The New Yorker Radio Hour - The Fall of Tucker Carlson, and the Making of Candace Owens
Episode Date: April 28, 2023Once a Beltway neoconservative, Tucker Carlson came to embody the angry, forgotten white man—railing at “the élites” and propagating racist conspiracy theories and the lie of the stolen electio...n. “Unlike a lot of his colleagues at Fox News, he made news, he set the agenda,” Kelefa Sanneh, who wrote about Carlson in 2017, says. “People were wondering, What is Tucker going to be saying tonight?” Sanneh joins Andrew Marantz and David Remnick to discuss Carlson’s demise, and what comes next. And Clare Malone reports on Candace Owens, the powerful right-wing influencer and provocateur who’s set her sights on the future of right-wing media—and on a younger and more female audience than that of Fox News. New Yorker Radio Hour listeners, we want to hear from you. We have a few questions about the show and how you listen to it. The survey takes about twenty minutes, and your feedback will help us make our podcast better. Take the survey here.
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This is The New Yorker Radio Hour, a co-production of WNYC Studios and The New Yorker.
Welcome to The New Yorker Radio Hour. I'm David Brandy.
A couple of decades ago, a modestly talented writer of outsized ego named Tucker Carlson appeared on the scene.
He was a bow tie wearing conservative, writing wise-ass profiles of George Bush and Hillary Clinton and the like.
But he became, over time, the voice of the aging, angry,
white man. The voice of white nationalism and extremist politics. His audience got so large that Tucker Carlson
has been talked about as a presidential candidate, a successor to Donald Trump. Then we saw his
emails and his text messages disclosed in Fox's legal battle with dominion voting systems. Those
messages made it plain that Carlson's citizen is even larger than his ego or his ratings. In private,
he actually despised Donald Trump, hated him passionately, he said. He expressed disdain for his bosses
at Fox and talked about women in the most disgusting terms. His behavior heard Fox's case with Dominion,
and we assume that was a big factor in that enormous financial settlement. Last week it
caused Carlson his perch at 8 p.m. on Fox, and he was fired on Monday. So what does this all mean for Fox News,
brand of a grieved right-wing politics that Carlson most effectively championed.
I'm joined now by two colleagues who are staff writers here. Andrew Morantz follows politics
in the media very closely, and Kelif Asane wrote about Tucker Carlson in the New Yorker.
Okay, about six years ago, you profiled Tucker Carlson, and I want to get a sense from you
initially how he got to where he is today. The father Cocklin of
of the right, of the far right,
and a supporter of conspiracy theories
and a great deal else.
So how did he travel this path?
Is it pure cynicism,
or did he actually change?
I mean, it's amazing, you're right.
He did start off as a magazine journalist.
He wrote what I think are some pretty great pieces
for the weekly standard.
He wrote a piece for Talk magazine,
an early profile of George W. Bush,
a short-lived venture.
And from what I understand, David, you're here as the editor of the New Yorker magazine to make an announcement, a hiring that's going to shock the media world. Is that correct? Is Tucker returning to long-form journalism?
Yeah. Imagine the tragedy. Imagine the tragedy and the traffic.
So, yes, he has this career as a writer and then sort of semi-accidentally semi-on-purpose becomes first a figure on TV and then a TV host.
He's a host on CNN doing Crossfire, and he has this famous confrontation with John Stewart, who says, you know, you're hurting America.
He has a short-lived show on PBS. He goes to MSNBC, where he's working for a time with Rachel Maddow before she was well-known.
And he starts working with Fox News. At the time I profiled him, his show was known for confrontation.
But as his show evolved, it became less of a site for confrontation, and it became more writerly, really.
It became more known for what they call the A block, where he would deliver this long monologue.
Funnily enough, it was similar in structure sometimes to Rachel Maddow.
And doing that, he was able to sort of start to shape this identity.
And this identity was a little more or a lot more populist, right?
He was going to talk about immigration as a big threat to America.
And it was also kind of weird.
Tucker Carlson's show, more than anything else on Fox News, it felt like this moment.
