The School of Greatness - Yara Shahidi Opens Up: How To Prioritize Mental Health & Overcome Self-Doubt To Achieve Any Dream
Episode Date: November 27, 2024Join me for an incredibly insightful conversation with the remarkable Yara Shahidi, who at just 24 has already achieved extraordinary success as an actress, producer, and Harvard graduate. Beyond her ...achievements on shows like Black-ish and Grown-ish, Yara reveals herself as a deeply thoughtful individual wrestling with questions of authenticity, personal growth, and purposeful living. She opens up about balancing her flourishing career with her education, managing public expectations, and her journey toward embracing imperfection. What struck me most was her wisdom beyond her years and her commitment to building genuine relationships while maintaining her authentic self. This conversation is a masterclass in navigating success while staying grounded in your values.The Optimist Project with Yara ShahidiIn this episode you will learn:How to transform early success into sustainable growth by honoring your curiosities and staying true to your authentic selfWhy building "relationship equity" is more valuable than networking, and how to cultivate meaningful connections in any industryThe importance of creating boundaries and practicing discernment when opportunities seem endlessHow to navigate public expectations while maintaining your personal values and integrityThe power of reframing challenges as opportunities for growth and self-discoveryFor more information go to https://www.lewishowes.com/1699For more Greatness text PODCAST to +1 (614) 350-3960More SOG episodes we think you’ll love:Rupi Kaur – greatness.lnk.to/1678SCPokimane – greatness.lnk.to/1443SCVenus Williams – greatness.lnk.to/1591SC
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So many times people would assume that I'm just an upbeat person.
I think for the most part a smiley individual, but I think the anxiety and overwhelm are
overshadowing the excitement of what's next.
I think it's also kind of aligned with a lot of self-work of prioritizing what it means
to take care of myself.
I put my own needs behind everything else, even when it's not being asked of me.
You know her as an actress on Blackish and Grownish.
So since she's graduated from Harvard,
become a successful producer.
The incredible Yara Shahidi.
It truly starts as a vision board.
Some random day, I was 18 and wrote down every deal
that I wanted to have and I don't typically think that way
of being like, oh, I'm gonna get this deal with this.
But I just written down a list.
Two years later, I was like, oh, we did it all. The priority in this world is
building relationships with people around you. It's not
building networks. It's not building contacts. It's building
relationships.
My whole life has been about relationships. Yeah. What do you
feel like it's been the most challenging thing you've had
overcome? I don't know if I've talked about this.
Welcome back everyone to the School of Greatness.
Very excited about our guest.
We have Yara Shahidi in the house.
So good to see you.
Thank you for having me.
Yeah, I'm excited because you have had an incredible career as a young actor, but also
just talking to you beforehand with your mom is just inspiring what you've been able to create for yourself
from your career in TV, film,
but also graduating from Harvard while acting as well
on one of the biggest shows on TV and making that work.
You're launching a podcast now with your mom
called The Optimist Project.
And you were telling me right before
that you're actually not that optimist of a person.
Yeah, yeah, I think the podcast truly came And you were telling me right before that you're actually not that optimist of a person. Yeah.
Yeah, I think the podcast truly came from conversations we're having.
So I mean, the thing is, what's nice is if you know me, you know that me and mommy are
very similar people, which is why our friendship but also our business relationship works. works and so many times people know, I'll say Carrie Shahidi, because she, um, so many times
people would assume that I'm just an upbeat person. I think for the most part day to day, smiley
individual, but I think so many of the conversations we were having, particularly while I was in school,
was just hitting that kind of mental block of one having a deep anxiety about what growing up looks like and
feeling like what's happening when the anxiety and overwhelm are overshadowing the excitement
of what's next.
And also simultaneously in school, reading all of these theorists and people, I was in
this year long course for my major in which you have to read everyone from like Hobbes
to Marx and every social theorist in between.
And some dark stuff.
Some dark stuff.
But more than the dark content in their books, it was like, you all live dark lives.
The amount of people that wrote a book and then became recluses or ended up, you know,
separating from family, I think it meant top of mind for me was, oh, if this is something
that I want to continue to study,
what does that mean for me to prioritize quality of life? And so I was that annoying person in all
of our discussion classes like, but were they happy? But were they happy? And what does it mean
if they weren't? And why are we taking this so seriously if they weren't happy? Interesting.
Do you feel like you're happy right now? So good a good ques- today, yeah. Today, yeah. I think I've been-
On a scale of one to ten of happiness, where have you been this entire year?
One being miserable, ten being elated, optimistic, positive, joyful.
I think-
On average.
That's a good question. I feel like I'm a solid seven.
Okay.
Which, because I think the difference between even my life last year to this year was in
knowing that there are natural ebbs and flows of emotions because I think last year, as
much as I could go through something and be really sad for an extended period of time. I always
felt like that feeling was going to be permanent and then I would snap out of
it and then you know I'd forget like oh yeah everything is kind of temporary. I
think this year I carry a knowledge that it's all temporary which allows me to
float through it a little more but I think it's also kind of aligned with a
lot of self work of prioritizing what it means to take care of aligned with a lot of self-work of prioritizing what it means
to take care of myself in a way that I wasn't a year ago, two years ago. And so
I think that also helps because for the first time I'm like, oh I took seriously
the idea of having tools to manage stress and challenges. Yeah. I mean how
did you manage the stress and challenges as kind of a rising child star from
acting on TV and then going to one of the hardest universities challenges as kind of a rising child star from acting on TV and then going
to one of the hardest universities in the world of like the pressure of both.
Like one of those at 18, 19 is a lot of pressure.
Yeah.
But doing Harvard and a top TV show and traveling cross country every week, how did you manage
your emotions, mindset and mood throughout all of that?
Honestly, yeah, and COVID all that. And COVID.
Yeah, and COVID hit. That was crazy. I think starting a career early, the beginning, I
didn't have to think about it much because I think the way my parents had set it up was
like, oh, this is a hobby. This is something that you tap in and out of. But I was full
time enrolled in school. I had so many hobbies outside of acting and people would laugh,
casting directors would laugh because they knew if they wanted me or my
brother to audition during the school week like they just kind of have to
reconfigure some things because if I had a test or my brother had an important
basketball game life came first but by the time Black-ish came that was the
first time where I really had to re-anchor my life around being on TV in
a way that I never had to before and I think that was the first set of stresses and challenges. It was a great set to be on, but you know
I'm number five on the call sheet. I'm not working every day. And so the idea
that this was the first time I wasn't in school full-time in person, but I'm also
not acting as much as I necessarily want to be on set. So you're just kind of in a
trailer for hours. A couple lines a couple of scenes here and there.
Right.
And I love my castmates dearly, but having had such a full life beforehand, I think that
was the first moment where we were like, okay, we have to do a little reconfiguring.
And I think that was when Mommy and I looked at each other and she was like, it's time
for you to live your whole life again.
So what else is interesting you?
I think that's when I became more publicly
politically engaged and started doing voting work, started going to concerts, seeing my
favorite artists, just really pursuing other things. So my free time became a little more
well-rounded. And then by the time Grown-ish hit, once again, it was kind of a level up
in terms of what the commitment was because I had turned the industry term legal 18 over the summer because I'd graduated
from university from high school a year early. And so I forgot when I was getting my little
high school diploma that this meant that I could work endless amount of hours. I mean,
I've been like, wait, I forgot to take a class. I still got to be in high school. So by the
time Gronish started, I went from working 10 hours to 17 hours a day. A day? Yeah. And given, we finessed and fine-tuned
that. But also, I mean, I wasn't even in a trailer a lot for season one because my character was in
both storylines. Where typically, you know, you have A storyline, B storyline, and actors kind of trade off
between what the storyline is.
And so you always have a break.
First season I was in every scene all the time.
17 hour days?
17 hour days, which I think it is what it is to be like a new show.
We're on cable.
We're just trying to prove ourselves.
But I came from Blackish where we got a juice truck.
We have great trailers.
We're on broadcast.
And so it was funny because we would even sneak over
to their craft services because they had it made.
And we were just kind of like the little cousin
trying to carve its own path.
But yeah, I think that also was another moment
where I had to learn how to take care of myself
and what that looked like.
Because it was my first real challenge of being like, oh a lot is being expected
of me. And I think there were a lot of conversations, luckily, coming from such a
tight-knit family, but also coming from the line producer and Kenya and other
people coming from Black-ish and having seen me since I was young, they were
definitely able to approach it from,
okay, she's a human first and foremost,
but we had to have those conversations.
And, you know, my mother had to have those conversations
with a first AD that would be like,
she doesn't need to eat right now.
She's good, we gotta film this.
To be like, no, we gotta see her as a human being first
and then an actor second.
And so I think adjustments were made along the way to then
figure that out and what that rhythm looked like. And I'd go into the writers room every
day. I'm like, please write my cast up. They're brilliant humans. Zoe does not need to be
in everything. It's the opposite of what she needs to be in. And so, you know, it's nice
to say that we hit a cadence, but then of course, always seeking a challenge. And I
was like, great, I'll go to school now that my character is
written down a little bit I'll go to school full-time and I'd have to say I
did not have a down pat what it looked like taking care of myself. Really? In terms
of what emotionally spiritually physically? All of the above. I think I've
always been a task oriented person and I think I put my own needs behind everything else even when
it's not being asked with me.
