The Herd with Colin Cowherd - Joe and Jada - The-Dream on new album ‘Love/Hate 2,’ writing Beyoncé & Rihanna hits, growing up with T.I. & chemistry with Clipse

Episode Date: July 9, 2026

Fat Joe and Jadakiss are joined by singer, songwriter, and hit-maker The-Dream, who tells Joe and Jada about his writing process that led to hits like Beyoncé's "All The Single Ladies," RIhanna's "Umbrella" featuring Jay-Z, and more. He talks about his new album 'Love/Hate 2' (dropping July 10th), how he writes every song like it's meant to be the 10th song on Michael Jackson's 'Thriller,' his classic chemistry with Clipse's Pusha-T and Malice, growing up in Atlanta going to the same elementary school with T.I., and much more. Joe and Jada is now STREAMING ON NETFLIX! Merch is here! https://joeandjadashow.com/ All lines provided by Hard Rock BetSee omnystudio.com/listener for privacy information.

I've been in sessions with guys that we thought were the greatest make me coming. All their friends are acting like just incredible with the music straight trash. I call it the producer bounce. They're trying to convince you that the shit hot and they ain't. They hit you in the head and all. They're like, yo, nigger.

And I'm like, nah, nigger, that shit ain't working on me, cuh. Yeah, yeah, what up, y'all? This is Joe Crack to Dawn. You know who it is, your boy Jada? It's the Joe and Joe. It's the Joe and Jay The show Every show legendary

Every show Iconic Meaning We busing your asses Your dream I know you ain't from New York Don't let these people Hold up

Hold on Don't let this man take you Hold up Hold up Don't let this man take you To know other podcasts EP Shout out to my brother E.

EP Don't take them to the wax shit EB Right now he got to look E.P. How old you been knowing me? No, not, dream. You look like a star right now.

Don't go to them bootleg shit. That shit. They is not. I'm sorry, Kiss. We told me. None of them niggas. Like, yo, this shit is over for them niggins. The miggins is, you know what I call them

motherfucking podcast right now? Them shit is like the hospice. They ready to die, niggas. They're ready to die. They're floating right now. They're on life support. They look flabby and sick.

Gang kiss, gang kiss. Lay up. They gave him the Pudor today. Oh, that died of Pepsi. Came out with that thing. When you think of today's guests, we're not talking about just another name in the credits. We're talking about the architect behind the anthems

that raised the whole generation. You hear me? You think nine Grammys. You know how fucking hard it is to get nine grand I ain't got one man At this point I'm begging Nine grand I ain't got one I'm talking about diamond plaques

Hook so strong they turn R&B Pop and hip hop into one conversation You think umbrella Huh Single ladies All of the lights A pen A pen so sharp and bent the culture in real time.

When you think of today's guests, shit, he's talking about. You think of the quiet mastermind who turned love, heartbreak, and temptation into scriptures for the clubs, the cars, and the late nights. You think a two-decade run still hitting new gears coming back with love, hate, part two. Just to remind everybody what real songwriting

feels like. When you think of today's guess, you think legend, you think visionary. You think one of one. That's right. Ladies and gentlemen,

welcome to dream to Joe and Jada. My brother. Crazy right now. You ain't me. You got that Botegger scoff, that leather shit on

right now. You got a little waving. I had to hit it a little bit. You came up in here looking like the dream. Looking like the dream right now. Mawfucking looking like dream. You know I had to get right. I know y'all was up here.

You know what happens to me, dream, man, is, and then we're going to go. I know I'm bet. What happens to me is I want people who are fans of fad,

Joe, wherever they see I want to float by. I want them to say, damn, that fat Joe, they look in the restaurant. He flies smelling good. They look, this, damn, that's fucking fat Joe. They want to see me pulling off with some drop-top shit,

some shit. Y'all, fat Joe. Sometimes you're a fan of somebody and when you see him in a person, they don't look like what they advertise. The dream looked like the fucking dream right now. He looked like the fucking dream. You know, dream. You're doing me that experience

Man, I appreciate it, bro. I'll take that. All right, thanks, brother. You got your flags, you know. What's why do you want to throw the... Just in case. Oh, I got all right. That's right.

