The New Yorker Radio Hour - Jason Rezaian on Imprisonment in Iran

Episode Date: January 25, 2019

Jason Rezaian was born in California to an Iranian father and an American mother. After a failed effort to enter the Persian rug trade, he moved to Tehran to be a reporter, and was working for the ...Washington Post when he was arrested by Iranian authorities.  Rezaian was held at the notorious Evin Prison, and was interrogated for more than five hundred days. He was a pawn in an intrigue within the government: he believes his arrest, as an American journalist, was an attempt by hard-liners to interfere with the ongoing nuclear negotiations between Iran and other countries. Rezaian’s memoir of that time is called “Prisoner: My 544 Days in an Iranian Prison—Solitary Confinement, a Sham Trial, High-Stakes Diplomacy, and the Extraordinary Efforts It Took to Get Me Out.” He spoke with David Remnick about his experiences on January 22, 2019, at “Live from NYPL ,” the New York Public Library’s premier conversation series. New Yorker Radio Hour listeners, we want to hear from you.  We have a few questions about the show and how you listen to it. The survey takes about twenty minutes, and your feedback will help us make our podcast better.  Take the survey here.

Transcript
Discussion (0)
Starting point is 00:00:06 This is a special podcast bonus of the New Yorker Radio Hour. This week, David Remnick spoke with Jason Rosian, the author of a new memoir called Prisoner. Rezion was born in California to Iranian immigrant parents. He moved to Tehran as a reporter and was working for the Washington Post when he was arrested by Iranian authorities. Rezion was held and interrogated for more than 500 days. Here's David Remnick talking with Rosian at the New York Public Library. So how did you maneuver your way, journalistically, and in terms of your career, to get to go to Iran for the Washington Post? How did this all happen? I moved there without any job or any kind of clear sense of who I'd be writing for.
Starting point is 00:00:54 You just lifted stakes, quit your job, where were you before? So as those of you who are the children of immigrant entrepreneurs know if your father was in a business, business, you end up in that business. So, you know, I... And the family, what did they do for a living? The Persian rug trade. And I had a time in the trade, and I'm looking at this nice rug down there. It's all right. It's okay. Special price. Special price for you, my friend. Yeah. Like, how much you think this rug would go for on the open market? On the open market. Yeah. Tony Mark says it's not for sale. Tony Marks is lying, everything for sale. Every rug has a...
Starting point is 00:01:36 It's a price. It was fun. Yeah. So I opened my own rug shop. Good, good move. I see some people here tonight that have been in that rug shop before in San Francisco. I had it for about a year, exactly. I opened the doors, if you can believe it, in May of 2008.
Starting point is 00:01:54 And by October 2008, I thought to myself, I may never sell another rug because nobody's got any money in their pockets anymore. So it's right in the midst of the financial crisis. Right in the middle of that. And your move. was to get on an airplane. And go to Tehran. And go to Tehran. It seemed like the smartest thing to do.
Starting point is 00:02:10 What better reaction to the financial crisis could there have been? Here we are now, you know. So, and you had, you know, a few dollars in your pocket. You show up in Tehran, and how do you make a life for yourself? So I had freelance, had written freelance articles over the years, you know, when I visited Iran. I had a small body of work at that point. And this was at the time of the re-election campaign of, Ahmadinejad in 2009.
Starting point is 00:02:38 Nobody was really predicting what a huge story that would evolve into. I was there on the ground filing for a couple of very small outlets. And one of my pieces that I wrote on the eve of that election
Starting point is 00:02:54 got picked up by the Times. And I was never out of work again after that. Why is it that the, at that point, the New York Times does not have bureaus in a a place that you would think is every bit as of interest to an American reader as certainly Cairo or Jerusalem or... It was hard to get in. I mean, you know, they have a very long vetting process, and you have to get all sorts of letters from publishers and editors.
Starting point is 00:03:27 And I think a lot of editors want to have a presence in Iran, but realize that there might be more hassle than it's worth. the Washington Post, you figured this out bureaucratically, right? So the Post actually did have a bureau at that point. You know, when we talk about bureaus, you know, these are apartments, right? A single person usually doing the job. So I'd been working as a freelancer in Iran for three years when the Post reached out to me and said, we need a new guy. You're the guy. Yeah. You were the guy. Had you done the smartest thing you've ever done in your life and meet your wife? We had met, but we had to be. But we had I hadn't married yet. I think we married almost a year to the day after I got the job with the post. And you were working together?