Really?
Yeah.
Oftentimes I say, the best way I can say is my goal is to take care of myself as well as
the people around me take care of me because I have such great examples around me of people
that are like, yeah, you need rest and you need to rejuvenate.
But I'm the first one to kind of throw that away and say,
hey, I have a paper due, I have this due. So, you know, my grown-ish schedule became,
oh, I'm pulling all-nighters. I'm filming, pulling all-nighters to do schoolwork, and
then going back to set. And I think at the time, part of it was just what the moment
necessitated. I don't know if there would have been many other ways to accomplish that, but I think what was hard was that I also didn't have for
myself a list of things to be doing to pour into myself, whether that be
physically. Like as much as I look back at pictures of me in school and I was like,
oh I was ripped. Girl that's a calorie deficit, Jordan. You weren't eating. Yeah.
I was like, that's not muscles. That's you're walking with basically
a weighted vest, which is your backpack and forgetting to eat all day.
Wow. Yeah. Man, that's incredible. So, I mean, you mentioned before that you don't like challenges.
Yeah. I was saying, yeah. I was saying-
This seems like a challenge that you've been taking on for the last 10 years of your life.
Yeah. I think, I guess the way I'd put it is, I know life consists of challenges and
at this point in my life, it's been a high priority to become friends with challenges
because they don't excite me.
They don't.
I think where...
What's a challenge to you?
I think...
What does that look like that you don't want to do?
It's more so, maybe another word is misalignment.
Like I think to be a creative and to be in the production world, any kind of creative
endeavor, obviously there's a lot of passion behind it, but there's a lot of business behind
it.
And there's so many times in which you hit bumps on the general road and there's so many
times I just get very, I get very disappointed. Like it somehow
feels like when I, when we hit a challenge, let's say with a partner of being like, why
aren't we on the same page about this? Why is this? Yeah. When we're out of alignment,
I think where I'm surrounded by people, they're like, all right, cool. This is just a cue
that we need to realign. I'm like, Oh Lord, what's happening? What's happening in the
world? Why is this happening? This should be so simple. I think a lot of that is also
the fact that I love the creative industry, but in my mind, I'm like, what we do should
be so straightforward. Out of all the life-saving things that people do in the world that really
do require a lot of challenges, why is creativity so challenging? And so it's part of what prompted
the podcast because it was like, okay, a lot of the solves that I even experienced were
just through conversations with friends, mentors, and peers in certain rooms where they would
kind of contextualize, is it a challenge or is it this? Is it a part of your personal
alignment? And just in them sharing personal stories, I think it gave me a lot more context for the idea
that I was just taking it too seriously,
taking the sign of a challenge too seriously
versus being like, it's just kind of a part of life.
It's just life.
Yeah, it's gonna happen.
It's not that you've done anything wrong
or could have done anything better.
It's just the process.
Where do you feel like you're out of alignment
in your life right now? That's a good question. I think, you know, I think this is actually right now is
the result of diagnosing the misalignment some months ago and being like we're going to meticulously
find alignment. And so I'd have to say what's been most inspiring about right now is that creatively
we're working
with people that we love.
On the business side, it's like, oh, we have a team
where it's like we're all, even when we deal
with the basic issues that kind of happen externally,
as a team we're all such a united front
that it's also made those moments easier to get through
because there's no kind of internal divide.
We're on the same page now.
It's just about how we communicate that
to the rest of the world.
And so I think, yeah, I feel like I'm reaping the results of diagnosing
misalignment.
Wow. When you think about your vision for yourself in the world and what you want to
create, when you dream, when you imagine, when you're thinking about manifesting something or bringing
something into reality.
Do you put your body or your mind or your heart in a certain vibration when you're thinking
about dreams, ideas, alchemizing something, bringing it to life?
Or is it just a part of your process where I'm just thinking about it, then I'm just
taking the analytical steps?
Like, how do you manifest the things you want in your life?
Ooh, that's a great question.
I think there are many different ways.
I think for some of the bigger things, it really is kind of...
I don't know the best way to say it,
other than kind of getting downloads and moments
of like, oh, I think that's next.
I think this thing is next.
What does that download come?
Is that an analytical voice in your head?
Is it a heart vibration?
Is it you just see something differently in the air?
Like, what does that download look like?
I think a lot of it is that feeling of when I get a wave of excitement, it's like, oh, that's interesting.
That means that my curiosity is peaked.
A lot of, I think what I'm interested in tackling next comes from a wave of curiosity.
For some reason, this has grabbed my attention and I really couldn't tell you why.
It's not because, oh, it's the logical next step.
I think whether that be the podcast starting
as conversations, and then I think
I wrote the name, The Optimist Project,
on a random hotel little pen and pad they had at the bedside.
And then the analytical side starts of, OK, how do we
bring this into the world?
But I think, yeah, a lot of it comes from that just kind of wave of, oh, I'm really
curious by this.
This keeps grabbing my attention.
And if it's grabbing my attention, it must mean something.
And it really ranges from even as random as it may seem for my kind of endorsement deals
and fashion side.
I remember at some random day, I was 18 and wrote down every deal that I wanted to have.
I don't typically think that way of being like, oh, I'm going to get this deal with
this shoe company, this deal with this.
But I just written down a list.
I think two years later, I was like, oh, we did it all.
Now what?
Now what?
You got to write a new list.
Yeah.
But I think that's what's nice about the fact that our team is also aligned in how we think
and that it's like all of us get these waves of curiosity and then we bring in the analytics to be like
now how are we going about it?
So it truly starts as a vision board.
It starts as like, oh what do we see?
I love this.
You had an amazing TED Talk and the quote that I wanted to pull from that that you said
about curiosity, you said, chasing curiosity means that my purpose is constantly unfolding in front of me.
All I have to do is pay attention.
And similarly, each of us, each and every one of us have a special set of interests
that are totally unique to us like a thumbprint.
So you say, please join me in recommitting the curiosity because honoring your so-called
distractions is an act of creating.
It's to sit in the grandeur of all of our options.
It's to acknowledge our infinite possibilities when the world tries to convince us it is
indeed finite.
So refuse to let your world get smaller and let's build new futures together.
And I thought that was really cool from your TED Talk about curiosities and allowing distractions
if it piques your interest to
lean into that and see what's possible.
So much of my path has truly been defined by honoring that random thought, honoring
that feeling. I think going to school, I talked about it in that TED Talk, but going to school
for me was honoring a distraction, especially within the scope of the industry and the idea that it's really unheard of to take that amount of time out of your career to go focus on a degree that you don't need for your career, because I didn't go to enjoy acting again too, because I needed that balance.
I'd always loved what we do,
but again, going from a world where it was very strategic
that we lived full lives and then we'd go act now and then
to suddenly being a life where it's like,
oh, this is what we do for eight months.
And then those couple months down
are about promoting the thing that you did.
And then you go back into it.
Yeah, school was that necessary balance and counterpoint of here's a world where almost to an extreme,
no one cares about what you're doing in the world.
Every counselor I had was like, I really could care less about you being on television.
They want you to get good grades.
They want you to get good content.
Yeah.
The amount of people that even told me, come back later when you're not working.
And I was like, hey, six-year year contract friends, that's not happening anytime soon.
It's now or never for me.
But yeah, I was in an environment
where they prioritized who I was as a student.
And I think acting meant that school
also had a balancing point,
because I think it's very easy to be
in a cute little liberal arts environment
with your books and feel like you solved the world.
And-
And you're not creating anything also.
Yeah, so it was also nice to have a business side to what I was doing, to be like, oh,
but I also get to go make things in the world.
I go think about things in the world, I go make things in the world.
It was nice after being in a space of just making things in the world to go think about
things.
Yeah, that's interesting.
I mean, that's fascinating though, because you didn't need to go to school.
I mean, you were making the degree you got, you're making more money with the career you
already had than the degree could give you, right?
And in anything, if you're paying full tuition, you have debts for years that you have to
pay off for the education.
And so were people thinking you're crazy that you're going to go to school?
Because they're like, can't you just enjoy your life
and you're making so much money and you're on TV
and you're famous and you live in LA.
Why would you wanna go to the cold in Boston
and pay all this money and whatever it is?
I think it's why alignment has been the word of the hour
because even how we selected my team.
So when me and Mommy and my prior manager walked in to take all of
the big meetings with you have WME, UTA, CACA, other talent agencies, I was 16. And I already
knew I wanted to go to school. I had been talking about it forever, but I knew I wanted
to go to college. Yeah, I knew I wanted to go to college because even my high school
career we chose a program
that wasn't even meant for actors so that I could maintain my full AP schedule even
though I was distance learning.
And so when we took those meetings, I was very clear about, hey, I plan on going to
school in the next year, year and a half.
If they're not on board, they're not for me.
It was so telling.
It was so telling because many people had the general reaction of like,
oh yeah, we had an actor try and go to school
and I sent him all the scripts that he was missing out on
and he dropped out in the semester.
And for me, CAA and particularly the team that I have,
they were the first ones in the room immediately
to be excited about it, to really want that for me.
And it's even funny to be out of school now
and to think about certain team members who I love.