I do got my flags over here. They got the first one kind of matching you over here. Your dream, let me ask you a question, right? So when you do it, I'm just skipping all the way and say, when you do a show or tour, do you ever do a segment about the songs you wrote for other people? Man, that's so crazy that you say that.

Because that was the, that's, that's the idea going into this next phase of my whole shit is breaking it down. Like how, and even on stage, like, I don't think, um, these songs that I've been doing, man, I do them so fast that I just became accustomed to, I was just talking about that with the camera.

It's kind of the same. thing. I'm like, I didn't get pictures the first time around. I wasn't taking pictures. Meva. I was just grinding, go in the studio. Like, all right, see y'all later. Versus, amenis. I think Lenny asked, the reason why he came up

is we were working in a Mercer on no church and, yeah. And so, he has this picture of the Yays made about mines and Jays, like all three, like on the street. And I had to ask him for the pigeon. I could have to

took the picture myself. But I have to ask Lenny. Lenny got like $2 billion worth of pictures over there, by the way. I got no pictures with Biggie Smalls. Oh, no. That was my man. See, that's what I mean. I got a blurry one somebody cheated and shot off a balcony.

And we're like fucking grainy. I don't have no clear picture with Biggie. I got one with me, him, puff, Kim, and Bone Thugs. I got like three. I got like three pictures. And you was with him every day. You're on fucking smashes, the Benjamin's, all that shit with.

At one time, it wasn't about pitches. I'm only got like three or four pitches with big. I don't got a lot. That's crazy. That's nuts, right? Yeah, we wasn't taking pitches. We wasn't taking pictures back.

And it was the other one. Oh, yeah, right. Yeah. That's right. Yeah. Motherfucker ran out you and said, yo, let me take a picture. They had a whole fucking orchestra.

with them. They look like Andre 3,000 at the Met Gallo they can pull out the bazooka camera. Yo, it was so rare for someone to have an actual camera back in the day. Because it wasn't on the phone.

It was like you had to have a camera. Exposable. Exposable joints. You had them, yeah. Joints you're going to graduation, your mom's thing. Get them a little Kodak joint and drop them off

at the pharmacy. Your dream, you're special. You're very unique and extremely, you're a genius, you're talented. Thank you, man. I love when you collaborate with pushing. Not just clips, not just

when you're pushing. Yo, let me tell you, that's one of them I'd be looking for. Right? I don't care if it's a smash. It's not a smash. For some reason, he bring out that.

You'll be on that shit when you on there with push it. Like, you don't turn it. I love you. You over a killing niggas on that So I feel You know, it's like one of those things where you're like, yo, that energy

Because I'm from the block Like regardless of what it looked like, I'm from that space But I do a different thing But whenever that energy is around, I'm like, You get right in that change. What?

I'm like, yo I'm been waiting. Like, let's go. Let me get one of those. Yeah, I like even if we're just talking on texting just lyrically going back and forth. I like the sparring even in that case. When did you realize your voice?

Your voice is... Everybody's voice is an instrument, but your voice is a different... The shit is incredible. And you... The way you were able to go, you know, different ranges and hit different notes and take it... When did you really know?

I got one of these fucking most incredible voices of all time. The craziest thing... I used it more as a utility. I never really thought that much of my voice in that way because I felt like everybody just had a unique thing that they did. I didn't even understand something that you just said, which was the range of a thing to go into a falsetto that type of way out of a tenor

and how I was doing it. A lot of that came with band. I started playing trumpet in the third grade. So because band happened and I was just talking about like festival music and stuff not too long ago. You're going into like, festival music is this thing that happens like around Thanksgiving and Christmas. So the band, if you're young and you're able to actually go through this thing that I went through, which is great. You have clarinets, flutes, you have all these sections coming together to do a particular thing.

So in my mind, when I was young, I could hear even now. I can't even hear a note without hearing the other parts happening. So my voice transitioned just into that. What do you mean by that? What do you mean? Because I really want to understand that. You can't hear an instrument without hearing the other instrument. What do you mean?

