The Oprah Podcast - Sophie Chen Keller: "Little Wonder" | Oprah's Book Club

Episode Date: June 16, 2026

Oprah’s Book Club 124th selection is Little Wonder by author Sophie Chen Keller. Oprah and Sophie sit down with an enthusiastic audience of readers to discuss Sophie's childhood spent both in the USA and China and how that experience impacted her writing. She also shares how becoming a mother for the first time was the inspiration for Little Wonder. The story is about a profound bond of love that connects a mother, Song, to her son, named River. A cataclysmic roller coaster of events is set in motion when Song loses hold of River’s hand in the teeming crowds at a Beijing train station. Throughout this story of love, perseverance and hope mother and son desperately seek to find their way back to each other. Readers share that the climactic end had them in tears. Audience members also share the passages that moved them the most and ask questions of Sophie. BUY THE BOOK! https://www.amazon.com/Little-Wonder-Novel-Thousand-Voices/dp/B0G5X5Z5R9 00:00:00 - Welcome Sophie Chen Keller, author of “Little Wonder” 00:06:05 - Writing ‘Little Wonder’ 00:09:40 - How Sophie found her title 00:12:32 - Her writing process 00:14:05 - Characters and plot 00:16:10 - Writing from a boy’s perspective 00:18:00 - Sophie’s love of piano 00:19:00 - The bumpy road to ‘Little Wonder’ 00:23:50 - Why the novel was set in 2016 00:25:45 - Rewriting the book 3-4 times 00:29:50 - Motherhood in the novel 00:32:30 - Class in the novel 00:35:00 - Purpose and motherhood 00:37:50 - How Sophie relates to music 00:41:00 - Song’s grief 00:43:20 - Tchaikovsky and the story 00:45:30 - How Sophie knew the ending Follow Oprah Winfrey on Social: Instagram Facebook TikTok Listen to the full podcast: Spotify Apple Podcasts #oprahsbookclub Learn more about your ad choices. Visit megaphone.fm/adchoices

For the first two years of my son's life, I was just completely consumed by mothering in the very best ways and also in challenging ways. I was sleeping one or two hours at a time, and so I learned just how much exhaustion I could carry around. My son was an intense, sensitive baby, so he did a lot of screaming. Oh, that's how you describe it, okay.

It was intense and sensitive, yes. So I just have the sense that my life no longer belongs, no longer belonged to me. I missed my old life and my old self. You're describing all young mothers, yes. So I opened up my laptop, opened up a word doc, and I started writing this book. And you did so well.

Hi, everybody. It's wonderful to be here with you on the Oprah podcast. This year, we are celebrating the 30th anniversary of Oprah's Book Club. Let's just... I'm in awe of that. All thanks to all of you who have been reading with me for now 30th.

30 years and I think that reading is one of the great joys of life and we have many more fantastic books coming up this year so much more to come but it is my pleasure to share my 124th book club selection little wonder little wonder by Sophie Chen Keller the novel is actually a big wonder full of a lot of astonishing drama. It's the story of a mother and her young son, who is a piano prodigy, and they become separated by forces beyond their control in Beijing, China. It's an extraordinary journey about a mother's love, really, and it's about perseverance and the transformative power of music. Welcome Sophie Chen Keller to the Oprah podcast. Thank you so much for having me.

So I have to say everyone in our audience has read the book. I'd love to hear from a few of you. So Shelby, what did you think? Hi, Oprah. Thank you so much for having me. I'm thrilled to be here. Sophie, I loved your book. I could speak forever about how much I loved overall what you had written.

But I actually wanted to touch on a smaller detail that really resonated with me personally. I'm a tap dancer professionally, which means I'm a musician. and more specifically a percussionist. And so I've often noticed the rhythms in the world around me in a way that maybe others wouldn't. And so I particularly loved and was so intrigued by your choice to have River noticing the inanimate objects around him as music notes, like a horn honking at a G-flat.

And that was such a nice reminder throughout the book as to what a musical prodigy river was. And it was in those small details that you wrote that I found the book to be particularly special. Yeah, you know, I'd never even thought of that because I'm not like musically inclined at all, so I don't know a G flat from a C. So it's interesting that that's the way you look at the world too.

Is that the way you hear things? Yeah, well, as a tap dancer, I noticed the rhythms more so than the notes. So I might notice that we're in triplets, like a train track is moving in triplets versus hearing the notes like River does. Yeah. One end or two-enda.