That waited patiently, as I said,
no to pretty much everything,
because I was like, I'm gonna complete my obligation
and my commitment to seeing through Grown-ish
as an actor and as a producer,
but other than that, I wasn't taking on anything new.
And so that was made possible,
because I think by the time it was time to go to school
and make that decision, I was surrounded by people that understood and surrounded by people
that were excited. But I think it did take a lot of weeding out early on of, yeah, those
conversations of people that are like, yeah, why school? I mean, having a career honestly
was the most kind of privileged way to get into college because I was able
to think about where my curiosities were.
And I had so many friends because like you're saying, because of the expense of it, because
so many times, especially as like black and brown students, you're dealing with the reality
like this may not even translate to a job offer.
This Ivy League degree of mine, I had so many friends have to prioritize what makes the
best job offer, what makes
the best resume. Whereas coming from a place where I was like, I have my career, I was
able to take, oh, I'm taking a hip hop class, I'm taking a healthcare and morality class,
I'm taking this random theory class. And ultimately all of it contributed to my own growth in
ways I wouldn't even be able to name when I was choosing the classes. But I think those
classes wouldn't have even been on my radar
if I went in the traditional sense and said,
all right, I gotta make something of myself
using this degree.
It gave me another level of freedom.
Being like, what, what am I interested in?
Yeah, that.
Yeah, yeah.
Now, have you ever struggled with self-doubt
or the fear of failure?
Yeah, I think fear of failure,
feeler of, hmm.
Like rejection.
I think, yeah, I think that's what makes
the creative industry something that I'm always kind of
personally having to figure out how I want to engage
and how do I move with confidence.
Because part of why I liked school so much
is that I got direct feedback every day
that I was doing well.
Like it's kind of a perfectionist dream.
You know, being like in an industry
where it's even above you how many nos you deal with,
how imperfect it is.
I get grades, I get clear feedback
on what I could do better next time.
And you're in control of your results.
You're like, if I study honored, I get the answer right.
Cause and effect.
I did, I put the time in, I got a great grade.
I put the time in for my thesis, summa summa, great, cute.
And so I think creativity presents self-doubt for me
because it's so informal in how you,
in how I even self-assess what does doing well look like.
And so many times doing well can be attached
to again, results of being like,
oh, I have a show on air.
Oh, I made this happen.
I'm promoting this project.
And for me, prompted by, you know,
even my own health journey,
prompted by maybe the collision of graduating,
finishing the show,
all these things happening at the same time.
I think I've now intentionally been prioritizing what are experiences that I know I'm not going
to be great at and how do I move through it.
Because it's even random stuff.
I was on the American Bake Off, the American version of the British Bake Off.
Was it fun?
It was so fun.
But my-
That's cool.
I love watching the show.
And even though I'm only really a sous chef in the kitchen,
I was like, yeah, I'll do it.
But truly my first priority was like,
don't get upset at the fact that you don't bake professionally
and you're not about to come off as a professional baker.
You're not good.
No, because I think for me, I definitely,
maybe it's just being public facing.
I don't necessarily know where I got it from,
but I definitely have a sense of like,
I do things that I know I'm good at.
But it was limiting in the sense that if I not good at it,
I just am like, I don't know if this is for me.
But now you're starting to lean into it.
Leaning into it, because we had even done,
we had created a show, it was called Yars Day Off,
and it was on Metta, and it was where I would go with guests
to do their activity, their hobby.
And boy oh boy, was that like an immersive,
therapeutic experience that I don't even know
if I took away the biggest lessons from
until like a year later, because it was me making
a fool of myself for 12 weeks, which I had never done,
of being like, I remember one time I had a guest, Alton,
and he's an incredible gymnast.
I cannot do a handstand.
More than that, I have no desire to do a handstand.
Yeah.
I'm a black belt in karate.
There are things that I like to do that I'm good at.
But I say to the team, I'm like, hey, guys,
I can't cartwheel, don't want to cartwheel.
I'm down to try other things out, but just FYI.
They call action.
They're like, yeah, we're going to teach you how to cartwheel. Wow. I tell you, I went to the bathroom and
shed a single tear because it was just such an embarrassing experience for me of being
like, oh, I'm doing something. By the end of the learning session, I still couldn't
cartwheel. And I think for me, that idea of not having that linear progress was really
frustrating to deal with,
of being like, yeah, I know you have to grow in things,
but as long as I see myself growing, I'm good.
It's those moments where the growth is so granular
and so small that I've had to continue to move through
to be like, no, you gotta wait it out.
It may not be, you may not know how to cartwheel
four times doing this.
You may not know for the whole year.
I still don't know.
But my friends have signed me up to teach me next week.
What is it about not being good at something right away
that bothers you?
I mean, again, a question I ask myself.
I think some of it is the public-facing pressure
of knowing
the stakes of failure at times, knowing we don't,
I think especially the time that Black-ish came on air,
you know, we're still one of the only,
we were one of the only black families on broadcast.
And so it also meant you're kind of a part
of this small group of actors that have this
opportunity to be on prime time television every week for the whole world to see.
And I think it just created this sense of responsibility of being like, oh, I want to
be as responsible as possible.
And I think however my brain worked, I moved being responsible to being again, as correct
as possible, moving as as properly as possible.
And still couldn't tell you where I got it from because not how I was raised.
I was raised under like, yeah, you make mistakes, you figure it out.
That's part of life.
Like, you can fail in as long as you feel like you learned something even just spiritually
worth it.
So I don't know exactly where it came from. But I could tell you, I also doubled
down because people didn't believe that I was as let's say, perfect or put together
as I presented. And I think that made me double down because I also didn't like dealing with
the doubt of being like-
To look more perfect or to-
Yeah, I'm just, I think there is a sense of perfectionism I deal with, but there's also
like, I kind of landed on the planet this way of being like, yeah, I just was never really drinker,
because I just never really had the desire to. It wasn't from some like, I can't drink because...
I've never been drunk in my life.
I mean, I know I just started drinking, but I'm like, same, because I'm just like,
either it has to taste phenomenal, which most times it doesn't.
And I think being introduced to drinking on a college campus where I'm like, the warm
beer or warm orange juice, not appealing.
And I think to me, I was like, yeah, never done drugs, never desired to.
It was never even a decision of, oh, I can't because that would look like this or that,
never desired to.
This is kind of your makeup.
Yeah.
Yeah, some of my makeup.
And so I think a lot of times I felt as though people were challenging my makeup as though
I was moving super strategically when it wasn't that.
Of course, I definitely had a fear of failure, but I think the core tenets of who I am and
how I move through the world came from authentically just how I landed here.
And I think some of that, some of the attention I got for moving the way I did
made me feel more... What is the word? Made me feel like people were waiting for me to slip up.
Really?
Because it was always so voiced. It was voiced to me so constantly the more I did that feeling
of being like, oh, but you know, you can be just a regular kid. Like, I don't know why you think
you need to do all this. I'm doing this because I want a regular kid. Like, I don't know why you think you need to do all this.
I'm doing this because I want to do it.
Like, I would not have been able to go through four years of school if I didn't want to be there.
No one could have convinced me into that, flying back and forth.
No one could have convinced me into doing it like a voting initiative, unless I wanted to do that.
And so, I think the mistrust people had that it was coming from just truly who I am.
And I have a team of people that were honoring who I am.
It wasn't coming from external voices of like, you know, it would look great.
Right.
But I think it made me skeptical.
Like, are people waiting for me to slip up?
Are they waiting for me to be?
I don't know.
Something that I'm not.
And I think that definitely made me aware,
more aware of how I came off in the world.
Because before I never questioned it.
Really?
Until I got the comments, I never questioned
why I was making certain decisions
because it was just kind of second nature.
So it's who you were.
Yeah, it's who I am.
And so I think that's something that I had to move through
where the strategic thinking didn't come in
until after I had heard,
oh,
people are kind of waiting for me to slip up for whatever reason.
Right. So what's your biggest fear moving forward now? You've had so much success from
TV and film and, you know, graduated Harvard and all the things you're creating. What is
the fear moving forward has been
Has been not living authentically I think I spent luckily I don't think I was in that headspace for too long
But I think again feeling like okay people are waiting for me to slip up. Okay. I need to be on my Ps and Qs
Also just having an immense responsibility of being like I'm on a show that needs me to be on my A game.
It doesn't matter if I didn't sleep.
Doesn't matter if I have to catch a flight.
I'm at a school that needs me to be on my A game.
Doesn't matter if I was working.
I can't write at the end of the paper, sorry, I was on set.
So this is why this is like this.
I was writing my thesis and in that week,
right before leading up to my thesis,
we were in Paris, Dubai, LA for work.
And then I landed and I had 48 hours to turn to my thesis, we were in Paris, Dubai, LA for work.
And then I landed and I had 48 hours to turn in my thesis in person.
And again, an abundance of opportunities and things I'm grateful for.
But I think after graduating and after, again, kind of my general health journey and what
that spurred for me mentally, I think it's been, the fear now has been not learning from all that.
And I think I have, I'm saying that the fear to me
would be if I don't continue to take it as seriously,
if I slip up from all the learnings that I've had
in the last year, two years.
And I've made such great leeway, I feel like,
in being able to show up as myself, show up authentically.
