The Peter Attia Drive - The Ayrton Senna Episode (re-release): Celebrating the greatest driver in Formula 1 history and the cautionary tales of driven individuals
Episode Date: May 1, 2019To celebrate the life of the legendary Formula 1 driver Ayrton Senna, 25 years to the day of his tragic death, we are re-releasing this bonus episode. In this episode, Peter and med school colleague... (and brilliant psychiatrist) Paul Conti reminisce on their favorite moments in Formula 1 history, their deep admiration for the late Ayrton Senna, and the remarkable careers of their favorite drivers. Paul also helps to illuminate the psychological components that made the luminary drivers great, and the cautionary lessons we can take from their incredible lives. We discuss: Who is Ayrton Senna? [3:47]; How Senna’s death changed the sport [9:52]; The 80s & 90s: a remarkable era of Formula 1 [12:57]; Hypothesizing what caused Senna’s fatal crash [17:47]; Comparing Stewart and Senna, their incredible bravery, and what lessons we can learn from them [23:32]; Best documentaries on racing, and some of Senna’s best moments [31:02]; Gilles Villeneuve, Stefan Bellof, and some of the other greats [39:17]; Why Senna is widely acknowledged as the best of all time [46:17]; Great rivalries and personalities [49:32]; Rendezvous, a high-speed drive through Paris [56:52]; and More. Learn more at www.PeterAttiaMD.com Connect with Peter on Facebook | Twitter | Instagram.
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Hey everyone, welcome to the Peter Atia Drive. I'm your host, Peter Atia.
The drive is a result of my hunger for optimizing performance, health, longevity, critical thinking,
along with a few other obsessions along the way. I've spent the last several years working
with some of the most successful top performing individuals in the world, and this podcast
is my attempt to synthesize what I've learned along the way to help you
live a higher quality, more fulfilling life.
If you enjoy this podcast, you can find more information on today's episode and other
topics at peteratia-md.com.
5.
Hi everyone, welcome to a bonus episode of the drive.
This bonus episode is being released on May 1, 2019, which is the 25th anniversary of
the death of Brazilian Formula One legend Iarthun Senna.
This interview was originally done in the fall of 2018, Paul Conti and I spoke at length
about our mutual admiration for our
Thun. And we actually tied it back into some of the concepts around an interview we had
done earlier around depression. So if you're listening to this for the first time, you
may even find it helpful to go back and to listen to that. It's sort of hard for me to believe
truthfully that this is 25 years later. I remember the Sunday, May 1, 1994, like it was yesterday. I
remember exactly where I was sitting. When the news came across, I was in college at the time. I
didn't have a television. I wasn't watching the race, but it's weird. It's one of those moments
that I'm sure many people understand would, you know, something so profound happens. And
everything about that moment is seared in your memory, including literally where I was sitting, what the floor looked
like, what the shelf looked like in my bookcase, things like that, where my, where my little
stereo was sitting.
In this episode, we obviously celebrate the life of Senna and talk about perhaps what
could have been.
In the show notes, we're going to add to what we had done in the past and include some
of the really exciting and beautiful recent tributes that have come up, including some really interesting
stuff that has come out from his second to last teammate before he died, Gerhard Burger,
a number of really interesting articles have come out.
So I guess I would say even if you're not a Formula One fan, most people who listened to
this the first time around came back to me and said, wow, that was really interesting.
I didn't think I could find that interesting. I would encourage you to take a moment to listened to this the first time around came back to me and said, wow, that was really interesting. I didn't think I could find that interesting.
I would encourage you to take a moment to listen to this.
Many people to this day consider Senate to be the greatest driver in the history of Formula
One.
And his death was really the turning point of a sport, while certainly many drivers had
died before Senna.
Never before had it been so public, never before had it been so visible to so many people.
And it almost overnight, well, I would say it overnight changed the culture of the sport.
And over a very short period of time, actually changed the technology of the sport. And today,
the sport that I still love is infinitely safer and considerably different than the one that many
of us fell in love with in the 80s and the 90s.
So I hope you'll enjoy this episode today as we look back 25 years after the death of Ertzenzen.
So Paul, we have a lot of things in common, not the least of which is our birthday.
Yes.
Here is the same birthday, which is great because you're one of the few people whose birthdays I remember.
I just, I'm like a moron when it comes to birthdays. I have like an encyclopedic
memory of many things except for birthdays. But of course, every time I wake up, usually
you're calling me to wish me a happy birthday, which is reminding me that it's my birthday.
I usually wake up to a text from you. The other thing we have in common is a, I think what can only be described as an obsession
with arguably, though I would say it's not arguably, definitively the greatest driver in
the history of driving.
I remember it was one of the first things we bonded over when we got to medical school,
because at that point it had only been three years since Senna's death.
And for those of us who cherished him,
it's a day that all of us remember,
Sunday May 1st, 1994,
what is it about Sennas that you loved so much?
I'll try not to be long-winded,
but to answer both facets of that.
On the one hand, I'm not sure that I'm aware of anyone,
certainly not in a way that I observed
and experienced with interest as it unfolded, right?
Who has been more single-minded about achievement.
You know, this is a person who did absolutely everything
that was required for not just the highest level of achievement,
but for moving that bar of what the highest level of achievement means.
And for people who don't follow like what Formula One was then, is this is not like somebody
sitting in a car and just driving it around, right?
The physical stamina, you know, the training, the ability to control oneself physically
and mentally, right?
The ability to hone reflexes and to multitask in ways that push executive function, push
mind and body to the very limits, I've never seen anyone do that.
And that's complemented by his incredibly intense passion.
I mean, this is someone who, yes, was very religious,
but that religiosity, I believe, was expressed in passion
for people who were suffering in his own country, right?
He was Brazilian and he was, he was born wealthy,
born privileged, yet had such a sense for the struggle
of people who were up against things
that he wasn't up against.
And I believe that that unity with people
who didn't have even one billion
of the things that he had into money, fame,
adulation, but I don't believe that he felt
any different, I believe he felt fortunate
and he felt a sense of almost messionic drive
to be the best and make things better for people.
And that leads to the second facet,
which is ultimately that was his undoing.
He died in the context of that drive, right? Of that inability to step back from the
brink even a little bit. So I think that he's a model for the best in us. And also that
we can have so many good qualities and ultimately be the architects of our own downfall by not
being able to step back and realize our own humanity.
Like he didn't think he was better than anyone else, but there was another level in which
I think he believed because of it was so incumbent upon him to make things better for
everyone else that he had to be superhuman.