Really? Oh, that's pretty cool. Andrew. Thank you. Hi, Oprah. Hi, Sophie. I loved your book. The character that I resonated with the most was obviously River.

I'm a child of immigrants. And like River's mother growing up, I feel like my mom, who was also a single mother, she gave up so much and sacrificed so much so that I could grow up with better circumstances than what she grew up in. In the book, River talks about how it only takes two people to make a world. And I found it really meaningful that despite the circumstances of the story and despite how much time they spend apart, the world that Song and River share is made up of love and playfulness and music. So I really love that. Yeah, I love the names too, don't you?

Song and River. All right. So let's get to it. You were born in China and raised in California and Ohio. Yes. And you grew up with your mother reading to you. And that's what gave you a love for writing. Yes.

Yeah. Yeah, I came to the U.S. when I was four, and so my first language was Mandarin Chinese. I didn't speak any English yet. And so to help me learn, my mom would check out stacks of books from the library. And every night before bed, she would spend an hour reading out loud to me until she lost her voice. And so I grew up loving these children's classics like James and the Giant Peach and Charlotte's Webb. And as soon as I could hold a pencil, I was scribbling little stories of my own. If anyone asked me what I wanted to be when I grew up, I said, I want to be a writer. And when I was 13, I wrote a short story about a petty cab driver in rural China. And this story was just plucked out of the slush pile by the editors at Glimmer Trey in Lurie magazine. And that became my first publication. You were 13, did you say?

Yeah, I was 13 about the story. And the issue came out when I was in high school. I remember bringing author copies to school. That's got to be just so exciting when you get published anywhere. I was so excited and I was handing these issues to my friends and teachers. But then when I went to college, I thought I'd better be practical. And so I majored in economics. And after graduating, I worked for a few years in the corporate world.

And before my husband and I were married, we were talking about our dreams for the future. And we thought, why not pursue those dreams today? we'll hold hands and close her eyes and just take this jump together. And so we both quit our jobs. And he went back to graduate school. And I started writing what became my first book. His dream was to go to graduate school. Well, he worked in finance originally.

And he wanted to save the world. And so he went back to graduate school and majored in law and diplomacy. Okay. Yeah. And yours was to write. And mine was to write. It always has been. And so that was, you know, almost 10 years ago.

And it all came. So how did you, so it's one thing to dream, but you got to eat. So how did you plan on taking care of yourself? It was really my husband enabled it all. He likes to save. He's German, frugal. Okay. Okay.

So Little Wonder, your second novel, and you started writing this book, I understand, when you were staying for a while in Beijing. Yes. So in 2019, we moved from New Jersey to Beijing. My son was four months old at the time, and we were moving for my husband's work. And when I got to China, this version of China in 2019 was totally different from the China I remembered as a child. The city was super modern and clean and beautiful. At the same time, the air pollution was so heavy.

You could see it hanging like a thick fog. And I saw lots of very rich people living alongside lots of very poor people. And regardless of their socioeconomic status, everyone lived these technologically advanced lives. You know, they would just leave their homes in the morning with only a phone in their pocket. There was no need for a wallet. Everything was virtually cashless. I remember the first time I saw a beggar collecting change, not in a styrofoam cup, but with a QR code. And you would scan it and just send them money directly into their mobile wallet.

Is that what beggars are doing now? Some of them were. And I was, yeah. Have you all seen that? I have not. Beggars with a QR code. Okay. And you scan the QR code to give the Yeah, and you'll just, yeah, it's actually very, very easy and convenient. Okay. All right. So we settled into our new routines there, and as part of mine, I would take my son out for these long walks because he napped in a moving stroller. So I would just walk around for two hours and observe everything around. around me and I was struck by just the sheer number of delivery workers that filled the streets

and delivery workers of all kinds. There would be packaged delivery workers and they would just set up shop in the middle of the sidewalks surrounded by all their boxes and their bubble wrap and there would be grocery delivery workers. There were the food delivery workers. They normally wore bright yellow uniforms and they would literally sprint past me in the streets carrying their orders. And I was really curious about them. I wondered if they made their delivery on time. And I wondered... Were they on bikes? No, on foot. They would hold their bags on

foot, literally sprinting past me as I pushed my little stroller. And... Wow. Yeah, and I wondered where they had come from. I wondered what their stories were and what the job was like and what their lives were like. And so I just followed my wonder. And that was the beginning of who song would be. He followed your wonder. Is that why it came? That's where the title came from. The title actually came at the end after the manuscript was done. And as I was brainstorming ideas, this phrase, little wonder, jumped out at me because it just encapsulates the way we feel when we're holding a little baby and looking into that little face.

