad would not have known what that house was called.
Right.
And they would have been very reticent to give up a description of the Underground Railroad would not have known what that house was called.
And they would have been very reticent
to give up a description of the house.
They would not have known who owned it.
They would have just been word of mouth told,
you can stay, there's that house over there,
you can stay at if you need to.
So there are definitely stories like that
that I wished that I could have included.
And there are aspects of other people's stories too
that ultimately did not make it into the book.
Well, as I was thinking about this, I was like,
I don't wanna talk about the people in the book that much
because the book's so good.
I wanted people to, like, I think it's a spoiler thing.
Like, I feel like you wanna,
so I was gonna tell you some of my favorite
small but mighty figures.
I'd love to hear them, yes, tell me.
But the concept of like,
who are these kind of hidden figures of history
who punched above their weight?
I love characters like that.
Yes, same.
So when you're talking about the Underground Railroad,
do you know who Thomas Wentworth Higginson is?
Okay, so he's a translator of Epictetus.
He's the first one who translates Epictetus
in American English.
But so he's a professor at Harvard,
he's a contemporary of Emerson and all the transcendentalists,
but he's much more radical than they are.
So he's like one of the six who funds John Brown,
a couple of those riots where the fugitive slave catchers
would steal people out of Boston.
He was like there when they would riot.
So he's this kind of radical abolitionist
and he ends up leading the first black regiment
of troops in the US Civil War.
So there's Colonel Shaw who people know,
that's what the movie Glory is about.
He's a little bit before him.
They were less distinguished in balance.
But so you have this philosopher who is, you know,
not passive, like you would think of the stories,
but like engaged in the great struggle of his time. But then he's also this lover of poetry and art,
and he meets this, this woman sends him her poetry,
and he likes it and he ends up publishing it,
which brings her great fame.
He's the person who discovers Emily Dickinson.
And so I just love, so it's like, you know,
if you did any one of those things,
that's an incredible life.
But just the guy that is funding John Brown
is leading black troops for the Union in the Civil War.
And just on the side,
discovers one of the great American female poets of it.
I just love-
I love those kind of, yes,
I call them brain tangle moments
where you're just like, I love knowing that.
That is just like, does a little something in my brain
where I'm like, that just feels real,
scratch a little itch I didn't even know I'm like, that just feels real scratch,
a little itch I didn't even know I had.
Yes.
Speaking of Emerson, Emerson was potentially
in love with Emma Lazarus.
Okay.
And Emma Lazarus is the woman who writes the poem
that is currently affixed to the base
of the Statue of Liberty.
The poor huddled masses.
Yes, yes.
The new colossus, the poem is called.
Give me your tired, your poor.
I'm not thinking of those two things as overlapping,
but yeah, of course, this is like 1870s, 1880s.
Yes, your huddled masses, you know, weary to whatever.
So she writes that, she's asked to contribute
to this sort of fundraising effort,
because of course, the United States needed to pay for this sort of fundraising effort because of
course the United States needed to pay for the base of the Statue of Liberty
which was gifted to the United States by France and she actually, Emma Lazarus,
was friends with one of the descendants of Alexander Hamilton and they were
very good friends with each other. After Emma Lazarus dies very tragically and young,
Louisa Hamilton discovers this,
one of her poems in a bookstore,
rediscovers the new colossus in a bookstore.
And it's like, this deserves to be on the Statue of Liberty.
And that, it wasn't attached to the Statue of Liberty
at the Statue of Liberty sort of dedication.
It was years later and the Hamilton descendant
had to raise her own funds to get the brass plaques made
and to petition to get it added.
But anyway, Emma Lazarus was a relatively well-known poet
in her own day, but she was a young Jewish woman
who, you know, her family was wealthy.
Her dad was a sugar merchant. She never had to work. She was, you know, her family was wealthy. Her dad was a sugar merchant.
She never had to work.
She was, you know, home educated.
And what she wanted to do with her life
was just write poetry.
And she begins getting published
and she begins corresponding with Ralph Waldo Emerson,
who's significantly older than she is.
And the letters that exist between them are very like, hmm.
And eventually she kind of sours on his advances,
which did seem a little-
Creepy.