Right? I mean, it's a way of not feeling better than everyone else in an arrogant way, but
feeling better in a way that isolates us and means that there's always more to do and
we never get to rest. Right. There was more responsibility on he felt,
I get the sense, of course, never having never met him, but just having read everything
that one could read about him and watching every video and documentary, he felt the weight of a nation on the
shoulders. Yes, exactly. Yes. And if you feel the weight of a nation on your shoulders,
and you know, you don't realize that that just has to be a shared responsibility,
but you take that all on yourself, then you can inadvertently be the architect of, you know, this is of your own
demise. I don't think many people realized until after his death, how much he gave back to Brazil.
He kept a lot of that secret. Yeah. I had a lot of education for underprivileged children in the,
you know, in the inland part of Brazil. I mean, so, so, I mean, it's just one example of so much of
what he did was so humble, you know, and I was very interesting, you know, Sid Watkins, right, who is the
great surgeon that, right, who, who also was by the greatest understanding of the personalities
of these incredibly driven people, you know, just described a serene humility in him that this
was someone who lived an unobtrusive life
When left his own devices to live it and you put them on camera. You could say, okay, look his lifestyles
Are the rich and famous that's not who he was inside and it's you know, it's fascinating to know that that emits that piece in
tranquility was such a
Desperation to do things that were superhuman. And there's a lesson in that, right? The lesson that goes back to mythology, right?
Of flying too close to the sun, right?
And it is a lesson for people who,
I think, have great abilities and great perseverance
and great ability to torment themselves
in order to continue to persevere
that if we don't recognize our limits,
we want great risk of not achieving our goals.
And in Airtown,
Santa, who lived to be 90,
could have done what?
How much for Brazil?
How much for the world?
So I see him as really amongst the greatest of us for his capability,
his drive, his compassion, his just living in shared humanity. But I also
see him as emblematic of the foibles that are not just foibles, but the dangers that we
can represent to ourselves and the need for not just humility about ourselves, but also
for compassion about ourselves and like, look, there's a limit and we've got to take
care of ourselves if we're going to keep going for ourselves and for whatever it is that we care about.
Virtually every Formula One driver today, so you look at the heroes of today,
Lewis Hamilton, Sebastian Vettel, Ricardo, all these guys. If asked, almost without
exception to a man, they'll all say the same thing. That Senna's death has been the single
most important change in Formula
One. It was the turning point in the safety of that sport. Do you remember what they found
in his car when he died at Emola? Do you remember with a flag? They found that the Austrian
flag, which is unusual. Why would a Brazilian have been carrying the Austrian flag on the
day he died? A person who's like every cell was about Brazil had an Austrian flag
and of course we know that the day before that Roland Ratsenberger was Austrian had died in
a Formula One car and how shocking and distressing that was to Ertán Sáná and his drive to win
that race. Why? I mean everything he wanted to win was to be the best
and to glorify Brazil, right?
Here it was about, I think, such an intense compassion
for this person's loss of life,
that I think it blinded him to the limits,
to even his own limits.
I mean, even, you know, he had limits, right?
We all have limits.
And I think it blinded him to those limits.
And I think subsequently, it's just my opinion.
It's blinded for me, Leone, to, in a sense, the need
for some element of danger to allow people
to distinguish themselves.
And, you know, that might sound like an odd thing to say
is coming from the perspective of preserving life, right?
But I think that, you know, there were times when that sport was way too dangerous
and just way too many people lost their lives,
but to go so far to uniformitize it and to try and eliminate danger,
some of what has been eliminated was,
you know, the limits of human ambition and human bravery
that I think were an important part of
distinguishing people who really were heroes and in part they were heroes because
they were taking some risks and again I'm not a fan of let's bring back you know
25 or 30% of formula one drivers are dying behind the wheel I mean obviously that is that's
not okay but there's been such a push
in the other direction. And I think that there was just really a terror in the sport. It was
a terror that then sought to eliminate, you know, the opportunity to push oneself too far.
But I think in doing so, there's an arena of human endeavor that can be tremendously inspiring that I think was changed too much.
And I think people don't have the opportunity to be here at Tonsana.
And I think in some ways in order to have the opportunity to be him, there has to be
the opportunity to take the risks that he took.
And hopefully to learn from his example and take them in a way that results in excellence and survival.
But I think the sport in many ways is taking away that ability.
And I think part of why people harken back to that is it was a turning point that really changed the sport I think in way in too many ways.
Yeah, it's interesting. I don't know, that era just seems remarkable.
I mean, when you think about the rivalries that existed,
you know, Mansell and PK and Post and Sennah, it was,
I don't know, it's hard to say, I mean, like I could talk about Formula 1 forever.
I know, you and I, I think you and I actually have, we actually have demos.
But, but there really is something about the sort of the mid 80s to mid 90s
that was kind of a remarkable year. I mean, I, again, not that it's about the mid 80s to mid 90s that was kind of a remarkable year.
I mean, I, again, not that it's about the championships
because many people will still look at Jill Villeneuve
having never won a championship
as one of the greatest drivers ever.
And we could park that for a moment on the side.
But I really do.
So first of all, even though Senate one only, quote,
unquote, three championships,
and my mind, he won four.
So the disqualification in the Japanese Grand Prix,
I look at that disqualification,
the same way I look at the Heggler Leonard fight,
which is just, they made a bad call.
There is no way he should have been disqualified in that.
And so he died as a four time champion.
But if you do the math on it,
you realize that the season he died,
which was the third
race of the 1994 season, even though the Williams car was a fraction of what it was the year
before, what most people don't realize is Hill went on his teammate, Damon Hill, went
on to finish second to Schumacher that season by a point, basically.
It came down to the last race, which tells you
that a lot of the kinks that were going on
in the Williams car of that year were getting worked out.
In other words, had Sennon not died,
I'm positive he would have been the 1994 World Champion.
And I suspect he would have been the World Champion
all the way till about 97.
Because you did, you ultimately had
Jacques Villeneuve, one in 97, Damon Hill, one in what 96 all in the Williams car. Yeah, yeah
I mean this is it so people talk about well, okay, you know
many years later Schumacher went on to win so many championships and that's that's impressive
I think most people still consider center the greatest driver of all time
But you know Senate could have won seven world championships in an era when that was unheard of.
Right.
I mean, you have to look at any achievement by era, right?
I mean, I think about Fondio won five world championships
in a time when most people like didn't survive
five seasons.
That you couldn't live.
So how can you compare that to a time when safety
was at such a height in the Ferrari, it was a dominant car?
I mean, like, you know, you can't, there's a comparison then that the truly is apples and oranges
and that era of like mid 80s to mid 90s, you know, was an era of like incredibly fast machines
and machines that weren't always on parity, but machines that were on parity enough
that the driver could make the difference.
And you really saw what I think of as Titanic struggles between exceptional personality.
So the same thing that drew me to the interest in the people behind the Second World War.
To an interest in people who are struggling whether it's with glory or with no one watching,
is the same thing that to me was the attraction of Formula One, that you know,
you're Titanic personalities of Prost, Mansell, Senna.
