The New Yorker Radio Hour - America at 250: A View from the Streets

Episode Date: May 19, 2026

The staff writer and historian Jill Lepore is an admirer of the Federal Writers’ Project, and the man-on-the-street form of documentary it helped to pioneer. This type of journalism, she thinks, is integral to the democratic project. As part of a special episode of The New Yorker Radio Hour, Lepore collaborated with the audio-storytelling group Transom to create a new documentary on how Americans perceive their country on the eve of its two-hundred-and-fiftieth anniversary. Producers conducted interviews in Illinois, California, Louisiana, Vermont, and Utah, in gas stations, city parks, and malls, on street corners and dairy farms, asking people how they see themselves in the American story, how they feel about America at two hundred and fifty, and what they imagine the tricentennial of independence will be like.  The New Yorker Radio Hour’s collaboration with Transom was produced by Sophie Crane. It was recorded by Eve Abrams, Scott Carrier, Erica Heilman, Yohance Lacour, and David Weinberg. Mixing and sound design by Josh Crane. Music by Jon Evans and Matthias Bossi at Stellwagen Symphonette. It was created as part of Transom’s Listeners Project, an experiment in hyperlocal documentary storytelling.    New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The New Yorker Radio Hour is a co-production of WNYC and The New Yorker. This is The New Yorker Radio Hour, and I'm Jill Lepore, sitting in today for David Remnick. This is the second part of our special episode on America 250. In the first part, we listened excerpts from a documentary that asked Americans in the 1970s how they felt about the bicentennial. We have a long way to go, baby, as Billy Jean King, might have paraphrased it. I love that style of documentary so much, the tradition that journalists call Vox Pop, that I wanted to hear what it would sound like

if we made a piece like that for the radio hour today. So we collaborated with an organization of audio storytellers known as Transom. They sent producers to Illinois and California, Louisiana, at Vermont, Utah, then went to gas stations in city parks, to malls and street corners, to dairy farms, to listen to us. to Americans.

Because here's what I think. You could talk to politicians. You could talk to scholars, pundits, reporters. But what this moment means, I think you'll find that right here. We're doing a radio program about the 250th anniversary of America. Can we ask you a couple questions?

Oh, sure. Do you have plans to celebrate the Fourth of July this year? Of course, of course. What are you going to do? Probably go see a person. parade and just being American. Yeah. How do you feel about being an American right now?

I feel great. I personally, very proud to be an American. I've been in this country since I was 15 years old. I came from Mexico, from Guadalajara, Hadisco, and I was given opportunities, and this is the land of opportunities, and we should remain. way forever and ever.

I'm 75 years old, so put that in they pipe and smoke it. What part of New Orleans are you from? I grew up up top. Do you have any vision of what the country will be like in 50 years for the 300? 50 years. Didn't I tell you I was 75 years old? That's 100 in the quarter. Not that you'll be here, but what would you want it to look like, the United States?

wanted to look like? Yeah, what do you want it to be like? What I wanted? What would anybody want to be? What was that James James Baldwin said? Black people just want to be what? Left alone. That's it. Just leave us alone, you know. We're talking to everyday Americans, man. Um, Chicago ones. I'm, they got me doing the Chicago part, right? Are you a Chicago one? Oh yeah, born and raised. Where at? Southside. And so, um, um, Man, the country's turning 250 on July 4th. I'm excited. I'm excited about it. We're going to have a big party in the yard here.

So if you're around, you're welcome to come by. We're going to have a big barbecue. How do you feel about this being the 250th birthday of America? Well, now that I know it's the 250 a year anniversary, I might do kick back and do a little shimmy or a shake. But sure. I honestly thought it was a little older, to be honest, but I mean, it's great. I mean, yeah.

What is being an American lien for you? This America, this ain't America for us. I've never got the chance to feel an American way. We don't got no First Amendment. We ain't got no amendments due to the skin color. Why we don't got no piece of that path? Why we don't got our 40 acres in the mural? You feel me?

So for that flag, that's dead to me. But I do appreciate my life here. I do appreciate the people that I run it to. That's how I feel about this America. It's not for us. I'm from Alabama. I teach school in Birmingham. I teach seventh grade history.