Nothing could be like singled out to you. Like you hear it all. I hear it all. Even if the lead vocal stays with the lead, I still hear all of the harmony notes that go with it. I know exactly when they should happen. I can feel a buildup in the momentum. And in band, it's written on your sheet music.

that you were reading in festival time. I was to read music and to say, oh, crescendo is coming. Like, everybody knew there was a swell coming. Like, all of that stuff I put into everything that I'm doing here on this side. But it's just, you know, in the beginning, I never talked about as much as I just started kind of open up and talk about, like, how that impacted me a lot as a kid. And now I'm trying to make sure that the kids got that again because they just took the shit out of school. You know, like when I got, I think in high school,

they were just like, nah, we ended the programs. I'm like, you're keeping everybody from selling dope. Like, we need to keep doing this. But they pulled it out of school and kind of, yeah, I'm still a little heartbroken about that. You already know when it's a real moment, you need a real bottle. That's why we rock with 1800 tequila.

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that's the move. True, true, true. One. Some of the artists you looked up to growing up, and then two, what's your country? class of the ATL. When you came out, who else was popping at that same time?

Who else you was looking at like, all right, I got to step my shit up or I'm happy for them. I've seen them at all the talent shows. Who are some artists you looked up to previously before your time? And when you came out, came out around the same time that?

It would be Sam Cook, oldest reading, of course. and man it was just just another machine of course we all Michael

Prince I got later like I feel like Michael was the person that you got when you're young you're trying to do all the dances and shit Prince was saying

shit that you probably didn't know what you're like I don't know what he's saying you gotta be like 16 for you like

that's what he meant that's what you meant by Nikki now I know exactly and so to grow into those four

four guys like at that cornerstone man for me that's that was why I honed. I always tried to, the best way to even put songwriting

was trying to write the 10th record on Thrillet. Hmm. Every time I write, trying to make whatever the 10th record would be, can I make that album? And so that's how I just went into my whole career on this side. And when I was coming up, me and Tip went to the same elementary school.

Like, we were from the same block. That's right. So I've been doing this thing since I was, we ride Mike. So I'm saying, well, when he was deflating the basketball in the park. That's what he said over there. Center Hill. He said they wouldn't let him, so he started stabbing the basketball.

Yeah, that was it. Yeah, there you go. That was simple. And so watching his rise and being happy, he's like, no, from my block, this is crazy. And just Atlanta in general, y'all understand, like, for us, for you guys, y'all had the business of it already put together how it worked here. We just knew how to get jerked for our money before y'all. Yeah. It looked like me.

I'm just getting robbed before y'all. Yeah, we did sacrifice. We were the lambs. We were the sacrificial lambs up here getting raped and pillaged by these niggas over here. First, it looked like we do business. And they robbed us first. Then they went down there. Yeah, true.

So with that being said, you know, the South was like based on that Bible Belt, man. Like it's based in, like, that church thing. We didn't even think, had an idea of you can make bread from doing that thing. It was just, we were just doing it. Even with rap, we were just battling because we saw the shit. We went thinking like, oh, you can make a living. We was already setting up in our mind. Our living was going to be a certain type of way, especially if you had grandparents around everybody.

Church, you went to church, you had to get the band. I mean, you had to get in the chorus. I don't care if you could sing or not. You're in the chorus. You've gone up in there sing that same thing. You sung at your auntie house last night. Going up there and sing it. that's how I grew up in that space

and then once we got the business part of it I remember the first thing that clicked to me I saw Dallas Austin at Lennox and that that nigga had shout out of Dallas that nigga had a, I think a 430 had a Ferrari something

I saw that shit I was like wait he don't sell I know you don't sell dope what you get? He's like shit somebody told me like, oh, that nigga write. I said, I'm sorry, what?

TLC. He said, he write music. I said, nigga, you get that for writing music. Nigger, that changed my whole shit. I was like, oh, nigga, I've been doing that this whole time. You got a Ferrari out of that. You've been one of the few that are a star on your own when you drop your own music and able to write hits for others.

Unfortunately, sometimes when people write hits for other artists, humongous hits. They want to be an artist themselves, and it never happened. It never pop off. And I personally, I think I'm one of the great minds of music. I'm not lying to you, right?

I really honestly believe that. If I told my family that, I'd be like, yo, I think, you know, I know this music shit. Like, I'm arguing with Remy right now. I changed the drums on her new song and she don't like them. And I'm like, I know the hit.