It felt like the Internet social media age, where weird stuff was percolating through to the mainstream.
I think that's really the signature of the Trump era.
And he was able to express that on TV.
And unlike a lot of his colleagues at Fox News, he made news.
the agenda. People are wondering, what is Tucker going to be saying tonight?
Okay. Now, Andrew Moran's, you've also written quite a lot about Tucker Carlson and a great deal about
social media and its intersection with television. What danger did Tucker Carlson, in your view,
pose to the Republic? How do you respond to the notion that he was dangerous to the public?
So that's, I think he was dangerous. And so I think one has to hold in one's mind.
both, you know, he's a talented broadcaster and also he's a kind of rhetorical demagogue.
Which is exactly the description Dave Chappelle gave of Donald Trump.
One can both revel and laugh at that, but, you know, I think it would be irresponsible to lose track of the fact that clearly Tucker was, you know, he was constantly, you know, dog whistling is almost too soft a term.
I mean, he would say immigrants make our country poorer and dirtier.
He would say, you know, he, one more recent thing is that he didn't refer to transgender people.
He referred to transgenderist people as if this isn't an identity.
This is a nefarious ideology that's, you know, Trojan horsing its way into our culture.
So I think that one of the things that a very talented demagogue like Tucker Carlson can do is put you on the back foot if you're critiquing him.
And Trump is good at this too in a different way of never quite coming out and saying the thing, but coming as close as possible to saying it.
so that if you're then in the position of critiquing them, you say, you sound a bit unhinged, right?
You sound hysterical.
He also, and we're talking about him in the past tense, even though I have every inclination to think that there's something ahead for Tucker Carlson.
I doubt very much. I think we'd all agree that he's going to disappear somehow.
He also had an incredible demagogic penchant for using the word you, speaking very, very directly,
you are being robbed, you are being replaced, you are being taken over.
They're robbing masculinity from the American culture.
You, you, you.
Talk about that kind of rhetorical trick and why it appealed and to whom?
Well, I think two older, more conservative, generally white men or white women who wanted to support the patriarchy.
I sound like a pearl clutcher making these critiques, right?
But it, I think we should say it plainly when he, he would use phrases like legacy Americans.
Or, you know, we, he, he would say that Ilhan Omar is being ungrateful because we saved her from a refugee camp and now she's criticizing our country.
Okay.
Just grammatically, like, what do those things mean?
Well, the hell with grammatically.
Morally.
It's disgusting.
But I mean, am I overreacting here?
I think it is clear what he means, and it's clearly disgusting, and yet I don't think that it is entirely reducible to that, which in a way makes it more dangerous, because it's not like he just went on air every night and just said, white men, take to the battlements, we must restore our country, right? That would be a boring show. And I don't know if it would get him kicked off the air. I would like to hope that it would, but who knows anymore. But he was more sly and subtle than that. So it's not that everything he said
was reducible to that. But that was a ringing dog whistle underneath it all that he could have
some shred of plausible deniability about, but everyone knew what he meant. And the white supremacists
clearly knew what he meant. Now, Tucker Carlson, in your view, Kay, did he ever believe anything?
Or is he purely an entertainer that's looking for the id of a big listenership and viewership?
You know, I sometimes wonder if he entirely knew.
You know, at the time, at the dawn of the Trump era, I sometimes thought that he thought of himself as a lawyer, right, in the sense that there was this big community of Trump voters and they didn't have representation on TV and he was going to represent them.
He was going to channel them because they deserve because just like any defendant is entitled to a good lawyer, maybe in his mind, like any political coalition, is entitled to a.
smart advocate on TV and who's going to advocate for those people. Yeah, I think. And then I think over time,
you know, most of us don't love living with that kind of cognitive dissonance. And so most of us
over time find ways to convince ourselves that the things that we're saying, we really believe it.
And so I think it became more, I think it became less of him. So he becomes the lawyer, quote
unquote for the great replacement theory and a certain kind of white nationalism, whatever you call it. And then he
begins to embody it, represent it, symbolize it, and he is it. Yeah. And I think in the, especially in the
social media era, there are these, you know, the way it works often is once you start saying something,
then all these people who disagree with you come at you and yell at you about it. And it's really
tempting to double down and say, yeah, those people who disagree are. And, you know,
terrible. I'm going to say more of this.