Maybe not quite creepy, but like, what are you doing?
You know what I mean?
Like you're a 60 year old man.
This woman is 23.
Also married.
She's a young woman, but she's flattered by his attention
because he's a giant of literature at the time.
But he becomes sort of a champion of Emma Lazarus's work.
And she was, again, she was relatively well-known
in her lifetime, but most Americans
would not recognize her name.
Yes.
But we would recognize her contribution
despite not being able to pick her face out of a lineup.
I have an amazing kid's book for you in the book store.
Have you read her right foot by Dave Eggers?
I think I have, yeah.
He had a kid's book about the Statue of Liberty.
It's all based on this little observation he makes,
which is that her foot is raised.
And his point is that she's not stationary.
We think of the Statue of Liberty
as this monument to Liberty. No. As opposed to Liberty being on the
march, which is what she would have represented to France
shortly after the abolition of slavery. So, so we're seeing it
as a celebration of what we have done. That's right. As opposed
to a, a monument to the doing,
which is supposed to be, as we're saying,
this perpetual ongoing thing.
I love that.
And the Statue of Liberty also has a broken chain
around her foot, as though she has freed herself
from the shackles.
And they're not, the chain is just kind of like hanging
there as though it just recently happened. the shackles and they're not, you know, the chain is just kind of like hanging there
as though it just recently happened.
Yes.
There's a lot of symbolism actually in the Statue of Liberty
that I think kind of goes unnoticed
because we see it from afar and it's so large
that it's so difficult to observe
all of these individual elements, but yeah.
Or that kids paid for it.
Yeah, that children paid for it.
The first crowdfunding campaign was,
because America was like,
what are we supposed to do with this?
Kids made it happen.
Yeah, totally.
I wrote a piece for The Economist about this
because there was a throwaway line I read as a kid
in Victor Frankl's Man Search for Meaning,
where he talks about how he loves the Statue of Liberty,
but he felt like there needed to be a corresponding
statue of responsibility on the West Coast.
And so I did this big piece on the idea
of a Statue of Responsibility, because again, yeah,
we think of the Statue of Liberty as being this thing
that it was like a celebration of how great we are,
as opposed to a call to arms.
But then also, liberty, which America is founded on,
confers by definition a certain amount of responsibility.
And that is what America is like.
I don't like that part.
No thanks.
No, of course not.
No, I wanna be free to dump my trash wherever I want.
Exactly.
Yes, that's what freedom is apparently.
To some people.
I think about this on my neighborhood all the time.
So yes, I don't like that people do it,
but if I don't clean it up, it's just going to stay there.
Right?
So the responsibility of, hey, I live on my own road
and the government can't tell me what to do with it,
also means I can't call the government
to clean up someone else's mess.
I have to do it.
And it's disgusting and I hate it,
but I try to teach it to my kids.
But the idea is like, everything that's not enumerated
in the constitution, just because you can do it
doesn't mean you should do it, right?
And that is again, a big part of I think
the fundamental premise of America
that your average citizen wants to not.
I'll add an agree to that.
Like the social contract isn't just your contract
with what the government is not allowed to do to you.
It's also the contract of the responsibilities
that are thus inherent on you to take care of.
I think you're absolutely right.
I don't disagree with you at all,
but it's very, when you start getting into things
about social contract, man,
there's gonna be always be people who push back on you who are like, oh, that's communist. You know what I mean?
Yeah, of course.
That's communist. Freedom means freedom to do what I want. If I don't want to participate in that,
then I shouldn't have to. But you're, I mean, you're not wrong at all. Of course. Yes. But,
you know, the idea that the Statue of Liberty, liberty enlightening the world, there's a verb in there, right?
Like it's continuing to enlighten the world.
Not Liberty enlightened the world,
that it is an ongoing effort to enlighten the world.
And I, yeah, I think that's worth remembering.
One of the other ones I'm fascinated with,
I'm probably pronouncing his name wrong,
but do you know his name was Senator Proxmire,
he was the Senator, he might've been from Minnesota,
so I'm probably butchering the pronunciation
if you're not hearing what I'm saying,
but he's the one who, he wakes up one day in the 70s
and learns that immediately after the foundation of the UN,
almost all the countries of the UN,
almost all the countries pass a treaty basically banning genocide,
and the US just didn't sign it.