And I think that, you know, it's interesting that Damon Hill won the championship that year
and then again, I think that the Vastard Alrighty people would say he was not the caliber of driver
of Mansell, Prost, or Senna.
But look at the caliber of human being.
I mean, here's a person who grew up
with this incredibly dashing, debonair father, right?
And you know, you see pictures.
And he was around the paddock as an infant.
Right, and when you see pictures,
you know, you see Damon Hill wasn't cut
in the mold of his father, right?
He's probably cut more in the mold of his mother.
You know, you see these pictures
of him kind of standing close to his mother,
looking in awe at his father. You know, who just these pictures of him kind of standing close to his mother looking in awe at his father
You who just looked like a movie star?
Right. I mean, right. This was the handlebar moustache and he's a roar and just he was
such a, you know, a model of what it meant to be a man in that era, right?
And despite not naturally having those characteristics, I think physically or
personality wise, Damon Hill won the World Championship anyway.
And he went back in that Williams after Senate was killed.
I think that Damon Hill's story is a much quieter story,
but I think it's a tremendous story
of being an exceptional human.
And I think that's what appeals to people
who really love that era of the sport is.
I mean, you and I love who were infinitely infatuated appeals to people who really love that era of the sport is.
You and I love, we're infinitely infatuated by exceptional people.
We want to understand them, we want to learn from them.
In some ways, we want to venerate them.
I think there's something that's really, there's something that's good about that.
But maybe charm all this together.
There's also something in us that I think at times wants to idealize
them and then therefore, in a sense, idealize what we're doing.
And the truth is that, you know, Senna's death was avoidable.
And I don't mean it was avoidable because they could have made that track dumbed down.
It was avoidable if you had driven less fast, I think.
You know, I don't remember you and I have really ever talked about this in great detail.
I mean, I have a pretty strong point of view on why he died.
I'd be curious to know yours.
I think the official answer that came out of the trial was that basically the crash on
the first lap that led to the safety car coming out allowed the tires to cool and he basically
lost traction.
Now, there are a couple of really interesting videos on YouTube that have tried to dissect
this in 10 different ways, but I got to tell you the theory that I find most compelling.
I actually think the steering column broke before he went off the road.
I actually think, because, as you know, Santa modified the steering column in his car.
So he had like an extra six inches of a steering column in there, and it was well, so
he had a separate point of weakness in his steering column. And I actually think it broke.
And I say that because when you look at the film of the onboard of him going off just before it cuts out,
you can see him violently turning the wheel with no effect.
But this is before the impact.
So there's no dispute that the steering column broke. That's a given.
The question is that it broke before or after the collision.
And if it broke before the collision,
it's hard to argue that that's not
the single most important part of why he crashed.
What's your thought?
Again, what do I know?
I don't know, I don't know.
We're two not go ahead.
We're fans.
We're not go ahead, fans offering our amateur opinion.
But my read of that is different, right?
And again, who knows?
But think about the Williams before that year,
the active suspension.
Generally regarded as the single most technologically advanced
Formula One car in the history of the sport,
including up until this day,
even though that was 25 years ago.
You need to do one little thing to like,
put it a tiny bit off balance in the car adjusts.
I mean, that car was like science fiction
in terms of its sophistication,
and sure all the teams were trying to do that,
but Williams had.
That Williams took us to another place.
So then, okay, what happens is they say,
like take all that stuff away.
And I think through no fault of the Williams or the team,
that car was a beast without that.
Right, because it was built.
So it was undrivable.
And I think, and some of the things, you know, that Damon Hill said about driving beast without that. Right? Because it was built. Right. So it was undrivable.
And I think, and some of the things, you know, that Damon Hill said about driving were
really scary.
Like that car was on a knife edge.
And like it was a terrifying car to drive.
Yes.
Senna did not finish the first two races of the 94 season, even though he was leading both
because he just lost control of the car.
And when you watch those spin outs, you're like, that's the type of spin out I would do in a car.
Like that's not something that the world's best driver would do.
Right, which I think means it like most people would say,
okay, look, if I'm gonna drive this car,
because again, we're talking about a level of talent and bravery
that I cannot imagine, right?
That, okay, they're gonna drive it and they're gonna try and drive it fast.
But that's a different thing than driving it on the absolute edge.
Aville, Newf style was, how do you know where the limit is?
You go over it and you fly off the track and then you figure that out.
That was not the way to drive that car and survive.
And I think that he knew that.
But I think you forgot that when Ratson Burger died.
And I think that that was the cause of the-
So you think he went around that corner just a little too quickly?
I do.
Given the tire...
Basically given the tire temperature, is that what you think it came down to you?
I think given all the complex factors, including tire temperature, all the things that it happened,
I think he went too fast.
And I think that there was sort of the hubris of brilliance and the need to make something
right.
That, you know, to win that race, I mean, I mean imagine Ertán Senna had he won that race and then he drives
around the track with an Austrian flag I mean I am not sure that a human
being can be glorified more I mean you know think about at that point you know
I mean Senna had a superhuman status.
I mean, there were people in lots of places, not just in Brazil that actually thought,
like, maybe he's immortal.
If the Brazilians loved him the most, you could, I think you'd have to make the case that the
Japanese loved him the second most, right?
Absolutely.
He was a God in Japan.
Absolutely.
I mean, you see those pictures and he's like getting off a plane, people like fainting and,
you know, things that, okay, we like saw with the Beatles, but, you know, but there's a lot
of like hysteria and around,
I'm not trying to say anything negative
about people fainting when the Beatles got off the plane.
But this was an adulation of a single human being
for his tenacity, his ability to say,
like there's never enough that's been put into succeeding.
So imagine him and the glory that you know
that he would have brought. Now again, he could say, well, what's the glory? I mean,
you know, this well in Ratsburg or need the glory, right? But but it is
meaningful. I mean, I think it would have been meaningful in a way of that no
one would have ever forgotten and that would have meant something to his family
and his friends and would have meant something forever. I mean, it could have
been potentially one of the most memorable moments, if not the most memorable moment in the history of
the sport. And I think he was so driven to do that that he attempted to do something that was
superhuman. And I think that cost him his life. You know, there's so many things about that day
that just blown my mind. Obviously, there are interviews of him on that day that he died in the
paddock and he was not himself. And Sid Watkins has said that.
Sid Watkins has said that.
Yeah.
He even tried to talk him into retiring.
Yeah.
Exactly.
He said, you know, Ertten, you've done it all.
You have nothing left to prove.
And Sid more than anybody else knew the dangers of the sport and thought, why take one more
chance?