It's just full of awe and affection. So how did the story of the story of the moment? mother and the son come to you? Well, at the time, I had just become a mom. Yeah. And motherhood was all I was thinking about. You know, for the first two years of my son's life, I was just completely consumed by mothering in the very best ways and also in challenging ways.

I learned just how much love I could carry around. But to go with that, how much worry, you know, everything, I was constantly Googling various symptoms and everything became a potential problem that had to be solved. And, you know, I was sleeping one or two hours at a time. And so I learned just how much exhaustion I could carry around. My son was an intense, sensitive baby. So he did a lot of screaming. Oh, that's how you describe it. Okay. I'll tell you. And the own... Tense and sensitive. Yes. A lot of screaming. Got it. And the only thing that consoled him was bouncing on this yoga ball.

So I would all day and all night just hold him on my shoulder and bounce him on this yoga ball. And for the first year of his life, he had a cow's milk protein allergy, which meant that I had to cut dairy and soy out of my diet. And so I just had the sense that my life no longer belonged to me. And I missed my old life and my old self, or I could eat whatever. I wanted. I could use the bathroom by myself in peace. I could have a cup of coffee. You're describing all young mothers, yes. Yeah, and have a cup of coffee without microwaving it five times before getting a chance to finish it. And, you know what, as it turns out, time just keeps going on.

And everything is temporary. Every hard phase passes. And one day, baby is just older. And then you start incorporating elements of the old self into the new one. Yeah. And for me, that happened in earnest when my son started daycare. And I went from having no time to myself to suddenly having this glorious stretch of hours every morning. And so I opened up my laptop, opened up a word doc, and I started writing this book. And I got to talk about all those motherhood related things I had been dying to talk about. And you did so well. So how do you write? Do you write like every day or? Yeah, I like structure. So I have a simple routine. I try to keep two. I have a cup of coffee in the morning and then I start writing. And the most important thing for me is that I have no distraction. And so I do my writing from bed because this is the place where no one is bothering me. And I'm totally relaxed and comfortable. I'm not distracted by a squeaky chair or my back hurting or anything. And I can just totally focus on the words on the screen. And the other thing I need is to have a long stretch of time to produce a short stretch of words. I do about 700 words a day, and it takes me five, six, seven, eight hours to produce that. I think my brain is like a slow cooker, and it just slowly breaks down the scene and lets the emotions and elements mingle and hopefully deepen.

Wow. Every day, though, you do it. Monday through Friday, every day. But I have become less precious about my routine now that I have two kids. When the edits for Little Wonder came in, my daughter was four months old. And so I did those edits with her sleeping on my chest, and I would type one-handed on my laptop. I was still in bed, so this was the similar part of the routine. Wow.

We want to really talk about what the book, the story is about, without giving away too much. So set up the characters for us and the plot. Sure. So the book starts with a mother song and her 11-year-old son, River, and he's a piano prodigy. Did you take your long time to decide those names, or did you just those names come to you? They came to me pretty easily. Okay. Okay.

Yeah. And they get separated in a crowded train station in Beijing over the Chinese New Year. And there are so many people traveling during this period of time that it's been called the biggest human migration on the planet. So the train station is packed and they're not able to find each other again. And so they spend, you know, years of their lives searching for each other while having to make new and very different lives for themselves. So this is so interesting. When I was reading the book for the first time, I had to Google Beijing train station because I couldn't understand. how you could just lose somebody in a train station

and then you're never going to see them again. Yeah. It's a big train station. It's a big train station. Also, there are just so, so many people. There are like millions of people. Yeah, there are a lot of people. And, you know, so much of this book hinges on injustice and inequality.

And that's part of the reason they can't find each other because song is who she is. Because she is. In her mind, she's a nobody and people don't care about her. I didn't understand in the beginning. Why wouldn't they just go on Facebook? Well, Chinese, the Chinese do have social media, but they don't have American Western social media apps.

