Under the Influence with Terry O'Reilly - S1E22 - LGBTQ Advertising: Chasing The Pink Dollar
Episode Date: June 2, 2012The gay community will spend over $800 billion dollars this year. A large percentage are affluent, hip and trendsetting, yet the advertising industry took decades to market to them. This week, we look... at L.G.B.T. - or Lesbian, Gay, Bi-Sexual and Transgender - advertising. From the first gay characters on mainstream television in the 70s, to the first big brand that dared to openly advertise to the Gay community in 1981, to the 10-year drought of gay advertising brought by the onset of AIDS, to its resurgence due to a recession, to the flashpoint of Ellen Degeneres coming out on her TV show, to the first transgender Miss Canada Universe contestant, to the friction it all still causes today, the gay market is a fascinating study in diversity, courage, profit and respect. Hosted on Acast. See acast.com/privacy for more information.
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Hi, it's Terry O'Reilly.
As you may know, we've been producing a lot of bonus episodes while under the influences on hiatus.
They're called the Beatleology Interviews, where I talk to people who knew the Beatles, work with them, love them, and the authors who write about them.
Well, the Beatleology Interviews have become a hit, so we are spinning it out to be a standalone podcast series. You've already
heard conversations with people like actors Mark Hamill, Malcolm McDowell, and Beatles confidant
Astrid Kershaw. But coming up, I talk to May Pang, who dated John Lennon in the mid-70s.
I talk to double fantasy guitarist Earl Slick, Apple Records creative director John Kosh.
I'll be talking to Jan Hayworth,
who designed the Sgt. Pepper album cover. Very cool. And I'll talk to singer Dion,
who is one of only five people still alive who were on the Sgt. Pepper cover. And two of those
people were Beatles. The stories they tell are amazing. So thank you for making this series such
a success. And please do me a favor, follow the
Beatleology interviews on your podcast app. You don't even have to be a huge Beatles fan. You just
have to love storytelling. Subscribe now and don't miss a single beat. new year new me season is here and honestly we're already over it enter felix the health
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From the Under the Influence digital box set, this episode is from Season 1, 2012. Your teeth look whiter than no, no, no
You're not you when you're hungry
You're in good hands with us
You're under the influence with Terry O'Reilly.
The headline said, First Gay Caveman Found Archaeologists had discovered the 5,000-year-old remains
of what they believe was a transsexual or third-gender man.
According to the Telegraph newspaper,
the male skeleton was unearthed last year
in a Prague suburb of the Czech Republic.
It was the way the body was buried that was highly unusual.
In the Copper Age, men were traditionally buried on the right side with their heads
pointing towards the west.
They would be buried alongside their weapons, hammers, and flint knives.
Women, on the other hand, were buried on their left sides with their heads pointed towards
the east.
Females were buried with necklaces, pets, and copper earrings,
as well as jugs and an egg-shaped pot placed near their feet.
But this unearthed male skeleton was buried in a way
normally reserved for women of the Copper Age.
The body was interred on its left side,
with its head pointed west.
An oval egg-shaped container, usually associated with with female burials was found at his feet.
None of the objects that accompany male burials, such as weapons or tools, were found in the
grave.
As one of the lead archaeologists noted,
From history and ethnology, we knew that people from this period took funeral rites very seriously,
so it is highly unlikely that this positioning was a mistake.
She went on to say it was far more likely that he was one of the earliest cases
of what could be described as a man of a different sexual persuasion.
While some scientists maintained that anthropology couldn't really determine sexual
orientation, it was agreed the unusual burial did suggest a third gender grave. But whatever his
sexual orientation, it's interesting to note that the fact he was buried with others was a sign of
quote, cultural acceptance. That concept of cultural acceptance seems to have gotten lost somewhere
in the intervening 5,000 years.
But the concept of lesbian, gay, bisexual, or transgender people
clearly has a long history.
Today, that market wields enormous purchasing power,
a characteristic that usually attracts Madison Avenue like bees to honey.
But that hasn't been the case historically.