Don't play with me. Nah, I don't like it. I said, no, I know the hip. I do the shorty swing my way Now you're out of here What you do? Some drums, Shorty swing my way

Like I'm trying to You gonna make a girlie Nah We ain't gonna see that no more You couldn't wait for that I couldn't wait I just seen some hips going And I'm just look over here for a minute

I'm just trying to say I know music And so when I see Brothers and sisters That write hits for other artists but it don't happen for them, I couldn't figure that one out yet. I don't really have a real answer

for somebody who writes the biggest shit in the world and then they want to be an artist and they don't go nowhere. I don't have that answer. Like, you know, I really study all this shit and I'd just be like,

and I'll be confused like how they can't blow up as an artist, but you, one of the very few that could write umbrella, but righteous self hits and become a star on your own. You're double blessed by God is what I'm trying to. There's some other people that deserve it too, but it didn't happen for them.

That means it didn't deserve. That's actually, that's really good line. Yo, this guy's crazy. I try to tell you all that shit. Seriously, no. You lost your mom's at 15. Yes. How did that impact?

Oh, man, that's everything. That's everything. thing, man. That was my favorite person. To lose my favorite person that like that's not, that won't ever not be a thing. It ain't something you even wake up like, all right, cool. Today I don't care of it.

It's 12 p.m. 3. 30. At some point, you're going to think about it. The more success you have, the more you think about because you know that they're not here to even basking that thing to talk about hey, man, it's my son. And that's my, you know, and it's a certain what the craziest part is the

protection you missed of a mom looking at across like what you want girl no no you need that thing is a un you don't need to talk about that's a different type of thing they just step in like you don't know she had a conversation like hey don't come around here no more you don't see yeah see that shit you don't yeah but i used to go to war and come home my mom ain't know what was going on i throw my legs on and she rubbed my feet like i'm a baby wow and i understood that the I was sitting the couch like and your mom's always

you said so how do you get over the trauma of being 15 losing your moms and just staying right? Because I got a nephew. My sister passed away. He ain't been the same sense. If I ain't have music, man,

it would be a different it'll be a different story. It's more than my outlet. And a lot of those that's why I would have that kind of chemistry with Ree and B those things because I'm giving them a thing

I can't even give my mom, by the way. And there's certain things happening on just even a spiritual level in those times where any time I see a woman in that space that's just, that's my mom

I'm dealing with. Like, anytime. And so you never get over, you turn it into, it's easier to say it to done because you don't sound like something, that a teacher tell you, turn it into a positive,

you know, whatever the thing is. But that's exactly what I did. A lot of those songs, man, near and dear that feel a certain type of way, all that feeling is still my love for my mom and my admiration for her. And that's how I'm able to exist on that side and tell it from that point of view.

I was having this conversation at the barbecue the other day. Glezy. Nah, the glissies always the glit. They made some whack glissies, how you're doing? I don't make a wag gliss, man. That's when I knew shit was all,

this shit was bad, man. Like, the glizzy wasn't hitting. I was like, if the glizzy ain't, like, how do you fuck up a glizzy, my nigga? You buy the Nathens. You boil as shit. How do you mess? I knew it wasn't a vibe, man.

But listen, I'm not saying that. The beautiful thing about having a barbecue in the house, shout out DJ Serge, he was killing it. is just, you just get to playing music. And then we started discussing, like, movie soundtracks in, like, the 80s and 90s. And then in the face, they had, waiting to excel in a boomerang.

Those soundtracks, like, back in the day, soundtracks, Soul Food used to be like, the soundtracks used to be everything. I was just talking about this. I was like, man, you know what? It's because the culture It was so great at stuff

We dismissed it so soon And we just stopped doing certain shit It's a testament to how great we are We just get bored And we just try some other shit That shit didn't never not work It always work It always hit straight home

You was able Artist was able to graduate On those soundtrack Out of a space You have to use your own album To say, I'm trying to turn the corner Here y'all going to let me turn it They're like not without that picture

I need a picture of what that scene whatever that scene is I need that picture and so we're not able to do that now because those those type of films aren't even being generated in that space and we just stopped doing it that shit was like hip-hop

one way like it was like death even when DMX came from Pac-all-way like all together boys to men like they man they they biggest them soundtracks has some shit on there.

Mama? That shit was crazy. But that was an outlet. That was our thing. Have you ever not heard a song? So think of all the music we consume and everything we know. Have you ever been to a barbecue

and they play like an old school song? And you're like, what the fuck is that? My nigga, that shit happened to me. I was stuck. The song was so good. I made them play it three times. I'm like, What the fuck is that?