Okay. For the last year, Andrew's been, when he visits the office, he comes in and the first thing he says is Tucker Carlson could be president of the United States. He could run and he could possibly win.
Andrew, maybe elaborate a little bit on why you do come into my office and start talking about this possibility.
Yeah. Look, the chair is obviously hugely important. That chair is the most powerful thing about him. But
he's clearly rhetorically skilled and again, to Kay's point, he's clearly weird and in touch with
future potential coalitions in a way that Bill O'Reilly is not and a way that Megan Kelly wasn't,
in a way that, you know, Laura Ingraham isn't.
I mean, those people have the old school conservative DNA, but they don't seem to be willing to
cast around for the newer, weirder thing in a way that Tucker did and a way that frankly Trump does,
too, in a way that you could say, why shouldn't we nuke a hurricane?
Why shouldn't we buy Greenland?
Why shouldn't we, you know, all these weird things that we get used to Trump doing?
Tucker was doing that night after night.
And so I think that's a big source of his power.
I think arguably Tucker has been going around giving campaign speech.
I mean, he spoke in Iowa last year shortly before the midterms at the family leadership summit.
That you don't just accidentally get on a plane to Iowa, right?
He's clearly testing the waters.
And when he gives those speeches, I think he's incredibly impressive.
Again, impressive in an amoral mercenary way.
I find it scary, but I think it's very impressive.
He clearly has a touch that, you know, Ronda Santis doesn't seem to have.
Kay, what do you think the future is for Tucker Carlson?
Well, I think, you know, one of the things I often think about is the Howard Stern model, right?
And Howard Stern proved that you can go from broadcasting on the radio to narrowcasting,
in Stern's case on satellite radio.
You can be successful.
You can maybe make more money and be less influential.
be a smaller figure. And I think that that is often the most likely path for people that are very popular and very skilled and they're leaving a big platform. There's a lot of opportunities for Tucker Carlson to go to a smaller platform and make a lot of money and be really successful, be somewhat influential, but it's still a little bit different than being part of the Fox News being blasted into all these homes every night. I think the other interesting question is, what happens to Fox News? On the day,
that it was announced that Tucker was fired, there was precisely one person at Fox News who was
willing to joke about it. And that was Greg Gutfeld, who's a co-host of the Five, which is on some
nights, on some days, their most popular show at 5 p.m. also has his own late-night show at 11 p.m.,
which often beats the network late-night shows in the ratings. And, you know, there's an argument
to be made that now Greg Gutfeld is one of the defining voices of Fox News, and it's very different
It's sensibility from Tucker's sensibility. It's snarkier. It's sillier. And, you know, it would be interesting to see if Fox News is going more in the Gutfeld direction in the post-Carlson era.
I just, Kay, I have to say, you and I can civilly disagree about whether Tucker's a dangerous authoritarian or whatever, but I will never go with you into thinking Greg Gutfeld is funny. I'm sorry, I can't go that far.
This is the real question. Those are the limits. That's where we set the limits here.
Well, that leads me to this question.
Yes, he's fired. He's gone.
Other people have been fired is from Fox News,
but we're also in the midst of a media revolution
that continues to evolve, right?
Cable television is declining.
The average age of the Fox News viewer is at 70 or around there.
Clearly, this constellation, this world is changing.
we have on the New Yorker Radio Hour today
another piece that Claire Malone is providing
about Candace Owens
and she suggests a new world,
a new generation,
younger than Tucker Carlson,
not white, not male.
Now, the economics of this,
this universe is changing,
but it all has to do with the audience as well.
Could Candice Owens,
a young black woman,
a conservative,
succeed on full?