We were like the only major country that didn't sign it.
And he's like, this is absurd.
We invented the UN.
Like it's on our soil.
We're the main driver of this.
And we're just like, I don't know if we're opposed
to genocide, that might be inconvenient.
And so he gets up and gives 3000 consecutive speeches
in the Senate, pushing for the ratification of this.
I think it takes like 25 years
or it takes this absurd amount of time.
And again, we just take for granted
that these things happened
because everyone was in agreement about them.
And what I love about the characters in your book
and all my favorite historical characters are like,
if they hadn't done it, it wouldn't have happened.
That's right.
They forced or forged a consensus
that would not have existed otherwise.
And his intellectual predecessor was this guy named Lemkin,
a displaced European Jew who lived in America,
who during the Nuremberg trials
and then the founding of the UN,
invents the word genocide, which did not exist.
He gives the crime a name. And you would think coming out of this horrendous genocide,
everyone's like, yeah, we definitely need a word for that
and we should all be opposed to that thing.
But there was not a consensus.
It was inconvenient.
And it was only the force of will
of this singular human being that wills
a concept into existence.
And again, you might go, what is the concept?
The concept doesn't matter. But having a you might go, what is the concept?
The concept doesn't matter, but having a word for something
like having a footnote in a Supreme Court decision,
it's the only way, it's the most necessary first step
in hopefully eradicating or preventing that.
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Yeah, you know, I keep coming back to this idea that history favors the doers and not
the critics, right? This is true of the entire sweep of history. Who are the critics that
we look kindly upon, right? Who are the critics that we look kindly upon?
Who are the critics that have the biographies written
about them unless they have done something truly terrible
with their lives and they're worth remembering as a villain?
And the people that history smiles most kindly upon
in many ways are the people who just kept doing
the next needed thing.
I love that phrase in your book.
Yes, that just the next needed thing. I love that phrase in your book. Yes, that just the next needed thing.
These are people without some grand five-year plan.
These are people without access
to the levers of power by and large,
people without fame and fortune by and large,
people who are often very marginalized by society,
who just continue to do the next needed thing.
And the effects of their actions are still being felt in the United States today in some
cases.
And in some cases, the effects of their next needed thing, it's almost incalculable, the
effect that they managed to have outside of the traditional levers of power.
And that to me is a really interesting,
an interesting proposal to think of.
We think about how do we make change in society?
We always think about using the levers of government.
As a long-time government teacher,
I can tell you that's an important component of it, right?
Sure.
But yet, so many of the big and important
and lasting changes, especially in American society,
have been enacted by people who just decided
I'm just gonna try or they were almost in opposition to government
I don't mean that in the libertarian sense like I love Florence Nightingale
she wouldn't be a small but mighty figure is not really American but like you think of her and
Every one of her reforms was done in the teeth
of enormous army bureaucracy and government inaction
and inertia.
And so like, because it was inconvenient,
because it was expensive, because she was a woman.
And so often what these people do,
like there's a famous poem about Florence Nightingale where she's the lady
with the lamp, and this is all the art.
And one of her aunts who volunteered with her
was like, she hated that.
She was like, that's not what she did.
She's like, the image of her is at two in the morning
with a lamp doing fucking paperwork.
You know, like her force, she was a bureaucratic warrior
and a reformer and that like oftentimes,
yeah, that next needed right thing is like,
let's help this person and let's help that person
and let's set up this hospital or let's do this campaign.
And yes, so much of that is not only not with the government,
levers of governmental power,
but it's usually done in resistance to the powers
that be even if they're in agreement.
Like that's like, again, with the civil rights movement,
the civil rights leaders had a lot of democratic,
Northern democratic support, Johnson and Kennedy,
both Kennedys, but they were like, you're moving too fast.
Or like, hey, I have these other concerns.
And so there was this push and pull.
They were very astute political fighters who understood,
hey, Johnson might be sympathetic to me
as far as the cause, but he's only gonna do,
he's only gonna support me here
if there's political pressure upon him
or if events dictate that he has.
And so they were just really savvy at using the media,
using public support and all that.