And I think he was also afraid that not only is Senna going to take one more chance, but
he's gonna take
heroic checks right right exactly and I think and I think that's what frighten him and see realized like this man is heading towards death You know, it's interesting when you think about
Jackie Stewart's last race was a non-race
He didn't race his last race
Because his teammate was yacht rent was his teammate. Oh, yeah, sorry, sit there. Yeah, his teammate died in qualifying for that race
What was it was it Watkins? Which was a luck is yeah, I mean, I love watching interviews of Jackie Stewart talking about that and he was just like
I was enough. That was it. It was over. Yep
And again, I don't know I would not give anything to sit down and ask the question of Jackie Stewart, right?
But, you know, here's a man who started driving when, I mean, if I'm remembering correctly, I think there was a 30% survival rate,
like a 70% death rate, right? When he started driving cars and he was so brave, like he worked to make safety better,
but my god, who wouldn't when seven out of 10 people aren't surviving. So he was incredibly brave,
and I don't think that changed.
I don't think that his bravery changed.
I think he had a sense of being paternal to say there.
Say there was younger, Jackie Stewart was nurturing him,
and I think his sense of...
Jackie Stewart loved, I mean, he loved...
He wanted to give him every piece of knowledge he had,
is sort of the impression I get.
Yeah, and I think, you know, there's a different story there too, right?
Which is like, how can we parse out the bravery of Jackie Stewart versus Ertán Séné?
I mean, comrade stratosphere.
And one of them was a death, rats and burgers death, I think, told Séné a lesson that
I believe is born of trauma.
I mean, I think that, think about the drive in Senna,
and it was a drive that had to be something in him
of fighting some sense of not being good enough
that he had to save his country, save the world.
And I think that that had fatal consequences
as opposed to Jackie Stewart.
I think he seems to be some more balanced human being,
who recognize in the death of Severe,
like it's time for me to stop.
And I think the different lessons from that death
are indicative of, I think,
the different character structures of those two men.
And again, I have no basis for saying that other than
being a fan of the sport and reading things
and trying to thinking about it.
And I mean, there was clearly something,
there was a demon inside of center, right?
I mean, I just don't think people
flag themselves like that.
You know, people don't just run in the heat
with their uniform in helmet on,
you know, until they like fall over
and then someone like, okay, at that moment,
you can't go any further,
someone puts you in a car and you go back
and get rehydrated.
I mean, like, you know, there was a way
in which there was something Messianic in him.
And I'm not sure that there can be mess in on things.
Jim, remember the Brazilian Grand Prix
that he won in, was it 93, when he's...
Yeah, the steering.
No, he got stuck in basically.
Well, the gear, that's right.
What year was that?
The, I don't remember if, I don't remember if it was,
I don't remember what year it was,
but it was the gear, he was stuck in a certain gear.
He was stuck in a certain gear.
Or something, it was a gear that I remember thinking,
I was just thinking about this the other day.
I was like literally driving around the other day
and I thought, what would I do if my car was stuck in fourth?
Like if this was the only gear I could be in,
I don't even know how I would drive.
And yet this guy manages to win the Brazilian Grand Prix,
when for a third of the race, he's stuck in some high gear.
Right, and I think whether it was that
that made the car harder to drive,
but like, you know, he had muscle cramping, right?
From head to toe, and I think part of it was the heat,
and the extra difficulty of, you know,
of yanking that car around the track, right?
It made it so difficult to drive that I'm sure he understood
like how do you keep the revs up?
How do you actually do this?
Yeah, yeah, yeah. Right in a way that like in and you or I
would get passed by bicycles right right right but he's not I would have just
all I mean I just I wouldn't have been driving right and I think the drive I
mean in my view of of human performance in a way that we can witness right
human tenacity in a way that we can witness they had to pull him out of the
car yeah when you see footage of that film
you've never seen him in that kind of pain
uh... he he couldn't hold up the trophy at the end you remember yeah yeah
yeah this is in front of brisill right and he says something that for you
his mother and father right about like not to touch it's right there was trying
to hug him after the race and he said no don't touch me don't touch me
yeah and and you know that to me is me is the kind of bravery that we at times don't get to witness, right?
It's a kind of bravery that's like a legendary in wartime, right?
You know, it's a kind of bravery that I think we respect so infinitely and I don't think we get to see it.
You know, I mean, I've talked and and this is not the time to go into it, but an uncle of mine, who was a war hero,
who when they were shooting at him, jumped out and got the guy who had been shot and was decorated,
and did things that, to me, are unimaginable, how do you do that?
And I don't think that we know what to make of that.
We've been fortunate not to be in those situations.
So we don't know what would I do, could I do that, would I do that, like we've been fortunate not to be in those situations, right? So we don't know like, what would I do?
Could I do that?
Would I do that?
And we don't have a metric for that in a way that we can understand because we know
we're not, we don't understand like how it's in a trench and you're being shot at
and somebody's been shot and they're screaming and like, you know, that's, I think
that's unfathomable.
But I think things like send us achievement in Brazil and send us drive, like
internal drive in San Marino, gives us
some insight into what, you know, the human tenacity under incredible unimaginable pressures.
And I think that there are ways in which it resonates with us because we get to witness that
in a way that otherwise it's inaccessible to us. And we get to see it not just in its glory,
but also in its fear and its terror.
And in the reality of it, right?
That for every person who jumps out of a trench
and saves somebody and gets a medal,
how many people are there, jump out of a trench, and are dead.
So I think witnessing that provides a metric
in some ways of what human beings can do.
And I think it's great for us to appreciate
and to even venerate that.
But I think the danger isn't identifying with it too much
because I think it's one thing to do that
in more time and maybe people do that
who don't have trauma as a motivator.
It's different, right?
But I think doing the things that, that,
Sena did, and ultimately, the things that led to his death,
I see that in, in rooting in some demon, something traumatic.
And again, I absolutely don't know what that is.
But something inside of him that couldn't be good enough
through what he had achieved, couldn't be good enough by
celebrating Roland Ratzemberger even if he finished second or third.
There was a drive in him that, that went against wouldn't be good enough by celebrating Roland Ratz and Berger even if he finished second or third.
There was a drive in him that went against rationality and went against survival instincts.
And I think that there's, you know, part of the reason I, you know, I'm so interested
in him is it's, there's a lot of warnings in there to us too.
And again, not to sound like a broken record, but I think so much of that comes down to
trauma. And my guess is that true traumatic things happen to record, but I think so much of that comes down to trauma.
And my guess is that true traumatic things happen to people, but you look at the things,
you know, Jackie Stewart was caught in a car, you know, stuck and there's gasoline and it could blow.
But anytime, like that man went through traumatic things, but I think ultimately,
you know, his decisions don't seem to me to be made through the lens of something traumatic.
And I think Senna's due.