Fox at 8 o'clock in the same way. What do you think, Kay? I think Candice Owens would have trouble at this
moment in Fox News, not because she's black, but because she's kind of unpredictable. You know,
she's known, you know, partly for her broadcasting, but also for her feuds. I would guess that
one thing that Fox News would want in that Tucker Carlson Chair is someone who's a little more
predictable, a little more loyal, a little less of a loose canon. So I would think that would be
the issue for someone like Candice Owen. Andrew? Well, look, I mean, you know, Tucker Carlson was
doing almost explicitly a kind of white male identity politics on his show. If that chair were to
be filled by Candice Owens, she would be doing a different kind of show. But that's not to say
that they wouldn't be able to make it work, right?
These movements, these concepts, these ideologies, they can be pretty flexible, right?
So it's not like when you had female anchors on Fox News, you know, the patriarchy was over at Fox News or otherwise.
And if a person of color or a woman or both were to fill Tucker Carlson's chair, they would do it in a different way.
But there would be a way to integrate that person's individual identity with the larger project.
You know, the whole time we're having a conversation like this, we're trying to, you know, guess what's in Tucker's mind or heart or whatever. And ultimately, that's not what matters. What matters is what he shows on the screen. And, and, you know, these words tend to lose meaning. Words like fascists tend to lose meaning because people throw them around at whoever they don't like. But if you watch the end of men, the Tucker Carlson original series about how sperm counts in the West, in air quotes, are declining. And what we need to do is get birth.
rates up so that well-ordered regiments of men can take back order and control. And the visual
montages on the screen, I say in the piece, look like an Abercrombie ad directed by Lenny Riefenstahl.
I mean, the aesthetics of it are fascist. I don't think he's got militias that he's controls.
I mean, I don't, I haven't lost, you know, the scale of this here. But if the most powerful seat
in conservative media is controlled by someone who is willing to put out aesthetics into the
world that strike me as fascist aesthetics with a capital F, like the clinical academic definition,
that's not a good thing. I don't think we need to jump to the conclusion that the country is doomed
immediately, but it can't be good. But again, part of what was so significant about this is that it was
happening in the mainstream, right? Like, this is, this is one of the, this is one of the defining
qualities of politics over the last 10 years, is that all this stuff that you think would be
sort of fringy, right, on the right, and I will say on the left, shows up in the mainstream.
And so you have someone like Tucker Carlson, you watch his show, you know, especially as the
major advertisers kind of fled. It's, you know, he's doing these kind of slightly weird monologues.
Then you've got a bunch of ads for Mike Lindell, My Pillow, and then you're back on the show.
It doesn't feel like you're watching like normal mainstream American TV.
It feels like you've stumbled down a rabbit hole.
Andrew Morantz, Kelifasana, thank you so much.
Thank you.
Thank you.
Andrew Morance and Kelifasana are both staff writers at The New Yorker.
This is the New Yorker Radio Hour.
More to come.
This is the New Yorker Radio Hour.
I'm David Remnick.
Earlier in the show, we talked about Tucker Carlson's ouster from Fox.
The Dominion lawsuit laid bare just how afraid Fox News was of the competition,
afraid of driving its viewers away with news they didn't.
not want to hear. Fox was for a long time the only big conservative news outlet out there, but
is now a whole universe of right-wing and far-right media. One of the major players here is the
Daily Wire. Along with news, it produces documentaries, TV shows, and especially podcasts. Podcasts that
features such voices as Ben Shapiro, who talks a lot about woke college campuses, and the men's
movement guru, Jordan Peterson. And in this,
largely white male group, Candice Owens stands out.
Owens got her start on YouTube early in the Trump era with a coming-out spoof that went viral.
Mom, dad, I'm a lesbian. I like girls.
Oh, sweetheart. We always knew.
The bottom line, we just want our children to be happy. We love you regardless.
Brave soul. Oh, thank you guys. Oh, also, I think I might be a conservative.
understand. She then emerged as a fierce supporter of President Trump.
One more question, because I'm sure you've gotten this question tons of times, but are you
going to run in 2024? And if so, can I be your vice president? Oh, that's very interesting.
Wow, what a good choice that would be. That would be fantastic. Trump Owens, 24?