I never heard that. Everybody was like this. My aunt knew it. I was so shocked. I never heard. I got to ask Serge. Don't worry. Hopefully he wasn't frayed.

He's like, I heard it three times. I don't know. No, I made him play it three times. It was on B. Yeah. Oh, you know, I never heard it before. Yeah, every now and then that happens, though. I feel like

But it's hard for me man I don't want to tell you that I'm Damn near a foster one that old And I Yeah Listen my mom's passed away A faucet Before she passed away

If I called her right now She was sitting there listening to old Like my family's so music I mean 24 hours a day My mom's go to sleep to the So it's so hard that I don't know Our own school record And they could play that shit.

That's the sound crazy. I was like, yo, what the fuck? What's that? I said, play that shit back. She was talking that shit. I was like, yo. And then I looked, my aunt knew it, but I was asking everybody else. So you ever heard this shit?

It was like, no, I never heard this shit. It was like, but did it? Have just ever been this song that you guys ever heard like at a barbecue that you was like, yo, I never heard that before? Wow, that's a good one, Joe. I don't think. Sure, it has. Yeah, I just don't remember when it happened to me.

that shit happened to me the other day, bro. That shit was crazy. This song is fucking amazing. And y'all, let me tell you something. Maybe we can save it for the next podcast. But your man, the chef at the restaurant, I'm trying to save him. By your way, I went to Italian restaurants,

the greatest on the planet Earth. The chef called me a hundred times. It's a little joint, and I keep telling him, I told a chef like 20 times, yo, chef, he hit me up. He was like, yo, say the name. say the name.

I say, yo, I don't think you ready for this type. We went Johnson's fried chicken. They used the mustard. I know down South you, I used the, over here is rare. But my spot, Johnson's fried chicken, they got the mustard sauce. Guys were selling 20 mustard sauce a week. Now they sell 85 mustard sauce a day

because we mentioned their restaurant and we did something. I keep trying to warn this guy. He keeps saying, yeah, do the who? Well, ladies and gentlemen, the name of the restaurant is called Padre Pio. It's right over Padre, like Father Padre Pio. And it's right over that Cuomo bridge. That was another, that was tap.

I want to call him now, though, and let him know. He told me to say it. Yeah, I know, but you won't let him. I told him 15 times I said, you're not ready to it. Pio, hold him, Florida. Run it up. Hey, don't run out of whatever you got over there. Don't run out of it.

Y'all went two times in one week, and it's kind of far from my house. It's like 45 minutes. I like them type of spots. I went to, it ain't the spot no more. He made me say it. I don't think he understand. Now you can't go.

You can't go back? I can't get it. I probably get a fucking stoop at the bar seat. They're not giving me the shit. He just go Uber eat and everything. You ain't going back. You'll never know high gloss. You'll never know high gloss.

boss is the artist. This shit. Pull that up. Don't stop now. I'm at the pool. Oh, yeah. You were definitely, a hundred.

You was slizant. Oh, no. This shit sounded like, like crap. Wait until she start talking that shit. Ooh. First of all. Oh, yeah.

You'll never know how lost, you got it there? Hold on. That ain't it. No. No, there ain't been. Oh. Come out of here.

That's this over. Never mind. Not it's over. Bep-Bin-Bet. Stuck the whole shit up. No. That nigga went. That nigga went and put on Pat Ben-Bennysaw.

That shit. Yo, Nat Kink. You, that nigger, too. Yeah, he was about to hear some shit That nigga went it through on all My man New York Yo, he pulled the wrong one

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Hey, I'm Tori Webster, and I host That Digital Take. If you've ever wondered how the internet really works, from influencer culture to digital marketing and pop culture, this is your inside look. Each week, I share what's actually working online, the behind the scenes of building a career as a creator, and real conversations with people shaping the industry. Think of it like your big sister guide to the digital world. Follow that digital take on IHeart Radio or wherever you get your podcasts. Speaking of handsome shit 19 years later You come back

With love and hate two What was the reason for the time Was you just Kids you know these Kids you know these things You know we got I feel like I'm sure y'all do

You got albums and things you start on Other things come up And you just hope You know You just hope for that one Get out the bag You know It does the thing

And so my shit was Literally Love hate too made itself. It named itself. I ain't even forced it. I ain't do nothing. I got eight other records that I would love make their way to prime time. And they literally just

chilling on the sideline waiting on me to pick them. And then I feel like if they actually were people, they'd be like, oh, you're going to pick the new you got the new energy out so you ain't fucking with us no more. And so I got like about eight of them things that I actually want to put out this last one.