Instead, it's been a long, slow journey to acknowledgement.
But that journey is a fascinating story.
In many ways, the advertising industry has excelled at selling products for the kitchen,
the living room, the bedroom industry has excelled at selling products for the kitchen, the living room,
the bedroom, and the garage.
It's also very good at
selling products you keep in the closet.
It just hasn't been very good
at selling to people who have come
out of the closet.
You're under the influence.
The LGBT market, or lesbian, gay, bisexual and transgender market market is a powerful one. Their total buying power in North America will cross the $800 billion mark this year.
According to surveys conducted by Harris Interactive
over the past decade,
roughly 6.7% of the U.S. population
self-identify as lesbian, gay, bisexual, or transgender.
That translates to between 15 and 16 million adults over the age of 18.
In Canada, according to the Vanier Institute of the Family, that number is 2.8% of the
population, or just under 1 million people.
The advertising industry has long broken the population down into segments for the purpose
of marketing.
Instead of relying on single-message mass marketing, Madison Avenue came to understand
that tailoring specific messages to specific groups would lead to greater sales.
But the advertising industry is conservative by nature. As we mentioned in our episode on diversity last season,
it took decades for Madison Avenue to advertise to African Americans,
even though it was widely known that the black population
represented billions in discretionary spending power.
The same can be said of the LGBT market.
No big brand advertising was aimed at the gay population until the 1980s.
But that said, if you looked closely at some of the early print advertising,
there were subtle coded ads done by major advertisers going back as far as the early 20th century.
A 1915 print ad for Palmolive Soap showed an illustration of two beautiful women
nestled in bed together,
dressed in frilly negligees.
There is an unmistakable sensuality in the ad,
with the headline,
Appeals to Dainty Women.
Another soap brand, Ivory Snow,
seems to have been a brand that used advertisements
aimed at their market at large,
but used code to talk to the gay population.
In 1917, it ran a print ad in Outlook magazine,
showing two men shopping for rugs,
which, at the time,
was a very domestic, couple-oriented thing to do.
In another ad from that same year,
it shows a group of men showering in a locker room,
with three of those men standing there watching the athletes as they bathe.
The first line of copy reads,
Not the least of the pleasures of a hard game is the bath that follows it.
You can see this ad
on our website.
A 1939 Carp and Pillow Rest
mattress ad
shows two women
running on the beach
holding hands.
The headline announces,
They must have slept
on a Carp and Pillow Rest mattress.
These ads ran
in the most popular magazines
of the day,
including the Ladies'
Home Journal, Women's Home Companion, and Good Housekeeping. As writer Bruce Joffe notes,
the products were mainstream, but the messages were somewhat offbeat. It was the result of one of two scenarios. Either these major brands were creating ads for their straight clientele while encoding them with subtler messages for their gay customers,
or the artists creating the ads were gay themselves
and purposely embedded winking messages for the initiated.
The sexual suggestiveness and ambiguity of these ads is remarkable for the times.
Hollywood has hinted at gay themes, subplots and characters since the beginning of cinema.
In the 1916 movie Behind the Screen, a stagehand taunts Charlie Chaplin in an effeminate way after he thinks Charlie has
kissed a boy, when in fact
it's a woman in drag.
In 1930, Marlena Dietrich,
dressed as a man, walks
over to a pretty woman in a night
club,
and kisses her on the lips
as she finishes a performance.
In the 1930s, conservative groups lobbied for a less permissive Hollywood.
This resulted in the Motion Picture Production Code,
which established moral censorship guidelines that lasted from 1930 until 1968.
The code banned depictions of such things as questionable sexuality, rape, abortion,
white slavery, obscenity, and prostitution.
But for all its efforts, the production code didn't erase homosexuals from the screen.
It just made them harder to find.
And for the next 40 years, it became a game of hide-and-seek with censors.
But it was television and its depiction of gays
that had the biggest effect on advertising.
And these are the Campbells.
And this is Soap.