Starting point is 00:04:15 We grew into a working relationship. Right. That's what marriage is all about. Yeah. We had been together for about six or eight months and she'd studied English, had a master's degree in English translation, was working in a company like so many young, smart Iranians were, not getting people. paid enough and no real future. And I said, why don't you give a journalism a crack? It's not the best job in America, but here, if you're somebody that's speaking English and have the ability to put sentences together and all that, you could probably work for some foreign media. And that's how she got started in. And ultimately, she became Bloomberg's correspondent in Tehran.
Starting point is 00:05:02 So how many, on the date that were coming up on meeting 2014, substantial working journalists from the United States are in Tehran. From the United States, just me. You made it kind of easy for them, didn't you? Yeah, apparently, yeah. So before we get to the obvious, I want to get us, paint the picture of what it is to be a correspondent in Tehran as opposed to, say, Paris. Right. Is your apartment bugged? Is that an understanding that you just operate under?
Starting point is 00:05:31 You assume that your apartment is probably bugged. you assume that most of your phone calls are being listened to. What I didn't assume at the time, and I think it only became clear right at the end, that your emails are being monitored, but you've followed sometimes. What was going on in the summer of 2014 that was in any way politically unusual?
Starting point is 00:05:58 The nuclear negotiations between Iran and world powers. They were in full swing, and I was for the first time given the opportunity to cover the Iran story from multiple places. I was asked to go and cover around a nuclear negotiations in Vienna. So, you know, literally a couple of days before we were arrested, I was in Vienna reporting. But I would think that with nuclear negotiations going on, extremely sensitive. and optimism running high, hot, yeah. That the last thing that Tehran would want to do
Starting point is 00:06:41 would be to jeopardize that in any way. Were you known to have politics that in any way made them upset? I don't think it had anything to do with that. Literally, the day that we were arrested, I went to the press ministry. They call it the ministry. of Islamic guidance and culture, and they have different offices,
Starting point is 00:07:08 sort of an Orwellian, Islamic Orwellian name, right? So I went there to pick up press credentials, our press passes, which had been extended for an entire year. Which is a sign that you were okay? Everything's fine, everything's fine, yeah.
Starting point is 00:07:26 So, you know, there was no sense that I had any sort of mark on my back. Okay, so, 22nd of July dawns 2014 tell us what happens Yegi and I were
Starting point is 00:07:44 preparing to come to the United States actually we'd been married for a summer vacation for a couple months yeah we'd been here we'd been married for 15 months her green card paperwork was ready right we were about to embark on this
Starting point is 00:08:02 bi-continental life that I think a lot of people, a lot of journalists, a lot of foreign correspondents aspire to, it was right there within our reach. And I got a frantic call from her that, you know, something is amiss. What time? About 3.30 in the afternoon. And I high-tailed at home. Something was amiss meaning what? She got an email basically saying that somebody had compromising information about us and that they were going to expose it to the world.
Starting point is 00:08:34 that they were demanding money. It was odd. It was a really strange sort of out-of-the-blue occurrence. Click on this, you know, a fishing scam sort of email we learned later. I made it home, and I tried to calm her. She was... And you had never gotten anything of the like before? No.
Starting point is 00:08:57 Not to my... Nothing threatening, no visits. No threats. Never. And... Never got called in by the... foreign ministry, things like that. We've been called in to, you know, I've been called in to answer about articles that I've written, I'd have my press credential, you know, suspended for a
Starting point is 00:09:14 week or two at a time, as other correspondence would routinely have happened, as a reminder that we as a power structure are here. Just to, just to remind you with their presence. Yeah. But nothing like this. We called a friend of ours because when I got home, I realized that my my Facebook and Twitter accounts had also been hacked into. The passwords were changed. I'm called a friend who did all of our IT stuff in our house. And he came and said, you've been, your accounts have all been compromised by servers that, you know, are housed in Russia, actually.