So, yeah, I think that's a great, I would be, you would be fantastic. And, you know, I really
appreciate the job you do and everybody does. The answer is. Owens commands an online following in the
millions, and she's leading a movement to bring right-wing politics to a younger and more
female audience. Our media reporter Claire Malone went to see Candace Owens recently at the offices
of the Daily Wire in Nashville. Now, Claire, I just had a long talk about Tucker Carlson with our
colleagues, Kellefassane and Andrew Moran's. And we talked about whether someone like Candice
Owens could succeed in his time slot on Fox News. What do you think? I think that's a really interesting
question. And I think purely on the mechanics of that job, and by that I mean speaking directly
to a camera, monologuing, not having other people you need to bounce off of. Candace can do that.
She can do it in the same way that Tucker Carlson or Rush Limbaugh or any other, you know,
conservative talk radio person can do it. So I think she could actually do the job.
There are two other factors that I think maybe would prevent her from actually doing that.
One is, I would say, the sexism of cable television, right?
I think people at Fox, people who run Fox probably think that they need an anchorman in that 8 p.m.
slot.
I get a lot of notes whenever I'm on a podcast about the way I speak or my cadence.
And I'm sure Candace would also get those.
Lots of women get that feedback.
So it's easier to pillory a woman in that way.
And I think that would probably hold Fox execs back from giving a woman the 8 p.m.
slot, personal opinion. Then the second factor, I think, is I don't know if Candace would want to do
something like that. Even though the 8 p.m. slot on Fox News is a huge prestige spot in conservative
media. She likes that she's speaking to a younger and specific audience on the Daily Wire.
She gets to do her own thing. And I think she's got pretty free range. So I'm not sure if she would
actually accept a position at Fox News. So, Claire, very often in a story like this, there's a
A rosebud moment, a pivot moment in somebody's life that turns them from one thing to another.
Here's a woman that began at her, at least in her youth.
She was a pretty standard issue, liberal, African American, left-leaning.
Was there a moment where she changed radically or where she sees that she changed radically?
There's a really pivotal moment in Candace's life when she's a 17-year-old senior in high school in Stamford, Connecticut.
And she was friends with this boy at school.
They had a falling out.
He was suspended from school.
He gets angry at her, calls her and leaves her very nasty, racist, threatening voicemails while he's in the car with three other boys.
Now, as it turns out, one of those boys is the 14-year-old son of then-Stamford mayor, Danel Malloy, who would later become the governor of Connecticut.
And basically what happens is this turns into a good old-fashioned political scandal.
And unfortunately, for Candice, she is the 17-year-old at the center of it.
She was out of school for six weeks.
When she comes back, she's surrounded by her family members and the NAACP.
There's a lot of local discourse about whether or not she's just, you know, faking all of this for attention.
And I think what Candice took away from that experience was she didn't like being a victim.
She didn't like feeling powerless.
And, you know, I think there were a lot of, there was a lot of personal fallout for her from that moment.
You know, she talks about it as sort of the moment where she lost control.
She developed an eating disorder, she says, as a reaction to that, she wanted to regain control.
And I think even in her life, you know, she's a 30-something-year-old woman now, a huge narrative in, you know, when she speaks to her social media followers or she speaks on her podcasts, she talks about shedding a victim mentality.
That is kind of your persona, right? Like, tough, tough girl.
Tough life.
You know?
and I think that it sets me apart.
It shouldn't.
Like I heard me speak to this today.
I think it's really weird
that we live in the society
where everyone's hand is being held at all times
and they're being told they're amazing
and they're obviously not amazing
and they're obviously not great.
They could be.
They could be better than they were yesterday.
We all have bad days.
I certainly have them.
And so, you know, life's tough
get a helmet, I guess,
is kind of my perspective.
If we all sat around
and kumbayat and held hands
like Drew Barrymore and Dylan Mulvaney,
we'd never get off the floor.
Okay, and to explain that last little jab,
Drew Barrymore now has a talk show,
the Drew Barrymore show.
And on it, Drew Barrymore had this sort of,
admittedly kind of awkward TV moment
where she kneeled in front of this
sort of infamous in conservative circles
trans influencer named Dylan Mulvaney.