They don't have a Facebook equivalent. The way their social media works is in order to find someone, you need to have their QR code to scan, or you need their number, or at least be in sort of the same social circles. otherwise, you know, there are so many people. There aren't that many names. You know, you would never find her.

It's like a needle in a haystack. That's why. Yeah. All right. Our listeners tell us that the podcast is resonating with you and is serving as a bright spot in your day. That means a lot to me. So here's the thing.

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so thank you for watching and listening. We need to take a short break. When we returned, Sophie shares about her own experience, healing from thyroid cancer and how it inspired parts of the book. Stay with us. This episode of the Oprah podcast is sponsored in part by Bowling Branch. a moment, and if you've been running on empty for years, you know exactly what I'm talking about,

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slash Oprah Pod, code Oprah Pod to unlock 15% off exclusions apply. Thank you for listening to the Oprah Podcast. I'm with Sophie Chen, Keller. She's the author of my 124th Oprah's Book Club pick, Little Wonder. Let's get back to our conversation. So readers say that you have this uncanny ability to write from the point of view of the child, especially boys. You were able to do that in your first novel. What is that, do you think? There are periods of my life that I remember especially vividly, and childhood is one of them. Really? Yeah. At the time I was living, we were living in Columbus. Columbus, Ohio, and my parents are graduate students.

So we lived in this housing complex for graduate student families similar to ours. And I remember the friends I made there. And I remember playing with them all day in the summers until the sunset. And I remember, you know, catching fireflies. I remember how big the world seemed and how magical these bedtime stories were. and so it was easy for me to access memories of that magical time. Wow. And actually, the first versions of this book had much less of Rivers' perspective.

It was mainly Song's Journey and Song Story. And with each iteration of the book, Rivers' role grew. And that's because songs, life is difficult. And her perspective can start feeling. quite heavy. But River, as a child, he approaches the world with openness, with more wonder. And so the world takes on this almost magical quality. And is he a musical prodigy because you liked music? Exactly, yes.

Okay. Yeah, I drew a lot of parallels between my own musical background and River's journey as a pianist. So you grew up with piano? So I started playing, learning the piano when I was seven years old. My mom signed me up for group piano lessons at the local library. And, you know, I enjoy the lessons. And so she found a private instructor for me. And she bought me a used piano for $500.

And, you know, at the time, they were teaching assistants. My parents ran. You brought your used piano. This is important. She brought you a used piano for $500. She was only making $900. Exactly. She was only making $900.

my dad is well 900 each and um we didn't so we didn't have the resources to spare for things like this but my mom did it. I just wanted to share that because that's a lot of you only making 900 a piano costs 500 it's a big sacrifice you got a sacrifice and sacrifice and sacrifice for your daughter to be able to have piano lessons. Yeah exactly yeah and I understand too that there were a few years ago you had thyroid cancer right now you're cancer free yes happy to hear that it's a very treatable form weren't you like when you were first diagnosed with the cancer you didn't know it was so easily treatable and you you had some moments of not despair but at least feeling not like yourself right yeah and we're able to overcome that yes um you know i think that so with this book

um it's been a long journey um it's been a long winding and bumpy road My first book came out almost 10 years ago. And in the next few years, I worked on a different book. And my agent at the time, my first agent, he didn't like it, and he dropped me. And then I spent years working on Little Wonder. And my second agent saw an earlier version of Little Wonder, and she didn't like it. She dropped me too. And in the midst of all of that, I was diagnosed with thyroid cancer.

And, you know, each time I was knocked back, I thought about this story that I wanted to tell and how I can make it more powerful. And each time, the thought of implementing those changes made me excited. And I kept reminding myself in any good story, you have to face obstacles and you have to keep going. And you have to face more obstacles and you still have to keep going. And you have to hit rock bottom and you still have to keep going before things can turn around. And so for me, the difference. between despairing and giving up and persisting and keeping the faith was not so much the things that happened to me, how many good, how many bad, but the narrative I could tell myself of the

things that happened to me and the way I could connect and interpret those events. That's how we're supposed to live life. It's not about what happens, but it's your response to what happens. Right. So every time you were set back, you didn't give up. Right, exactly. Yeah. Yeah.