And again, that may be me trying to over apply my heuristic, right? But that's, you know, for what it's worth,
that's how I see it. You know, hopefully there's someone still listening to this who's not,
not who wasn't necessarily interested in racing, but who will become, you know, I, I feel like
there's so many things I want to link to. I mean, for me, the two best, there's, there's like
a hundred videos and documentaries on formula one that I love. But the two for me, the two best, there's like a hundred videos and documentaries on Formula
One that I love, but the two that stand out the most to me are first and foremost, Sennhe.
Yeah, absolutely. And the second is one, the number one, which is actually the very first
time I saw that was with you. Yeah, you know what I watched it together, like five or
or six years ago. It was late on a Saturday night, and I don't know what made us decide,
like, we're going to stay up late in the watch this but oh my god.
You know what's interesting, I don't remember if they show it in either of those documentaries.
They certainly don't show it in one and I don't even know if it comes up in Senate.
But do they show the Donington first lap?
I don't think so.
In the rain at Donington?
Yeah.
I mean it's generally regarded as one of the greatest laps in history.
Did I get one more?
I mean we've looked at it so much that I can't remember like what is it in, what isn't
it in? Either way we'll link to it so much that I can't remember like, what is it in? What is it in?
Either way, we'll link to it here so that people can see it.
But it is, you know, it's funny because when I first started caring about racing, I had
never raced myself.
So it's a totally different animal once you've actually been in one of these cars.
And it complete, like my appreciation for Senna, for anyone who does this as a profession, is two to three
log-rhythmic orders of magnitude higher.
I simply can't understand how they do it.
And so especially to look at something like Donnington where you realize like he passed
what? He passed three guys in one lap of a rainy rack and it's not
three dudes. It's like, you know, LA in post. It's like, it's amazing dudes, right?
You get the best drivers on earth and three of the best cars on earth under
conditions of which it appears to be impossible to pass someone. And you
somehow managed to pass them all from number four position. It's just, again, I can watch that lap a hundred times and all I want to do is say, you
couldn't make this up.
If this were in a movie, you would say, that's silly, we don't do that in movies.
At least draw this out over 10 laps to have some suspense.
You don't get to do it.
Keep it realistic.
Yeah, keep it realistic. This is so stupid.
The other thing that fits that description
is his qualifying lap at Monaco.
Was it in 89 or 88?
I want to say 88, but I don't know.
Yeah, because it would have been in the MP4-4,
which would have been 88.
I would have been 84, I think,
in the MP4-4.
No, MP4-4 was 88.
Was it, okay, okay.
So then it would be 88.
So what's a normal gap between the first second guy
and qualifying at a course the size of Monaco?
Like a tenth of a second?
A hundred, five, one hundredths of a second
to a tenth of a second, right?
Do you remember how much he was ahead of pros
to that year in qualifying?
I mean, it's like, it's made it's a little bit minutes.
It's about a second and a half.
Like an impossible amount of time.
And to someone who'd look anyone who's not impressed with that,
it's already long-stop listening to us.
That's right, that's right.
Anybody who's still listening to this,
we don't have to explain why it's so significant.
A second and a half May will be an hour.
I mean, it's an impossible gap.
And the fact that the gap was against
post driving the same car.
And one of my favorite videos of that,
because you know what's tragic?
I mean, they're real tragedies.
This is like little T-tragic, not big T-tragic.
There is no on board film of that lap.
Is that right?
So the on board film we will often see is in that lap.
The on board film we see of him is in that race,
but it's not that lap.
That lap.
To my knowledge, and I hope somebody can prove this wrong.
And if you can, please tell us.
There's a case at Topo Chico with your name on it.
I do not believe there is any onboard film
from the qualifying lap in 88 Monaco in the MP44,
where he goes a set, like something like 1.52 seconds faster.
I didn't realize that.
I thought some of the video that we'll watch
of like Senna's greatest lap in Monaco was that lap. So I didn't realize that. I thought some of the video that we'll watch have like sent his greatest lap.
And Monica was that lap.
So I think they're right.
I think they're video from the race or other qualifying.
I'm not from that lap.
But what there is a video of is pro's face in the paddock
as he sees the times.
And it's just a look of, are you freaking hitting me?
This guy is not for real.
Right.
I mean, there's a man who,
you think I wanted the greatest drivers in history
who has to have in his head like, okay, like,
Senna is great, but if I've gone this fast,
what's the fastest he could go?
Right, a tenth of a second more.
Maybe at his best, you know, 5100,
I mean, how could it, to see that, you know, 5100. I mean, how could it to see that?
You know, it's just proof of concept
of the preter natural ability of Airton Sena.
And I think, you know, having exceptional ability
at anything is a wonderful thing,
but it also can be a dangerous thing.
And having preter natural ability
is an extremely wonderful thing
and also an extremely dangerous thing.
There's a video we'll try to link to.
I remember sending it to you when it came out.
I described it as the finest McLaren propaganda.
I have a version.
And McLaren has the best propaganda.
Yeah, they do.
I love the propaganda.
Yeah, I'm all in.
I'm a sucker for the propaganda.
That's fair.
If I could have afforded a P1, I would have bought one
the day that Nuremberg ring came out.
I was like, oh, I gotta have one.
But they have a video of that lap, which of course doesn't show any footage of the lap.
But in it, Sanna says that may have been the peak of his career, that moment.
He would go on, in fact, he hadn't even won a world championship yet.
He won his first championship in 88.
I think, yeah, I think the MP44 was his first
championship car. I think he won
Yeah, I think he won 88 90 and 91, but anyway to think that he
believes that he was at his best even before he'd won his first championship because of that margin. Yeah
It's it's it's amazing, right? It's it's hubris. it's brilliance, like it's it's putting together everything that's
on the absolute knife edge and getting it right.
Amazing.
Yeah, I remember they explained this to us, you know, in racing school, which was the
difference between you and them is you will very occasionally be able to take a car to
its limit, very occasionally be able to take a car to its limit, very occasionally.
And then most of the time you'll go too far and you'll lose control of the car.
The best in the world are always at the limit without going over it.
It's amazing.
And so even my coach, who's a professional driver, to this day when I sit in a car with him
and we're trying to go over something, so like we'll get in the car together and I'll be in the passenger seat, he'll be in the driver with him and we're trying to go over something so like we'll get in the car together
and I'll be in the passenger seat, he'll be in the driver's seat and we'll communicate through the radio because of
course is too loud to talk and he'll take me through lap so we right button willows sort of our favorite place because it's
relatively close in Southern California. There are areas there like in particular I don't know if you know that track well but the bus stop
which is a part of that track. To this day, I still get kind of nervous,
how fast he's going.
Amazing.
I'm like, how is he able to control this?
And you're really good at this and really experienced
and you know the car and it even,
it's amazing you to be a car.
I wouldn't say I'm really good.