Billy Crystal's portrayal of Jody Dallas on the sitcom Soap in 1977
is often credited with being the first ongoing gay character in TV history.
Next, Jody.
I don't think I ought to testify.
Why?
I'm gay.
Oh.
Well, these are more liberal times, Jody.
I don't think that
would matter.
But it wasn't the
first.
Way back in 1972,
five years before
Soap, there was a
sitcom titled The
Corner Bar that
featured a recurring
gay character named
Peter Panama, played
by actor Vincent
Ciavelli.
And if you were to skip back one more year...
There was an occasional gay character on All in the Family.
In an episode titled Judging Books by Covers,
Archie Bunker discovers one of his drinking buddies,
a big ex-football player named Steve, is gay.
Arch, how long you known me?
Ten, twelve years?
Yeah.
In all that time, did I ever mention a woman?
Well, what difference does that make? You're a bachelor.
So?
I know, but bachelors, they're always acting kind of private.
Exactly.
Oh, come on, Steve.
I remember the first time I ever saw gay characters portrayed on television.
It was a 1972 made-for-TV movie called
That Certain Summer,
starring Hal Holbrook and Martin Sheen.
I was 13 years old at the time,
and I still remember it to this day.
It was a sympathetic story of a divorced father
trying to tell his young son that he was gay.
Do you know what the word homosexual means?
Nick?
Come on, look at me.
Keep the door open.
A critic called it a giant step for television.
TV Guy proclaimed that television had finally grown up.
26 years later, it was given a Hall of Fame award
for its groundbreaking broadcast.
Come and knock on our door. Come and knock on our door
Come and knock on our door
We've been waiting for you
We've been waiting for you
Where the kisses are hers
and hers and his
Three's Company too
As the 70s progressed,
homosexuality began showing up
in more prime time storylines.
TV shows like Three's Company used it as an ongoing theme,
as Jack Tripper pretended to be gay
so his landlords would allow him to live with two pretty girls.
Hey, uh, Mr. Roper.
Yeah? Tinkerbell?
I'm Jack. Your name is Jack?
I'm sorry, Jack.
That series ran from 1977 to 1984,
and it was around this time that the first major brand
began to advertise to the gay community.
The product was Absolute Vodka.
And we'll be right back.
If you're enjoying this episode, why not dip into our archives,
available wherever you download your pods.
Go to terryoreilly.ca for a master episode list.
In 1981, the owners of Absolute felt that the LGBT community were trendsetters,
whose buying habits would eventually be adopted by other young, hip markets.
So they began advertising in two gay magazines, called The Advocate and After Dark.
But they didn't just buy pages, they bought the back covers.
It was a statement by Absolute of its commitment,
as gay magazines could never historically get any major advertiser
to buy the highly visible outside back covers.
Absolute not only proudly bought them, but locked them up for two years.
While Absolute initially ran their regular ads in those publications,
it soon began creating gay-themed ads.
One said, Absolute Glad,
honoring the gay and lesbian alliance against defamation.
Another said, Absolute Commitment,
that showed two identical Absolute bottles on the top of a wedding cake.
A big outdoor billboard said, Absolute Out,
and showed nine three-dimensional closet doors all wide open.
Last year, Absolute celebrated 30 years of LGBT advertising with a big $4 million Absolute Outrageous campaign, Accent on the Out.
The tagline was, going out and coming out.
But even with a big brand like Absolute
openly marketing
to the LGBT audience
in the early 80s,
it was still a rarity.
When AIDS hit the news
in the mid-80s,
almost all gay targeted advertisinggeted advertising disappeared.
Brands feared being labeled as a gay product
and also risked moral majority boycotts.
But it took the recession of the early 90s to bring it back.
With a tough economic climate,
advertisers went in search of new affluent markets.
As a BBDO adman remarked,
when companies are forced to survive in a recession, they get liberal in a hurry.
In 1992, cigarette maker Philip Morris ran a print ad for its Benson & Hedges special
King's brand in a gay publication called Genre. It marked the first time a major tobacco company had ever advertised in the national gay press.