It's my 34th year as a teacher. I think the traditional ideas that we have about our history that America is the land of the free, the home of the brave, equality. You know, that's what I tell my kids, I believe that constitution that I make them learn. Because it's important. You know, this is the country they live in. And if they don't agree with everything, then grow up and change it.

You know, make it what you want it to be. I think freedom is an illusion. I think that we work, we're taxed, we're taxed every which way. My grandkids, my own kids can't afford homes. Their dream is gone. Their money spent. I thought of leaving. Like, where do I go?

my ancestors came here. They came from Europe, England mostly. Maybe that's what I need to do and prepare my family to do the same thing, but where is that place? We're going to have a 250th birthday in this country.

Does that mean anything to you? It's like asking me what kind of napkins I want at the birthday party when the house is on fire right now. Like, how am I supposed to give a shit? Like, it's not that I don't like birthday parties. I just...

I've got to put out this fucking fire first. I don't know. You buy whatever napkins you want. So I've got this rash on my arm. And it's getting worse. And I feel like I should go to the doctor. But what I did instead today, just now, I work in a grocery store that sells...

like supplements and lotions made out of like rosemary and pansies and stuff. And I've started treating the people who sell that stuff the way I should be treating my doctor. And it's like it's expensive. It's like $14 for a little vial of it. But, you know, that's cheaper than the blank check I'm going to give to the urgent care that's next to the price chopper. I don't even believe in this stuff, but it's what I can afford. so that kind of is my health care. Like one of the reasons I moved to Vermont is because Canada is right there.

Like it's right there. Like free health care is right there. I just got to walk through the woods to get there. Voices of Americans. Thinking about the 250th anniversary of the Declaration of Independence. More in a moment. Does this year being the

250 year anniversary. Does that make a difference for how you'll spend the 4th of July? Hopefully I'm going to spend it watching wonderful things on the TV set with my president. What would you like to see? Fireworks, parades, red, white and blue, people happy. Finally, people coming together instead of fighting each other. That's what I'd like to see. Red, white and blue. So the flag is very important to you. Yes. I mean, we're the, we're the freest country. on earth and nobody seems to know it. Do you feel like your family history is tied up in this country's history?

Oh yeah, yeah. I mean, my first husband killed in Vietnam, you know, uncles killed in Vietnam, uncles killed in World War II, yeah. So your family has fought for us? Yes. Yes. What does that mean to you? What would it mean to you?

I mean it means everything. Where were you for the Bison, Boy, I was only five years old. So I was probably on the farm. I did never travel. Like I said, I didn't ever go anywhere. What is a patriot? Patriot believes, in my opinion, that in a moment's notice, if something were to invade this country, they would stand up, grab whatever they had, and head for the front line. And do you think you're a patriot? Absolutely. I'd die for my family in a minute, right? And your country? Absolutely.

Why not? If you're dying for your country, you're dying for your family, right? What do you remember about the Westin Town? It was everywhere. I was 10. My parents took me on a long cross-country drive, sort of an observation. We went to Philadelphia and Washington and Boston from Peoria, Illinois. That's where you were living?

Yeah, yeah. Yeah, it was a fun trip. Like a month long, they were both school teachers. So off for the summer, we took off with our little pull-along camper. I've always been a huge history person and I credit that trip with a lot of it. Wow. Yeah, it was cool. I'm born and raised in the night ward and I have four siblings that was also raised in the

night ward. Do you see your family's history as being wrapped up in the country's history? Yeah. Yeah. My grandmother, she was 98 when she left us and just having her stories on how she would be in the fields with her aunt picking potatoes, cotton, you know, and just trying to make ends meet. Yeah, it's a mural. Can you say more about that mirror? Today, not really having too much.

wages, you have to work like three or four jobs just to make ends meet. What do I do? You know, do I eat? If I eat, well, I'm asleep. How does that fit with the story of America you've been told? It don't fit. You know, it don't add up. And yet, on the 4th of July, you party with your family.

Yes, because it's our story of how we coming over, how we making it, and making ends meet. What is freedom meaning to you? It means I've been to jail before. You know what I mean? So freedom is just being able to walk outside and not have to check in with anybody. And you know what I mean? In 50 years, it'll be 300 years of this country. What do you think our country will look like or what do you hope it will be like?