And so I think as I figure out what that next phase of life looks like, what that next phase
of career looks like, I think, I don't know whether it's a fear, a want, a wish, I think
my wish is to maintain and hold on to with a fierceness this feeling of authenticity that's
been curated.
How do you navigate other people's opinions about you?
Whether they're directed towards you speaking to you about their opinion
or just online or just what you think people are thinking about you.
How do you navigate opinions?
You know, I think it was a great therapy session that I was in
where she asked the question, how do you feel about people?
And I think as simple as that was,
it changed the game for me
because I was so curious about what people thought of me.
And it wasn't even about,
I was able to opt out of what people thought of me publicly,
pretty quickly, and by just opting out,
we realized like being on Twitter is not mandatory.
Like you may feel like it's mandatory, isn't.
Getting off of Twitter, great feeling for the spirit.
You know, getting off of TikTok, not looking myself up,
all those things were I think,
adjustments and things that I was able to learn
in real time and get support to be like,
all right, this is how I'm gonna navigate the fact
that I'm a public person,
you need all these social media things for your job,
but you don't have to engage in this way of being super accessible all the time and always looking
at what people are saying.
So luckily that was a lesson that I think I learned in real time and was able to learn
from.
But in terms of like just interpersonal relationships, I think it's the nature of just my job is
when you're in an audition room, half of it is acting well but also being liked. And so I think it made me aware of what people thought of me. And I'd
like to think it didn't take up too much of my brain space, but particularly if I
was at events, I'm like I'm so preoccupied with how am I coming off
right now. Even the idea of... So you were thinking about it at events, like here's how I'm
coming off or how am I coming off. Or even that feeling of it sounds working at events like here's how I'm coming off or how
even that feeling of it's it sounds so silly it's a good problem to have but
here I am coming in with my little Harvard degree and again seeming so put
together that I'm putting an extra effort to seem super chill I'm super
laid-back like I know you know me as the kid that multitasked Harvard in the show
but I'm relaxed the thing is I am relaxed, but I was doing this
other like layer of performing because I knew that people saw me as this like type a getting
things done person or even if I'm at events and not drinking, then there's a lot of questions
because if you don't say, oh, it's because I'm sober. I have this rear hard and fast
rule. Unfortunately, you still get a lot of questions like why is that?
It never stops. Right. So now my issue is I'm like I drink Coca-Cola at events just to have
something in my hand but now I'm drinking so much soda that I never intended to drink.
I'm like this is- You just drink water.
Yeah. Sparkly water is my go-to.
I know but I'm saying for some reason within this age demographic getting water is even more like
wow you think you're all that.
You're drinking water and the function.
But why care about what people think about you?
Precisely.
So anyway, after drinking a ton of soda and being-
Who cares what they think?
If they're going to poison their brain,
it's like why care when someone who's poisoning themselves
thinks about you being healthy?
And I think that's truly the work.
I think I knew immediately, okay,
this is something to sort through,
because my journey is not drinking this much soda to make people feel comfortable.
As simple as that was, my journey is not doing all of this, this extra work to seem chill
because I think they think that I'm this way.
And so I say that to say I was, I was talking through it with my therapist and she was like,
oh, well, how do you feel about the people that you meet? And I realized I wasn't developing an opinion. I was so
kind of preoccupied with what they thought I was like. And as simple as that
was, going into events and going into spaces checking in with how I was
enjoying myself has gotten rid of almost immediately all of the little thinking
and like notes I made in my head about,
oh, I wonder if that was awkward, I wonder how they feel about that, I wonder...
But yeah, it was prompted by me going to this event and knowing immediately.
I was like, I'm so in my head and here I am in a beautiful room with beautiful people,
it's a privilege to be here.
It should feel like a privilege.
It shouldn't feel like this constant job.
And so luckily I learned, she had asked me that question almost like a couple days after, because
I was like, it's time to work through this. And I really did feel such an
immediate twist in being like, oh, if I am always asking myself how I'm feeling,
there's just less room and space to ask myself how they're feeling about me.
Still not perfect. I suppose in my moments, but it definitely made a big
shift in just how I move.
Wow.
Yeah.
When you have a big casting, a big meeting, a big event you're going to where it seems big,
right? In grand scheme and things, maybe it's not, but it seems like, oh, this could be a big
opportunity or meeting someone that could influence my career or whatever it might be, what is the intention you set before going
to the events, the meetings, the situations where you know this could change the trajectory
of my career or future?
I think part of the positive thing in suspending the traditional cause and effect, if I do
this super well, then this is going to happen for me because of this event or
because of this meeting.
I've started to have more kind of personal self-development goals and less career goals
when I go into those things.
Like what?
Meetings.
Again, it's being honest.
My goal in this meeting is to be as honest as possible about where I am,
how I'm feeling. And it happened even last week. I was in a director's meeting and it
was a great meeting. I liked the person, but they had some questions on the fact that I
live such a straight and narrow life and whether I'd veer from that for the sake of a role.
And it was nice where I think I typically would have just kind of laughed my way out
of it and then had the team handle like, oh, tell them there may be some line...
Yeah, I'm open to doing this and that.
Yeah.
Yeah.
It was so nice to have the wherewithal to be like, hey, yeah, I don't think that's a
journey I'm interested in going on.
I'm not excited by that.
So you were honest with them.
Yeah.
And I said it in the meeting and I think that was really new for me to be like, I have the
feeling.
All right.
Thank you.
That's a way to have the courage.
Yeah. But I think it was setting intention of saying, oh, if my goal is honesty,
if my goal is finding what excites me, then it changes how I move in these rooms. And I honestly
feel so much better about it because the times that I've gone in, I speak in second person at
times, the times I've gone in to a meeting with the idea of they are the keepers of this opportunity
or thing, I feel like a short circuit just because it's like, what are you supposed to
do with that information?
How does that change how you relate to somebody or how you show up in the world?
And so I think the idea of having fun at events, as simple as that is, that's so many times
been the intention.
Let's say it's the Met Gala and I think there was, it's always like a high energy thing. But I think we realized
pretty quickly, it shouldn't be high stress. Again, it's a fundraiser. It's a fundraiser.
People spent X amount for you to show up and get your team out there for you to look a
certain way. And so it's nice because when we've been intention setting,
it's been like, no, the priority is having fun
and having a new experience.
The priority is being open.
And so the intentions change time to time,
but I think as of late, they've really been more so about
in my 24 years of life, what am I looking,
what experiences am I looking for in myself?
What things am I trying to unlock for myself? And it has pretty immediately affected how I
show up in rooms because yeah, I used to feel as though I was auditioning for things, but
even in non-audition settings, like it feels like, oh, it's an audition.
Really? What do you feel like now?
I think it's just an opportunity. It's just another day. I think it's just another day.
It's another opportunity to learn about myself. I think especially in an industry where I'm
grateful that the question that I'm being asked more than anything is what do I want?
And I'm not 100% certain. I have ideas. I have things that, again, pique my curiosity,
but I have no hard and fast,
this is where I wanna be in five years,
this is what I wanna do.
My top priority right now has truly been,
I wanna have new experiences.
I've been in school for 16 years of my life,
I've been on a show for 10 years,
and I'm grateful that those have been net positive for me,
like things that I've really enjoyed doing,
but it means that even as an actor,
I've been acting for 20 of my 24 years,
and there's still so many experiences
I've never even had on a set.
And so I think it's been nice,
even honoring the uncertainty in times where I think,
no, my job is to come in super certain.
Like, you know what I want?
My, I want, da da da da da.
Right now you're not clear.
You're like, I'm open, I'm not sure.
Yeah, I'm unclear in a great way,
in that I'm like, there's so much that excites me right now.
How does that feel though to be on, you know, not having a current show, I guess, on TV
when you've had, you know, 10 years of success with that and not knowing what the next, I
guess, big project on TV or film will be?
Do you feel at peace about that?
Where most people in transition would be like, when am I going to book the next thing? I got to make money? Or if I'm not relevant, then who am I? Do you feel at peace about that? Where most people in transition be like, when am I gonna book the next thing?
I gotta make money?
Or if I'm not relevant, then who am I?
Do you feel about that?
I mean, I think the thoughts are inevitable now and then.
I'd have to say it's not a main thought I have,
primarily because of how diversified my interests are,
what we're involved in.
I think that's where having the production company
is really beautiful because while there are projects
that I'm connected to that may start filming soon,
but you just, again, with this industry, you never know.
It's nice to be like, we have our hands in things
that inspire us, that get us to wake up
and do the work every day.
I think today there should be a script coming in,
we're very excited to read. But it's from a project that started with myself, Carrie, an incredible
other producer across from us, an incredible writer looking at each other and saying, oh,
we want to be in business together. We just enjoy how we all move. We're all from the
Midwest. So I think that also helps. There's similar sensibilities amongst the team. But
I think that is really helpful. the fact that I, whether it even
be like, I love doing college tours and public speaking at colleges. I was in North Carolina
last week. I was in Boston the week prior. And I think having those things are very anchoring
because it feels like I'm not sitting here literally waiting for the call. Because there
is a real pressure to it. Auditioning, I think what's funny is that it is so not personal and so personal at the
same time because it's extremely subjective and there's nothing you did right or wrong
most of the times because they're putting so many puzzle pieces together.
It could be your height.