And then I called. Oh, my gosh. I can't believe it still. I can't believe I'm sitting here talking to you. And you've said that that experience of having thyroid cancer informed the mother song and Song's Journey. Tell us how. So when I started writing the book,

I didn't know what exactly Song's Journey would look like. I didn't have the plot points mapped out. And I didn't know where things were headed. I just took it a day at a time. And as I was approaching the end, I felt like it would be bittersweet because a straightforward happily ever after is just not in the cards for someone like song.

But I tried one way and it wasn't working and I tried rewriting a different way and it still wasn't resonating. And around that time, I went to the doctor for my normal annual checkup. and you know how they feel along the sides of your neck? Yeah. Yeah.

And this time she was feeling and she found a lump. And it turned out to be thyroid cancer. And I was totally shocked because I'm in my 30s and I had no other complaints. But luckily thyroid cancer is very treatable. So as you said, I'm back to 100%. But going through all of that, I understand now what it feels like to... Did you have to do chemotherapy? No, they do.

they remove the thyroid it's thyroidectomy and then you do what's called radioactive iodine therapy yeah um but i understand now what it feels like to carry around this uncertainty as you're waiting for your diagnosis and you're waiting for surgery and treatment you're waiting to recover then you're waiting for your follow-ups and you have to do all of this waiting while carrying out your normal day-to-day life you have to take care of the kids it doesn't the kids anybody who's had cancer or being understands that. Yeah, exactly. And so I drew on all of that as I wrote Song's journey as she is waiting to find her son while, you know, at the same time trying to build a new life for herself. And I drew on it, especially with the ending. You know, Song doesn't get thyroid cancer,

but I hope my specific emotional truth is what makes her journey feel authentic and universal. It's time now for a break. Up next. Keller answers questions from readers and reveals how her study of music inspired this poignant story. More on that when we come back. Thank you for listening to the Oprah podcast. We're talking about my latest book club selection, Little Wonder, by author Sophie Chen Keller. Here we go. Well, this entire audience has read the book. That must feel good as a writer, right? Oh, it's amazing. This is the first, you know, early feedback. So it's just, it's really cool. The book has been just mine for so long and now it's yeah now it belongs to us so the whole audience has read the book and so many people

have questions for you julie what's your question um well Oprah if I can tell you first that I've been learning from you since I was eight and you are not only the best teacher that I've ever had but the greatest influence my life outside of my immediate family and I just my goal was to just say thank you you so thank you thank you for that and Sophie I think you may have touched on my question did you say eight years old you've been watching 47 Yeah, sorry. Okay. Appreciate that.

Yes. But Sophie, I am a new empty nester, and I am loving this season of life after being a stay-at-home mom, but I know a lot of other mothers are really struggling with purpose and finding their purpose after their children leave home. And in your story,

song seems to devote her entire life to River and is lost without him. Were you, trying to explore the idea that motherhood can both fulfill and erase a woman at the same time? I think motherhood can change our lives and ourselves into something different and even unrecognizable at times. I think for song, this concept of balancing being a mom with having a life outside of the kids is not at all on her mind. because her life simply does not allow for it. She spends nearly every waking moment working

to survive and support her family. She doesn't have the time or the resources to cultivate a hobby or go on vacation or even meet a friend for coffee. You know, her courtship with Blue, they don't sit down and have a meal together or go out and do a fun activity. They are getting to know each other

while walking to and from work. All right. LaFern. Yes. Thank you, Oprah. What an amazing story. I never thought when I started reading that I would see so many parallels with my own life. I went back to the days when I started playing piano. I played musical instruments from a young age. my solo mom with my father gave me one of the best gifts I've ever had.

And it was an old upright piano and piano lessons. And I heard you talk about how much your mom made and how much the piano costs. And I can remember a season in my own mother's life where she was doing days' work, making $25 a day and paid $75 for this old upright piano. Fast forward, when I think back to the music and how it makes me remember who I am, after many different life transitions, I decided to gift myself with a piano and I did a few years ago. I thought about Tchaikovsky's concerto number one and what an emotional piece it is. What made you specifically select that piece to be what I see as the spine of the story?

Come on La Fern Come on La Fern Come on La Fern And before you even answer that I just want to say Where were you born and raised? Maryland So I remember you in Baltimore

In Baltimore in those early days But I think here's a beautiful Maryland woman Who has nothing in common with this boy in Beijing And the music connects you through the story and the words that you've written. That's the beauty of books.

That is the real wonder of books, isn't it? It is. You would see yourself in that boy's story. It's amazing. It is. It is. I could cry for you right now, so. It's so amazing.