Starting point is 00:09:55 And let's do whatever we can to bring your security level back up. We're going to create new passwords. Were you pretty vigilant about that kind of thing? Not enough. Yeah. Obviously not enough. Evidently, yeah. And, you know, I thought the worst was behind us, and we were preparing, you know, it was really going to be the last social event that we did before we went to the States to go to a surprise birthday party from my mother-in-law.
Starting point is 00:10:26 We were, you know, dressed up, getting ready to go. I told Yegi, you know, we're going to be fine. Don't worry about this. We'll be in America. This is not where the evening. It's about 7.30, 8 o'clock at night. We call a taxi to come pick us up at our high-rise apartment. Get a notification from the doorman that the car is there.
Starting point is 00:10:48 We go down the elevator to go and get in the car. And the door opens and there's a man standing there with a gun pointing right at me. In my face. Uniform? No. Plainclothes. Gray suits, we call them in Iran, right? Which means what?
Starting point is 00:11:05 Plainclose security officer. Right. They pride their way into the elevator. It was a very frantic scene. They're waving guns around. There's three or four of them. And they say, we're going back up to the apartment. Take us back upstairs, separate Yegi and I,
Starting point is 00:11:27 ransack the apartment. looking for, I don't know what. We have a safe in the house, force us to open it, take all of our passports, our documents, our money, her jewelry, our marriage certificate. You're cutting open tea bags. I mean, just an incredible scene. And, you know, this goes on for an hour and a half.
Starting point is 00:11:50 How are you feeling during this? How is Yecky feeling? Confused, scared. Scared. but in my mind I'm thinking of myself this is a mistake you know this is this is going to blow over have this happened to anyone else in town
Starting point is 00:12:10 any other correspondent any other diplomat that you knew not in a way that it happened to us that anybody ever told us about yeah I know of others who'd been harassed who'd come home to their their apartments ransacked who came home to
Starting point is 00:12:28 arrest warrants pinned to their door. But those were warnings. That meant to leave town. This was something else. And they hauled us out of our apartment after about an hour and a half, put us in the back of a van, blindfolded us,
Starting point is 00:12:51 handcuffed me, and took us to prison. And it took you to Evan prison. It took us to Evan Prison. For those who don't know what that means, tell us. So Evan Prison is, you know, considered one of the most notorious prisons for political prisoners, probably in the world. It has multiple sections. It's a vast complex that's existed for decades.
Starting point is 00:13:19 And different parts of the Iranian power structure have their own sections of the prison. So the intelligence ministry has a section, the police department, the judiciary, everybody's got their own wings. And there's wings for financial crimes, political crimes. Had you ever been in there before? Never. Never. It's not the sort of place that you're allowed to report from. And the section that we ended up in was the section that belongs to the intelligence wing of the Revolutionary Guard Corps.
Starting point is 00:13:54 And it's really the only way... And you knew that right away. I did not know that until... So they're leading both of you in, blindfolded. Blindfolded, separated. I mean, they take us to separate rooms. And saying what to you as you're shuffling along the hallway? Not really saying anything.
Starting point is 00:14:12 Take me into a big room where there's obviously lots of people in the room and very quickly a voice starts talking to me. You know why you're here. No, I don't know why I'm here, because you're the chief of the CIA station in Tehran. And that's when our nightmare really began. I tried to correct that record very quickly. And it was a no-win battle.
Starting point is 00:14:47 Now, just for the record, we don't have an embassy there. There's no embassy. So there would be no... There would be no consular service. The Swiss are protecting powers. there. But as a citizen of both the United States and of Iran, which I am, Iran... As an advantage or a disadvantage? When you get arrested, it's a big disadvantage.
Starting point is 00:15:07 Because? Because they don't acknowledge your citizenship, meaning that you're subject to Iranian laws, and this is an Iranian internal matter. It has nothing to do with you, America, but out. And what's running through your mind initially is what seems to be what runs through political prisoners' minds always in the beginning. This is a big mistake. We're going to get through this. By tomorrow morning, everything will be fine.
Starting point is 00:15:32 It'll blow over. Somebody's going to talk some sense into these guys. Who's there to speak up for Jason and Yegi? Absolutely nobody. I mean, who knew? You don't get a phone call? No, there was no phone call. I think within several hours,
Starting point is 00:15:51 obviously we didn't show up to the party that we were supposed to go to. Yegi's parents probably feared the worst. They made it to our apartment at some point, saw the destruction of the place. And I don't know how many days it was before she was able to reach out and call them. How long was Yegi kept in jail?