I mean, but the point is, I'm not a normal,
like I'm not just a layperson who's never been in
or driven a race car, but yeah, it just humbles me.
It is amazing.
And again, I think we celebrate and and venerate exceptional talent.
And I think that's wonderful, right?
But I also, I think we need to be careful about the lessons of it too, you know, that
this is like one that's just exciting is can be we're talking about human beings at the
limit and it's exceptional and it's inspiring and it's risky.
You know, and it really tells us something,
it tells us something about human beings
that we, in some ways, we want to push ourselves.
You know, we want to admire people who push to the limit.
So while we're on the topic of racing,
there's another driver who I know a lot less about than you,
but I just remember from some of our,
put it this way, I remember when you figured out
that I was Canadian, which was kind of a funny concept.
It's like, this guy's from Canada.
What the hell is that?
Which of course, Americans are secretly so jealous of Canada,
because you've got your shit together up there.
And we like make fun of you to kind of cover that up.
So I think that comes from insecurity, too, to be honest.
But the thing that you loved most about the fact that I was Canadian was Jill Vilnev.
Oh, absolutely.
I mean, you might be the greatest Vilnev fan ever.
What is it about Vilnev that you loved so much?
I think a part of it is like, I was like, I was a kid, right?
So when I first was like learning about him,
you know, I was so impressionable
and so impressed by the glory of utter mastery
of something that was really venerated
on a worldwide scale.
So the fact that like there was no one with as much natural talent, I mean one might argue,
even like Stefan Belov, Fangeo, Clark, I mean, Sena, you have to look, there's only a couple
people you can even talk about in the same breath in terms of natural talent.
And in retrospect, I think just the utter audacity of him you know I mean this is like I started off as like a snowmobile racer right
him Quebec and was so shockingly good that what a few years later he's driving in Formula One for Ferrari I mean like this is
during an era when Ferrari was not a dominant car no I mean he won in a car that I think he himself described as a truck, but he was so
shockingly talented.
And in retrospect, I think it's interesting, because again, I try and I think if we're
going to respect and to some degree, venerate humans who have great and at times, predinatural talent and are willing to take risks,
then we also have to acknowledge that sometimes the outcome of that
is something that isn't glorious, right?
That is just simply tragic.
And I think, you know, when we sent his death,
I think it was so tragic because I think that's a person who did
understand the risks.
I think in many ways, Vilniu and I think Belov that's a person who who did understand the risks. I think in many ways,
Villeneuve and I think Bellov, you know, in what how many years, almost 35 years or so, that I've
been really following closely, you know, high level motorsports or two people who I, I mean,
I'm not so sure that there was any fear in them. And that's extremely dangerous. And I think
they were betterternational.
Do you know up until, I'm sorry to interrupt,
but do you realize that Bell Ops and Aaron Berg ring record
was only broken a week ago?
I didn't know that it was broken a week ago.
Yeah, I didn't.
And again.
That's record that stood for like 35 years or something.
And we're talking apples and oranges,
I mean, in a car 35 years ago, right?
I mean, again, okay, the record was broken,
but in some ways you have to look and see,
that record from an Arab history.
That's the most drive on Nuremberg
was still the most ridiculous thing ever.
Right, right, so the old Nuremberg ring, right, did,
you know, the most daunting circuit in history.
What did Jack used to it call it, the green hell?
The green hell, I think, yeah.
And, you know, like, I mean, there were things
that Belloff and Villeneuve did that,
I mean, you truly had to, like, not have anywhere
in the equation, your survival, which is,
you know, part of the reason neither of them survived.
And again, I think it's just fascinating.
The innate skill and just the utterly undaunted bravery was Enzo alive when
when Vilna wrote a lot died right I mean he was
What did he said he once said something about Vilna that was kind of remarkable?
Yeah, he so he know for Enzo for Ari had been a driver, right and
It was in Tazio Nuvolari, right, that he found like, in Nuvolari, it was hard to again compare.
I mean, it was so, so long ago,
but when people really talk about the greatest people
that have ever, the greatest talents
to ever drive a car, Nuvolari is on everybody's list.
And in Nuvolari, this like small person, right,
who didn't look like, you know,
he would be the greatest driver,
but who was unparalleled in his era?
That Ferrari saw this is the pinnacle of greatness.
And it led him to realize he was a very good driver.
But when you see Newvalor, you realize, maybe I should stop driving.
And so building cars, and he really worshiped Newvalor.
And he said something like, who would have imagined?
I never thought that I would see anyone, like, you know, Nouveau-Larry died,
how many decades ago that there's no one else
like him to see define the spirit of Nouveau-Larry again
in this like diminutive,
elf like French Canadian.
I mean, I think like was unimaginable to Enzo Ferrari
who, who therefore felt so passionate about Vilnouf
because he saw in him the ultimate of talent and
fearlessness and the ultimate in making a cardoo and seemingly impossible things,
which is what Nouveau-Larry was known for and what Vilnov was known for.
Vilnov died in 82, correct?
In 1982, yeah, it was older Belgium.
It's a bit of a tragic story as well, not unlike Senna's death in which you think this could have been preventable.
What were the circumstances of his death? It involved the teammate, didn't it?
Yeah, his teammate was Pionni, who I had a very, very different personality type.
Again, I don't want to be careful not to try and go diagnosing people that I've never met or treated.
But this was a person for whom ego in the very traditional
sense was on the leading edge.
Really the opposite of Vilnu, who people describe as like devoid of guile, like he just
didn't get why, and you would never double cross someone or do something unsavory, right?
I mean, you just go out and you went on a track.
And you know, Pirani had done things at Imola, actually the previous race.
That were deceitful.
I mean, he did the team orders
where whoever was ahead like that's that
at a certain point in the race
and then Pyrenee passed, they'll leave.
When Villeneuve wasn't, you know,
didn't think that that could happen.
The team mate would pass.
Right, because, cause never in a million years
would Villeneuve just like, what I'm gonna do.
Disso-bait. Yeah, and to win in a million years would fill new, they're just like, what I'm going to do. So paid. Yeah. And to win in a way
that would then be hollow, right? Like you're in front at the time that the
team has decided is when somebody wins. Now you slow down and I pass you.
Like, what's the glory in that? And I believe that he had thought that like
there must have been some mistake. And he like repast pyramid, right? And then
slow down again, not even thinking then maybe he did this on purpose. And I think Pyrrany passed in the second time. You know when Vilnius drive then was such a
drive to win that at the time he was killed I mean it was almost like a 50-50 which direction
is car going to go. Like you slow down so you don't take that risk that you make the wrong choice
and there's disaster. And I think the absence of fear, the anger of having been deceived.