So there are a handful of concertos that have taken on this mythical status. There are movies made about them. They strike fear into the heart of every pianist, and they're widely regarded as some of the most difficult pieces a pianist can learn. And I wanted to choose one of those legendary concertos to represent this dream of greatness that song and river have. And I chose Chikovsky's first because it felt so much like this book itself. It's big and sweeping with equally big emotions.

and it's noble enough to feel like a home coming, but nostalgic enough to feel like a home calling. Thank you. Thank you. And aren't the book notes hidden on the cover? Yes. So those notes on the power line are not just random notes. If you play them, you hear the opening melody

to Tchaikovsky's first piano concerto. It's the melody played by the strings. Oh. Now you have to try playing it. A little secret there. Angela, what do you want to say? First of all, I wanted to say hi. Hi.

Oprah. Thank you. And I really, really enjoyed the book. What did you appreciate about this story? I really appreciated the fact that it showed real people, meaning working class and poor people, because there's another, you know, and also that it was contemporary and modern. You know, a song had a really tough life, but there were pockets of joy.

I just wanted to know, like, about your class politic and, you know, kind of where, how it was informed. And has it changed any in the last few years? So growing up, I was aware of the differences between what I had and what my cousins had. going back for the summer, I would come with a suitcase full of clothes and they would have two or three outfits that they rotated between the whole summer. And I understood that the difference was because I lived in the U.S. and my parents were educated. And as a kid, I kind of just accepted it as a fact. And I didn't have any other reference point. I only lived with my relatives when I went back to China.

But then when I moved to Beijing and I lived there as an adult, I saw all that the city had to offer for those who could afford it, you know, the wealthy, the powerful, the educated. And as an expat, I lived in a central location and I lived in a nice high-rise compound and I could go to nice restaurants. I could install heavy-duty air purifiers. I could buy imported fruits and vegetables and drink filtered imported water. And that kind of life is, it runs parallel to the lives lived by all the migrant workers who built the city, but they can't afford to live in it and they can't enjoy all that it has to offer. But I also know life on the other side of that parallel track. My uncle for a time

lived and worked in Beijing as a taxi driver and when I went to visit him he lived way, way outside of the city in this area that smelled so strongly of sewage because these homes didn't have flushing toilets so people would empty their waste in their trash right outside their door in an open canal and so it's a bit of an interesting perspective

having lived on both sides of this track that otherwise would never touch. And so having lived on both sides of the track has given you the, you know, not only the material, but also an understanding of a world that, you know, most people will never see or don't understand. And so you become the voice for that world. Right. And you really see the distance between them

when you've been at both points. At both points. Yeah. Mightish, yes? Yeah. Thanks, Sophie, so much for joining us for this conversation today. I really enjoyed following the emotional journeys of Song and River, the ups and downs that they face over the years. I was curious how you thought about telling this story through flashbacks and in particular setting the start of it, or rather like the core incident in 2016. As you mentioned, a lot of the things like delivery and the ubiquity of smartphones, that feels like it could have happened today. What made you want to set it in 2016? So China's development is interesting because it went through leaps where it changed a lot in a short period of time. And I got to personally witness these leaps through my visits each time I went back to see my family in the Northeast.

One summer I would go back and the streets would be made of dirt and people are using cash and they don't have so much of it. they're just trying to keep their bellies full and the next time i go back those same streets are paved and broadened and landscaped with trees and flowers and people have more cash and they're buying appliances with it or landline phones and then when i moved there in 2019 the cash was gone and everything was done on a smartphone and for the structure and the flashbacks um Originally, the story was written in chronological order, and it started with River's birth in the Northeast. And as it was progressing, it wasn't feeling right. It didn't have the right balance.

It's like when you're eating a dish of food and it's only sweet or only salty, it gets one-dimensional. But if it's sweet and salty and bitter and acidic and spicy and all of the flavors, each bite is exciting and you want to keep eating. And so that's what I wanted from the structure of the book. And so I started at different points in time, and I must have completely torn down and rewritten the whole book at least three or four times. And one day I was facing yet another total tear down and rewrite when I had this sudden, very clear, but very random image in my mind of a braid. And I didn't know what it meant. But then I started thinking, you know, there are three strands to the story, song story in the present. I'll call that strand A, song story in the past.