Starting point is 00:16:12 72 nights, all of them in solitary confinement. 72 nights in solitary. She was. She was. And you initially? 49 nights in solitary. And then the rest of the time, with two other prisoners as well.
Starting point is 00:16:30 One of them was an Iranian Kurdish businessman who is sadly still in prison. And the other was from the Republic of Azerbaijan. He and I spent 13 months together and he's now back home with his family. One of the great extended narratives of this book is your interrogations with and relationship with a guy named Qazem.
Starting point is 00:16:58 You're pronouncing it correctly? That's correct. When does he enter the picture? I think it was about day three after I've been taken to solitary and have spent a couple of days trying to figure out what's going on.
Starting point is 00:17:14 I want people to get a taste of this book and also your description of your first encounter with your interrogator is so vividly drawn that I'd rather you read it rather than me tease it out of you. secondhand. You could do a page or two whatever you feel comfortable with.
Starting point is 00:17:33 The first time I met him, I could only hear his voice. I was blindfolded, which was the rule, whenever I was not in myself. He spoke better English than I expected, anyone there would, and had a deep, breathy voice, which immediately reminded me, and always will, of Wanda, the gender-bending character
Starting point is 00:17:52 Jamie Fox played on in living color. which consisted primarily of him wearing a blonde wig and lipstick who was constantly threatening to rock your world. In our initial encounter, before all the questions began, he claimed that he was chosen by the judiciary to defend me. I am your attorney, chosen by the great judge, he said. I couldn't see him, but that was obviously a lie. If you're my attorney, why am I blindfolded?
Starting point is 00:18:22 It is for your protection. What does that mean? The charges against you are very serious, and you must tell me everything if you want to leave this place. What charges? Spionage, he said. You are an espy. We know that. You will leave as soon as you like.
Starting point is 00:18:42 Everything is up to you. I would like to leave now. He was not actually my lawyer, he explained, but rather my interrogator, or as he referred to himself, my expert. You must tell me about the avocado. This is code. We know that. But for what? If this is really about a Kickstarter project,
Starting point is 00:19:07 these guys are dumber or more paranoid and have fewer real security problems than I ever thought possible. I'm sorry for saying so, but you're making a big mistake, I told him. No, he said, slamming something against the wall close behind my head. My shoulders tensed,
Starting point is 00:19:25 and they never really loosened. We know it, and it will be much better for you if you tell us yourself than if we discover it. From his voice, I assumed Kazam was a big guy, powerful. In time, he would go on to become the perpetual good cop in group interrogations. But that voice, it made him sound so intimidating. We must execute you, Jason. You don't give us any choice. We prefer to let you live, but you refuse to cooperate.
Starting point is 00:19:56 On the fourth day, though, in another dead-end interrogation, fear and desperation mounting, I had a flash of inspiration. Something about our initial rapport made me think he might be responsive to affection, so I gave it a shot. Actually, I said, right now, you're my only friend in the world. I'm your friend, he asked. Really? Yeah.
Starting point is 00:20:23 There was a long pause. I had no idea what was coming. Take off your blindfold and turn around. I did what I was told to do, cautiously, and faced him for the first time. It was just the two of us in a sparse room. There were two plastic chairs and a single table against the wall I had been facing. He quickly rearranged the furniture so that we sat across from each other. Friends must be able to sit and talk comfortably, he said, but I wasn't convinced.
Starting point is 00:20:55 He was slim, wore square steel-framed glasses. His hairline was receding and he had the three-day stubble that is common among those who would have you believe they are believers. He was probably in his early 30s, very typical working-class Iranian. My nemesis was hardly the goon I had been imagining. The initial interrogation sessions were awkward, in part because I didn't know the rules yet. The main one being that I didn't have the right to ask any questions, a concept I would be reminded of every time I asked anything, whether it was about my case or if I could use
Starting point is 00:21:34 the toilet. Despite Cosam's constant assurances that he was little more than a lowly cop doing his job and by no means a top banana, he actually said that in English, often, I became convinced that he was indeed all-powerful, that it was he calling the shots. Well done. Well done. Thank you. Explain the avocado reference.