And that's a kind of pop culture moment
that Candace really latches onto
because her thing now is
talking about pop culture, being very fluent in it, but also telling her listeners,
here's what's perverse about it. And Candice is very, very anti-trans.
How does she differ if she differs at all other than the age of her audience from Sean Hannity,
Tucker Carlson, and that group?
Well, I think perhaps first and foremost, though she came into ardor consciousness as this gung-ho Trump supporter
and sort of focusing on electoral politics,
we were all glued to the Trump administration
and what was going on.
I think she's made this interesting shift,
and she chalks it up to becoming a mother.
She now has two kids,
where she's focusing a lot more on culture issues.
So pop culture,
even things like, you know,
vaccines, she does not believe in any kind of vaccination,
you know, the cleanliness of household products.
There's a little bit of a,
you know, a conspiratorial mindset at work, right?
Be suspicious of everything that's presented to you by mainstream culture.
But Candice is really focusing on pop culture as something that conservatives have ignored
and something that it's important for them not to ignore.
And Candice and I talked a lot about her audience and what maybe makes it different from other Daily Wire hosts.
So if you think about someone like Ben Shapiro, he has a pretty male audience.
And she told me that Jeremy Boring, who's the Daily Wire CEO, he told her that her audiences
actually special and different from other Daily Wire hosts.
Teenagers to 90-year-olds consume my content, which is super interesting.
I think that one thing that we've realized is a lot of moms follow me.
I have a very strong mother demographic, and I think that's because a lot of stuff I speak about
that I'm passionate about his children, so that makes sense.
I mean, yoga pants, who's going to watch that and be like, ah, yeah, yeah, it's going to be moms,
which I have fun with.
I am very proud of the work that I do.
especially because a lot of it speaks to moms.
I'm left and the right.
So that was kind of a very exciting time for me.
All right.
So she's against yoga pants.
First of all, I'd like to know what that signifies.
But when she talks about a mom demographic,
what other topics is she talking about and why?
Yeah.
And just to quickly explain the yoga pants,
Candice has a sort of half-joking, half-serious thing
that American women look too sloppy.
They need to try harder.
they need to beautify themselves.
And actually, it's silly, and she knows it's a little silly,
but it's connected to this bigger thing
and this of what she's talking to our audience about,
which is basically traditionalism.
She thinks that women should be women and men should be men.
And Candace sort of acts that out via social media via a podcast.
This is what a woman should be.
She should cook dinner for her husband.
She should garden.
She should beautify herself.
And she should care about her child.
children's school, what's happening?
You know, what pronouns are they trying to get your children to use at school as an
example that Candace brought up to me?
So I think Candace is, she's actually talking about issues that a lot of Americans think
about.
Now is the way that Candice approaches this smart?
I don't know.
She is really harsh language.
She has really a lot of retrograde ideas.
Someone said to me, like, I think of Candace Owens as sort of like the Phyllis Schlaff
of the Instagram age
because she's like
pushing sort of traditional
feminine roles.
I love my femininity.
I celebrate femininity.
I tell women
this weird culture
of telling women to
de-beautify themselves
and to be more masculine.
I mean, it's just bad.
It's just bad.
I believe that femininity is a
absolute gift.
It should be treated as such.
I am the opposite
of litmus.
I think would be fair to say.
Whatever she brought in, I'm the opposite of that.
You know, the girls are like, I haven't changed my armpits and this is encouraging and like, you know, I'm overweight and now I'm, you need to, if you don't like it, there's something wrong with you, you know, which I challenge you the other way.
It's like you don't need to be a size zero, right?
There's opposite extremes and they're not healthy.
But to care, take care of yourself, when did we start looking down on taking care of yourself?
Phyllis Schlafly, who, for those who don't remember, was a kind of anti-feminist activist who organized against the Equal Rights Amendment in the 70s.
And then you have Lena Dunham, who of course was the originator and star of the show Girls, which projected, I would say, I think it's fair to say, a very different view of the world than Phyllis Schlafly.