The very next year,
advertisers would finally take the plunge on television.
In 1993, a TV ad for a Danish newspaper called Politiken
showed two men passionately kissing.
It is believed to be a world first.
On this side of the ocean, it was an IKEA ad in 1994
that was the first to show gays openly portrayed
in a mainstream TV commercial.
In the ad, two men shop for a dining room table.
Well, you know, we went to IKEA
because we thought it was time for a serious dining room table.
We have slightly different tastes. I mean, Steve's more into country.
It frightens me, but at the same time, I have compassion.
We've been together about three years.
I met Steve at my sister's wedding.
I was really impressed with how just well-designed the Ikea furniture was.
He's really into craftsmanship.
And his chairs are really sturdy.
This table concluded a leaf.
A leaf means...
Commitment.
Staying together, commitment.
We've got another leaf waiting when we really start getting along.
It appears IKEA had reservations about airing the ad.
And according to reports, it only ran in New York and Washington, D.C.
after 9.30 p.m., quote,
in deference to children, unquote.
Within a week of airing,
a few East Coast IKEA stores were targeted by angry protesters
and one store received a bomb threat and was evacuated.
The ad was pulled after a few weeks.
Advertising Age magazine said
there had never been anything like that commercial before
and said it was a giant leap for the gay community.
It's interesting to note that this IKEA commercial ran one month
after Tom Hanks received an Oscar
for his portrayal of a gay man in the movie Philadelphia.
Clearly, LGBT issues were slowly moving into the mainstream.
One big test of that change came in 1997,
when Ellen DeGeneres chose to come out on her sitcom.
I can't even say the word.
Why can't I say the word?
I mean, why can't I just say...
I mean, what is wrong?
Why do I have to be so ashamed?
I mean, why can't I just say the truth?
I mean, be who I am.
I'm 35 years old. I'm so afraid to tell people. I mean, I just... Susan, I'm gay.
There was a lot of anticipation leading up to that program. Right-wing organizations threatened
to boycott advertisers of that episode and took out a full-page ad in Vanity Fair
calling the show a slap in the face of American families.
The resulting controversy prompted Chrysler, Mazda, JCPenney,
and later Wendy's to pull their ads.
A TV affiliate in Birmingham, Alabama refused to air the episode.
Ironically, over 42 million people watched that night,
making it a ratings extravaganza.
It was reported that ABC had no problem filling the vacant advertiser slots
and even charged double for the honor.
It's also interesting to note that a certain commercial for Volkswagen
aired in that famous episode.
It showed two young men in a VW searching for a couch,
which many interpreted to be a gay couple.
You may remember the ad by the music it used.
Volkswagen expressed surprise that their commercial
would be interpreted as showing two gay men.
As a spokesperson said,
we just thought of them as two college guys out on a Sunday afternoon.
But within the context of that episode, the message took on a new meaning.
The Ellen DeGeneres coming out episode marked a turning point in the world of advertising.
Later that same year, according to Commercial Closet,
an organization that tracks LGBT advertising,
American Airlines, American Express,
Miller Brewing, and IBM
all had a presence in gay marketing.
Subaru, for example,
was one of the first major car companies
to do research into the gay market
and discovered a big percentage of lesbians
loved their brand.
Using the theme, different drivers, different roads, Subaru not only bought space in gay
publications, but it used coded messages to gay women via the license plates in their
ads.
For example, some would say Xena LVR, a play on the popularity among lesbians of the TV show Xena Warrior Princess.
Or, plates might say P-Town, a reference to Provincetown,
a popular tourist destination for lesbians and gay men.
In 1996, Mystic Beverages ran this ad targeting lesbians.
Mom, Dad, if you're watching, I want you to know I finally found the person I want to spend the rest of my life with.
Mom and Dad, this is Jen.
Hi.
Show your colors, Mystic.
Over the last 10 years, more and more advertisers have chosen to market to the gay community. The city of Philadelphia, fittingly,
advertises to gay tourists with the tagline,
Philadelphia, get your history straight and your nightlife gay.