Starting point is 00:22:04 So I had put together a Kickstarter project, the crowdfunding platform several years earlier with the intended purpose of trying to figure out why there's no avocados in Iran and hopefully starting a very small avocado farm. You can grow anything in Iran, literally.
Starting point is 00:22:22 Literally, you know, you can grow whatever you want. And this was one blind spot in their agricultural industry. And I wanted to know if it had anything to do with sanctions or great Satan stuff or whatever. And your interrogators came to see this as a code word, avocado?
Starting point is 00:22:38 This was a code for something so nefarious that they couldn't figure it out. And as time went on, they kind of throttled it back a little bit, but any time they would be pressing about another
Starting point is 00:22:53 line of questioning, they would say, we gave you an easy time on the avocado thing, so you're going to have to make up before it on this one, you know? And whether you're reading Darkness at Noon or Jacobo Timmerman or all kinds of prison memoirs, there's a similar pattern. It's all going to be okay in the morning part of the thinking, and then cycles of thought of optimism, despair, suicidal ideation, as they say, all come through because time starts to play tricks on you. You have nothing to do but think. Describe that process the best you can. I mean, time is your worst enemy when you're, especially in solitary confinement. You don't have
Starting point is 00:23:45 anything to fill it with. So solitary confinement is an eight by four cell. Yeah. with a hole. Oh, you know, there was a hole behind a kind of a aluminum door. You know, a little privacy from myself. Little discretion. Yeah.
Starting point is 00:24:02 And something to sit on or lay out nothing? No, no. So you're sleeping on the floor. I had a blanket. And lights are on, 24 hours a day. There's a couple of windows high up near the ceiling.
Starting point is 00:24:19 The ceiling was about 10 feet high. There's bars on the windows. I could see, you know, more or less if it was night or day, right? And the big door that you imagine that's, you know, very heavy and makes a lot of noise that doesn't open as often as you'd like has two holes in it. One at face level where they can march, you know, they can make orders at you. and one down by the ground where they put food in. And you're getting fed how many times a day?
Starting point is 00:24:55 I was getting fed very sparsely. They told me that the great judge had decided I needed to lose some weight. And it worked. Yeah. And what is interrupting your days? How often? In those first weeks, it was, you know, multiple. multiple times a day, two, three times a day.
Starting point is 00:25:21 I can remember... Was it threatening? Was it far so close? It was all of the above. I mean, you know, one day it was, if you don't tell us this right now, we're cutting off your right hand. You're never going to see your wife again. You don't want to know what we might do to your wife. You know, you need to be executed by beheading because you're a traitor. I said to myself, I'm a train.
Starting point is 00:25:45 Are they presenting evidence in front of you? They're presenting printouts of my emails and, you know, some of the most innocuous things that you can imagine. There's a line in the book where, you know, they present an email where I, I apologize to a friend of mine for going radio silent for a couple of days. And, you know, he came back and said, this is a spy language. A spy language. Only a spy's talk like this. When at a certain point, they have not cut your hand off. No. They've not killed you.
Starting point is 00:26:17 you have ailments as a result of the cold and the heat and you're not feeling all that great for sure. But at a certain point did the psychology change into a better place? In other words, maybe they're just keeping me in here for a political reason. And if they were going to kill me, they would have killed me already. Once I came out of solitary, that wall of deception and misinformation really started to crumble. Did your relationship with your interrogator? I mean, it evolved so many different times. And, you know, I think later in the process, I felt like I had the upper hand sometimes.
Starting point is 00:26:58 Toward what end? Well, I mean, I think as time went on, and I realized that there was a big push out in the world to bring me home, that I had value. How did you know that? I knew it first and foremost in my visits with Yegi when she was able to come and after she was. been released and could tell me, give me reports about things that were happening. Were those meetings with Yegi monitored? How long were they? Yeah.
Starting point is 00:27:24 I mean, in the beginning, it was just a few minutes, very rarely. But, you know, thanks to her diligence in going to the court and demanding her own rights as the spouse, you know, they became institutionalized. So we'd see each other once a week and there would be... For how long? An hour. So a lot of information could pass between you. Were there things that you?