She thinks this is a winner.
Is she wrong?
You know, Candice, again, picks out these.
moments in pop culture where, yeah, you know, maybe an audience does have a reaction to not shaving your armpits or, you know, trans activists being on TV and talking about their experience. Maybe people are uncomfortable with those things that go outside, you know, to traditional, you know, to use the freshman year gender studies class term, the performance of gender. But again, she does it in this really harsh,
cutting way.
Exactly.
Yeah, I talked a lot about that with her.
I said, you know, even if you believe that you are on the right side of history on all those issues, isn't there something she said for persuasion?
You catch more flies with honey than you do with vinegar.
But I would also say that, you know, she, the way she tells it, she's also trying to pierce this liberal Hollywood thought bubble.
The problem when there is just an applause and you think it's great and it's a Hollywood.
applause and you see your favorite actors.
Like if I was a kid in saw Denzo Washington,
applauding something. I'm like, oh my gosh,
well, I think he's so cool that it must be cool.
You have to answer that.
You have to say it's not cool, actually.
Let me actually make you understand
what this really entails.
Because if you go down this route
and you decide to take puberty blockers,
again, use an example of Dillian Mulvaney,
because we're talking about trans issues.
Here's what can happen to your body.
And here is why I bring you Walt higher.
Here's why I bring these other people
that went through this route.
Here's why I bring people that are suing their doctors.
You talk to culture because it needs a response.
And just so people know, Walt Hire, who Candace is referring to there, is someone who lived for a few years as a transgender woman and then detransitioned.
So you can't fight culture by refusing to talk about it.
It doesn't even make sense.
And this has been, in my opinion, a huge reason that conservatives ceded so much ground to the left because we stuck up our nose to culture.
I don't stick up my nose to culture.
I consume culture, and it is very important for me to contextualize culture,
so that for all the young teenagers that are following me,
rather than just seeing Dylan Mullaney pretending to be a woman
and receiving awards and being applauded by Hollywood
and staying down with your memory thinking, wow, that's really cool.
They now have somebody talking about this and saying, actually, this isn't cool.
So now you start thinking critically, which makes more sense to me.
So she made some pretty explosive comments about gender during your interview,
and she does that routinely.
She's also extremely provocative on race,
like last fall when she and Kanye West,
who she's close to,
showed up to Paris Fashion Week
in matching shirts that said,
White Lives Matter.
What kind of argument were those two trying to make?
This is the argument
that has kind of been Candace's bread and butter
since she broke out.
She talks about how Black Americans,
in her phraseology,
need to leave the plantation
of the Democratic Party, and she's purposely provocative in that language.
She's been extremely critical of the Black Lives Matter movement and about George Floyd in particular.
Here's what she said on her show the day that the verdict was delivered for Derek Chauvin.
I have to appreciate people that were trying to create a pressure campaign for me on Twitter saying,
I wonder what Candace is going to say.
Even Republicans agree that this was the right call.
I don't care who agrees that this was the right.
I don't care if it's a Republican.
I don't care if it's a Democrat.
I don't care if it's a white person. I don't care if it's a black person. I am not so much of an
intellectual coward that because the mob decides something, because the lie about George Floyd
and the way that he lived his life has become so big that we just have to now accept it as the truth.
And believe me, this is a lie. So the lie she's referring to is what she sees as the media
whitewashing of Floyd's personal shortcomings. She made a documentary that focused heavily on his
history of addiction. And Candice continues to say that Floyd died from an overdose, though that was
determined not to be the primary cause of his death. This is a hard question, but how sincere is she
about what she says about George Floyd? Yes, we know George Floyd's life was complicated.
Nobody is disputing that. But isn't this just a naked grab for audience, attention, and everything
that goes with it? You're right. It is a hard question. And I talked to Leah Wright-Rigur,
who's a scholar who wrote a book called The Loneliness of the Black Republican.
And she's someone who thinks a lot about Candace.
And Leah puts Candice in this category of racial provocateur, of which there is a long history in the U.S.
But I think what's different about Candice is the technology that she's operating with.