Like that's an underrated part of it, I feel like.
They're just doing the thing.
Yeah, well, and again, they're doers, right?
They're not the critics.
They're not the people who are just like,
oh my gosh, Johnson is so lazy.
Johnson just, he's all talk and no action.
Like nothing will ever happen.
That would not have yielded the same fruit
as people who just did stuff, right?
And I think so often we wait for somebody to come by
and we're waiting for somebody to come by
and give us permission to start doing things.
We're waiting for some group, who knows,
to give us their stamp of approval.
And the civil rights movement is full of people
who did not wait for permission,
who in fact would have never been chosen.
I think about people like Claudette Colvin,
who refuses to give up her seat on the bus
well before Rosa Parks does.
And she's a 15 year old girl.
And she says in that moment,
when the white bus driver tells her
that she needs to get out of her seat,
she had been sitting in a seat reserved for black patrons
and the white section filled up.
And so he was trying to force all of the black patrons
to move back.
Everybody else in Claudette's row gets up and moves back,
but she refuses.
And she says in that moment,
I felt the hand of Sojourner Truth on one shoulder.
Who actually was the first person to fight
for fair seating on a public accommodation.
Yes, yes.
In Washington DC, like a hundred years earlier.
And the hand of Harriet Tubman on the other.
And she of course, Claudette Colvin is still alive,
but at that time-
Frazee by the way.
People think this was a long time ago.
No, not a long time ago.
She would not have known the phrase,
history has its eyes on you.
Because she would not have seen Hamilton in the 1950s. But nevertheless, that's exactly what she felt in that moment, that history had
its eyes on her. And that she has the courage as a 15-year-old girl to do what she viewed as the
next needed thing, which was to resist an unjust system of oppression. Well, and to go to the point about the levers of power,
also, you know who was opposed to the Montgomery bus
boycott, if I remember correctly?
The NAACP also.
Like, not once it got momentum, but they
had a plan for how they were going to do things.
And so oftentimes, there's even disagreements within factions
or within causes that are largely in agreement
with each other on the timeline, on the right people.
And there is an element of it's ultimately moved forward
by the kids who are like, hey, let's go do it today.
Let's go integrate the counter at Woolworths today.
And that forces the hand that starts the movement
that the people at their desks
in a big expensive nonprofit in Manhattan
are just gonna have a different timeline
and a different view of prioritization.
Totally.
And Claudette feels cast aside
by the machinery of the movement,
because she becomes pregnant.
And so she's a pregnant 16 year old.
And that is not the face that they want to put
on the front of the newspapers.
Not in the 1950s.
Not in the 1950s, that was not acceptable
to be pregnant outside of wedlock.
And it certainly was not acceptable
to be a pregnant black teenager.
And so she was not the person
that they could have elevated to that status, right?
And so in many ways, she feels really salty about it.
She feels like, listen, I was out here
doing the thing before y'all were
and I get no credit for it.
And then I get convicted of crimes.
And she finally, within the last couple of years,
begets her criminal record expunged.
And it took literally until, I wanna say it's been
within the last three to four years that her criminal
record was finally expunged and only because she fought for it. Not because Alabama was
like, you know what, that was our bad. You know, like she had to say, I actually did
nothing wrong here. You accused me of things I didn't do.
It's weird how we tell ourselves, it's not just that it's historically untrue, but we
tell ourselves a story that's actually like disempowering.
So like we tell ourselves even about Rosa Parks
that like, okay, this is this little old lady
and she was tired and she's just, I had enough.
And then that's how it happened.
And it's like, actually, no, this lady went to a school
where they trained her to be like an agent of chaos
and a disruptor.
Like, I think that's been one of the most eyeopening things
I've understood in my study of the civil rights movement
is they weren't just like brave
and they weren't these like saintly,
naturally endowed heroic figures,
but like nonviolence wasn't just,
oh, they went to church
and that's when they learned nonviolence.
No, they would practice getting the shit beat out of themselves.
And they would practice having white people say
horrendous things to them at these schools
and they'd practice not getting provoked.
Like they had all the regular impulses
that any human being would have,
including hatred and resentment and anger,
all very deserved, but they conquered that
in like the stoic sense of the command of oneself
is the greatest empire sense.