This love, hey two. It wrote itself, man. And it made way into the, you know, onto this planet. And so I'm happy about that part. Because at least I know it's organic and it's natural for me. Yeah, that is coming out. I don't know what you heard already, but, woo, it's a height.

A height. Yeah, it's all right. Being modest. I'm just saying, it's a height. Like my man, Cracks there, you hit him out of the park always. You got that, you got that air for music. You got that voice, like I said, and sonically, you just put, every day you knock out the bar

I mean shit for yourself you're right for people I just love you got one of the singles with usher yep got one called Tampa

yeah that was real that's a good one right there that's a good one that's going to that went in the dream show as soon as I made it I was like oh that's on I don't care what it do

I don't care how it perform all that thing you go hear that you know you had those certain records on your joint you like yeah what's going on I just got it. I don't care. This was happening.

And it was just time for me and him. Me and us just did a lot of records for a certain thing that he hasn't put out yet. And I'm one of those guys that stay on your act. Like, I'm not, I'm like me. All y'all, by the way, all y'all star motherfuckers? They ain't together. None of y'all. I walk in that same room.

No, no, that ain't it. You can be God. That ain't it. You do it. I would. I would do it to the I've done it. Need more of that in music.

I had a classic episode where I said he kept going who I can't do it because these are legends. I've been in sessions with guys that we thought were the greatest make me coming.

All their friends are acting like just incredible with the music was straight trash. I call it the producer bounce. They're trying to convince you that the shit hiding in the eight. They hit you in the head and all. They're like, yo, nigger.

And I'm like, nah. Nah, nigger, that shit ain't working on me, Cah. You ever been in the studio that the music was so loud that you thought it was dope? And then when you heard it again, you was like, yo, that shit trashed. See, that's why they don't want me as dude. I put that shit, I bring that shit down to the NS10s. I'm like, no, dude. No, let me hear this.

Put it down here, though. Yeah, yeah, yeah, let me hear that. Let me hear it for real. They hate that shit. No, I got that problem, though. I ain't going to lie. If it's one of my songs, I'm blasting that shit. No, blast it.

No, I'm saying. A new song. I don't know if I gas myself with the loud music, but I blast that shit. You just like loud. I got to hear it loud. I don't hear TV. My TV had a hundred all the time.

I can't hear nothing. I got a movie theater. The shit is the loudest shit. You hear a can if it falls down the block. This is just fucking whole house. Leaves this shit. I don't give a fuck. Like I need loud.

I don't receive it the same way. We got two unreleased tracks. I'm telling you right now before we even hear it. It's incredible. But let's go. You ready? You don't play Pat Bennett. Don't play Tony Bennett.

Don't play Tony Bennett. Come on now. Let's keep it 1800. That nigga don't want to stunk to join us. Okay. How you let your man's play that shit? That nigger, we wish you a Merry Christmas. Dang, though.

Wish you a Merry Christmas. That's when the Tief's saying, I don't know you for the wrong reason. Yo, that nigga, through him, we wish you a Merry Christmas. I'm like, yo, my man. What kind of shit? Come on, man,

fuck up the vibe. I wish you a Christmas is a sick. I'm just trying to keep it. Actually, I don't know how you play out. That ain't a good example. Love and 8, too. That's a huge. hit. Yeah, that's a fact. We wish you a Merry Christmas

this time. Yeah, but I'm not saying the niggins do on fucking Liza Manelli and all. Yeah. Tony Bellet, the tribute. Tony Bennett, the Tribute. He said, he was still on out. Guy around. Talk. Keep it 1800, man. Right, let's go.

Love 8, too. Woo! Unreleased joints. Make sure y'all get that. You're going to put, you're just going to take a break and hear some smokers right quick. Oh. No, the biggest in the game, you know what I'm saying?

Yo, do me a favor. Don't ever take them to the bobb of spots. I'm trying to. It ain't no fluidity. I started the show off with telling them don't take him to nowhere else. Don't take him nowhere else. Stay up here all day.