I'll call that B and River Story. I'll call that C. And I wonder what happens if I just start braiding them, A, B, C, B, A, C, B. And almost all the pieces fell into place. And I knew that was the way to tell Song and River Story. Thank you. Authors. What can I say? Wow. That's incredible. That's incredible. A braid vision comes to you.

It was totally random and I didn't even know what it meant. Yeah. But you knew it meant something. Yes. It was so clear. I believe that. I do. I mean, but I've never heard that before. I've never heard that before. So Song the mother lives in poverty and after giving birth to River, on page 19, you describe her home life like this. say she felt like she was lying in a bog, Nat swarming her greasy hair, ants crawling up her sticky back. Whenever she rolled over,

she saw her mother crouch at the foot of the bed, cleaning the vegetables or the floor or the diapers, which had been cut out of soft sweatshirts. The village was a mud pit when it rained and a dust bowl when it didn't. How did you know a life like this in such detail? I know these homes very well. You know, I know this one room with a gigantic hearth bed and the folding tables you take out for meals and when the meal's done, you fold it away.

I know these little kitchens with the single giant walk and the basin of water for ladling. And I've lived in many of these homes. And that's because I was born in northeastern China in a rural area, a lot like Song's Lakeyard. my great-grandparents were farmers and fishermen. My grandfather on one side was a machine repair technician and on the other side a middle school teacher. And my aunts and uncles were petty cab drivers. They were food cart vendors.

And they and people like them are the ones who built modern China. And yet so few stories are written about them. And so I wrote this story. I want to let them know that they are seen. And I hope that everyone reading the story will live in these homes with them and will miss them. Yeah. I felt my sticky back in the Nats. We did. We did.

Oh, good. Shadine, you have a question? Yes. First of all, thank you so much for this opportunity. And congratulations on this achievement. I'm now itching to read the luster of lost things. Yeah. My question relates to how this book resonated the most with me, which is song ceaselessly.

will to want to give her little boy a better life than obviously the one that she had. And just an undying devotion. And that's because, of course, I was blessed, I am blessed with a mother who fled Iran and she ended up in Turkey, had to pay smugglers to take my brother and I to Greece. And then finally, she got a golden ticket and came to Canada, and she certainly achieved that goal. And now I'm a new mother myself, my little boy is a year and a half. And as a new mother, you don't really feel like the world appreciates these moments, the sleepless nights, the postpartum period. And you captured those moments so beautifully. I remember one line about Rivers' hand on his possessive hand on his mother's breast.

And it was just very, very palpable that love. And so I wondered, how did you draw on your experiences as a mother in crafting those moments? Right. When I started writing this book, I was so excited to get back to writing and to write about. all these motherhood related topics, those precious, tender, fleeting moments of, you know, snuggling with your baby and giggling together and seeing those little personalities emerge and seeing the world through their eyes. And, you know, there's a scene in the book where Song is eating lunch and she starts leaking breast milk onto her shirt or in the early weeks

where she's still bleeding. Those were physical realities of motherhood that had taken me by surprise. I didn't know about them. And the process of writing all of that was like building a bridge and it connected who I had been as a writer with who I had become as a mother.

Well, Song's own mother obviously does not care for her in the same way that Song cares for River and her mother's resentful seems to be and bitter And what were you trying to show in the polar opposite styles of parenting? The way Song's mother, mothers, is a reflection, I think, of the way she was mothered. And the way Song Mother's River is a reaction to how she was mothered.

Yeah, she showers River with all the warmth and affection that she had longed for, from her own mother and never got. She's giving what she yearned for. Yeah, exactly. And later in the book, Phyllis offers River resources, mentorship, education. These are things that Song wants to give him. And I think across all three styles, there is love there, even with Song's own mother. But she's just, this is the way she knows how to express it.

It's now time for our final break. And when we come back, author Sophie Chin, Keller, talks about why it's often during times of great challenge, uncertainty, and risks that we transform ourselves. If you have an avid book lover in your life, go ahead and give a quick tap to the share button and send this episode to them. We're back on the Oprah podcast. Author Sophie Chin Keller reveals the inspiring idea behind the stunning finish of her new novel, Little Wonder. It is my latest book club selection. Now back to the conversation. All right. So River is, as we were saying earlier, he's this piano prodigy who starts playing at the age of, what was he, four?