In many ways, the naivete really led to his death. Although by the same token, I don't think there
was anyone driving with Phil Noob who thought that he was going to retire. I don't think anyone
thought that. It's like no one thought that of Belfast. No one thought that of Novelari. If I
understand, remember Crocky died of tuberculosis in all age, right? So that doesn't mean that they I've been in the office for a while, and I've been in the office for a while, and I've
been in the office for a while, and I've been in the office for a while, and I've been in the
office for a while, and I've been in the office for a while, and I've been in the office for
a while, and I've been in the office for a while, and I've been in the office for a while, and I've been in the There aren't that many examples of athletes in other sports where the greatest of the generation
before and the greatest of the generation after, still without hesitation, acknowledge him
as the greatest.
And so there's Fangeo, one when well Fangeo, who again would certainly be on anybody's
short list of greatest drivers of all time, you know, regarded Sennah as the greatest.
And if you ask Lewis Hamilton, who is arguably today's greatest driver,
who is the greatest without hesitation,
Ayurth and Sennah.
Right, that's amazing.
You ask the drivers of Sennah's era,
who was the greatest, Ayurth and Sennah.
Right, I mean, I remember the interviews of Fangeh,
as an old man, talking about Sennah's name.
And he felt like this was the passing of the torch.
This is the one who is better than me.
I can remember his, he would say over and over,
Lume Hour, right, he's like the best. And this is clearly the best. And you'd see like is better than me. I can imagine he would say over and over at Lomé Hor, right?
He's like the best.
And it's clearly the best.
And you'd see like his Fangeo, you know, as an old man,
I'm so deedy at that point, right?
There's a beautiful picture of Fangeo standing on the podium with
Sanna holding him, embracing him like a child.
You know, the one I'm talking about, he has his hands on his cheeks in the
most loving way.
It's such a, and again, it looks like it's his father or his grandfather.
Yeah, it says, when you think about validation of someone, right?
And I think that's because, you know, I mean, look, there's so many reasons for it, right?
But because if you look at all around, right, I mean, again, we could split hair as about
bravery, talent, and we can look at people like Vilnov andven, Belov, Anfongio, and Clark, and Prost, and Mansell,
and Schumacher, and you can look at all these people,
and there's so many different aspects of ability
that you can, how do you really judge one versus another
without splitting hairs?
But when you take it all together, there is a picture
that emerges, which denotes Sena
as the best, right?
When you combine talent, dedication, you know, understanding of the nuance, is not wanting
to understand why the Japanese engineers, the Honda engineers loved him, because he wanted
to understand every single thing about that car and the engine that was propelling it.
He was the ultimate, because there was nothing that
was anything less than 100% intensely relevant. Every nuance of the course, every nuance of the car,
every nuance of the engine, every nuance of the competition, their physical prowess, their experience,
their psychological weaknesses, right? I mean, this is a person who approached Formula One, like you or I mode approach like saving our family, right?
There's like no nuance that isn't 100% imperatively relevant.
And I think to be that way and to maintain that,
really marked him like it elevated the talent,
the bravery, it elevated everything to the really optimal level,
which is why I think, the bravery, to elevate everything to the really optimal level, which is why I think
the reason why the generations all say that he's the greatest. And I think it's for good reason.
And again, I keep coming back to the idea that part of being the greatest for him was being
messianic. And if you're going to be messianic, there's a risk that you won't survive it. I remember Prost would say this in interviews.
He, you know, because it's an interesting Prost and Sena had a completely tumultuous, hostile
relationship until the day that he died.
Yeah.
It's very interesting.
I don't remember again, I wish interview I've seen it in.
I might be in one of these documentaries, but Prost tells the story of how, because he
had retired in 93 after winning in the Williams,
I guess that year would have been the 15, right, the F-15.
And now he's a commentator.
So, Emola that day, the day that Sena died,
Sena said on the radio,
something to the effect of,
I want to welcome my great and wonderful friend,
Elaine Prost, it's so wonderful to have you
on the radio or something to that effect. And Prost commented how he was like so moved by that. You know, they had
had such a bitter rivalry. And here was Senate paying him this wonderful, gracious, kind compliment.
And of course, several weeks later, you know, or several, probably a week later, Prost is one
of his Paul bearers. But Prist had said many times during interviews,
he's like, the problem with Senate is he thinks he can't die.
He can't die.
He has this belief, this belief that he has some God-given
right to win every race no matter what.
That's messionic, right?
And when you think about the personality types, right, I mean,
Prost was as far as I can ascertain a practical man.
I mean, there's a reason why his nickname was the professor, right?
Like his goal was, I'm gonna win as much as I can.
It's okay, it's probabilistic and we play, yeah.
I want victory, I want, you know, I want the fame and fortune that comes along with it
and fucking obviously I want to survive it, right?
Because like, there's a whole bunch of things to do afterwards.
And you know that mentality running up against
a messianic meaning to like everything, right?
To every qualifier, in every practice session,
and you know, every little loan, every race,
they were so different that I think it was almost impossible that they weren't going to clash in ways that became deeply personal
But when you take them out of that crucible, right?
That these were people that ultimately I think had deep respect for the differences in them
I mean, I think in ways maybe one might say Prost could have used a little bit of Senna and Senna could used a little bit of Prost
Yeah, but they were oil and water. They wouldn't make sense.
I mean, Frank Williams from the day he first saw Senna
always wanted him on his team.
And the reason it took until 1994 was because Prost was there
and Prost had a clause in his contract that said,
I will never be on the same team as Senna.
Yeah, yeah.
So he had to wait for Pr Pros to retire to leave McLaren.
Right.
Which Frank Williams, I mean, my understanding
and from what I've read is, you know,
that Frank Williams loved pitting people against one another, right?
I mean, how did, look, I think the most exciting person
I ever watched drive, I do think is Nigel Mansl.
And, you know, you look at
Mansl was considered kind of second-rate, right? He was, you know, at a time there
were ones and twos, you know, he was the two to Andredi, and I PK was the acknowledged number one, but it wasn't
man's always saying, oh God no. Right. And and and Williams wasn't the kind to say, look,
you know, you have to sit in the number two. Right. He was a kind of like, you're starting
number two, but you want to be number one, you know, and prove it. And part of a, you know,
PK's kind of denigration, I think, you know, his haughty condescension to mantle is part of all I Confiruated him, you know, and and I think made him you know really among the greatest of the greats
I mean you watch I believe it's Mexico City you watch mantle pass burger on the outside
I mean like mantle impossible things with impossible aggression and I think Senna said at one point that they asked him
I could do you worry when you see someone in your river mirror
and he said, the only person you worried about was Mansoul
because he's content to go over you if you can't go around you.
I mean, that's a powerful statement coming from Senna
and part of what did that was I think the infuriation of being the number two
to a condescending number one and wanting to trounce him.
That's why that era, I mean my god, like it's just unbelievable to me to go back.