He got to promote it. You got to promote. Wasting your time. Right here is it? This cream of the crowd wasting. Going over there. They want to talk that shit. You really don't want to talk about who's your ex-girl.

What you do? Oh, man. This dad. That's why I stopped going to do none of that on me. None of that shit is the fluid. Joe. Come over here, they sit. Why they sick?

Because all we do is talk to truth. Joe. Culture, talk to this. Don't make me that. These guys are flabby and sick. I see them get into girls shit. They over there, yo, this podcast and said this about this. Shut the fuck up and talk about something we give a fuck about.

I know we got to be doing good now because they got things saying incredible shit. The guy said, you know, you let T. I play a song about dope. They let Miss Miami say this. Oh, yeah. Oh, yeah. Oh, yeah. You know what's hip hop?

Hey, how are you waiting? Yo, and it's sad because the guy looked like he's a nice guy. Like a tax man. I hear him back. I say, you're my brother. He's an asshole. Hip hop is subjective.

Hip hop is subjective. Yo, what's up with young Miami? She got the hottest song in the game. We broke that record here, by the way. We broke that. That was not the single. He's here. He's here. He's here.

He's here. We broke that shit here. That shit went to the moon after that. And that's what it's all about. Yes. We breaking records on this fucking show. They looked at us because, you know, this guy's top five. They're alive.

That's that joke. They said, why are you lying to that girl? We said, no, that shit. A hit. They said, you know, spend that shit. Niggins is just doing the debt. Y'all seen a lot. Tacos stand, Mexican guy.

At the taco stand. He had to dance. He started doing the jumping up. Sand this ass there. I see, yo. Yeah. They got the tacos then. She touched that New York.

Saw you. That electric, that third rail. I got the kite from Miami. They was like, yo, we love how you threw that day county up on that, on that float in that New York, that New York Nick Paray. You know, that was a different kind of like, she solidified. She put Wu-Tang ball deep The Lops, fat, Joe. Fucking, she is in.

Her V-I-G! Oh, oh, oh, oh. No, no, no, no. Oh, we didn't do staff. No, no, no, no. We didn't do a radio production guy. Yo, well, you guys got nervous on us. Y'all never do this.

What's going on? Nice on the ones and twos. Yes. I'm just the ones. We need a DJ. We ready now? What's the name of this joint right here, drink?

We need a DJ. I don't know what? I don't know what they might play. Over there. Tampa, okay. It's called Tampa? Tampa. What's so big about Tampa?

Nah, I want to hear this. My DJ from Tampa, all my people from Tampa. Why Tampa? Hold up, guys, please. This story just came from a evolution of person. From Tampa. And it's featuring Usher.

Mm-hmm. And it's featuring Usher. Yes. Smoker. So you, so. I'm with that. Let's go. Let's get it.

week wrong tonight. You got me feeling wrong tonight. Sight. She's been she's in the air. Man, this shit ain't snatched shit right there. Put that rose-cooled on ice. Turn around, baby, and display, gone post that she down, down. Just the time. She owing, spotting all over these times.

And down to your finny, it can weigh your whip at. Two-tone double our records. We have been at. You in my comments. Talking all kind of nonsense. She from Tampa. broke candles and I got manners

came twice went back home that she trying to make that mood Atlanta she met Nana she said this is random but what's a phantom what you want you got it let's get the party started

she never had Chanel like this she never heard for real like this she don't want to be alone she don't want to be at home tonight hold over my phone loving my tongue looking for

Trying hard to justify You're trying to be grown And I got me feeling wrong And I'm like Javinche's in the air Better call up Yeah, but that's like That's sort of madding

You know what I'm saying? That's like That's like me driving on that I-9-5 It's just Total concentration That shit come on It's a fucking fuck

Yeah Hey, you should be here with you where I'm at. You're supposed to be right here. Hey, you're worried about me. That type of activity. I don't know where that comes from. It ain't player. I don't know where it comes from.

It ain't player. It ain't played. Oh, they're player. Joe and Jada Show.com. We got new merch fresh off the presses. Go get it. Big out of big. Boom.

Joe and Jadens Show.com. You can get the little cold for a T. shirt, win a hoodie tag. It's my favorite right there. I need an extra large. Show and Jadishow.com. Go there and get it. Yo, let's go to the next joint.