Starting point is 00:27:47 Yegi did not tell you or figured it was best not to tell you because it would be dangerous? Yeah? No, she told me everything, but in coded ways. Yeah, I mean, we said... So she'd say, you know, John Kerry said this or President Obama said this? We had... We had code names for different people. What were the code names for those people? John Kerry was Uncle John.
Starting point is 00:28:07 Javad Zarif, the foreign minister of Iran, was JZ. Makes sense, right? Yeah, absolutely. What's that? Yeah, yeah, there was, you know, there's the head of the Iranian Human Rights Commission, if there is such a thing, right, is a guy named Mohamed Javad Larajani. And his brother, he speaks English. One of his brothers ran the judiciary for a long time.
Starting point is 00:28:38 The other one's a Speaker of Parliament, and this one runs the High Commission on Human Rights. And he had studied at Berkeley. So we called him that dirty hippie. Sorry Berkeley grads. I'm not from that part of the world, but we had to stick with our codes. What understanding did you come to have
Starting point is 00:28:58 of why yourself was sitting in this, in Evan Prison now, for well in excess of a year? I think we got closer to the culmination of the nuclear negotiations. It became really apparent that my fate was tied with those negotiations, and that the people that were holding me really didn't want to see the
Starting point is 00:29:22 negotiations succeed. So this was the so-called conservatives. I mean, I wouldn't call them that. I mean, the people, they're the groups that want to be, you know, engaged with the rest of the world politically and economically, and there's those that don't, and those that don't had me. Well, explain that. In other words, how do those that don't have the power to keep an American high-level prisoner when those who want to be more engaged with the world are in power. I think it's really complicated. Obviously, there's a supreme leader at the top, so it's almost as though you have a system where there's elections and, you know,
Starting point is 00:30:02 Congress and Donald Trump and all that, and then the Pope gets to decide on everything at the end, right? That's sort of the way it is there. But the IRGC, which is, you know, closely aligned with the revolution. Guard Corps, which is closely aligned with the Supreme Leader, is, you know, the side of the system that wants to keep it shut off from the world. So I think initially my arrest was an internal power play, right? Let's do what we can to kind of cut the legs out from under Rohani and his team who were in the midst of these negotiations. Rahanei, the president. The president and who was considered a quote-unquote liberal in this sphere.
Starting point is 00:30:50 In this sphere. And, you know, true to form, he and his team didn't play ball with that. They weren't going to get behind releasing me. And I think they paid a price for it because it became a subject of the negotiations. And the press was relentless in covering it? Relentless. You know, the post was incredible. Everybody else at other news organizations, you know, followed suit.
Starting point is 00:31:18 My family was tireless. Tireless. You know, my brother did hundreds of interviews and media hits. And, you know, I was telling Yegi, you had every chance I got. Tell anybody that you know, that knows me to, you know, write or say whatever they want. Did you worry about getting forgotten? 100%. I mean, it's still the thing, when I have nightmares,
Starting point is 00:31:43 It's nightmares about, you know, I was supposed to be released and I didn't get released. It's a recurring theme in my life. You have them to this day. Not as often as I did a year or two ago, but from time to time. At a certain point, there's a trial. Why? And what purpose does the trial serve and how did it go? So I think you have to ask different people how it went. I thought it went pretty good.
Starting point is 00:32:12 I held my own. and, you know, they took me to trial. Oftentimes, what happens in these trials in Iran is that they bring a foreign person to court and compel them to plead guilty and promise that, you know, they'll be released within a matter of days. And that's happened like that sometimes,
Starting point is 00:32:34 and sometimes it doesn't happen like that. And I had, you know, a force behind me and my wife who said, you know what? you're probably going to come home someday and you're not going to come home as the guy that pled guilty in the Revolutionary Court. You're going to stand tall and you didn't do anything wrong. We didn't do anything wrong.
Starting point is 00:32:52 Did you consider pleading guilty? I thought about it a lot. They were in my ear telling me it was the right thing to do and that it would end this whole ordeal. And I didn't have any really good option. Could Yegy bring you books? Were there books to read? There were. I owe you a piece about that.