Yeah, four. Four. And what is so interesting is on page eight, you write, it was obvious at a glance that her son was meant for more. Those ears protruding from the sides of his head perfectly formed to scoop the music right out of the air. That sink runs water in G. that spoon clattered to the floor in A-flat, and that light bulb flicked on in D-sharp, and that tinker hollered under their window in a hoarse C, while the keys over his shoulder jangled in a brassy F.

As we were saying earlier, that's such a descriptive way to explain how the music is in him. Is that also in you? That's how you relate? I do not have perfect pitch, and I'm not anywhere near a prodigy. But like I said, I started learning the piano when I was seven, and it wasn't until I was in middle school that I became more serious about it. I saw an ad for the Disney Youth Orchestra, and they were looking for a new pianist. And so I thought, I'm going to be Disney's pianist. And so I started practicing an hour a day or an hour and a half a day, and I filled out an application form, and I sent in an audition tape.

and I never heard back. But the habit of practicing an hour and a half a day stuck with me. And so that's how I became a decent pianist in a really ordinary way. In high school, I won a local competition, but I wouldn't be able to win anything bigger. And when I went to college, I stopped this habit of practicing every day. And for many years, I didn't touch a piano. And in recent years, I've started getting back into it, just playing for myself and just for fun. And that started after my son was born.

I was reading that classical music was good for baby's brain development. And so I started playing him recordings of my favorite pieces back in the day. And I must have been listening to so much music during the day that at night, when I woke up, I would notice this ache in my hands, almost as if my fingers wanted to stretch and play those pieces again. And so once life settled down a bit, I bought a third hand Yamaha upright, and I dug up my old music scores, and I started relearning some of my favorite pieces. And I started with Hungarian Rhapsody number six, which is a piece that River plays. A lot of the pieces that he plays in the book are pieces I've played, not the time.

Tchaikovsky. I can't play that. But, you know, his experience is performing on the stage. I drew from my own experiences performing. And the way he practices, he'll syncopate rhythms, or if he's working on a tricky passage, he'll bring it up to speed slowly, one metronome notch at a time. Or, you know, the way he practices three notes in one hand versus seven in the other hand in La La Jareza, I mean, these are ways that I know how to practice. Okay, rivers, there's a little river in you. Not at all, not at all. Salani has a question.

Yes. Thank you so much, Oprah. Sophie, I did not know that a book could make me feel so many things. One moment that stuck with me was when Blue passes away and Song is trying really hard to cope with this loss. And her instinct to text him and to just believe that he is, Just far away, like any other migrant worker trying to navigate their long-distance relationship was very tough to read. What made you portray grief in this manner? When Song first receives the news, she's in denial and then she's in shock.

Blue is cut so suddenly and unexpectedly from her life that, she knows that he's gone, but she still feels his presence. It's like a phantom limb or something. And, you know, she hasn't caught up with this new reality yet. And so when something happens, she feels this instinct to text him and to tell him about it. And the poignant thing about her situation is that even when she does catch up to this new reality, that new reality is not so different from, her old reality, because they're used to being separated and going years without seeing each other. Thank you. So we're not going to give away the nail-biting ending, of course, but I heard some of the audience members who read were in tears.

Did you always know you wanted it to end that way? Did you know that that was going to be the ending? I didn't. I tried a few different versions. But I did know with the ending, you know, there's a line to come home. you have to journey forth. And I knew that was what I wanted, sort of the overarching message I wanted people to take away.

You know, it's easy. To come home. You have to journey forth. Yeah, you have to journey forth. Because, you know, it's easy to choose to stay at home, which is this place where we feel safe and comfortable. But an easy life is not the same thing as a good life. And it's probably the opposite because,

it's in times of great challenge and great uncertainty and great risk that we can transform ourselves and rise up and do something equally great. Well, thank you. Thank you. Thank you. You did such a great job with this book. Thank you. And thank you to everyone who has read it. And thank you to our readers for your just really insightful, insightful, insightful, terrific questions. And, and thank you. And And it's my 124th book club selection. 124. Wow.

Little Wonder is available wherever books are so. Until next time, everybody, go well. 124. If you like a sweeping story you can really sink your teeth into, you will enjoy Little Wonder by Sophie Chen Keller. It's the saga of this mother and her young son, and it stays with you. You can buy my 124th Oprah's Book Club pick Little Wonder right now just by scanning the QR code on the screen.

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