The return on investment has been extraordinary.
For every dollar invested in gay marketing,
$153 were returned in direct visitor spending.
New year, new me.
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R-A-K-U-T-E-N dot C-A. I take my time, I walk straight Hyundai ran a very funny TV ad in 2000
that showed a middle-aged woman driving her car with her young male lover.
When she suddenly spots her husband's car stopped at the lights up ahead,
she quickly pulls the seat recline lever
and her lover drops out of sight as she pulls up beside her older husband.
They wave at each other, then drive away.
The wife pulls the reclined lever the other way,
and up pops her boyfriend.
But then we cut to the husband's car.
He pulls the same lever, and up pops his boyfriend.
All done to a song called Toy Boy.
Toy, boy, le monde se moque du monde. a song called Toy Boy.
Just advertising to the gay market is not enough to secure business,
of course. Equally as important
to the gay community is what a
company's policies are when it comes
to their own gay employees.
Levi's, for example,
is a brand that is highly respected by the LGBT community.
Not only was it the first Fortune 500 company to offer health benefits
to unmarried domestic same-sex partners,
but it supported the No to Proposition 8 campaign in California
and ties white ribbons on its mannequins as a sign of support for gay marriage.
American Airlines set up the Rainbow Team,
the first airline to establish a dedicated LGBT sales division and website.
As a result, revenue rose from $20 million in 1994 to over $193 million in 1999.
Microsoft recently made its defense of gay rights crystal clear
by donating $100,000 in support of extending domestic rights to same-sex couples.
Bill Gates has also made personal donations.
Apple donated $100,000 as well to the No to Prop 8 campaign
and gives equal rights and benefits to their employees' same-sex partners.
When Out magazine published its power list
of the most influential gay people in North America,
new Apple CEO Tim Cook was number one.
Ellen was number two.
But in maybe the most recent example of a brand
that hasn't always been seen supporting the LGBT audience
is the new USA Tourism campaign.
The song is Land of Dreams by Roseanne Cash.
Come and find your land of dreams
The commercial shows imagery of beautiful American landscapes
and a diversity of American people.
And as Roseanne Cash sings,
there is a place for all we feel,
we see a gay male couple.
For all the advertisers that have included gay consumers
in their communications over the years,
it just might be this campaign,
the campaign the U.S. sends out to the world,
that may be the most
meaningful message of all.
Your Land of Dreams
If there's one thing
the advertising world loves,
it's a lucrative target market.
It's just that it takes
the ad world a long time,
sometimes decades,
to get up the courage
to chase certain markets.
It wasn't until the 1970s that Madison Avenue finally courted the African American market,
even though it had been worth billions for decades.
It's the same with gay consumers.
With discretionary spending power of over $800 billion, they are not insignificant. Absolute Vodka was the first major brand to advertise to the LGBT market in 1981.
But it took 10 more years before other big brands were brave enough to come courting.
Strange as it may sound, being advertised to is a sign of respect.
When a segment of the population is ignored by advertisers,
it signals they are not valued.
But, of course,
true acceptance can't just be about business.
Recently, Barack Obama said something
no other president has said before,
that same-sex marriage should be legal.
At the same time,
a group called One Million Moms
threatened to boycott JCPenney
for hiring Ellen DeGeneres
to be its spokesperson.
Yet, back in 1997,
JCPenney pulled its advertising
from Ellen's Coming Out episode.
And recently,
the first transgender contestant
ran in the Miss Universe Canada contest.
At first, she was barred from competing,
until pageant owner Donald Trump overruled the decision. All of which proves that we may have
traveled 5,000 years since the gay caveman, but we haven't traveled many miles when you're under
the influence. I'm Terry O'Reilly.
Just calling to say the seat lever in your wife's car has been repaired.
Again.
We've never seen a reclining lever break so many times.
Anyway, it's ready for pickup.
Under the Influence was produced by Pirate Toronto and New York.
Episode scheduling and coordination handled by Debbie O'Reilly.
See you next week.