What's the next joint? Powder coat. How to coat? She said, you sure you want it? You'll kill whoever. Right. If we can't be together.

God damn it. I don't lie, no. I just buy holes. Neck on cry, yo. Wrist on hydro. Calls on pyro. Pirex. I know typo.

Prime time baller, Chodor and Shiloh. As I blow past all my rivals, I just sit back, watch them spiral. Dreaming King Push. We just shrill. We just try to be around the stars, fancy tights, callie dreams, flashing lights, caviar. Next level, next level. We ship along in the fog with your voice. They're up.

We just psycho. We right there. That's what I'm talking about. I got one of those. I call it cocaine. Cocaine music. I got one of those. You know what I'm saying?

That's nuts. That shit. That shit like, you know, you feel like Michael McDonald's coming out. What's the nigga? Almost exact words from your brother. Hove. When he heard it. That's what he said.

He's like, Nick. That's cocaine. That's cocaine music. Like, man, stop playing. That's Miami Vice, my digger. Like, I got one of those. I said, yo, that's what you. That's what I call it.

Topback. S.L. 994600. Oh. That's Ibiza music. That's that too. Cocaine and Ibiza. Oh.

No, that's that Thusi, thusi, b. Y'all see. That's what he's trying. What are he going to do? No, that's why he's saying we're talking drugs and paraphernalia for kids.

I've seen the look at his eye. He just wrote the whole shit right then. No, that shit was incredible. Open up 12 kids. And you know what's crazy is? Usually if I heard a joint like that would push, I would be like, all right, you know, I expect to hear push or some more,

some more dirtier shit. The beat, he gave push the, he switched it. The beginning and then. And then it goes into the dog, the fucking cocaine. That's it. Yeah, that shit's hard. He's doing it.

Then it switched and fucking. Derek for real. Yeah, Derek for real. He did his version. And all I see was Derek for real. And I thought that shit. You! Blow.

Joe, Shriam. That's that shit broke the shit all the way now. Let me show you something. But what I was going to say is seeing push in this run with his brother in the fucking Louis Mansion and all that big shit. They've been doing a fit perfect time. To me, I'm like, all right, he's there right now. Like, I know push Dream might have did this shit in fucking the Chateau somewhere

and fucking Santrope. Pushed to be there. Miami? Beautiful. Damn, damn, cocaine. When is the album coming? I mean, 17. 7.10.

Yeah, perfect timing. You know what I mean? You come here, the platform of all platforms. You know what I mean? Love, hate, too. Talk to your shit. Love hate too. man. You got nothing but nuclear missiles on there.

Your dream, there's no way you can go wrong. It's a couple of artists like you. Don't miss. No, no. How about? He's missed the hospital. I said this to the dude, the kid, the young boy, the sway league. If I was the president of your record company, I would lose every dollar because every time I hear you sing, I would think it's a hit record.

You got me so confused. The minute I hear the dream's voice, I'm like, oh, no, this shit. Spend the kitchen seat. This shit is the hit. This, like, I can't. There's only few artists. Like, that Sway Lee kid is like that, too. When I hear him on the track, I'm like, spend the whole shit.

Yeah, he has a magical. Different kind of voice like you. He has a magical thing. He has a special. It's not like yours, and yours ain't like his. But it's back in. When you hear it, it's like the Nabiscoe. Yeah, you hear the shit.

That shit is just crazy. It's just like y'all. Tram, thank you for all your talents. All the hits you did for all of us. I thank y'all for the time, man. Now that you back working, maybe I can get another. Of course you can. Shit, what do you mean another one?

I'm looking at that. I told you I got that. Come on, baby. You have what? Let me tell you something. All my single ladies, all my single ladies. All my single ladies. All my single ladies.

the ladies, right? Yes. Man. One, just one. That's just one. No, no, no. All of the lights. All of the lights.

That's another. This is all building rippers, though. These shit's is knocking down to building breakers. This ain't that. That ain't this. It's cracking kiss. Make some noise from my brother to Drey.

Love hate two. Let's go. Seven, ten. Get it. Absorb it. Love it. Because it's going to be nothing else like that. I'm not in the universe.

I'm playing that shit. As soon as it come out, that shit going. That's going to make the barbecue that right there. That's going to make the barbecue. Oh, that's going to make the barbecue.