It could be like, oh, they have a new vision for the character.
And so I think those feelings of doubt and those feelings of,
OK, what's next will always be there.
But I feel like having a very well-rounded world
has allowed me to enjoy the challenge of that
and has allowed me to then, even as an actor, prioritize.
Working on television is a very different thing,
because it's a job.
You're working for eight months.
You're doing 20 episodes. You're working for eight months, you're doing 20 episodes, you're
doing 18 episodes, 13 episodes. The edits of the lines are happening day of. You're
getting your script and getting rewrites as you're heading to set. And it teaches you
kind of how to be a professional actor, but it doesn't necessarily, if you don't prioritize
it, teach you process and what do you enjoy as an actor. Because I'm like, yeah, my skill
set is learning lines incredibly fast. It's how do I get this end actor? Because I'm like, yeah, my skill set is learning lines
incredibly fast.
It's how do I get this end result?
I mean, I come from, you know, my bub was a director DP,
so I'm thinking that Steadicam is super heavy,
the little rig that they have to wear.
I need to get my lines out as fast as possible
because I'm thinking about everybody else on set.
And so I think it's actually been really exciting
to be kind of in this kind of theatrical more film centered part of my life where it's
really been about what is my process as an actor because I was approaching the
other sets as a producer and I know how behind we are. I know what we're supposed
to be shooting. I know our schedules. Yeah so I wasn't necessarily giving myself the
space to play. I'm happy with what we did. I'm happy with the set environment,
but I think the space to play is kind of what I've been given now. Even just in auditions,
of being like, oh, my task is how do I do something I typically wouldn't have. At an audition yesterday
morning that I was taping, and it was just really, what was most fulfilling was that feeling of, oh,
I'm really happy I did this process because that was something new for me, and I wouldn't have done
that typically.
And so that felt like the win in that.
How do you not take it personally
when you're auditioning for something
and you spend a few days or a week imagining,
and practicing and rehearsing what you're gonna do
and getting really excited and investing in the character
and then pouring your heart out in front of,
whether it's taped or in person,
and then crickets or it's a no
or we're going in a different direction.
How do you deal with the rejection
or the not getting the part?
Honestly, it's where community plays a big part.
I'm grateful that Mommy and I are business partners
because I think not only do we make the business side
of it fun and we think similarly in that business side
and then she thinks beyond even what I imagined,
but she's also invested in me as a human being,
not as a client, not as an actor,
they're trying to get on a job.
And so when I think about her
and I think about even the rest of the team
that I have around me, they're great people to talk to.
So I do get to pick up the phone and be like,
yeah, that kind of hurt a little bit.
That sings a little bit.
And have people to talk through it with.
So rather than trying to avoid the feeling, I think the more I've just,
the quicker I've leaned into the feeling, the quicker I'm through it.
And the more I've tried to hold off and be like, that's fine.
They went in another direction.
It didn't hurt me at all.
Onto the next.
The more I'm spending time at night actually being like, oh, that kind of stung.
But, you know, I remember getting a note even a couple months ago for a director session that my, that I had a very
particular cadence. And that's something that didn't necessarily make me a fit for the character.
– They said you had a particular cadence. – Given. It was because you have agents asking
for notes, like, well, she got so far, so what could it be? And so it wasn't like they called like,
hey, her cadence is so off, she doesn't have it.
It was after asking, hey, what is it?
They said cadence, and I remember just kinda being stuck
on it for a second, because I'm like, do I,
I mean, I know I have particular speech patterns,
I have to do voiceover for the show all the time,
so I'm always hearing myself talk.
But I think that was a really funny instance because when there's very little you can do
about how you speak.
But it was actually a great, it was like the perfect exercise where it wasn't personal
enough to super sting.
It wasn't like, yeah, she looked funny.
Like, you know, it was something that was just a little bit annoying and it was just
a great exercise in how am I going to move through this?
How am I going to talk through this? How am I gonna talk through this? How am I gonna just kind of keep it
pushing? And I ended up keeping it pushing because at the end of the day it
was like yeah they handed out a note because they feel like you have to give
an act or something to hold on to especially to make it really far in a
process and it's what they thought of and they have every right. They have a
vision of the character that I only kind of approximated.
And the vision of the character also being on the producing side of the things.
I've seen casting sessions and it was so enlightening because when you go in as an actor, you don't
realize how much is happening around you that has absolutely nothing to do with you.
The producer shaking their head in the corner, not having anything to do with your performance.
They're handling some line item.
And so being on the other side when we did Grown-ish
and seeing those sessions, I was like, oh my God,
this is like the best, this is the best education
because it meant that in auditions,
I already know there's so much happening
and I just happened to walk into the room right now.
And so some of your reaction is gonna be about me,
some of it, like you're not even gonna have an opinion
about me till I leave the room and you watch the tape
the next day, cause so much is happening.
And you gotta see all the people that have auditioned
and it's like okay, maybe you're not the right fit
at the beginning, but two days later,
oh that person was great actually.
Absolutely, there's so many times where it's like,
oh yeah, the height doesn't work out,
cause we just cast this person that's really tall,
or oh, you know, now that I've seen all these people people I have this new idea for this character and I may not have even
said it in the room but they're able to they're allowed to honor their creative instincts because
that's their job and so I think my job is to honor mine. Yeah and try not to take it personally. Yeah.
Try not to. What is the emotion that you do really well on camera but struggle in life?
That's a great question.
I think being frustrated.
My character Zoe, for the last 10 years, she's always perplexed about something, always a
little frustrated by the people around her for something that they did.
And I'm actually proud of her.
She voices what she's upset about pretty immediately, all the time.
And I think that's something that I don't always do because my, I'm working through
this again, but I think so much of my personal process is, let's say I get annoyed by something,
I go, why am I annoyed by that?
Why is that annoying me?
And I automatically think of it as just internal work I gotta go sort out. And I think there's some truth
to that, but I also think there's certain external variables that are just annoying.
The truth of the right to say are annoying. And so I think I've been on a journey of finding
the middle ground of like, I can't always internalize, oh, there's something about that
that made me angry. Why am I angry about that? Let me go figure that out at my own time.
It has nothing to do with that person.
Sometimes it has something to do with that person.
And it's important to voice that.
And so my character does a really good job of that.
And I think in many ways, it's what's fun about playing a character
that's so opposite of who I am for so long was that it's like,
I wish every teenager, imagine going through puberty and having
an alternate world with no consequences where you got to just be a different person. Like, it's like I wish every teenager, imagine going through puberty and having an alternate world with no consequences where you got to just be
a different person, like it's a real treat.
To be like, oh, I never, I never am inclined to yell
in real life, but here I am on set screaming.
That's kind of fun.
Yeah, I get paid to do this?
A real win.
What is the biggest challenge with having success,
fame and money at a young age?
I think anecdotally it's the feeling of have I peaked?
Because there's always that feeling of why is this coming?
Sometimes there's an ideal of the question
of why is this coming easily?
Why is this coming easily?
You know, I've had, I've just felt very lucky
in that I wasn't the kid that woke up
and said I had to be an actor.
For me, it was, I have a creative urge and instinct.
I started in printing commercials.
I said no to auditioning for my first movie when I was seven
because I'm like, I love printing commercials.
I go play.
Like I play and half the time I'm playing with my family.
Just taking photos mostly.
Yeah, I'm taking photos or commercial,
like you're hula hooping, you're biking,
you're just doing different things.
And so when I had done my first movie at seven,
I think what it unlocked in me,
again, wasn't even the instinct of,
oh, I have to do this for the rest of my life,
but was, that was a lot of fun.
I learned how to ice skate, I got to make pancakes, I got to
work with these cool people, that was super fun. And I think because, again, I've
always had this diversity of interests, in some ways, as much as I think every
actor, and I'm always dealing with rejection and misdirection, it's come
kind of easy. In that, I'm like, I've gotten misdirection, it's come kind of easy.
In that I'm like, I've gotten to go to school and be on a show. That's unheard of. And they
made it happen. After a call, it took a lot of work, but after a call they were on board.
There was no convincing that had to happen. I think if it wasn't for COVID, they were
going to move the entire shooting schedule to the summer. So I just had an unencumbered
year. Again, unheard of. And that comes from everybody from the president shooting schedule to the summer. So I just had an unencumbered year, again, unheard of.
And that comes from everybody from the president of ABC
to the president of Singin' Church,
to the president of, to the wine producer,
all working in tandem.
Do you ever feel like guilty for how easy it's been?
I think that's the flip side feeling of like,
is this right?
Is this right that it comes with ease?
But I think I've started to realize ease is the alignment.
And it's because...
There should be ease.
Yeah. When there's alignment, there's ease. And I think the thing I've been and my family's
always been is pretty discerning. There's still ways to become more discerning, but
I think... I was like, oh, some of the ease is because there's been such a discernment
of pretty immediately. I was like, oh, that's not for us not for us right oh that's not supposed to be for us and so
you haven't said yes to every shiny opportunity you've been like no no no
this is for us I like this and I mean there have been challenges within that
but for the most part I'm like the fact that macro I'm not walking out with any
crazy stories about being on set as a child actor I'm not walking out with any crazy stories about being on set as a child actor. I'm not walking out with any crazy traumas
from 10 years on set.