Do I think she believes those very personal critiques of George Floyd?
Yes, I do.
I think that she's got a very contrarian, conspiratorial worldview.
and she immediately reacted to what she saw
was an undue hagiography of a flawed person.
I also think she can be quite harsh
in her judgments of people.
I also think she knows very cynically
what subjects will go viral.
And so being a provocateur,
talking about George Floyd
in this really mean way,
she knows will go viral.
And this digital age means
that Candice's platform
technology helps amplify what is a small group of right-wing black Americans saying really
out-tray things, in some ways giving cover for white Americans who think that the George Floyd story
is a conspiracy to say, oh, well, look, a black person said it. You know, I'm not being racist
if I say this thing. So Candace is providing cover. Finally, let's look at 2024, and I want to
listen carefully to this exchange that you had with Candace Owens about what she thinks might be the crucial
culture war issues in the presidential race coming up.
I mean, it really mattered when mom started showing up at the school boards and realizing
what was in the books.
I think moms are starting to pay more attention to what's happening.
It's not necessarily just transgenderism.
It's everything that's happening in the classroom.
And suddenly it feels like we're in a custody dispute with the state for our children, right?
and I think that moms are responding to that.
So I do think that me speaking to mothers,
I hope it will have real-world implications in the election
because it's usually moms that are opening up the mail,
speaking with their husbands about who to vote for.
I hope that I encourage mothers to be more tuned into that sort of a thing.
I think that some of the toxicity surrounding feminism
and why I shirk away from it is that it encouraged mothers to just trust
state to raise their kids and you go get a job and be like dad and be like men and this will put you
on equal footing. Do you have a job though? I have no issue women having jobs at all. Obviously I have a job.
Yeah. I'm just saying that there was this pressure that basically said to women that if you stay at home
and you are instead spending all your time doing this, then it's because you're serving the patriarchy.
And I had that brainwashing taking place at my university when I was forced to take a women's studies
class and they basically, that was the whole point. Men are awful, men are terrible. And the one way
that you can be men is to compete with them at every level.
I don't feel that way anymore.
I don't feel like I want to compete with men.
And I, again, give women permission to aspire to be a stay-at-home mom.
All right.
Let's leave aside the assertion that she was forced to take a women's studies class that bears checking.
But she is using the word over and over again.
It's like a mantra of moms, moms, I'm speaking to you.
do you think in the upcoming race
that that could really help?
You've got all these male culture warriors on the right.
You've got DeSantis himself
who's making culture more and more and more
that the center of his campaign
and Trump, of course.
Do you think this works for the Republicans?
I do think it works to appeal to women.
I mean, Mitch McConnell,
the night of the 2020 election, I believe,
said,
we lost too many women.
I mean, I think this is something
that the Republicans know.
And I do think that there's something to be said
for moms, for suburban women,
turning out in elections.
We saw it in 2016 and two years ago in Virginia
when suburban women swung to the right
and voted in a governor who campaigned
on COVID-era school closures
and education policy.
People vote based on real worry about their kids.
You can't find any issue more personal than that.
And I think Candace is poised
to have an influence on this group that her peers at the daily wire aren't.
She's a mom.
She's speaking directly to other moms, which is something that her male counterparts, like
Ben Shapiro, can't replicate.
That said, she has a really harsh tone and a conspiratorial mindset that I'm not sure
would appeal to women in the middle.
Claire, thanks so much for your terrific reporting on this.
Good talking to you.
Good talking to you, David.
You can find Claire Malone's article, The Gospel of Candace Owens at New Yorker.com.
I'm David Remnick. That's the New Yorker Radio Hour for today. Thanks for joining us. See you next time.
The New Yorker Radio Hour is a co-production of WNYC Studios and The New Yorker. Our theme music was composed and performed by Merrill Garbes of Tune Arts, with additional music by Alexis Quadrado and Louis Mitchell. This episode was produced by Max Walton, Breda Green, Adam Howard, Kalalia, Avery Keatley, David Krasnow, Jeffrey Masters, Louis Mitchell, and Gauphin and Puddin.
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