And I get, honestly, it sounds awful to say this,
but I much prefer enjoying,
enjoy watching races from that area
than even watching races today,
which isn't to say I don't enjoy races today.
And I think this year with Mercedes and Ferrari
both being so close, it's actually quite exciting again.
It for, I think Formula One has had a few years
of really uninteresting racing because so much of, as you said, so much mechanical, so much of it is in
the car now, unless it's in the driver, but back then you really got to see the difference.
Yeah, I think that was an era when the force of personality And you think about the difference in personalities
of sena, prost, and mantle, right?
But whether, I mean, are the other ever stronger personalities
on the face of the planet and the force of personality
could lead to seemingly impossible things.
And from my perspective, that was incredibly exciting
to watch.
I mean, what is the limit of human potential?
In this arena where human potential, in terms of physical stamina,
cognitive ability, reflexes, the kind of things
that we most respect in people in terms of being
able to do incredible things.
It's incredible things in the body, in the mind,
and then putting those together.
And then you put that together,
you put that together with the force of personality.
And I think, again, I think it gives us an insight
into things that we usually don't see,
like the depths of human struggles in wartime.
And I do really believe it's also the depth of human struggle
in quiet situations that no one cares about.
I mean, I really do believe that.
I think that we get an insight not just into the people who, you know, in purple hearts,
but I think also the people who persevere with nobody caring, right?
And no one watching them.
And I think in many ways, you know, that's one of the greatest models of bravery,
and it might seem like odd or weird,
or even forced to compare that to things
that these people did on a track under,
the greatest crucible of bringing talent and ability
in bravery to the fore.
But I really, I do see those parallels
that I think in many ways, there's a lot of parallels
between these people that we're talking about, and people that I think in many ways, there's a lot of parallels between these people
that we're talking about, and people that,
no one knows their names, and they're struggling quietly.
They're struggling quietly for the next paycheck
that puts food on the table, and they're struggling
amidst whatever physical or emotional pain they have.
And I really do mean that.
I mean, again, I'm not trying to be forced about it,
and I don't make come off that way, but I think even back when I was younger seeing this, I realized that there's, you know,
there's that this is like human struggle under the microscope, but it's emblematic of
all sorts of human struggle that, you know, that often is inaccessible to us because it's
in a place we can't go, which could be the quiet struggles of the unselibrated
as much as it could be the battlefield.
So one last driving question.
I don't know if the video exists anymore on YouTube.
I actually ended up just buying a copy of it
because I was so excited.
But rendezvous.
Yeah, yeah.
So hopefully we'll be able to find a copy of it
and link to it, but if we can't,
and there's a good chance we won't be able to to I do recommend you go on Amazon and you splurge and just buy the DVD of
Claude Lailouche his
His very famous short film called rendezvous which you introduced me to when we were in medical school
Yeah, I hadn't actually seen that. Well, that was like a I mean it was like the the automotive equivalent of a snuff film
You know, I don't even know where I first saw that,
but I think it was somebody who had some VHS copy of it.
You know, it was, I mean, it was,
when we, when we first were watching it together,
you know, it was this like legendary inaccessible thing.
Yeah, that you'd heard about, but never seen.
And I still remember we were at Piles House
when you whipped out either the VHS or whatever
and we somehow watched it.
And I mean, we probably watched it 50 times
because you couldn't believe you were seeing this thing.
So what's your best guess?
Who is the driver?
I have no idea.
And part because I had these guesses,
but now I think the knowledge of who it was or wasn't
has kind of moved ahead.
So, you know, my thought that it might have been Jackie X, for example.
Like, again, I don't know if like that's been entirely debunked and it clearly isn't.
Um, De Paille, I believe De Paille was still alive at the time.
And, you know, the thought of like, okay, who was incredible.
It had to be someone who was an amazing driver pretty pretty fearless and had to know
Paris like the back of their hand.
Yeah and also in an era that I think Grande Vu is like one of the most amazing things filmed
but I also you know there's a part of me that I don't want to sound like a schoolmime
that wants to look they clearly put other people's lives at risk right so like in the craziness
of the 70s and in that era
of really being untamed, you would need someone
who would just be able to literally throw all caution
to the wind about self and other, right?
I mean, Lillouch was arrested when that film showed.
And then because the thought was that he was driving,
right?
And it was shown, right? It's made to appear that he's driving, right? And it was shown.
It's made to appear that he's driving at the very end.
Because he gets out of the car.
He gets out of the car.
But having now watched it 87 times on slow-mo, it's clear that he's superimposed.
He basically sneaks in and looks like he's getting out, but he wasn't the driver.
There's no way.
Right.
I mean, unless he was a closet Formula One driver, it's like, how could you be that,
like how could you be that adapted? Right? If you weren't like one of a handful of people,
I mean that that would be my take on it again. Maybe that's wrong. But I think that's why
people started looking to, okay, who are the formula one drivers who are like completely
fearless would throw caution to the wind and no Paris and, you know, and then they were
just kind of a handful of names.
I mean, I love some day to know the definitive answer, but certainly watching it, again, I think that's emblematic of an era.
Right, of an era when, I mean, I believe that it was the first time when cameras could be mounted in cars.
Right, and you could have like stabilizing the ice.
Yeah, you had gyroscopic technology based on the first time.
So the first time.
And of course, to this day, there's still huge debate
as to whether it was a Mercedes dubbed over a Ferrari,
whether the Ferrari was dubbed over the Mercedes
or if it was the actual Ferrari being driven.
Right, and again, I don't know enough of me.
I try and think about the sound versus the visual
synchrony, and it seems to me like,
I'm not so sure how that could have been dubbed, right?
But again, what do I know?
Yeah, there's no dispute that the sound
is that of the Ferrari.
So you're right, the question is,
I mean, again, this is,
now we're getting so deep in baseball, it's like,
but of course,
you and I are the only two listening.
At the point, it's probably safe to say,
there is not another person on earth that is listening.
Now you and I are just talking
and we happen to be recording.
That's exactly right.
Exactly.
Finan wants to know how boring,
pedantic, and tedious our lives actually are.
This is the perfect indicator, right?
We're down to nuance and stuff like
whether the fry was dubbed over the Mercedes or vice versa.
Well, with that,
I think it's really great that a podcast whose title is The Drive finally
gets to have an episode, albeit a relatively short one that focuses on driving.
And there's no person I enjoy talking about driving with more than you.
So that, thank you for that.
Thank you.
And I hope that, you know, we're going to have lots of things that for anyone who who managed to get through this
part about driving and who finds themselves interested or wants to know more about it
we're going to link to some unbelievable videos about all of these great personalities that we've discussed and if nothing else
hopefully it gives you some appreciation of
the amazing technical skill that goes into what these guys have done. Yeah
The amazing technical skill that goes into what these guys have done. Yeah.
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