Like I'm like, how lucky.
When you're hearing all these other child actors
coming out about- Yeah, you hear all these other stories.
You know, I have a family that takes pride in us
as individuals, both me and my brothers handling our money
and having a grasp of money management.
So I'm like, we've never had a fear
that one day it's gonna be gone
because I know where it all is.
You know.
You don't have any money wounds or traumas, huh?
I was doing an interview about money yesterday
and they were like, so what were your money troubles?
And I'm like, you gotta see how I was raised.
Again, I feel so lucky.
I'm like, I was raised with a family
that was so intentional about being like,
we want you to feel in charge and autonomous
and we're here to guide you. But I was going, mommy set it up. So I'd go make friends with accounting
at Blackish and I'd go pick up my check every week where typically you don't see it as an
actor, it gets sent to your team. And then you see kind of the end result. I got to see
it. I got to see how much the percentages were. I got to see what the taxes were. And
I was able to check guys. Remember one time there was a wrong amount on my check and I
was savvy enough at 14 to be like, hey, this isn't
the right amount. I go, yeah, you're right. So I'm saying, like, I, like, again, it is
easy to feel guilty to be like, why have I, why have I had it so good in the, in
the general scheme of things? And I really couldn't tell you why, but, but I
think I'm coming to terms with the fact that
even on this road to self-discovery, I do have to say I've known myself pretty well.
And so I'm realizing that some of this is the result of having known myself and continuing
to learn myself.
Yeah. Well, it sounds like your parents have been an amazing foundation for you for knowing
yourself, being yourself, you know, empowering you to step into yourself.
They let me be so quirky, you know.
It's amazing.
Like it did not cross my mind.
It's interesting that the first thing we talked about, I don't know if it was when we were
rolling or right before, you mentioned how you want to learn how to build mental fortitude
and how to overcome challenges.
Yeah.
Is it feeling, I mean, because it kind of sounds like from your perspective, what
I'm hearing is that you haven't had a lot of challenges in your life.
Like it's come pretty easily.
I'm sure you've had to, yeah, work 18-hour days and fly back and forth from Harvard to
LA and do like work at a high level.
Yeah.
But not a lot of extreme adversities is what I'm hearing.
Is that what I'm hearing?
Yeah, I think, I mean, part of it,
as we're talking. Like intense work and effort,
but not extreme adversities.
Yeah, and I think for me, there are two things I realize.
One, I think I minimize maybe some of the challenges
I do face.
We're also dealing with a lot of pressures
from just being in the industry,
and all these different things, and shot stars. Yeah, so it's funny.
I think some of it is that because I've moved through it, eventually, sometimes I think
my ability to look back with the rose-colored lenses, I'm like, no challenges.
Yeah, wasn't that hard?
Yeah.
Mind you, while we were in it, deeply challenging.
So some of it is that I do know I'm minimizing past challenges and I'm trying to come to
terms with just being more honest with that.
But I think some of it too is just knowing, again, coming back to the cause and effect
thing, so many things happen to good people.
So many, yeah, so many things you can't account for.
It has nothing to do with how morally upstanding you are.
It has nothing to do with how many resources you have, what you have, what you don't have. And I think maybe it's just maybe it's hitting my quarter life crisis a little a couple months
early.
But I think I hear stories of what people go through, whether it's family members passing
certain things like that.
And I go, would I be willing, would I be not able to overcome willing to overcome?
I think I have the capacity to do things,
but I'm like, do I have the willingness
to see a challenge and push through it?
I'm always, part of it comes from just my genuine amazement
of the courage that people muster in times
that feel almost impossible, at least outside looking in.
So maybe some of it, it just comes from that space
of like, I'm truly amazed, I can't wrap my mind around it
when I hear other people's stories of like,
what made you double down and push through
these hard moments?
Again, part of why we started the podcast
was being like, I wanna hear,
what did make you go through that?
And it's been really clarifying to me
because I think it almost felt like
there's some sort of magical alchemy
that I couldn't name that's happening versus like,
no, it's a mixture of human perseverance
and the fact that hopefully, God willing,
the traits that you need come to you when you need them.
The qualities that you need come to you when you need them.
And so that's helping me make sense of it.
But I think for me, I'm like, what is the mental fortitude regimen that helps us as
young people just continue to build a sense of not even just discipline in terms of schedule,
but discipline in terms of being like, I know what my mind is doing.
I'm kind of aware of it.
That's interesting.
I'm able to move through this.
I'm able to move through the inevitable losses we're going to deal with, challenges we're going to deal with,
the things I can't account for.
Yeah, that's really insightful though.
So it's been top of mind, but I don't know how helpful it is to be thinking about it
too much.
Because I think, you know, if you're not willing to invest in doing hard things now, you're
going to experience a lot of pain later. And it's gonna be a lot harder
to manage them mentally, emotionally.
And so learning how to navigate your own minds
at this age and investing in,
which I don't think people should say,
I'm just gonna experience pain all day
so that I'm prepared for pain later
and it doesn't hurt me as much.
Because I really do believe life should be about creativity and flow and joy and love and fun.
I believe that's what we should be focusing on
and intending to create every day if we can.
How can we bring joy and love and service to this moment?
And how can I be my creative, authentic, honest self
like you talked about, which is alignment.
And when we're in alignment, things flow to us easily
and we can see and discern things like you talked about.
But I do believe there is a level of time every day
where there's discipline, where I'm gonna say no
to temptations or no to the Coke all day
or no to the alcohol all day or no to partying every day,
all night, or to only fun extreme things.
Because if you're not fortifying your mind it will
be hard to face adversity later when it will come.
It will hit you hard.
It'll be unexpected and it will hit you.
And if you're not preparing little by little it's going to be daunting.
I think that's the thought that keeps me up, which is what should I be doing?
Do you feel like you've always been disciplined?
No, no.
I mean, as a kid, I was confused and scared
and rebellious and, you know.
But even as like a college athlete, like that,
that's something, even when I was flying back and forth
and doing all that, my friends that were waking up
at five a.m. every day, I was like.
No, I learned it, I mean, in high school, I learned how to be disciplined because then
I had a goal of sports. And so it was 5 a.m. I was waking up at 5 a.m. and doing study
hall and reading the Bible in the morning. I went to private boarding school when I was
13. So it was like very strict in terms of like you study from 6 to 8, you go to bed,
you get up, you work out, all these things. And in college,
when it was like you didn't have the house parents in the dorm kind of telling you what to do,
you had to create your schedule. But I was so clear in my vision and my dream that I was willing to
sacrifice anything. So I would give up all of the fun of life. I would have fun, but I wanted to do
the things that people said were fun, drinking and going out and do these things. I would have fun, but I wanted to do the things that people said were fun. Drinking
and going out and doing these things, I was like, that's not fun to me.
That's a great way of naming it, because I think that's something I've struggled to name.
It's not that I'm sacrificing these things. It's not a sacrifice. I wasn't interested.
I wasn't interested, yeah. And learning that skill set of disciplining my mind to say no
and to be okay with people not understanding me.
That was the scary thing because I wanted to have friends because I kind of felt alone
as a kid.
So I wanted friends but they didn't understand me because I was going off chasing a dream
and I was getting up at five or going to bed at 10 or whatever it was because I was committed
to something.
And so maybe people didn't understand you.
Oh, you're on set 18 hours a day.
Just come hang out with us after school.
We're just like, I'm gonna go hang out
and run down LA or whatever.
But you're like, no, this is fun to me.
And this is part of a dream and a curiosity
that I'm leaning into.
And it's providing financial abundance
and opportunities that are gonna set me up for my future. Mm-hmm. So it's just making a decision. Yeah. Do you think a lot of your
peers in terms of people your age struggle with discipline and they just
chase fun and you know hours of social media distraction that isn't supporting
their vision? I'd have to say it's 50-50. I'm pretty lucky to feel surrounded by people that are chasing a dream.
And all of it looks very different.
Some of them I don't even understand, but I see the passion.
And so I think just by the nature of maybe just who I've ended up in community with,
I'm surrounded by people where I feel like generationally, there are a lot of people
that are moved by whether it's their art or their career. I think I saw that both in the creative landscape, I saw that at
Harvard and so... But you've been in communities of people at the top of the
top. These are people that are like working full-time that are in the acting
world or the production world or Harvard which is a very elite level like
commitment. But I think even in the creative space, what was a good example is I'm like,
all my friends are the top of the top now,
but they didn't start that way.
And so many of them had really interesting
kind of non-traditional ways of getting
into their respective field,
which required just a lot of belief in self,
not necessarily traditional schooling to be a musician,
traditional this to be that.
And so in that regard, I see a lot of discipline there.
And I think what's funny is I hang out with people
that all have bedtimes that are like,
well, I'm cool tapping out.
And also people that are very sure
about what is fun to them and participate in like,
oh, this is what's fun to me.
It's different for each of us, but it's cool to be like,
oh yeah, people are only showing up
because this is enjoyable to them.
And they have felt freed of showing up for the sake of showing up.
But that's a lot of people that are like, again, who are striving to be at the top that
are very creatively talented, that are in elite rooms.
But that's not, I wouldn't say that's most 20 year olds or 24 year olds or people in
their late teens right now in America, right?
Yeah.