Like a soldier, that's how they did it.
Yeah, you know, I was talking to somebody about this book
earlier this week, and it's
always interesting to hear what other people take away from your own work, right?
And the takeaway that this person had was that every single person in this book had
learned how to suffer.
And then they used that suffering for something else.
And it was an interesting thought to me
that everyone has learned who has made significant change
learned how to use their suffering for something.
Yes.
And again, it feels like it's so long ago,
but I interviewed Ernest Green a couple of years ago
and it was like, it was someone my age's grandfather.
Like not-
Totally.
My grandmother went to Little Rock High School.
Did she?
Yeah, before it was integrated.
Yeah.
So again, that's not a story that,
when my parents talked to me about these things
Yes.
when I was a kid, it was distant past then,
not like, oh, grandma could tell you about this.
You know, she went to an all white high school.
It's like, no, this was a long time ago. And it's like, no, grandma could tell you about this. You know, she went to an all white high school. It's like, no, this was a long time ago.
And it's like, no, these people are still around.
Yes, they're still alive.
I think about like the Little Rock Nine
that was happening in September of 1957,
which is when my mother was born.
Yeah.
Shoot, my mother was born in September of 1957.
Like that's what was happening in the world
when the person who gave birth to me was born.
Yeah.
The idea that this is just some, and I know you deal with a lot more ancient history That's what was happening in the world when the person who gave birth to me was born.
The idea that this is just some,
and I know you deal with a lot more ancient history
than the average Joe Ryan,
but these events in this, you know,
America's a young country, right?
And most of these events happened
within just a few generations of us.
And I think it's also worth reminding ourselves
about how far we've come, right?
Like there's a lot of work left to do, but sort of the trajectory, that moral arc of the universe,
you can see how it in fact does bend toward justice when people work to bend it.
I hate that quote. Yeah, because bends is passive. It's saying that it's like, it's bending under its own weight, like a heavy-
Like a rainbow is already bent.
No, it's pulled down.
Like a bunch of people, people in your book,
people I've talked about, like people-
Bend it.
They reached up and they grabbed it
and they pulled it down with their body weight,
and a little bit at a fucking time.
It's bent that way. And by the way, other people not only resisted them doing it,
but were trying to bend it in the opposite direction.
That's right.
It's like, I'm writing about Lincoln a lot right now.
And I think we think of Lincoln
as the guy who abolished slavery,
but the primary fight of his time,
it was first and foremost
to stop the active expansion of slavery.
So not just like, oh, like people go,
oh, he didn't actually wanna stop slavery.
Actually what Lincoln was trying to do was not like,
it's not like Lincoln was okay with the status quo.
And by the way, neither were the slave owners.
The slave owners imagined in America
where slavery was legal across the entire country,
and they had their eyes on Cuba, and they had their eyes on huge swaths of Mexico,
the parts that we hadn't already taken. And they saw an enormous slave empire occupying
the Northern and Southern hemisphere. And so it's not just that the arc of history
bends towards justice because it doesn't,
it's bent that way.
But if it is not bent that way,
do you know what direction it can go?
Like there are awful people who want not just to keep,
like it's not just their conservative forces
who want to preserve the status quo,
but there are often very radical forces
that want a new reality you can't even fucking imagine.
A horrendous one.
Yeah.
Yes, and you can look no farther than Aaron Burr,
who decided after he killed Alexander Hamilton,
that he was going to try to seize portions
of North America for himself
and contacts people in England and is like,
you wanna help me out?
I'll be a friend to you if you let me be the ruler
of this section over here, this little section of Texas
and Louisiana, I would like it for myself, please.
And then of course he's put on trial for treason
for attempting to do that, he's acquitted.
But nevertheless, the history is full of people who,
they're not just low level resistors, you
know, of like, no, I don't want you to change that. Keep that the same. I think that's how
we tend to view people who work in opposition to change makers. Yeah, no, I just want to
keep things the same. No, there is a faction of people who would like to radically remake
the country in their own image.
They have a profound vision for a different world.
Yes.
And it's vicious.
Yes, yes.
And you see that at work today.
That demon of unrest is afoot in the country today.
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