Oh, wow. I don't even think I can imagine what it will be like. I would like to say, you know, I'd see more grass and less buildings, you know. And I feel like in 50 years, it's just. going to be like so much buildings and everything like that, you know? I like trees. I like just hanging in nature. And I think in 50 years, it's not just going to be around here and things like that. Do you have plans for the 4th of July? I do. I am going to ride a horse into the Sierra Nevada's. Oh. Does that feel like an appropriate celebration for the 250th anniversary of the United States?

I honestly do. If you've ever been to the middle of the Sierra Nevada's. It's some of the most beautiful land. And I think that the land is something that can unite us. So we are, I mean, what we typically call this, we live in Salt Lake City. So what we typically call this is the West Desert. And the West Desert is quite barren, quite monotone, but still vast and beautiful. I applied for citizenship last year and had my... my interview in December, and now I'm just waiting for the oath ceremony, which is kind of the

last formal step. I have never felt anything but optimistic about the future and about becoming a U.S. citizen and now everything that's going on internationally makes me worried. I came here as a kid. I have always been here legally. You know, I'm an engineer. I have a master's degree. Like, I am one of the lucky ones per se, right? If it's this challenging for me, I can't imagine how everybody else feels. I usually see my family on the 4th of July, but we don't always celebrate it if that makes sense. Why not? Sometimes the politics in the country don't make us feel particularly patriotic, but we still like to get together in barbecue and maybe catch some fireworks.

I'm still here just trying to raise my kids and make sure that they have a good childhood. I was just discussing with my friend here that we're actually going to get them dual citizenship. So, you know, they'll have options to stay here or, you know, move to another country where they have citizenship if they want to. Around 40 July, summertime, it's about partying, man, having fun, relaxing, enjoying yourself, man. We've got to get away from all this trouble and it's hate in the world, man. I don't like it. Respect is the words, sweetheart. Do you feel proud to be an American right now?

I feel proud to be an American here. I don't know that on the world stage. I don't know that it means the same thing as it did when I was younger as far as being able to go to another country and say, oh, I'm an American. We're doing things right. It doesn't feel like we're doing things right right now, but I don't want to be from somewhere else.

Do you feel like your family's stories are tied up in the, the story of our country at all? We're, we come from a Melungeon line. So just honestly a mix of everything. Like we live in the Appalachian Mountains. My family, like they never had the chance to finish school or I think I'm the first one to graduate college in my family. So you're all young.

Hopefully you'll be around for the 300 year anniversary of our country in 50 years. What do you think it'll be? look like this land, this country? I hope that we'll be thriving, that the working class of the United States is going to be in a much better position. Do you imagine yourself still being in Tennessee? I don't know. I feel like if you want anything to change, you can't abandon ship to truly make change in an area.

You have to stay and fight for progress. It's a process. Sometimes it seems as though we go forward and then we go backward. We go forward and we go backward. But the way I look at going backwards is think about a bow and arrow. In order for the bow to go any length, it has to be gone, go backwards. And there's tension in going backwards. But then when you let it go, it springs forward.

I think that's possibly where we might be right now in America. We're in another area where we have a lot of tension and a lot of misunderstanding. But eventually we're going to sort forward. And truth and righteousness is going to prevail. You know, it always does. Those are the voices of Americans all over the country gathered for us by Transom as part of their listeners' project. I'm Jill Lepore, and this is The New Yorker Radio Hour. David Remnick will be back with you next week.

Meanwhile, thanks so much for spending time with me today. And happy 250th, however you plan to spend, the 4th of July. The New Yorker Radio Hour is a co-production of WNYC and The New Yorker. Our theme music was composed and performed by Merrill Garbus of Tune Yards, with additional music by Louis Mitchell. This episode was produced by Max Balton, Adam Howard, David Krasnow, Mike Cutchman, Jeffrey Masters, Louis Mitchell, and Ursula Summer, with guidance from Emily Boutin.

Our collaboration with Transon was produced by Sophie Crane and recorded by Eve Abrams, Scott Carrier, Erica Heilman, Johannes LeCore, and David Weinberg. Mixing and sound design by Josh Crane, music by John Evans and Matthias Bossie at Stellwagen Symphonet. The New Yorker Radio Hour is supported in part by the Cherina in doubt, Fund.