I think it's a mix.
Like when I see somebody like my little brother, 16,
we're technically same generation.
It feels like a world of difference.
What generation is that?
What is it, Gen Z? Gen Z still?
It's technically Gen Z still.
And he's someone that's also very creatively inspired.
But I think the difference that I see is that
even having, Instagram didn't come about till I was 13.
And even though that was young,
it was enough time for my brain to have had a life before social media and it was sorry it was years before it
became a regular part of my life right and it was years before we were using that to compare so I
just feel like I had more mental tools about how to deal with it still hard still on my phone way
too much I turn on gray scale at random times to be like, let me, I don't know, does it disrupt the serotonin?
I don't know the science behind it, but I'm like grayscale.
But I think the thing that I see is like,
oh, their world is so busy all the time
that I can't even blame the feeling of distraction
because I'm like between all the news that's being taken
and between the fact that I feel like when I was growing up,
I was only preoccupied with the life that I was living.
Because there was no him.
You weren't watching everything online
about every problem in the world all at once.
Yeah, and there was also no way of seeing the life
that even my friends were living,
except for the handful of times we were having a play date.
Right, you're going to their house sometimes.
Yeah, I'm like, there was just no way
of checking in on that.
They could see everything all at once.
And I think even creatively, I've had the privilege of checking in on that. They could see everything all at once. And I think even like creatively,
like I've had the privilege of being
in all these luxury fashion spaces,
but that was all tied to work.
I did not find myself in any of those stores
prior to working with these brands.
Because it just wasn't on my radar.
The way my brother has friends where it's like,
oh, they know all of it, all the time.
They're tracking fashion week.
And I was like, I think I learned what fashion week was
when I got an invite to attend because I was working
in this space. I didn't have, again, all these worlds I was checking in on that
didn't have anything to do with me right now. And so I do feel like there's a
particular challenge and I have a lot of empathy for just generationally that
feeling of what are we gonna do with this information overload where it's
even hard to parse apart what do I need to do with this information overload where it's even hard to parse
apart what do I need to intake. I'm a severe over news listener and I think my task has been
listening to a little less news because it's like there's only so much you can do about it and it
pushes at least for me I think it pushes me into a space of feeling very overwhelmed versus feeling
activated so I've been trying to be like, what amount of news makes me feel activated,
but not overwhelmed?
Yeah, one of the things, you know, my,
early on I was just taught never to
watch news and entertainment, just get updates.
Because you can easily emotionally,
especially if you're empathetic,
you can be like, 10,000 people
died today in this other part of the world.
What is wrong with the world?
That can take over your whole life.
One person died in my town and there was a shooting.
That could take over your whole life.
If you're seeing it sensationalized, if you're entertained through the visual expression,
sound, audio, video, making it like a movie, for me it's exhausting.
So I can't watch the news.
I can read it and be informed and educated and be like, oh, okay.
But the entertainment of it or the clips of it just constantly, I don't think it's good
for the brain.
And I think building mental fortitude is learning how to block out that and say how can I be educated and updated
but not entertained by fear.
Yeah, and some of it is a great point
because some of it was that I've always been an audiophile.
We grew up in a house where we didn't watch TV
except for Saturdays for an hour, which I love,
but it meant that I love audio.
That is my form of entertainment.
And so you're absolutely right.
There was a time, even though I don't know if I would
call it that while I was listening, that it was more so like, oh, I'm listening to NPR.
But you're listening to NPR so much that they're sending you free merch.
That may be a cue.
That may be a cue that you're listening to too much NPR.
Because I was like, I have the app on my phone.
I'm not even waiting until I'm in the car.
I'm listening all the time.
I'm waiting for the midday update. I'm waiting for the end of the day update.
I'm cycling through local news. I'm typing in local stations. And so I think changing
that because then I was listening to political podcasts at night. I was falling asleep to
them. I was like, oh, bedtime, time to turn on.
Every news channel and every political podcast has their bias and their opinion. So they're
going to be, you know, spreading opinions one way or another.
But when you read it and you just read the updates, usually you're just saying, okay,
this is what happened.
And you can form your own opinion.
That's what I've learned.
I love NPR because it is pretty straightforward, but I think for me the amount I was consuming
of every podcast available, again, was fulfilling more of an entertainment side
So it's been nice to literally reintroduce. I have those moments where I'm like, okay time to get updated here. I'll do I
Want twice a day, maybe I'll get to a once a day person. I'm a twice a day person
But in between I'm back to listening to old-time radio shows. Johnny Dollar is my favorite
Insurance investigator played by Bob Bailey
radio shows. Johnny Dollar is my favorite insurance investigator played by Bob Bailey. So I'm like, oh, if this is fulfilling the need to be listening to something, what else
can I be listening to? Back to this American life, back to just like...
Sure, feed your soul.
Yeah.
Feed your soul, you know. This has been awesome, you know. I want to ask you a couple of fun
questions.
Please.
That's cool. One of the things, you know, I got to meet your mom, lovely lady, and just seems super wise and fun at the same time. So congrats on calling in your mom as a child
and entering this world with your parents. But I read that you grew up with your parents
either teaching you or showing you how to live a life of service. Like living a life
of service was important and how can we add value and contribute
to whatever might be, friends, family, society.
And I'm curious, what are your thoughts about service,
and what have you learned through being of service,
being a giver, finding ways to add value?
What have you learned about how giving allows you to receive as well?
Mm. Yeah, well, like you said, I come from two really wonderful, thoughtful parents,
Afshin and Kerry, who I call Bubba and Mommy, but really wonderful people that have their own global
background. So, you know, my bubba moved to the states from Iran
when he was eight,
comes from a very global service-minded family.
My mama comes from a family where it's like,
my papa and nana, my papa in particular
was really involved in the civil rights movement.
So that very direct idea of what it is to be of service,
to sacrifice kind of your own comfort for the greater good.
And so much of the dialogue around being of service
just happened at the dinner table, happened in a very natural way where I don't
think I even realized, oh, I'm having these heady conversations.
Sure, sure.
Hear me. And I think there were also things that they did that were very supportive of
that of going to schools that had volunteer requirements, whether that was the Montessori
or the public school or the Catholic school I went to, they all had volunteer requirements.
And so I think it was also being modeled for me in every environment
I was in of not just how money is a resource, but how your time is a resource. The idea of
giving as being just a part of the fabric of life and not as something that you wait to do once you have
quote-unquote made it. even when they were giving me and my
brothers just allowance they they again having really thoughtful parents what
mommy had done was we had put all of the money that we made from acting right
into savings but they'd give us an allowance for being on set and from that
allowance from those ten bucks or however much we decided they had the
save spend and donate bucket and we got to choose how much are we donating, how much are we saving, how much are we spending.
And again, I think these were, I say this all as a foundation of saying I had a great
foundation of ways in which being of service can be integrated into our day-to-day life.
And I think even still, having Lamy as a business partner, one trait I think I admire most that
many people can attest to.
I was in a room she wasn't in talking about something random and literally somebody
else, another actress paused to be like, can we talk about Carrie Shihidi? Because
what she is is so deeply tapped into the world around her and so deeply curious
that I think she is constantly of service by giving kind of her mind as a
resource. We will see someone at the airport who says, oh, who says, oh,
randomly, oh, I really want to start this shirt someone at the airport who says, oh, who says randomly,
oh, I really wanna start this shirt company.
She'll be like, oh, that's interesting.
I've cataloged, oh, I met this one entrepreneur
that makes shirts that I would love to connect you.
She's connected authors with lawyers
for their multi-million plus book deal,
and not realizing that's what it was for,
but just being like, oh, you're an interesting person.
This is another person that's interesting.
You guys should be connected.
That's cool.
But it comes from just being so deeply attuned
and paying attention in spaces that,
we're in the same rooms and she's picking up on things.
I'm like, huh?
Oh yeah, I guess that did happen.
But I say that to say, I feel like it's an example
of what it means to be attuned towards service.
And it's not even necessarily,
oh, I'm working with this organization or this foundation.
It's truly, I'm operating from an anchoring place of how can I be of value to you, even
if it has nothing to do with me.
Most of these things never circle back.
It's a thank you that you may get.
But to answer even your question on being of service and then receiving, I think I've
had a lot of examples of how things, time, resources that I've given have come back around
in ways that I could never expect.
I wasn't expecting it when I gave.
And I think even in our starting our production company, we were both astounded by how many
people wanted to work with us when we were both astounded by how many people
wanted to work with us when we were just opening our doors.
Had yet to prove ourselves as producers
because they knew what it was like
to be in a relationship with us.
And the things that we'd give generally without saying,
hey, we're gonna circle back around in a couple of years
when we have our own offices, da da da da da.
And so I think a lot of what I've received
has been the result of giving.
And I think I've learned so many lessons about how that happens. My papa has this
great term he uses, relationship equity, which is one, just logistically, especially
for us 20 year olds, call between needing things, especially from the people around
you. It's okay if you need things and you need to call people, but call between.
See how they're doing. Yeah. Not when you need things and you need to call people, but call between, see how they're doing.
Yeah, not when you need them only.
Not just when, not hey, how are you, by the way.
Yes.
But more than just calling between, needing things.
I was raised on relationship equity,
which is the priority in this world
is building relationships with the people around you.