Starting point is 00:33:09 You're damn right you do. You've been talking about this for three years. Tell me about some of the things you read and what gave you strength or solace or something that you could learn from. I mean, I think that without killing our piece right here on the stage. We were among friends.
Starting point is 00:33:30 One of the things that I learned pretty quickly was she brought me all these books that were sort of like feel-good books. Paulo Cuelo and Power of Now and all this sort of stuff, because she wanted to boost my spirits. And I think that that was the right thought, but it wasn't working. What I wanted were books about injustice and torment and this sort of thing. You wanted books about torment while you were in prison. 100%.
Starting point is 00:34:00 Why? Because I knew that I was a very minor character and a real long continuum of, of this kind of political repression that's existed for centuries. So what were some of the books that were in that mode that, I think the two that stick out the most as the most valuable animal farm. Because, you know, people talk about Iran as very Orwellian. Iran is Orwellian in the animal farm sense, not in the 1984 sense. and
Starting point is 00:34:40 Gulag Archipelago I mean the judge in my trial is I don't mean to make light of this but the idea of reading Gulag Archipelago in a political prison with two little windows in the top I'm again I'm not
Starting point is 00:34:57 I'm not joking around that that is not necessarily intuitive so you read it and you know when you're sitting there having you know experienced this sort of situation. Unless you figured that like Solzhenyson, you would then win the Nobel Prize and I didn't think I was winning a Nobel Prize, no.
Starting point is 00:35:14 But you know, you would look at these characters and say, I know that guy. Yeah. And that gave you some strength. Yeah. So when you look back at this experience, you were released, you celebrated, Jeff Bezos comes and takes you home.
Starting point is 00:35:29 Uncle Jeff, we call him Uncle Jeff. That must be nice. We do. How do you make sense of this? In the same way that people in their lives, something happens in their lives, God forbid they lose a child, or something horrible enters their lives. And they ask this question, the question being, why me?
Starting point is 00:35:54 And they try to make sense of what seems to be utterly, what you described for the last hour is senseless in so many ways. How do you understand it politically and how do you understand it in your own life? I mean, I think politically, I got stuck in the middle of this geopolitical hurricane. That's what landed me in prison. And, you know, when the dust settled, that's when I got out, right? So there's that. But, you know, the ensuing year and a half that was stolen from me is a pretty hard thing to reconcile.
Starting point is 00:36:31 Are you angry about it? I am. But I've decided that that's... doesn't really, as a person, I mean, some people are fueled by their anger, right, or fueled by their passions. This is not an angry book. I'm not an angry person. So it's not that I've tried to suppress that.
Starting point is 00:36:49 I've just tried to be really honest about it. I mean, I tell stories for a living, and I figured the best thing I can do here is turn this crappy thing that happened to me into a story that I hope has meaning for the people that read it. And it's had meaning for me to write it. it in the sense that, you know, people ask me if it was cathartic, no, it's not cathartic to relive a year and a half in prison. What it is, is, you know, it's a special element of our work, our craft, that, you know, sometimes you process a series of events that
Starting point is 00:37:28 happen to somebody and turn it into a narrative, turn into a story, draw a meaning out of it. In this case, I got to do that with something that happened to me. And so now it's, I hope, more than anything, a story that I can tell and that will mean something to me and other people. And that's how I sort of accept the fact that this happened to us. Something strange happened to you in addition to this. You went into jail, you went into Evan Prison, and Barack Obama was president. Yeah. He's, I don't know if you've noticed, he's not anymore.
Starting point is 00:38:06 We have an Iran policy and we have an Iran obsession now. It seemed very much part of the Obama presidency was trying to juggle the Saudi imperative and the Iranian imperative. That Obama, more than any president before him, saw the Saudis a lot clearer. Not that he was saying that all was well in Tehran, but he would never quite put it in these terms, but he was trying to find a balance of power between these two. 100%. Something else has happened since
Starting point is 00:38:41 that the Trump administration is infinitely tougher on Iran. I'm not making any excuses for Iran. But, you know, Khashoki is murdered in Turkey, in Turkey, and the president of the United States doesn't seem to find this particularly horrible.