It's not building networks, it's not building contacts, it's building relationships.
I love that.
That's been my whole life has been about relationships.
Yeah.
That's kind of how I built everything.
You know, in the interview business too,
it's like you've got to build relationships
to be trustworthy enough.
I was gonna say, it's so much about trust
of both who you let in in building something,
but also people coming to you and having a trust.
So yeah, I'd have to say, I think trust is the resource that is given when you give.
That's great. What's the thing you love the most about both your mom and your dad?
Oh, that's a good question. I think I said some of it for mommy but just to double down,
I really am so moved by how moved she is by the world, by how much she cares about the
people around her, whether it's the people in this room we'll never be in again, whether it's the
people that have been in our lives forever.
She has a want to be a value add to somebody's life.
And it could be in a very small way, in a very big way, but I think, I don't even know,
it feels almost subconscious.
There's an ease in what she does it. It's not like, oh, she's thinking about, oh, what
can I do to benefit? But it's really inspiring how naturally that comes. Because I think
it's something that reminds me too of the power of being present, of what I was missing
out on when I was so in my head, or like all the things that can happen when you're right
here with somebody in a room. And I think from my my baba, I feel like I think there's I mean, there's a lot. Not only is he the
reason that I'm a foodie and have a very wide ranging taste in music, but I think he's also
one of the first people that modeled the idea that being a family and being creative can can
really go hand in hand because he was the first one in our
family. He was Prince's photographer for 10 years. And I think that was always such a
family-oriented environment in which he was, you know, we were on tour with him.
And would hop in and out, not the whole time, but we'd hop in and out of tour stops. We'd go to his
house when he was dropping off film.
And I think in many ways he helped set up the model by which we run our family, which
is like there's a way to maintain being a high level creative and pursuing your career,
but also being so invested in and concerned about our family as the main unit.
Because I think it reflects the fact that, you know, my brothers and I, whenever any
of us had a job, we were always on set for the other person.
Just to be there.
Just to be like, I'm so excited for you.
And I think it's those little things that have made the experience so enjoyable.
Generally was like, oh, I never had to sacrifice a distance from family or this feeling that
this was a solo journey in order to be doing this.
And so yeah, I think that's something he modeled very, very early on.
That's cool.
I've got a couple final questions for you, but I want to make sure people check out your
new podcast with you and your mom.
It's called The Optimist Project, right?
It's on everywhere, right? Yeah's it's on everywhere, right?
Yeah, it's on everywhere doing video to or mostly just audio. It's audio primarily
But there will be a video component that we're launching which we're excited about but yeah
It's it's with serious XM, but you can find it everywhere. Yes. Yes Apple Spotify
Awesome. What is the tell me a little bit about it? What is it gonna be? Is it a interview?
Is it just you and your mom? Is it gonna bring you on different experts? What's the, tell me a little bit about it. What is it gonna be? Is it an interview? Is it just you and your mom?
Is it gonna bring you on different experts?
What's the main thing?
Yeah, well, and I think true to our business relationship,
we've really co-conceptualized it behind the scenes.
I'm hosting it.
So we're both in the room, but I'm hosting and interviewing.
And I think it's some of what we teased and talked about
throughout this conversation.
And it started from the conversations
that her and I would have of one,
these kind of more existential conversations
of where we're both at in our lives
and what are the questions that wanted to be answered.
But also a lot of it was both of us being very lucky
to be in these exclusive rooms,
finding ourselves just the nature of our community
to be like, we're at a small get together
with every major politician
and every major collected artist.
Or we're at the TED conference, which has a barrier to entry of X amount thousand to
get a ticket.
And so many times the conversations that were really insightful to us were happening in
these exclusive rooms.
And it was really a matter of accessibility.
Like there's so many questions we got answered, not even realizing that that's what was going
to happen, just the nature of having conversations with people.
For us, we curated a guest list of the people that many people that we've already talked
to privately and personally.
I mean, like, no, let's make this official.
There's so many gems in how they've shared their stories.
I think there's so many messages of optimism just through people's journeys of them sharing
how they've overcome certain challenges, what their current takeaways are. So it's been a very exciting process because we do a lot of
brain work behind the scenes. And then by the time I get out here to ask questions, the conversation
always flows in very interesting ways. But luckily, it has served its initial purpose,
which was for us to be able to have really fulfilling conversations with people and realize many times I was always the youngest person in
this room and sometimes that can be mistaken for being the only young person interested,
which is far from true.
I understand that could be an anomaly in a certain way, but I think I come from a deeply
curious generation and I think there's so many things that we seek out in terms of
information and that's part of why it was inspiring to me to know oh yeah I
just happened to have been in the room while this conversation was happening
but I know so many people that would learn from that. So many of my conversations with
my peers are about us asking each other these questions. Well people can get it
it's out November 20th, correct? Yes. Yeah.
So it's called the Optimist Project.
Go search for it online.
Follow, subscribe.
Check it out.
Listen, all the things.
You'll be posted about it, I'm assuming, on social media as well.
Yes.
You won't be able to escape it.
Yeah, exactly.
So follow you on Instagram.
That's your main platform where you post content.
Check that out.
This question I want wanna ask you,
see, two final questions.
Okay.
Before I ask them, I wanna acknowledge you, Yar,
for the journey you're on.
I think it's really cool that you have
been able to live a life of your dreams up until 24,
and now you're still saying, how can I learn?
How can I grow?
How can I evolve? How can I master other things? You're not just saying, oh I've been successful, I'm
gonna keep doing the same thing, but how can I continue to step into trusting
myself, knowing myself, and being of service of myself to the world in all the
different ways you want to be. So I acknowledge you for what you've created,
where you're at now, and also where you're going,
and that you're doing it with your family,
and you're able to do it in a purposeful, peaceful place.
So I really am excited to watch your journey.
I hopefully will stay connected afterwards.
I'm also excited to watch.
Yeah, it's gonna be fun.
It's gonna be fun.
And speaking of your journey, there is a great,
I loved the Matthew McConaughey acceptance speech
for his Oscar many years ago,
where he talked about his chasing his self in the future 10 years out. I loved the Matthew McConaughey acceptance speech for his Oscar many years ago where
he talked about his chasing his self in the future 10 years out.
He's like, I'm always chasing myself in the future, the person I want to be 10 years in
the future.
If you could think at 34, that you are 34, you're 34, you areold self has lived the next decade of life with all the visions, plans, dreams
that you're thinking about, all the things that you're not thinking about that are gonna
come to you, the challenges, the adversities, everything that's gonna happen over the next
10 years.
You're 34 and you're sitting right in front of you right now.
What three pieces of wisdom or advice does your 34-year-old self need to tell you now
that you need to hear?
I think, what would 34-year-old Yara have a clue in on?
Well, I think to our conversation on mental fortitude, to know, to be reassured that I'll
continue to show up for myself.
Well, it would be nice to hear from 34-year-old Yara
that there's no point in stressing about future challenges.
Maybe not that there's no point,
but that we move through them.
And that we are capable of moving through them.
I mean mean I think
34 year old Yara I'm excited for her to give me intel on what happens when we follow our curiosities. I
think I've been able to do that and I'm at a point in my career where
There is always gonna be a bit of strategy there is always gonna be a bit of business and I like that part of a bit of business, and I like that part of what we do,
but it'll be reaffirming to be like,
well, what blossomed from the curiosity?
What's the thing that I didn't expect we were gonna do?
Because I feel like even,
even though I feel like I've been a very consistent person
in my life in terms of core values,
like who I was at 16 is not a far stretch from who I am now.
Yeah.
I also could never imagine what I was dreaming about now
at 16.
So I would love to know what 34-year-old Yara
is dreaming about.
That's interesting.
That's cool.
Is that two things?
What else do you think she would tell you?
One more lesson she would give you.
Yeah, what would she tell me?
I mean, I think I'm excited for whatever wisdom on her journey and trusting herself and her
instincts. I feel grateful to be of service and I know a part of my journey in being authentic
to myself is trusting myself because oftentimes I think I defer to the people wanting to be of service
to the people around me, care for the people around me,
that it's more so a new mental challenge to be like,
wait, how am I feeling about this?
What am I thinking about this?
Because it's just how my brain works at this point.
So I want wisdom from her about that.
That's good, okay.
Yeah. Love that.
I'll let you think about it more after our conversation.
I also wanna know what interest rates are.
Yeah, what stock you invested in.
Final question for you, Yara. This has been powerful. Thanks for being here.
Thank you so much.
Yeah, of course. Final question. What's your definition of greatness?
I think my definition of greatness, it could be a synonym for authenticity.
When I look at people that I consider great, it's because I think they have tapped into
themselves in a way where they feel irreplicable.
No one could even try to do what you do.
Not because other people don't have the skills, but no one could be you right now.
So yeah, I think it's the people that are so authentically themselves and
that feel like, oh, you've tapped into a greatness that that could only exist within you.
Snap it up. Awesome. Thanks for being here. This has been so fulfilling for me. I have a
lot to journal about. I want you to come away with like, reflecting on stuff. No, I am.
I would get away with like reflecting on stuff. So no, I am powerful.
I hope you enjoyed today's episode and it inspired you on your journey towards greatness.
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And now it's time to go out there and do something great.