Starting point is 00:39:05 What has happened and how do you assess the Trump administration's treatment of Tehran? Look, I think, you know, you hit the nail on the head. I think that they've put all of their attention on focusing on trying to destroy the Iran threat. How they plan to do that, I don't see any clear signs of. And I think that one thing that I've thought about a lot recently is, okay, this is a very very different administration than the Obama administration. But at a minimum, use the collected works and information that the Obama folks were able to glean about Iranians. Because, you know, their period of dialogue and negotiation with them was really the only contact we've had with them
Starting point is 00:39:55 for, you know, in the last 30 years, right? 39 years, almost. And I think that they've basically thrown all of those notes in the fire and are shooting from the hip. And when I hear these guys talking about Iran, I realize, okay, they have a, you know, a deep desire to, you know, overthrow the regime in Iran, but they have no idea what the heck they're talking about. What do you think is the destiny of the regime in Iran, independent of the United States? I mean, I think Theocracy's destiny was figured out a long time ago. It doesn't really have a place in the future of our world. and I think that the Iranian people... Is it a popular regime?
Starting point is 00:40:36 No. How can you assess that? How do we know? It's difficult to assess, you know, other than the fact that there are, you know, tens of thousands of people that have routinely protested it, and increasingly so over the last 20 years.
Starting point is 00:40:50 You know, if you look at the activity of Iranians online, you know, on social media, on Instagram, Twitter, all these places, they make themselves known. And they are making it clear that they don't want to be guided by, you know, ancient Islamic principles anymore. They want to be a country that's part of the modern world, just like anybody else. They don't want to be banned from coming to America, right?
Starting point is 00:41:18 They want nothing more than to engage with us in terms of their ability to travel here, their ability to study here, do business here. So I think our policy, on the one hand, is supposedly anti- Iranian regime, but ultimately stifling the Iranian people even more than they're already stifled, which doesn't seem very right-headed to me. You live in Washington now. I do.
Starting point is 00:41:45 And you have a new life. What were the first months, the first year like in freedom? After the initial euphoria. Yeah, it's hard. It's really hard. I mean, I think unless you've had choice stolen from you, you don't know how much a burden it can be in those initial days. I mean, you mean an example?
Starting point is 00:42:08 Everything is so confusing. Do I go left? Do I go right? Do I want to eat this? Do I want to eat that? This person wants me to, you know, attend an event. Can I say no to people? What's okay, right? And I think I was wise in retrospect to take a big step back and not commit to much.
Starting point is 00:42:30 People might speak too casually of the phenomenon, know it as post-traumatic stress. Did you suffer from it? You know, I don't like terms, but I have a lot of symptoms that I never had before. And when I talk to people, talk to professionals, they say, well, that's a product of your trauma. I mean, the nightmares that I talk about,
Starting point is 00:42:53 but also, you know, the confusion in busy places, the kind of sensitivity to light and sound that I never had before. Irritability. I think there are a few people out there that know me. From, you know, my youth, I've never been an irritable person before. Maybe that's just getting a little bit older. Stay tuned for news, my friend. Yeah, we're all post-Sycratic stressors here.
Starting point is 00:43:28 Does it recede with time? A lot of it does. I think I'm becoming more and more aware that there are workings of my brain that probably won't go back to what they were before all this. And I'm getting more comfortable with that. Jason, you've written a book and a wonderful book and now it's done. And now it's out in the world and it'll do what it does, what books do, and people will read it and they'll read it 25 years from now and 50 years from now. but that part is done. What do you want to see your life be now that this chapter in some ways is closed?
Starting point is 00:44:09 I want for Yegi and me to continue working, continue writing, but to be known for the things that we do moving forward and not for the things that were done to us. Jason, thank you so much. That was Jason Rezion in conversation with David Remnick at the New York Public Library. It was recorded at Live from NYPL, the New York Public Library's premier cultural series. Resion's new book is called Prisoner, My 544 Days in an Iranian prison. The New Yorker Radio Hour is a co-production of WNYC Studios and The New Yorker.
Starting point is 00:44:56 Our theme music was composed and performed by Merrill Garbus of Tune Yards with additional music by Alexis Quadrato. The New Yorker Radio Hour is supported in part by the Chiarter. Trina Endowment Fund.

There aren't comments yet for this episode. Click on any sentence in the transcript to leave a comment.